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1
00:03:29,967 --> 00:03:32,200
- NOW, MR. GOLDEN,
HOW CAN I HELP YOU?
2
00:03:32,200 --> 00:03:35,100
- "HUNK."
CALL ME "HUNK" FOR NOW.
3
00:03:35,100 --> 00:03:36,533
- ALL RIGHT.
4
00:03:36,533 --> 00:03:38,467
- THANKS FOR SEEING ME
ON SUCH SHORT NOTICE.
5
00:03:38,467 --> 00:03:40,033
NOBODY ELSE WOULD.
6
00:03:40,033 --> 00:03:42,500
- YOU MADE IT SOUND LIKE
A MATTER OF LIFE OR DEATH.
7
00:03:42,500 --> 00:03:44,967
- YEAH, WELL, IT IS.
8
00:03:44,967 --> 00:03:46,233
FOR HIM.
9
00:03:46,233 --> 00:03:47,867
- WHO IS HE?
10
00:03:47,867 --> 00:03:51,200
- HIS--HIS NAME IS
BRADLEY BRINKMAN.
11
00:03:51,200 --> 00:03:52,733
- WHERE IS HE?
12
00:03:55,500 --> 00:03:59,433
- RIGHT HERE.
13
00:03:59,433 --> 00:04:01,667
I'M BRADLEY BRINKMAN.
14
00:04:01,667 --> 00:04:03,367
ON THE INSIDE ANYWAY.
15
00:04:03,367 --> 00:04:05,133
- LOOK, PLAYING AT
SCHIZOPHRENIA IS NOT MY--
16
00:04:05,133 --> 00:04:06,467
- YAH, I KNOW, I KNOW,
I KNOW.
17
00:04:06,467 --> 00:04:10,667
LOOK, DOC, DIDN'T YOU EVER WANT
TO BECOME SOMEBODY ELSE?
18
00:04:10,667 --> 00:04:14,933
SOMEBODY EXCITING,
SOMEBODY FANTASTIC?
19
00:04:14,933 --> 00:04:17,200
I JUST HAPPEN TO BE THAT
SOMEBODY FANTASTIC BRADLEY
20
00:04:17,200 --> 00:04:18,967
BRINKMAN WANTED TO BECOME.
21
00:04:18,967 --> 00:04:20,800
AND THEN BECAME.
22
00:04:20,800 --> 00:04:23,467
- SOMEBODY WITH A FANTASTIC
IMAGINATION, YOU MEAN.
23
00:04:23,467 --> 00:04:26,367
- I KNOW IT SOUNDS CRAZY,
BUT YOU GOTTA HEAR MY STORY.
24
00:04:26,367 --> 00:04:28,567
TIME IS RUNNING
OUT FOR BRADLEY.
25
00:04:28,567 --> 00:04:29,900
AND FOR ME.
26
00:04:29,900 --> 00:04:31,433
- ALL RIGHT.
27
00:04:31,433 --> 00:04:35,067
I'LL HEAR YOUR STORY, BUT TIME
IS RUNNING OUT FOR US AS WELL.
28
00:04:35,067 --> 00:04:37,233
SO WHY DON'T YOU JUST BEGIN
29
00:04:37,233 --> 00:04:39,100
WITH THE FIRST TIME THAT YOU
BEGAN--
30
00:04:39,100 --> 00:04:41,567
- AND BRADLEY BRINKMAN.
31
00:04:41,567 --> 00:04:44,800
- THE FIRST TIME THAT YOU
AND BRADLEY BRINKMAN BEGAN
32
00:04:44,800 --> 00:04:46,467
TO FEEL THIS WAY.
33
00:04:46,467 --> 00:04:49,567
- DOCTOR, IF I CONVINCE YOU,
WILL YOU TAKE MY CASE?
34
00:04:51,567 --> 00:04:53,300
- I'M LISTENING, MR. GOLDEN.
35
00:04:55,033 --> 00:04:58,233
- UP UNTIL SIX WEEKS AGO, I
REALLY WAS BRADLEY BRINKMAN.
36
00:04:58,233 --> 00:04:59,900
HACK, COMPUTER HACK.
37
00:04:59,900 --> 00:05:02,300
I SPENT THE FIVE YEARS
SINCE COLLEGE CHAINED TO A
38
00:05:02,300 --> 00:05:04,000
COMPUTER KEYBOARD.
39
00:05:04,000 --> 00:05:05,967
EXCEPT FOR MY
IMAGINATION, THAT IS.
40
00:05:10,033 --> 00:05:12,033
I ALWAYS DAYDREAMED
ABOUT BEING ONE OF THOSE
41
00:05:12,033 --> 00:05:14,800
IMPOSSIBLY COOL GUYS
YOU SEE IN THE MOVIES
42
00:05:14,800 --> 00:05:16,433
OR COMMERCIALS.
43
00:05:16,433 --> 00:05:19,567
YOU KNOW, THE GUY THAT
DRIVE MASERATIS AND RUN
44
00:05:19,567 --> 00:05:21,933
MAJOR CORPORATIONS.
45
00:05:21,933 --> 00:05:26,100
THE KIND THAT DRIP WITH
WOMEN AND SELF CONFIDENCE.
46
00:05:26,100 --> 00:05:28,500
YOU KNOW, THE GUY THAT LOOK
GREAT IN THOSE BIKINI BRIEFS
47
00:05:28,500 --> 00:05:30,400
THAT RIDE UP THE
CRACK IN YOUR BUNS.
48
00:05:32,933 --> 00:05:35,033
UNFORTUNATELY, PERPETUAL
DAYDREAMING DIDN'T LOOK
49
00:05:35,033 --> 00:05:37,900
GREAT TO MY BOSS,
CONSTANTINE CONSTAPOPOLIS
50
00:05:37,900 --> 00:05:39,767
OF CONSTAPOPOLIS COMPUTERS.
51
00:05:51,167 --> 00:05:53,567
- DAYDREAMS?
52
00:05:53,567 --> 00:05:56,400
I'M PAYING YOU TO
WRITE FOR ME DAYDREAMS?
53
00:05:56,400 --> 00:05:58,100
- HI, MR. CONSTAPOPOLIS.
54
00:05:58,100 --> 00:06:00,333
I WAS-- I REALLY--
I JUST DRIFTED OFF.
55
00:06:00,333 --> 00:06:02,067
- YES, WAY OFF, BRINKMAN.
56
00:06:02,067 --> 00:06:03,000
WAY OFF.
57
00:06:04,067 --> 00:06:06,100
WAY OFF.
58
00:06:06,100 --> 00:06:07,900
YOUR PROGRAM
PROPOSAL'S SO BAD,
59
00:06:07,900 --> 00:06:11,833
THE K-9000 SHUT
DOWN WITH D.I. AGAIN.
60
00:06:11,833 --> 00:06:12,900
- "DIGITAL INDIGESTION"?
61
00:06:12,900 --> 00:06:15,567
- I'LL-- LOOK AT THIS.
62
00:06:15,567 --> 00:06:17,133
CAMELS 'R' US.
63
00:06:17,133 --> 00:06:19,133
THE BEDOUIN PROGRAM.
64
00:06:19,133 --> 00:06:21,700
WHO'S GOT A CAMEL
WITH A FLOPPY HUMP?
65
00:06:21,700 --> 00:06:22,733
LOOK AT THIS ONE.
66
00:06:22,733 --> 00:06:24,633
CONVERSATIONAL ICELANDIC.
67
00:06:24,633 --> 00:06:26,133
WHO ARE YOU
GONNA SELL IT TO?
68
00:06:26,133 --> 00:06:28,633
PENGUINS ON TOUR?
69
00:06:28,633 --> 00:06:29,800
LOOK AT THIS ONE.
70
00:06:29,800 --> 00:06:31,133
SUSHI TOWERS.
71
00:06:31,133 --> 00:06:33,667
EAT WHAT YOU BUILD.
72
00:06:33,667 --> 00:06:35,767
YOU KNOW YOUR WORK HASN'T
BEEN THE SAME EVER SINCE--
73
00:06:35,767 --> 00:06:39,867
- SUSIE ELOPED WITH HER
AEROBICS INSTRUCTOR. I--
74
00:06:39,867 --> 00:06:42,167
- YEAH?
75
00:06:42,167 --> 00:06:45,567
- I KNOW I KNOW-- HOW WOULD YOU
FEEL IF YOUR GIRLFRIEND
76
00:06:45,567 --> 00:06:49,700
REJECTED YOU BECAUSE YOU
DIDN'T WEAR A LEOTARD AND
77
00:06:49,700 --> 00:06:52,633
COUNT DURING SEX?
78
00:06:52,633 --> 00:06:55,267
- LOOK, I'M RUNNING A
BUSINESS HERE.
79
00:06:55,267 --> 00:06:58,067
YOU HAVE TWO
WEEKS--TWO WEEKS!
80
00:06:58,067 --> 00:07:00,300
--TO MAKE A MONEY-MAKING
IDEA UP HERE,
81
00:07:00,300 --> 00:07:02,633
OR ELSE YOU'RE OFF STUFFING--
- THE GRAPE
82
00:07:02,633 --> 00:07:05,033
all: THE GRAPE LEAVES IN MY
ONE-EYED FATHER'S
83
00:07:05,033 --> 00:07:06,433
GREEK RESTAURANT,
84
00:07:06,433 --> 00:07:08,167
CYCLOPS WEST.
85
00:07:08,167 --> 00:07:10,700
- THANK YOU, MR. CONSTAPOPOLIS
FOR YOUR UNDERSTANDING
86
00:07:10,700 --> 00:07:12,000
AND GENEROSITY.
87
00:07:12,000 --> 00:07:13,800
- HAVE A GOOD DAY.
88
00:07:30,533 --> 00:07:32,833
- THE NEW PROGRAM
WAS DUE AT 9:00 A.M.
89
00:07:32,833 --> 00:07:34,933
I WAS DESPERATE
FOR A CONCEPT.
90
00:07:34,933 --> 00:07:37,867
ANY CONCEPT BUT EVERYTHING I
WROTE READ LIKE A ONE-WAY
91
00:07:37,867 --> 00:07:41,333
TICKET TO THE SOUVLAKI
LINE AT CYCLOPS WEST.
92
00:07:43,867 --> 00:07:48,867
IT ALL SEEMED BEYOND HOPE
WHEN I PUNCHED A DESPERATE
93
00:07:48,867 --> 00:07:51,333
PLEA INTO THE MACHINE.
94
00:07:56,300 --> 00:07:57,767
AND THEN IT HAPPENED.
95
00:07:57,767 --> 00:07:59,100
- WHAT HAPPENED?
96
00:07:59,100 --> 00:08:02,367
- SOME KIND OF DIGITAL VULTURE
APPEARED ON MY SCREEN,
97
00:08:02,367 --> 00:08:04,100
AND THEN THE
COMPUTER BEGAN WRITING THE
98
00:08:04,100 --> 00:08:05,933
PROGRAM BY ITSELF.
99
00:08:11,967 --> 00:08:13,633
- WHAT PROGRAM?
100
00:08:13,633 --> 00:08:14,767
- THE YUPPIE PROGRAM.
101
00:08:14,767 --> 00:08:17,967
A MULTI-COMPATIBLE LIFESTYLE
BUDGETING--
102
00:08:17,967 --> 00:08:20,967
- YOU WROTE IT?
I CAN'T LIVE WITHOUT MINE.
103
00:08:20,967 --> 00:08:24,567
WHY, I SAVED A FORTUNE
STOCKING MY WINE CELLAR ALONE.
104
00:08:24,567 --> 00:08:27,300
NOT TO MENTION THE
COMPLIMENTS I GET FROM YOUR
105
00:08:27,300 --> 00:08:31,333
RECIPE FOR MICROWAVE PATE.
106
00:08:31,333 --> 00:08:33,000
- LIKE I SAID, THE
COMPUTER WROTE IT,
107
00:08:33,000 --> 00:08:34,633
BUT I GOT THE CREDIT.
108
00:08:34,633 --> 00:08:37,233
I DIDN'T KNOW ANYTHING ABOUT
PATE OR PASTA MACHINES OR
109
00:08:37,233 --> 00:08:39,500
THE YUPPIE-ING OF SUBURBIA
UNTIL I STAYED UP ALL NIGHT
110
00:08:39,500 --> 00:08:41,633
READING IT MYSELF.
111
00:08:41,633 --> 00:08:42,667
- NOW, WAIT A MINUTE.
112
00:08:42,667 --> 00:08:45,067
HOW CAN A COMPUTER
WRITE BY ITSELF?
113
00:08:45,067 --> 00:08:46,133
- NOW, WAIT A MINUTE.
114
00:08:46,133 --> 00:08:47,367
YOU HAVEN'T HEARD
ANYTHING YET.
115
00:08:53,133 --> 00:08:55,500
I WOKE UP A HERO AND BECAME
AN EVEN BIGGER ONE WHEN
116
00:08:55,500 --> 00:08:58,300
LEGIONS OF BABY BOOMERS SNAPPED
UP 50,000 COPIES
117
00:08:58,300 --> 00:09:00,500
IN THE
FIRST SIX WEEKS.
118
00:09:00,500 --> 00:09:03,100
MOM WAS PROUD.
DAD WAS PROUD.
119
00:09:03,100 --> 00:09:06,233
HECK, EVEN SUSIE CALLED
TO SAY SHE WAS PROUD TOO.
120
00:09:06,233 --> 00:09:09,133
TO HAVE YOURS TRULY FOR
A PHENOMENALLY SUCCESSFUL
121
00:09:09,133 --> 00:09:11,533
EX-BOYFRIEND.
122
00:09:11,533 --> 00:09:14,933
MR. CONSTAPOPOLIS PAID ME
A GIANT ROYALTY AND GAVE ME
123
00:09:14,933 --> 00:09:18,333
THE SUMMER OFF WITH PAY TO
WRITE ANY PROGRAM I WANTED.
124
00:09:22,000 --> 00:09:24,600
- SOUNDS WONDERFUL SO FAR.
125
00:09:26,100 --> 00:09:29,367
- ALL I KNEW ABOUT YUPPIES
WAS THEY WEAR REEBOKS TO BED
126
00:09:29,367 --> 00:09:31,500
AND WOULD HOCK THEIR HEALTH
CLUB CARDS FOR TEN MINUTES
127
00:09:31,500 --> 00:09:33,300
ALONE WITH A DOVE BAR.
128
00:09:36,133 --> 00:09:38,933
- HMM, WHERE DOES HUNK GOLDEN
FIT IN?
129
00:09:38,933 --> 00:09:41,633
- AT THE BEACH HOUSE
I RENTED IN SEA SPRAY.
130
00:09:41,633 --> 00:09:44,833
- SEA SPRAY?
PRETTY SWANKY PLACE.
131
00:09:44,833 --> 00:09:46,100
- SWANKY?
132
00:09:46,100 --> 00:09:47,767
WELL, LET'S SAY SEA
SPRAY IS SWANKY,
133
00:09:47,767 --> 00:09:50,200
IF YOU'VE GOT BIG
BUCKS TO BURN.
134
00:09:50,200 --> 00:09:52,700
THE ONLY THING SWANKY ABOUT
THE PLACE I COULD AFFORD WAS
135
00:09:52,700 --> 00:09:54,733
THE DRIVEWAY.
136
00:09:54,733 --> 00:09:57,933
THE HOUSE ITSELF WAS THE
OLDEST AND GRUNGIEST PLACE
137
00:09:57,933 --> 00:10:00,633
ON SEA SPRAY BEACH.
138
00:10:00,633 --> 00:10:03,533
BYE-BYE, BONUS.
139
00:10:23,967 --> 00:10:27,133
IT WAS BUILT BY SOME OLD SEA
CAPTAIN WHO RAN OUT OF MONEY
140
00:10:27,133 --> 00:10:29,200
AND RAN OUT OF TOWN BEFORE
HE COULD COMPLETE HIS
141
00:10:29,200 --> 00:10:31,400
SAILING SHIP OF A HOUSE.
142
00:10:31,400 --> 00:10:33,367
IT WAS IDEAL FOR
INVESTIGATING THE
143
00:10:33,367 --> 00:10:35,300
YUPPIES-AT-PLAY LIFESTYLE
ON WHICH I WAS
144
00:10:35,300 --> 00:10:37,067
SUPPOSEDLY AN EXPERT.
145
00:10:46,133 --> 00:10:48,800
I'D LEISURELY CONCOCT MY
NEXT PROGRAM AND SPEND THE
146
00:10:48,800 --> 00:10:52,633
REST OF MY TIME MAKING
MY DAYDREAMS COME TRUE.
147
00:10:52,633 --> 00:10:54,200
- SO FAR, SO GOOD.
148
00:10:54,200 --> 00:10:56,867
- EXCEPT THAT I
WENT A BIT TOO FAR.
149
00:10:56,867 --> 00:11:00,233
NOW, THERE'S HELL TO PAY.
150
00:11:11,333 --> 00:11:13,367
IN MY DAYDREAMS, ALL
I HAD TO DO WAS WINK,
151
00:11:13,367 --> 00:11:14,700
AND THE WOMEN
WOULD COME RUNNING,
152
00:11:14,700 --> 00:11:16,600
AND THERE WASN'T A BEACH
FULL OF TANNED AND TONED
153
00:11:16,600 --> 00:11:18,667
COMPETITION EITHER.
154
00:11:18,667 --> 00:11:22,367
THE OLD BOD DEFINITELY
COULD'VE USED A WORK-OUT.
155
00:11:26,033 --> 00:11:27,300
- OH, THESE ARE FABULOUS.
156
00:11:27,300 --> 00:11:29,100
LITTLE PIGGY
SALT-AND-PEPPER SHAKERS.
157
00:11:29,100 --> 00:11:30,900
OH, I'VE GOTTA ADD
THESE TO MY COLLECTION.
158
00:11:34,100 --> 00:11:38,533
OH, WELCOME TO SEA SPRAY,
WHERE THE WELL-TO-DO DO WELL
159
00:11:38,533 --> 00:11:40,100
AT DOING WELL.
160
00:11:40,100 --> 00:11:47,533
I'M POLLY CLUTTER, BUT
EVERYBODY CALLS ME "CHACHKA."
161
00:11:47,533 --> 00:11:50,967
- I'M BRADLEY BRINKMAN,
BUT EVERYBODY CALLS ME
162
00:11:50,967 --> 00:11:52,100
"BRADLEY."
163
00:11:54,200 --> 00:11:55,567
YOU'RE IN MY LIVING ROOM.
164
00:11:55,567 --> 00:11:57,867
- THOUGHT SO.
I SAW YOUR CAR OUT FRONT.
165
00:11:57,867 --> 00:12:01,300
IS THAT A LOANER WHILE
THE B.M.W.'S IN THE SHOP?
166
00:12:01,300 --> 00:12:02,567
- NO, ACTUALLY.
167
00:12:02,567 --> 00:12:03,800
- OH, LOOK.
168
00:12:03,800 --> 00:12:07,733
SOMEBODY IS GONNA FINALLY
GENTRIFY THIS OLD MESS.
169
00:12:07,733 --> 00:12:09,167
GOOD FOR YOU.
170
00:12:09,167 --> 00:12:12,100
- WELL, ACTUALLY, I'M JUST
RENTING THIS OLD MESS FOR
171
00:12:12,100 --> 00:12:13,467
THE SUMMER.
172
00:12:13,467 --> 00:12:16,033
- WELL, YOU DON'T LOOK LIKE
YOU COULD AFFORD TO BUY.
173
00:12:16,033 --> 00:12:19,233
HE STARTED THIS PLACE AND
NEVER QUITE FINISHED IT.
174
00:12:19,233 --> 00:12:22,233
CAPTAIN CRABIT.
175
00:12:22,233 --> 00:12:24,733
- HOW DO YOU KNOW SO MUCH
ABOUT CAPTAIN CRABIT?
176
00:12:24,733 --> 00:12:27,400
- WHEN I WAS A KID, I USED
TO HIDE FIRECRACKERS IN HIS
177
00:12:27,400 --> 00:12:31,933
BARBECUE AND THEN LISTEN
FOR HIS HOT DOGS TO EXPLODE.
178
00:12:31,933 --> 00:12:35,800
OH, HE ALWAYS HAD A FIRE
GOING, THAT CAPTAIN CRABIT.
179
00:12:35,800 --> 00:12:37,100
- NO KIDDING.
180
00:12:37,100 --> 00:12:39,500
- HEY, WHY DON'T YOU GO
PUT ON YOUR BATHING SUIT?
181
00:12:39,500 --> 00:12:42,967
CHACHKA'S GONNA TAKE YOU
ON THE GABBY GUIDED TOUR.
182
00:12:42,967 --> 00:12:44,100
- THE GABBY GUIDED TOUR?
183
00:12:44,100 --> 00:12:45,100
- DON'T WORRY ABOUT IT.
184
00:12:45,100 --> 00:12:46,533
IT'S FREE.
185
00:12:46,533 --> 00:12:47,500
- SOUNDS GREAT.
186
00:12:49,833 --> 00:12:51,333
HOW COME THEY
CALL YOU CHACHKA.
187
00:12:51,333 --> 00:12:54,767
- OH, 'CAUSE MY HOUSE
IS FULL OF CHACHKAS.
188
00:12:54,767 --> 00:12:56,733
I COLLECT THINGS.
189
00:12:56,733 --> 00:12:58,600
KNICK-KNACKS.
190
00:12:58,600 --> 00:13:00,800
BRIC-A-BRAC.
191
00:13:00,800 --> 00:13:03,167
I'M AN INCURABLE COLLECTOR.
192
00:13:07,700 --> 00:13:10,067
WHEN I MOVED OUT HERE FROM
NEW YORK IN THE '50s,
193
00:13:10,067 --> 00:13:11,633
THE ONLY BUILDING
ON THE BEACH
194
00:13:11,633 --> 00:13:15,367
WAS MY DAD'S HOT DOG STAND,
WEE WILLIE'S WEENIES.
195
00:13:15,367 --> 00:13:18,900
- ♪ WEE WILLIE'S WEENIES, TOP
OFF WITH CHEESE AND BEANIES ♪
196
00:13:18,900 --> 00:13:22,967
both: ♪ WEE WILLIE'S WEENIES,
BITE DOWN ON ONE TODAY, OLE ♪
197
00:13:22,967 --> 00:13:24,433
THAT'S IT!
198
00:13:24,433 --> 00:13:28,967
OH, IN THE '60s THIS PLACE WAS
BUFF BLUFF TOPLESS BEACH.
199
00:13:28,967 --> 00:13:31,200
ON A HOT DAY, THE BOOBS WERE
PACKED TIGHTER THAN EGGS IN
200
00:13:31,200 --> 00:13:32,767
YOUR EASTER BASKET.
201
00:13:32,767 --> 00:13:35,300
- BORN TOO LATE.
202
00:13:35,300 --> 00:13:38,400
- IN THE '70s MAHATMA
MAHARAJI WENT BANKRUPT
203
00:13:38,400 --> 00:13:42,367
BUILDING THE WORLD'S FIRST
AND LAST CONDO COMMUNE.
204
00:13:42,367 --> 00:13:45,833
NOW, WE'VE GOT YUPPIES.
WHO'S NEXT?
205
00:13:45,833 --> 00:13:47,700
- SHE IS.
206
00:13:47,700 --> 00:13:50,900
- WHO?
207
00:13:50,900 --> 00:13:52,300
- HER.
208
00:13:52,300 --> 00:13:56,367
SHE'S NOT REAL.
209
00:13:56,367 --> 00:13:57,533
- WHERE IS SHE?
210
00:13:57,533 --> 00:14:01,400
- RIGHT THERE.
NEXT TO THOSE SURFERS.
211
00:14:01,400 --> 00:14:05,233
- THERE'S JUST A
COUPLE OF SURFERS.
212
00:14:05,233 --> 00:14:07,900
- THE MOST GORGEOUS CREATURE
IN THE GALAXY IS STEAMING
213
00:14:07,900 --> 00:14:09,933
RIGHT THIS WAY.
214
00:14:09,933 --> 00:14:12,100
- YOU'RE IMAGINING THIS.
215
00:14:22,867 --> 00:14:26,400
- HUH?
WHERE'D SHE GO?
216
00:14:26,400 --> 00:14:28,200
WHERE'D SHE GO?
217
00:14:28,200 --> 00:14:30,267
- HEY, HEY, TAKE IT EASY.
218
00:14:30,267 --> 00:14:35,233
SHE DIDN'T GO ANYWHERE,
BECAUSE SHE WAS NEVER HERE.
219
00:14:35,233 --> 00:14:37,133
HEY, HEY, COME ON.
220
00:14:37,133 --> 00:14:40,267
TIME TO MEET THE HEAVY HITTERS
ON THE SOCIAL CIRCUIT.
221
00:14:40,267 --> 00:14:43,533
OH, YOU'RE IN LUCK.
222
00:14:43,533 --> 00:14:46,100
THEY'RE ALL HERE.
223
00:14:55,900 --> 00:14:57,433
- DON'T WORRY.
224
00:14:57,433 --> 00:14:59,233
WE'LL GET THIS ONE.
225
00:14:59,233 --> 00:15:02,133
- IN "THE ADVENTURES OF
ROCKY AND BULLWINKLE,
226
00:15:02,133 --> 00:15:05,100
"ARCH-VILLAIN BORIS BADENOV
WAS NAMED AFTER THE TITLE
227
00:15:05,100 --> 00:15:08,467
CHARACTER IN WHAT
FAMOUS RUSSIAN OPERA?"
228
00:15:08,467 --> 00:15:09,733
- OPERA.
229
00:15:09,733 --> 00:15:11,600
GIVE ME A BREAK.
230
00:15:11,600 --> 00:15:14,867
- IGOR STRAVINSKY, RIGHT?
231
00:15:14,867 --> 00:15:17,367
- IGOR STRAVINSKY, WRONG.
232
00:15:17,367 --> 00:15:19,167
- OUR TURN?
233
00:15:19,167 --> 00:15:20,167
- YOU'RE THE BEST.
234
00:15:20,167 --> 00:15:21,433
- NO, YOU'RE THE BEST.
235
00:15:21,433 --> 00:15:23,300
- BUT YOU'RE THE CUTEST.
- YOU'RE THE CUTEST.
236
00:15:23,300 --> 00:15:27,233
both: TIE.
237
00:15:27,233 --> 00:15:31,433
- BORIS GODUNOV, RIGHT?
238
00:15:31,433 --> 00:15:34,833
- SEA SPRAY BEACH RULES FOR
TRIVIAL PURSUIT PROHIBIT
239
00:15:34,833 --> 00:15:38,300
SAYING THE CORRECT ANSWER
TO THE LOSING TEAM.
240
00:15:38,300 --> 00:15:41,267
- THEY MIGHT ACTUALLY
GET ONE RIGHT NEXT TIME.
241
00:15:41,267 --> 00:15:44,067
both: NO.
242
00:15:44,067 --> 00:15:45,933
- WHO IS THIS GUY, CHACHKA?
243
00:15:45,933 --> 00:15:47,433
- BARRY BRINKMAN.
244
00:15:47,433 --> 00:15:48,867
HE JUST MOVED IN.
245
00:15:48,867 --> 00:15:51,267
- IT'S BRADLEY BRINKMAN.
246
00:15:51,267 --> 00:15:52,633
SORRY.
247
00:15:52,633 --> 00:15:53,767
- BRADLEY.
248
00:15:53,767 --> 00:15:55,667
I WANT YOU TO MEET
COASTER ROYCE,
249
00:15:55,667 --> 00:15:58,333
WALL STREET WIZ AND YOUNGEST
VICE PRESIDENT IN THE
250
00:15:58,333 --> 00:16:00,867
HISTORY OF RATCHET,
SLAMMER AND HOPS.
251
00:16:00,867 --> 00:16:03,200
- RATCHET, SLAMMER,
HOPS AND ROYCE,
252
00:16:03,200 --> 00:16:04,700
IF I HAVE A SAY IN IT.
253
00:16:04,700 --> 00:16:06,433
AND I WILL.
254
00:16:06,433 --> 00:16:09,333
I ALWAYS DO.
255
00:16:09,333 --> 00:16:12,333
- AND THAT JET-SET ESCAPEE
FROM EAST COAST OLD MONEY,
256
00:16:12,333 --> 00:16:13,567
ALEXIS CASH.
257
00:16:13,567 --> 00:16:15,633
- HA HA.
258
00:16:15,633 --> 00:16:17,933
WHERE YOU MOVING
IN, BRINKMAN?
259
00:16:17,933 --> 00:16:19,933
- THE CRABIT HOUSE.
260
00:16:19,933 --> 00:16:21,633
- I'M GLAD SOMEONE IS
GOING TO SPRUCE UP THAT
261
00:16:21,633 --> 00:16:23,367
DILAPIDATED OLD DUMP.
262
00:16:23,367 --> 00:16:25,867
THANK GOD.
263
00:16:25,867 --> 00:16:29,233
- WELL, ACTUALLY, I'M JUST
RENTING IT FOR THE SUMMER.
264
00:16:29,233 --> 00:16:32,433
- YEAH, YOU DIDN'T LOOK LIKE
YOU COULD AFFORD TO BUY.
265
00:16:32,433 --> 00:16:36,767
NEED ANY COCKROACH TRAPS?
266
00:16:36,767 --> 00:16:38,500
- WAIT A MINUTE.
267
00:16:38,500 --> 00:16:40,467
YOU'RE SKEET
MECKLENBURGER, RIGHT?
268
00:16:40,467 --> 00:16:43,100
ALL-PRO DALLAS ANNIHILATOR
LINEBACKER, RIGHT?
269
00:16:43,100 --> 00:16:45,600
- "ALL-THROUGH"
LINEBACKER, YOU MEAN.
270
00:16:45,600 --> 00:16:49,700
CUT LIKE A ROOKIE ON
UNCONDITIONAL WAIVERS.
271
00:16:49,700 --> 00:16:52,933
- YEAH, BUT I CAN STILL
CUT IT WITH YOU, CAN'T I,
272
00:16:52,933 --> 00:16:54,233
PASSION PIE?
273
00:16:54,233 --> 00:16:57,967
- WITH AN ELECTRIC
KNIFE, BABY.
274
00:16:57,967 --> 00:16:59,967
- YOU REMEMBER
LAUREL SPRINGS,
275
00:16:59,967 --> 00:17:02,633
CHEERLEADER QUEEN OF
WEDNESDAY NIGHT FOOTBALL.
276
00:17:02,633 --> 00:17:05,300
- YEAH, I LOVE THE LITE
KNOCKWURST COMMERCIAL
277
00:17:05,300 --> 00:17:06,533
YOU GUYS DO TOGETHER.
278
00:17:06,533 --> 00:17:07,600
- OH, THANKS.
- A FAN.
279
00:17:07,600 --> 00:17:09,300
HOW FLATTERING.
280
00:17:09,300 --> 00:17:11,500
YOU PLAY V-BALL, BRINSKY?
281
00:17:11,500 --> 00:17:12,600
- V-BALL?
282
00:17:12,600 --> 00:17:13,933
V-BALL. OH, YEAH.
283
00:17:13,933 --> 00:17:16,533
I'D LOVE TO, BUT I
HAVEN'T PLAYED IT IN AGES.
284
00:17:16,533 --> 00:17:17,900
- DON'T WORRY.
285
00:17:17,900 --> 00:17:21,067
SKEET KNOWS ALL THE RULES.
286
00:17:23,733 --> 00:17:27,067
- THERE ARE A FEW DO'S AND
DON'TS IN V-BALL, BRINSKY,
287
00:17:27,067 --> 00:17:31,367
SO LET'S START
WITH THE DON'TS.
288
00:17:31,367 --> 00:17:35,833
YOU DON'T REACH
UNDER THE NET.
289
00:17:35,833 --> 00:17:39,133
YOU DON'T RUN INTO THE NET.
290
00:17:39,133 --> 00:17:42,133
AND YOU DON'T KICK SAND ON
AN OPPOSING PLAYER
291
00:17:42,133 --> 00:17:43,467
WHEN HE'S DOWN.
292
00:17:46,233 --> 00:17:49,700
GOT THE PICTURE, BRINSKY?
293
00:17:49,700 --> 00:17:52,667
- SO WHAT IF THEY ALL ACTED
LIKE THEY HATED ME FROM BIRTH?
294
00:17:52,667 --> 00:17:54,867
THERE WAS AN AURA
TO THEIR ARROGANCE.
295
00:17:54,867 --> 00:17:56,933
I HAD TO FIT IN.
296
00:17:56,933 --> 00:17:59,400
I YUPPIED OUT MY HOUSE WITH
EVERY TRENDY APPLIANCE MY
297
00:17:59,400 --> 00:18:01,467
CREDIT LIMIT COULD BEAR.
298
00:18:01,467 --> 00:18:03,467
AH, SO WHAT IF THE STUFF
WOULD NEVER FIT IN MY STUDIO
299
00:18:03,467 --> 00:18:05,067
APARTMENT AFTER THE SUMMER.
300
00:18:05,067 --> 00:18:06,633
I WAS LIVING IN THE MOMENT.
301
00:18:11,933 --> 00:18:15,900
I EVEN PERSONALLY
STONEWASHED ALL MY CLOTHES.
302
00:18:15,900 --> 00:18:18,700
I STILL HAVEN'T
FIGURED OUT WHY.
303
00:18:18,700 --> 00:18:21,600
SEA SPRAY BY NIGHT
MEANS THE SAND CASTLE.
304
00:18:21,600 --> 00:18:24,500
THE MEN ARE LOW ON BODY
FAT, THE WOMEN ARE HIGH ON
305
00:18:24,500 --> 00:18:28,533
THEMSELVES ... AND WHATEVER
ELSE IS GOING AROUND.
306
00:18:28,533 --> 00:18:31,433
I WAS READY FOR STEP TWO,
INVITING THE WHOLE BEACH TO
307
00:18:31,433 --> 00:18:33,800
AN OPEN HOUSE AT MY PLACE.
308
00:18:33,800 --> 00:18:35,733
I'D PARTY THEIR ASSES OFF.
309
00:18:35,733 --> 00:18:39,833
INCLUDE MYSELF IN
WITH THE IN CROWD.
310
00:18:51,100 --> 00:18:54,000
THE SEA SPRAY CROWD
ACCEPTS NO SUBSTITUTES,
311
00:18:54,000 --> 00:18:58,467
AND I FELT LIKE
A SUBSTITUTE.
312
00:18:58,467 --> 00:19:00,033
- HEY, HI, COASTER.
313
00:19:00,033 --> 00:19:03,400
HOW'S IT GOING, GUY?
314
00:19:03,400 --> 00:19:05,400
- WHERE DID YOU
GET THAT OUTFIT?
315
00:19:05,400 --> 00:19:08,767
- WELL, I GOT IT AT
THE SEA SPRAY GALLERIA.
316
00:19:08,767 --> 00:19:12,300
- OH, ALEXIS, DARLING.
317
00:19:12,300 --> 00:19:14,800
BRINKMAN HERE WENT
SHOPPING AT
318
00:19:14,800 --> 00:19:17,767
THE SEA SPRAY "SCHLOCKERIA."
319
00:19:19,100 --> 00:19:20,700
- WHAT'S SO FUNNY?
320
00:19:20,700 --> 00:19:22,367
WE'RE EXACTLY IDENTICAL.
321
00:19:22,367 --> 00:19:25,733
- OH, FAT CHANCE.
322
00:19:25,733 --> 00:19:27,633
- MIDNIGHT EXPRESS FOR MEN.
323
00:19:27,633 --> 00:19:29,833
MADE IN TURKEY.
324
00:19:29,833 --> 00:19:33,833
POLY-COTTON BLEND.
both: OOH.
325
00:19:33,833 --> 00:19:38,233
OH, GIORGIO
SPERMATUCCI STONEWASH.
326
00:19:38,233 --> 00:19:41,133
SPERMATUCCI, MY
FAVORITE DESIGNER.
327
00:19:41,133 --> 00:19:43,400
- THEY'RE 100% COTTON.
328
00:19:43,400 --> 00:19:47,067
- THEY STONEWASH THEIR
DENIM IN SYNTHETIC STONES.
329
00:19:47,067 --> 00:19:49,900
- BRINKMAN, A LITTLE ADVICE,
THE ONLY THING THAT YOU'LL
330
00:19:49,900 --> 00:19:54,733
LAY TONIGHT IN THAT
IS LINOLEUM.
331
00:19:56,167 --> 00:19:58,933
- OH, YEAH, YOU GUYS,
HERE'S AN INVITATION.
332
00:19:58,933 --> 00:20:00,700
MY OPEN HOUSE.
333
00:20:00,700 --> 00:20:02,167
TRY AND DROP BY.
334
00:20:02,167 --> 00:20:05,900
- CATERED NO DOUBT BY
CHARLES DE GRAVY DU POISSON.
335
00:20:05,900 --> 00:20:08,367
OH, WE WILL BE
THERE WITH BELLS ON.
336
00:20:08,367 --> 00:20:09,800
BELLS.
337
00:20:09,800 --> 00:20:11,867
- DING AWAY.
338
00:20:17,833 --> 00:20:21,467
- AND THEN I SAW HER.
AGAIN.
339
00:21:45,433 --> 00:21:47,133
- ARE WE PUMPED
IN THERE, BRADLEY?
340
00:21:47,133 --> 00:21:49,167
- I WAS DANCING WITH THAT
INCREDIBLY GORGEOUS WOMAN
341
00:21:49,167 --> 00:21:51,500
FROM THE BEACH,
BUT SHE VANISHED.
342
00:21:51,500 --> 00:21:53,400
- OH, SURE.
HOW COME I CAN'T SEE HER?
343
00:21:53,400 --> 00:21:54,567
WHERE'D SHE GO?
344
00:21:54,567 --> 00:21:58,233
- HELL, IF I KNOW.
345
00:22:03,567 --> 00:22:06,733
- THE FINAL SCORE FOR MY
OPEN HOUSE WAS HOST-ONE,
346
00:22:06,733 --> 00:22:08,667
GUESTS-ZERO.
347
00:22:08,667 --> 00:22:12,133
TALK ABOUT WOUNDED PRIDE,
MINE WAS DEAD ON ARRIVAL.
348
00:22:12,133 --> 00:22:16,733
A NIGHTMARE IN LEFTOVER
ARTICHOKE HEARTS.
349
00:22:22,367 --> 00:22:24,533
- HELLO.
350
00:22:24,533 --> 00:22:30,167
CHACHKA, UH-- CHACHKA,
BABY, HOW ARE YA?
351
00:22:30,167 --> 00:22:35,033
OH, FANTASTIC.
FANTASTIC TURN-OUT, YEAH.
352
00:22:35,033 --> 00:22:36,900
YEAH!
WHAT?
353
00:22:36,900 --> 00:22:38,167
OH, YOU CAN'T MAKE IT OVER.
354
00:22:38,167 --> 00:22:40,133
OH, BABE, WE'RE
GONNA MISS YA, YEAH.
355
00:22:40,133 --> 00:22:42,133
GREAT PARTY, BRADLEY.
356
00:22:42,133 --> 00:22:43,500
YEAH, DUDE, GREAT PARTY.
357
00:22:43,500 --> 00:22:45,367
WHAT?
358
00:22:45,367 --> 00:22:46,367
LEFTOVERS?
359
00:22:46,367 --> 00:22:48,467
UH, NO, I DON'T THINK SO.
360
00:22:48,467 --> 00:22:51,133
THESE PARTY ANIMALS,
THEY ARE PIGGING OUT.
361
00:22:51,133 --> 00:22:53,933
YEAH, PIGGING OUT, YEAH.
362
00:22:53,933 --> 00:22:56,600
WHAT?
363
00:22:56,600 --> 00:23:00,667
BABE, I CAN'T HEAR YOU.
YOU GOTTA SPEAK UP FOR ME, OKAY?
364
00:23:00,667 --> 00:23:02,867
NO, NO, HONEY
I CAN'T HEAR YOU.
365
00:23:02,867 --> 00:23:05,667
I'LL TALK TO YOU
TOMORROW, OKAY?
366
00:23:05,667 --> 00:23:07,700
YEAH, YEAH.
BYE!
367
00:23:14,733 --> 00:23:16,633
"ANY LEFTOVERS."
368
00:23:16,633 --> 00:23:19,567
SHE'LL PROBABLY BE RIGHT
OVER WITH TUPPERWARE.
369
00:23:33,967 --> 00:23:38,367
- SUPPOSE YOU GAVE AN OPEN
HOUSE, AND NOBODY CAME.
370
00:23:38,367 --> 00:23:41,400
WE CAN'T HAVE THAT NOW,
CAN WE, COMPUTER CHAMP?
371
00:23:41,400 --> 00:23:43,467
- WAIT A MINUTE.
DON'T DISAPPEAR.
372
00:23:43,467 --> 00:23:44,967
OKAY.
373
00:23:44,967 --> 00:23:48,833
WHO ARE YOU, AND HOW DO YOU KNOW
SO MUCH ABOUT ME?
374
00:23:48,833 --> 00:23:51,533
AND AM I THE ONLY
PERSON WHO CAN SEE YOU?
375
00:23:51,533 --> 00:23:53,900
- AROUSED?
376
00:23:53,900 --> 00:23:57,067
YOUR CURIOSITY, I MEAN.
377
00:23:57,067 --> 00:24:01,967
BRADLEY, A GIRL IN MY LINE
WORKS UP A DEVILISH THIRST.
378
00:24:01,967 --> 00:24:05,867
AREN'T YOU GONNA INVITE
ME TO STAY FOR A PERRIER?
379
00:24:07,567 --> 00:24:11,433
WOW, THE FOOD'S JUST
TO DIE FOR, BRADLEY.
380
00:24:11,433 --> 00:24:15,200
YOU KNOW, YOU COULD
BE ONE FABULOUS HOST.
381
00:24:15,200 --> 00:24:17,967
IT'S A SHAME YOU
DON'T RECOGNIZE IT.
382
00:24:17,967 --> 00:24:20,367
- YOU'VE HAD THE FOOD,
AND YOU'VE HAD YOUR FUN.
383
00:24:20,367 --> 00:24:23,033
NOW, WHO ARE YOU?
384
00:24:23,033 --> 00:24:25,833
- MY NAME'S O'BRIEN.
385
00:24:25,833 --> 00:24:27,333
- JUST O'BRIEN?
386
00:24:27,333 --> 00:24:29,000
- JUST O'BRIEN.
387
00:24:29,000 --> 00:24:32,267
- AND WHERE DO
YOU LIVE, O'BRIEN?
388
00:24:32,267 --> 00:24:33,667
- HELL.
389
00:24:33,667 --> 00:24:36,867
I HAVE A LARGE STUDIO APARTMENT
AT 1,700 DEGREES FAHRENHEIT.
390
00:24:36,867 --> 00:24:41,267
OF COURSE, I WANT A ONE-BEDROOM
AT 2,500 DEGREES FAHRENHEIT.
391
00:24:41,267 --> 00:24:43,300
OR A LOFT IN THE CELSIUS
NEIGHBORHOOD,
392
00:24:43,300 --> 00:24:47,000
BUT ANYTHING OVER 2,000 DEGREES
IS A FORTUNE.
393
00:24:47,000 --> 00:24:51,267
IT'S HELL TO FIND A DECENT
PLACE TO LIVE IN HELL.
394
00:24:51,267 --> 00:24:53,433
- WHO WRITES YOUR MATERIAL,
DAVID LETTERMAN?
395
00:25:03,467 --> 00:25:05,700
CUTE.
VERY CLEVER.
396
00:25:05,700 --> 00:25:09,200
WHAT DO YOU WANT FROM ME?
397
00:25:12,267 --> 00:25:14,667
- OKAY, LISTEN UP, BRADLEY,
BECAUSE I'M ONLY GONNA READ
398
00:25:14,667 --> 00:25:16,667
YOUR BLACK MAGIC
RIGHTS ONCE.
399
00:25:16,667 --> 00:25:19,533
- OH.
400
00:25:19,533 --> 00:25:22,333
- BE FOREWARNED--
401
00:25:22,333 --> 00:25:23,767
- SORRY.
402
00:25:23,767 --> 00:25:27,133
- BE FOREWARNED, YOU'RE
ABOUT TO BE SOLICITED FOR A
403
00:25:27,133 --> 00:25:28,933
SUPERNATURAL EXPERIENCE.
404
00:25:28,933 --> 00:25:31,100
YOU HAVE THE RIGHT
TO CALL AN EXORCIST.
405
00:25:31,100 --> 00:25:32,633
IF YOU CANNOT
AFFORD AN EXORCIST,
406
00:25:32,633 --> 00:25:34,733
ONE WILL BE
APPOINTED TO YOU.
407
00:25:34,733 --> 00:25:37,967
ANY BLACK MAGIC COVENANTS
HEREAFTER EXECUTED BY YOU
408
00:25:37,967 --> 00:25:40,833
CAN AND WILL BE USED TO
ASSERT DARK DOMINION OVER
409
00:25:40,833 --> 00:25:42,167
YOUR SOUL.
410
00:25:42,167 --> 00:25:44,167
ANY QUESTIONS?
411
00:25:44,167 --> 00:25:47,133
- YEAH.
WHY ME?
412
00:25:47,133 --> 00:25:51,200
- I'VE HAD MY EVIL
ON YOU A LONG TIME.
413
00:25:51,200 --> 00:25:57,533
BRADLEY, YOU NEED
A FRIEND RIGHT NOW.
414
00:25:57,533 --> 00:26:01,600
WHO DO YOU THINK INSPIRED
THE YUPPIE PROGRAM?
415
00:26:01,600 --> 00:26:03,300
- WAIT A MINUTE.
416
00:26:03,300 --> 00:26:06,067
THIS WAS ON MY COMPUTER.
417
00:26:06,067 --> 00:26:09,433
YOU POSSESSED MY WORD
PROCESSOR THAT NIGHT?
418
00:26:09,433 --> 00:26:15,000
- LET'S CALL IT
"TEMPORARY OCCUPANCY."
419
00:26:15,000 --> 00:26:19,167
- THIS CONVERSATION IS
INSANE, AND SO ARE YOU.
420
00:26:19,167 --> 00:26:23,500
- ONE QUESTION, BRADLEY.
421
00:26:23,500 --> 00:26:26,500
ARE YOU HAPPY YOU RENTED THIS
FABULOUS HOUSE
422
00:26:26,500 --> 00:26:29,267
SO CLOSE TO ROYCE, COULD WIPE
HIS TOPSIDERS ON YOUR FACE
423
00:26:29,267 --> 00:26:31,033
AT THE DROP OF A FRISBEE?
424
00:26:31,033 --> 00:26:32,533
HAPPY WOMEN AROUND HERE
425
00:26:32,533 --> 00:26:35,733
WON'T GIVE YOU THE CORRECT TIME
OF DAY AT A ROLEX CONVENTION?
426
00:26:35,733 --> 00:26:39,833
- WELL--
- I CAN MAKE YOU OVER.
427
00:26:39,833 --> 00:26:41,833
MAKE YOU INTO THE
KIND OF MAN YOU'VE ALWAYS
428
00:26:41,833 --> 00:26:44,000
DAYDREAMED ABOUT.
429
00:26:44,000 --> 00:26:47,233
THE KIND OF MAN
WOMEN WANT MOST.
430
00:26:47,233 --> 00:26:49,633
AND MEN WANT MOST TO BE.
431
00:26:51,633 --> 00:26:53,467
A HUNK.
432
00:26:53,467 --> 00:26:58,133
HANDSOME, TANNED, TONED.
433
00:26:58,133 --> 00:26:59,733
RICH, BRADLEY.
434
00:26:59,733 --> 00:27:02,533
SUCCESSFUL.
435
00:27:02,533 --> 00:27:04,633
ADMIRED.
436
00:27:04,633 --> 00:27:06,467
- WHAT'S ALL THIS
GONNA COST ME?
437
00:27:06,467 --> 00:27:09,700
- OH, YOUR SOUL, SILLY BOY.
438
00:27:09,700 --> 00:27:12,700
AND WOULD YOU
BELIEVE, RIGHT NOW,
439
00:27:12,700 --> 00:27:16,900
WE HAVE A NO-OBLIGATION
SELL-YOUR-SOUL-FOR-THE-SUMMER
440
00:27:16,900 --> 00:27:19,433
TRIAL OFFER?
441
00:27:19,433 --> 00:27:22,200
AND IF YOU ARE NOT
100% SATISFIED,
442
00:27:22,200 --> 00:27:25,333
YOUR OLD BODY AND OLD
SOUL WILL BE REFUNDED.
443
00:27:25,333 --> 00:27:27,800
IT'S A PACKAGE DEAL.
444
00:27:27,800 --> 00:27:32,167
- ARE YOU PART OF
THE PACKAGE DEAL?
445
00:27:32,167 --> 00:27:33,900
- OH, THE DEVIL HIMSELF,
INCORPORATED,
446
00:27:33,900 --> 00:27:36,233
FORBIDS MY DATING CLIENTS
WHILE THEIR SOUL IS IN
447
00:27:36,233 --> 00:27:38,600
SPIRITUAL ESCROW.
448
00:27:38,600 --> 00:27:42,700
- THE DEVIL HIMSELF,
INCORPORATED?
449
00:27:42,700 --> 00:27:45,867
- THE BOSS NEEDS TAX
WRITE-OFFS JUST LIKE YOU.
450
00:27:45,867 --> 00:27:48,067
- WE'LL STILL SEE
EACH OTHER, WON'T WE?
451
00:27:48,067 --> 00:27:51,833
- OH, FOR ETERNITY,
IF YOU WANT.
452
00:27:51,833 --> 00:27:53,900
SO GIVE IT A GO
FOR THE SUMMER?
453
00:27:53,900 --> 00:27:58,900
- AND NOW I'M SUPPOSED TO SIGN
SOMETHING IN BLOOD, RIGHT?
454
00:27:58,900 --> 00:28:00,267
- A HYPODERMIC PEN.
455
00:28:00,267 --> 00:28:02,333
NO MUSS, NO FUSS.
456
00:28:02,333 --> 00:28:03,733
IT'S MY LATEST INVENTION.
457
00:28:03,733 --> 00:28:05,667
- OW!
458
00:28:24,667 --> 00:28:27,567
- DONE.
459
00:28:27,567 --> 00:28:29,467
- NOW WHAT?
460
00:28:29,467 --> 00:28:31,733
- NOW, WAIT.
461
00:28:31,733 --> 00:28:36,400
A NEW LIFE AND A NEW BODY
BEGIN TOMORROW AT SUNRISE.
462
00:28:36,400 --> 00:28:39,500
SWEET DREAMS,
BRADLEY BRINKMAN.
463
00:28:39,500 --> 00:28:43,600
THIS MAY BE THE LAST
WE SEE OF THE OLD YOU.
464
00:28:43,600 --> 00:28:44,967
BYE.
465
00:28:44,967 --> 00:28:49,300
- BYE.
466
00:28:49,300 --> 00:28:54,933
OH, WEIRD.
REALLY WEIRD.
467
00:28:56,000 --> 00:28:58,533
- THAT NIGHT, I
HAD A WILD DREAM.
468
00:28:58,533 --> 00:29:02,433
AT LEAST, I THOUGHT
IT WAS A DREAM.
469
00:31:14,600 --> 00:31:16,333
- OH, MAN, WHAT A NIGHTMARE.
470
00:31:27,167 --> 00:31:28,300
WAIT A MINUTE.
471
00:31:28,300 --> 00:31:30,167
WHOSE ARM IS THIS?
472
00:31:30,167 --> 00:31:32,600
WAIT A MINUTE.
473
00:31:32,600 --> 00:31:37,467
WHOSE ROOM IS THIS?
474
00:31:37,467 --> 00:31:41,700
STILL DREAMING.
475
00:31:41,700 --> 00:31:44,267
I'M NOT DREAMING.
476
00:31:44,267 --> 00:31:47,733
THIS IS REAL.
477
00:31:47,733 --> 00:31:49,367
WHERE'D ALL THIS COME FROM?
478
00:31:52,833 --> 00:32:01,933
OH, MY GOD.
479
00:32:01,933 --> 00:32:04,500
O'BRIEN REALLY DID IT.
480
00:32:14,567 --> 00:32:22,567
SHE REALLY...REALLY DID IT.
481
00:32:22,567 --> 00:32:28,267
HEY, THAT'S NOT OSCAR.
482
00:32:28,267 --> 00:32:33,467
MY BEST FRIEND SINCE THE
SEVENTH GRADE IS MISSING.
483
00:32:33,467 --> 00:32:34,633
O'BRIEN?
484
00:32:34,633 --> 00:32:38,700
O'BRIEN, WHAT THE
HELL-- CHACHKA, HI.
485
00:32:38,700 --> 00:32:42,500
- YOU KNOW ME? I'D REMEMBER
MEETING YOU.
486
00:32:42,500 --> 00:32:45,100
IF YOU'RE ONE OF THE
LEFTOVERS FROM LAST NIGHT,
487
00:32:45,100 --> 00:32:47,600
I'M GONNA KILL MYSELF
FOR MISSING YOU.
488
00:32:47,600 --> 00:32:49,933
I MEAN, IT.
489
00:32:49,933 --> 00:32:52,600
- YEAH, I'M WHAT'S
LEFT OVER, ALL RIGHT.
490
00:32:52,600 --> 00:32:56,067
- OH, IS BODY--I
MEAN, BRADLEY--HOME?
491
00:32:56,067 --> 00:32:58,067
- BRADLEY.
492
00:32:58,067 --> 00:33:00,967
NO, BRADLEY'S STILL
DREAMING, I THINK.
493
00:33:00,967 --> 00:33:03,467
I MEAN, HE'S STILL HUNG
OVER FROM THE PARTY.
494
00:33:03,467 --> 00:33:04,533
- OH, LOOK.
495
00:33:04,533 --> 00:33:07,200
HE REDECORATED
THE WHOLE PLACE.
496
00:33:07,200 --> 00:33:08,533
- YEAH.
497
00:33:08,533 --> 00:33:09,533
WOW.
498
00:33:09,533 --> 00:33:10,667
SHE SURE DID.
499
00:33:10,667 --> 00:33:11,867
I MEAN, YES.
500
00:33:11,867 --> 00:33:17,533
YES, HE DID.
501
00:33:17,533 --> 00:33:19,600
WHAT ARE YOU STARING AT?
502
00:33:19,600 --> 00:33:22,433
- A REAL HUNK.
503
00:33:22,433 --> 00:33:26,500
I MEAN, IS THAT YOUR
NEW CAR IN THE DRIVEWAY?
504
00:33:26,500 --> 00:33:27,667
- NEW CAR?
505
00:33:27,667 --> 00:33:28,600
WHAT NEW CAR?
506
00:33:34,300 --> 00:33:36,100
YOU MEAN, THIS CAR?
507
00:33:36,100 --> 00:33:37,133
- NO.
508
00:33:37,133 --> 00:33:41,167
THIS IS MY GASTROMOBILE.
509
00:33:41,167 --> 00:33:42,933
- AH, IT'S INTERESTING, YES.
510
00:33:42,933 --> 00:33:45,400
- THE NEW CAR IS OVER HERE.
511
00:33:45,400 --> 00:33:46,767
IS IT YOURS?
512
00:33:46,767 --> 00:33:48,733
- CAR OF MY DAYDREAMS.
513
00:33:48,733 --> 00:33:52,600
UH, I MEAN, I DON'T KNOW.
514
00:33:52,600 --> 00:33:55,433
- WHO ARE YOU ANYWAY?
515
00:33:55,433 --> 00:33:57,533
- I'M NOT SURE.
516
00:33:57,533 --> 00:34:00,267
I MEAN, BRADLEY AND
I ARE VERY CLOSE.
517
00:34:00,267 --> 00:34:04,467
LISTEN, HAVE YOU SEEN A
WOMAN ABOUT 5'9", DARK HAIR,
518
00:34:04,467 --> 00:34:05,733
REALLY GORGEOUS?
519
00:34:05,733 --> 00:34:07,633
- NOT YOU TOO.
520
00:34:07,633 --> 00:34:10,833
- NEVER MIND.
SHE'LL TURN UP.
521
00:34:10,833 --> 00:34:12,567
I HOPE.
522
00:34:15,067 --> 00:34:18,500
LOOK AT THIS STUFF.
523
00:34:20,767 --> 00:34:24,200
H.G. WHO IS H.G.?
524
00:34:24,200 --> 00:34:26,533
NOT ONLY
WAS I NEW TO CHACHKA,
525
00:34:26,533 --> 00:34:29,633
BUT EVERYTHING I NOW
OWNED WAS NEW TO ME.
526
00:34:38,833 --> 00:34:42,867
HOW WE DOING, SUSIE?
527
00:34:55,667 --> 00:34:58,567
"THE WHOLE PACKAGE DEAL."
528
00:34:58,567 --> 00:34:59,767
O'BRIEN.
529
00:35:07,367 --> 00:35:10,033
"HUNK GOLDEN?"
530
00:35:10,033 --> 00:35:14,700
MY NAME IS "HUNK GOLDEN?"
531
00:35:22,033 --> 00:35:24,900
I'M RICH.
532
00:35:24,900 --> 00:35:27,633
WHATEVER HAPPENED
TO BRADLEY BRINKMAN?
533
00:35:27,633 --> 00:35:36,500
O'BRIEN!
534
00:35:36,500 --> 00:35:38,933
O'BRIEN.
535
00:35:55,567 --> 00:35:58,100
- IT WAS ALL I COULD DO TO
KEEP FROM RIPPING HIS TOWEL
536
00:35:58,100 --> 00:35:59,500
OFF WITH MY TEETH.
537
00:35:59,500 --> 00:36:01,233
WHAT'S HIS NAME?
538
00:36:01,233 --> 00:36:02,767
HE DIDN'T SAY.
539
00:36:02,767 --> 00:36:05,433
- ANOTHER RENTER ASSHOLE.
540
00:36:05,433 --> 00:36:07,767
- THERE HE IS NOW.
541
00:36:07,767 --> 00:36:09,200
YOO-HOO!
542
00:36:09,200 --> 00:36:12,767
BRADLEY'S FRIEND!
543
00:36:12,767 --> 00:36:16,667
OVER HERE.
544
00:36:16,667 --> 00:36:18,833
- OH, NOW, THAT'S
A PERFECT SPECIMEN.
545
00:36:18,833 --> 00:36:22,133
- A MAN'S MAN-AND-A-HALF.
546
00:36:22,133 --> 00:36:24,600
- PUTS YOU TWO
BOTH TO SHAME.
547
00:36:24,600 --> 00:36:26,267
- YEAH, WE'LL
SEE ABOUT THAT.
548
00:36:26,267 --> 00:36:27,900
- HELLO AGAIN.
549
00:36:27,900 --> 00:36:29,567
I DIDN'T CATCH YOUR NAME.
550
00:36:29,567 --> 00:36:31,500
- BRADLEY-- HUNK.
551
00:36:31,500 --> 00:36:33,467
MY NAME IS HUNK GOLDEN.
552
00:36:33,467 --> 00:36:35,633
- HUNK.
553
00:36:35,633 --> 00:36:38,433
THAT SHORT FOR
HAIRDRESSER OR SOMETHING?
554
00:36:38,433 --> 00:36:39,567
- UH, HUNK.
555
00:36:39,567 --> 00:36:43,900
THIS IS COASTER, ALEXIS,
LAUREL AND SKEET.
556
00:36:43,900 --> 00:36:46,767
- WELL, I FEEL LIKE
I KNOW YOU ALREADY.
557
00:36:46,767 --> 00:36:48,533
- ISN'T HE CHARMING.
558
00:36:48,533 --> 00:36:50,967
MOVING IN?
559
00:36:50,967 --> 00:36:53,967
- OR MOVING ALONG?
560
00:36:53,967 --> 00:36:56,867
- NO, ACTUALLY, I'M JUST
VISITING BRADLEY BRINKMAN.
561
00:36:56,867 --> 00:36:58,567
- THAT SCRAWNY LITTLE WUSS?
562
00:36:58,567 --> 00:37:00,867
- WELL, ACTUALLY, I'M JUST
LOOKING FOR SOMEBODY RIGHT NOW.
563
00:37:00,867 --> 00:37:02,700
- WELL,
WHAT'S THE HURRY, MURRAY?
564
00:37:02,700 --> 00:37:05,900
JUST SO HAPPENS WE'RE LOOKING
FOR A FOURTH FOR V-BALL.
565
00:37:05,900 --> 00:37:09,067
- YOU DO KNOW HOW TO
PLAY V-BALL, DON'T YOU?
566
00:37:09,067 --> 00:37:10,967
- UH, YEAH.
567
00:37:10,967 --> 00:37:15,267
SOMEBODY GAVE ME A
FEW LESSONS ... ONCE.
568
00:37:15,267 --> 00:37:16,567
- GO, HUNK!
569
00:37:16,567 --> 00:37:18,467
- OH, I HOPE THIS
IS GONNA BE GOOD.
570
00:37:18,467 --> 00:37:21,133
- ALL RIGHT!
GREAT.
571
00:37:21,133 --> 00:37:24,167
- GO, HUNK! GO!
572
00:37:24,167 --> 00:37:27,133
- YOU CAN SERVE, CAN'T YOU?
573
00:37:27,133 --> 00:37:28,433
- YEAH.
MIND IF I PRACTICE FIRST?
574
00:37:28,433 --> 00:37:29,433
- HEY, GARDENER.
575
00:37:29,433 --> 00:37:32,700
YOU AND ME.
ONE ON ONE.
576
00:37:32,700 --> 00:37:35,200
HOPE YOU CAN HANDLE
A GOOD SPIKE.
577
00:37:35,200 --> 00:37:36,900
- GOOD LUCK.
578
00:37:36,900 --> 00:37:39,233
- YEAH.
579
00:37:39,233 --> 00:37:41,333
- COME ON.
GET IT UP, GORGEOUS.
580
00:37:41,333 --> 00:37:42,633
- GO, HUNK.
581
00:37:52,867 --> 00:37:54,500
KILL HIM, HUNK.
582
00:37:54,500 --> 00:37:56,567
- I'M GONNA WRAP YOUR
NUTS AROUND YOUR NECK,
583
00:37:56,567 --> 00:37:57,633
TWINKIE DICK.
584
00:37:57,633 --> 00:37:58,867
- NO, SKEET.
585
00:37:58,867 --> 00:38:04,633
NO!
586
00:38:04,633 --> 00:38:07,133
- SKEET, DON'T DAMAGE
THE MERCHANDISE.
587
00:38:07,133 --> 00:38:18,133
- SKEET, ENOUGH'S ENOUGH.
588
00:38:18,133 --> 00:38:20,800
- GO, HUNK.
589
00:38:32,133 --> 00:38:34,633
- OUT COLD.
590
00:38:34,633 --> 00:38:36,033
- FAIR FIGHT.
591
00:38:36,033 --> 00:38:38,233
HE'S MY BEST FRIEND, BUT
HE CAN REALLY ROAR LIKE AN
592
00:38:38,233 --> 00:38:40,167
ASSHOLE SOMETIMES.
593
00:38:40,167 --> 00:38:41,800
- WHERE'D YOU
GET THAT WALLOP?
594
00:38:41,800 --> 00:38:44,633
- THAT'S WHAT
I'D LIKE TO KNOW.
595
00:39:00,433 --> 00:39:02,133
- I CAN'T BELIEVE YOU
THREW THIS TOGETHER
596
00:39:02,133 --> 00:39:04,100
IN FIVE MINUTES' NOTICE, HUNK.
597
00:39:04,100 --> 00:39:05,467
- WHAT A HOST.
598
00:39:05,467 --> 00:39:06,967
- ODDS AND ENDS
FROM THE FRIDGE.
599
00:39:06,967 --> 00:39:08,967
- ODDS AND END FOR 40.
600
00:39:08,967 --> 00:39:11,000
IMPRESSIVE.
601
00:39:11,000 --> 00:39:12,233
- WHERE'S BRADLEY?
602
00:39:12,233 --> 00:39:14,633
- BRADLEY, HE'S DOWNTOWN.
603
00:39:14,633 --> 00:39:15,633
BIG FAMILY EMERGENCY.
604
00:39:15,633 --> 00:39:18,500
- FIGURES.
605
00:39:18,500 --> 00:39:23,367
- I WANT A WORD WITH
YOU, MR. HUNK GOLDEN.
606
00:39:23,367 --> 00:39:25,767
- THE LAST TIME SHE HAD
A WORD WITH SOMEBODY,
607
00:39:25,767 --> 00:39:27,467
HE COULDN'T TALK FOR A WEEK.
608
00:39:27,467 --> 00:39:29,267
WANT A CRACKER?
609
00:39:29,267 --> 00:39:30,300
- I'M NOT EATING.
610
00:39:30,300 --> 00:39:31,367
- WHY NOT, BUBBY?
611
00:39:31,367 --> 00:39:32,800
- I'M FAT.
- YOU'RE NOT FAT.
612
00:39:32,800 --> 00:39:35,067
- OH, YOU ARE NOT FAT.
YOU'RE A BEAUTIFUL GAZELLE.
613
00:39:35,067 --> 00:39:36,133
- I'M HUGE.
614
00:39:36,133 --> 00:39:37,467
- YOU'RE NOT HUGE.
- YOU ARE NOT.
615
00:39:37,467 --> 00:39:39,300
- YOU'RE THE MOST BEAUTIFUL
THING IN THE WORLD.
616
00:39:39,300 --> 00:39:44,700
- I'M A BEACHED WHALE.
- YOU'RE NOT A BEACHED WHALE.
617
00:39:44,700 --> 00:39:46,633
- I'M REALLY
SORRY ABOUT SKEET.
618
00:39:46,633 --> 00:39:49,300
I DON'T KNOW MY
OWN STRENGTH.
619
00:39:49,300 --> 00:39:50,433
HOW IS HE?
620
00:39:50,433 --> 00:39:55,700
- UNCONSCIOUS UNDER
A 20-POUND ICE PACK.
621
00:39:55,700 --> 00:39:57,767
YOU ANIMAL.
622
00:39:57,767 --> 00:39:59,600
- I'M AN ANIMAL?
623
00:39:59,600 --> 00:40:03,667
- I'VE NEVER SEEN ANYTHING
SO SAVAGE IN MY ENTIRE LIFE.
624
00:40:03,667 --> 00:40:06,067
WHO DO YOU THINK YOU ARE?
625
00:40:06,067 --> 00:40:07,267
- DO I KNOW?
626
00:40:07,267 --> 00:40:10,567
I JUST MET MYSELF FOR
THE FIRST TIME TODAY.
627
00:40:10,567 --> 00:40:13,200
- YOU KNOW WHAT SOMEBODY
OUGHT TO DO TO A BRUTAL
628
00:40:13,200 --> 00:40:14,833
BASTARD LIKE YOU?
629
00:40:14,833 --> 00:40:17,833
- UH, NO.
630
00:40:17,833 --> 00:40:21,767
- SOMEBODY SHOULD THANK YOU
FOR PUTTING THAT BIG LUMMOX
631
00:40:21,767 --> 00:40:24,433
IN HIS PLACE.
632
00:40:24,433 --> 00:40:26,800
YOU'RE A WALKING A
CHUCK NORRIS MOVIE,
633
00:40:26,800 --> 00:40:30,067
AND I'M NOT WAITING TILL
YOU'RE OUT ON VIDEOCASSETTE!
634
00:40:30,067 --> 00:40:32,933
- UH, IN CASE YOU
HAVEN'T NOTICED,
635
00:40:32,933 --> 00:40:34,467
THIS HOUSE IS
FULL OF GUESTS.
636
00:40:34,467 --> 00:40:37,500
- AND ALL THE WOMEN
WANNA TAKE YOU SOUTH OF THE
637
00:40:37,500 --> 00:40:41,800
MASON-DIXON LINE.
638
00:40:41,800 --> 00:40:44,167
- THINGS LIKE THIS NEVER
HAPPEN TO BRADLEY BRINKMAN.
639
00:40:44,167 --> 00:40:47,567
- WELL, WHY WORRY ABOUT THAT
LITTLE OLD TADPOLE WHEN WE
640
00:40:47,567 --> 00:40:50,800
GOT A BIGGER FISH TO FRY?
641
00:40:53,200 --> 00:40:55,867
- WHERE'D YOU LEARN
TO JOCKEY THIS BED?
642
00:40:55,867 --> 00:40:58,500
- DALLAS GENERAL HOSPITAL.
643
00:40:58,500 --> 00:41:01,500
BEFORE BECOMING AN
ANNIHILATOR CHEERLEADER,
644
00:41:01,500 --> 00:41:05,800
I WAS STRIPPED OF
MY CANDY STRIPES.
645
00:41:05,800 --> 00:41:07,933
- WELL, ONCE A CANDY-STRIPER,
ALWAYS A CANDY-STRIPER.
646
00:41:07,933 --> 00:41:09,167
THAT'S WHAT I SAY.
647
00:41:09,167 --> 00:41:13,133
- YOU WANNA SEE MY STRIPES?
648
00:41:13,133 --> 00:41:16,800
OKAY!
649
00:41:16,800 --> 00:41:18,300
THEY'RE INVISIBLE.
650
00:41:18,300 --> 00:41:20,900
- OH, I CAN SEE
'EM JUST FINE.
651
00:41:20,900 --> 00:41:24,200
- WHOO!
652
00:41:32,600 --> 00:41:34,700
OH-OH-OH!
- OH-OH-OH-OH-OH-OH-OH-OH!
653
00:41:34,700 --> 00:41:36,033
- WHOO!
654
00:41:37,133 --> 00:41:39,000
WHOO!
655
00:41:39,000 --> 00:41:40,633
AH! AH! AH! AH! AH!
656
00:41:45,300 --> 00:41:46,333
WHOO!
657
00:41:46,333 --> 00:41:48,100
- OH! OH! OH!
658
00:41:49,233 --> 00:41:50,300
- WHOO!
659
00:41:50,300 --> 00:41:52,400
- AH AH AH!
- WHOO!
660
00:42:10,733 --> 00:42:12,333
- WHAT A DIFFERENCE
A DAY MAKES.
661
00:42:12,333 --> 00:42:13,933
- IT'S ABOUT TIME.
662
00:42:13,933 --> 00:42:16,633
WHERE IS BRADLEY BRINKMAN?
663
00:42:16,633 --> 00:42:20,200
- YOU'RE STILL
BRADLEY INSIDE.
664
00:42:20,200 --> 00:42:22,967
ONLY NOW, YOU'RE
GETTING RESULTS.
665
00:42:22,967 --> 00:42:27,267
- I THOUGHT YOU WERE SOME
GORGEOUS KOOK, NOT SATANA,
666
00:42:27,267 --> 00:42:28,767
QUEEN OF DARKNESS.
667
00:42:28,767 --> 00:42:30,300
- WILL YOU RELAX?
668
00:42:30,300 --> 00:42:34,733
ENJOY LIVING IN THIS GORGEOUS
NEW CHASSIS FOR A WHILE.
669
00:42:34,733 --> 00:42:36,333
- YOU KNOW, I DRANK
EIGHT MARTINIS.
670
00:42:36,333 --> 00:42:37,767
I'M NOT EVEN HUNG OVER.
671
00:42:37,767 --> 00:42:39,333
- THAT'S NOTHING.
672
00:42:39,333 --> 00:42:42,933
TOMORROW, WE BEGIN
NEW BODY ORIENTATION.
673
00:42:42,933 --> 00:42:44,900
ARE YOU GONNA BE SURPRISED.
674
00:42:44,900 --> 00:42:48,200
- WHAT ABOUT MY OLD BODY?
675
00:42:48,200 --> 00:42:53,900
- THE TRIAL OFFER EXPIRES
THE MIDNIGHT AFTER LABOR DAY,
676
00:42:53,900 --> 00:42:55,733
BUT YOU'LL
NEVER GO BACK.
677
00:42:55,733 --> 00:42:57,400
NOBODY DOES.
678
00:42:57,400 --> 00:42:59,467
TRUST ME.
679
00:42:59,467 --> 00:43:01,700
I DESIGNED YOU MYSELF.
680
00:43:06,133 --> 00:43:09,167
YOU'VE GOT THE THIGHS
OF SYLVESTER STALLONE,
681
00:43:09,167 --> 00:43:11,633
THE PELVIS OF ELVIS PRESLEY,
682
00:43:11,633 --> 00:43:14,267
THE NAVEL OF ARNOLD
SCHWARZENEGGER,
683
00:43:14,267 --> 00:43:16,300
THE NIPPLES OF ROBERT REDFORD,
684
00:43:16,300 --> 00:43:20,700
THE EYES OF PAUL NEWMAN, AND
THE SCHLONG OF KING KONG.
685
00:43:20,700 --> 00:43:25,133
I GAVE YOU PERMA-FIRM FLESH,
WRINKLE-PROOF PERMA-TAN SKIN,
686
00:43:25,133 --> 00:43:29,667
UNFRIZZABLE HAIR,
UNBREAKABLE BONES,
687
00:43:29,667 --> 00:43:34,400
SELF-CLEANING CAVITY-PROOF
TEETH, ODORLESS SWEAT.
688
00:43:34,400 --> 00:43:37,333
WHEN YOU DIE, YOUR SOUL
LIVES ON IN HELL IN HUNK FORM
689
00:43:37,333 --> 00:43:39,833
FOR ETERNITY.
690
00:43:48,933 --> 00:43:51,100
GORGE YOURSELF ON THE MOST
FATTENING FOOD
691
00:43:51,100 --> 00:43:54,100
IN ALL CREATION AND
NEVER GAIN WEIGHT.
692
00:44:02,967 --> 00:44:06,233
CHUG 12 TIMES THE ALCOHOL
CAPACITY OF A PERSON
693
00:44:06,233 --> 00:44:08,067
TWICE YOUR SIZE.
694
00:44:08,067 --> 00:44:10,467
YOUR LIVER WAS DESIGNED
BY DEAN MARTIN.
695
00:44:11,800 --> 00:44:13,867
AND TO PROTECT OUR
EVIL INVESTMENT,
696
00:44:13,867 --> 00:44:16,300
YOU'RE A NATURAL
MARTIAL ARTS MASTER.
697
00:44:16,300 --> 00:44:18,267
JUST ASK SKEET.
698
00:44:28,900 --> 00:44:32,600
LET'S NOT FORGET WHY
WE PACKAGED YOU SO STUNNINGLY--
699
00:44:32,600 --> 00:44:34,333
WOMEN.
700
00:44:36,133 --> 00:44:40,200
YOU'LL BE A MOVING TARGET
FROM NOW ON FOR ANYONE WHO
701
00:44:40,200 --> 00:44:42,467
LOVES LUSCIOUS-LOOKING MEN.
702
00:44:51,300 --> 00:44:54,200
YOU'RE BOUND TO OVERDO THE
SUPER-STUD BIT AT FIRST,
703
00:44:54,200 --> 00:44:57,567
BUT YOU'LL KNOW WHEN
ENOUGH IS ENOUGH.
704
00:45:01,500 --> 00:45:03,200
WORSHIP THY WHEELS.
705
00:45:03,200 --> 00:45:06,067
A HUNK IS NAKED
WITHOUT HIS CAR.
706
00:45:09,733 --> 00:45:11,267
AND DO EVERYTHING FIRST.
707
00:45:11,267 --> 00:45:13,867
A HUNK SETS TRENDS.
708
00:45:25,067 --> 00:45:27,133
UNDERDRESS TO IMPRESS.
709
00:45:27,133 --> 00:45:29,700
A HUNK LOOKS HIS BEST WHEN
HE LOOKS LIKE HE DOESN'T
710
00:45:29,700 --> 00:45:31,600
CARE HOW HE LOOKS.
711
00:45:35,267 --> 00:45:39,433
- THAT IS THE MOST
INCREDIBLE, RIDICULOUS,
712
00:45:39,433 --> 00:45:43,800
PREPOSTEROUS STORY
I HAVE EVER HEARD.
713
00:45:43,800 --> 00:45:46,267
- BUT IT'S TRUE.
714
00:45:46,267 --> 00:45:49,667
- YOU REALIZE I JUST
TAPED YOUR ENTIRE SESSION,
715
00:45:49,667 --> 00:45:51,867
AND ON THE BASIS
OF THAT ALONE,
716
00:45:51,867 --> 00:45:54,367
I COULD HAVE YOU HELD FOR
OBSERVATION AT ANY MENTAL
717
00:45:54,367 --> 00:45:57,067
WARD IN LOS ANGELES COUNTY,
718
00:45:57,067 --> 00:46:00,067
BUT THAT'S WHAT FASCINATES ME.
719
00:46:00,067 --> 00:46:04,000
YOU SOUND DELUDED, BUT
SOMETHING INSIDE ME TELLS ME
720
00:46:04,000 --> 00:46:05,500
YOU'RE NOT.
721
00:46:05,500 --> 00:46:08,700
- YEAH, WELL THE ME
INSIDE ME KNOWS I'M NOT.
722
00:46:08,700 --> 00:46:11,533
I MEAN, WHAT IF SHE HAS A
DEMONIC WHIM AND TURNS ME
723
00:46:11,533 --> 00:46:12,700
INTO A HAMSTER?
724
00:46:12,700 --> 00:46:14,433
OR A HIGH SCHOOL
DRIVER'S ED INSTRUCTOR?
725
00:46:14,433 --> 00:46:16,633
- DON'T PANIC, HUNK.
726
00:46:16,633 --> 00:46:18,133
DO I BELIEVE YOU?
727
00:46:18,133 --> 00:46:19,167
NO.
728
00:46:19,167 --> 00:46:23,367
CAN I HELP YOU TO HELP YOURSELF?
MAYBE.
729
00:46:23,367 --> 00:46:24,367
- ALL RIGHT.
730
00:46:24,367 --> 00:46:25,933
WHERE DO I START?
731
00:46:25,933 --> 00:46:28,300
- WELL, YOU SAY YOU'RE
BRADLEY BRINKMAN,
732
00:46:28,300 --> 00:46:31,700
AND THAT BRADLEY BRINKMAN'S
DREAM IS TO BECOME A HUNK,
733
00:46:31,700 --> 00:46:34,000
RIGHT?
- RIGHT.
734
00:46:34,000 --> 00:46:35,900
- SO BE A HUNK.
735
00:46:35,900 --> 00:46:38,067
I MEAN, THERE'S NOTHING
WRONG WITH THAT WHILE WE'RE
736
00:46:38,067 --> 00:46:41,767
GETTING TO THE REAL
ROOT OF YOUR PROBLEM.
737
00:46:41,767 --> 00:46:43,433
- YOU KNOW, MAYBE IF YOU
COULD MEET O'BRIEN
738
00:46:43,433 --> 00:46:45,333
THAT WOULD PROVE EVERYTHING.
739
00:46:45,333 --> 00:46:49,633
- I DOUBT WHETHER O'BRIEN OR
BRADLEY BRINKMAN EXIST
740
00:46:49,633 --> 00:46:52,467
OUTSIDE OF YOUR IMAGINATION.
741
00:46:52,467 --> 00:46:56,133
SO UNTIL OUR NEXT SESSION,
JUST LIGHTEN UP.
742
00:46:56,133 --> 00:46:58,967
THERE ARE WORSE FATES THAN
BEING A DROP DEAD GORGEOUS GUY
743
00:46:58,967 --> 00:47:04,333
WITH A PAD AT
THE BEACH, YOU KNOW.
744
00:47:04,333 --> 00:47:07,800
- YOU KNOW SOMETHING, DOCTOR?
YOU'RE RIGHT.
745
00:47:07,800 --> 00:47:10,933
- MY CLIENTS AND MY
FRIENDS CALL ME SUNNY.
746
00:47:57,800 --> 00:48:00,367
- I'LL BE RIGHT BACK
AFTER I POWDER MY NOSE.
747
00:48:00,367 --> 00:48:01,667
- YOU PROMISE.
- MM-HMM.
748
00:48:08,300 --> 00:48:10,900
- WHOA.
749
00:48:10,900 --> 00:48:13,167
CHICKY, CHICKY, CHICKY
DEAR OF THE SEA,
750
00:48:13,167 --> 00:48:16,100
WON'T YOU TALK TO ME?
751
00:48:16,100 --> 00:48:17,400
AWW, COME ON, BABE.
752
00:48:17,400 --> 00:48:20,233
SAVE THAT COLD FISH STUFF
FOR ALL THESE NERDS AND
753
00:48:20,233 --> 00:48:23,233
"TUNA" IN TO ME, SUSHI TAIL.
754
00:48:24,367 --> 00:48:25,567
WHAT'S WRONG?
755
00:48:25,567 --> 00:48:28,300
HAS CATFISH GOT
YOUR TONGUE, HUH?
756
00:48:28,300 --> 00:48:29,300
- BABE!
757
00:48:29,300 --> 00:48:31,433
- OOPS.
GOTTA GO.
758
00:48:31,433 --> 00:48:34,033
BUT I JUST LOVE RAW FISH.
759
00:48:36,967 --> 00:48:40,333
- WAS BIGGSY-WIGGSY A GOOD
WITTLE BOY WHILE MOMMY
760
00:48:40,333 --> 00:48:42,667
POWDERED HER NOSY-WOSY?
761
00:48:42,667 --> 00:48:44,033
- THE GOODEST.
762
00:48:44,033 --> 00:48:46,200
- I'LL BET.
763
00:48:49,267 --> 00:48:51,333
- EXCUSE ME.
764
00:49:04,400 --> 00:49:07,467
HEY, MARTY, HOW ABOUT A CAMPARI
WITH A SPLASH OF ORANGE?
765
00:49:15,000 --> 00:49:15,933
- SINCE SHE TOLD ME--
766
00:49:32,667 --> 00:49:36,867
- SO HOW WAS THE
CATCH OF THE DAY?
767
00:49:36,867 --> 00:49:39,267
- AH, PRETTY FRESH.
768
00:49:39,267 --> 00:49:40,533
- "PRETTY FRESH"?
769
00:49:40,533 --> 00:49:42,900
HEY, I PROMISED YOU PARADISE,
AND I DELIVERED.
770
00:49:42,900 --> 00:49:44,300
- I KNOW, I KNOW.
771
00:49:44,300 --> 00:49:47,600
A LIFE OF EARTHLY PLEASURE
IN EXCHANGE FOR AN AFTERLIFE
772
00:49:47,600 --> 00:49:50,967
OF THE INTERNAL INFERNAL GOD OF
HELLFIRE AND STAPH, RIGHT?
773
00:49:53,033 --> 00:49:54,700
- SOMEBODY MENTION ME?
774
00:49:56,700 --> 00:49:59,500
- HUNK, MEET THE CHAIRMAN
OF THE BOARD
775
00:49:59,500 --> 00:50:03,467
OF THE DEVIL HIMSELF,
INCORPORATED--DR. D.,
776
00:50:03,467 --> 00:50:05,267
THE DEVIL HIMSELF.
777
00:50:05,267 --> 00:50:06,900
- THE DEVIL IS A DOCTOR?
778
00:50:06,900 --> 00:50:11,233
- A DOCTOR OF DEATH, SWORN
TO THE HYPOCRITIC OATH--
779
00:50:11,233 --> 00:50:14,567
TO TAKE LIFE WHENEVER POSSIBLE.
780
00:50:14,567 --> 00:50:15,933
- WAIT A MINUTE.
781
00:50:15,933 --> 00:50:18,000
YOU LOOK JUST LIKE THE GUY
THAT USED TO OWN THIS HOUSE.
782
00:50:18,000 --> 00:50:20,600
THAT CAPTAIN CRABIT GUY.
783
00:50:20,600 --> 00:50:24,133
- OH, I LOOK LIKE MANY DIFFERENT
PEOPLE THROUGHOUT HISTORY.
784
00:50:24,133 --> 00:50:26,400
ALL OF THEM ROTTEN.
785
00:50:26,400 --> 00:50:28,333
- WELL, YOU DRESS
LIKE GENGHIS KHAN.
786
00:50:28,333 --> 00:50:30,367
- ATTILA THE HUN.
787
00:50:30,367 --> 00:50:33,933
WE'RE SACKING
ROME IN 451 A.D.
788
00:50:33,933 --> 00:50:39,067
ACTUALLY, I JUST POPPED
IN FOR A COKE CLASSIC.
789
00:50:39,067 --> 00:50:41,233
- WHO'S SHE?
790
00:50:41,233 --> 00:50:43,033
- CHINCHILLIA.
791
00:50:43,033 --> 00:50:46,967
A LITTLE ROMAN SLAVE GIRL
I RESCUED
792
00:50:46,967 --> 00:50:49,200
TO KEEP ME WARM AT NIGHT.
793
00:50:49,200 --> 00:50:51,733
SHE ONLY SPEAKS
LATIN, I'M AFRAID.
794
00:50:51,733 --> 00:50:55,567
"E PLURIBUS UNUM," MY DEAR.
795
00:50:55,567 --> 00:50:57,333
- WAIT A MINUTE, WAIT A
MINUTE, WAIT A MINUTE.
796
00:50:57,333 --> 00:51:00,033
451 A.D.?
THAT'S 15 CENTURIES AGO.
797
00:51:00,033 --> 00:51:01,933
- WELL, IF HISTORY'S
GONNA REPEAT ITSELF,
798
00:51:01,933 --> 00:51:04,500
I HAVE TO KEEP EVIL GOING
IN THE PAST AS WELL AS THE
799
00:51:04,500 --> 00:51:06,433
PRESENT AND FUTURE.
800
00:51:06,433 --> 00:51:09,000
THIS IS THE WORST DEMON
POWER SHORTAGE WE'VE HAD
801
00:51:09,000 --> 00:51:13,967
SINCE EVERYONE WENT HOLY
FOR THOSE BLASTED CRUSADES.
802
00:51:13,967 --> 00:51:19,533
THAT'S WHY I WANT YOU.
803
00:51:22,567 --> 00:51:25,067
- ME?
804
00:51:25,067 --> 00:51:27,400
- YES. YOU.
805
00:51:27,400 --> 00:51:31,233
IN ANOTHER 50 YEARS, YOU'LL
BE ASSISTING ALL THE BIGGIES
806
00:51:31,233 --> 00:51:36,067
OF BADNESS--IVAN THE
TERRIBLE, JACK THE RIPPER,
807
00:51:36,067 --> 00:51:40,533
BENITO MUSSOLINI, AND FIRST
DIBS ON DELECTABLE FRINGE
808
00:51:40,533 --> 00:51:42,400
BENEFITS TOO, MY BOY.
809
00:51:45,067 --> 00:51:50,133
NOW, O'BRIEN, IF YOU
NEED ME ON MONDAY,
810
00:51:50,133 --> 00:51:53,033
I WILL BE AT THE
FRENCH REVOLUTION,
811
00:51:53,033 --> 00:51:55,567
BEHEADING AMBASSADORS.
812
00:51:55,567 --> 00:52:00,100
TUESDAY, CHAMPAGNE WITH
CAIN FOR KILLING ABEL.
813
00:52:00,100 --> 00:52:05,000
WEDNESDAY NIGHT, POLO WITH THE
FOUR HORSEMEN OF THE APOCALYPSE.
814
00:52:05,000 --> 00:52:09,967
THURSDAY, THE
1906 SAN FRANCISCO EARTHQUAKE.
815
00:52:09,967 --> 00:52:11,933
WHAT A BLAST THAT WAS.
816
00:52:11,933 --> 00:52:17,600
FRI--OH, FRIDAY, I SINK
ATLANTIS FOR THE WEEKEND.
817
00:52:17,600 --> 00:52:19,867
I CAN'T WAIT FOR THAT.
818
00:52:19,867 --> 00:52:22,633
- WHAT, WHAT, WHAT
HAPPENS TO HER?
819
00:52:22,633 --> 00:52:25,033
- OH, I'LL PROBABLY KILL HER
IN THE TROJAN WAR
820
00:52:25,033 --> 00:52:28,233
OR TURN HER INTO A HULA-HOOP
IN THE 1950s.
821
00:52:28,233 --> 00:52:29,700
I HAVEN'T DECIDED WHICH YET.
822
00:52:29,700 --> 00:52:30,833
- KILL HER?
823
00:52:30,833 --> 00:52:32,833
- YOU'RE RIGHT,
I'LL KILL HER.
824
00:52:32,833 --> 00:52:34,500
A HULA-HOOP IS TOO CRUEL.
825
00:52:34,500 --> 00:52:36,567
EVEN FOR ME.
826
00:52:36,567 --> 00:52:39,733
- NO, NO, I DIDN'T MEAN
"TO KILL HER." NO.
827
00:52:39,733 --> 00:52:42,033
- DON'T BE SO
SQUEAMISH, MY BOY.
828
00:52:42,033 --> 00:52:44,367
THERE ARE VICTIMS
ALL THROUGH HISTORY.
829
00:52:44,367 --> 00:52:46,200
MY VICTIMS.
830
00:52:46,200 --> 00:52:47,700
O'BRIEN'S VICTIMS.
831
00:52:47,700 --> 00:52:50,667
AND SOON, YOUR VICTIMS.
832
00:52:50,667 --> 00:52:53,067
- BODY COUNT IS THE BOTTOM
LINE IN OUR BUSINESS.
833
00:52:53,067 --> 00:52:54,133
- THIS IS BEGINNING TO SOUND
834
00:52:54,133 --> 00:52:56,400
LIKE A HORROR FILM HERE,
O'BRIEN.
835
00:52:56,400 --> 00:53:01,433
- OH, I ALWAYS SAY,
"ART IMITATES DEATH."
836
00:53:08,300 --> 00:53:11,367
BYE-BYE, HAPPY HUNK GOLDEN.
837
00:53:11,367 --> 00:53:14,100
I'LL MEET YOU BACK HERE
MIDNIGHT AFTER LABOR DAY
838
00:53:14,100 --> 00:53:15,800
TO CLOSE THE DEAL.
839
00:53:15,800 --> 00:53:19,300
WE'LL BE EXPECTING
APPALLING, HORRIFYING,
840
00:53:19,300 --> 00:53:23,033
HORRIBLE, GHASTLY
THINGS FROM YOU.
841
00:53:23,033 --> 00:53:25,633
CIAO, BABY.
842
00:53:31,067 --> 00:53:33,567
- I ASSIST IVAN
THE TERRIBLE?
843
00:53:33,567 --> 00:53:35,000
- IT'S NO BIGGIE.
844
00:53:35,000 --> 00:53:37,367
SO EVERY FEW CENTURIES YOU
RE-PERPETUATE EVIL
845
00:53:37,367 --> 00:53:39,167
SOMEWHERE IN HISTORY.
846
00:53:39,167 --> 00:53:43,467
- OH, A TIME-TRAVELLING SATANIC
SALESPERSON, LIKE YOU.
847
00:53:43,467 --> 00:53:44,500
- RIGHT.
848
00:53:44,500 --> 00:53:46,133
THEN WE CAN BE
TOGETHER FOREVER.
849
00:53:46,133 --> 00:53:47,433
THINK OF IT.
850
00:53:47,433 --> 00:53:49,733
DECEMBER 6, 1941.
851
00:53:49,733 --> 00:53:53,233
WE HIT TOKYO TO SCARF SOME
SAKE AND SUSHI IN TIME TO
852
00:53:53,233 --> 00:53:56,233
BOMB PEARL HARBOR
ON DECEMBER 7.
853
00:53:56,233 --> 00:53:59,033
TALK ABOUT ROMANTIC.
854
00:53:59,033 --> 00:54:01,567
- YEAH.
855
00:54:01,567 --> 00:54:03,233
FINALLY MEET A
BEAUTIFUL WOMAN,
856
00:54:03,233 --> 00:54:06,367
AND SHE WANTS ME TO
BOMB PEARL HARBOR.
857
00:54:06,367 --> 00:54:08,367
"TALK ABOUT ROMANTIC."
858
00:54:12,200 --> 00:54:15,000
- YOU MET THE DEVIL?
859
00:54:15,000 --> 00:54:16,967
- EVERYTHING WAS GOING
LIKE A CHARM TOO.
860
00:54:16,967 --> 00:54:19,767
JUST LIKE O'BRIEN
SAID IT WOULD.
861
00:54:19,767 --> 00:54:23,167
- AND WHAT DID THE
DEVIL LOOK LIKE?
862
00:54:23,167 --> 00:54:24,400
- HIS NAME IS DR. D.
863
00:54:24,400 --> 00:54:26,533
HE WAS DRESSED LIKE
ATTILA THE HUN.
864
00:54:26,533 --> 00:54:28,133
- ATTILA THE HUN?
865
00:54:28,133 --> 00:54:29,867
- AND HIS CAPTIVE ROMAN
SLAVE GIRL WITH HIM,
866
00:54:29,867 --> 00:54:32,100
NAMED CHINCHILLA
OR SOMETHING.
867
00:54:32,100 --> 00:54:34,833
- WELL, SHE'LL NEVER BE
COLD WITH A NAME LIKE THAT.
868
00:54:34,833 --> 00:54:36,900
- HE'S GONNA KILL HER DURING
THE TROJAN WAR OR TURN HER
869
00:54:36,900 --> 00:54:38,733
INTO A HULA-HOOP
IN THE 1950s.
870
00:54:38,733 --> 00:54:40,767
HE'LL DO IT TOO.
871
00:54:40,767 --> 00:54:43,267
- I'M SURE HE WILL.
872
00:54:43,267 --> 00:54:47,867
- GONNA TRAVEL
THROUGH TIME TOO.
873
00:54:47,867 --> 00:54:49,067
- HUNK?
874
00:54:49,067 --> 00:54:51,300
- YEAH.
875
00:54:51,300 --> 00:54:53,167
- HAVE YOU BEEN
TAKING DRUGS?
876
00:54:53,167 --> 00:54:55,367
- FOR WHAT?
877
00:54:55,367 --> 00:55:00,033
I WAS FLYING HIGH ON MY OWN
TILL DR. D. SHOWED UP.
878
00:55:00,033 --> 00:55:04,333
- MAYBE WE SHOULD HAVE OUR
NEXT SESSION AT YOUR HOUSE.
879
00:55:04,333 --> 00:55:06,167
- OH, YOU MAKE HOUSE CALLS?
880
00:55:06,167 --> 00:55:07,467
- NO.
881
00:55:07,467 --> 00:55:08,967
NOT NORMALLY.
882
00:55:08,967 --> 00:55:11,267
BUT I THINK MAYBE SOMETHING
AT THE SEA SPRAY SETTING
883
00:55:11,267 --> 00:55:13,967
MIGHT REVEAL CLUES THAT I
JUST CAN'T DISCOVER HERE.
884
00:55:13,967 --> 00:55:16,067
- STILL THINK I'M
JOKING, DON'T YOU?
885
00:55:16,067 --> 00:55:20,433
- NO.
I THINK YOUR PANIC IS GENUINE.
886
00:55:20,433 --> 00:55:22,367
JUST NOT SO SURE
ABOUT THE SOURCE.
887
00:55:22,367 --> 00:55:24,600
- IF I COULD ONLY GET YOU AND
O'BRIEN IN THE SAME ROOM.
888
00:55:24,600 --> 00:55:26,800
SHE'S EXHIBIT A-PLUS.
889
00:55:26,800 --> 00:55:30,600
- HOW'S TUESDAY AT TEN?
890
00:55:32,500 --> 00:55:33,833
- GOOD.
891
00:55:41,333 --> 00:55:42,633
DOC!
892
00:55:42,633 --> 00:55:43,767
I MEAN, SUNNY.
893
00:55:43,767 --> 00:55:46,233
UH, COME IN.
894
00:55:46,233 --> 00:55:47,600
I HAD A LATE NIGHT.
895
00:55:47,600 --> 00:55:48,733
- SO IT SEEMS.
896
00:55:51,500 --> 00:55:52,567
- AIR DEUTSCHLAND.
897
00:55:52,567 --> 00:55:55,433
THE MESSERSCHMITT SISTERS.
898
00:55:55,433 --> 00:55:59,400
URSULA...
899
00:55:59,400 --> 00:56:01,167
UND UMLAUT.
900
00:56:05,167 --> 00:56:08,300
ICH BIN EIN BERLINER!
901
00:56:08,300 --> 00:56:11,533
THEY FOLLOWED ME HOME FROM THE
7-11 AND SANG BEATLES SONGS
902
00:56:11,533 --> 00:56:14,033
AT THE DOOR TO ME IN
GERMAN TILL I LET THEM IN.
903
00:56:16,300 --> 00:56:19,233
- IT'S ALL PART OF OBSERVING
YOU IN YOUR
904
00:56:19,233 --> 00:56:21,933
SUPERNATURAL HABITAT.
905
00:56:21,933 --> 00:56:23,467
- TOUCHE.
906
00:56:39,867 --> 00:56:44,400
WELL, NOW,
WHERE WERE WE, DOC?
907
00:56:44,400 --> 00:56:45,733
- LET'S GET YOU
OUT IN PUBLIC.
908
00:56:45,733 --> 00:56:48,100
I WANNA SEE YOUR HUNK
MAGNETISM AT WORK.
909
00:56:48,100 --> 00:56:49,133
- THE BEACH.
910
00:56:49,133 --> 00:56:50,433
PERFECT.
911
00:56:50,433 --> 00:56:52,767
HANG ON.
HELLO?
912
00:56:52,767 --> 00:56:54,767
- BRADLEY.
913
00:56:54,767 --> 00:56:56,633
IT'S CONSTAPOPOLIS CALLING.
914
00:56:56,633 --> 00:56:59,400
AND HOW IS DOING OUR
LITTLE GENIUS, EH?
915
00:56:59,400 --> 00:57:00,800
- IT'S MY BOSS.
916
00:57:00,800 --> 00:57:04,600
BRADLEY'S BOSS,
CONSTANTINE CONSTAPOPOLIS.
917
00:57:04,600 --> 00:57:08,267
HELLO, MR. CONSTAPOPOLIS,
HOW ARE DEMETRA,
918
00:57:08,267 --> 00:57:11,733
DEMETRIUS AND CONSTANTINE, JR.?
919
00:57:11,733 --> 00:57:13,667
- IS THIS BRADLEY BRINKMAN?
920
00:57:13,667 --> 00:57:15,000
- OF COURSE.
921
00:57:15,000 --> 00:57:17,067
- IT DON'T SOUND
LIKE YOU, BRADLEY.
922
00:57:17,067 --> 00:57:18,900
- HE DOESN'T
BELIEVE I'M BRADLEY.
923
00:57:18,900 --> 00:57:20,967
- THAT MAKES TWO OF US.
924
00:57:20,967 --> 00:57:22,800
YEAH, I'M GONNA HAVE TO
TRY TO DO MY OLD VOICE.
925
00:57:22,800 --> 00:57:24,300
ONE MINUTE, MR. C.
DOORBELL.
926
00:57:25,867 --> 00:57:31,100
UH ...
HELLO, MR. CONSTAPOPOLIS.
927
00:57:31,100 --> 00:57:33,467
YES, MR. CONSTAPOPOLIS?
928
00:57:35,533 --> 00:57:39,400
YOU'RE RIGHT, MR. CONSTAPOPOLIS.
GOT IT.
929
00:57:39,400 --> 00:57:40,933
[as Bradley]
THANKS FOR THE BAKLAVA.
930
00:57:40,933 --> 00:57:42,067
EVERYTHING WAS FANTASTIC.
931
00:57:42,067 --> 00:57:45,067
- THAT'S MY BRADLEY.
932
00:57:45,067 --> 00:57:47,633
SO HAVE YOU WRITTEN
PROGRAM X YET?
933
00:57:47,633 --> 00:57:49,200
NO, DON'T TELL ME.
DON'T TELL ME.
934
00:57:49,200 --> 00:57:52,000
I'LL WAIT TILL YOU COME
BACK AFTER LABOR DAY, HUH?
935
00:57:52,000 --> 00:57:53,233
HUH?
936
00:57:53,233 --> 00:57:54,367
- PROGRAM X.
937
00:57:54,367 --> 00:57:55,367
LABOR DAY.
938
00:57:55,367 --> 00:57:56,367
UH, RIGHT.
939
00:57:56,367 --> 00:57:58,700
EVERYTHING IS COMING
ALONG JUST FINE.
940
00:57:58,700 --> 00:58:01,267
- OH, LISTEN, THE
DISTRIBUTORS NEED IT BY
941
00:58:01,267 --> 00:58:04,733
NOVEMBER, SO YOU MUST
DELIVER IT AFTER LABOR DAY.
942
00:58:04,733 --> 00:58:06,600
NO PRESSURE, OF COURSE.
943
00:58:06,600 --> 00:58:08,000
- NO SWEAT.
944
00:58:08,000 --> 00:58:10,567
NO PRESSURE AT ALL. RIGHT.
COMING UP RIGHT AFTER LABOR DAY.
945
00:58:10,567 --> 00:58:16,633
- GOOD, GOOD. TELL ME, BRADLEY--
WHAT IS IT? HMM?
946
00:58:16,633 --> 00:58:18,500
GIVE ME A HINT.
JUST A LITTLE HINT.
947
00:58:18,500 --> 00:58:20,000
JUST A TINY, LITTLE HINT.
948
00:58:20,000 --> 00:58:21,500
JUST A--NO, NO, DON'T TELL ME.
949
00:58:21,500 --> 00:58:25,367
NO. JUST A LITTLE.
COME ON.
950
00:58:25,367 --> 00:58:27,333
- AND RUIN THE SURPRISE?
951
00:58:27,333 --> 00:58:31,467
- "AND RUIN THE SURPRISE."
952
00:58:31,467 --> 00:58:32,667
YOU'RE A GENIUS.
953
00:58:32,667 --> 00:58:35,000
A GENIUS, YOU HEAR ME?
954
00:58:35,000 --> 00:58:36,933
BRADLEY, I KISS YOU. MWAH!
955
00:58:45,833 --> 00:58:50,467
"AND RUIN THE SURPRISE."
956
00:58:50,467 --> 00:58:54,267
- HI, GARRISON GAYLORD HERE.
957
00:58:54,267 --> 00:58:59,500
THIS WEEK ON "FILTHY RICH,"
WE SCAMPER ALONG THE SLEEK,
958
00:58:59,500 --> 00:59:05,100
CHIC, SUNNY SHORES OF THE
GREEK ISLAND OF IMPHAL,
959
00:59:05,100 --> 00:59:07,667
A MILLIONAIRE'S PARADISE.
960
00:59:07,667 --> 00:59:09,033
- CUT!
961
00:59:09,033 --> 00:59:10,333
- WHAT?
962
00:59:10,333 --> 00:59:14,233
- NUMBER ONE, GARRISON,
YOUR FLY IS OPEN.
963
00:59:14,233 --> 00:59:17,700
- OH.
964
00:59:18,800 --> 00:59:20,900
- AND TWO, LAST
WEEK WAS IPINO.
965
00:59:20,900 --> 00:59:22,500
THIS WEEK WE'RE
IN SEA SPRAY,
966
00:59:22,500 --> 00:59:25,533
HOME OF THE POLAR ICE
CAP YOU'RE DRINKING.
967
00:59:25,533 --> 00:59:27,000
- ALL RIGHT, ALL
RIGHT, ALL RIGHT.
968
00:59:27,000 --> 00:59:28,433
- OKAY.
969
00:59:28,433 --> 00:59:30,333
- I'VE GOT IT NOW.
- YOU'VE GOT IT NOW.
970
00:59:30,333 --> 00:59:31,567
- YES.
- YES.
971
00:59:31,567 --> 00:59:32,600
- I'VE GOT IT.
972
00:59:32,600 --> 00:59:33,733
- OKAY, LET'S TAKE TWO.
973
00:59:37,100 --> 00:59:41,000
- I CAN'T BELIEVE I FORGOT ALL
ABOUT THAT NEW PROGRAM I WAS--
974
00:59:41,000 --> 00:59:44,000
I MEAN, BRADLEY
WAS SUPPOSED TO WRITE.
975
00:59:44,000 --> 00:59:45,333
- DO YOU SEE HOW
THIS OBSESSION
976
00:59:45,333 --> 00:59:48,833
WITH AN IMAGINARY PERSONALITY
TORMENTS YOU?
977
00:59:48,833 --> 00:59:49,867
LET IT GO.
978
00:59:49,867 --> 00:59:52,367
- SUNNY, BRADLEY
IS NOT IMAGINARY.
979
00:59:55,867 --> 00:59:57,667
- I'M READY.
980
00:59:57,667 --> 01:00:02,267
- ROLL TAPE.
981
01:00:02,267 --> 01:00:03,333
- "FILTHY RICH."
TAKE 12.
982
01:00:03,333 --> 01:00:05,767
- AH. HI, GARRISON GAYLORD HERE.
983
01:00:05,767 --> 01:00:09,200
THIS WEEK ON "FILTHY RICH,"
WE SCAMPER ALONG THE SLEEK,
984
01:00:09,200 --> 01:00:13,300
CHIC, SUNNY SHORES
OF SEA SPRAY,
985
01:00:13,300 --> 01:00:19,233
HOME OF THE POLAR ICE CAP I AM
DRINKING.
986
01:00:19,233 --> 01:00:20,233
OH...
987
01:00:20,233 --> 01:00:23,767
- OH, NO.
NOT AGAIN, GARRISON.
988
01:00:23,767 --> 01:00:27,700
- IT WAS THE SAME BLINKING
THING I DID IN MONACO.
989
01:00:27,700 --> 01:00:30,167
- NO, IN MONACO, YOU SET THE
DUCHESS OF DUNGLEMORE'S WIG
990
01:00:30,167 --> 01:00:31,167
ON FIRE.
991
01:00:31,167 --> 01:00:32,333
DO YOU REMEMBER?
992
01:00:32,333 --> 01:00:33,400
- NYET.
993
01:00:33,400 --> 01:00:34,633
- I DO.
994
01:00:34,633 --> 01:00:36,000
THAT'S OUR BREAK, EVERYBODY.
995
01:00:36,000 --> 01:00:37,033
CUT!
996
01:00:37,033 --> 01:00:38,867
GET HIM INTO WARDROBE.
997
01:00:38,867 --> 01:00:41,567
- ALL MY WARDROBE IS
BACK IN MY MOTEL ROOM,
998
01:00:41,567 --> 01:00:46,933
SO THAT YOUR WARDROBE PERSON
WON'T STARCH MY COLLARS
999
01:00:46,933 --> 01:00:50,167
INTO CARDBOARD.
1000
01:00:50,167 --> 01:00:52,867
- OH, NOW HE'S WALKING--
WHERE'S HE GOING?
1001
01:00:57,033 --> 01:01:01,567
- ALL RIGHT. THE NEXT SHOT
IS AT THE END OF THE PIER.
1002
01:01:03,367 --> 01:01:05,400
- WE HAVE NO PROOF THAT
ANY AFTERLIFE
1003
01:01:05,400 --> 01:01:07,233
OR AFTER-DEATH EXISTS.
1004
01:01:07,233 --> 01:01:08,900
- I'M PROOF, SUNNY.
1005
01:01:08,900 --> 01:01:11,333
- MORTALITY MEANS LIVING WHO YOU
ARE AND LOVING WHO YOU ARE
1006
01:01:11,333 --> 01:01:13,200
RIGHT NOW.
1007
01:01:13,200 --> 01:01:16,167
HOW ELSE CAN
ANYONE LOVE YOU?
1008
01:01:16,167 --> 01:01:17,900
- I'M SORRY.
1009
01:01:17,900 --> 01:01:20,033
- HEY, WASN'T THAT
GARRISON GAYLORD?
1010
01:01:20,033 --> 01:01:21,033
- I DON'T KNOW.
1011
01:01:21,033 --> 01:01:23,033
- HUH.
1012
01:01:23,033 --> 01:01:25,600
- ANYWAY, WHAT I WAS
GOING TO SAY--
1013
01:01:25,600 --> 01:01:29,800
- OH, MY BLEEDING
DRIVER'S NEVER HERE.
1014
01:01:29,800 --> 01:01:31,033
I'LL DO IT MYSELF.
1015
01:01:31,033 --> 01:01:34,000
OW!
1016
01:01:35,800 --> 01:01:37,967
OH!
1017
01:01:37,967 --> 01:01:39,500
- OH!
1018
01:01:39,500 --> 01:01:43,400
HERE COMES GARRISON. HE'S IN
REVERSE AND OUT OF CONTROL.
1019
01:01:43,400 --> 01:01:45,000
- IF HE KILLS
HIMSELF ON CAMERA,
1020
01:01:45,000 --> 01:01:46,533
THE RATINGS ARE
GOING TO SOAR.
1021
01:01:50,167 --> 01:01:53,167
- YOU WANT IT?
YOU SHOOT IT.
1022
01:02:00,367 --> 01:02:01,600
- WATCH OUT!
1023
01:02:01,600 --> 01:02:03,967
- THERE IS A DARK
POWER, SUNNY.
1024
01:02:03,967 --> 01:02:05,400
I'LL PROVE IT
TO YOU SOMEHOW.
1025
01:02:05,400 --> 01:02:07,167
- HEY, YOU TWO, WATCH OUT!
1026
01:02:12,800 --> 01:02:16,133
- WHOO-HA-HA!
1027
01:02:16,133 --> 01:02:19,200
OH, I GOT THE
WHOLE THING ON TAPE!
1028
01:02:19,200 --> 01:02:21,933
BABY!
1029
01:02:21,933 --> 01:02:24,633
- THAT WAS ONE OF THE MOST
ASTONISHING FEATS I HAVE
1030
01:02:24,633 --> 01:02:25,867
EVER SEEN.
1031
01:02:25,867 --> 01:02:27,267
- HEY, CONGRATULATIONS, GUY.
1032
01:02:27,267 --> 01:02:28,567
YOU KNOW WHAT?
YOU'RE A HERO.
1033
01:02:28,567 --> 01:02:31,100
- A SUPERHERO.
YOU SAVED US ALL.
1034
01:02:31,100 --> 01:02:32,467
- NEED ANY MORE
PROOF, SUNNY?
1035
01:02:32,467 --> 01:02:33,667
- WHAT'S YOUR NAME?
1036
01:02:33,667 --> 01:02:34,933
- HUNK.
1037
01:02:34,933 --> 01:02:36,167
HUNK GOLDEN.
1038
01:02:36,167 --> 01:02:38,767
- OH, "THE INCREDIBLE HUNK."
I CAN'T BEAR IT.
1039
01:02:38,767 --> 01:02:40,300
YOU TWO MARRIED?
1040
01:02:40,300 --> 01:02:42,833
- UH, NO.
I'M HIS PSYCHOLOGIST, ACTUALLY.
1041
01:02:42,833 --> 01:02:44,200
- OH, EVEN BETTER.
1042
01:02:44,200 --> 01:02:47,300
- WHAT AN EXCLUSIVE.
1043
01:02:54,900 --> 01:02:56,500
- PUMPING THAT MUCH
ADRENALINE MAKES
1044
01:02:56,500 --> 01:02:58,600
ANY MAN A SUPERMAN.
1045
01:02:58,600 --> 01:03:01,600
- ADRENALINE
WON'T STOP A JEEP.
1046
01:03:01,600 --> 01:03:03,400
- YOU JUST SAVED MY LIFE.
1047
01:03:03,400 --> 01:03:05,200
LOOK FOR YOUR
ANSWERS IN THAT.
1048
01:03:05,200 --> 01:03:10,100
HUNK GOLDEN IS A HERO
FOR A VERY GOOD REASON.
1049
01:03:10,100 --> 01:03:14,367
LOOK, THE MESSAGE IS SIMPLE--
THE WORLD NEEDS YOU.
1050
01:03:14,367 --> 01:03:16,000
THE WORLD NEEDS TO BELIEVE
IN SOMEONE
1051
01:03:16,000 --> 01:03:18,733
WHO RISES ABOVE THE ORDINARY.
1052
01:03:18,733 --> 01:03:23,033
AND THAT SOMEONE IS YOU.
1053
01:03:23,033 --> 01:03:26,333
- I'D REALLY GO MAD
WITHOUT YOU, SUNNY.
1054
01:03:30,400 --> 01:03:33,800
I'D BETTER GO. U.C.L.A.
IS RUNNING SOME MORE TESTS.
1055
01:03:33,800 --> 01:03:39,300
- YEAH.
THANK YOU FOR SAVING MY LIFE.
1056
01:03:45,167 --> 01:03:46,633
SAME TIME TUESDAY?
1057
01:03:46,633 --> 01:03:48,233
- YEAH.
1058
01:03:48,233 --> 01:03:50,700
MAKE ME FEEL LIKE
YOUR ONLY CLIENT.
1059
01:03:50,700 --> 01:03:55,267
- I TRY TO MAKE THEM
ALL FEEL LIKE THAT.
1060
01:03:55,267 --> 01:03:58,833
- YOU SURE ABOUT THAT?
1061
01:03:58,833 --> 01:04:00,700
- NO.
1062
01:04:21,033 --> 01:04:23,367
WE CAN'T.
1063
01:04:23,367 --> 01:04:28,367
I CAN'T HELP YOU LIKE THIS.
1064
01:04:28,367 --> 01:04:31,167
YOU'RE A VERY
ATTRACTIVE MAN.
1065
01:04:31,167 --> 01:04:33,167
INSIDE.
1066
01:04:33,167 --> 01:04:38,400
NOT JUST OUTSIDE.
1067
01:04:38,400 --> 01:04:39,833
WE BETTER--
1068
01:04:39,833 --> 01:04:42,833
- WAIT AND SEE.
1069
01:04:42,833 --> 01:04:46,567
- YEAH.
1070
01:04:48,200 --> 01:04:50,733
- SEE YOU TUESDAY.
1071
01:05:00,767 --> 01:05:04,467
- THINK YOU HOOKED HIM?
1072
01:05:04,467 --> 01:05:07,167
- THE CHEAP STUNT
WAS THE CLINCHER.
1073
01:05:10,400 --> 01:05:13,767
- HE'S A BRIGHT BOY.
1074
01:05:13,767 --> 01:05:17,767
THE KIND I NEED TO
START WORLD WAR III.
1075
01:05:17,767 --> 01:05:20,300
THERE'S JUST ONE
TEENSY LITTLE PROBLEM.
1076
01:05:20,300 --> 01:05:22,033
- AND WHAT'S THAT?
1077
01:05:22,033 --> 01:05:26,633
- YOU'RE IN LOVE WITH
ANOTHER ONE, O'BRIEN.
1078
01:05:26,633 --> 01:05:29,367
- I AM NOT IN
LOVE WITH HUNK.
1079
01:05:29,367 --> 01:05:31,667
- PROMISES, PROMISES.
1080
01:05:31,667 --> 01:05:33,500
YOU ALWAYS COME ON
LIKE GANGBUSTERS,
1081
01:05:33,500 --> 01:05:35,833
THEN YOU FALL IN LOVE
WITH THE POOR SLOB,
1082
01:05:35,833 --> 01:05:38,867
AND THEN YOU END UP TALKING
HIM OUT OF WHAT YOU COST ME
1083
01:05:38,867 --> 01:05:42,900
A FORTUNE IN SPECIAL
EFFECTS TO WOO HIM INTO.
1084
01:05:42,900 --> 01:05:45,233
- CAN A SORCERESS HELP IT,
IF SHE GETS EMOTIONALLY
1085
01:05:45,233 --> 01:05:47,000
INVOLVED WITH HER WORK?
1086
01:05:47,000 --> 01:05:49,833
SOUL SEDUCTION IS DRAINING.
1087
01:05:49,833 --> 01:05:51,133
- OH.
1088
01:05:51,133 --> 01:05:54,867
WHATEVER HAPPENED
TO THE BAD OLD DAYS?
1089
01:05:54,867 --> 01:05:59,100
LIKE WHEN YOU HAD THAT IDEA
ABOUT THE BERMUDA TRIANGLE.
1090
01:05:59,100 --> 01:06:02,800
A BIODEGRADABLE DEATH ZONE.
1091
01:06:02,800 --> 01:06:06,167
WITH GREAT FISHING.
1092
01:06:06,167 --> 01:06:07,933
I WAS SO PROUD OF YOU.
1093
01:06:07,933 --> 01:06:10,233
- I HID AL CAPONE'S SECRET
VAULTS
1094
01:06:10,233 --> 01:06:13,600
FROM GERALDO RIVERA,
DIDN'T I?
1095
01:06:13,600 --> 01:06:14,933
- THAT'S RIGHT.
YOU DID.
1096
01:06:14,933 --> 01:06:16,233
POOR GERALDO.
1097
01:06:16,233 --> 01:06:18,333
I JUST LOVED THAT.
1098
01:06:18,333 --> 01:06:21,600
- BESIDES, HUNK IS
FALLING RIGHT INTO LINE.
1099
01:06:21,600 --> 01:06:23,300
- WELL, THAT'S TRUE.
1100
01:06:23,300 --> 01:06:25,600
HE'S RICH.
HE'S FAMOUS.
1101
01:06:25,600 --> 01:06:27,833
HE'S FALLING IN LOVE.
1102
01:06:27,833 --> 01:06:30,000
HE'LL NEVER WANT TO
CHANGE BACK AGAIN NOW.
1103
01:06:30,000 --> 01:06:32,233
NOW, THAT HE FELL IN
LOVE WITH YOU, DOCTOR.
1104
01:06:32,233 --> 01:06:34,867
- HUNK'S OURS.
1105
01:06:34,867 --> 01:06:37,133
I THINK.
1106
01:06:37,133 --> 01:06:39,467
- YOU THINK?
1107
01:06:39,467 --> 01:06:41,633
YOU THINK?
1108
01:06:41,633 --> 01:06:45,500
I WARNED YOU ABOUT
THESE TRIAL OFFERS.
1109
01:06:45,500 --> 01:06:48,800
YOUR DEAL EXPIRES THE
DAY AFTER LABOR DAY TOO,
1110
01:06:48,800 --> 01:06:50,567
YOU KNOW, O'BRIEN.
1111
01:06:50,567 --> 01:06:52,400
DON'T FORGET THAT.
1112
01:06:52,400 --> 01:06:54,567
ANOTHER FAILURE, AND I'LL
HAVE TO TURN YOU BACK INTO--
1113
01:06:54,567 --> 01:06:55,900
- NO.
NOT THAT.
1114
01:06:55,900 --> 01:06:58,500
LOOK, JUST GIVE ME ANOTHER YEAR.
ANOTHER SIX MONTHS.
1115
01:06:58,500 --> 01:07:02,333
- OH, LOOK AT YOU.
LOVE. YOU REEK OF IT.
1116
01:07:02,333 --> 01:07:04,567
- YOU OWE ME A
SOUL A CENTURY.
1117
01:07:04,567 --> 01:07:07,667
YOU ARE 0 FOR 99 YEARS.
1118
01:07:07,667 --> 01:07:09,733
NO SOUL, NO DEAL.
1119
01:07:09,733 --> 01:07:12,367
NO DEAL, NO O'BRIEN.
1120
01:07:12,367 --> 01:07:13,567
- OKAY.
1121
01:07:13,567 --> 01:07:16,400
LOOK, I MAKE HUNK FALL IN
LOVE WITH SUNNY--
1122
01:07:16,400 --> 01:07:19,133
- AND NOT VICE VERSA.
- NOT VICE VERSA.
1123
01:07:19,133 --> 01:07:23,700
AND SUNNY CONVINCES
HIM TO KEEP THE DEAL,
1124
01:07:23,700 --> 01:07:26,533
AND THEN WHAT
HAPPENS TO SUNNY?
1125
01:07:26,533 --> 01:07:28,300
- SUNNY?
WHY SUNNY?
1126
01:07:28,300 --> 01:07:30,267
SUNNY?
1127
01:07:30,267 --> 01:07:32,367
THE TUESDAY AFTER LABOR
DAY, SUNNY DISAPPEARS.
1128
01:07:32,367 --> 01:07:34,167
HE NEVER SEES HER AGAIN.
1129
01:07:34,167 --> 01:07:36,300
- OH, HUNK WILL
BE HEARTBROKEN.
1130
01:07:36,300 --> 01:07:38,700
- OH, IF YOU'RE NOT IN LOVE
WITH HIM, IT WON'T MATTER,
1131
01:07:38,700 --> 01:07:41,767
WILL IT?
1132
01:07:41,767 --> 01:07:45,100
- IF HE EVER FINDS OUT,
HE'S GONNA HATE ME FOREVER.
1133
01:07:45,100 --> 01:07:48,000
- WELL, THAT
CAN BE ARRANGED.
1134
01:07:48,000 --> 01:07:50,767
I'LL BE WATCHING
YOU, O'BRIEN.
1135
01:07:50,767 --> 01:07:53,533
HEIL HITLER.
1136
01:07:53,533 --> 01:07:58,167
I WISH I NEVER INVENTED
THAT CLICKING BUSINESS.
1137
01:07:58,167 --> 01:08:00,200
CIAO, SWEETHEART.
1138
01:08:10,900 --> 01:08:12,633
- GARRISON GAYLORD HERE.
1139
01:08:12,633 --> 01:08:14,600
TWO WEEKS AGO
ON "FILTHY RICH,"
1140
01:08:14,600 --> 01:08:17,833
WE SHOWED YOU A REAL
LIVE ACT OF SUPERHEROISM.
1141
01:08:17,833 --> 01:08:20,967
AS IT UNFOLDED RIGHT
BEFORE OUR CAMERAS.
1142
01:08:22,500 --> 01:08:25,467
IN THE TWO WEEKS SINCE,
HUNK GOLDEN,
1143
01:08:25,467 --> 01:08:28,700
THE SUPERMAN WHO
SAVED MY LIFE,
1144
01:08:28,700 --> 01:08:32,367
HAS BECOME THE STUFF
OF AMERICAN LEGEND.
1145
01:08:32,367 --> 01:08:36,867
A "FILTHY RICH" CAMERA CREW
AND I SHARED IT WITH HIM.
1146
01:08:42,767 --> 01:08:45,467
"HUNKMANIA" IS SWEEPING
SEA SPRAY
1147
01:08:45,467 --> 01:08:47,433
AND THE REST OF THE COUNTRY.
1148
01:08:47,433 --> 01:08:50,267
HUNK WANNABES CAMP AROUND
HIS HOME 24 HOURS,
1149
01:08:50,267 --> 01:08:54,467
DESPERATE FOR JUST A LOOK AT
THE HUNK HIMSELF.
1150
01:08:54,467 --> 01:08:56,900
HUNK'S SPORT COAT IS
THE BRAND-NEW LOOK,
1151
01:08:56,900 --> 01:08:59,667
THE FASHION LOOK
OF THE 1980s.
1152
01:09:03,833 --> 01:09:08,667
PROMOTIONAL OFFERS HAVE BEEN
FLOODING IN SINCE DAY ONE.
1153
01:09:08,667 --> 01:09:10,933
FROM DESIGNER
JEANS TO DOG FOOD,
1154
01:09:10,933 --> 01:09:13,000
FROM HEALTH CLUBS
TO HEMORRHOIDS,
1155
01:09:13,000 --> 01:09:15,767
HUNK'S NAME IS
INDEED GOLDEN.
1156
01:09:15,767 --> 01:09:18,767
THREE MILLION TO BE
THE NEW JAMES BOND.
1157
01:09:18,767 --> 01:09:23,433
FOUR MILLION TO LOSE
TO STALLONE IN ROCKY V.
1158
01:09:23,433 --> 01:09:25,167
PLAYBOY WANTS HIM.
1159
01:09:25,167 --> 01:09:27,700
PLAYGIRL WANTS HIM.
1160
01:09:27,700 --> 01:09:30,667
METEORIC FAME HAS
ALREADY FORCED HUNK INTO
1161
01:09:30,667 --> 01:09:33,633
SELF-IMPOSED SECLUSION.
1162
01:09:33,633 --> 01:09:36,367
CONSTANTLY AT HIS SIDE
THROUGHOUT THE DIZZYING SIEGE
1163
01:09:36,367 --> 01:09:40,500
IS LOS ANGELES PSYCHOLOGIST
SUSAN "SUNNY" GRAVES
1164
01:09:40,500 --> 01:09:42,633
WHO HE RESCUED.
1165
01:09:42,633 --> 01:09:45,467
ARE THEY IN
ROMANTIC CAHOOTS?
1166
01:09:45,467 --> 01:09:48,300
WILL SUCCESS
SPOIL HUNK GOLDEN?
1167
01:09:48,300 --> 01:09:52,200
CLOSE FRIENDS SAY
HE'S CHANGED ALREADY.
1168
01:09:52,200 --> 01:09:53,367
- U.P.I., SHMOO-P.I.,
1169
01:09:53,367 --> 01:09:56,467
I THINK I HEAR A.P. CALLING.
HUNK GOLDEN.
1170
01:09:56,467 --> 01:09:58,733
YEAH, YEAH, HUNK-BURGER
FRANCHISES. NO, I'M SORRY.
1171
01:09:58,733 --> 01:10:00,833
I'M SOLD OUT TILL 1992.
1172
01:10:02,233 --> 01:10:03,167
UGH.
1173
01:10:06,433 --> 01:10:08,033
HUNK GOLDEN.
1174
01:10:08,033 --> 01:10:11,533
YEAH.
YES, SENATOR.
1175
01:10:11,533 --> 01:10:13,067
NO, I'VE ALREADY BEEN ASKED
TO BE PUT ON
1176
01:10:13,067 --> 01:10:14,933
THE STATE FLAG OF HAWAII, BUT--
1177
01:10:14,933 --> 01:10:15,933
- HUNH! HUH!
1178
01:10:15,933 --> 01:10:18,133
- CAN YOU HANG A SECOND,
SENATOR?
1179
01:10:18,133 --> 01:10:22,500
HI. AGGRESSIVE LITTLE
THING, AREN'T YOU?
1180
01:10:31,800 --> 01:10:33,167
THERE YOU GO.
1181
01:10:37,700 --> 01:10:41,100
PEOPLE ARE ALWAYS
DROPPING IN.
1182
01:10:41,100 --> 01:10:44,700
NO, SENATOR, I COULDN'T
PICK A FAVORITE STATE.
1183
01:10:44,700 --> 01:10:46,833
OF COURSE, IF YOU'D LIKE TO
SPONSOR A BILL PUTTING ME ON
1184
01:10:46,833 --> 01:10:49,567
THE AMERICAN FLAG, I'D
HAVE NO OBJECTIONS.
1185
01:10:54,733 --> 01:10:57,133
GOD DAMN IT, SUNNY!
1186
01:10:57,133 --> 01:10:59,300
THESE PEOPLE ARE JUST
LIKE A BUNCH OF PIRANHA!
1187
01:10:59,300 --> 01:11:01,533
BITE, BITE, BITE.
1188
01:11:06,900 --> 01:11:07,900
- HUNK, COME ON. JUST--
1189
01:11:07,900 --> 01:11:11,567
- SUNNY,
I'VE HAD IT OKAY.
1190
01:11:13,100 --> 01:11:15,333
WATCH THIS.
1191
01:11:15,333 --> 01:11:17,833
WAITING FOR SOMETHING
MORE GOLDEN?
1192
01:11:17,833 --> 01:11:21,500
WELL, HERE IT IS--A
PERSON-TO-PERSON MESSAGE.
1193
01:11:21,500 --> 01:11:23,233
STAY THE HELL
AWAY FROM HERE!
1194
01:11:31,467 --> 01:11:33,867
TAKE THAT, FAT BOY.
1195
01:11:36,933 --> 01:11:39,867
- STOP IT, HUNK.
THAT'S NOT FUNNY. HUNK, STOP IT.
1196
01:11:39,867 --> 01:11:42,067
HUNK, DO YOU WANT TO BE ON THE
SIX O'CLOCK NEWS DOING THIS?
1197
01:11:42,067 --> 01:11:43,667
- SURE, I DO.
I LOVE THE PUBLICITY, HONEY.
1198
01:11:43,667 --> 01:11:45,033
- GIVE ME THIS.
GIVE IT TO ME.
1199
01:11:45,033 --> 01:11:47,333
- FINE.
JUST FINE.
1200
01:12:17,367 --> 01:12:19,500
- YOU CAN'T LET IT
GET TO YOU LIKE THIS.
1201
01:12:19,500 --> 01:12:22,633
- I'M STARTING TO FEEL
DIFFERENT INSIDE.
1202
01:12:22,633 --> 01:12:24,700
ALMOST LIKE A DEMON.
1203
01:12:24,700 --> 01:12:27,567
- DEMONS DON'T EXIST.
1204
01:12:27,567 --> 01:12:31,400
JUST PEOPLE AND PRESSURES.
1205
01:12:31,400 --> 01:12:34,633
- YOU KNOW YOU'VE MADE IT WHEN
YOUR GARBAGE IS FRONT PAGE NEWS.
1206
01:12:34,633 --> 01:12:38,233
EXTRA! HUNK TOSSES LEAN CUISINE,
CAPPUCCINO GROUNDS
1207
01:12:38,233 --> 01:12:39,833
AND A PINT OF PRALINE TOFUTTI.
1208
01:12:39,833 --> 01:12:41,733
READ ALL ABOUT IT!
1209
01:12:41,733 --> 01:12:43,767
- IT WON'T ALWAYS
BE LIKE THIS.
1210
01:12:43,767 --> 01:12:46,767
YOU WON'T ALWAYS LIVE
UNDER THE MEDIA MICROSCOPE.
1211
01:12:46,767 --> 01:12:50,933
YOU'LL COOL OFF, AND THEN
WE'LL HAVE--
1212
01:12:50,933 --> 01:12:53,667
AND THEN YOU'LL HAVE YOUR
PRIVACY AGAIN.
1213
01:12:53,667 --> 01:12:55,067
- YOU CAN SAY "WE."
1214
01:12:55,067 --> 01:12:57,267
WE'RE IN THIS TOGETHER.
1215
01:12:57,267 --> 01:12:58,867
- AND AFTER LABOR DAY TOMORROW,
1216
01:12:58,867 --> 01:13:00,733
WE'LL BE OUT OF IT TOGETHER.
1217
01:13:00,733 --> 01:13:04,733
YOU'LL FINALLY BE HUNK
GOLDEN IN YOUR OWN MIND.
1218
01:13:04,733 --> 01:13:06,400
- KINDA LIKE BEING IN IT
TOGETHER
1219
01:13:06,400 --> 01:13:07,967
WITH SOMEONE LIKE YOU.
1220
01:13:07,967 --> 01:13:12,133
- SO DO I.
BUT THERE ARE BETTER THINGS
1221
01:13:12,133 --> 01:13:14,000
TO BE IN TOGETHER THAN THIS,
YOU KNOW.
1222
01:13:35,033 --> 01:13:37,167
- THAT'S MORE LIKE IT.
1223
01:13:59,833 --> 01:14:02,533
- HUNK, WAKE UP, IT'S ME.
1224
01:14:02,533 --> 01:14:03,733
YOUR OLD BODY?
1225
01:14:03,733 --> 01:14:05,833
THE BODY YOU'RE ON
VACATION FROM, REMEMBER?
1226
01:14:05,833 --> 01:14:07,033
- WHERE THE HELL
HAVE YOU BEEN?
1227
01:14:07,033 --> 01:14:08,467
- EXACTLY.
HELL.
1228
01:14:08,467 --> 01:14:09,900
I ESCAPED WHILE THEY WERE
WATCHING
1229
01:14:09,900 --> 01:14:11,433
"THE POSSESSED" AND
"THE WRESTLERS."
1230
01:14:11,433 --> 01:14:12,467
- HANG ON JUST A MINUTE.
1231
01:14:12,467 --> 01:14:14,233
HEY, SUNNY.
SUNNY, WAKE UP.
1232
01:14:14,233 --> 01:14:17,167
BRADLEY'S HERE.
WAKE UP.
1233
01:14:17,167 --> 01:14:19,067
- HUNK, I DON'T
HAVE MUCH TIME.
1234
01:14:21,900 --> 01:14:23,267
- WHY WERE YOU IN HELL?
1235
01:14:23,267 --> 01:14:25,600
- WHERE ELSE ARE THEY GONNA
HOLD THIS BODY IN ESCROW
1236
01:14:25,600 --> 01:14:27,467
WHILE YOU DECIDE
WHO TO BOFF NEXT?
1237
01:14:27,467 --> 01:14:28,867
- THAT'S NOT FAIR.
1238
01:14:28,867 --> 01:14:30,933
- WHAT A SLEAZEBAG
YOU'VE BECOME.
1239
01:14:30,933 --> 01:14:33,067
HOSING DOWN INNOCENT FANS.
1240
01:14:33,067 --> 01:14:34,100
- HOW'D YOU KNOW THAT?
1241
01:14:34,100 --> 01:14:35,833
- HOW'D I KNOW THAT?
1242
01:14:35,833 --> 01:14:38,100
YOU'RE RUNNING AS A
MINI-SERIES ON DEMON TV.
1243
01:14:38,100 --> 01:14:39,833
KILLER RATINGS.
1244
01:14:39,833 --> 01:14:41,967
AND EVERYONE DOWN THERE'S
RIPPING OFF THEIR COATCOAT
SLEEVESSLEEVES.
1245
01:14:44,367 --> 01:14:46,500
- I DON'T KNOW WHAT'S
HAPPENING TO ME?
1246
01:14:46,500 --> 01:14:48,367
- THE HELL YOU DON'T.
1247
01:14:48,367 --> 01:14:51,567
EVIL HAS TAKEN
ROOT IN YOUR SOUL.
1248
01:14:51,567 --> 01:14:54,400
AND IT USED TO BE
SUCH A NICE SOUL.
1249
01:14:54,400 --> 01:14:56,367
LONELY, BUT NICE.
1250
01:14:59,133 --> 01:15:02,567
- IT'S THEM.
IT'S THEM!
1251
01:15:02,567 --> 01:15:03,733
I CAME TO WARN YOU.
1252
01:15:03,733 --> 01:15:05,967
DR. D. IS FOR REAL
AND SO IS HELL.
1253
01:15:05,967 --> 01:15:08,833
HUNK, I KNOW YOU
CAN FEEL IT ALREADY.
1254
01:15:08,833 --> 01:15:12,300
- HEY, SUNNY. SUNNY. YOU'RE
MISSING IT. WAKE UP. WAKE UP.
1255
01:15:12,300 --> 01:15:15,167
- FORGET ABOUT HER AND
THINK ABOUT OUR FUTURE.
1256
01:15:15,167 --> 01:15:17,233
IT IS SLIME TIME DOWN THERE.
1257
01:15:17,233 --> 01:15:21,333
EX-GAME SHOW HOSTS, USED-CAR
SALESMEN, TV SPOKESMODELS.
1258
01:15:21,333 --> 01:15:22,433
EVEN MRS. KREPPEL.
1259
01:15:22,433 --> 01:15:23,567
- NO.
- YES!
1260
01:15:23,567 --> 01:15:26,033
MRS. KREPPEL, THAT NINTH
GRADE BIOLOGY BITCH THAT
1261
01:15:26,033 --> 01:15:27,467
FLUNKED US.
TWICE.
1262
01:15:27,467 --> 01:15:28,833
- WHAT SHOULD I DO?
1263
01:15:28,833 --> 01:15:31,133
- THINK. THINK IF IT'S WORTH IT.
- WHAT ABOUT SUNNY?
1264
01:15:31,133 --> 01:15:33,267
I'M IN LOVE WITH HER, AND IT'S
WHAT WE'VE ALWAYS WANTED.
1265
01:15:33,267 --> 01:15:35,667
- DON'T YOU THINK
I CAN FEEL THAT?
1266
01:15:35,667 --> 01:15:38,467
BUT A LIFETIME WITH HER IS A
ONE-NIGHT STAND COMPARED TO
1267
01:15:38,467 --> 01:15:41,567
AN ETERNITY OF EVIL.
1268
01:15:41,567 --> 01:15:43,000
HUNK!
1269
01:15:43,000 --> 01:15:46,200
I KNOW YOU. I KNOW YOU'LL MAKE
THE RIGHT DECISION.
1270
01:15:53,333 --> 01:15:55,733
- BRADLEY!
1271
01:15:59,100 --> 01:16:01,167
SUNNY'S GOTTA SEE THIS.
1272
01:16:01,167 --> 01:16:02,700
SUNNY, SUNNY, WAKE UP.
- WHAT IS IT?
1273
01:16:02,700 --> 01:16:04,633
- BRADLEY WAS JUST HERE. THEY
CAME AND CARRIED HIM
1274
01:16:04,633 --> 01:16:06,533
BACK TO HELL. COME ON. COME ON.
SEE FOR YOURSELF.
1275
01:16:06,533 --> 01:16:08,467
- I WAS IN SUCH A DEEP SLEEP.
- I KNOW, I KNOW, I KNOW.
1276
01:16:08,467 --> 01:16:10,300
LOOK, SUNNY.
1277
01:16:10,300 --> 01:16:11,967
- YOU WOKE ME UP TO SHOW
ME THE BEDROOM DOOR.
1278
01:16:11,967 --> 01:16:13,767
- NO, NO, NO. JUST A MINUTE AGO,
THESE ARMS CAME
1279
01:16:13,767 --> 01:16:16,067
AND PUNCHED HOLES RIGHT THROUGH
THE DOOR AND PULLED BRADLEY
1280
01:16:16,067 --> 01:16:17,233
RIGHT BACK THROUGH THE WOOD.
1281
01:16:17,233 --> 01:16:19,033
- HONEY, HONEY, YOU WERE
JUST DREAMING, OKAY?
1282
01:16:19,033 --> 01:16:20,767
- NO.
1283
01:16:20,767 --> 01:16:24,300
THEN HOW DID I GET THIS
SPLINTER IN MY FINGER, HUH?
1284
01:16:24,300 --> 01:16:26,167
- I DON'T KNOW.
I-I-I DON'T KNOW, HOW?
1285
01:16:26,167 --> 01:16:28,333
- FROM THE HOLE IN THE DOOR.
1286
01:16:28,333 --> 01:16:31,733
- HUNK, THE ONLY IN THIS
ROOM IS IN YOUR HEAD.
1287
01:16:31,733 --> 01:16:33,800
LOOK, YOU'RE JUST UPSET,
BECAUSE YOUR WHOLE BRADLEY
1288
01:16:33,800 --> 01:16:35,867
FANTASY SHATTERS
TO BITS TOMORROW.
1289
01:16:35,867 --> 01:16:40,000
- SUNNY, DON'T BE
MAD AT ME, OKAY?
1290
01:16:40,000 --> 01:16:42,067
- HONEY, I'M NOT MAD AT YOU.
1291
01:16:42,067 --> 01:16:45,167
I JUST WANT US
TO GET PAST THIS.
1292
01:16:45,167 --> 01:16:49,667
I WANT IT TO BE THE TWO OF
US, NOT THE THREE OF US.
1293
01:16:49,667 --> 01:16:52,200
- LOOK, YOU KNOW THAT YOU'RE
THE BEST THING THAT
1294
01:16:52,200 --> 01:16:56,333
EVER HAPPENED TO ME, RIGHT?
1295
01:16:58,100 --> 01:17:00,167
- WHY DON'T WE SHOWER AND
GO HAVE SOME BREAKFAST, HUH?
1296
01:17:00,167 --> 01:17:03,567
- YEAH. YEAH.
I'LL JOIN YOU IN A SECOND.
1297
01:17:03,567 --> 01:17:05,833
- GOOD.
1298
01:17:33,433 --> 01:17:36,467
- GET IN.
1299
01:17:36,467 --> 01:17:38,200
- WHAT ARE YOU DOING HERE?
1300
01:17:38,200 --> 01:17:42,967
- I WAS SWIMMING KOSHER HOT DOGS
FROM MIAMI TO HAVANA FOR FIDEL
1301
01:17:42,967 --> 01:17:46,967
DURING THE CUBAN MISSILE CRISIS
WHEN BRINKMAN ESCAPED.
1302
01:17:46,967 --> 01:17:51,400
- SPIRITUAL
SEPARATION ANXIETY.
1303
01:17:51,400 --> 01:17:53,767
HIS GOOD HALF IS SO STRONG.
1304
01:17:53,767 --> 01:17:56,133
- YES, SO DON'T WIMP OUT.
1305
01:17:56,133 --> 01:17:58,733
GOOD MOVE SUGGESTING
BREAKFAST.
1306
01:17:58,733 --> 01:18:02,900
BUT LISTEN, DON'T LET HIM
SLEEP BEFORE MIDNIGHT.
1307
01:18:02,900 --> 01:18:04,900
- HE'S STILL TIPPED
IN OUR DIRECTION.
1308
01:18:04,900 --> 01:18:07,700
- YES, BUT ONE MORE SILLY,
SAPPY, SENTIMENTAL DREAM,
1309
01:18:07,700 --> 01:18:09,700
AND HE'LL BACK OUT
AT THE LAST SECOND.
1310
01:18:10,767 --> 01:18:12,600
- TALKING TO ME, HONEY?
1311
01:18:12,600 --> 01:18:16,400
- [as Sonny] I'M SINGING IN
THE SHOWER, DEAR!
1312
01:18:16,400 --> 01:18:20,800
NOW LISTEN, KEEP HIM
AWAKE, AND HE'S OURS.
1313
01:18:20,800 --> 01:18:21,733
- RIGHT.
1314
01:18:30,367 --> 01:18:32,833
- WELL, THAT DIDN'T
SOUND LIKE SINGING TO ME.
1315
01:18:32,833 --> 01:18:35,867
- THEN YOU
WEREN'T LISTENING.
1316
01:18:52,800 --> 01:18:54,233
I LOVE YOU.
1317
01:18:58,233 --> 01:18:59,267
- GREAT BREAKFAST.
1318
01:18:59,267 --> 01:19:01,700
- MM-HMM.
1319
01:19:01,700 --> 01:19:04,133
- SWEETHEART, I'M STILL A
LITTLE JANGLED
1320
01:19:04,133 --> 01:19:07,333
FROM BRADLEY LAST NIGHT.
MIND IF I TAKE A NAP.
1321
01:19:07,333 --> 01:19:10,400
- MM-MM. I THINK A NAP'S
A GOOD IDEA.
1322
01:19:10,400 --> 01:19:14,367
YOU WANT TO BE IN TIP-TOP
SHAPE WHEN THEY PRESENT YOU
1323
01:19:14,367 --> 01:19:16,167
WITH THE KEY TO SEA SPRAY
AT THE CLUB TONIGHT.
1324
01:19:16,167 --> 01:19:17,633
- RIGHT.
1325
01:19:18,700 --> 01:19:20,233
- SWEET DREAMS.
1326
01:19:23,067 --> 01:19:25,167
BYE, HUNK!
1327
01:20:15,867 --> 01:20:17,133
- HELLO?
1328
01:20:17,133 --> 01:20:19,533
HELLO?
HELLO?
1329
01:20:19,533 --> 01:20:21,633
HELLO?
1330
01:20:53,833 --> 01:20:57,067
- HI.
- HI.
1331
01:20:57,067 --> 01:20:58,133
- WHAT HAPPENED TO YOUR NAP?
1332
01:20:58,133 --> 01:20:59,367
- SABOTAGED.
1333
01:20:59,367 --> 01:21:01,267
AFTER YOU LEFT, EVERY
APPLIANCE IN THE HOUSE
1334
01:21:01,267 --> 01:21:04,167
TURNED ITSELF ON.
I COULDN'T TURN 'EM OFF.
1335
01:21:04,167 --> 01:21:06,933
I MEAN, DON'T YOU HEAR IT?
1336
01:21:06,933 --> 01:21:09,600
- HEAR WHAT?
1337
01:21:09,600 --> 01:21:11,833
- IT STOPPED.
1338
01:21:11,833 --> 01:21:13,333
- HUNK, ARE YOU
HAVING ANOTHER DREAM?
1339
01:21:13,333 --> 01:21:15,167
- NO, NO, NOW, SUNNY,
SUNNY, I--I--NEVER,
1340
01:21:15,167 --> 01:21:16,900
NEVER, NEVER WENT TO SLEEP.
1341
01:21:20,133 --> 01:21:23,600
TEN MINUTES AGO, THEY WERE ALL
RUNNING WITHOUT ELECTRICITY.
1342
01:21:23,600 --> 01:21:26,567
- HUNK, NOTHING RUNS
WITHOUT ELECTRICITY.
1343
01:21:26,567 --> 01:21:28,067
- YEAH.
1344
01:21:28,067 --> 01:21:30,233
- YOU STILL HAVEN'T WRITTEN
YOUR ACCEPTANCE SPEECH FOR
1345
01:21:30,233 --> 01:21:31,667
THE BANQUET TONIGHT, SO WHY
DON'T--
1346
01:21:31,667 --> 01:21:33,300
- SUNNY, SUNNY, FORGET ABOUT THE
BANQUET.
1347
01:21:33,300 --> 01:21:35,367
YOU'RE MEETING THE DEVIL
TONIGHT AT MIDNIGHT.
1348
01:21:35,367 --> 01:21:36,367
- SETTLE DOWN.
1349
01:21:36,367 --> 01:21:39,667
- MAYBE O'BRIEN TOO.
1350
01:21:39,667 --> 01:21:41,100
- ALL RIGHT.
1351
01:21:41,100 --> 01:21:46,467
SUPPOSE I DO MEET THE
DEVIL, WHO YOU GONNA CHOOSE?
1352
01:21:46,467 --> 01:21:50,067
ME OR BRADLEY?
1353
01:21:53,100 --> 01:21:56,833
- I LOVE YOU SO MUCH, SUNNY.
1354
01:21:56,833 --> 01:21:59,800
I STILL DON'T KNOW.
1355
01:22:05,533 --> 01:22:07,467
- LET'S GET A SHOT
OF US SHAKING HANDS.
1356
01:22:07,467 --> 01:22:08,533
- WHY NOT?
1357
01:22:27,967 --> 01:22:29,933
- WHAT TIME IS IT?
1358
01:22:29,933 --> 01:22:32,967
- IT'S TWO MINUTES LATER THAN
THE LAST TIME YOU ASKED ME.
1359
01:22:32,967 --> 01:22:34,700
IT'S 10:32.
1360
01:22:34,700 --> 01:22:37,667
- WE HAVE TO MEET DR. D.
AT MIDNIGHT.
1361
01:22:37,667 --> 01:22:41,167
I'M GONNA SLEEP TOMORROW,
NO MATTER WHO I AM.
1362
01:22:41,167 --> 01:22:44,067
- AND I'LL BE WITH YOU.
1363
01:22:44,067 --> 01:22:45,967
- NO MATTER WHO I AM?
1364
01:22:45,967 --> 01:22:49,300
- YOU'LL BE HUNK.
YOU'LL SEE.
1365
01:22:49,300 --> 01:22:50,667
- I SURE WISH O'BRIEN
COULD SEE ME
1366
01:22:50,667 --> 01:22:53,167
GETTING THE KEY TO THE CITY.
1367
01:22:53,167 --> 01:22:55,233
- I'M SURE SHE'S WATCHING.
1368
01:23:02,567 --> 01:23:05,267
- LOOK AT THAT [indistinct].
1369
01:23:05,267 --> 01:23:09,533
REMINDS ME OF THE COCKTAIL
LOUNGE ON THE LUSITANIA.
1370
01:23:09,533 --> 01:23:11,867
HAPPY MEMORIES.
1371
01:23:11,867 --> 01:23:13,233
BON APPETIT.
1372
01:23:19,667 --> 01:23:22,200
- ATTENTION, EVERYBODY.
1373
01:23:22,200 --> 01:23:24,600
IT'S AWARD TIME.
1374
01:23:24,600 --> 01:23:28,733
AS PRESIDENT OF THE SEA SPRAY
HOMEOWNERS ASSOCIATION,
1375
01:23:28,733 --> 01:23:33,900
IT IS MY HONOR
TO HONOR ONE OF OUR OWN.
1376
01:23:33,900 --> 01:23:38,300
A MAN I AM PROUD
TO CALL MY FRIEND.
1377
01:23:38,300 --> 01:23:40,433
WHEN HE FIRST APPEARED
HERE AT SEA SPRAY,
1378
01:23:40,433 --> 01:23:45,400
I REALIZED HE WAS
SOMEONE VERY SPECIAL.
1379
01:23:45,400 --> 01:23:48,667
AND NOW THE WORLD
KNOWS IT TOO.
1380
01:23:48,667 --> 01:23:50,000
- WHAT A PHONY.
1381
01:23:54,067 --> 01:23:57,167
- HUNK, WE'RE PRESENTING YOU
WITH THE KEY TO SEA SPRAY
1382
01:23:57,167 --> 01:24:00,433
TONIGHT, BUT YOU'LL NEVER HAVE
TO USE IT. WHY?
1383
01:24:00,433 --> 01:24:08,633
BECAUSE OUR HOMES AND HEARTS
ARE OPEN TO YOU FOREVER.
1384
01:24:14,100 --> 01:24:18,767
- A LITTLE BIT CORNY,
BUT THE CROWD'S WITH HIM.
1385
01:24:18,767 --> 01:24:22,200
WHAT DO THEY KNOW?
1386
01:24:29,067 --> 01:24:32,100
- HUNK GOLDEN, PLEASE STEP
FORWARD FOR THE PRESENTATION.
1387
01:24:34,567 --> 01:24:38,333
AND IF I MAY SAY SO, THIS KEY IS
NOTHING COMPARED TO THE LADY
1388
01:24:38,333 --> 01:24:42,400
WHO IS THE SUNNY SIDE IN HUNK'S
LIFE--DR. SUNNY GRAVES.
1389
01:24:52,433 --> 01:24:58,333
AND HERE TO PRESENT THE KEY IS
THE HONORARY MAYOR OF SEA SPRAY,
1390
01:24:58,333 --> 01:25:02,367
THE STAR OF AMERICA'S FAVORITE
LITE KNOCKWURST COMMERCIALS,
1391
01:25:02,367 --> 01:25:05,233
SKEET MECKLENBURG!
1392
01:25:09,167 --> 01:25:10,133
- THANK YOU.
1393
01:25:19,367 --> 01:25:22,500
HUNK, EVERYBODY HERE KNOWS
THAT I HATED YOU ON SIGHT,
1394
01:25:22,500 --> 01:25:25,900
AND WELL, I'VE GOT
TO HAND IT TO YOU,
1395
01:25:25,900 --> 01:25:28,667
YOU DID PUT ME IN MY PLACE.
1396
01:25:34,833 --> 01:25:39,267
THEY CALLED YOU A SUPERMAN
FOR DOING IT AND SOMEHOW IT
1397
01:25:39,267 --> 01:25:44,767
SEEMS LIKE A SUPERGUY
DESERVES MORE THAN A KEY,
1398
01:25:44,767 --> 01:25:45,767
DESERVES A CROWN.
1399
01:25:50,567 --> 01:25:51,733
- SKEET, WHAT HAVE YOU DONE!
1400
01:25:51,733 --> 01:25:53,600
WE HAD T-SHIRT RIGHTS.
HUNK!
1401
01:25:56,933 --> 01:25:57,900
HUNK!
1402
01:25:59,700 --> 01:26:00,967
- HELL OF A SUPERMAN.
1403
01:26:02,067 --> 01:26:03,933
- IF THAT SKEET
SCREWS UP MY PLANS,
1404
01:26:03,933 --> 01:26:06,367
I'LL BRING HIM BACK
AS A WHOOPEE CUSHION.
1405
01:26:07,467 --> 01:26:08,667
- HUNK?
1406
01:26:08,667 --> 01:26:11,467
- HUNK, WAKE UP.
HUNK, YOU'VE GOT TO WAKE UP.
1407
01:26:11,467 --> 01:26:14,967
- WILL SOMEBODY WAKE THAT SUCKER
UP? I NEED HIM.
1408
01:26:14,967 --> 01:26:17,233
- HUNK, PLEASE, WAKE UP.
1409
01:26:17,233 --> 01:26:19,767
COME ON.
YOU'VE GOTTA WAKE UP.
1410
01:26:37,900 --> 01:26:40,433
- BRILLIANT STROKE, HUNK.
1411
01:26:40,433 --> 01:26:43,600
MAKING OUR DEVILS BRIGADE
RAID ON SEA SPRAY LOOK LIKE
1412
01:26:43,600 --> 01:26:45,200
AN ENEMY SNEAK ATTACK.
1413
01:26:45,200 --> 01:26:48,567
- I PROMISED YOU WORLD
WAR III BY DINNER TIME.
1414
01:26:48,567 --> 01:26:55,200
- LOOK, ALL THOSE YUPPIE SNOBS
YOU HATED ARE DEAD MEAT NOW.
1415
01:26:55,200 --> 01:26:56,800
- DEAD MEAT NOW.
1416
01:26:56,800 --> 01:26:58,800
- DID YOU KILL THEM
ALL YOURSELF?
1417
01:26:58,800 --> 01:27:00,067
- SHUCKS, DR. D.
1418
01:27:00,067 --> 01:27:01,967
- OH, DON'T BE MODEST.
1419
01:27:01,967 --> 01:27:09,800
- MAYBE JUST A LITTLE BIT.
MAYBE JUST A LITTLE BIT.
1420
01:27:09,800 --> 01:27:15,333
- CALM DOWN. CALM DOWN.
GOOD BOY.
1421
01:27:22,300 --> 01:27:25,900
THERE'S JUST ONE
LITTLE FORMALITY.
1422
01:27:27,633 --> 01:27:33,067
BEFORE YOU CAN TRULY COMMIT
YOUR SOUL TO MY WICKED WORK,
1423
01:27:33,067 --> 01:27:35,533
YOU MUST GET RID OF
YOUR BETTER HALF.
1424
01:27:35,533 --> 01:27:37,833
WE'VE ALL THE
FIXINGS RIGHT HERE.
1425
01:27:37,833 --> 01:27:41,867
THAT SAPPY, SENTIMENTAL
SIDE OF YOUR SOUL
1426
01:27:41,867 --> 01:27:45,133
MUST BE DESTROYED.
1427
01:27:45,133 --> 01:27:47,333
YOU READY TO SAVE
YOURSELF, BRINKMAN?
1428
01:27:47,333 --> 01:27:50,000
- HUNK, DON'T DO THIS TO US!
1429
01:27:50,000 --> 01:27:53,333
ALL EVIL AND NO PLAY
MAKES HUNK A DULL DEMON!
1430
01:27:53,333 --> 01:27:56,767
- READY.
1431
01:27:56,767 --> 01:27:59,267
- YOU'RE GONNA MISS ME!
1432
01:27:59,267 --> 01:28:01,700
THE GOOD THINGS ARE
WHAT LIFE'S ALL ABOUT.
1433
01:28:01,700 --> 01:28:05,300
YOU CAN'T WANNA BE THE GUY
WHO STARTED WORLD WAR III.
1434
01:28:05,300 --> 01:28:08,533
- AIM.
1435
01:28:08,533 --> 01:28:10,800
- ALL THIS JUST TO GET LAID
MORE AND A GUEST HOST
1436
01:28:10,800 --> 01:28:12,567
ON THE CARSON SHOW?
1437
01:28:12,567 --> 01:28:16,300
PLEASE, GIVE AN INNOCENT
BETTER HALF A BREAK. HUH?
1438
01:28:16,300 --> 01:28:20,000
- MY FAVORITE WORD--FIRE.
1439
01:28:21,200 --> 01:28:24,867
- HUNK! PLEASE! NO! DON'T!
1440
01:28:29,633 --> 01:28:32,400
- FIRE, FIRE, FI--
1441
01:28:32,400 --> 01:28:36,800
- WAIT. OH HE'S ALL RIGHT.
WAIT.
1442
01:28:36,800 --> 01:28:39,067
- YOU'RE ALL STILL ALIVE.
1443
01:28:39,067 --> 01:28:41,100
- OF COURSE,
WE'RE STILL ALIVE.
1444
01:28:41,100 --> 01:28:43,767
EXCEPT FOR THE PEOPLE
THAT ATE THE ROAST BEEF.
1445
01:28:43,767 --> 01:28:46,867
- FOR A SECOND THERE, I WAS
KILLING ALL MY-- --YOUR
1446
01:28:46,867 --> 01:28:48,767
INVESTMENTS GOODBYE.
1447
01:28:48,767 --> 01:28:50,033
- WHAT HAPPENED?
1448
01:28:50,033 --> 01:28:52,333
- SKEET CROWNED YOU WITH
THE KEY TO SEA SPRAY.
1449
01:28:52,333 --> 01:28:53,333
- YOU ALL RIGHT?
1450
01:28:53,333 --> 01:28:55,467
- YEAH.
1451
01:28:55,467 --> 01:28:57,700
WHAT TIME IS IT?
1452
01:28:57,700 --> 01:28:58,800
- MY WATCH STOPPED.
1453
01:28:58,800 --> 01:29:01,067
- IT'S TEN MINUTES
TO MIDNIGHT.
1454
01:29:01,067 --> 01:29:02,100
- HUNK!
1455
01:29:02,100 --> 01:29:03,800
- HUNK, COME ON.
ENOUGH FOR ONE DAY.
1456
01:29:03,800 --> 01:29:05,700
- YOU AND I HAVE AN
APPOINTMENT WITH DR. D.
1457
01:29:05,700 --> 01:29:07,933
- HUNK, YOU CAN HAVE A
CONCUSSION. NOW, COME ON.
1458
01:29:07,933 --> 01:29:09,200
- COME ON.
BEFORE IT'S TOO LATE.
1459
01:29:09,200 --> 01:29:11,100
- NOW, WAIT A MINUTE. THE KEY,
THE PRESENTATION--
1460
01:29:11,100 --> 01:29:12,133
WHERE ARE YOU GOING?
1461
01:29:12,133 --> 01:29:13,167
- TO THE DEVIL!
1462
01:29:14,833 --> 01:29:17,500
- both: OUR INVESTMENTS.
1463
01:29:19,800 --> 01:29:22,367
- NO WAY I'M GONNA BE THE GUY
WHO STARTED WORLD WAR III.
1464
01:29:22,367 --> 01:29:24,800
- HOW CAN YOU HAVE STARTED A
WAR THAT HASN'T EVEN BEGUN?
1465
01:29:24,800 --> 01:29:25,967
- IN THE FUTURE, IT HAS, SUNNY.
1466
01:29:25,967 --> 01:29:27,900
IT STARTS RIGHT
HERE IN SEA SPRAY.
1467
01:29:30,600 --> 01:29:33,733
- WELL, IT'S
ALMOST MIDNIGHT.
1468
01:29:33,733 --> 01:29:37,067
WHO ARE YOU GONNA BE
ONE MINUTE FROM NOW?
1469
01:29:37,067 --> 01:29:40,367
- BRADLEY BRINKMAN.
1470
01:29:40,367 --> 01:29:41,867
- WHAT?
- SUNNY.
1471
01:29:41,867 --> 01:29:45,067
SUNNY, I KNOW IF YOU TRULY
LOVE ME--THE ME INSIDE--
1472
01:29:45,067 --> 01:29:46,967
IT'S NOT GONNA MATTER TO YOU
IF I COME BACK JUST IN
1473
01:29:46,967 --> 01:29:48,167
A DIFFERENT KIND OF BODY.
1474
01:29:48,167 --> 01:29:49,800
- I DO LOVE YOU.
1475
01:29:49,800 --> 01:29:51,133
I LOVE WHAT'S INSIDE.
1476
01:29:51,133 --> 01:29:55,333
BUT HUNK YOU HAVE TO
ACCEPT WHO YOU ARE.
1477
01:29:55,333 --> 01:29:58,700
- YOU KNOW, SOMETIMES YOU
SOUND JUST LIKE O'BRIEN.
1478
01:29:58,700 --> 01:30:00,867
THE ONLY LIMITATION IN OUR
RELATIONSHIP IS THAT YOU
1479
01:30:00,867 --> 01:30:05,500
CAN'T UNDERSTAND WHAT
I'VE BEEN THROUGH.
1480
01:30:05,500 --> 01:30:07,167
WHEN YOU MEET DR. D. A FEW
SECONDS FROM NOW,
1481
01:30:07,167 --> 01:30:08,200
YOU WILL, THOUGH. COME ON.
1482
01:30:21,000 --> 01:30:22,233
TOLD YOU HE'D
BE HERE, SUNNY.
1483
01:30:22,233 --> 01:30:23,733
- IS THIS SOME
KIND OF TRICK?
1484
01:30:23,733 --> 01:30:25,233
- WISH IT WERE.
COME ON.
1485
01:30:38,933 --> 01:30:40,800
- OH, THERE YOU ARE.
1486
01:30:40,800 --> 01:30:44,500
WHILE YOU WERE AWAY, I
WHIPPED UP A FEW LITTLE
1487
01:30:44,500 --> 01:30:46,767
GOODIES TO CELEBRATE
OUR CLOSING OUR DEAL.
1488
01:30:46,767 --> 01:30:48,300
- DR. D., AT YOUR
SERVICE, SUNNY.
1489
01:30:48,300 --> 01:30:50,533
- AND IMPECCABLE SERVICE IT
IS TOO.
1490
01:30:50,533 --> 01:30:54,067
SEE? CANNIBAL CANAPES,
1491
01:30:54,067 --> 01:30:57,667
ALL-WHITE MEAT MISSIONARY
(NO AGNOSTIC FILLERS),
1492
01:30:57,667 --> 01:31:00,567
FANTASTIC TITANIC
ICEBERG LETTUCE SALAD,
1493
01:31:00,567 --> 01:31:03,800
KILLER TOMATOES, AND
DEVILED EGGS A LA MOI.
1494
01:31:03,800 --> 01:31:07,333
- THERE'S NO DEAL, DR. D.
1495
01:31:07,333 --> 01:31:09,600
- WHAT?
1496
01:31:09,600 --> 01:31:13,100
- A LIFE OF SELFISH PLEASURE
AND AN ETERNAL AFTERLIFE
1497
01:31:13,100 --> 01:31:16,500
AS ONE OF YOUR HENCHMEN
IS A ROTTEN EXCHANGE.
1498
01:31:16,500 --> 01:31:19,367
I WANT SUNNY TO MEET
O'BRIEN RIGHT NOW.
1499
01:31:19,367 --> 01:31:20,900
- O'BRIEN WILL BE
AROUND, ALL RIGHT,
1500
01:31:20,900 --> 01:31:23,067
BUT LET'S NOT TALK
ABOUT O'BRIEN.
1501
01:31:23,067 --> 01:31:25,067
WHY LET A FEW
DREAMS SCARE YOU,
1502
01:31:25,067 --> 01:31:27,767
WHEN YOU CAN BE A LIVING
NIGHTMARE YOURSELF?
1503
01:31:27,767 --> 01:31:30,200
- I WANNA BE BRADLEY
BRINKMAN AGAIN.
1504
01:31:30,200 --> 01:31:32,067
WHY CAN'T O'BRIEN
BE HERE TO SEE THIS?
1505
01:31:32,067 --> 01:31:34,800
- OH, SHE'LL SEE
IT, ALL RIGHT.
1506
01:31:34,800 --> 01:31:36,933
SO BE IT.
1507
01:31:36,933 --> 01:31:40,267
EXIT, HUNK GOLDEN.
1508
01:31:40,267 --> 01:31:42,667
ENTER, BRADLEY BRINKMAN.
1509
01:31:52,867 --> 01:31:55,267
- THIS IS BRADLEY BRINKMAN.
1510
01:31:55,267 --> 01:31:57,267
THIS IS ME.
1511
01:31:57,267 --> 01:32:00,833
IT HAD TO BE
THIS WAY, SUNNY.
1512
01:32:00,833 --> 01:32:02,233
- I KNOW.
1513
01:32:02,233 --> 01:32:06,000
- THE GAME IS UP FOR HER
TOO, BRADLEY BRINKMAN.
1514
01:32:06,000 --> 01:32:10,600
COME OUT, COME OUT,
WHEREVER YOU ARE.
1515
01:32:13,300 --> 01:32:15,100
- WHAT?
1516
01:32:15,100 --> 01:32:17,533
- OH, THE DEVIL
MADE HER DO IT.
1517
01:32:17,533 --> 01:32:20,600
- AND I THOUGHT
THAT YOU LOVED ME.
1518
01:32:20,600 --> 01:32:22,200
- I DID.
1519
01:32:22,200 --> 01:32:24,767
I MEAN, I DO.
1520
01:32:24,767 --> 01:32:27,533
BRADLEY, YOU MADE
THE RIGHT DECISION.
1521
01:32:27,533 --> 01:32:30,267
ALL THE DREAMS WERE TRUE.
1522
01:32:30,267 --> 01:32:34,033
I HAD TO LIE TO GET
YOU TO CLOSE THE DEAL.
1523
01:32:34,033 --> 01:32:36,033
YOU BELIEVED IN
YOUR OLD SELF MORE.
1524
01:32:36,033 --> 01:32:37,533
- AND I BELIEVED IN YOU.
1525
01:32:37,533 --> 01:32:38,567
NOW WHAT?
1526
01:32:38,567 --> 01:32:41,133
- DISMISSAL.
1527
01:32:41,133 --> 01:32:42,833
- MY DEAL'S UP TOO.
1528
01:32:42,833 --> 01:32:44,133
- YOUR DEAL?
1529
01:32:44,133 --> 01:32:48,567
- FABULOUS DEAL TILL SHE
GOT SENTIMENTAL AND SLOPPY.
1530
01:32:48,567 --> 01:32:53,267
- I HAD TO LAND A SOUL A CENTURY
FOR DR. D. OR LOSE MY DEAL.
1531
01:32:53,267 --> 01:32:55,367
- SHE HASN'T MADE A SCORE SINCE
1532
01:32:55,367 --> 01:32:59,233
OTTO VON BISMARCK IN 1887.
1533
01:32:59,233 --> 01:33:02,367
- I'M TOO MUCH A ROMANTIC
TO KEEP RECRUITING NICE GUYS
1534
01:33:02,367 --> 01:33:05,000
FOR THE DEVIL'S WORK.
1535
01:33:05,000 --> 01:33:06,600
NICE GUYS LIKE YOU.
1536
01:33:06,600 --> 01:33:10,933
- THEN WHY DO YOU
KEEP DOING IT?
1537
01:33:10,933 --> 01:33:13,333
- I WAS AFRAID.
1538
01:33:13,333 --> 01:33:15,667
I AM AFRAID.
1539
01:33:15,667 --> 01:33:18,200
TO BE THE REAL ME.
1540
01:33:18,200 --> 01:33:22,167
THE ONE THAT SOLD THEIR SOUL TO
DR. D. IN THE FIRST PLACE.
1541
01:33:22,167 --> 01:33:24,533
- WAIT A MINUTE. YOU'RE SUNNY.
OR YOU WERE.
1542
01:33:24,533 --> 01:33:26,567
YOU'RE THE ONE WHO TAUGHT
ME THAT PEOPLE EXIST ON THE
1543
01:33:26,567 --> 01:33:29,300
INSIDE, NOT ON THE OUTSIDE.
1544
01:33:29,300 --> 01:33:32,900
EVEN IF IT WAS TO DECEIVE ME,
THE LOVE I FELT FROM YOU
1545
01:33:32,900 --> 01:33:38,667
CAME FROM SOME WONDERFUL PERSON.
I THINK--
1546
01:33:38,667 --> 01:33:42,633
- I'M REALLY TOUCHED.
I -- VERY TOUCHING.
1547
01:33:42,633 --> 01:33:46,567
BUT IF YOU'LL EXCUSE ME, I HAVE
TO CATCH AN ILL WIND TO BEIRUT.
1548
01:33:50,467 --> 01:33:55,467
LOOK. SINCE IT'S
HITLER'S BIRTHDAY,
1549
01:33:55,467 --> 01:33:58,667
I'LL MAKE YOU ONE LAST
OFFER--SIX MONTHS' EXTENSION
1550
01:33:58,667 --> 01:34:00,267
TO MAKE GOOD ON BEING BAD.
1551
01:34:00,267 --> 01:34:02,000
- NO WAY.
1552
01:34:02,000 --> 01:34:03,033
- SIX MONTHS?
1553
01:34:03,033 --> 01:34:04,333
- NO, DON'T.
1554
01:34:04,333 --> 01:34:07,233
WHOEVER YOU ARE OR WERE.
1555
01:34:07,233 --> 01:34:09,200
DON'T BE AFRAID.
1556
01:34:09,200 --> 01:34:11,867
THERE IS A PERSON INSIDE OF
YOU WHO IS WARM AND LOVING.
1557
01:34:11,867 --> 01:34:13,967
I KNOW.
I'VE FELT IT.
1558
01:34:13,967 --> 01:34:15,567
- O'BRIEN.
1559
01:34:17,800 --> 01:34:20,133
REMEMBER HOW
LONELY YOU WERE?
1560
01:34:20,133 --> 01:34:22,167
- CAN'T BE LONELIER THAN
RUNNING A TIME-TRAVELLING
1561
01:34:22,167 --> 01:34:25,367
SELL-YOUR-SOUL-TO-SATAN
SERVICE.
1562
01:34:25,367 --> 01:34:27,000
- WELL--
1563
01:34:27,000 --> 01:34:32,033
- DON'T BE AFRAID TO BE THE
PERSON WHO YOU ARE INSIDE.
1564
01:34:32,033 --> 01:34:34,100
- STRONG ENOUGH TO COME BACK
TO EARTH
1565
01:34:34,100 --> 01:34:36,967
AS YOURSELF USED TO BE?
1566
01:34:36,967 --> 01:34:40,267
- I WAS.
1567
01:34:40,267 --> 01:34:41,833
- I'M STAYING WITH--
1568
01:34:41,833 --> 01:34:45,300
- UNLIMITED CREDIT ON
"INFERNOCARD?"
1569
01:34:50,033 --> 01:34:51,200
- I'M STAYING WITH BRADLEY.
1570
01:34:51,200 --> 01:34:52,367
- YES!
1571
01:34:52,367 --> 01:34:55,733
- OH, TO HEAVEN
WITH BOTH OF YOU.
1572
01:34:57,833 --> 01:35:00,600
THERE ARE PLENTY OF TAKERS
ACROSS THE CENTURIES TO
1573
01:35:00,600 --> 01:35:03,000
CARRY OUT MY MASTER PLAN
1574
01:35:03,000 --> 01:35:06,000
TO MAKE ALL THE HAPPY ENDINGS IN
HISTORY
1575
01:35:06,000 --> 01:35:08,300
EVIL ONES.
1576
01:35:08,300 --> 01:35:12,033
LIKE ALL THOSE
LASSIE MOVIES.
1577
01:35:12,033 --> 01:35:13,500
SO BE IT.
1578
01:35:16,967 --> 01:35:18,367
THERE SHE IS.
1579
01:35:18,367 --> 01:35:21,200
PRINCESS LUCILLA OF LENINSHIRE,
JUST AS I FOUND HER IN THE
1580
01:35:21,200 --> 01:35:26,467
TENTH CENTURY, AFTER HER FATHER
SOLD HER TO THE VIKINGS.
1581
01:35:26,467 --> 01:35:30,500
NINE CENTURIES OF VICIOUS,
VILE TRAINING DOWN
1582
01:35:30,500 --> 01:35:34,833
THE TUBES OF TIME.
1583
01:35:34,833 --> 01:35:37,800
- LUCILLA.
1584
01:35:37,800 --> 01:35:41,333
WHY DID YOUR
FATHER SELL YOU?
1585
01:35:41,333 --> 01:35:44,167
- BECAUSE I WASN'T AS BEAUTIFUL
AS MY SISTER, PRINCESS KASAVA,
1586
01:35:44,167 --> 01:35:48,267
SO I SOLD MY SOUL
TO DR. D.
1587
01:35:48,267 --> 01:35:52,067
TO ESCAPE AND BECOME
BEAUTIFUL ... LIKE YOU.
1588
01:35:54,967 --> 01:35:56,133
- YOU'RE A PRINCESS.
1589
01:35:57,433 --> 01:36:01,700
- A PRINCESS WITHOUT A
CASTLE, WITHOUT A JOB.
1590
01:36:01,700 --> 01:36:04,367
WELL, I'LL BE GOING.
1591
01:36:04,367 --> 01:36:06,400
- WHOSE SIDE ARE
YOU ON THIS TIME?
1592
01:36:06,400 --> 01:36:08,000
- WHAT DOES IT MATTER?
1593
01:36:08,000 --> 01:36:12,300
AS LONG AS MANKIND
IS MISERABLE.
1594
01:36:12,300 --> 01:36:13,500
CIAO.
1595
01:36:23,267 --> 01:36:25,600
- SO YOU'VE BEEN--
1596
01:36:25,600 --> 01:36:29,667
- RETURNED TO EARTH TO LIVE OUT
THE REST OF MY MORTAL LIFE.
1597
01:36:29,667 --> 01:36:31,800
LIKE YOU.
1598
01:36:31,800 --> 01:36:34,067
- LIKE ME.
1599
01:36:34,067 --> 01:36:37,667
WHO WOULD EVER BELIEVE THIS?
1600
01:36:37,667 --> 01:36:39,767
- YOU WOULD, BRADLEY.
1601
01:36:48,300 --> 01:36:50,367
OH, MY GOODNESS BRADLEY, WHAT
ABOUT YOUR PROGRAM?
1602
01:36:50,367 --> 01:36:51,633
IT'S DUE TODAY.
1603
01:36:51,633 --> 01:36:55,033
- IT CAME TO ME LAST NIGHT
WHEN I MET THE REAL YOU.
1604
01:36:55,033 --> 01:36:56,167
- WHAT IS IT?
1605
01:36:56,167 --> 01:36:58,267
- "THE PRINCESS PROGRAM"--
1606
01:36:58,267 --> 01:37:01,633
HOW TO LIVE ROYALLY ON A
REGULAR WEEK'S PAY.
1607
01:37:01,633 --> 01:37:03,267
WHAT DO YOU THINK?
1608
01:37:03,267 --> 01:37:06,233
- WHAT DO I THINK?
1609
01:37:11,800 --> 01:37:13,767
BRADLEY?
- HM?
1610
01:37:13,767 --> 01:37:15,633
- ARE YOU
DISAPPOINTED?
1611
01:37:15,633 --> 01:37:18,633
- DISAPPOINTED IN WHAT?
1612
01:37:18,633 --> 01:37:21,300
- THAT YOU GAVE
UP THE NEW YOU,
1613
01:37:21,300 --> 01:37:24,333
ENDED UP WITH THE OLD ME.
1614
01:37:24,333 --> 01:37:26,167
WHO'S ALWAYS SECOND BEST.
1615
01:37:26,167 --> 01:37:28,833
- YOU'RE SECOND BEST?
NEVER.
1616
01:37:28,833 --> 01:37:34,033
NOT 900 YEARS AGO,
NOT NOW, NOT EVER.
1617
01:37:52,067 --> 01:37:56,767
- FUNNY. HUNK DISAPPEARS, AND
BRADLEY BRINKMAN RETURNS.
1618
01:37:56,767 --> 01:38:00,233
THEY BOTH WERE ALWAYS LOOKING
FOR THE SAME WOMAN TOO.
1619
01:38:00,233 --> 01:38:04,333
- AND IT LOOKS LIKE BRINKMAN
FINALLY GOT HIMSELF A GIRL.
1620
01:38:05,800 --> 01:38:07,867
- WHAT'D YOU EXPECT?
1621
01:38:07,867 --> 01:38:10,433
HUNK MUST'VE
RUBBED OFF ON HIM.114978
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