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-[man 1] All right.
-[man 2] Okay. Hello.
2
00:00:23,357 --> 00:00:25,692
[man 3] Stand by. We got speed.
3
00:00:25,776 --> 00:00:27,069
-[man 2] You ready?
-[man 3] Yeah.
4
00:00:27,152 --> 00:00:29,446
♪ Now here's a little story
That I got to tell ♪
5
00:00:29,530 --> 00:00:32,323
♪ About three bad brothers
That you know so well ♪
6
00:00:32,406 --> 00:00:34,910
♪ It started way back in history ♪
7
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-♪ With Ad-Rock ♪
-♪ MCA ♪
8
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-♪ And me ♪
-♪ Mike D ♪
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["Sabotage" playing]
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[man] Who's your favorite Beastie Boy?
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00:00:53,679 --> 00:00:55,806
I sort of identify
with bits of all of them really.
12
00:00:55,889 --> 00:00:58,642
I guess MCA resonates.
13
00:00:58,725 --> 00:00:59,643
[man 3] Mike D.
14
00:00:59,726 --> 00:01:01,728
[woman] Ad-Rock is, like, big inspiration.
15
00:01:01,812 --> 00:01:03,230
When you listen to a group for that long,
16
00:01:03,313 --> 00:01:06,316
you go through phases
of who you feel you're more connected to
17
00:01:06,400 --> 00:01:07,651
at certain times in your life.
18
00:01:07,734 --> 00:01:09,027
My favorite is Mike D.
19
00:01:09,111 --> 00:01:11,864
He's really funny,
but in, like, a subtle way.
20
00:01:11,947 --> 00:01:14,366
Do you have a favorite Beasties video
over the years?
21
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Mine's actually an exercise video
that never came out.
22
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Call the number on your screen right now!
23
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MCA, I feel like, was the leader
of all of them. Kept them all together.
24
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He's the one that comes up
with all the crazy stuff.
25
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[man] MCA definitely played a large part
in the world.
26
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Very influential man, a big heart.
27
00:01:30,299 --> 00:01:33,218
I always thought that Ad-Rock
kind of encapsulated the coolness.
28
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It's a word that is not really used
that much in these days,
29
00:01:36,847 --> 00:01:39,933
but I think it really suits me,
as well as these guys.
30
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It's "macho."
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It's a macho that we have.
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Because he's so honest.
He's, like, brutally honest.
33
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We're not very talented musically,
34
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so we figured we'd try all kinds
of different realms.
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Yauch.
36
00:01:51,028 --> 00:01:53,322
Yo, I'd just like to say, "What's up?"
to my grandma.
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Because it's all about the bass guitar
for me.
38
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[song ends]
39
00:01:59,286 --> 00:02:01,830
[cheering, applause]
40
00:02:01,914 --> 00:02:05,250
Yo, hold up, wait up,
just sit down for a minute.
41
00:02:05,334 --> 00:02:06,668
It's not over yet.
42
00:02:07,419 --> 00:02:08,419
Go!
43
00:02:08,503 --> 00:02:10,506
[song resumes]
44
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[man]
Their music has just been so influential.
45
00:02:17,930 --> 00:02:20,015
The soundtrack of my life,
if you can call it that.
46
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It's the soundtrack of our lives.
47
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A lot of bands, they just break apart,
48
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and then they come back at the end.
49
00:02:26,772 --> 00:02:29,525
But they stayed together
the whole adventure.
50
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♪ I can't stand it
I know you planned it ♪
51
00:02:33,445 --> 00:02:35,572
♪ I'mma set it straight, this Watergate ♪
52
00:02:35,656 --> 00:02:38,700
♪ I can't stand rockin' when I'm in here ♪
53
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♪ 'Cause your crystal ball
Ain't so crystal clear ♪
54
00:02:41,787 --> 00:02:44,998
♪ So while you sit back and wonder why ♪
55
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♪ I got this fuckin' thorn in my side ♪
56
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♪ Oh, my God, it's a mirage ♪
57
00:02:50,671 --> 00:02:53,465
♪ I'm tellin' y'all, it's sabotage ♪
58
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-[song ends]
-[man in audience] Yeah!
59
00:02:56,969 --> 00:02:58,345
[audience cheering, applauding]
60
00:02:58,428 --> 00:02:59,721
[Ad-Rock] All right.
61
00:03:03,308 --> 00:03:05,310
-[Ad-Rock] Yo!
-[Mike D, indistinct]
62
00:03:05,394 --> 00:03:06,603
[Ad-Rock] Oh!
63
00:03:07,729 --> 00:03:08,730
[Mike D] What's up?
64
00:03:09,398 --> 00:03:10,858
Brooklyn!
65
00:03:17,781 --> 00:03:19,449
[Ad-Rock] Well, hi.
66
00:03:20,200 --> 00:03:21,910
[inaudible]
67
00:03:21,994 --> 00:03:22,995
-Well...
-[cheering quiets]
68
00:03:23,871 --> 00:03:25,539
Hello, everyone.
69
00:03:28,500 --> 00:03:31,044
-Well, hi, everyone. I'm Adam.
-[woman] Hi, Adam.
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And I'm Mike.
71
00:03:32,212 --> 00:03:36,383
Also known as Michael Diamond or Mike D.
72
00:03:36,842 --> 00:03:39,094
And we're Beastie Boys from New York City.
73
00:03:43,182 --> 00:03:46,768
Now, tonight we're going
to tell you the story of three kids
74
00:03:46,852 --> 00:03:48,520
that met and became friends
75
00:03:48,604 --> 00:03:52,191
and did all kinds of crazy stuff
together for over 30 years.
76
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[Mike D] The two of us will do the best
we can, because one of us isn't here.
77
00:03:57,696 --> 00:03:59,781
-Adam Yauch...
-[cheering, applause]
78
00:04:02,367 --> 00:04:04,828
...who you also know as MCA.
79
00:04:05,871 --> 00:04:08,373
We lost him in 2012 to cancer.
80
00:04:08,457 --> 00:04:11,376
And when Adam died,
we stopped being a band.
81
00:04:12,127 --> 00:04:15,255
Yeah, it just felt too weird
to do the band without Yauch,
82
00:04:15,339 --> 00:04:19,218
because, well, I mean,
the band was his idea in the first place.
83
00:04:20,594 --> 00:04:23,138
So, although Yauch's not here with us,
84
00:04:23,805 --> 00:04:26,892
"What would Yauch do?"
is always on our minds.
85
00:04:27,643 --> 00:04:30,812
But trying to imagine what
Yauch would actually do is pretty hard,
86
00:04:30,896 --> 00:04:32,940
'cause he was very unpredictable.
87
00:04:33,023 --> 00:04:36,026
He was a wild card,
but we'll get to that later.
88
00:04:36,109 --> 00:04:37,653
[female reporter]
The Beastie Boys have arrived.
89
00:04:37,736 --> 00:04:39,821
Always on the cutting edge of fashion.
90
00:04:39,905 --> 00:04:44,117
When they're not on the red carpet,
they are always at the shows in Paris.
91
00:04:44,201 --> 00:04:45,911
Look at the white dreads.
92
00:04:45,994 --> 00:04:49,790
The Beastie Boys are back
after a six-year absence.
93
00:04:49,873 --> 00:04:51,667
Guys, that's a long time.
94
00:04:51,750 --> 00:04:54,169
What have you been up to?
It's great to see you.
95
00:04:54,253 --> 00:04:56,255
-[Ad-Rock] Hey!
-Actually, I know it sounds kinda funny,
96
00:04:56,338 --> 00:04:58,841
but we were actually
captured by Sasquatch.
97
00:04:58,924 --> 00:05:00,008
[audience chuckling]
98
00:05:00,092 --> 00:05:02,594
[man] What we're gonna do right here
is go back.
99
00:05:03,637 --> 00:05:05,764
Way back. Back into time.
100
00:05:05,848 --> 00:05:07,474
[audio playing backwards]
101
00:05:14,356 --> 00:05:20,112
Being a weird kid from, sorry, Mom,
a weird family, is just kind of weird.
102
00:05:20,195 --> 00:05:21,780
But it's also pretty lonely.
103
00:05:22,239 --> 00:05:23,907
One day, I heard this band The Clash.
104
00:05:23,991 --> 00:05:26,994
["Rubber Dub" by The Clash playing]
105
00:05:30,622 --> 00:05:31,665
[song fades]
106
00:05:31,748 --> 00:05:33,750
Not only did I love their music,
107
00:05:33,834 --> 00:05:37,546
but when I heard it,
I knew there'd be other weirdos out there.
108
00:05:37,629 --> 00:05:38,964
I just had to find them.
109
00:05:39,756 --> 00:05:42,176
I found my first other weirdo at school.
110
00:05:42,259 --> 00:05:44,303
His name is John Berry.
111
00:05:44,720 --> 00:05:48,891
One afternoon, we saw an ad in the back of
this free paper called The Village Voice.
112
00:05:48,974 --> 00:05:51,685
It was for a band that we loved
called the Bad Brains.
113
00:05:53,395 --> 00:05:54,855
[cheering]
114
00:05:54,938 --> 00:05:56,732
And the Bad Brains were playing this show
115
00:05:56,815 --> 00:05:58,942
down at this place called
the Botany Talk House.
116
00:05:59,026 --> 00:06:01,737
[playing "Pay to Cum"]
117
00:06:03,363 --> 00:06:04,823
So we go down to the club
118
00:06:04,907 --> 00:06:09,286
and there's, like, maybe all of 15 people
in the entire place,
119
00:06:09,369 --> 00:06:11,205
and they're all grown-ups.
120
00:06:11,288 --> 00:06:14,499
But there was one other kid our age there.
121
00:06:14,583 --> 00:06:15,667
And he looked really cool.
122
00:06:15,751 --> 00:06:18,795
He had this long trench coat on
from, like, a thrift store,
123
00:06:18,879 --> 00:06:20,047
he had combat boots,
124
00:06:20,130 --> 00:06:23,258
he had these homemade buttons
on his trench coat,
125
00:06:23,342 --> 00:06:25,886
and his name was Adam Yauch.
126
00:06:28,305 --> 00:06:33,519
[Ad-Rock] So I met Yauch and Mike
and John Berry at a Misfits show in 1982.
127
00:06:35,020 --> 00:06:36,396
It might have been Circle Jerks,
128
00:06:36,480 --> 00:06:39,816
but I like the Misfits more, so I'm gonna
say that it was at a Misfits show.
129
00:06:39,900 --> 00:06:42,277
Now, somehow, me and my two friends heard
130
00:06:42,361 --> 00:06:45,113
that there were a bunch of kids
hanging out in a ladies' bathroom.
131
00:06:45,447 --> 00:06:46,990
So we walked in there
132
00:06:47,074 --> 00:06:52,538
and we found a bunch of super cool-looking
punk kids our age hanging out.
133
00:06:52,621 --> 00:06:55,332
And I actually recognized one of them,
Jill Cunniff,
134
00:06:55,415 --> 00:06:57,376
'cause we were
in fifth grade class together.
135
00:06:57,459 --> 00:06:59,169
And so she was my in.
136
00:06:59,253 --> 00:07:02,214
I also recognized one of the other kids
in the group,
137
00:07:02,297 --> 00:07:03,340
Kate Schellenbach,
138
00:07:03,423 --> 00:07:05,425
'cause we grew up
in the same neighborhood.
139
00:07:08,637 --> 00:07:10,681
[Mike D]
Kate was just-- She was really cool.
140
00:07:10,764 --> 00:07:12,432
She was also smarter than we were.
141
00:07:12,516 --> 00:07:16,979
And she was into, I don't know, more
sophisticated, European kind of music--
142
00:07:17,062 --> 00:07:20,148
Just-- Sorry to interrupt, but just to say
that she was smarter than us--
143
00:07:20,232 --> 00:07:22,192
-I mean, Kate's very smart, but--
-Sure, it didn't take a lot.
144
00:07:22,276 --> 00:07:24,069
-Not that it's saying that much. Okay.
-But she was.
145
00:07:24,152 --> 00:07:25,153
-Fact.
-Correct.
146
00:07:26,488 --> 00:07:30,200
So, she was into cool bands
like Kraftwerk.
147
00:07:30,284 --> 00:07:33,704
And she lived in this loft on 14th Street
with her mom
148
00:07:33,787 --> 00:07:36,206
that was this big open old-style loft,
149
00:07:36,290 --> 00:07:39,251
and in the center of all of it
was her drum set.
150
00:07:41,962 --> 00:07:45,382
[Ad-Rock] My first punk rock friend
was Dave Scilken. And he--
151
00:07:45,465 --> 00:07:47,885
That's him on the left.
And that's me on the right.
152
00:07:47,968 --> 00:07:49,845
So me and my best friend
in junior high school,
153
00:07:49,928 --> 00:07:51,763
we're playing basketball
outside of school,
154
00:07:51,847 --> 00:07:54,641
and we see this crazy-looking kid
with spiked hair and a trench coat
155
00:07:54,725 --> 00:07:57,436
walking down the street,
carrying a synthesizer.
156
00:07:57,519 --> 00:07:59,980
So we had to go over to talk to this kid.
157
00:08:00,772 --> 00:08:02,149
He was younger than us.
158
00:08:02,232 --> 00:08:05,194
He was in the sixth grade,
and he was cutting school.
159
00:08:06,236 --> 00:08:08,655
Now, let that sink in.
160
00:08:10,282 --> 00:08:12,951
You're 11 years old in the sixth grade.
161
00:08:14,411 --> 00:08:18,165
At that time, our main hangout
was at John Berry's apartment
162
00:08:18,248 --> 00:08:19,541
on 100th and Broadway.
163
00:08:19,625 --> 00:08:21,543
And that's where we'd play music.
164
00:08:21,627 --> 00:08:26,048
In the early '80s, everyone in our scene
was in some kind of band.
165
00:08:26,131 --> 00:08:29,760
And Yauch kept pushing us
to start a band with him.
166
00:08:29,843 --> 00:08:31,595
Now he already had a name for it:
167
00:08:32,136 --> 00:08:33,263
Beastie Boys.
168
00:08:36,475 --> 00:08:42,438
The band originally
was me, Kate, Adam Yauch, John Berry.
169
00:08:42,523 --> 00:08:43,899
The name stood for
170
00:08:43,982 --> 00:08:48,612
Boys Entering Anarchistic States
Towards Inner Excellence.
171
00:08:51,031 --> 00:08:53,367
The acronym alone makes no sense
172
00:08:53,450 --> 00:08:56,119
because "boys" is already
in the title of the band.
173
00:08:56,203 --> 00:08:58,580
So the name is ridiculous and redundant.
174
00:08:58,664 --> 00:09:01,875
And inaccurate,
because there was a girl drummer, Kate.
175
00:09:02,709 --> 00:09:06,004
So, our very first gig
was at John Berry's house,
176
00:09:06,088 --> 00:09:08,173
up where he lived, on the third floor.
177
00:09:09,341 --> 00:09:11,343
Yauch was turning 17.
178
00:09:11,426 --> 00:09:12,886
And Yauch's like, "You know what,
179
00:09:12,970 --> 00:09:15,472
I'm gonna have a party,
and we're gonna play at it."
180
00:09:15,556 --> 00:09:17,432
["Holy Snappers"
by the Beastie Boys playing]
181
00:09:20,394 --> 00:09:25,482
And then, when we go up to play,
somehow I got nominated to be the singer.
182
00:09:25,566 --> 00:09:29,194
Now, I was a super shy type of kid.
183
00:09:29,278 --> 00:09:31,029
I don't know why I ever agreed to this.
184
00:09:31,113 --> 00:09:33,490
[song continues]
185
00:09:37,035 --> 00:09:40,372
I guess the main thing I remember is
probably, like, 10 or 12 kids in a room
186
00:09:40,455 --> 00:09:44,459
maybe 12 feet wide by 20 feet long
or something, just kind of, like,
187
00:09:44,543 --> 00:09:46,336
jumping up and down
and bumping into each other.
188
00:09:46,420 --> 00:09:49,548
But it was all basically, like,
friends having a good time.
189
00:09:49,631 --> 00:09:53,010
-[song ends]
-[audience cheering]
190
00:09:53,886 --> 00:09:55,929
I wasn't in Beastie Boys back then.
191
00:09:56,013 --> 00:09:57,764
But I joined in 1983.
192
00:09:57,848 --> 00:10:00,475
John Berry wasn't into it anymore,
and so he quit.
193
00:10:01,435 --> 00:10:04,771
At that point, I was hanging out with
Mike and Yauch and Kate all the time.
194
00:10:04,855 --> 00:10:07,983
I guess since I was standing there,
I'm the new guitar player.
195
00:10:10,611 --> 00:10:12,362
[playing "The White Shadow"]
196
00:10:14,531 --> 00:10:17,576
[song continues]
197
00:10:17,659 --> 00:10:20,329
[Mike D] We were a hardcore band,
but we kind of weren't.
198
00:10:20,412 --> 00:10:25,834
I mean, we were like Monty Python
as much as we were Black Flag.
199
00:10:25,918 --> 00:10:28,378
[song ends]
200
00:10:28,462 --> 00:10:29,463
Introduce yourself.
201
00:10:29,546 --> 00:10:31,840
Yeah, yeah. So I'm Michael.
I'm in the Beastie Boys.
202
00:10:31,924 --> 00:10:35,427
My name is Kate. I'm a Capricorn,
and I have lint in my pocket.
203
00:10:35,511 --> 00:10:37,888
Now we're gonna get to an older,
more mature member.
204
00:10:37,971 --> 00:10:41,517
-Give us your name.
-My name's Ad, but you can call me Adam.
205
00:10:41,600 --> 00:10:45,854
And I'm just hanging out here on TV.
You know, your basic stuff.
206
00:10:45,938 --> 00:10:48,857
My name's Adam, as it says on my belt.
207
00:10:48,941 --> 00:10:50,943
Get a shot of Adam's belt if you can.
208
00:10:51,026 --> 00:10:53,320
How old are you? About 13, 14?
209
00:10:53,403 --> 00:10:55,030
-About.
-Yeah. Twelve, eleven.
210
00:10:55,113 --> 00:10:57,157
So, we're getting a little older now.
211
00:10:57,241 --> 00:10:58,951
We're no longer 15.
212
00:10:59,034 --> 00:11:00,118
We're 16.
213
00:11:01,078 --> 00:11:02,788
We were into all kinds of music.
214
00:11:02,871 --> 00:11:06,500
We listened to soul and punk
and rap and reggae.
215
00:11:06,583 --> 00:11:09,294
Rap was hard to find back then
'cause there was only a few 12-inches out.
216
00:11:09,378 --> 00:11:11,588
But we wanted to switch up our style.
217
00:11:11,672 --> 00:11:13,924
So we were obsessed
with this stupid commercial
218
00:11:14,007 --> 00:11:16,176
for this ice-cream store called Carvel.
219
00:11:16,260 --> 00:11:20,138
[female voice] Hello, I'm a Carvel
celestial person from outer space.
220
00:11:20,222 --> 00:11:21,890
My real name is Cookie Puss.
221
00:11:21,974 --> 00:11:23,559
[Ad-Rock] And someone had the smart idea
222
00:11:23,642 --> 00:11:26,979
to record a super stupid
prank phone call song called
223
00:11:27,062 --> 00:11:28,230
"Cooky Puss."
224
00:11:29,314 --> 00:11:30,941
-[song playing]
-[telephone line ringing]
225
00:11:31,024 --> 00:11:33,735
-[record scratching]
-[man babbling]
226
00:11:35,070 --> 00:11:37,531
-[woman] Hello, Carvel.
-[Ad-Rock] Yo, man. Cookie Puss there?
227
00:11:37,614 --> 00:11:38,615
Who?
228
00:11:38,699 --> 00:11:41,660
Cookie Puss.
I wanna speak to Cookie Puss, man.
229
00:11:41,743 --> 00:11:43,287
No. Nobody here by that name.
230
00:11:43,370 --> 00:11:45,330
Cookie O'Puss then. Cookie Chick...
231
00:11:45,414 --> 00:11:47,040
[Mike D] So, this guy Dave Parsons,
232
00:11:47,124 --> 00:11:50,294
he had this record store downtown
called the Rat Cage.
233
00:11:50,377 --> 00:11:54,089
We would cut school
to go hang out at this place, right?
234
00:11:54,173 --> 00:11:56,884
By this time,
Dave started a small record label.
235
00:11:56,967 --> 00:11:59,678
Put "Cooky Puss" out as a 12-inch, right.
236
00:11:59,761 --> 00:12:02,890
And then something happened
that we never thought would happen.
237
00:12:02,973 --> 00:12:06,268
DJs started playing our record in clubs.
238
00:12:06,351 --> 00:12:11,023
Then other people besides our 15 friends
actually heard our music.
239
00:12:11,106 --> 00:12:15,319
And one day, I went to visit a friend at
some weird high school temp job she had.
240
00:12:15,402 --> 00:12:17,738
And we heard that DJ Afrika Bambaataa
241
00:12:17,821 --> 00:12:20,991
was on a talk show or something
on some other floor in the building.
242
00:12:21,074 --> 00:12:22,492
And we got fuckin' psyched.
243
00:12:22,576 --> 00:12:25,829
And we ran down
and we snuck onto the TV set.
244
00:12:25,913 --> 00:12:27,748
And this is what happened next.
245
00:12:28,207 --> 00:12:29,958
[Ad-Rock] I was wondering--
There's a song I really like
246
00:12:30,042 --> 00:12:32,878
called "Cooky Puss" by the Beastie Boys.
I was wondering if you ever heard of it.
247
00:12:32,961 --> 00:12:34,505
[Bambaataa] Yes, I heard of "Cooky Puss."
248
00:12:34,588 --> 00:12:38,592
I've gotten the record
through the rock pool. It's tough.
249
00:12:38,675 --> 00:12:39,676
[Ad-Rock] Okay.
250
00:12:39,760 --> 00:12:41,470
Yeah, you like that--
Why do you like that one?
251
00:12:41,553 --> 00:12:43,931
Yeah, it's just a really funny song.
I heard it on the radio--
252
00:12:44,014 --> 00:12:47,809
It's got scratching and work on it?
Like that?
253
00:12:47,893 --> 00:12:49,728
It has a little bit of scratching on it.
254
00:12:49,811 --> 00:12:51,396
It's funky.
255
00:12:53,649 --> 00:12:54,942
Chapter 2:
256
00:12:55,025 --> 00:12:58,195
"All We Do Is Listen to Rap."
257
00:12:58,278 --> 00:13:01,031
[hip-hop beat playing]
258
00:13:01,114 --> 00:13:03,784
In 1984, a song came out
259
00:13:03,867 --> 00:13:07,371
that would change the course
of our band forever.
260
00:13:07,454 --> 00:13:10,207
"Sucker MC's" by Run-DMC.
261
00:13:10,832 --> 00:13:15,337
♪ Two years ago, a friend of mine
Asked me to say some MC rhymes ♪
262
00:13:15,420 --> 00:13:17,881
♪ So I said this rhyme I'm about to say ♪
263
00:13:17,965 --> 00:13:20,926
♪ The rhyme was def
A-then it went this way ♪
264
00:13:21,009 --> 00:13:24,555
"Sucker MC's" was everywhere in New York
when it came out.
265
00:13:25,138 --> 00:13:26,557
You heard it coming out of cars,
266
00:13:26,640 --> 00:13:29,643
out of tape decks, out of pizza spots,
all over the city.
267
00:13:29,726 --> 00:13:31,854
Run-DMC was the shit.
268
00:13:31,937 --> 00:13:33,522
And we wanted to be just like them.
269
00:13:33,605 --> 00:13:36,233
I mean,
we studied every song, every lyric.
270
00:13:36,316 --> 00:13:38,902
We were lookin' at every picture,
tryin' to figure out their sneaks,
271
00:13:38,986 --> 00:13:40,487
their clothes, everything.
272
00:13:40,571 --> 00:13:44,783
[Mike D] We would study and repeat
all our favorite rap songs all day.
273
00:13:44,867 --> 00:13:47,536
[Ad-Rock] Not that we felt we would ever
be a rap group or anything.
274
00:13:47,619 --> 00:13:49,997
But around this time,
we started writing our own rhymes.
275
00:13:50,080 --> 00:13:52,583
I think now we're gonna show
a little example
276
00:13:53,083 --> 00:13:56,128
that shows kind of where we were at
on the mic as MCs.
277
00:13:56,211 --> 00:13:59,131
[man on PA] Wait, we're not there yet.
You're jumping ahead there. Go back.
278
00:13:59,214 --> 00:14:01,216
-[Mike D] Am I jumping the gun?
-[Ad-Rock] Turn around, Spike.
279
00:14:01,300 --> 00:14:03,802
-[Mike D] Really? Okay.
-[Ad-Rock] All right. Time out.
280
00:14:03,886 --> 00:14:04,887
See, Spike?
281
00:14:04,970 --> 00:14:07,306
-We're definitely in the wrong place.
-[Ad-Rock] The teleprompter...
282
00:14:07,389 --> 00:14:09,141
[audience laughing, cheering]
283
00:14:11,476 --> 00:14:12,936
-All right. That's what I thought--
-Okay.
284
00:14:13,020 --> 00:14:14,771
-Here we go.
-Hey, hey, hey.
285
00:14:14,855 --> 00:14:19,318
We're back. We really-- We rehearsed this.
We practiced this, like, for real.
286
00:14:19,401 --> 00:14:21,987
I'm sorry. I fucked up the teleprompter.
Sorry about that.
287
00:14:22,070 --> 00:14:24,072
Teleprompter? I didn't even notice.
288
00:14:30,746 --> 00:14:31,747
Anyways.
289
00:14:32,748 --> 00:14:35,626
That's a good transition, you guys.
"Anyways."
290
00:14:36,376 --> 00:14:40,297
Around this time, we had this big show
coming up at Studio 54, right.
291
00:14:40,380 --> 00:14:44,051
Wait. The Studio 54.
You know, with, like, Brooke Shields.
292
00:14:44,134 --> 00:14:48,555
Okay. With, like, Baryshnikov,
Halston, Donna Summer.
293
00:14:49,139 --> 00:14:51,350
I didn't know if that was, like,
a call and response thing.
294
00:14:51,433 --> 00:14:53,810
-Yeah, no one really chimed in.
-I don't know. Anyway.
295
00:14:53,894 --> 00:14:58,190
Footnote about our show at Studio 54,
it was a Battle of the Bands and we lost.
296
00:14:58,273 --> 00:15:00,776
So, we had this show
coming up at Studio 54,
297
00:15:00,859 --> 00:15:02,819
and we wanted to play our song
"Cooky Puss."
298
00:15:02,903 --> 00:15:04,905
Now we never did it live before,
but we thought--
299
00:15:04,988 --> 00:15:07,908
We had this idea
to have a DJ do it with us.
300
00:15:07,991 --> 00:15:11,662
Our friend told us that he knew
about this NYU college kid that could DJ
301
00:15:11,745 --> 00:15:14,957
and wanted to be a rap producer
and had all this DJ equipment and stuff.
302
00:15:15,040 --> 00:15:18,544
But more important,
he had a bubble machine.
303
00:15:18,627 --> 00:15:21,880
Wait. Say what, Ad-Rock?
A bubble machine?
304
00:15:21,964 --> 00:15:24,800
Yo, homes. That's right, Mike D.
He had a bubble machine.
305
00:15:24,883 --> 00:15:25,884
Okay.
306
00:15:25,968 --> 00:15:29,137
So we went over to this guy's dorm room
to meet him.
307
00:15:29,221 --> 00:15:33,141
But when we get there, the door's opened
by this long-haired heavy metal guy
308
00:15:33,225 --> 00:15:36,562
with these weird leather zip-up gloves,
which totally freaked us out.
309
00:15:37,437 --> 00:15:38,939
This couldn't possibly be him.
310
00:15:39,022 --> 00:15:43,110
Now, he opens the door
to this teeny dorm room, right.
311
00:15:43,193 --> 00:15:46,029
And it's filled with, like, a huge PA
312
00:15:46,113 --> 00:15:48,949
and there's turntables
and all these drum machines.
313
00:15:49,032 --> 00:15:52,494
And yes, ladies and gentlemen,
a bubble machine.
314
00:15:53,495 --> 00:15:54,705
So what do we do?
315
00:15:54,788 --> 00:15:56,623
We hired him on the spot.
316
00:15:56,707 --> 00:15:58,375
And this is Rick Rubin.
317
00:16:03,547 --> 00:16:07,092
[Ad-Rock] Now, at first, it seemed like
a weird fit with us and Rick Rubin.
318
00:16:07,176 --> 00:16:10,179
I mean, he's from Long Island
and we're from New York City.
319
00:16:10,262 --> 00:16:14,850
And also, Rick was into a bunch
of other stuff that we weren't into.
320
00:16:14,933 --> 00:16:16,685
Like wrestling and heavy metal.
321
00:16:16,768 --> 00:16:18,896
And we thought that shit
was kind of goofy.
322
00:16:18,979 --> 00:16:21,064
Rick seemed way older than us and--
323
00:16:21,148 --> 00:16:23,066
[audience laughing]
324
00:16:23,817 --> 00:16:24,651
Well--
325
00:16:24,735 --> 00:16:26,403
We gotta work on the timing of that photo.
326
00:16:26,486 --> 00:16:27,571
-I mean--
-With the--
327
00:16:29,072 --> 00:16:31,909
Do we comment on the cable box or no?
I mean--
328
00:16:31,992 --> 00:16:34,536
-Everyone's thinking about it, yeah?
-Right.
329
00:16:34,620 --> 00:16:37,623
That was some high-tech shit for the time.
330
00:16:37,706 --> 00:16:41,668
They got the cable box,
the multi-line telephone. I mean--
331
00:16:42,711 --> 00:16:45,422
I mean, why can't it be like the old days,
with a pack of Salems
332
00:16:45,506 --> 00:16:47,799
and a fucking filled ashtray
next to your bed?
333
00:16:47,883 --> 00:16:48,884
I mean, right?
334
00:16:52,054 --> 00:16:55,641
Rick seemed way older than us,
and he seemed kind of more mature than us.
335
00:16:55,724 --> 00:16:57,809
And he had money to pay for things.
336
00:16:57,893 --> 00:17:00,145
But most of all, it was his confidence.
337
00:17:00,229 --> 00:17:02,439
Whatever he was into
was the thing to be into.
338
00:17:02,523 --> 00:17:04,107
And that could be infectious.
339
00:17:04,858 --> 00:17:06,193
You couldn't hang out with Rick
340
00:17:06,276 --> 00:17:09,070
and not be excited about
what he was excited about.
341
00:17:09,154 --> 00:17:10,571
So we kinda got into wrestling.
342
00:17:11,281 --> 00:17:12,324
Kinda.
343
00:17:12,866 --> 00:17:15,827
-And we definitely got into heavy metal.
-Oh, definitely.
344
00:17:17,204 --> 00:17:19,080
-[softly] Definitely.
-Definitely.
345
00:17:19,915 --> 00:17:21,916
It only took a week for us
to go from thinking
346
00:17:22,000 --> 00:17:24,586
that the guy
with those zip-up gloves was goofy
347
00:17:24,670 --> 00:17:26,880
to thinking, "Wow. He's the coolest dude."
348
00:17:26,964 --> 00:17:29,299
He became part of our full-time crew.
349
00:17:29,800 --> 00:17:32,928
He kinda became, like,
this weird, cool older brother.
350
00:17:33,011 --> 00:17:35,097
And his dorm room
became our new headquarters.
351
00:17:35,180 --> 00:17:36,765
Like, our new Rat Cage.
352
00:17:36,849 --> 00:17:40,477
And every day, instead of going to school,
we'd go to Rick's dorm room to hang out.
353
00:17:40,561 --> 00:17:43,230
And we'd listen to records.
And then we'd go out to some club.
354
00:17:43,313 --> 00:17:45,566
And then we'd go to
Cozy Soup 'n' Burger to eat.
355
00:17:45,649 --> 00:17:48,068
And then we'd talk all about the night
and the music
356
00:17:48,151 --> 00:17:50,863
and all the music
we were gonna make together one day.
357
00:17:50,946 --> 00:17:53,782
After the Studio 54 show, we had a DJ.
358
00:17:53,866 --> 00:17:57,703
So we're like, "Fuck it. Let's try
to rap and do that as part of our show."
359
00:17:59,663 --> 00:18:03,250
So Rick joined our band
and became DJ Double R, of course.
360
00:18:03,333 --> 00:18:06,837
Our first shows with Rick,
we'd do, like, half as a hardcore band,
361
00:18:06,920 --> 00:18:10,549
and then we'd leave the stage
and we'd do the other half as a rap group.
362
00:18:10,632 --> 00:18:12,593
-♪ B-E-A ♪
-♪ S-T-I-E ♪
363
00:18:12,676 --> 00:18:15,012
[Ad-Rock] ♪ We're the Beastie four
Rock shockin' the scene ♪
364
00:18:15,095 --> 00:18:17,347
-♪ I'm Master Adam Yauch ♪
-♪ And Slop the Rock ♪
365
00:18:17,431 --> 00:18:19,600
-♪ With Mike D ♪
-♪ Katie Schellenbach ♪
366
00:18:19,683 --> 00:18:22,019
♪ Now hip-hop, just don't stop ♪
367
00:18:22,102 --> 00:18:24,146
♪ You rock to the beat
Till it makes you drop ♪
368
00:18:24,229 --> 00:18:27,065
[Ad-Rock] Okay, okay. I think, you know--
369
00:18:28,317 --> 00:18:29,401
You get the, uh--
370
00:18:31,403 --> 00:18:32,529
You get the idea.
371
00:18:32,613 --> 00:18:36,366
Most rappers hold their rhymes
in little pieces of paper, right?
372
00:18:36,867 --> 00:18:38,118
Isn't that a thing?
373
00:18:38,202 --> 00:18:39,953
It's one thing to hang out
with your friends
374
00:18:40,037 --> 00:18:42,122
and rap "Sucker MC's" all day long.
375
00:18:42,206 --> 00:18:46,460
But being on stage with an audience
and rapping our own rhymes,
376
00:18:46,543 --> 00:18:47,836
well, that was different.
377
00:18:47,920 --> 00:18:50,297
Now we didn't realize it,
but as time went on,
378
00:18:50,380 --> 00:18:54,510
the more we were hanging out with Rick
and starting to act like Rick,
379
00:18:54,593 --> 00:18:56,845
the less we were hanging out with Kate.
380
00:18:56,929 --> 00:19:00,390
And maybe even more so,
the less Kate was hanging out with us.
381
00:19:00,474 --> 00:19:02,893
I think our friends were very confused
382
00:19:02,976 --> 00:19:05,062
as why we were hanging out with Rick
all the time.
383
00:19:05,145 --> 00:19:07,356
[audience laughing]
384
00:19:10,359 --> 00:19:12,653
Well, you know, a band's gotta eat.
385
00:19:15,656 --> 00:19:20,619
So around this time, Rick was producing
his first real rap song, "It's Yours,"
386
00:19:20,702 --> 00:19:22,496
for a rapper named T La Rock.
387
00:19:22,579 --> 00:19:24,915
[song intro]
388
00:19:24,998 --> 00:19:29,127
[Mike D] Up until then, music for
rap records was mostly played by a band.
389
00:19:29,211 --> 00:19:31,880
It was played to sound, like,
funky and smoothed out
390
00:19:31,964 --> 00:19:33,465
so it would get on the radio.
391
00:19:33,549 --> 00:19:36,426
But "It's Yours" was just a rapper
and a drum machine.
392
00:19:36,510 --> 00:19:39,096
It was raw and punk in sound.
393
00:19:39,179 --> 00:19:40,347
So one night,
394
00:19:40,430 --> 00:19:45,602
Rick told us that he's gonna go meet
this guy, Russell Simmons, at Danceteria.
395
00:19:45,686 --> 00:19:48,647
We didn't know what Rick and Russell
were meeting about,
396
00:19:48,730 --> 00:19:52,067
but we are just psyched
to spy on them talking at the bar.
397
00:19:52,150 --> 00:19:55,612
'Cause this Russell guy
was not only Run-DMC's manager,
398
00:19:55,696 --> 00:19:58,282
but he was also DJ Run's brother.
399
00:19:58,365 --> 00:19:59,950
[Ad-Rock]
It wasn't like he was some guy that, like,
400
00:20:00,033 --> 00:20:02,828
knew some guy
that knew somebody connected to rap.
401
00:20:02,911 --> 00:20:04,246
Russell was rap.
402
00:20:04,329 --> 00:20:06,748
He was at the center
of the business of rap.
403
00:20:06,832 --> 00:20:09,126
Now when Russell left,
we were so psyched.
404
00:20:09,209 --> 00:20:11,086
We ran over to Rick and we were like,
405
00:20:11,170 --> 00:20:14,548
[high-pitched voice] "Yo, yo, yo, yo,
Rick. You gotta tell us, like, everything.
406
00:20:14,631 --> 00:20:16,508
What did this Russell guy say to you?
407
00:20:16,592 --> 00:20:19,094
You gotta tell us
everything you guys talked about."
408
00:20:21,346 --> 00:20:23,098
[normal voice]
Well, I mean, that's-- We were excited.
409
00:20:23,182 --> 00:20:24,141
That's pretty good.
410
00:20:24,224 --> 00:20:27,311
And that's what we sounded like
when we were, like, 16.
411
00:20:27,394 --> 00:20:30,022
So Rick told us
that Russell couldn't believe
412
00:20:30,105 --> 00:20:33,275
that not only "It's Yours" was made
by someone he'd never heard of,
413
00:20:33,358 --> 00:20:34,902
but it was made by a white guy.
414
00:20:34,985 --> 00:20:36,570
And Rick said that they hit it off
415
00:20:36,653 --> 00:20:39,990
and they hatched a plan
to start a record label, Def Jam.
416
00:20:40,073 --> 00:20:41,200
Wait a minute, wait a minute.
417
00:20:41,283 --> 00:20:44,578
Pay attention, hang up the phone
and watch this.
418
00:20:44,661 --> 00:20:45,996
Jam means record.
419
00:20:46,079 --> 00:20:48,332
Def is short for definitive.
420
00:20:48,415 --> 00:20:51,126
Definitely the best records
you could buy today.
421
00:20:51,210 --> 00:20:54,213
[distorted voice] ♪ So def, so def, so def
It's a def jam ♪
422
00:20:54,296 --> 00:20:58,008
And somewhere in those plans,
Rick told Russell about us.
423
00:20:58,759 --> 00:21:01,094
[Long Island accent]
"Hey, I got these three white rappers.
424
00:21:01,178 --> 00:21:02,971
They're still in high school.
425
00:21:03,055 --> 00:21:06,808
I mean, they're punk rock,
but they love hip-hop even more.
426
00:21:06,892 --> 00:21:09,645
I mean, all they do is listen to rap."
427
00:21:16,860 --> 00:21:21,240
Russell Simmons immediately saw the
possibility in managing a white rap group.
428
00:21:21,323 --> 00:21:24,034
And within days,
we went to his office to meet with him.
429
00:21:24,117 --> 00:21:26,578
We think he's gonna have
this huge fancy office,
430
00:21:26,662 --> 00:21:30,499
but we go up there,
it's just, in reality, two small rooms.
431
00:21:30,582 --> 00:21:32,292
But what's kinda cool is,
432
00:21:32,376 --> 00:21:38,215
in one of the rooms there's fucking
Kurtis Blow, the King of Rap, right?
433
00:21:39,049 --> 00:21:43,804
And he's in Russell's office
trying to learn to break-dance.
434
00:21:43,887 --> 00:21:46,765
He's trying to spin on his head
for some reason.
435
00:21:46,849 --> 00:21:48,684
And not only that, I don't know if--
436
00:21:48,767 --> 00:21:51,270
Does anybody in here know
this crew Full Force?
437
00:21:51,353 --> 00:21:52,479
[scattered cheers]
438
00:21:52,563 --> 00:21:56,692
Well, he's surrounded-- He's surrounded
by the dudes in Full Force,
439
00:21:56,775 --> 00:22:00,070
who are watching him learn to break-dance.
440
00:22:00,153 --> 00:22:03,490
I mean, it was a crazy fuckin' scene,
is what we're trying to tell you guys.
441
00:22:04,825 --> 00:22:06,368
So when it came to confidence,
442
00:22:06,451 --> 00:22:09,204
Russell was even more next-level
than Rick.
443
00:22:09,746 --> 00:22:10,914
If you were in his orbit,
444
00:22:10,998 --> 00:22:15,002
you couldn't help but believe all the
awesome shit he said was gonna happen.
445
00:22:15,085 --> 00:22:17,963
In 1984, no one cared about rap music.
446
00:22:18,046 --> 00:22:19,590
I mean, it was barely on the radio.
447
00:22:19,673 --> 00:22:23,218
But everywhere Russell went
he'd be selling to everybody.
448
00:22:23,302 --> 00:22:26,805
[imitating Simmons] "Run-DMC is gonna be
the biggest artist of our generation."
449
00:22:26,889 --> 00:22:28,265
-[audience laughing]
-Oh.
450
00:22:28,348 --> 00:22:31,643
"Rick Rubin. He's gonna be
the Phil Spector of rap.
451
00:22:32,853 --> 00:22:34,062
Beastie Boys?
452
00:22:34,146 --> 00:22:38,150
They're white B-boys and they're gonna be
the biggest group in the world."
453
00:22:38,233 --> 00:22:39,484
[cheering]
454
00:22:39,568 --> 00:22:40,569
All right.
455
00:22:41,737 --> 00:22:43,405
Let's slow things down for a minute.
456
00:22:43,488 --> 00:22:45,407
We had just started rapping.
457
00:22:45,490 --> 00:22:47,784
I mean, we were mediocre at best.
458
00:22:47,868 --> 00:22:50,954
But Rick and Russell believed in us,
and that gave us confidence.
459
00:22:51,038 --> 00:22:53,665
[song intro]
460
00:22:53,749 --> 00:22:58,170
And so they hooked it up for us
to go record our first rap song.
461
00:22:58,253 --> 00:22:59,671
It's called "Rock Hard."
462
00:22:59,755 --> 00:23:01,965
[song continues]
463
00:23:02,049 --> 00:23:04,426
I don't know. It's not our finest moment
on the mic, okay.
464
00:23:04,510 --> 00:23:08,805
But you gotta understand, we love rap
music and we wanted to be rappers so bad.
465
00:23:08,889 --> 00:23:11,099
We wanted to be Run-DMC so bad.
466
00:23:11,183 --> 00:23:13,685
"First white B-boys, we don't regret.
467
00:23:13,769 --> 00:23:16,021
There's nothing wrong with your TV set."
468
00:23:16,104 --> 00:23:17,731
[song continues]
469
00:23:17,814 --> 00:23:19,274
Russell Simmons wrote that line.
470
00:23:19,358 --> 00:23:21,610
And he kept telling us we had to say it
'cause it was great
471
00:23:21,693 --> 00:23:24,363
and how B-boy it was and punk
and all this other stuff.
472
00:23:24,446 --> 00:23:26,532
He also really wanted us to say,
473
00:23:26,615 --> 00:23:29,409
"I can play the drums, I can play guitar.
474
00:23:29,493 --> 00:23:32,496
Not just B-boys, we're real rock stars."
475
00:23:32,579 --> 00:23:34,206
And we went along with it.
476
00:23:34,289 --> 00:23:36,917
I mean, [chuckles]
you're the legit dude in rap, man.
477
00:23:37,000 --> 00:23:40,087
You got fucking Kurtis Blow popping
and locking in your office and shit.
478
00:23:40,170 --> 00:23:43,006
I mean, if you think saying that's
gonna be fresh, fly, wild and bold,
479
00:23:43,090 --> 00:23:45,634
well, all right.
Turn me up in the headphones.
480
00:23:45,717 --> 00:23:47,469
♪ Mike D, Ad-Rock, and MCA ♪
481
00:23:48,053 --> 00:23:50,347
♪ Not before long I could hear you say ♪
482
00:23:50,430 --> 00:23:52,933
♪ In a way, these boys got juice ♪
483
00:23:53,016 --> 00:23:55,686
♪ They're goin' off
You know they love to get loose ♪
484
00:23:55,769 --> 00:23:57,896
♪ Get loose, get loose ♪
485
00:23:57,980 --> 00:23:59,356
♪ Poose ♪
486
00:24:00,107 --> 00:24:04,319
Now I would love to blame Rick
and Russell for the quality of the song,
487
00:24:04,403 --> 00:24:06,446
but that's all us on the mic.
488
00:24:06,530 --> 00:24:09,700
We wrote and said the rest of the lyrics
on that song.
489
00:24:09,783 --> 00:24:13,829
They wanted us to be a cartoon rap version
of an '80s metal band,
490
00:24:13,912 --> 00:24:18,041
but instead with Adidas shell toes
and tracksuits and shit.
491
00:24:18,125 --> 00:24:20,127
And we were all in.
492
00:24:20,210 --> 00:24:22,504
-[Mike D] Oh, hell, yes.
-[Ad-Rock] Right?
493
00:24:22,588 --> 00:24:23,630
For real.
494
00:24:25,591 --> 00:24:30,429
But it was decided at some point
that we had to kick Kate out of the band
495
00:24:30,512 --> 00:24:33,849
because she didn't fit
into our new tough rapper guy identity.
496
00:24:33,932 --> 00:24:35,559
Now how fucked-up is that?
497
00:24:36,685 --> 00:24:39,980
When Beastie Boys began,
the majority of our friends were girls.
498
00:24:40,063 --> 00:24:41,940
Like, the coolest girls.
499
00:24:42,024 --> 00:24:44,693
And it's really embarrassing
to think that we let them down.
500
00:24:45,444 --> 00:24:48,906
I mean, shit, maybe Kate would've quit
the band eventually,
501
00:24:48,989 --> 00:24:50,949
but it's just shitty
the way it all went down.
502
00:24:51,033 --> 00:24:54,161
See, up until then our band
was just more of a joke, you know?
503
00:24:54,244 --> 00:24:55,954
Something to do 'cause it was fun.
504
00:24:56,038 --> 00:24:58,707
Our big goal was to make each other laugh.
505
00:24:58,790 --> 00:25:02,711
But now we're with these Rick and Russell
guys, and they got big plans for us.
506
00:25:02,794 --> 00:25:04,546
It's like,
if Rick was the cool older brother,
507
00:25:04,630 --> 00:25:06,840
then Russell was, like,
the crazy-ass uncle.
508
00:25:06,924 --> 00:25:10,302
And we started hanging out every night,
all the time together.
509
00:25:10,385 --> 00:25:13,305
Going out to clubs.
Drinking screwdrivers, brass monkeys.
510
00:25:13,388 --> 00:25:16,225
And it was like this fucked-up fun family.
511
00:25:16,308 --> 00:25:20,187
Now, when you're young and drunk
and Russell Simmons is telling you
512
00:25:20,270 --> 00:25:23,357
that you're gonna be
the biggest rap group of all time,
513
00:25:23,440 --> 00:25:27,277
well, I guess you hear it enough,
you just start to believe that shit.
514
00:25:27,361 --> 00:25:30,614
And then some crazy shit happened.
515
00:25:33,492 --> 00:25:34,618
Spike.
516
00:25:35,369 --> 00:25:38,997
[Spike] Oh, I'm sorry. Sorry about that.
There's supposed to be a cue here where--
517
00:25:39,081 --> 00:25:41,458
It was actually a bad joke anyways.
Keep going.
518
00:25:42,334 --> 00:25:44,002
It's gonna happen
or it's not gonna happen?
519
00:25:44,086 --> 00:25:45,295
Not tonight.
520
00:25:45,379 --> 00:25:47,506
This is the last show.
When is it supposed to happen?
521
00:25:47,589 --> 00:25:49,132
We didn't load it into the machine.
522
00:25:49,216 --> 00:25:51,176
W-W-- Maybe we'll get it
before the end of the night.
523
00:25:51,260 --> 00:25:52,719
I'll-- I'll get it. I'll get it.
524
00:25:52,803 --> 00:25:55,055
Well, it's a voice that goes,
"Crazy shit."
525
00:25:55,138 --> 00:25:58,433
And there's, like, a whole animation.
My friend Max Tannone did the-- Anyway.
526
00:25:59,059 --> 00:26:02,104
Hey, did you guys know that we opened
for Madonna on her very first tour?
527
00:26:03,188 --> 00:26:05,482
Well, we did. And the story of
how we opened for Madonna--
528
00:26:05,566 --> 00:26:06,817
[man] Crazy shit.
529
00:26:09,111 --> 00:26:10,445
[Spike] I got-- I got it.
530
00:26:12,155 --> 00:26:13,282
[Ad-Rock] At any rate.
531
00:26:13,740 --> 00:26:17,494
So one day Russell Simmons gets a call
from Madonna's manager, Freddy DeMann.
532
00:26:17,578 --> 00:26:20,539
He calls and asks if Run-DMC
would like to open for Madonna
533
00:26:20,622 --> 00:26:21,832
on her first ever tour.
534
00:26:21,915 --> 00:26:25,085
And Russell said,
"Yes, they get 20 grand a show."
535
00:26:25,169 --> 00:26:27,921
Madonna's manager said, "Thank you, no."
536
00:26:28,005 --> 00:26:31,175
Madonna's manager calls Russell Simmons
back a couple hours later and he's like,
537
00:26:31,258 --> 00:26:34,553
"Hey, Russell. Do the Fat Boys wanna open
for Madonna on tour?"
538
00:26:35,220 --> 00:26:39,558
And he said, "Aw, man. The Fat Boys
are busy. They just can't do it."
539
00:26:39,641 --> 00:26:41,852
Russell never managed the Fat Boys.
540
00:26:43,562 --> 00:26:44,813
"But," he said,
541
00:26:44,897 --> 00:26:47,858
"I got these guys Beastie Boys,
and they'll do it for 500 bucks."
542
00:26:47,941 --> 00:26:49,401
And the next thing you know,
543
00:26:49,484 --> 00:26:52,112
we're in Seattle, Washington
at the Four Seasons hotel,
544
00:26:52,196 --> 00:26:54,573
getting ready to open for Madonna on tour.
545
00:26:55,407 --> 00:26:56,783
[softly] Remember that?
546
00:27:00,204 --> 00:27:04,458
So, before the tour,
we came up with a brilliant plan.
547
00:27:04,541 --> 00:27:08,504
What could we do that would
make all these people remember us?
548
00:27:08,587 --> 00:27:12,883
It certainly wasn't gonna be
our microphone mastery at the time.
549
00:27:12,966 --> 00:27:18,514
I mean, our big idea was that we should be
as rude and as awful as possible on stage.
550
00:27:18,597 --> 00:27:23,894
Yo! You better look out,
Detroit, Philly, Cincy, LA!
551
00:27:23,977 --> 00:27:25,229
We're coming to your town!
552
00:27:25,312 --> 00:27:26,772
[Mike D] I mean, if we just went up there
553
00:27:26,855 --> 00:27:29,358
and we just played
the two songs that we knew,
554
00:27:29,441 --> 00:27:30,817
and that's all we had at the time,
555
00:27:30,901 --> 00:27:33,570
and we just said,
"Thank you, everybody. Good night,"
556
00:27:33,654 --> 00:27:34,696
who would care?
557
00:27:34,780 --> 00:27:37,157
Instead, we'd be memorable.
558
00:27:37,241 --> 00:27:39,910
Memorable fuckin' jerks.
559
00:27:39,993 --> 00:27:41,787
We're real rock stars.
560
00:27:41,870 --> 00:27:44,164
I mean, everyone's there to see Madonna,
561
00:27:44,248 --> 00:27:46,416
and they for sure
don't give a fuck about us.
562
00:27:47,000 --> 00:27:49,461
But this is where
Rick's wrestling thing would come in.
563
00:27:49,545 --> 00:27:51,964
He wanted us
to be those wrestling villains
564
00:27:52,047 --> 00:27:54,800
screaming into the camera
at the side of the ring, like this:
565
00:27:54,883 --> 00:27:58,178
The only reason that we haven't done
a video yet is because as soon as we do,
566
00:27:58,262 --> 00:28:01,014
they're gonna have to change it
from MTV to Beastie TV.
567
00:28:01,098 --> 00:28:04,142
'Cause that's all they're gonna show
all day long, all night long.
568
00:28:04,226 --> 00:28:08,480
"The Beastie Boys. One of the finest
groups in music today." Right there.
569
00:28:08,564 --> 00:28:10,524
I think I'm wasting my breath
a little bit.
570
00:28:10,607 --> 00:28:12,109
Maybe I'm talking over your head.
571
00:28:12,192 --> 00:28:13,360
I think the interview's over.
572
00:28:13,443 --> 00:28:14,653
-Thank you very much.
-Me too.
573
00:28:14,736 --> 00:28:16,405
[cheering, applause]
574
00:28:18,323 --> 00:28:19,324
And so--
575
00:28:22,202 --> 00:28:24,246
And so every night on the Madonna tour,
576
00:28:24,329 --> 00:28:27,332
I would go out, front and center,
and I would do a speech like this.
577
00:28:27,958 --> 00:28:29,126
[drumbeat]
578
00:28:29,209 --> 00:28:31,003
I'm the King Ad-Rock.
579
00:28:31,086 --> 00:28:33,422
And I'm the fucking king
of the Kings Theatre.
580
00:28:33,505 --> 00:28:34,631
And we're the Beastie Boys,
581
00:28:34,715 --> 00:28:37,342
and we're here tonight
to crush all competition.
582
00:28:37,426 --> 00:28:40,846
After we leave tonight you can
burn this motherfuckin' place down.
583
00:28:40,929 --> 00:28:43,098
'Cause y'all motherfuckers ain't shit.
584
00:28:44,099 --> 00:28:45,976
-[drumbeat stops]
-[cheering]
585
00:28:48,687 --> 00:28:53,025
Just keep in mind
that this is who Adam was cursing out.
586
00:28:53,108 --> 00:28:54,985
[audience laughing]
587
00:29:04,745 --> 00:29:06,788
It was, like,
a love-hate relationship type thing.
588
00:29:06,872 --> 00:29:10,375
You know, we hated them, they hated us.
It was, like, love.
589
00:29:11,418 --> 00:29:14,838
So we come home from tour,
and the very first thing we do
590
00:29:14,922 --> 00:29:19,551
is we go up to everyone and anyone
that'll hear it, and we're like,
591
00:29:19,635 --> 00:29:22,888
[high-pitched voice] "Yo, yo, yo.
We were on tour with Madonna."
592
00:29:22,971 --> 00:29:25,349
It was the fucking
most awesome thing ever.
593
00:29:25,432 --> 00:29:27,935
And now we get home and it's official.
594
00:29:28,018 --> 00:29:29,311
We're a rap group.
595
00:29:29,394 --> 00:29:31,480
-Whoo!
-[laughing]
596
00:29:31,563 --> 00:29:33,023
Really?
597
00:29:33,106 --> 00:29:34,900
-High five?
-Yeah.
598
00:29:34,983 --> 00:29:36,985
Yeah, it's coming back, Adam.
It's coming back.
599
00:29:38,570 --> 00:29:42,866
One night, Russell gets us a gig
at this club called the Encore,
600
00:29:42,950 --> 00:29:46,370
opening up for Kurtis Blow,
the King of Rap.
601
00:29:46,453 --> 00:29:48,455
So we were both--
We look at each other and we're like,
602
00:29:48,539 --> 00:29:53,001
[high-pitched voice] "Yo, we're opening up
for Kurtis Blow? That's def."
603
00:29:54,127 --> 00:29:56,255
-Now--
-That's a direct quote, by the way.
604
00:29:56,338 --> 00:29:57,881
-Just so you know.
-Yeah. It is.
605
00:29:57,965 --> 00:30:02,094
Now the Encore is an all-black rap crowd.
606
00:30:02,177 --> 00:30:04,888
And we're the only white guys
in this place, right.
607
00:30:04,972 --> 00:30:08,308
And somehow, we decide it's a good idea
608
00:30:08,392 --> 00:30:11,436
to go out there
in a limo dressed like this.
609
00:30:12,521 --> 00:30:14,773
[audience laughing]
610
00:30:15,649 --> 00:30:17,109
What's so funny?
611
00:30:18,610 --> 00:30:21,154
Yes, those are do-rags on our heads.
612
00:30:21,238 --> 00:30:22,948
So...
613
00:30:24,825 --> 00:30:29,496
So when we got on stage at the Encore
to play our song "Rock Hard,"
614
00:30:29,580 --> 00:30:32,040
they turned on all the lights, right,
in the house.
615
00:30:32,124 --> 00:30:34,668
Like, fluorescent lights,
like a fuckin' supermarket.
616
00:30:34,751 --> 00:30:37,671
And all these dudes in the audience
started screaming at us.
617
00:30:37,754 --> 00:30:40,591
"Yo, yo, Menudos. What's up?"
618
00:30:41,341 --> 00:30:42,885
"Menudo, I love y'all."
619
00:30:44,178 --> 00:30:46,054
Yeah, they called us "Menudo."
620
00:30:47,389 --> 00:30:50,934
Actually, I think it was "Menudos,"
like, plural.
621
00:30:51,476 --> 00:30:52,477
Yeah.
622
00:30:52,561 --> 00:30:54,938
So yeah, we dropped this look real quick.
623
00:30:56,023 --> 00:30:57,566
Chapter 3:
624
00:30:57,649 --> 00:30:59,902
"The Song that Changed Everything."
625
00:31:04,239 --> 00:31:06,408
So we started writing songs
in a different way.
626
00:31:06,491 --> 00:31:09,620
It wasn't just on a guitar, like,
verse, chorus, verse, chorus.
627
00:31:09,703 --> 00:31:12,706
Fucking around became
our creative process.
628
00:31:12,789 --> 00:31:14,458
It would go something like this.
629
00:31:14,541 --> 00:31:16,084
Mikey.
630
00:31:16,168 --> 00:31:17,920
We'd be walking down the street.
631
00:31:19,213 --> 00:31:20,547
[audience laughing]
632
00:31:20,631 --> 00:31:21,882
This is how--
633
00:31:21,965 --> 00:31:23,008
Hey.
634
00:31:23,091 --> 00:31:24,801
This is how we'd walk down the street.
635
00:31:26,011 --> 00:31:27,930
-How you doing?
-Oh. What's up, man?
636
00:31:29,097 --> 00:31:30,265
We rehearsed.
637
00:31:30,974 --> 00:31:32,476
We'd be walking down the street, right.
638
00:31:32,559 --> 00:31:35,312
And we'd just start going back and forth
with little bits of records
639
00:31:35,395 --> 00:31:37,356
and stupid shit
we thought was real funny, right.
640
00:31:37,439 --> 00:31:40,609
Like, one of us would say a random lyric
from a song we loved like...
641
00:31:40,692 --> 00:31:42,236
[man 1] Hold it now.
642
00:31:42,319 --> 00:31:45,489
And then another one would be like,
"Yo, that should be a song, like,
643
00:31:45,572 --> 00:31:48,742
he should say, 'Hold it now,'
and then we should have Slick Rick go"...
644
00:31:48,825 --> 00:31:49,868
[man 2] Hit it!
645
00:31:49,952 --> 00:31:53,247
And then another one would be like,
"Oh, it should go"...
646
00:31:53,330 --> 00:31:54,831
[man 3] Hey, Leroy!
647
00:31:54,915 --> 00:31:56,333
And that's the song.
648
00:31:57,626 --> 00:31:58,627
Now--
649
00:31:58,710 --> 00:32:03,090
And then we'd go into the studio
with that simple and stupid of an idea.
650
00:32:03,173 --> 00:32:04,591
And we'd make a song out of it.
651
00:32:04,675 --> 00:32:06,426
-[hip-hop song playing]
-[man 3] Yo, Leroy!
652
00:32:08,512 --> 00:32:10,931
[man 1] Hold it now.
Hold it now, hold it now.
653
00:32:11,014 --> 00:32:11,849
[man 2] Hit it!
654
00:32:11,932 --> 00:32:14,726
Like, Adam would be there
and he'd be tapping away, obsessed,
655
00:32:14,810 --> 00:32:16,937
on the pads of his DX drum machine.
656
00:32:17,020 --> 00:32:19,481
And when he was really psyched,
he'd take the headphones
657
00:32:19,565 --> 00:32:22,526
and he'd rip them off of his head,
throw them to the side, and he'd be like,
658
00:32:22,609 --> 00:32:25,279
[high-pitched voice]
"Yo, yo, yo, guys. Check this out."
659
00:32:25,362 --> 00:32:28,073
No, no, no. That's you, Mike.
660
00:32:28,156 --> 00:32:29,533
[low-pitched voice] I was like this.
661
00:32:29,616 --> 00:32:31,451
Well, anyway, he made this--
662
00:32:31,535 --> 00:32:33,412
Honestly, I'm giving you props, Adam.
663
00:32:33,495 --> 00:32:36,164
He made, like, this
hot go-go, swing-type beat.
664
00:32:36,248 --> 00:32:39,293
But when Yauch and I heard that,
we were like, "Oh, shit."
665
00:32:39,376 --> 00:32:43,255
But when that got layered
with this 808 beat,
666
00:32:43,338 --> 00:32:45,507
that changed everything.
667
00:32:45,591 --> 00:32:47,509
[man 1] Hold it now.
Hold it now, hold it now.
668
00:32:47,593 --> 00:32:49,803
-[man 2] Hit it!
-[song continues]
669
00:32:50,679 --> 00:32:53,682
[Mike D] So, the three of us were left
to our own devices
670
00:32:53,765 --> 00:32:56,018
and making music and loving it.
671
00:32:56,101 --> 00:32:58,687
Instead of trying to act and sound
like somebody else,
672
00:32:58,770 --> 00:33:00,189
like how we did on "Rock Hard,"
673
00:33:00,272 --> 00:33:01,815
now we were just being ourselves.
674
00:33:01,899 --> 00:33:04,526
Or at least a fantasy version
of ourselves.
675
00:33:05,444 --> 00:33:07,905
Rick came by the studio
and we played it for him.
676
00:33:07,988 --> 00:33:10,574
And he kinda flipped the fuck out.
He was like,
677
00:33:10,657 --> 00:33:13,118
[Long Island accent]
"Hey, you guys. Don't change anything.
678
00:33:13,202 --> 00:33:16,205
It's great.
I want to play it for Russell.
679
00:33:16,288 --> 00:33:18,332
We need to just put this out."
680
00:33:18,415 --> 00:33:21,627
So, we're surprised, but we are psyched.
681
00:33:21,710 --> 00:33:24,922
Rick mixed it, making it sound bigger
and more professional.
682
00:33:25,005 --> 00:33:27,299
He made that 808 sound crazy.
683
00:33:27,382 --> 00:33:29,051
[drumbeat]
684
00:33:29,134 --> 00:33:31,136
-Like that.
-Like that.
685
00:33:31,220 --> 00:33:34,389
You could hear it rattling the rear glass
on cars up and down the East Coast.
686
00:33:34,473 --> 00:33:36,975
It also detonated many a PA.
687
00:33:37,059 --> 00:33:40,395
We figured out how to piece together
different elements that we loved,
688
00:33:40,479 --> 00:33:44,274
like beats, samples, scratches,
and turn them into a song.
689
00:33:44,358 --> 00:33:46,068
Into a new style.
690
00:33:46,151 --> 00:33:49,404
Most importantly though,
we found our voice.
691
00:33:49,488 --> 00:33:51,949
♪ Now I chill real ill
When I start to chill ♪
692
00:33:52,032 --> 00:33:54,409
♪ When I fill my pockets
With a knot of dollar bills ♪
693
00:33:54,493 --> 00:33:56,995
♪ Sipping pints of ale
Out the window sill ♪
694
00:33:57,079 --> 00:33:59,540
♪ When I get my fill I'm chilly chill ♪
695
00:33:59,623 --> 00:34:02,417
♪ Now I just got home
Because I'm out on bail ♪
696
00:34:02,501 --> 00:34:05,337
♪ What's the time?
It's time to buy ale ♪
697
00:34:05,420 --> 00:34:09,007
[Mike D] So Russell and Rick put
"Hold It Now, Hit It" out on Def Jam.
698
00:34:09,091 --> 00:34:12,761
And then it starts getting played
on all these mix shows and in clubs,
699
00:34:12,844 --> 00:34:14,388
which is a big deal to us.
700
00:34:15,138 --> 00:34:20,310
Our song was getting played next to songs
like LL Cool J's "Rock the Bells,"
701
00:34:20,393 --> 00:34:23,730
Run-DMC's "Peter Piper,"
songs that we loved.
702
00:34:23,813 --> 00:34:25,190
[MCA] We got this gig going to Philly.
703
00:34:25,274 --> 00:34:27,234
And we went on
and we just dropped the record.
704
00:34:27,317 --> 00:34:30,112
I remember we put "Hold It Now" on,
and the whole place just went crazy,
705
00:34:30,195 --> 00:34:31,446
like, the whole club.
706
00:34:31,530 --> 00:34:34,699
And that was a pretty amazing feeling.
I was like, "Damn."
707
00:34:34,783 --> 00:34:37,286
[Ad-Rock] So, I'm 19 years old.
708
00:34:37,369 --> 00:34:39,246
I got a little money in my pocket.
709
00:34:39,329 --> 00:34:40,831
Rappers know who I am.
710
00:34:40,914 --> 00:34:42,583
We're getting into clubs for free.
711
00:34:42,666 --> 00:34:45,002
We're getting drink tickets.
We're talking to girls.
712
00:34:45,085 --> 00:34:46,295
-We're getting drunk.
-"Ooh, Ad-Rock."
713
00:34:46,378 --> 00:34:48,547
We're fuckin' around.
We're writing lyrics on napkins.
714
00:34:48,630 --> 00:34:49,672
We're cracking each other up.
715
00:34:49,755 --> 00:34:53,217
And then we go to the studio
and make a song out of all that shit.
716
00:34:53,302 --> 00:34:54,719
Next night, next song.
717
00:34:54,803 --> 00:34:57,973
♪ Four and three and two and one
What up! ♪
718
00:34:58,056 --> 00:35:01,101
-♪ And when I'm on the mic the suckers run
-♪ Word! ♪
719
00:35:01,185 --> 00:35:03,103
♪ Down with Ad-Rock and Mike D
And you ain't ♪
720
00:35:03,187 --> 00:35:05,564
♪ And I got more juice
Than Picasso got paint ♪
721
00:35:05,647 --> 00:35:08,150
♪ Got rhymes that are rough
And rhymes that are slick ♪
722
00:35:08,233 --> 00:35:10,694
♪ I'm not surprised you're on my dick ♪
723
00:35:10,777 --> 00:35:11,778
♪ B-E-A-S-T-I-E... ♪
724
00:35:11,862 --> 00:35:15,490
So we're recording all the time,
making songs.
725
00:35:15,574 --> 00:35:18,577
And Russell would just keep
putting them out as singles.
726
00:35:18,660 --> 00:35:21,121
-We put out "Paul Revere."
-Smash hit.
727
00:35:21,705 --> 00:35:23,916
We put out "The New Style," this song.
728
00:35:23,999 --> 00:35:25,167
Smash hit!
729
00:35:25,918 --> 00:35:30,255
And at a certain point, Russell came
into the studio and he was like,
730
00:35:30,339 --> 00:35:33,050
[imitating Simmons] "You guys are
the greatest rap group of all time.
731
00:35:33,133 --> 00:35:35,344
You're gonna be making
a full-length album."
732
00:35:35,427 --> 00:35:39,181
So, while we're doing that, Adam and I,
733
00:35:39,264 --> 00:35:41,350
we're still living
at these shitty apartments.
734
00:35:41,433 --> 00:35:43,644
You know, like you do when
you're 19 years old.
735
00:35:43,727 --> 00:35:48,315
But Yauch moved into this
nice new apartment in Brooklyn Heights.
736
00:35:48,398 --> 00:35:50,108
Now, he lived there for free
737
00:35:50,192 --> 00:35:52,110
because he was
the superintendent of the building.
738
00:35:52,194 --> 00:35:53,111
[audience laughing]
739
00:35:53,195 --> 00:35:54,696
-[Mike D] It's true.
-Yeah.
740
00:35:54,780 --> 00:35:58,116
So if your radiator broke,
Yauch would come up to fix it.
741
00:35:59,451 --> 00:36:01,370
I mean, he had zero qualifications
for the job,
742
00:36:01,453 --> 00:36:03,872
but he could do just about anything
on instinct.
743
00:36:03,956 --> 00:36:06,583
But late one night,
me and Mike stopped by the apartment,
744
00:36:06,667 --> 00:36:09,545
and he had this tape deck set up
on a table in the kitchen.
745
00:36:09,628 --> 00:36:10,963
But it wasn't a cassette deck.
746
00:36:11,046 --> 00:36:13,382
It was a quarter-inch
reel-to-reel tape deck,
747
00:36:13,465 --> 00:36:14,883
which I didn't even know he had.
748
00:36:14,967 --> 00:36:17,052
And I'm there and I'm studying this,
749
00:36:17,135 --> 00:36:20,138
trying to figure out
what this whole thing is.
750
00:36:20,222 --> 00:36:22,391
I mean, he's got the tape
from the one reel.
751
00:36:22,474 --> 00:36:25,811
And instead of just going to, like,
the other reel, like it usually would,
752
00:36:25,894 --> 00:36:29,106
it comes out the one reel,
it's going around a mic stand,
753
00:36:29,189 --> 00:36:31,567
and then it goes around another mic stand.
754
00:36:31,650 --> 00:36:33,527
And then it goes around a chair.
755
00:36:33,610 --> 00:36:35,112
And then back into the second reel.
756
00:36:35,195 --> 00:36:37,614
I mean, Adam and I
are looking at this thing and we're like,
757
00:36:37,698 --> 00:36:40,742
"This is like
a fucking magic trick, right?"
758
00:36:40,826 --> 00:36:43,662
And then Yauch gets up
and he presses play.
759
00:36:44,288 --> 00:36:45,873
[drumbeat]
760
00:36:50,919 --> 00:36:52,462
[Ad-Rock] So the intro drumbeat
761
00:36:52,546 --> 00:36:55,299
to Led Zeppelin's
"When the Levee Breaks" starts playing.
762
00:36:55,382 --> 00:36:59,261
But instead of the whole song playing,
it was just the intro beat over and over.
763
00:36:59,344 --> 00:37:02,347
I'd seen DJs do it
with two records and turntables.
764
00:37:02,431 --> 00:37:05,184
But I'd never seen it done
with reel-to-reel tape.
765
00:37:05,267 --> 00:37:08,562
The sound and the visual
were so magical to us.
766
00:37:08,645 --> 00:37:10,063
Yauch told us that he'd heard about
767
00:37:10,147 --> 00:37:13,358
Jimi Hendrix and Sly Stone
doing tape loops and he wanted to try it.
768
00:37:13,442 --> 00:37:15,152
Where did he hear about that?
769
00:37:15,235 --> 00:37:17,779
There was no YouTube or Google
back then, right?
770
00:37:18,363 --> 00:37:20,449
We took Yauch's creation to the studio,
771
00:37:20,532 --> 00:37:23,368
and we made a song called
"Rhymin' & Stealin'."
772
00:37:23,452 --> 00:37:25,204
[song playing]
773
00:37:26,288 --> 00:37:29,333
♪ Ali Baba and the forty thieves ♪
774
00:37:29,416 --> 00:37:32,336
♪ Ali Baba and the forty thieves ♪
775
00:37:32,419 --> 00:37:35,631
♪ Ali Baba and the forty thieves ♪
776
00:37:35,714 --> 00:37:37,716
♪ Torchin' and crackin'
And rhymin' and stealin'... ♪
777
00:37:37,799 --> 00:37:41,220
So while we were writing and recording
what would become Licensed to Ill,
778
00:37:41,303 --> 00:37:45,516
Rick Rubin was also producing
Run-DMC's new album Raising Hell.
779
00:37:46,391 --> 00:37:49,937
Now, their version
of the Aerosmith song "Walk This Way"
780
00:37:50,020 --> 00:37:53,357
was a massive mainstream
radio and MTV hit, right?
781
00:37:53,440 --> 00:37:56,485
And Run-DMC fuckin' blew up
all over the world.
782
00:37:56,568 --> 00:37:58,445
They went on tour that summer in '86.
783
00:37:58,529 --> 00:38:00,113
Russell had us open for them.
784
00:38:00,197 --> 00:38:02,199
[Ad-Rock] Beastie Boys' function
in the Raising Hell Tour
785
00:38:02,282 --> 00:38:04,368
is to get everybody pumped up
to check out the shows.
786
00:38:04,451 --> 00:38:06,286
So we figured
we'd raise a lot of hell on stage.
787
00:38:06,370 --> 00:38:08,956
And we'd just, sort of,
you know, get the audience going.
788
00:38:09,039 --> 00:38:12,543
They were so large
by the time their tour got to Miami,
789
00:38:12,626 --> 00:38:16,588
the promoters upgraded their venue
from basketball arena to baseball stadium.
790
00:38:16,672 --> 00:38:17,965
[song playing]
791
00:38:18,048 --> 00:38:22,427
[Mike D] Joe Perry and Steven Tyler from
Aerosmith were flying down from Miami
792
00:38:22,511 --> 00:38:24,221
just to do the one song with them.
793
00:38:24,304 --> 00:38:26,682
And it was bound to be
a fuckin' spectacle.
794
00:38:27,641 --> 00:38:29,643
♪ She starts swingin'
With the boys in tune ♪
795
00:38:29,726 --> 00:38:31,562
♪ And her feet just fly up in the air... ♪
796
00:38:31,645 --> 00:38:37,192
Cut to the big moment, when Aerosmith
is about to hit the stage to join Run-DMC
797
00:38:37,276 --> 00:38:40,445
to play the number one song
on the entire planet.
798
00:38:40,529 --> 00:38:43,323
They walk out and the crowd goes wild.
799
00:38:43,407 --> 00:38:47,202
But now there's some other guy on stage.
800
00:38:47,286 --> 00:38:48,412
Yauch.
801
00:38:48,495 --> 00:38:49,746
[song continues]
802
00:38:52,332 --> 00:38:54,918
[Mike D]
Yauch happened to have a bass with him.
803
00:38:55,002 --> 00:38:58,046
And Jam Master Jay from Run-DMC
thought it'd be funny
804
00:38:58,130 --> 00:39:01,758
for him to play bass with them
and Aerosmith for the big song,
805
00:39:01,842 --> 00:39:05,971
on stage, in a baseball stadium, in Miami.
806
00:39:06,054 --> 00:39:09,349
And Yauch fucking delivered majestically.
807
00:39:09,433 --> 00:39:13,061
The look on the Aerosmith guys' faces
was fantastic bemusement.
808
00:39:13,145 --> 00:39:15,230
"Who's this dirty drunk guy on stage?
809
00:39:15,314 --> 00:39:18,275
And-- And why is he playing bass with us?"
810
00:39:19,359 --> 00:39:20,736
Throughout the whole song,
811
00:39:20,819 --> 00:39:23,363
Yauch kept trying
to go back-to-back guitar-player style
812
00:39:23,447 --> 00:39:26,450
with fucking Joe Perry,
who was having none of it, right?
813
00:39:26,533 --> 00:39:27,534
And it's like--
814
00:39:27,618 --> 00:39:32,080
It ended up with Yauch chasing him
around the stage running backwards.
815
00:39:32,164 --> 00:39:35,792
And all of us were
on the side of the stage,
816
00:39:35,876 --> 00:39:40,464
watching, screaming,
laughing and loving it.
817
00:39:40,547 --> 00:39:42,549
[cheering, applause]
818
00:39:42,633 --> 00:39:46,178
And not only was it really fucking fun
being on tour
819
00:39:46,261 --> 00:39:48,180
and hanging out with Run-DMC,
820
00:39:48,263 --> 00:39:51,308
but we learned so much
watching them night after night.
821
00:39:51,391 --> 00:39:53,810
I mean, it was like
we were at rap finishing school.
822
00:39:53,894 --> 00:39:58,690
♪ Yes, yes, y'all, we don't stop
Keep it on, shockin' the place ♪
823
00:39:58,774 --> 00:39:59,775
♪ Well... ♪
824
00:39:59,858 --> 00:40:01,026
[vocalizing]
825
00:40:01,109 --> 00:40:02,402
♪ Got nothin' to prove ♪
826
00:40:02,486 --> 00:40:05,072
♪ Pay attention
My intention is to bust a move ♪
827
00:40:05,155 --> 00:40:08,033
♪ Drinkin' quarts and cans
And bottles and sixes ♪
828
00:40:08,116 --> 00:40:11,119
♪ Between the turntables
Keep the... ♪ [indistinct]
829
00:40:11,203 --> 00:40:13,580
[Run] ♪ My name's Run
I got the deuces wild ♪
830
00:40:13,664 --> 00:40:16,333
♪ Listen to the rhymes
I'm bustin' the style ♪
831
00:40:16,416 --> 00:40:18,919
♪ Name's DMC and he's by my side ♪
832
00:40:19,002 --> 00:40:21,547
♪ So take the mic... ♪
[indistinct]
833
00:40:21,630 --> 00:40:23,173
[Mike D] But when we got back home,
834
00:40:23,257 --> 00:40:27,302
we found out that Rick had gone
and mixed and finished our whole record.
835
00:40:27,386 --> 00:40:30,055
It was weird that he just went
and did it without us knowing.
836
00:40:30,764 --> 00:40:34,351
I mean, Yauch was always
into the technical aspects of recording,
837
00:40:34,434 --> 00:40:38,021
so I'm sure it must've bummed him out
or pissed him off.
838
00:40:38,105 --> 00:40:40,899
But what Rick did was pretty incredible.
839
00:40:40,983 --> 00:40:42,818
He took our weird rap songs
840
00:40:42,901 --> 00:40:47,447
and he made them sound clean, and big,
and polished, and ready for the radio.
841
00:40:47,531 --> 00:40:50,826
They are more like real anthems
and less like a joke.
842
00:40:51,743 --> 00:40:55,163
-[song playing]
-[no audible dialogue]
843
00:40:55,247 --> 00:40:59,251
♪ Brass Monkey, that funky Monkey ♪
844
00:40:59,334 --> 00:41:03,213
♪ Brass Monkey junkie
That funky Monkey ♪
845
00:41:03,297 --> 00:41:05,465
-♪ Brass Monkey ♪
-[song stops]
846
00:41:05,549 --> 00:41:06,967
Chapter 4:
847
00:41:07,050 --> 00:41:10,596
"Earlier We Had Mentioned a Song
That We Thought Had Changed Everything.
848
00:41:10,679 --> 00:41:12,181
And It Had, In a Way.
849
00:41:12,264 --> 00:41:15,767
But This Is Actually the Song
That Changed Everything."
850
00:41:15,851 --> 00:41:18,103
[guitar riff plays]
851
00:41:18,187 --> 00:41:23,066
So, fun fact, we were almost done
with our record Licensed to Ill,
852
00:41:23,150 --> 00:41:24,693
but Russell said it wasn't long enough
853
00:41:24,776 --> 00:41:27,029
and so we needed just,
like, one more song.
854
00:41:27,112 --> 00:41:30,574
And Yauch and his friend Tom Cushman
had a side band called Brooklyn.
855
00:41:30,657 --> 00:41:33,202
And they had this song called
"Fight for Your Right (To Party)."
856
00:41:33,285 --> 00:41:34,328
And Yauch was like,
857
00:41:34,411 --> 00:41:37,247
"Why don't we use that Brooklyn song
and use it for Beastie Boys?"
858
00:41:37,331 --> 00:41:38,498
They made that song as a joke.
859
00:41:38,582 --> 00:41:42,753
Like, a kind of fake anthem
making fun of party bros and frat guys.
860
00:41:42,836 --> 00:41:47,090
Now, we had never actually met
a party bro or a frat guy.
861
00:41:47,633 --> 00:41:50,052
But we thought that shit
was hilarious to make fun of.
862
00:41:50,135 --> 00:41:53,597
So our big idea was
to take a little bit of this.
863
00:41:53,680 --> 00:41:54,973
[audience laughing]
864
00:41:55,057 --> 00:41:56,350
A little bit of that.
865
00:41:57,976 --> 00:41:59,645
A little bit of this.
866
00:42:00,354 --> 00:42:04,483
Whoo! And then about half a cup of that.
867
00:42:04,566 --> 00:42:07,778
And then you mix
all these things together.
868
00:42:07,861 --> 00:42:09,655
And what you get is...
869
00:42:09,738 --> 00:42:13,951
♪ You gotta fight for your right ♪
870
00:42:14,034 --> 00:42:16,537
♪ To party ♪
871
00:42:17,829 --> 00:42:20,040
[Mike D]
Shit starts happening really fast.
872
00:42:20,123 --> 00:42:23,001
I mean, it felt like the next day,
our record comes out.
873
00:42:23,085 --> 00:42:24,920
Then the video comes out.
874
00:42:25,003 --> 00:42:26,046
It's everywhere.
875
00:42:26,129 --> 00:42:28,841
I mean, I'm just at home
eating my Fruity Pebbles.
876
00:42:28,924 --> 00:42:32,636
And I'm watching it play, like,
five times an hour on MTV.
877
00:42:32,719 --> 00:42:34,388
[Ad-Rock] Everybody watched MTV back then.
878
00:42:34,471 --> 00:42:36,849
And we were on that shit constantly.
879
00:42:36,932 --> 00:42:40,769
Our homemade video that we made
at our friend's apartment is now playing
880
00:42:40,853 --> 00:42:44,982
in between fuckin' Michael Jackson,
Prince and Tina Turner videos.
881
00:42:45,065 --> 00:42:48,527
I mean, that was some crazy shit.
882
00:42:49,111 --> 00:42:51,530
So, we went from being famous in--
883
00:42:51,613 --> 00:42:53,907
-Crazy shit.
-Come on.
884
00:42:55,325 --> 00:42:56,702
[chuckles]
885
00:42:56,785 --> 00:42:59,997
We went from being famous in,
like, a 14-block radius
886
00:43:00,080 --> 00:43:02,583
to being known
in the underground hip-hop scene
887
00:43:02,666 --> 00:43:06,879
to being recognized walking down
the street after Licensed to Ill came out.
888
00:43:06,962 --> 00:43:10,382
I mean, everywhere I went
people would start yelling like...
889
00:43:10,465 --> 00:43:12,342
"Yo, Mike D."
890
00:43:12,426 --> 00:43:14,136
"Oh, what's up, homeboy?"
891
00:43:14,219 --> 00:43:16,430
Same thing with me and Yauch.
We'd be walking down the street,
892
00:43:16,513 --> 00:43:18,557
someone might recognize us,
and they'd be like...
893
00:43:18,640 --> 00:43:20,434
"Yo, Mike D."
894
00:43:20,517 --> 00:43:22,019
[audience laughing]
895
00:43:23,103 --> 00:43:24,229
True story.
896
00:43:24,313 --> 00:43:27,149
So, we were really feeling ourselves.
897
00:43:27,232 --> 00:43:29,026
And about two months later,
898
00:43:29,109 --> 00:43:33,572
Russell sends us out on our first
big headlining tour of America.
899
00:43:33,655 --> 00:43:34,656
[Ad-Rock] So what did we do?
900
00:43:34,740 --> 00:43:37,701
We brought Dave Scilken
and Cey and DJ Hurricane
901
00:43:37,784 --> 00:43:39,203
and all our other friends with us.
902
00:43:39,286 --> 00:43:41,580
[Mike D]
Our record was selling like crazy.
903
00:43:41,663 --> 00:43:43,999
And that's when things started
to feel really different.
904
00:43:44,082 --> 00:43:46,126
[Ad-Rock]
Being famous in our city was one thing.
905
00:43:46,210 --> 00:43:48,545
But being famous in a mall
in Missoula, Montana
906
00:43:48,629 --> 00:43:50,839
is something else entirely.
907
00:43:50,923 --> 00:43:52,591
So before the tour started,
908
00:43:52,674 --> 00:43:54,676
Russell Simmons had us meet
with some weird dude
909
00:43:54,760 --> 00:43:57,387
to talk about what we wanted on stage.
910
00:43:57,471 --> 00:44:01,892
So just to fuck with this guy,
we were like, "Uh, yeah, homes, you know,
911
00:44:01,975 --> 00:44:07,064
we want a fuckin' ten-foot
six-pack of Budweiser for a DJ riser."
912
00:44:07,147 --> 00:44:09,274
-"Check."
-"We want a fuckin' go-go dancer cage."
913
00:44:09,358 --> 00:44:10,651
-"Check."
-"We want this big box
914
00:44:10,734 --> 00:44:13,529
with a 25-foot dick coming out of it
at the end of the show, right?"
915
00:44:13,612 --> 00:44:15,113
-"That's easy. Yeah. No problem."
-Right?
916
00:44:15,197 --> 00:44:16,615
And the next thing you know,
917
00:44:16,698 --> 00:44:20,035
we get to Missoula, Montana
for the first show, and there it is.
918
00:44:20,118 --> 00:44:22,704
-[rock song playing]
-[audience cheering]
919
00:44:29,586 --> 00:44:32,297
Oh, Mike D, wop it up,
wop it up, wop it up.
920
00:44:32,840 --> 00:44:35,843
We were-- We were wopping it up.
We were pretty excited.
921
00:44:36,718 --> 00:44:40,430
Now, we had no idea who was gonna show up
to see us play.
922
00:44:41,265 --> 00:44:44,393
We definitely didn't think
that the party bro frat dudes
923
00:44:44,476 --> 00:44:46,270
that we were making fun of
were gonna come.
924
00:44:46,353 --> 00:44:50,566
But turns out that they loved
"Fight for Your Right (To Party)."
925
00:44:50,649 --> 00:44:53,026
And you know what? We liked being loved.
926
00:44:53,110 --> 00:44:56,947
So fuck it.
Pass me a 40. Let's get fucked up.
927
00:44:58,907 --> 00:45:03,537
Now, everything that Russell had said
would happen was actually happening.
928
00:45:03,620 --> 00:45:07,916
He'd show up all the time in some random
city on tour and remind us. He'd be like,
929
00:45:08,000 --> 00:45:10,002
[imitating Simmons]
"See, I told you motherfuckers.
930
00:45:10,085 --> 00:45:12,546
Y'all gonna be bigger than Cap'n Crunch."
931
00:45:13,755 --> 00:45:15,757
The shows kept getting bigger and bigger.
932
00:45:15,841 --> 00:45:18,594
A thousand people one night,
2,000 the next.
933
00:45:18,677 --> 00:45:21,221
-Chicago, Atlanta--
-Miami.
934
00:45:21,305 --> 00:45:22,514
Miami.
935
00:45:22,598 --> 00:45:24,141
-Uh... Munich.
-Munich.
936
00:45:24,224 --> 00:45:25,225
-[chuckles]
-Houston.
937
00:45:25,309 --> 00:45:28,145
[Ad-Rock] Shows, hotels,
after-parties, after-after-parties.
938
00:45:28,228 --> 00:45:34,193
Now we were having the fucking times
of our lives, and shit was blowing up.
939
00:45:34,276 --> 00:45:36,612
-[song lyrics playing]
-["No Sleep Till Brooklyn" intro]
940
00:45:37,321 --> 00:45:39,531
[Dick Clark]
Licensed to Ill has been certified
941
00:45:39,615 --> 00:45:43,493
as the fastest-selling debut
in the history of their label.
942
00:45:43,577 --> 00:45:45,662
-These are...
-The Beastie Boys.
943
00:45:45,746 --> 00:45:47,039
You got it.
944
00:45:47,122 --> 00:45:48,707
[song continues]
945
00:45:48,790 --> 00:45:50,000
[no audible dialogue]
946
00:45:51,627 --> 00:45:53,629
♪ Foot on the pedal
Never ever false metal ♪
947
00:45:53,712 --> 00:45:55,923
♪ Engine running hotter
Than a boiling kettle... ♪
948
00:45:56,006 --> 00:45:59,510
In 1987, the Beastie Boys
are gonna be taking over America!
949
00:45:59,593 --> 00:46:01,345
[screaming]
950
00:46:01,428 --> 00:46:03,847
♪ On location
Touring around the nation ♪
951
00:46:03,931 --> 00:46:06,350
♪ Beastie Boys always on vacation... ♪
952
00:46:06,433 --> 00:46:09,144
How'd you all three get together?
Juilliard?
953
00:46:09,228 --> 00:46:11,188
[studio audience laughs]
954
00:46:11,271 --> 00:46:13,690
♪ Ain't no fakin'
Your money I'm takin' ♪
955
00:46:13,774 --> 00:46:16,193
♪ Going coast to coast
To watch all the girlies shakin' ♪
956
00:46:16,276 --> 00:46:18,153
♪ While you're at the job
Workin' 9 to 5 ♪
957
00:46:18,237 --> 00:46:21,198
♪ The Beastie Boys at the Garden
Cold kickin' it live ♪
958
00:46:21,281 --> 00:46:24,660
[Mike D] But something weird
was happening during all of this.
959
00:46:24,743 --> 00:46:29,581
We morphed from making fun of party bros
to actually becoming those dudes.
960
00:46:29,665 --> 00:46:31,291
Let's bang our heads together!
961
00:46:31,375 --> 00:46:33,877
[screaming]
962
00:46:35,337 --> 00:46:36,839
Yo, what's up, MTV?
963
00:46:36,922 --> 00:46:39,383
-We're the Beastie Boys!
-Yeah!
964
00:46:39,466 --> 00:46:43,345
So songs that we'd written as a joke
took on a whole new light.
965
00:46:44,096 --> 00:46:47,099
For example, we had a song
on our first record
966
00:46:47,182 --> 00:46:51,144
that was supposed to be this,
like, stupid and ironic joke,
967
00:46:51,228 --> 00:46:53,230
but, understandably, it wasn't that funny.
968
00:46:53,814 --> 00:46:55,941
Now I'm gonna tell you the lyrics
to that song.
969
00:46:56,942 --> 00:47:00,529
"Girls, to do the dishes.
970
00:47:01,154 --> 00:47:03,532
Girls, to clean up my room.
971
00:47:04,366 --> 00:47:06,618
Girls, to do my laundry.
972
00:47:07,327 --> 00:47:10,581
Girls, and in the bathroom. Girls."
973
00:47:13,125 --> 00:47:15,586
-[laughing, cheering]
-[exhales]
974
00:47:15,669 --> 00:47:17,421
[applause]
975
00:47:18,964 --> 00:47:21,633
We didn't know what was a joke
and what wasn't a joke at that time.
976
00:47:21,717 --> 00:47:24,178
I mean, shit got really blurry.
977
00:47:26,054 --> 00:47:27,514
[indistinct]
978
00:47:27,598 --> 00:47:30,601
[Mike D]
The lines just got kind of blurred for us.
979
00:47:30,684 --> 00:47:35,731
Like, I have a break from tour,
but then I didn't even call my friends
980
00:47:35,814 --> 00:47:38,317
because I just didn't know
how to relate to them anymore.
981
00:47:38,400 --> 00:47:42,154
I mean, I just didn't even recognize the
person that I had become at that point.
982
00:47:42,237 --> 00:47:45,616
I remember one specific time
I saw Kate Schellenbach at a deli,
983
00:47:46,283 --> 00:47:47,367
and I didn't say hi.
984
00:47:48,410 --> 00:47:50,078
Maybe she didn't see me. I-I don't know.
985
00:47:50,162 --> 00:47:51,288
But if she did see me,
986
00:47:51,371 --> 00:47:55,167
she definitely would have seen
a very different version of me.
987
00:47:55,959 --> 00:47:58,629
I remember I was in the back
of the store by the coolers,
988
00:47:58,712 --> 00:48:00,422
and she was up front paying for something,
989
00:48:00,506 --> 00:48:03,008
and she was just laughing
and having fun with her friend.
990
00:48:03,842 --> 00:48:06,053
And I guess I didn't say hi
'cause I was embarrassed
991
00:48:06,136 --> 00:48:07,804
thinking about how much I'd changed.
992
00:48:10,849 --> 00:48:12,309
Also, speaking of change,
993
00:48:12,768 --> 00:48:16,605
I'd like to take a quick sidenote
to apologize to my brother, Matthew,
994
00:48:16,688 --> 00:48:18,565
for that time I kept calling him "money"
995
00:48:18,649 --> 00:48:20,776
when we were just trying
to have a serious conversation.
996
00:48:20,859 --> 00:48:23,028
I was like,
"Yo, money. I don't know, money."
997
00:48:23,111 --> 00:48:26,990
And he was like, "Yo, what the fuck
are you doing? We're just talking."
998
00:48:27,950 --> 00:48:29,076
Anyway.
999
00:48:29,159 --> 00:48:31,537
Matthew, I'm sorry. That was a dick move.
1000
00:48:33,080 --> 00:48:37,584
Which brings us to Chapter 5:
"Dicks in a Box."
1001
00:48:38,919 --> 00:48:42,965
Our record was selling like crazy,
and the shows were getting crazier.
1002
00:48:43,048 --> 00:48:44,633
A lot of booze and a lot of cursing.
1003
00:48:44,716 --> 00:48:48,345
Now, in the South, they were trying
to ban us for lewd behavior.
1004
00:48:48,428 --> 00:48:51,974
We would literally have to sneak off
a stage after a show and into a van
1005
00:48:52,057 --> 00:48:54,726
and get across state lines
so we wouldn't get arrested.
1006
00:48:54,810 --> 00:48:56,478
The British press were around at the time,
1007
00:48:56,562 --> 00:48:58,230
and they were writing
all these stories about us.
1008
00:48:58,313 --> 00:49:01,316
And so by the time we got to England
to go on tour,
1009
00:49:01,400 --> 00:49:03,277
they made up all of these stories about us
1010
00:49:03,360 --> 00:49:05,654
and put them on the cover
of the actual newspapers.
1011
00:49:06,572 --> 00:49:10,242
There was this weird expectation
for us to be fucking maniacs.
1012
00:49:11,326 --> 00:49:15,831
We really did not do that. Just as
a sidenote, that just did not happen.
1013
00:49:18,876 --> 00:49:20,669
[scattered laughter, clapping]
1014
00:49:22,296 --> 00:49:26,466
Seriously, I do like it though.
They say, "'Horrible' Horovitz."
1015
00:49:26,550 --> 00:49:28,135
-I really like that. But--
-Yeah.
1016
00:49:28,218 --> 00:49:31,054
You know, it's too bad that didn't stick.
1017
00:49:31,138 --> 00:49:32,806
-"Horrible" Horovitz?
-Yeah, it's a good name.
1018
00:49:32,890 --> 00:49:35,309
There was an actual meeting of Parliament
1019
00:49:35,392 --> 00:49:38,520
to decide whether they should let us
into the UK or not.
1020
00:49:38,604 --> 00:49:39,855
Seriously.
1021
00:49:39,938 --> 00:49:44,151
With each city we went to on the tour,
the crowd developed a
1022
00:49:44,234 --> 00:49:45,986
[British accent]
"you motherfuckers ain't shit
1023
00:49:46,069 --> 00:49:48,655
compared to us here" type of vibe, right?
1024
00:49:49,364 --> 00:49:53,368
So by the time we got to
the last show of that tour in Liverpool,
1025
00:49:53,452 --> 00:49:55,329
the punters went berserk.
1026
00:49:56,121 --> 00:49:59,499
Right into the first song
of our show in Liverpool,
1027
00:49:59,583 --> 00:50:02,961
the crowd started chanting these football
chants and throwing shit at us.
1028
00:50:03,045 --> 00:50:05,839
And then it turned into
a full-on hailstorm of beer can--
1029
00:50:05,923 --> 00:50:07,674
Jesus Christ, Mike. Come on.
1030
00:50:08,258 --> 00:50:11,178
A full-on hailstorm
of beer cans and bottles.
1031
00:50:11,678 --> 00:50:15,682
So mid-show, we broke the fuck out,
and we drove back to London.
1032
00:50:16,475 --> 00:50:19,353
After all this, you think we would've
taken a break for a sec, right?
1033
00:50:19,436 --> 00:50:21,438
You know, just to let things
calm down a little.
1034
00:50:21,522 --> 00:50:22,523
But we didn't.
1035
00:50:22,606 --> 00:50:26,235
We went straight from all of that
to tour Japan.
1036
00:50:26,318 --> 00:50:27,694
Then after the tour of Japan,
1037
00:50:27,778 --> 00:50:31,323
we came back to the United States
and toured that shit all over again.
1038
00:50:31,406 --> 00:50:32,574
No breaks.
1039
00:50:33,742 --> 00:50:34,910
[Mike D] We just didn't stop.
1040
00:50:35,661 --> 00:50:37,704
Russell was like,
"You're going back on tour.
1041
00:50:37,788 --> 00:50:40,999
You're gonna make a lot of money.
And you're gonna be happy rock stars."
1042
00:50:41,083 --> 00:50:43,210
"All right, Russell. Whatever you say."
1043
00:50:43,293 --> 00:50:46,171
["Fight for Your Right (To Party)"
playing]
1044
00:50:46,255 --> 00:50:47,673
I mean, he was the manager.
1045
00:50:47,756 --> 00:50:51,635
If he's like, "You're going out on tour,"
well, then that's what you do.
1046
00:50:52,719 --> 00:50:54,429
We didn't really question it so much.
1047
00:50:54,513 --> 00:50:57,599
We felt like we had to be
out there doing this.
1048
00:50:57,683 --> 00:51:00,477
But we weren't really mature enough
to be able to express
1049
00:51:00,561 --> 00:51:03,105
that we started to not like our own songs.
1050
00:51:03,730 --> 00:51:05,524
Which is a really shitty feeling.
1051
00:51:06,567 --> 00:51:10,070
[Ad-Rock] Yauch was the first one to start
showing signs of not wanting to be there.
1052
00:51:10,988 --> 00:51:13,448
I mean, it's not like we weren't having
fun as friends.
1053
00:51:13,991 --> 00:51:16,326
It's just, the show started
to become just that.
1054
00:51:16,410 --> 00:51:17,411
A show.
1055
00:51:17,995 --> 00:51:19,121
A fucking gimmick.
1056
00:51:20,372 --> 00:51:21,832
I mean, we were all tired.
1057
00:51:22,749 --> 00:51:24,126
We missed our families.
1058
00:51:24,668 --> 00:51:25,919
We missed being home.
1059
00:51:26,837 --> 00:51:29,798
We missed things like
just going to the deli to get a sandwich.
1060
00:51:30,465 --> 00:51:32,801
We missed being the people we used to be.
1061
00:51:33,510 --> 00:51:36,597
All the dumb shit we were saying
and the go-go cage
1062
00:51:36,680 --> 00:51:39,516
and the fucking beer
and the dick in the box...
1063
00:51:39,600 --> 00:51:41,977
the whole thing was just
getting fucking embarrassing.
1064
00:51:43,061 --> 00:51:45,230
We were burning out.
1065
00:51:45,314 --> 00:51:48,233
[Mike D] In a flash,
Beastie Boys went from being
1066
00:51:48,317 --> 00:51:51,069
the funny, tipsy guy
with the lampshade on his head
1067
00:51:51,153 --> 00:51:55,157
to the ugly drunk dude that people
were trying to get out of their apartment.
1068
00:51:55,240 --> 00:51:57,993
[Ad-Rock] It's like that Bill Murray
movie Groundhog Day.
1069
00:51:58,535 --> 00:52:01,788
You know, where he keeps living
the same day over and over.
1070
00:52:02,623 --> 00:52:05,083
But in our movie, it was the fucking dick
1071
00:52:05,167 --> 00:52:08,587
going up in the air
at the end of every show.
1072
00:52:10,172 --> 00:52:15,260
The problem was, we built the fucking box,
and we're the dicks stuck inside the box.
1073
00:52:16,178 --> 00:52:19,389
It became, "How can we
get through the show fast enough
1074
00:52:19,473 --> 00:52:25,395
so the stupid dick can get back in the box
and we can get the fuck off stage."
1075
00:52:25,479 --> 00:52:28,190
[rumbling]
1076
00:52:38,158 --> 00:52:39,618
What ever happened to the Beastie Boys?
1077
00:52:39,701 --> 00:52:42,162
In late 1986,
they released Licensed to Ill,
1078
00:52:42,246 --> 00:52:44,623
one of the most successful
debut albums of all time.
1079
00:52:44,706 --> 00:52:47,459
But they've yet to record a follow-up
and have gone their separate ways
1080
00:52:47,543 --> 00:52:50,295
since their tour with Run-DMC
ended last fall.
1081
00:52:50,379 --> 00:52:53,507
These days, Mike D and MCA
are playing in bands around New York.
1082
00:52:53,590 --> 00:52:56,802
As for Ad-Rock, he's been in Los Angeles
making his movie debut.
1083
00:52:56,885 --> 00:52:58,387
[insects chirping]
1084
00:52:59,763 --> 00:53:01,056
[car door opens]
1085
00:53:03,725 --> 00:53:04,893
[car door closes]
1086
00:53:09,231 --> 00:53:11,400
You just transferred
to Sherman, didn't you?
1087
00:53:12,609 --> 00:53:14,945
Yeah. Moved here last summer.
1088
00:53:15,028 --> 00:53:16,488
Like, to this great house.
1089
00:53:16,989 --> 00:53:19,116
[buzzes lips]
Do you wanna help me wash this car?
1090
00:53:19,741 --> 00:53:21,076
-[sighs]
-Now?
1091
00:53:27,499 --> 00:53:30,169
-[gasps, moans]
-[girl laughs]
1092
00:53:30,252 --> 00:53:31,879
[audience cheering]
1093
00:53:33,881 --> 00:53:34,882
[Ad-Rock] Okay.
1094
00:53:36,758 --> 00:53:37,885
Okay, so...
1095
00:53:38,927 --> 00:53:41,638
That was a movie I was in
right after the Licensed to Ill tour.
1096
00:53:42,431 --> 00:53:45,184
It's called Lost Angels, and it's awful.
1097
00:53:45,267 --> 00:53:47,102
Please don't go look it up, okay?
1098
00:53:47,186 --> 00:53:49,021
Please don't look it up and watch it.
1099
00:53:49,646 --> 00:53:50,689
Please don't.
1100
00:53:50,772 --> 00:53:51,773
Anyways...
1101
00:53:53,233 --> 00:53:54,776
The last 12 months of touring
1102
00:53:54,860 --> 00:53:57,946
felt like a tornado had ripped me
out of my apartment in New York,
1103
00:53:58,030 --> 00:54:02,367
spun me barfing all around the world,
and dropped me on my head in Hollywood.
1104
00:54:02,951 --> 00:54:05,245
And that's when I got cast
to do that movie.
1105
00:54:05,829 --> 00:54:09,958
I was 22 years old, and I did not know
what the fuck had just happened.
1106
00:54:10,417 --> 00:54:12,961
I hadn't talked to Adam or Mike
for a couple months.
1107
00:54:13,045 --> 00:54:14,713
We didn't have a fight
or a falling out or anything,
1108
00:54:14,796 --> 00:54:18,425
but it was, like, the first time we didn't
really wanna hang out with each other.
1109
00:54:18,509 --> 00:54:22,179
I guess we just needed a break
to go our separate ways for a minute.
1110
00:54:23,013 --> 00:54:26,517
Yauch was in New York, and he was
really into his other band, Brooklyn.
1111
00:54:27,643 --> 00:54:29,978
And I was in LA doing that movie.
1112
00:54:30,646 --> 00:54:32,147
And Mike was, um...
1113
00:54:33,023 --> 00:54:35,400
-Mike, what were you doing?
-Oh, um--
1114
00:54:35,484 --> 00:54:39,071
Honestly, I was just
experimenting with a lot of drugs.
1115
00:54:39,154 --> 00:54:40,489
-[audience laughing]
-Right, right.
1116
00:54:43,784 --> 00:54:48,372
So as for me,
I was running from all kinds of things.
1117
00:54:48,455 --> 00:54:51,708
My mom had just passed away,
right before Licensed to Ill came out.
1118
00:54:51,792 --> 00:54:54,378
And the chance to escape
into becoming a different person
1119
00:54:54,461 --> 00:54:56,839
couldn't have come
at the more perfect time.
1120
00:54:57,673 --> 00:55:01,552
So after the tour, I continued to run away
from anything I was feeling.
1121
00:55:03,053 --> 00:55:05,848
One day after filming,
I got back to the hotel I was staying at,
1122
00:55:05,931 --> 00:55:07,182
and someone at the front desk said
1123
00:55:07,266 --> 00:55:09,351
that there was a package
waiting for me in my room.
1124
00:55:09,852 --> 00:55:13,355
I get in my room and there's this
huge box, and it's from Yauch.
1125
00:55:14,022 --> 00:55:17,359
I open the box,
and inside the box is another box.
1126
00:55:17,442 --> 00:55:20,070
And then another box,
and another box, and another box.
1127
00:55:21,280 --> 00:55:24,992
And then there was this big ziplock bag
with coffee grounds in it.
1128
00:55:25,617 --> 00:55:28,829
So inside of that mess
was a cassette tape.
1129
00:55:30,372 --> 00:55:33,041
It was the demos for his band Brooklyn.
1130
00:55:33,750 --> 00:55:37,254
It's weird to go from talking to someone
every single day for years
1131
00:55:37,337 --> 00:55:39,965
to all of a sudden not hear from them
for a couple months.
1132
00:55:40,048 --> 00:55:42,801
So it was really cool
that he sent me this tape of his music.
1133
00:55:43,302 --> 00:55:46,138
Like, he did it
so we could be connected as friends.
1134
00:55:46,930 --> 00:55:48,891
But it definitely made me pause for a sec.
1135
00:55:48,974 --> 00:55:50,976
Like, maybe that's just
what he's doing now.
1136
00:55:51,059 --> 00:55:53,812
Maybe he's done with Beastie Boys,
and we're not a band anymore.
1137
00:55:54,313 --> 00:55:59,193
Well, turns out we kind of weren't a band,
because Yauch quit.
1138
00:55:59,276 --> 00:56:02,613
I mean, he didn't tell us about it
until a couple years later.
1139
00:56:03,113 --> 00:56:05,616
He was sick of being
the drunk guy at the party.
1140
00:56:05,699 --> 00:56:08,118
Yauch said that Russell
wasn't trying to hear him
1141
00:56:08,202 --> 00:56:10,662
and he kept trying to convince him
that it was all fine
1142
00:56:10,746 --> 00:56:12,372
and that he should just get back on tour
1143
00:56:12,456 --> 00:56:15,250
and put water in a beer can
and splash it all around
1144
00:56:15,334 --> 00:56:17,544
and a whole bunch of other clown stuff.
1145
00:56:17,628 --> 00:56:19,046
That was enough for Yauch.
1146
00:56:19,129 --> 00:56:21,673
So he told Russell, "I quit."
1147
00:56:21,757 --> 00:56:26,053
So during all this madness,
we stopped being paid royalties.
1148
00:56:26,720 --> 00:56:28,305
We made money for playing shows,
1149
00:56:28,388 --> 00:56:31,016
like, big shows, like,
Madison Square Garden shows.
1150
00:56:31,099 --> 00:56:36,104
But zero dollars for the multiplatinum
smash hit Licensed to Ill.
1151
00:56:36,188 --> 00:56:38,941
The fucking record
that a group of friends made together,
1152
00:56:39,024 --> 00:56:41,860
had intense and real fun making together,
1153
00:56:41,944 --> 00:56:43,779
spent hours and hours laughing
1154
00:56:43,862 --> 00:56:48,659
at coffee shops and clubs and studios,
dorm rooms, taxis, and parties...
1155
00:56:48,742 --> 00:56:51,078
But now, for whatever reason,
1156
00:56:51,161 --> 00:56:55,123
the record label decides
that they should not fucking pay us.
1157
00:56:55,666 --> 00:56:58,585
Rick and Russell. Our friends. Def Jam.
1158
00:56:59,169 --> 00:57:01,088
[Mike D] We'd been there with them
from the beginning.
1159
00:57:01,630 --> 00:57:05,342
We felt that Def Jam's success
was success for us and vice versa.
1160
00:57:05,425 --> 00:57:07,010
'Cause we were all friends.
1161
00:57:07,094 --> 00:57:09,763
Allegedly, Russell said
that we were in breach of our contract
1162
00:57:09,847 --> 00:57:13,058
because we hadn't started recording
a new record for Def Jam yet.
1163
00:57:13,517 --> 00:57:17,104
I mean, Russell wanted a "Fight for
Your Right (To Party) Part 2" now.
1164
00:57:17,187 --> 00:57:19,106
[Mike D] When Russell signed us,
1165
00:57:19,189 --> 00:57:22,067
we thought that he believed in us
in some bigger way.
1166
00:57:22,150 --> 00:57:26,488
But in hindsight, he just needed three
white rappers to get on MTV.
1167
00:57:26,572 --> 00:57:28,365
I mean, we could've been anybody.
1168
00:57:29,908 --> 00:57:32,244
Anyways, back to me. Los Angeles.
1169
00:57:32,327 --> 00:57:33,412
[clears throat]
1170
00:57:33,495 --> 00:57:35,664
So I'm out there,
and I'm working on this project--
1171
00:57:35,747 --> 00:57:38,333
Oh, actually, Spike, just indulge me.
1172
00:57:38,417 --> 00:57:41,253
Can we see that clip
where Adam goes into the pool?
1173
00:57:41,336 --> 00:57:43,130
-[Ad-Rock] No, we can just--
-Can we see that again?
1174
00:57:44,339 --> 00:57:46,592
-[gasps, moans]
-[girl laughs]
1175
00:57:48,385 --> 00:57:50,554
But play it, like, a few times in a row.
1176
00:57:50,637 --> 00:57:51,722
Just a few times.
1177
00:57:51,805 --> 00:57:55,684
-[gasping, moaning]
-[girl laughing]
1178
00:57:56,560 --> 00:57:59,188
Now, I've never driven a car
into a swimming pool.
1179
00:57:59,271 --> 00:58:00,856
-Yeah. Clearly.
-Okay.
1180
00:58:00,939 --> 00:58:04,276
But I'd like to think
that if I were to do that,
1181
00:58:04,359 --> 00:58:07,487
and when I felt the car
going into the swimming pool,
1182
00:58:07,571 --> 00:58:12,242
my reaction wouldn't be some kind of,
like, sexual, orgasmic experience.
1183
00:58:12,326 --> 00:58:13,702
[gasps, moans]
1184
00:58:15,037 --> 00:58:16,788
I don't know, you guys.
It's pretty fucking hot.
1185
00:58:16,872 --> 00:58:18,373
I don't know what else to say.
1186
00:58:20,167 --> 00:58:21,835
Anyways, I was out in Hollywood.
1187
00:58:21,919 --> 00:58:24,087
-[gasps, moans]
-All right, all right, all right.
1188
00:58:26,924 --> 00:58:30,886
So, I'm out in Hollywood, and I was
at this big Hollywood party, right?
1189
00:58:30,969 --> 00:58:33,972
And I'm hanging out by the pool,
as you do at Hollywood parties.
1190
00:58:34,640 --> 00:58:38,310
And so I hear this awesome music
playing from somewhere.
1191
00:58:38,393 --> 00:58:41,355
[hip-hop song playing]
1192
00:58:41,438 --> 00:58:44,858
"What is that?" So I'm trying to
figure out where this music's coming from,
1193
00:58:44,942 --> 00:58:47,444
so I'm walking around the party
trying to figure it out, right?
1194
00:58:47,528 --> 00:58:49,196
-Champagne, sir?
-Oh, thank you, Mike D.
1195
00:58:50,072 --> 00:58:52,533
This is how I walk
when I walk through Hollywood parties.
1196
00:58:53,450 --> 00:58:54,785
Donnie Wahlberg? Hey. What's up?
1197
00:58:54,868 --> 00:58:55,994
Are you done with that?
1198
00:58:56,787 --> 00:59:00,707
[chuckles] So, I'm following the sound to
try to figure out where it's coming from,
1199
00:59:00,791 --> 00:59:02,376
and I get to a cassette player.
1200
00:59:02,960 --> 00:59:05,379
And at the cassette player
is this guy Matt Dike
1201
00:59:05,462 --> 00:59:07,339
and these guys the Dust Brothers.
1202
00:59:08,757 --> 00:59:10,592
And they said that they'd made this music.
1203
00:59:10,676 --> 00:59:14,346
It was so awesome that I called Adam
and Mike the next day, and I was like,
1204
00:59:14,429 --> 00:59:17,766
"You guys should come out to Los Angeles,
and we should meet with these guys."
1205
00:59:17,850 --> 00:59:18,934
And they came out.
1206
00:59:19,017 --> 00:59:21,311
Now, I didn't know what it was
gonna be like when they came out,
1207
00:59:21,395 --> 00:59:24,439
because we hadn't seen each
other for a few months.
1208
00:59:24,523 --> 00:59:27,943
But when they got there,
it felt like how it was supposed to be.
1209
00:59:28,026 --> 00:59:30,195
We hung out, we listened to this music.
1210
00:59:30,696 --> 00:59:33,824
So, like, any of this other stuff
we were doing was fine, right?
1211
00:59:33,907 --> 00:59:38,370
Yauch's band Brooklyn,
me in the movie, Mike being Mike.
1212
00:59:38,453 --> 00:59:40,080
[laughing]
1213
00:59:40,163 --> 00:59:41,999
But it reminded me
1214
00:59:42,082 --> 00:59:44,960
the Beastie Boys is what we should
be doing with our lives, right?
1215
00:59:45,043 --> 00:59:46,128
For me.
1216
00:59:49,590 --> 00:59:52,718
And we made a very conscious
decision moving forward.
1217
00:59:52,801 --> 00:59:57,681
No manager, no producer,
no record label would call the shots.
1218
00:59:57,764 --> 00:59:59,766
It would be just the three of us.
1219
00:59:59,850 --> 01:00:02,477
[cheering, applause]
1220
01:00:04,771 --> 01:00:05,647
So...
1221
01:00:06,982 --> 01:00:11,445
There's not that many times in your life
when you realize you're in a new chapter.
1222
01:00:11,528 --> 01:00:14,072
Chapter 6: "A New Chapter."
1223
01:00:17,117 --> 01:00:20,954
The music the Dust Brothers was making
was incredible
1224
01:00:21,038 --> 01:00:24,333
and totally inspired us
to want to make another record.
1225
01:00:24,416 --> 01:00:27,503
But the reality is,
to continue being a band,
1226
01:00:27,586 --> 01:00:30,130
we had to meet with
some new record labels.
1227
01:00:30,214 --> 01:00:31,882
One of them was Capitol Records.
1228
01:00:31,965 --> 01:00:35,385
So we go up to meet the big-time
president guy and he was like,
1229
01:00:35,469 --> 01:00:38,639
"You guys didn't do anything
on Licensed to Ill. Let's be real.
1230
01:00:38,722 --> 01:00:40,474
Rick and Russell did all that shit.
1231
01:00:40,557 --> 01:00:42,351
You're, like, their creation."
1232
01:00:42,434 --> 01:00:46,146
But the same time,
they're willing to bet on us,
1233
01:00:46,230 --> 01:00:49,942
even though it's a long shot,
that we just might give them
1234
01:00:50,025 --> 01:00:52,611
a "Fight for Your Right
(To Party) Part 2."
1235
01:00:52,694 --> 01:00:55,072
Now, we're embarrassed about that song,
1236
01:00:55,155 --> 01:00:59,535
but we're not so embarrassed
that we won't use it to get a record deal.
1237
01:01:01,787 --> 01:01:04,998
Right? So we get the record deal,
but now we need a manager.
1238
01:01:05,082 --> 01:01:09,086
And so we pick a manager
for maybe not the smartest reasons ever.
1239
01:01:09,419 --> 01:01:13,298
We picked this guy because he managed
Kenny Rogers and Lionel Richie.
1240
01:01:13,382 --> 01:01:15,133
And we thought that shit was funny.
1241
01:01:15,926 --> 01:01:19,471
Sometimes dumb jokes aren't always
1242
01:01:19,555 --> 01:01:22,516
the best things to guide
your financial future.
1243
01:01:22,599 --> 01:01:23,934
All right?
1244
01:01:24,017 --> 01:01:26,436
Also, we had this big idea.
1245
01:01:26,520 --> 01:01:29,481
Like, okay, if we all live
in a house together,
1246
01:01:29,565 --> 01:01:32,025
we're really gonna get
a lot of stuff done.
1247
01:01:32,109 --> 01:01:36,697
So we took all this money
from our new fat record contract
1248
01:01:36,780 --> 01:01:42,369
and we rented a super-expensive
fancy house up in the Hollywood Hills.
1249
01:01:43,787 --> 01:01:46,081
[Ad-Rock] But not just any house
in the Hollywood Hills.
1250
01:01:46,164 --> 01:01:49,418
This house was like a '70s museum.
1251
01:01:49,501 --> 01:01:53,505
It was like Hart to Hart combined with
The Love Boat combined with, like,
1252
01:01:53,589 --> 01:01:55,591
the Regal Beagle from Three's Company.
1253
01:01:56,675 --> 01:01:59,261
My man, Hart to Hart
was just a great callout right there.
1254
01:01:59,344 --> 01:02:00,345
That was awesome.
1255
01:02:01,096 --> 01:02:05,350
Anyway, this house was owned
by Alex and Madilyn Grasshoff.
1256
01:02:05,434 --> 01:02:06,727
-Exactly.
-Small detail.
1257
01:02:06,810 --> 01:02:09,271
Now, inside of this house
there's a locked closet.
1258
01:02:09,354 --> 01:02:12,232
And so, you know,
when you're, like, in your 20s
1259
01:02:12,316 --> 01:02:16,612
and you're curious and super high,
and there's a locked closet,
1260
01:02:17,237 --> 01:02:18,405
what do you do?
1261
01:02:18,488 --> 01:02:20,199
You fucking kick that closet open, right?
1262
01:02:20,282 --> 01:02:21,491
You wanna know what's inside.
1263
01:02:21,575 --> 01:02:25,537
Inside the closet
is all of Madilyn Grasshoff's
1264
01:02:25,621 --> 01:02:29,333
awesome ensembles from the '70s.
1265
01:02:29,416 --> 01:02:30,751
I mean...
1266
01:02:30,834 --> 01:02:32,544
Yeah. Yeah.
1267
01:02:32,628 --> 01:02:37,216
Like, we're talking suede
patchwork duster coats.
1268
01:02:37,299 --> 01:02:39,384
[Ad-Rock]
I mean, like, fucking satin jumpsuits.
1269
01:02:39,468 --> 01:02:42,721
Everything transplendent and wonderful.
1270
01:02:42,804 --> 01:02:46,266
[Mike D]
Like fur hats. I mean, special vests.
1271
01:02:46,350 --> 01:02:48,435
You guys, would you
rather go have breakfast,
1272
01:02:48,519 --> 01:02:51,146
you know, like,
in your Oscar Madison clothes?
1273
01:02:51,230 --> 01:02:53,857
Or would you rather
go have breakfast like this?
1274
01:02:56,527 --> 01:02:58,820
This is the house
that we stayed in, right? That's Mike.
1275
01:02:58,904 --> 01:03:00,113
You look wonderful.
1276
01:03:00,197 --> 01:03:01,406
[Mike D] Oh. Thank you, Adam.
1277
01:03:01,490 --> 01:03:05,619
If you have a swimming pool and you don't
have a bridge over it, you're fucking up.
1278
01:03:06,119 --> 01:03:08,038
But listen.
So my room wasn't in the house.
1279
01:03:08,121 --> 01:03:10,832
It was, like, this weird side room
that was, like, over here.
1280
01:03:10,916 --> 01:03:13,126
And in the swimming pool
was this little window
1281
01:03:13,210 --> 01:03:16,839
that looked right into my room
and from the room into the pool.
1282
01:03:16,922 --> 01:03:19,049
And every couple days,
at 6:00 in the morning,
1283
01:03:19,132 --> 01:03:20,801
I'd hear this loud banging noise,
1284
01:03:20,884 --> 01:03:22,928
and I'd wake up and see this.
1285
01:03:25,430 --> 01:03:27,641
It was Yauch saying,
"Let's go get breakfast."
1286
01:03:28,892 --> 01:03:32,688
So our daily routine was to wake up
at this crazy Grasshoff house,
1287
01:03:32,771 --> 01:03:33,981
go have some breakfast,
1288
01:03:34,064 --> 01:03:36,859
and then we'd go meet Matt Dike
and the Dust Brothers at the studio.
1289
01:03:36,942 --> 01:03:38,068
[drumbeat song intro]
1290
01:03:40,070 --> 01:03:41,363
Matt Dike was a DJ,
1291
01:03:41,446 --> 01:03:45,200
and he had thousands and thousands
of records piled all over his apartment.
1292
01:03:45,284 --> 01:03:47,119
And he was just-- He was just cool.
1293
01:03:47,202 --> 01:03:49,705
I don't know.
We wanted to know what he knew about.
1294
01:03:49,788 --> 01:03:53,041
The Dust Brothers were computer science
students at Claremont College.
1295
01:03:54,209 --> 01:03:55,335
EZ Mike was a DJ.
1296
01:03:56,336 --> 01:03:58,046
John was, like, this computer wiz.
1297
01:03:58,672 --> 01:04:02,301
And shit, we'd never even seen
a computer in a recording studio before.
1298
01:04:02,926 --> 01:04:05,012
And we went sample crazy.
1299
01:04:05,095 --> 01:04:07,055
-[song continues]
-♪ It's the joint ♪
1300
01:04:15,439 --> 01:04:18,984
[Ad-Rock] The Dust Brothers opened up
a whole new creative world for us.
1301
01:04:19,067 --> 01:04:22,446
We were just layering
and layering and layering,
1302
01:04:22,529 --> 01:04:26,241
making each song as dense as possible
with lyrics and samples and jokes.
1303
01:04:26,325 --> 01:04:28,285
We're taking two things, three things.
1304
01:04:28,368 --> 01:04:31,205
We're blending them in and out
so the song is like a whole collage.
1305
01:04:31,288 --> 01:04:34,625
We thought we were
on some next-level shit.
1306
01:04:34,708 --> 01:04:36,960
♪ So like a pimp I'm pimpin'
I got a boat to eat shrimp in ♪
1307
01:04:37,044 --> 01:04:39,254
♪ Nothing wrong with my leg
Just B-boy limpin' ♪
1308
01:04:39,338 --> 01:04:41,423
♪ Got arrested at the Mardi Gras
For jumping on a float ♪
1309
01:04:41,507 --> 01:04:44,176
♪ My man MCA's
Got a beard like a billy goat ♪
1310
01:04:44,259 --> 01:04:46,261
♪ Ooh, ooh, is my disco call ♪
1311
01:04:46,345 --> 01:04:48,889
♪ MCA, I'm gettin' rope y'all ♪
1312
01:04:49,598 --> 01:04:50,933
-[song stops]
-Ooh.
1313
01:04:52,684 --> 01:04:53,810
Now...
1314
01:04:57,981 --> 01:05:01,026
I remember one night,
up at the Grasshoff house,
1315
01:05:01,109 --> 01:05:05,280
Yauch was playing mixes of what
we were working on super, super loud.
1316
01:05:05,364 --> 01:05:09,201
And we were looking out all over
the twinkling lights of Los Angeles below,
1317
01:05:09,284 --> 01:05:12,120
and, well, we were
pretty stoned at the time.
1318
01:05:12,204 --> 01:05:17,251
And Yauch turns to me and he goes,
"Yo, this is dope."
1319
01:05:17,334 --> 01:05:22,089
And I elegantly replied,
"Yeah, this is pretty special, dude."
1320
01:05:23,924 --> 01:05:25,259
[Ad-Rock] I mean, it was, actually.
1321
01:05:25,342 --> 01:05:29,346
I mean, because around this time,
Yauch got loose creatively.
1322
01:05:29,429 --> 01:05:34,142
Now, without Rick and Russell around,
we were doing everything ourselves.
1323
01:05:34,226 --> 01:05:37,688
See, a band's got a lot more to do
than just write a song and put it out.
1324
01:05:37,771 --> 01:05:39,523
Like photo shoots,
press photos or whatnot.
1325
01:05:39,606 --> 01:05:41,191
Like, after Licensed to Ill came out,
1326
01:05:41,275 --> 01:05:43,610
the last thing we wanted to do
was some weird photo session
1327
01:05:43,694 --> 01:05:45,445
with some stranger we didn't know.
1328
01:05:45,529 --> 01:05:48,323
So Yauch had this idea. He's telling us,
"We'll do the pictures ourselves.
1329
01:05:48,407 --> 01:05:51,451
You take this little, like, squeezy thing
and you connect to the camera,
1330
01:05:51,535 --> 01:05:52,578
then we take our"--
1331
01:05:52,661 --> 01:05:54,788
This here, right?
1332
01:05:54,872 --> 01:05:56,039
I love that picture of you, Mike.
1333
01:05:56,748 --> 01:05:57,958
[Mike D] Thank you.
1334
01:05:58,041 --> 01:06:00,794
So then we had to make a record cover.
Of course, Yauch's like,
1335
01:06:00,878 --> 01:06:06,675
"Oh. Simple. We're gonna use this camera
that takes a 360-degree picture
1336
01:06:06,758 --> 01:06:08,510
and that's gonna be the album cover."
1337
01:06:08,594 --> 01:06:12,097
Okay, here's the thing.
We're together every single day, always.
1338
01:06:12,181 --> 01:06:17,060
So, like, Yauch would just know about
all these things and we're always like,
1339
01:06:17,144 --> 01:06:18,145
"Oh, that's cool."
1340
01:06:18,228 --> 01:06:20,731
"How the fuck does he know about that?
That's just so weird."
1341
01:06:21,732 --> 01:06:23,817
[Mike D]
Again, usually when you put out a record,
1342
01:06:23,901 --> 01:06:29,031
the fancy record company
assigns you to a big-time fancy director.
1343
01:06:29,114 --> 01:06:32,075
But, of course with us, like,
we were pretty paranoid at the time.
1344
01:06:32,159 --> 01:06:34,411
We didn't trust anybody,
so Yauch was like,
1345
01:06:34,494 --> 01:06:35,871
"Oh, no, no, we're gonna get my uncle,
1346
01:06:35,954 --> 01:06:38,874
the legendary Swiss filmmaker
Nathaniel Hörnblowér.
1347
01:06:38,957 --> 01:06:40,876
He's gonna come over,
he's gonna help us out,
1348
01:06:40,959 --> 01:06:43,462
and he's gonna direct all of our videos."
1349
01:06:44,838 --> 01:06:47,424
[Ad-Rock] Yauch's humble about this.
He credited his uncle
1350
01:06:47,508 --> 01:06:50,511
for a lot of the experimentation
and for the direction.
1351
01:06:50,594 --> 01:06:52,471
But, like, Yauch was the driving force.
1352
01:06:52,554 --> 01:06:54,223
[song playing]
1353
01:06:54,306 --> 01:06:56,642
[MCA] Actually, in the
"Looking Down the Barrel of a Gun" video,
1354
01:06:56,725 --> 01:06:59,561
that stuff is just really us
wearing Madilyn Grasshoff's clothes.
1355
01:06:59,645 --> 01:07:02,022
That was one day that we just
put on a bunch of her clothes
1356
01:07:02,105 --> 01:07:04,358
and just went and drove around
and videotaped ourselves.
1357
01:07:04,441 --> 01:07:06,777
So thanks, Madilyn, for the solid.
1358
01:07:06,860 --> 01:07:07,861
[song continues]
1359
01:07:07,945 --> 01:07:10,280
♪ Steal from the rich
And I'm out robbing banks ♪
1360
01:07:10,364 --> 01:07:12,449
♪ Give it to the poor
And I always give thanks ♪
1361
01:07:12,533 --> 01:07:15,285
♪ Because I got more stories
Than J.D.'s got Salinger ♪
1362
01:07:15,369 --> 01:07:17,538
-♪ I hold the title ♪
-♪ And you are the challenger ♪
1363
01:07:17,621 --> 01:07:19,665
Hörnblowér was around a lot at the time,
1364
01:07:19,748 --> 01:07:22,543
which was kinda cool
'cause he was Yauch's uncle,
1365
01:07:22,626 --> 01:07:25,796
but like, he was a fucking drunk, Mike.
I don't know how else to say it.
1366
01:07:25,879 --> 01:07:27,172
He liked his wineskin, yeah.
1367
01:07:27,256 --> 01:07:29,049
So we're all doing our thing
and then there's, like,
1368
01:07:29,132 --> 01:07:32,636
this weird old Swiss guy
just crashed out on the couch.
1369
01:07:32,719 --> 01:07:36,181
Look. This is what we used to
have to deal with, with Yauch's uncle.
1370
01:07:36,265 --> 01:07:38,308
[Swiss accent]
Yeah, this is a little strange for me,
1371
01:07:38,392 --> 01:07:41,937
because I'm not used to
being on this side of the camera.
1372
01:07:42,020 --> 01:07:45,566
I'm-- I'm preferred to be behind it.
1373
01:07:46,066 --> 01:07:47,442
[chuckles]
1374
01:07:47,526 --> 01:07:49,152
[woman]
You're certainly dressed for the part.
1375
01:07:49,236 --> 01:07:52,406
This is our traditional clothing
from where I'm from.
1376
01:07:52,489 --> 01:07:54,449
And you may joke about it,
1377
01:07:54,533 --> 01:07:59,246
but I may joke about you walking
around in a business suit someplace,
1378
01:07:59,329 --> 01:08:01,415
and maybe that's silly to me, okay?
1379
01:08:01,498 --> 01:08:03,417
Maybe I'm laughing at you right now.
1380
01:08:03,500 --> 01:08:05,169
[audience laughing]
1381
01:08:05,919 --> 01:08:10,007
Somehow, between the weed,
the breakfast, the parties,
1382
01:08:10,090 --> 01:08:13,594
we finish the record
and the artwork and we hand it all in.
1383
01:08:13,677 --> 01:08:15,470
[song intro]
1384
01:08:17,430 --> 01:08:18,432
[Mike D] Like this.
1385
01:08:18,515 --> 01:08:20,850
[Ad-Rock] So, we were excited.
1386
01:08:20,934 --> 01:08:23,312
We finished this record
we were really proud of.
1387
01:08:23,395 --> 01:08:25,397
People were gonna buy it and hear it
1388
01:08:25,479 --> 01:08:27,357
and see that we were more than just those
1389
01:08:27,441 --> 01:08:29,318
"Fight for Your Right (To Party)"
guys, right?
1390
01:08:29,401 --> 01:08:32,237
You think we would've been humbled
by the falling out with Def Jam.
1391
01:08:32,321 --> 01:08:33,529
-No.
-But no.
1392
01:08:33,613 --> 01:08:34,781
We were on top of the world.
1393
01:08:34,865 --> 01:08:37,618
Yo, what's up?
It's the Beastie Boys for Yo! MTV Raps.
1394
01:08:37,701 --> 01:08:38,577
Boy!
1395
01:08:38,660 --> 01:08:40,787
♪ Girl, you know it's true ♪
1396
01:08:40,871 --> 01:08:45,082
-Ah.
-♪ Mike D is in love with you ♪
1397
01:08:45,167 --> 01:08:46,710
[Ad-Rock]
In the lead-up to the record release,
1398
01:08:46,792 --> 01:08:47,961
we were doing loads of interviews.
1399
01:08:48,045 --> 01:08:50,255
I mean, shit, we were ready
to play Madison Square Garden
1400
01:08:50,339 --> 01:08:51,965
and blow the fuck up.
1401
01:08:53,591 --> 01:08:55,844
And Capitol Records were all in.
1402
01:08:55,928 --> 01:08:57,679
They were maybe even
more amped than we were.
1403
01:08:57,763 --> 01:08:59,055
[man] The Beasties are not...
1404
01:09:00,557 --> 01:09:02,643
concept masterminded by someone else.
1405
01:09:03,644 --> 01:09:07,189
And the extraordinary success of their
first album, Licensed to Ill,
1406
01:09:07,272 --> 01:09:08,273
was no fluke.
1407
01:09:09,858 --> 01:09:11,902
Word on the street from respected rappers,
1408
01:09:11,984 --> 01:09:15,572
from Eazy-E to MC Hammer to Public Enemy,
1409
01:09:15,656 --> 01:09:17,866
is that these guys are real indeed.
1410
01:09:17,950 --> 01:09:19,618
The music is stupid fresh.
1411
01:09:20,786 --> 01:09:21,995
They have the stuff.
1412
01:09:22,955 --> 01:09:24,163
So enough talk.
1413
01:09:24,872 --> 01:09:26,917
Let's raise the flag up the pole.
1414
01:09:27,000 --> 01:09:28,210
Batman, watch out.
1415
01:09:28,877 --> 01:09:31,587
The Beasties are gonna be
in your face this summer.
1416
01:09:32,214 --> 01:09:36,844
And then, on July 25th, 1989...
1417
01:09:36,926 --> 01:09:39,220
With the entire world waiting...
1418
01:09:39,888 --> 01:09:43,934
Our new record,
Paul's Boutique, comes out, and...
1419
01:09:47,479 --> 01:09:48,479
nothing.
1420
01:09:50,107 --> 01:09:51,108
Crickets.
1421
01:09:51,191 --> 01:09:53,026
[cricket chirping]
1422
01:09:53,109 --> 01:09:55,612
Chapter 7: "Crickets."
1423
01:09:57,155 --> 01:10:00,868
No radio was playing the new songs.
No MTVs playing the new video.
1424
01:10:00,951 --> 01:10:02,911
No shows. Nobody gave a shit.
1425
01:10:02,995 --> 01:10:04,121
They all moved on.
1426
01:10:04,788 --> 01:10:07,082
It felt like we were a haircut
that they got in the seventh grade
1427
01:10:07,165 --> 01:10:09,585
and thought was really cool,
but now they were embarrassed about it
1428
01:10:09,668 --> 01:10:11,712
and just wanted to pretend
it never happened.
1429
01:10:11,795 --> 01:10:13,714
I remember being really surprised
1430
01:10:13,797 --> 01:10:17,384
that Paul's Boutique didn't do better
than it did when it came out,
1431
01:10:17,467 --> 01:10:20,470
because I kept feeling
while we were working on it
1432
01:10:20,554 --> 01:10:22,931
like it was so much better of a record
than Licensed to Ill.
1433
01:10:23,015 --> 01:10:25,142
When we were working on
Paul's Boutique, I just kept thinking,
1434
01:10:25,225 --> 01:10:26,476
"Wow, this sounds so much better.
1435
01:10:26,560 --> 01:10:29,229
I would imagine this is gonna do,
like, much better than that."
1436
01:10:29,313 --> 01:10:33,108
So when it didn't, then I was kinda like,
"Well, you never know."
1437
01:10:33,192 --> 01:10:35,402
So now I don't even
try and guess these days.
1438
01:10:35,485 --> 01:10:38,572
[Mike D]
Nobody cared that we had a new record out.
1439
01:10:39,114 --> 01:10:45,204
No one, that is, except for
our dear old friend Mr. Don Cornelius.
1440
01:10:45,287 --> 01:10:47,372
Beasties, Beasties.
1441
01:10:48,040 --> 01:10:48,999
How you doing, gentlemen?
1442
01:10:49,082 --> 01:10:50,417
-What's up, Don?
-All right.
1443
01:10:50,501 --> 01:10:51,710
-Hi.
-Hey, Don.
1444
01:10:51,793 --> 01:10:53,378
-Yo, what's up, man?
-What's up?
1445
01:10:54,338 --> 01:10:55,964
-What's up, Don?
-All right.
1446
01:10:56,048 --> 01:10:57,508
-Yeah. Okay.
-Peace.
1447
01:10:57,591 --> 01:10:59,092
To you too, brother.
1448
01:10:59,176 --> 01:11:01,303
Hey, man, what is "the Don Cornelius"?
1449
01:11:01,386 --> 01:11:03,847
-Don Cornelius.
-You made it up, man.
1450
01:11:03,931 --> 01:11:05,724
-You're the man.
-Don Cornelius.
1451
01:11:05,807 --> 01:11:09,770
Yo, but seriously, we just wanna say
we've been on the show before, whatever,
1452
01:11:09,853 --> 01:11:12,189
but we've been watching this show since--
1453
01:11:12,272 --> 01:11:15,317
You know, a lot of people don't realize,
since whatever, since we were kids.
1454
01:11:15,400 --> 01:11:16,527
That's how long.
1455
01:11:16,610 --> 01:11:19,029
You know,
I got the Soul Train albums here.
1456
01:11:19,112 --> 01:11:21,114
[Cornelius] Whenever you're in town,
1457
01:11:21,198 --> 01:11:23,575
you know, always make this a stop, okay?
1458
01:11:23,659 --> 01:11:24,660
-All right, man.
-All right.
1459
01:11:24,743 --> 01:11:27,246
The Beastie Boys!
1460
01:11:29,540 --> 01:11:32,209
You threatened Don Cornelius.
You got right in his--
1461
01:11:32,292 --> 01:11:33,293
Can we show that again?
1462
01:11:33,377 --> 01:11:36,296
You know,
I got the Soul Train albums here.
1463
01:11:36,839 --> 01:11:38,340
[Ad-Rock] Why, Mike?
1464
01:11:38,423 --> 01:11:41,969
[Mike D] I'm wearing, like,
some kind of blouse, dude, okay?
1465
01:11:42,052 --> 01:11:44,513
It looks like you don't even know
how to wear a shirt.
1466
01:11:45,973 --> 01:11:49,351
We look like four different people
in four different bands.
1467
01:11:49,810 --> 01:11:52,104
Now, I just want to point out, Adam,
1468
01:11:52,187 --> 01:11:53,605
not to go in too hard,
1469
01:11:53,689 --> 01:11:58,569
but it looks like you're about to throw up
on DJ Hurricane's shoulder right there.
1470
01:11:58,652 --> 01:12:00,112
You're not doing too good.
1471
01:12:00,195 --> 01:12:02,447
I think I was either
about to fall asleep or cry.
1472
01:12:03,615 --> 01:12:08,120
And I have to apologize right now
to Mr. Don Cornelius,
1473
01:12:08,203 --> 01:12:13,709
because obviously I'm being
very unnecessarily aggressive towards him.
1474
01:12:14,251 --> 01:12:17,754
I guess whatever I smoked is, like,
the stuff that makes you, like--
1475
01:12:17,838 --> 01:12:21,383
I don't know, look at your best friend
and just, like, punch him in the gut
1476
01:12:21,466 --> 01:12:23,051
and then knee him in the nuts.
1477
01:12:25,304 --> 01:12:26,597
Like the mad, aggressive strain.
1478
01:12:26,680 --> 01:12:29,725
Christ, Mike.
It's very-- It's very specific.
1479
01:12:29,808 --> 01:12:33,312
I smoked-- I think the one I smoked,
it must have been called Steven Seagal.
1480
01:12:36,106 --> 01:12:37,524
You guys.
1481
01:12:37,608 --> 01:12:42,738
Footnote: In, like, 1988,
we went to see Jimmy Cliff play.
1482
01:12:43,363 --> 01:12:46,116
And-- And, uh-- And we're super stoned
in the back of the thing,
1483
01:12:46,200 --> 01:12:47,743
and in the middle of
the Jimmy Cliff show--
1484
01:12:47,826 --> 01:12:51,830
It's like summertime, outdoor show.
Stops the song, and he's like, "Right now,
1485
01:12:51,914 --> 01:12:55,584
I wanna bring out to the stage
a great, great actor.
1486
01:12:55,667 --> 01:12:57,169
Mr. Steven Seagal."
1487
01:12:57,252 --> 01:12:58,420
He was a little more like,
1488
01:12:58,504 --> 01:13:01,673
[Jamaican accent]
"Right now, great, great actor!"
1489
01:13:02,007 --> 01:13:03,425
You had to do the Jamaican accent.
1490
01:13:03,759 --> 01:13:06,887
And fucking Steven Seagal comes out,
in like a full ninja outfit,
1491
01:13:06,970 --> 01:13:09,264
and starts banging on the timbales
and then leaves.
1492
01:13:09,348 --> 01:13:10,974
Yup. And you know what, Adam?
1493
01:13:11,058 --> 01:13:13,101
That was some crazy shit.
1494
01:13:13,185 --> 01:13:15,187
[overlapping] Cra-Cra-Cra--
1495
01:13:17,481 --> 01:13:18,732
Crazy shit.
1496
01:13:18,815 --> 01:13:19,900
-[chimes tinkling]
-[harp glissando]
1497
01:13:19,983 --> 01:13:21,944
[echoing] Crazy shit.
1498
01:13:22,027 --> 01:13:22,903
Crazy shit.
1499
01:13:24,404 --> 01:13:27,324
Is that just not funny?
I don't know what-- It's not funny.
1500
01:13:27,407 --> 01:13:28,784
[Spike] I think we were right to cut it.
1501
01:13:28,867 --> 01:13:30,494
Yeah, yeah. I think so. We'll cut it.
1502
01:13:31,828 --> 01:13:35,374
All right. So we clearly were a mess
right at this point, right?
1503
01:13:35,457 --> 01:13:36,667
Definitely.
1504
01:13:36,750 --> 01:13:41,255
So putting all your efforts, your time,
your excitement into something
1505
01:13:41,338 --> 01:13:42,756
and hearing crickets...
1506
01:13:43,298 --> 01:13:44,716
I was a little crushed.
1507
01:13:45,133 --> 01:13:48,178
I mean, we're all ready
to have Paul's Boutique blow up.
1508
01:13:48,262 --> 01:13:51,056
And it came and went,
and it was kind of sobering.
1509
01:13:51,139 --> 01:13:52,558
[telephone bell ringing]
1510
01:13:55,435 --> 01:13:56,478
-[clears throat]
-Oh.
1511
01:13:56,562 --> 01:13:58,814
Yo, what's up? Mike D here, what's up?
1512
01:13:59,773 --> 01:14:00,899
Oh, hello, my friend.
1513
01:14:00,983 --> 01:14:03,443
It's Bill Harper, your accountant.
1514
01:14:03,527 --> 01:14:05,362
Oh, shit. What's up, homes?
How you feeling?
1515
01:14:05,445 --> 01:14:07,489
I need to discuss some things with you.
1516
01:14:07,573 --> 01:14:10,367
As it turns out,
your financial picture has changed a bit.
1517
01:14:10,450 --> 01:14:13,120
Seems you guys
don't really have any money anymore.
1518
01:14:13,203 --> 01:14:14,288
Wh-- What?
1519
01:14:14,371 --> 01:14:17,875
You see, my friend Mike D,
you guys went to LA, you moved there,
1520
01:14:17,958 --> 01:14:21,503
you rent this crazy house with
a fucking bridge over a swimming pool,
1521
01:14:21,587 --> 01:14:23,422
you get these crazy expensive cars,
1522
01:14:23,505 --> 01:14:26,425
you spend millions of dollars
at crazy-expensive studios.
1523
01:14:26,508 --> 01:14:27,509
That was for work though.
1524
01:14:27,593 --> 01:14:31,555
You spend fucking $4,200
on fucking almond milk a week.
1525
01:14:31,638 --> 01:14:32,639
Also for work.
1526
01:14:32,723 --> 01:14:36,185
And you know what happens?
You go fucking broke.
1527
01:14:36,268 --> 01:14:38,478
Shit, Bill. That sucks.
1528
01:14:38,854 --> 01:14:39,897
Yeah, it does.
1529
01:14:40,397 --> 01:14:41,356
Hey, I gotta go, Mike.
1530
01:14:41,440 --> 01:14:43,650
Uh, I got Donny Osmond on the other line.
1531
01:14:46,570 --> 01:14:49,698
Now we call this time period
Paul's Purgatory.
1532
01:14:51,575 --> 01:14:53,744
[Mike D] But the good news is
1533
01:14:53,827 --> 01:14:56,455
we signed a multi-record deal
with Capitol,
1534
01:14:56,538 --> 01:14:58,540
so whether they liked it or not,
1535
01:14:58,624 --> 01:15:02,419
they had to give us the money
to make another record.
1536
01:15:02,836 --> 01:15:05,756
But we had to downsize a little bit.
1537
01:15:05,839 --> 01:15:07,841
We had wasted all this money
1538
01:15:07,925 --> 01:15:11,011
recording Paul's Boutique
at these fancy studios.
1539
01:15:11,094 --> 01:15:12,721
So we figured, "Fuck it.
1540
01:15:12,804 --> 01:15:15,933
Let's take the money for the record,
build our own studio,
1541
01:15:16,016 --> 01:15:17,601
and we'd save a whole lot."
1542
01:15:17,976 --> 01:15:21,271
We found this old Elks Lodge ballroom
in Atwater,
1543
01:15:21,355 --> 01:15:23,357
this sleepy part of Los Angeles,
1544
01:15:23,440 --> 01:15:25,776
where nothing was happening, right?
1545
01:15:25,859 --> 01:15:29,071
We built a bare-bones recording studio
with a basketball hoop
1546
01:15:29,154 --> 01:15:31,073
and Yauch made a skate ramp.
1547
01:15:31,156 --> 01:15:34,076
We wanted to start playing
more and more of our own music again,
1548
01:15:34,159 --> 01:15:36,578
even if we didn't know
what that meant at first.
1549
01:15:36,912 --> 01:15:38,497
So we moved out of that Grasshoff house.
1550
01:15:38,580 --> 01:15:40,832
We each got much cheaper places to live.
1551
01:15:40,916 --> 01:15:44,545
I mean, shit, Yauch was living
in a fucking log cabin.
1552
01:15:44,628 --> 01:15:45,754
Right? For real.
1553
01:15:45,838 --> 01:15:47,714
We definitely downsized.
1554
01:15:48,465 --> 01:15:51,927
But like always, we wanted to do
what we always do:
1555
01:15:52,386 --> 01:15:54,805
Just make music, hang out, bullshit.
1556
01:15:55,180 --> 01:15:57,266
But this time
we wanted to do it differently.
1557
01:15:57,766 --> 01:16:00,102
We figured instead of just sampling
music that we love,
1558
01:16:00,185 --> 01:16:02,312
why not try playing it
with our instruments?
1559
01:16:02,396 --> 01:16:05,607
I mean, shit, why not try to sound
like The Meters?
1560
01:16:05,691 --> 01:16:07,401
[playing funk music]
1561
01:16:07,484 --> 01:16:09,069
We sucked at first.
1562
01:16:09,152 --> 01:16:11,947
I was a punk guitar player.
Now I'm trying to play jazz and soul.
1563
01:16:12,030 --> 01:16:13,532
It wasn't pretty.
1564
01:16:14,074 --> 01:16:16,493
-I mean, Mike was decent on the drums.
-Thank you.
1565
01:16:16,577 --> 01:16:18,996
[Ad-Rock] But Yauch--
Yauch goes and buys an acoustic bass
1566
01:16:19,079 --> 01:16:20,873
and just magically knew how to play it.
1567
01:16:21,582 --> 01:16:24,501
Like-- I don't know if you've ever tried
to play one of those things,
1568
01:16:24,585 --> 01:16:25,919
but it's really fucking hard.
1569
01:16:26,003 --> 01:16:30,132
So our new routine was to show up
at our clubhouse every day
1570
01:16:30,215 --> 01:16:34,344
and play music with our friends
Money Mark and Mario C.
1571
01:16:34,428 --> 01:16:37,264
We met Mario C.
working on Paul's Boutique.
1572
01:16:37,347 --> 01:16:39,099
He was the Dust Brothers' engineer,
1573
01:16:39,183 --> 01:16:41,476
and we asked him
to help us build our studio.
1574
01:16:41,560 --> 01:16:45,022
And we ended up getting him to stay
and make music with us.
1575
01:16:45,105 --> 01:16:48,108
[Ad-Rock] Now, when we were staying at
that crazy expensive house in Hollywood,
1576
01:16:48,192 --> 01:16:50,485
Mike crashed his car
into the driveway gate.
1577
01:16:50,569 --> 01:16:51,612
[clears throat] True.
1578
01:16:51,695 --> 01:16:54,573
But Mario had a friend
who was a carpenter, Mark Nishita,
1579
01:16:54,656 --> 01:16:55,782
and he came over to fix it.
1580
01:16:55,866 --> 01:16:59,369
But Mario said he's also
this really great keyboard player.
1581
01:16:59,453 --> 01:17:01,830
So when we got our studio
and started playing,
1582
01:17:01,914 --> 01:17:05,667
we asked him to come help us
make our sound more funky.
1583
01:17:05,751 --> 01:17:06,835
Turn that up a little bit.
1584
01:17:06,919 --> 01:17:09,171
[music continues]
1585
01:17:11,798 --> 01:17:14,384
So that's Yauch on the bass.
I'm on the guitar.
1586
01:17:14,468 --> 01:17:16,303
Listen to that guitar, Adam.
1587
01:17:16,803 --> 01:17:17,638
Your guitar break.
1588
01:17:17,721 --> 01:17:19,848
[Ad-Rock]
You got some high-hat patterns, Mike.
1589
01:17:21,225 --> 01:17:24,311
Mark's on the organ. I mean,
we're getting it together, right, Mike?
1590
01:17:24,394 --> 01:17:26,313
[music continues]
1591
01:17:30,734 --> 01:17:33,529
So this went on for a year or so,
and we couldn't have been happier.
1592
01:17:34,321 --> 01:17:37,157
We're learning how to play our instruments
and we're chopping up samples.
1593
01:17:37,241 --> 01:17:38,825
We're making beats we were into.
1594
01:17:38,909 --> 01:17:41,286
We were making music
we really liked.
1595
01:17:42,037 --> 01:17:45,249
The only problem was
we weren't finishing any songs.
1596
01:17:46,416 --> 01:17:48,794
[Mike D] When it came time
to do vocals on a song,
1597
01:17:48,877 --> 01:17:50,712
we'd get hesitant and shy.
1598
01:17:50,796 --> 01:17:52,047
We'd been in a weird headspace,
1599
01:17:52,130 --> 01:17:55,008
just kind of confused with
what our voices were.
1600
01:17:55,092 --> 01:17:57,052
What should our vocals even sound like?
1601
01:17:57,511 --> 01:18:00,764
We think we're rappers, because
our first two albums were rap albums.
1602
01:18:00,848 --> 01:18:03,475
But what were we gonna rap about?
1603
01:18:03,559 --> 01:18:04,935
We didn't feel like we're the guys
1604
01:18:05,018 --> 01:18:07,855
who made
Licensed to Ill or Paul's Boutique.
1605
01:18:07,938 --> 01:18:10,649
But we didn't know exactly
where that left us.
1606
01:18:13,527 --> 01:18:15,487
And then one morning I was at home
1607
01:18:15,571 --> 01:18:18,615
and I got woken up by the kind of call
I never got before.
1608
01:18:19,700 --> 01:18:22,035
A call from a friend's parent,
crying on the phone.
1609
01:18:23,579 --> 01:18:25,289
Our friend Dave Scilken's dad called
1610
01:18:25,372 --> 01:18:27,291
and told me that Dave had died
of an overdose.
1611
01:18:27,666 --> 01:18:29,084
He was 20 years old.
1612
01:18:30,919 --> 01:18:33,172
[Mike D] I hadn't really lost
a close friend like that.
1613
01:18:34,381 --> 01:18:37,718
People on our periphery,
but no one that close.
1614
01:18:37,801 --> 01:18:39,928
-["Instant Death" intro playing]
-This felt really different.
1615
01:18:40,012 --> 01:18:41,221
[MCA] David Scilken.
1616
01:18:42,389 --> 01:18:44,975
We all went back to New York
for Dave's service.
1617
01:18:45,058 --> 01:18:46,643
-Say hi, Dave.
-Hi.
1618
01:18:47,186 --> 01:18:48,437
It was just so fucking sad.
1619
01:18:48,520 --> 01:18:50,898
Yo, this is Dave Scilken.
This is Shadi One.
1620
01:18:51,815 --> 01:18:54,109
Afterwards, we all ended up at some bar,
1621
01:18:54,193 --> 01:18:56,653
'cause that's just what you do
when a friend passes away.
1622
01:18:56,737 --> 01:19:00,240
You get beers and sit around
and tell stories about them.
1623
01:19:00,324 --> 01:19:01,575
[inaudible]
1624
01:19:01,658 --> 01:19:03,243
[Ad-Rock]
Now we felt a little self-conscious
1625
01:19:03,327 --> 01:19:04,995
when we ran into old friends at that time.
1626
01:19:05,704 --> 01:19:08,624
We thought when they'd see us, they'd see
the "Fight for Your Right (To Party)" guys
1627
01:19:08,707 --> 01:19:10,209
and would be jerks about it.
1628
01:19:10,667 --> 01:19:12,836
But it wasn't like that with Kate
and all our old friends.
1629
01:19:12,920 --> 01:19:15,422
We just sat around
and missed our friend Dave.
1630
01:19:15,506 --> 01:19:18,467
And it meant a lot more to the three of us
than we realized.
1631
01:19:19,009 --> 01:19:21,303
There was a reason
that we'd all been friends.
1632
01:19:22,012 --> 01:19:24,723
And the whole trip was like a connection
to New York City.
1633
01:19:26,350 --> 01:19:28,519
And it felt good
to be with everybody again.
1634
01:19:28,602 --> 01:19:33,065
-[song continues]
-♪ Kills himself and ♪
1635
01:19:33,148 --> 01:19:38,612
♪ How do I make friends now ♪
1636
01:19:39,321 --> 01:19:40,739
As sad as this all was,
1637
01:19:40,822 --> 01:19:43,075
we went back to our clubhouse in LA.
1638
01:19:43,534 --> 01:19:45,702
And I don't know if it was
meeting up with our friends
1639
01:19:45,786 --> 01:19:49,039
or having our lives switched up,
but we got inspired.
1640
01:19:49,122 --> 01:19:51,708
And all of a sudden,
we started finishing shit.
1641
01:19:51,792 --> 01:19:52,793
[song playing]
1642
01:19:55,921 --> 01:19:58,006
[Ad-Rock]
And it gave us this sense of, like,
1643
01:19:58,090 --> 01:19:59,883
just keep doing what you're doing.
1644
01:19:59,967 --> 01:20:02,177
Our music could include
everything we loved,
1645
01:20:02,261 --> 01:20:05,347
and our album could be like a mixtape
of all different types of music,
1646
01:20:05,430 --> 01:20:08,058
including any sounds
or dialogue or samples
1647
01:20:08,141 --> 01:20:09,685
or anything that we thought was funny.
1648
01:20:10,143 --> 01:20:13,438
[Mike D] When you're 22, you don't
know what to do with your feelings.
1649
01:20:13,522 --> 01:20:16,483
We couldn't articulate it to each other
how we felt.
1650
01:20:16,567 --> 01:20:18,902
But I do think that
having all of those feelings
1651
01:20:18,986 --> 01:20:20,696
and not knowing what to do with them,
1652
01:20:20,779 --> 01:20:23,198
you kind of just put it
into whatever you're making.
1653
01:20:23,574 --> 01:20:25,951
♪ People, how you doin'
There's a new day dawnin' ♪
1654
01:20:26,034 --> 01:20:28,370
♪ For the earth mother
It's a brand new mornin' ♪
1655
01:20:28,453 --> 01:20:30,789
♪ For such a long while
There's been such a longin' ♪
1656
01:20:30,873 --> 01:20:33,250
♪ But now the sun is shinin'
Let's roll back the awnin' ♪
1657
01:20:38,297 --> 01:20:40,716
♪ This is a type of kinda
Like a formal dedication ♪
1658
01:20:40,799 --> 01:20:43,093
♪ Givin' out a shout
For much inspiration ♪
1659
01:20:43,177 --> 01:20:45,262
♪ All I ever really want to do
Is get nice ♪
1660
01:20:45,345 --> 01:20:47,723
♪ Get loose
And goof a little slice of life ♪
1661
01:20:48,140 --> 01:20:50,434
♪ Sendin' out love
To all corners of the land ♪
1662
01:20:50,517 --> 01:20:52,561
♪ I jump up on the stage
And take the mic in my hand ♪
1663
01:20:52,644 --> 01:20:55,355
♪ I'm not playin' the role
Just bein' who I am ♪
1664
01:20:55,439 --> 01:20:57,691
♪ And if you try to dis me
I couldn't give a damn ♪
1665
01:20:59,276 --> 01:21:01,987
-[song fades]
-Yo, we were like, "Fuck it," right?
1666
01:21:03,739 --> 01:21:04,948
I mean--
1667
01:21:05,908 --> 01:21:07,326
We should make whatever we like.
1668
01:21:07,409 --> 01:21:10,621
I mean, if The Clash have punk and reggae
and rap songs on their records,
1669
01:21:10,704 --> 01:21:11,830
why can't we?
1670
01:21:11,914 --> 01:21:14,833
I mean, why not a stoner song
next to a rap song
1671
01:21:14,917 --> 01:21:16,627
next to a hardcore song?
1672
01:21:16,710 --> 01:21:18,629
[song playing]
1673
01:21:25,093 --> 01:21:26,970
This is our song "Time for Livin'."
1674
01:21:27,346 --> 01:21:31,350
We just wanted to experiment and do all
different types of shit that we could do.
1675
01:21:31,433 --> 01:21:33,644
We played our instruments
and we sampled that.
1676
01:21:33,727 --> 01:21:35,229
We'd never done that before.
1677
01:21:35,312 --> 01:21:39,733
And while experimenting, we gave ourselves
permission to do stuff like sing.
1678
01:21:39,816 --> 01:21:41,401
["Something's Got to Give" playing]
1679
01:21:41,485 --> 01:21:43,111
We'd never done that either.
1680
01:21:43,195 --> 01:21:45,572
But we were like, "Fuck it. Let's try it."
1681
01:21:45,656 --> 01:21:49,701
♪ There's something
Coming to the surface ♪
1682
01:21:51,662 --> 01:21:54,206
♪ There's fire all around ♪
1683
01:21:55,374 --> 01:21:57,960
♪ But this is all illusion ♪
1684
01:21:58,043 --> 01:22:00,170
[Ad-Rock] This song's called
"Something's Got to Give."
1685
01:22:00,254 --> 01:22:03,090
Yauch wrote the lyrics,
which are about change and growth.
1686
01:22:03,173 --> 01:22:07,094
And that makes sense, because right around
this time, Yauch was exploring everything.
1687
01:22:07,469 --> 01:22:10,180
There was no boundary
he wasn't interested in crossing.
1688
01:22:10,973 --> 01:22:13,642
Like calling me at fucking
4:30 in the morning, being like,
1689
01:22:13,725 --> 01:22:15,477
"I'm recording these pigeons.
You gotta hear 'em."
1690
01:22:15,561 --> 01:22:16,979
I'm like, "Dude, I'm sleeping."
1691
01:22:17,062 --> 01:22:19,106
[stammers]
That's not what we're talking about.
1692
01:22:20,315 --> 01:22:22,442
I'm saying he was
in full-on transformation mode.
1693
01:22:22,901 --> 01:22:24,152
He was traveling the world,
1694
01:22:24,236 --> 01:22:27,197
he was snowboarding out of helicopters,
he was trekking in Nepal.
1695
01:22:28,198 --> 01:22:30,659
Whatever it was, he went out
and found out about it.
1696
01:22:31,285 --> 01:22:33,996
Film, Buddhism, music,
1697
01:22:34,663 --> 01:22:37,249
meeting people everywhere
from all different worlds.
1698
01:22:38,208 --> 01:22:41,545
♪ If you can feel what I'm feeling
Then it's a musical masterpiece ♪
1699
01:22:41,628 --> 01:22:44,006
♪ Hear what I'm dealing with
Then that's cool at least ♪
1700
01:22:44,089 --> 01:22:46,842
♪ What's running through my mind
Comes through in my walk ♪
1701
01:22:46,925 --> 01:22:49,553
♪ True feelings are shown
From the way that I talk... ♪
1702
01:22:49,636 --> 01:22:53,557
So after two full years
of being immersed in our clubhouse,
1703
01:22:54,266 --> 01:22:56,518
we finished our record Check Your Head.
1704
01:22:59,396 --> 01:23:02,858
Chapter 8: "The Record
That Changed Everything."
1705
01:23:04,860 --> 01:23:07,112
We were really psyched on Check Your Head,
1706
01:23:07,446 --> 01:23:11,867
and we wanted to go out and play shows,
so we found a new manager, John Silva.
1707
01:23:12,951 --> 01:23:16,413
Now, he told us that if we were serious
about going on tour,
1708
01:23:16,496 --> 01:23:19,499
we'd have to bust our asses
playing tons of clubs
1709
01:23:19,583 --> 01:23:23,921
and work super hard to try and build it
back up to playing bigger places.
1710
01:23:24,379 --> 01:23:25,672
He was honest with us.
1711
01:23:25,756 --> 01:23:30,302
And he was right, 'cause not that many
people gave a shit about us at the time.
1712
01:23:30,385 --> 01:23:32,054
And he's still our manager today.
1713
01:23:32,387 --> 01:23:34,515
-So...
-[cheering, applause]
1714
01:23:35,140 --> 01:23:39,186
Good news-- Good news,
we now had our squad to go on tour.
1715
01:23:40,062 --> 01:23:43,273
Bad news, we had to do a ton of work.
1716
01:23:43,357 --> 01:23:46,026
["9 to 5" by Dolly Parton playing]
1717
01:23:48,362 --> 01:23:50,614
♪ Tumble outta bed
And I stumble to the kitchen ♪
1718
01:23:50,697 --> 01:23:52,699
♪ Pour myself a cup of ambition ♪
1719
01:23:52,783 --> 01:23:55,702
♪ And yawn and stretch
And try to come to life ♪
1720
01:23:57,746 --> 01:24:00,165
♪ Jump in the shower
And the blood starts pumpin' ♪
1721
01:24:00,249 --> 01:24:02,209
♪ Out on the street
The traffic starts jumpin' ♪
1722
01:24:02,292 --> 01:24:06,380
♪ With folks like me on the job
From 9 to 5 ♪
1723
01:24:06,463 --> 01:24:11,176
♪ Workin' 9 to 5
What a way to make a livin' ♪
1724
01:24:11,260 --> 01:24:15,889
♪ Barely gettin' by
It's all takin' and no givin' ♪
1725
01:24:15,973 --> 01:24:20,352
♪ They just use your mind
And they never give you credit ♪
1726
01:24:20,435 --> 01:24:25,232
♪ It's enough to drive you
Crazy if you let it... ♪
1727
01:24:25,983 --> 01:24:29,361
So five years earlier,
we're at Madison Square Garden, right?
1728
01:24:29,444 --> 01:24:31,905
-[Mike D] Oh, yeah.
-And now we're playing clubs.
1729
01:24:31,989 --> 01:24:36,201
You'd think we'd be bummed out about it,
but actually, falling off can be fun.
1730
01:24:36,827 --> 01:24:39,371
Even though we're playing
to just a couple hundred people,
1731
01:24:39,746 --> 01:24:40,831
those shows were packed.
1732
01:24:41,456 --> 01:24:44,251
[Mike D] The crowd was way different now
than it was in '87.
1733
01:24:44,668 --> 01:24:46,962
Licensed to Ill was, like, arena rock.
1734
01:24:47,045 --> 01:24:51,300
The shows in '92 were packed
with like-minded weirdos.
1735
01:24:51,383 --> 01:24:52,843
[Ad-Rock] People we felt connected to.
1736
01:24:53,218 --> 01:24:55,220
[Mike D]
I mean, we were playing shows for people
1737
01:24:55,304 --> 01:24:56,930
we would actually wanna hang out with.
1738
01:24:57,306 --> 01:25:00,559
But we were still figuring out
how to be this new version of our band,
1739
01:25:00,976 --> 01:25:04,813
and after a year of playing shows,
we started to know what we were doing.
1740
01:25:04,897 --> 01:25:07,774
It wasn't until, like, the end
of the Check Your Head tour
1741
01:25:07,858 --> 01:25:12,070
that I actually and confidently
considered myself to be a musician.
1742
01:25:17,034 --> 01:25:18,035
[song fades]
1743
01:25:18,118 --> 01:25:22,497
So we'd just spent a year touring
and we started recording again.
1744
01:25:22,581 --> 01:25:26,001
We were having so much fun being together
and playing music together,
1745
01:25:26,084 --> 01:25:27,085
why stop?
1746
01:25:27,419 --> 01:25:31,423
It was almost like Check Your Head
and Ill Communication were one thing,
1747
01:25:31,507 --> 01:25:33,634
and we just kept going and going.
1748
01:25:34,218 --> 01:25:37,179
I mean, we were psyched
to go into the studio every night.
1749
01:25:37,513 --> 01:25:40,307
All of our friends would come through,
and they'd hang out.
1750
01:25:40,390 --> 01:25:43,685
I mean, shit,
we had a basketball court and a half-pipe.
1751
01:25:43,769 --> 01:25:45,896
I mean, not to mention tons of music gear.
1752
01:25:46,772 --> 01:25:49,149
So many amazing people would stop by.
1753
01:25:49,233 --> 01:25:54,821
Q-Tip played basketball, and he recorded
a verse on a song, "Get It Together."
1754
01:25:55,447 --> 01:25:58,617
Christian Hosoi and Jason Lee,
they'd come over to skate.
1755
01:25:59,034 --> 01:26:00,786
Biz Markie would come over a lot.
1756
01:26:01,203 --> 01:26:03,705
Now one day our old friend Jill Cunniff
1757
01:26:03,789 --> 01:26:07,543
called me and asked to listen to the demo
tape of her band Luscious Jackson.
1758
01:26:07,960 --> 01:26:09,795
-Yauch-- [chuckles]
-[cheering]
1759
01:26:10,963 --> 01:26:11,964
Yauch was like,
1760
01:26:12,047 --> 01:26:15,259
"This is awesome. We should just
start a record label and put it out."
1761
01:26:15,342 --> 01:26:17,427
Now we have a record label, Grand Royal.
1762
01:26:17,511 --> 01:26:21,223
The music was amazing,
and what made it even more special to us,
1763
01:26:21,640 --> 01:26:25,018
Kate joined Luscious Jackson
when they went out to play shows.
1764
01:26:25,519 --> 01:26:28,605
So ten years later
we're back in each other's lives.
1765
01:26:32,150 --> 01:26:35,779
So all this stuff was happening
under one roof, G-Son, our studio.
1766
01:26:36,238 --> 01:26:38,323
[Mike D] Now one day I walked in,
1767
01:26:38,407 --> 01:26:41,076
and I heard Yauch playing
this awesome bass line.
1768
01:26:41,159 --> 01:26:44,538
It was so good, it seemed like
it must've been a song already.
1769
01:26:44,621 --> 01:26:47,124
I was like, "Yo, Yauch. What is that?"
1770
01:26:47,958 --> 01:26:50,377
And he was like,
"It's ours. I just wrote it."
1771
01:26:50,752 --> 01:26:53,422
So I sat down.
I start playing drums with him.
1772
01:26:53,505 --> 01:26:55,299
["Sabotage" intro]
1773
01:27:00,637 --> 01:27:04,141
Then Keyboard Money Mark sits down.
He starts playing the organ.
1774
01:27:04,224 --> 01:27:07,227
And then Adam puts on his guitar.
He starts to play.
1775
01:27:07,311 --> 01:27:09,688
We made a quick arrangement
and we recorded it.
1776
01:27:10,105 --> 01:27:12,065
[Ad-Rock]
It was the fastest song we'd ever made,
1777
01:27:12,441 --> 01:27:14,818
and it was kind of
our favorite instrumental we had.
1778
01:27:14,902 --> 01:27:16,445
But for whatever reason,
it just sat around
1779
01:27:16,528 --> 01:27:18,447
for months and months with no vocals.
1780
01:27:19,031 --> 01:27:20,657
When we were getting ready
to finish the record,
1781
01:27:20,741 --> 01:27:23,076
we knew we had to
do something with that song.
1782
01:27:23,660 --> 01:27:25,746
We tried a bunch of different ideas
to make it a rap song,
1783
01:27:25,829 --> 01:27:26,872
but it wasn't working.
1784
01:27:26,955 --> 01:27:30,417
And I had this idea
that I would go to Mario C.'s house
1785
01:27:30,501 --> 01:27:33,504
and he would record me
screaming a bunch of stuff.
1786
01:27:33,587 --> 01:27:36,840
The lyrics were all about
how Mario was the worst person ever
1787
01:27:36,924 --> 01:27:39,968
and how he was always
sabotaging us and holding us back.
1788
01:27:40,052 --> 01:27:41,845
I thought it would be funny
to stand next to him
1789
01:27:41,929 --> 01:27:43,514
and scream that shit when he recorded it.
1790
01:27:44,056 --> 01:27:47,935
♪ So, so, so, so listen up
'Cause you can't say nothin' ♪
1791
01:27:48,393 --> 01:27:50,562
♪ You'll shut me down
With a push of your button ♪
1792
01:27:50,646 --> 01:27:51,605
♪ But, yo, I'm... ♪
1793
01:27:51,688 --> 01:27:53,774
I had this idea that we should
take some pictures of us
1794
01:27:53,857 --> 01:27:56,193
as undercover cops
eating donuts and shit, right?
1795
01:27:56,610 --> 01:28:00,989
But we were like, "Fuck it.
We should make a video for that instead."
1796
01:28:01,490 --> 01:28:04,201
And Spike came over, and we
played dress-up, like we usually do.
1797
01:28:04,284 --> 01:28:05,827
Just running around like maniacs
1798
01:28:05,911 --> 01:28:09,164
with no proper permits or cops
or fire department or anything.
1799
01:28:09,248 --> 01:28:11,750
♪ 'Cause what you see
You might not get ♪
1800
01:28:12,125 --> 01:28:14,962
♪ And we can bet
So don't you get souped yet ♪
1801
01:28:15,045 --> 01:28:17,756
♪ Scheming on a thing
That's a mirage ♪
1802
01:28:17,840 --> 01:28:20,717
♪ I'm trying to tell you now
It's sabotage ♪
1803
01:28:29,893 --> 01:28:33,188
Well, that changed
everything for us again.
1804
01:28:33,730 --> 01:28:37,067
That summer, we begin headlining
the Lollapalooza tour.
1805
01:28:38,443 --> 01:28:40,571
So, we're in Minnesota.
1806
01:28:40,654 --> 01:28:44,825
We're in this huge field and there's,
like, bonfires off in the distance,
1807
01:28:44,908 --> 01:28:46,702
and people are going crazy.
1808
01:28:46,785 --> 01:28:50,455
And we go back on for our encore,
and we play "Sabotage."
1809
01:28:50,539 --> 01:28:53,959
And a sea of people go next-level crazy.
1810
01:28:54,042 --> 01:28:57,379
We come off the stage,
and we look at each other, and we're like,
1811
01:28:57,462 --> 01:28:59,840
"Wow. We have our new last song."
1812
01:29:01,133 --> 01:29:02,259
[song ends]
1813
01:29:02,342 --> 01:29:06,597
And to think all of that came from Yauch
just playing a bass line.
1814
01:29:12,728 --> 01:29:16,356
Now, all of us have been in a room
where a friend of yours, you know,
1815
01:29:16,440 --> 01:29:19,443
just kinda says or does something
randomly that seems cool.
1816
01:29:20,194 --> 01:29:23,113
But when one of those things
that doesn't seem like much in the moment
1817
01:29:23,197 --> 01:29:25,741
becomes something
long-lasting and impactful...
1818
01:29:26,909 --> 01:29:28,785
well, that just doesn't happen that often.
1819
01:29:29,119 --> 01:29:31,663
Now, last year
we did a bunch of interviews
1820
01:29:31,747 --> 01:29:33,665
about Beastie Boys Book that we wrote.
1821
01:29:34,041 --> 01:29:35,751
And the thing
that we were most asked about
1822
01:29:35,834 --> 01:29:39,213
were these lyrics that Yauch
had written for a song, "Sure Shot."
1823
01:29:39,296 --> 01:29:41,924
♪ I want to say a little something
That's long overdue ♪
1824
01:29:42,007 --> 01:29:44,134
♪ The disrespect to women
Has got to be through ♪
1825
01:29:44,218 --> 01:29:46,720
♪ To all the mothers and the sisters
And the wives and friends ♪
1826
01:29:46,803 --> 01:29:49,306
♪ I want to offer my love
And respect to the end ♪
1827
01:29:49,389 --> 01:29:52,392
[song continues, fades]
1828
01:29:55,646 --> 01:29:59,483
Now, when he said that, it wasn't, like,
some huge, momentous occasion.
1829
01:29:59,566 --> 01:30:02,903
It was just something
that Yauch wrote with some other lyrics
1830
01:30:02,986 --> 01:30:05,155
and said it
when it was his turn on the mic.
1831
01:30:05,572 --> 01:30:08,575
And we were, like,
"Wow. That's cool that he said that."
1832
01:30:09,159 --> 01:30:13,622
Not only did he speak to a lot of people,
he spoke to the two of us.
1833
01:30:14,790 --> 01:30:19,086
So those years recording and touring on
those two records were so important to us.
1834
01:30:19,419 --> 01:30:21,129
We changed directions of our band.
1835
01:30:21,505 --> 01:30:24,299
We changed how we wanted to be
as people and friends.
1836
01:30:24,716 --> 01:30:27,386
We thought about the world
instead of just our world.
1837
01:30:28,512 --> 01:30:30,472
When we were large in 1987,
1838
01:30:30,556 --> 01:30:34,643
we were on American Bandstand
and we did not give a fuck.
1839
01:30:34,726 --> 01:30:38,188
♪ You wake up late for school
Man, you don't wanna go ♪
1840
01:30:41,900 --> 01:30:44,987
We weren't really, like,
working on our craft so much.
1841
01:30:46,947 --> 01:30:51,743
But seven years later, when we played
"Sabotage" at the MTV awards,
1842
01:30:51,827 --> 01:30:53,453
we were locked in.
1843
01:31:04,756 --> 01:31:06,758
[screaming]
1844
01:31:22,566 --> 01:31:24,985
[speaking foreign language]
1845
01:31:26,778 --> 01:31:28,280
[inaudible]
1846
01:31:28,363 --> 01:31:29,698
[song fades]
1847
01:31:33,702 --> 01:31:38,123
Yo, when we would play festivals
or TV shows with other bands on it,
1848
01:31:38,207 --> 01:31:40,375
we looked at that shit like a competition.
1849
01:31:40,459 --> 01:31:41,835
We played to win.
1850
01:31:42,336 --> 01:31:43,879
We said that kinda half joking,
1851
01:31:43,962 --> 01:31:46,965
but, like, kinda half
almost for 100% serious, right?
1852
01:31:47,716 --> 01:31:51,386
I mean, we wanted everyone that watched
that show or went to that festival
1853
01:31:51,470 --> 01:31:53,388
to go home
and tell their friends the next day,
1854
01:31:53,472 --> 01:31:56,225
"Fucking Beastie Boys
housed the set," right?
1855
01:31:56,308 --> 01:31:57,893
We played that shit to win.
1856
01:31:59,269 --> 01:32:03,482
So when we played those MTV awards,
I mean, we won. Yeah, Mike? No?
1857
01:32:03,565 --> 01:32:04,399
-Yes? No?
-Definitely.
1858
01:32:04,483 --> 01:32:05,484
Got the "W," yes?
1859
01:32:05,567 --> 01:32:07,903
No doubt. Pulled down the "W," people.
1860
01:32:08,445 --> 01:32:12,282
But... later that night,
Spike Jonze was nominated
1861
01:32:12,366 --> 01:32:16,078
for best director
for the "Sabotage" video, but didn't win.
1862
01:32:16,870 --> 01:32:18,372
[audience groaning]
1863
01:32:18,455 --> 01:32:22,042
And that's when Yauch's Uncle Hörnblowér
fucking lost it.
1864
01:32:23,585 --> 01:32:26,630
The winner
of best director in a video is...
1865
01:32:30,008 --> 01:32:30,926
Go ahead.
1866
01:32:31,260 --> 01:32:32,261
R.E.M.
1867
01:32:35,722 --> 01:32:39,810
["Everybody Hurts" by R.E.M. playing]
1868
01:32:42,563 --> 01:32:48,193
This is an outrage, because
Spike is the director that has just--
1869
01:32:48,277 --> 01:32:51,822
I'm from Switzerland, okay?
Let me just tell everyone that. And--
1870
01:32:53,031 --> 01:32:58,287
And since I was a small boy,
I had dream that Spike would win this.
1871
01:32:59,121 --> 01:33:00,622
And now this has happened,
1872
01:33:00,706 --> 01:33:03,208
and I just wanna tell everyone
that this is a farce.
1873
01:33:03,584 --> 01:33:07,588
That I had all the ideas
for Star Wars and everything.
1874
01:33:08,422 --> 01:33:10,340
[audience cheering, applauding]
1875
01:33:13,510 --> 01:33:14,761
Wow. [chuckles]
1876
01:33:18,557 --> 01:33:23,437
[Mike D] Chapter 9:
"I'm Going Back to New York City."
1877
01:33:23,520 --> 01:33:26,565
♪ I do believe I've had enough ♪
1878
01:33:28,233 --> 01:33:30,652
So Los Angeles was great for us, right?
1879
01:33:30,736 --> 01:33:33,071
From having houses
with bridges over swimming pools,
1880
01:33:33,530 --> 01:33:36,950
a great studio, making great friends,
making tons of music,
1881
01:33:37,534 --> 01:33:39,661
and actually becoming musicians.
1882
01:33:39,745 --> 01:33:42,247
But we were there for eight years,
and time kinda flew by.
1883
01:33:42,873 --> 01:33:45,417
We were around 30 years old by now,
and we missed home.
1884
01:33:45,501 --> 01:33:47,044
I mean, we missed our families.
1885
01:33:47,127 --> 01:33:49,546
Yauch was the first
to move back to New York.
1886
01:33:49,630 --> 01:33:51,632
He was done
with bouncing around the world,
1887
01:33:51,715 --> 01:33:54,801
and he just wanted to be back
in New York and be a New Yorker.
1888
01:33:55,344 --> 01:33:56,470
Me and Adam soon followed
1889
01:33:56,553 --> 01:33:58,722
so the three of us could pursue
our true passion,
1890
01:33:58,805 --> 01:34:00,098
astrophysics.
1891
01:34:00,766 --> 01:34:02,559
But that didn't really work out.
1892
01:34:03,644 --> 01:34:05,145
[Ad-Rock] Summer of '96.
1893
01:34:05,687 --> 01:34:08,941
We're back home, living a grown-up version
of our high school days.
1894
01:34:09,024 --> 01:34:11,485
Nothing to do but wander around,
trying to link up,
1895
01:34:11,568 --> 01:34:16,031
hanging out with some new friends, hearing
some new music and making new music.
1896
01:34:16,114 --> 01:34:19,493
It's not so much that we settled down.
It's more like we settled in.
1897
01:34:20,077 --> 01:34:22,871
[Mike D] So after a couple years
of doing what we usually do,
1898
01:34:22,955 --> 01:34:27,376
make music, order some food,
bullshit, hang out, make more music,
1899
01:34:27,793 --> 01:34:29,211
we finished a record.
1900
01:34:29,294 --> 01:34:31,880
And maybe our favorite,
'cause it's so experimental.
1901
01:34:32,381 --> 01:34:33,423
Hello Nasty.
1902
01:34:33,966 --> 01:34:36,385
[cheering, applause]
1903
01:34:38,303 --> 01:34:42,266
And when we went on tour for that record,
it was the biggest tour we'd ever done.
1904
01:34:42,933 --> 01:34:45,102
It's not that "Fight for Your Right
(To Party)" got erased,
1905
01:34:45,727 --> 01:34:48,105
but at this point,
we were kinda fine without it.
1906
01:34:48,897 --> 01:34:50,732
By that time, we were almost grown-ups.
1907
01:34:51,275 --> 01:34:55,028
The beer and the dick
and the frat dudes were gone.
1908
01:34:55,112 --> 01:34:56,989
You could barely see them anymore.
1909
01:34:57,322 --> 01:34:58,991
By now we were a little older.
1910
01:34:59,074 --> 01:35:02,369
We had other things to do separately,
like grown-up stuff.
1911
01:35:02,452 --> 01:35:04,872
We were in serious relationships,
we had a record label,
1912
01:35:04,955 --> 01:35:06,915
a magazine, a bicycle store,
1913
01:35:06,999 --> 01:35:08,333
but the three of us made a life
1914
01:35:08,417 --> 01:35:11,086
making records and touring
and playing shows together.
1915
01:35:11,962 --> 01:35:15,883
It's not so much that we grew up.
It's more like we wised up.
1916
01:35:17,050 --> 01:35:19,720
Now we can say that our reflection
on the mistakes we made
1917
01:35:19,803 --> 01:35:23,098
came from Yauch
and the ideas that he brought back to us.
1918
01:35:23,182 --> 01:35:24,433
But that's partly true.
1919
01:35:24,516 --> 01:35:26,143
I mean, we were ready for change.
1920
01:35:26,476 --> 01:35:29,605
We encouraged each other to do
and say what we wanted to do.
1921
01:35:29,938 --> 01:35:32,524
If Yauch wanted to make a song called
"Bodhisattva Vow,"
1922
01:35:32,608 --> 01:35:36,069
about a Buddhist vow to make
the world a better place, of course.
1923
01:35:36,153 --> 01:35:37,362
That's fucking awesome.
1924
01:35:39,615 --> 01:35:41,950
We have the maturity to realize
1925
01:35:42,034 --> 01:35:44,578
that what we make and have made matters
1926
01:35:44,661 --> 01:35:47,581
and affects people in good and bad ways.
1927
01:35:47,664 --> 01:35:50,834
We're grateful that we've been around
long enough to comment on it.
1928
01:35:50,918 --> 01:35:54,588
And we're lucky enough
to be able to do something about it now.
1929
01:35:54,671 --> 01:35:59,176
There's a song on Hello Nasty called
"Song for the Man" that Adam wrote...
1930
01:35:59,259 --> 01:36:01,762
Where are you? Adam wrote this one.
1931
01:36:01,845 --> 01:36:06,141
...about the ways that so many men act
when a woman walks by.
1932
01:36:06,225 --> 01:36:08,769
An interviewer called him out
as a hypocrite
1933
01:36:08,852 --> 01:36:10,479
and challenged him about the song
1934
01:36:10,562 --> 01:36:12,898
coming from
the "Fight for Your Right (To Party)" guy.
1935
01:36:12,981 --> 01:36:15,108
And when I heard his answer,
1936
01:36:15,192 --> 01:36:16,693
I was proud to be his friend.
1937
01:36:17,528 --> 01:36:19,905
He said-- He said something like,
1938
01:36:19,988 --> 01:36:23,242
"I'd rather be a hypocrite
than the same person forever."
1939
01:36:23,325 --> 01:36:26,161
[cheering, applause]
1940
01:36:29,373 --> 01:36:30,874
[Ad-Rock] All right.
1941
01:36:30,958 --> 01:36:32,876
I'm gonna tell you a story about, uh--
1942
01:36:32,960 --> 01:36:36,338
Well, I'm gonna tell you a story
from our book, Beastie Boys Book.
1943
01:36:36,421 --> 01:36:39,049
[clears throat] All right.
1944
01:36:40,008 --> 01:36:41,468
It's called, "The Last Gig."
1945
01:36:45,389 --> 01:36:46,932
[clears throat]
1946
01:36:47,975 --> 01:36:50,602
We didn't know it was gonna be
the last gig we'd ever play.
1947
01:36:51,520 --> 01:36:54,314
Everything that happened that day
was totally normal.
1948
01:36:54,398 --> 01:36:58,026
The gig was headlining a huge festival
in Tennessee called Bonnaroo.
1949
01:36:58,110 --> 01:37:00,028
And it was 2009.
1950
01:37:00,112 --> 01:37:02,865
Thousands and thousands of people
were gonna be there,
1951
01:37:02,948 --> 01:37:04,533
and we were the headliner.
1952
01:37:04,616 --> 01:37:06,785
We went down to Tennessee early,
'cause we were gonna shoot a video
1953
01:37:06,869 --> 01:37:08,704
for a new song that hadn't come out yet.
1954
01:37:08,787 --> 01:37:13,083
It was us, the rapper Nas,
and Roman Coppola was gonna direct it.
1955
01:37:13,166 --> 01:37:16,378
It was oddly normal for us
to play these huge concerts
1956
01:37:16,461 --> 01:37:19,173
and have someone like Roman
with a Bolex camera filming us
1957
01:37:19,256 --> 01:37:21,675
running around supermarkets in Tennessee.
1958
01:37:23,510 --> 01:37:26,388
The weirder,
the more normal for us by then.
1959
01:37:30,142 --> 01:37:32,644
Things in life never come full circle.
1960
01:37:33,478 --> 01:37:35,397
Maybe once or twice they're hexagonal,
1961
01:37:35,480 --> 01:37:38,442
but to me they're almost always misshapen,
1962
01:37:38,525 --> 01:37:41,570
as if drawn by a toddler in crayon.
1963
01:37:42,529 --> 01:37:44,823
There's common threads, sure.
1964
01:37:44,907 --> 01:37:47,034
Yauch and me and Mike are still together.
1965
01:37:47,117 --> 01:37:49,036
Still laughing. Still family.
1966
01:37:49,620 --> 01:37:53,248
Al Green was finishing his set
on one of the many stages at the festival,
1967
01:37:53,332 --> 01:37:56,168
and so hearing his voice in the distance
was comforting.
1968
01:37:56,251 --> 01:37:58,462
Just like how it was
when I was in high school,
1969
01:37:58,545 --> 01:38:00,631
in my bedroom,
waiting for them to come over.
1970
01:38:04,343 --> 01:38:07,012
[voice breaking] But now was
such a great distance from that.
1971
01:38:14,269 --> 01:38:17,689
The rearview
was nearly impossible to reposition.
1972
01:38:18,982 --> 01:38:21,443
Kate Schellenbach wasn't there
with us in Tennessee.
1973
01:38:21,527 --> 01:38:23,070
John Berry wasn't there.
1974
01:38:23,153 --> 01:38:25,447
Dave Scilken, Bosco, the Captain,
1975
01:38:25,948 --> 01:38:27,574
Dave Parsons, Mike's dad--
1976
01:38:35,874 --> 01:38:37,876
Mike's dad, my mom, not there.
1977
01:38:38,669 --> 01:38:39,711
So many more.
1978
01:38:40,337 --> 01:38:43,298
Now me and Adam and Mike
were older, and we knew it.
1979
01:38:43,382 --> 01:38:44,925
We were about to put out a new record,
1980
01:38:45,008 --> 01:38:47,302
and we were still very much
in the game though.
1981
01:38:47,386 --> 01:38:49,555
We were getting ready
to start all over again.
1982
01:38:51,014 --> 01:38:56,562
Headlining a huge festival is very
different from a nice turnout at CBGBs.
1983
01:38:57,813 --> 01:39:00,983
But shit, man. We didn't know it was
gonna be the last show we'd ever play.
1984
01:39:06,655 --> 01:39:08,490
[Brian Williams]
A major loss in the music business.
1985
01:39:08,574 --> 01:39:12,953
Adam Yauch of the Beastie Boys
has died after a long fight with cancer.
1986
01:39:13,036 --> 01:39:15,664
He was known as MCA,
and the three musicians together
1987
01:39:15,747 --> 01:39:19,001
were among the few
at the vanguard of a movement.
1988
01:39:19,084 --> 01:39:23,005
Yauch was a self-taught musician
and later a filmmaker.
1989
01:39:23,088 --> 01:39:27,050
Adam Yauch, MCA, was 47 years old.
1990
01:39:37,519 --> 01:39:39,897
I mean, we all have
different types of friends.
1991
01:39:41,106 --> 01:39:43,400
There's the one
that's kind of an asshole...
1992
01:39:44,484 --> 01:39:46,653
but fun to be around once in a while.
1993
01:39:46,737 --> 01:39:48,655
Fun to get drunk and talk shit with,
1994
01:39:48,739 --> 01:39:52,409
but you'd never actually call on them
for physical or emotional help
1995
01:39:52,492 --> 01:39:54,328
'cause they're just unreliable.
1996
01:39:54,411 --> 01:39:58,540
Or there's a friend you see
once in a while, and it's a nice hangout,
1997
01:39:58,624 --> 01:39:59,791
and you're always like,
1998
01:39:59,875 --> 01:40:01,960
"I should spend more time
with that person,"
1999
01:40:02,044 --> 01:40:04,087
but for some reason, you just don't.
2000
01:40:04,922 --> 01:40:06,256
Then there's that true friend,
2001
01:40:06,340 --> 01:40:08,342
the one you'd
be on the phone with forever.
2002
01:40:09,134 --> 01:40:12,095
The one that helps you move
or meets you at the hospital
2003
01:40:12,179 --> 01:40:14,348
or has a permanent spot
on their couch for you
2004
01:40:14,431 --> 01:40:16,391
just in case you'd ever need it.
2005
01:40:17,309 --> 01:40:20,604
Now those types of friends are rare.
We all know.
2006
01:40:20,687 --> 01:40:23,440
But there's an even rarer type of friend:
2007
01:40:23,524 --> 01:40:25,442
The one that gets you motivated.
2008
01:40:25,526 --> 01:40:27,361
The one that not only
gets themselves going
2009
01:40:27,444 --> 01:40:29,196
and doing great things,
2010
01:40:29,279 --> 01:40:32,407
but says, "We should all
get together and do this."
2011
01:40:32,491 --> 01:40:34,535
And then does it.
2012
01:40:34,618 --> 01:40:36,578
Adam Yauch was that type of friend.
2013
01:40:36,662 --> 01:40:38,872
[cheering, applause]
2014
01:40:45,045 --> 01:40:47,339
[Mike D]
A once-in-a-lifetime type of friend.
2015
01:40:47,965 --> 01:40:50,217
The friend that makes it happen.
2016
01:40:50,300 --> 01:40:52,678
The friend that inspires you to go big.
2017
01:40:52,761 --> 01:40:53,929
["I Don't Know" playing]
2018
01:40:54,012 --> 01:40:56,723
Can we turn this up? This is a song
that Yauch wrote for Hello Nasty.
2019
01:41:01,103 --> 01:41:06,483
[Mike D] Now around 1990, Yauch went to
India, Nepal and met Tibetans in exile.
2020
01:41:06,567 --> 01:41:09,528
And he wanted to understand
their vow of nonviolence.
2021
01:41:10,445 --> 01:41:13,323
[Ad-Rock] Why did they choose
not to fight back against the government
2022
01:41:13,407 --> 01:41:16,827
that would beat and imprison a person
just for waving a Tibetan flag?
2023
01:41:16,910 --> 01:41:18,370
He wanted to know more.
2024
01:41:18,453 --> 01:41:20,163
He wanted to help.
2025
01:41:20,247 --> 01:41:21,707
But in typical Yauch fashion,
2026
01:41:21,790 --> 01:41:23,959
instead of just writing a check
to some organization,
2027
01:41:24,042 --> 01:41:25,127
he started his own.
2028
01:41:25,210 --> 01:41:26,753
The Milarepa Fund.
2029
01:41:29,631 --> 01:41:32,384
And he organized the first
Tibetan Freedom Concert.
2030
01:41:32,467 --> 01:41:34,261
A massive two-day benefit concert
2031
01:41:34,344 --> 01:41:38,724
in Golden Gate Park
in San Francisco in 1996.
2032
01:41:40,100 --> 01:41:43,270
[Mike D] It was the biggest
charity concert since Live Aid.
2033
01:41:43,353 --> 01:41:45,022
What he did was historic.
2034
01:41:45,105 --> 01:41:48,483
Hundreds of thousands of people
had "Free Tibet" on their tongues
2035
01:41:48,567 --> 01:41:50,485
and on their bumper stickers.
2036
01:41:50,569 --> 01:41:52,863
They heard the call for nonviolence
2037
01:41:52,946 --> 01:41:55,782
all because of that guy in Beastie Boys.
2038
01:41:55,866 --> 01:41:57,576
I mean, who does that?
2039
01:42:03,665 --> 01:42:06,418
Yauch, Mike and I
have spent more time with each other
2040
01:42:06,502 --> 01:42:07,836
than with our own families.
2041
01:42:07,920 --> 01:42:09,004
Really.
2042
01:42:09,087 --> 01:42:11,131
So when it comes to my friend
the rapper Mike D,
2043
01:42:11,215 --> 01:42:14,843
AKA Sweet Lou, AKA Michael Louis Diamond,
2044
01:42:14,927 --> 01:42:16,553
I know him, right?
2045
01:42:16,637 --> 01:42:17,679
Like, everything.
2046
01:42:17,763 --> 01:42:19,348
And he knows me just the same.
2047
01:42:19,431 --> 01:42:22,184
But Adam Yauch, a puzzle.
2048
01:42:22,267 --> 01:42:23,435
A conundrum.
2049
01:42:24,645 --> 01:42:26,480
[softly] Finish up. I can't.
2050
01:42:26,563 --> 01:42:29,233
A labyrinth of ideas and emotions.
2051
01:42:29,316 --> 01:42:31,652
An enigma, a wild card.
2052
01:42:31,735 --> 01:42:34,530
And after 35 years of friendship,
2053
01:42:34,613 --> 01:42:38,492
I never knew
what he was gonna do or say next.
2054
01:42:38,575 --> 01:42:41,453
He was a living contradiction
of people's ideas
2055
01:42:41,537 --> 01:42:45,791
of how or what
you're supposed to be or do.
2056
01:42:46,625 --> 01:42:48,710
I mean,
he's the Buddhist guy who's telling me
2057
01:42:48,794 --> 01:42:53,173
how last night he was at this
after-after party for some fashion show.
2058
01:42:53,924 --> 01:42:56,802
And he's the
"Fight for Your Right (To Party)" dude
2059
01:42:56,885 --> 01:43:00,138
who went trekking through Nepal
on some kind of discovery quest.
2060
01:43:00,222 --> 01:43:03,016
And then he met with politicians
in Washington, DC,
2061
01:43:03,100 --> 01:43:06,478
letting them know what he'd seen
and what he learned.
2062
01:43:06,562 --> 01:43:09,773
-[person cheers]
-[cheering, applause]
2063
01:43:13,819 --> 01:43:17,573
He once told me that the main draw
to him about the Dalai Lama
2064
01:43:17,656 --> 01:43:19,491
was that he was a funny dude.
2065
01:43:21,076 --> 01:43:23,453
Now obviously
there were so many other reasons
2066
01:43:23,537 --> 01:43:26,540
he was drawn to spirituality,
faith and Buddhism, right?
2067
01:43:26,623 --> 01:43:29,918
But "the funny dude" made perfect sense
to me, coming from Yauch.
2068
01:43:30,002 --> 01:43:33,005
'Cause funny is very important.
2069
01:43:40,470 --> 01:43:45,434
Who gets to show up to work every day
only to work with their two best friends?
2070
01:43:46,226 --> 01:43:47,769
I did.
2071
01:43:47,853 --> 01:43:49,771
I guess that makes me one lucky duck.
2072
01:43:49,855 --> 01:43:54,985
I mean, it's not like all of it was easy
or highlight-filled every moment.
2073
01:43:55,068 --> 01:43:58,906
I mean, there'd be times when two of us
wanted to do something so badly,
2074
01:43:58,989 --> 01:44:03,243
when every cell in your body
is like, "Yes. We're doing this,"
2075
01:44:03,327 --> 01:44:05,287
only to have one of us say,
2076
01:44:05,370 --> 01:44:11,376
"That might be cool for you guys, but...
[inhales] ...I'm just not so into it."
2077
01:44:12,461 --> 01:44:16,298
And then I'd go home
and I'd complain to whoever would listen.
2078
01:44:16,381 --> 01:44:20,677
And I'd be like, "Oh, my God.
You won't believe what Horovitz did today.
2079
01:44:20,761 --> 01:44:24,097
I mean, he fucking--
He's driving me fucking crazy."
2080
01:44:24,181 --> 01:44:30,229
But as attached as any of us might
have been to any song or lyric or idea,
2081
01:44:30,312 --> 01:44:34,233
we still loved each other
and being together even more.
2082
01:44:36,193 --> 01:44:38,153
[song ends]
2083
01:44:38,237 --> 01:44:39,696
["So What'cha Want" playing]
2084
01:44:43,283 --> 01:44:46,453
♪ Well, just plug me in
Just like I was Eddie Harris ♪
2085
01:44:46,537 --> 01:44:49,122
♪ You're eating crazy cheese
Like you would think I'm from Paris ♪
2086
01:44:49,206 --> 01:44:51,834
♪ You know I get fly
You think I get high ♪
2087
01:44:51,917 --> 01:44:54,586
♪ You know that I'm gone
And I'mma tell you all why ♪
2088
01:44:54,670 --> 01:44:58,340
♪ So tell me who are you dissing
Maybe I'm missing ♪
2089
01:44:58,423 --> 01:45:01,301
♪ The reason that you're smiling
Or wilding, so listen ♪
2090
01:45:01,385 --> 01:45:03,262
♪ In my head
I just want to take 'em down ♪
2091
01:45:03,345 --> 01:45:06,557
♪ Imagination set loose
And I'm gonna shake 'em down ♪
2092
01:45:06,640 --> 01:45:08,475
♪ Let it flow like a mudslide ♪
2093
01:45:08,559 --> 01:45:11,186
♪ When I get on
I like to ride and glide ♪
2094
01:45:11,270 --> 01:45:14,022
♪ I've got depth of perception
In my text, y'all ♪
2095
01:45:14,106 --> 01:45:17,234
♪ I get props at my mention
'Cause I vex, y'all ♪
2096
01:45:17,317 --> 01:45:19,403
♪ So what'cha, what'cha
What'cha want? ♪
2097
01:45:19,486 --> 01:45:22,698
♪ I get so funny with my money
That you flaunt ♪
2098
01:45:22,781 --> 01:45:25,784
♪ I said, "Where'd you get
Your information from, huh?" ♪
2099
01:45:25,868 --> 01:45:28,662
♪ You think that you can front
When revelation comes? ♪
2100
01:45:28,745 --> 01:45:32,374
♪ Yeah, you can't front on that ♪
2101
01:45:39,798 --> 01:45:42,301
-♪ So what'cha, what'cha, what'cha want? ♪
-♪ What'cha want? ♪
2102
01:45:42,384 --> 01:45:44,887
-♪ So what'cha, what'cha, what'cha want? ♪
-♪ What'cha want? ♪
2103
01:45:44,970 --> 01:45:46,972
♪ Said, what'cha, what'cha
What'cha want? ♪
2104
01:45:47,055 --> 01:45:48,056
♪ What'cha want? ♪
2105
01:45:48,140 --> 01:45:50,017
♪ Said, what'cha, what'cha
What'cha want? ♪
2106
01:45:50,100 --> 01:45:51,351
♪ So what'cha want? ♪
2107
01:45:51,435 --> 01:45:53,645
If I can, I just wanna cut in here
and say that I love these guys,
2108
01:45:53,729 --> 01:45:56,106
and I've grown up with 'em, and I think
they're great, and I just love 'em.
2109
01:45:57,816 --> 01:46:02,821
["Intergalactic" playing]
2110
01:46:13,999 --> 01:46:15,918
Mike D, Mike D.
2111
01:46:17,628 --> 01:46:18,837
[indistinct]
2112
01:46:19,171 --> 01:46:22,591
♪ Well, now, don't you tell me to smile ♪
2113
01:46:22,674 --> 01:46:24,468
♪ You stick around
I'll make it worth your while ♪
2114
01:46:24,551 --> 01:46:27,095
♪ My number's beyond what you can dial ♪
2115
01:46:27,179 --> 01:46:29,389
♪ Maybe it's because I'm so versatile ♪
2116
01:46:29,473 --> 01:46:31,433
♪ Style, profile, I said ♪
2117
01:46:31,517 --> 01:46:33,977
♪ It always brings me back when I hear
"Ooh, child!" ♪
2118
01:46:34,061 --> 01:46:36,188
♪ From the Hudson River out to the Nile ♪
2119
01:46:36,271 --> 01:46:38,607
♪ I run the marathon
To the very last mile ♪
2120
01:46:38,690 --> 01:46:40,651
♪ Well, if you battle me
I will revile ♪
2121
01:46:40,734 --> 01:46:42,611
♪ People always sayin' my style is wild ♪
2122
01:46:42,694 --> 01:46:45,155
♪ You've got gall, you've got guile ♪
2123
01:46:45,239 --> 01:46:47,115
♪ Step to me
I'm a rap-o-phile ♪
2124
01:46:47,199 --> 01:46:49,785
♪ If you want to battle you're in denial ♪
2125
01:46:49,868 --> 01:46:52,037
♪ Comin' from Uranus to check my style ♪
2126
01:46:52,120 --> 01:46:54,331
♪ Go ahead, put my rhymes on trial ♪
2127
01:46:54,414 --> 01:46:56,625
♪ Cast you off into exile ♪
2128
01:46:56,708 --> 01:47:01,129
♪ Intergalactic, planetary
Planetary, intergalactic ♪
2129
01:47:01,213 --> 01:47:05,717
♪ Intergalactic, planetary
Planetary, intergalactic ♪
2130
01:47:05,801 --> 01:47:07,928
♪ Jazz and AWOL, that's our team ♪
2131
01:47:08,011 --> 01:47:10,222
♪ Step inside the party
Disrupt the whole scene ♪
2132
01:47:10,305 --> 01:47:12,140
♪ When it comes to beats
Well, I'm a fiend ♪
2133
01:47:12,224 --> 01:47:14,268
♪ I like my sugar with coffee and cream ♪
2134
01:47:14,351 --> 01:47:16,436
♪ Well, I gotta keep it going
Keep it going full steam ♪
2135
01:47:16,520 --> 01:47:19,189
♪ Too sweet to be sour
Too nice to be mean ♪
2136
01:47:19,273 --> 01:47:21,108
♪ Well, on the tough-guy style
I'm not too keen ♪
2137
01:47:21,191 --> 01:47:23,777
♪ Trying to change the world
I'mma plot and scheme ♪
2138
01:47:23,861 --> 01:47:26,113
♪ Mario C. likes to keep it clean ♪
2139
01:47:26,196 --> 01:47:28,574
♪ Gonna shine like a sunbeam ♪
2140
01:47:28,657 --> 01:47:30,409
♪ Keep on rappin'
'Cause that's my dream ♪
2141
01:47:30,492 --> 01:47:32,911
♪ Got an A from Moe Dee
For "sticking to themes" ♪
2142
01:47:32,995 --> 01:47:35,163
♪ Now when it comes to envy
Y'all is green ♪
2143
01:47:35,247 --> 01:47:37,332
♪ Jealous of the rhyme
And the rhyme routine ♪
2144
01:47:37,416 --> 01:47:41,962
♪ Another dimension, new galaxy
Intergalactic, planetary ♪
2145
01:47:42,045 --> 01:47:46,508
♪ Intergalactic, planetary
Planetary, intergalactic ♪
2146
01:47:46,592 --> 01:47:50,637
♪ Intergalactic, planetary
Planetary, intergalactic ♪
2147
01:47:50,721 --> 01:47:55,601
♪ Intergalactic, planetary
Planetary, intergalactic ♪
2148
01:47:55,684 --> 01:48:00,105
♪ Intergalactic, planetary
Planetary, intergalactic ♪
2149
01:48:01,940 --> 01:48:04,568
♪ We're from the family tree
Of old-school hip-hop ♪
2150
01:48:04,651 --> 01:48:06,904
♪ Kick off your shoes
And relax your socks ♪
2151
01:48:06,987 --> 01:48:08,989
♪ The rhymes will spread just like a pox ♪
2152
01:48:09,072 --> 01:48:11,450
♪ 'Cause the music is live
Like an electric shock ♪
2153
01:48:11,533 --> 01:48:15,996
♪ I am known to do the wop
Also known for the Flintstone Flop ♪
2154
01:48:16,079 --> 01:48:18,207
♪ Tammy D getting biz on the crop ♪
2155
01:48:18,290 --> 01:48:20,083
♪ Beastie Boys known to let the beat ♪
2156
01:48:20,584 --> 01:48:22,461
♪ Mmm... drop ♪
2157
01:48:22,544 --> 01:48:24,963
♪ Now when I wrote graffiti
My name was Slop ♪
2158
01:48:25,047 --> 01:48:27,216
♪ If my rap's soup, my beats is stock ♪
2159
01:48:27,299 --> 01:48:29,468
♪ Step from the table
When I start to chop ♪
2160
01:48:29,551 --> 01:48:31,845
♪ I'm the lumberjack
DJ Ad-Rock ♪
2161
01:48:31,929 --> 01:48:34,056
♪ If you try to knock me
You'll get mocked ♪
2162
01:48:34,139 --> 01:48:36,308
♪ I'll stir-fry you in my wok ♪
2163
01:48:36,391 --> 01:48:38,352
♪ Your knees'll start shakin'
And your fingers pop ♪
2164
01:48:38,435 --> 01:48:40,938
♪ Like a pinch on the neck
Of Mr. Spock ♪
2165
01:48:41,021 --> 01:48:45,484
♪ Intergalactic, planetary
Planetary, intergalactic ♪
2166
01:48:45,567 --> 01:48:49,988
♪ Intergalactic, planetary
Planetary, intergalactic ♪
2167
01:48:50,072 --> 01:48:54,493
♪ Intergalactic, planetary
Planetary, intergalactic ♪
2168
01:48:54,576 --> 01:48:59,039
♪ Intergalactic, planetary
Planetary, intergalactic ♪
2169
01:48:59,456 --> 01:49:01,500
♪ Another dimension
Another dimension ♪
2170
01:49:01,583 --> 01:49:03,836
♪ Another dimension
Another dimension ♪
2171
01:49:17,182 --> 01:49:18,225
♪ Do it ♪
2172
01:49:18,308 --> 01:49:21,520
-[song ends]
-[groans]
2173
01:49:58,348 --> 01:50:00,934
♪ Listen, everybody
Listen, one and all ♪
2174
01:50:01,018 --> 01:50:03,437
♪ We're down in Daytona
And we're havin' a ball ♪
2175
01:50:03,520 --> 01:50:06,398
♪ Said one week spring break
It ain't funny ♪
2176
01:50:06,481 --> 01:50:09,151
♪ Said two days passed
And I'm runnin' outta money ♪
2177
01:50:09,234 --> 01:50:11,904
♪ Said sleepin' in the car
'Cause the hotel's booked ♪
2178
01:50:11,987 --> 01:50:14,489
♪ I met a frat girl cutie
And I got hooked ♪
2179
01:50:14,573 --> 01:50:16,241
♪ I said, "What's your major?" ♪
2180
01:50:16,325 --> 01:50:17,659
♪ Said she majors in psych ♪
2181
01:50:17,743 --> 01:50:20,120
♪ Said I'm down with MTV
And I rock the mic ♪
2182
01:50:20,204 --> 01:50:22,915
♪ She said she wants to meet Alan
And Martha Quinn ♪
2183
01:50:22,998 --> 01:50:24,458
♪ I said my name's MCA ♪
2184
01:50:24,541 --> 01:50:27,669
♪ And I can let you in
I said I'm down in Daytona ♪
2185
01:50:27,753 --> 01:50:30,047
-♪ To get my kicks ♪
-♪ We're the Beastie Boys ♪
2186
01:50:30,130 --> 01:50:31,840
-♪ MTV ♪
-♪ Spring Break ♪
2187
01:50:31,924 --> 01:50:33,509
♪ '86 ♪
2188
01:50:33,592 --> 01:50:34,468
What's up with that?
2189
01:50:35,594 --> 01:50:38,555
Last week I was in Chanhassen, Minnesota
with the Beastie Boys.
2190
01:50:39,389 --> 01:50:41,099
They're rehearsing for their tour,
and they said,
2191
01:50:41,183 --> 01:50:43,018
"We want a piece of
Marky Mark and the Funky Bunch."
2192
01:50:43,852 --> 01:50:46,522
-I would love to dunk on them.
-I might have to set that up.
2193
01:50:46,605 --> 01:50:47,481
What's up with that?
2194
01:50:47,564 --> 01:50:51,818
[British accent] "You motherfuckers ain't
shit compared to us here" kinda vibe.
2195
01:50:52,277 --> 01:50:55,489
-And so by the time--
-Let that sit. Let that sit, Mike.
2196
01:50:55,572 --> 01:50:56,740
That was a good British accent.
2197
01:50:59,201 --> 01:51:00,285
[man] Yo, Mike.
2198
01:51:01,578 --> 01:51:03,956
-Let's go, man.
-Come on, man. We got work to do.
2199
01:51:04,039 --> 01:51:05,916
-Word up, man. It's time to get ill.
-Let's go.
2200
01:51:05,999 --> 01:51:08,168
[all talking at once]
2201
01:51:08,252 --> 01:51:11,129
[Alex Trebek] "Another plane, another
train, another bottle in the brain,"
2202
01:51:11,213 --> 01:51:14,091
the Beastie Boys rapped
in "No Sleep Till" here.
2203
01:51:14,800 --> 01:51:16,760
-Eric.
-What is [slowed down] Brooklyn?
2204
01:51:16,844 --> 01:51:20,097
-You must be talking about grunge.
-Grunge.
2205
01:51:20,180 --> 01:51:21,765
[vocalizing]
2206
01:51:21,849 --> 01:51:22,975
Grunge.
2207
01:51:24,184 --> 01:51:25,185
Grunge.
2208
01:51:25,269 --> 01:51:27,271
Did anyone notice
at Cozy Soup 'n' Burger,
2209
01:51:27,354 --> 01:51:30,148
when you get the burger,
they'd have an ice cream scooper,
2210
01:51:30,232 --> 01:51:32,985
and they have, like,
a drawer with the meat,
2211
01:51:33,068 --> 01:51:34,653
and they just, like, put it in there,
2212
01:51:34,736 --> 01:51:37,030
and they put the scoop of meat
on the grill?
2213
01:51:37,781 --> 01:51:40,826
Fun fact, when we were kids, we'd be like,
"Yo, one day when we're grown-ups,
2214
01:51:40,909 --> 01:51:42,953
we're gonna get a fucking meat drawer
at our house."
2215
01:51:43,036 --> 01:51:45,247
-For real. For real.
-It's true.
2216
01:51:45,330 --> 01:51:46,748
-Right?
-Definitely.
2217
01:51:46,832 --> 01:51:49,710
What is it like touring with
the Foo Fighters and Sonic Youth?
2218
01:51:49,793 --> 01:51:52,713
I mean, the Foo Fighters, I grew up
with these guys, since like I was--
2219
01:51:52,796 --> 01:51:54,673
When I was 4 years old, I used to--
2220
01:51:54,756 --> 01:51:56,717
-Yo, let me tell you--
-These kids is nuts.
2221
01:51:56,800 --> 01:51:59,052
These kids is, like,
off the hook, these kids.
2222
01:51:59,136 --> 01:52:02,014
Let me tell you, me and Sonic Youth
go back like babies and pacifiers.
2223
01:52:02,097 --> 01:52:03,015
-That's right.
-For real.
2224
01:52:03,098 --> 01:52:06,310
-These kids is, like, gone.
-Yo, I used to wash dogs with Thurston.
2225
01:52:06,393 --> 01:52:08,604
Man, we already washed that dog already.
2226
01:52:08,687 --> 01:52:11,064
-You don't have to get mad at me.
-We washed it!
2227
01:52:11,148 --> 01:52:13,901
What's up, man? Y'all can't wash dogs
for the rest of your life, man.
2228
01:52:13,984 --> 01:52:17,070
Let's go on tour, man.
You know, let's go do some shows.
2229
01:52:17,154 --> 01:52:20,282
So we are psyched, and we are surprised.
2230
01:52:20,365 --> 01:52:22,117
But we are also--
2231
01:52:22,910 --> 01:52:25,746
[chuckling]
We are also surprised that Rick--
2232
01:52:30,209 --> 01:52:35,130
"And we were also surprised--
Rick was Russian?"
2233
01:52:36,507 --> 01:52:39,510
That's why we, like, click. All these,
you know, groups just, like, click.
2234
01:52:39,593 --> 01:52:41,970
We're running like one big clique.
You know what I'm saying?
2235
01:52:42,054 --> 01:52:43,347
What was your favorite part of the show?
2236
01:52:43,430 --> 01:52:46,683
I think when we came out was a good part.
2237
01:52:46,767 --> 01:52:48,810
-What do you say?
-I think when these dudes were on,
2238
01:52:48,894 --> 01:52:50,562
when they were playing "King of Rock"
and we were on,
2239
01:52:50,646 --> 01:52:52,356
that was probably the best part.
2240
01:52:52,439 --> 01:52:55,526
-Yeah, the little flash pot, yeah.
-I think that's the greatest--
2241
01:52:55,609 --> 01:52:57,694
-It's just our clique.
-Yeah, it's a united clique.
2242
01:52:59,238 --> 01:53:00,531
'Cause you know--
2243
01:53:00,614 --> 01:53:02,950
-[MCA] Mike's lost his fucking mind.
-Shit.
2244
01:53:03,033 --> 01:53:05,369
What the fuck is wrong with Mike?
2245
01:53:06,370 --> 01:53:08,205
You need shoes to go with those,
my brother.
2246
01:53:08,288 --> 01:53:09,623
Where are the shoes at?
2247
01:53:09,706 --> 01:53:11,750
[Mike D]
I can't find the shoes or the suede pants.
2248
01:53:11,834 --> 01:53:14,253
When MTV comes across a video
that is visually striking
2249
01:53:14,336 --> 01:53:17,798
and pushes the boundaries of video making,
we crown it a breakthrough video.
2250
01:53:17,881 --> 01:53:19,591
"Shadrach" is interesting for two reasons.
2251
01:53:19,675 --> 01:53:21,552
First because the animation
is so well-done,
2252
01:53:21,635 --> 01:53:24,888
and second because it was directed
and animated by a member of the band.
2253
01:53:24,972 --> 01:53:27,599
Directors Jonathan Dayton
and Valerie Faris shot some footage
2254
01:53:27,683 --> 01:53:29,184
of the Beastie Boys in concert.
2255
01:53:29,268 --> 01:53:32,855
And then band member MCA took the footage
and painted over it frame by frame
2256
01:53:32,938 --> 01:53:34,648
to create some terrific animation.
2257
01:53:34,731 --> 01:53:35,816
Check out his handiwork.
2258
01:53:35,899 --> 01:53:38,694
This is the brand new one
from the Beastie Boys. It's "Shadrach."
2259
01:53:38,777 --> 01:53:41,071
["Shadrach" playing]
2260
01:53:41,154 --> 01:53:42,656
[man] Wait a second, Adam.
2261
01:53:42,739 --> 01:53:45,158
Wait one second. I'm sorry, Adam.
2262
01:53:45,242 --> 01:53:47,286
-Adam--
-What? What is it, David Cross?
2263
01:53:47,369 --> 01:53:49,746
What is-- I'm sorry, I'm just--
I'm-- What is that?
2264
01:53:49,830 --> 01:53:51,331
Wh-What is it, Ben Stiller?
2265
01:53:51,415 --> 01:53:53,917
-[man] Hey, guys.
-What? Who's--
2266
01:53:54,001 --> 01:53:55,752
-How you doing?
-[Ad-Rock] Oh, hey, Steve Buscemi.
2267
01:53:55,836 --> 01:53:57,212
Hey, how are you?
2268
01:53:57,296 --> 01:54:00,966
I'm sorry. I was walking down the street
to get my scratch-off tickets
2269
01:54:01,049 --> 01:54:02,426
and I couldn't help but overhear--
2270
01:54:02,509 --> 01:54:05,053
I just woke up.
But I thought I heard you--
2271
01:54:06,889 --> 01:54:09,391
I thought
I heard you mention Paul's Boutique.
2272
01:54:09,474 --> 01:54:12,186
Their newest album is called
Licensed to Kill,
2273
01:54:12,269 --> 01:54:14,438
and it went platinum
after only eight weeks.
2274
01:54:14,521 --> 01:54:15,564
-[audience shouting]
-Licensed to Kill, right?
2275
01:54:15,647 --> 01:54:17,191
-[audience] Ill.
-Ill!
2276
01:54:18,317 --> 01:54:19,401
[director] That's "ill," Joan.
2277
01:54:19,484 --> 01:54:22,779
Well, I'm telling you.
I've got my stupid contacts in. Hold on.
2278
01:54:22,863 --> 01:54:25,616
Their album is called Licensed to Ill.
2279
01:54:26,116 --> 01:54:28,202
That's a stupid name for an album.
2280
01:54:29,036 --> 01:54:32,831
Everybody knows Paul's Boutique
was a huge commercial failure.
2281
01:54:32,915 --> 01:54:34,958
-An abject failure.
-It was a flop.
2282
01:54:35,042 --> 01:54:36,710
-Couldn't get any worse.
-Nobody bought it.
2283
01:54:36,793 --> 01:54:39,004
That must've been, like, so humiliating.
2284
01:54:39,087 --> 01:54:42,674
A huge massive failure.
2285
01:54:42,758 --> 01:54:45,344
-Thank you very much for reminding us.
-[Cross] We all know that.
2286
01:54:45,427 --> 01:54:48,514
When that tree fell in the forest,
nobody heard that shit.
2287
01:54:49,723 --> 01:54:54,311
And so my question to you is,
like, h-how did you go on--
2288
01:54:54,394 --> 01:54:59,316
I mean, not even "how."
Why did you continue to go on as a band?
2289
01:54:59,399 --> 01:55:02,152
-But...
-Retroactively, as we all know,
2290
01:55:02,236 --> 01:55:06,949
it's now hailed as one of, like, the most
influential rap albums ever, right?
2291
01:55:07,699 --> 01:55:13,872
I'm just saying, Adam, that to me it's--
it's kind of like a rap Pet Sounds...
2292
01:55:13,956 --> 01:55:17,835
...due to its dense use
of samples, layers--
2293
01:55:19,419 --> 01:55:21,630
Samples, layers.
2294
01:55:21,713 --> 01:55:22,923
Hip.
2295
01:55:23,006 --> 01:55:24,675
Hop. [grunts]
2296
01:55:24,758 --> 01:55:29,221
And here you're talking about it like,
"Oh, nobody liked it."
2297
01:55:29,304 --> 01:55:31,557
And I feel like you do this thing
where you're like,
2298
01:55:31,640 --> 01:55:34,351
"It wasn't good,
so I'm gonna say it wasn't good.
2299
01:55:34,434 --> 01:55:36,979
But I really I want you
to feel that it's good."
2300
01:55:37,062 --> 01:55:39,314
It's like a thing in your head
where you want us to feel bad,
2301
01:55:39,398 --> 01:55:40,774
but it's really
'cause you feel bad for yourself.
2302
01:55:40,858 --> 01:55:42,109
I don't wanna get into what it's about.
2303
01:55:42,192 --> 01:55:43,610
And this is not a big thing.
2304
01:55:43,694 --> 01:55:45,779
-Hey, Mike. How's it going, man?
-What's up?
2305
01:55:45,863 --> 01:55:47,364
-[woman] And tonight...
-Yo, what's up?
2306
01:55:47,447 --> 01:55:50,492
We're gonna world premiere "Jimmy James."
2307
01:55:50,576 --> 01:55:51,410
All right.
2308
01:55:51,493 --> 01:55:52,911
Is that from The Little Rascals,
where they go,
2309
01:55:52,995 --> 01:55:56,206
"What's your name?" "Jimmy James.
Ask me again, I'll tell you the same"?
2310
01:55:56,290 --> 01:55:57,875
No, actually it's from My Three Sons.
2311
01:55:57,958 --> 01:56:02,129
The episode where Uncle Charlie freaks out
with the cleaver on all the kids.
2312
01:56:02,713 --> 01:56:05,716
Okay, I think, when it comes to touring,
out of all of the tours we did,
2313
01:56:05,799 --> 01:56:08,760
I think, like, the weirdest person
we toured with is Mike, probably.
2314
01:56:08,844 --> 01:56:11,054
This kid is off the hook, man.
2315
01:56:13,307 --> 01:56:15,517
[audience chuckling]
2316
01:56:15,601 --> 01:56:17,144
Hi, I'm Mike.
2317
01:56:17,227 --> 01:56:20,856
-So...
-I'm in a band called Beastie Boys.
2318
01:56:23,108 --> 01:56:24,359
Hello, man.
2319
01:56:25,736 --> 01:56:28,030
"Darkness at the break of noon.
2320
01:56:28,906 --> 01:56:31,658
Shadows over a silvery spoon.
2321
01:56:32,826 --> 01:56:36,538
Handmade blades, child's balloon."
2322
01:56:42,419 --> 01:56:44,880
Hey, don't miss the Beastie Boys,
'cause they're on tour, summer sweat '92.
2323
01:56:44,963 --> 01:56:46,924
-All right!
-What happens after?
2324
01:56:47,007 --> 01:56:50,052
-Hell, yeah!
-Where do you go next?
2325
01:56:50,135 --> 01:56:52,262
-[shouts]
-[laughs]
2326
01:56:52,971 --> 01:56:56,558
Party people, Run-DMC and the Beastie Boys
are on their way to your town right now.
2327
01:56:56,642 --> 01:56:59,353
And we're gonna be cold kickin' it live.
Ain't that right, fellas?
2328
01:56:59,436 --> 01:57:00,562
[all shouting]
2329
01:57:02,940 --> 01:57:05,526
-[yells] Baby!
-What's up with that?
2330
01:57:05,609 --> 01:57:07,402
We already washed that dog already.
2331
01:57:07,486 --> 01:57:08,820
You don't have to get mad at me.
2332
01:57:10,155 --> 01:57:12,032
["Something's Got to Give" playing]
2333
01:58:13,093 --> 01:58:16,138
[song ends]
189923
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