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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,120 --> 00:00:02,160 . 2 00:00:05,540 --> 00:00:06,210 Daly: Tonight, the battles begin... 3 00:00:07,340 --> 00:00:09,300 [ Laughs ] 4 00:00:09,300 --> 00:00:11,800 ...with some of the biggest forces in music today. 5 00:00:11,800 --> 00:00:15,510 Four award‐winning superstar advisers, 6 00:00:15,510 --> 00:00:18,180 and this season, the rules have changed. 7 00:00:18,180 --> 00:00:19,640 First of all, this is young Nick Jonas's 8 00:00:19,640 --> 00:00:21,520 first battle rounds on "The Voice." Yes. 9 00:00:21,520 --> 00:00:23,020 What happens if we both try to ‐‐ 10 00:00:23,020 --> 00:00:24,650 two people try to steal the same person? 11 00:00:24,650 --> 00:00:26,020 Then you have to fight for it. Oh, no. 12 00:00:26,020 --> 00:00:27,190 The power shifts back to the artist... 13 00:00:27,190 --> 00:00:28,820 Yeah. ...and they pick again. 14 00:00:28,820 --> 00:00:30,440 But if it's his people, then they would obviously pick him. 15 00:00:30,440 --> 00:00:32,280 No, I‐I have to wait this time. We changed the rules. 16 00:00:32,280 --> 00:00:35,530 You guys get the steal option before I get the save. 17 00:00:35,530 --> 00:00:37,370 Fantastic. If none of you guys steal them, then I can save them. 18 00:00:37,370 --> 00:00:38,910 Okay, alright. Speaking of save, 19 00:00:38,910 --> 00:00:40,490 there's gonna be four saves in the battle. 20 00:00:40,490 --> 00:00:44,210 And then those four saves go to the four‐way knockout. 21 00:00:44,210 --> 00:00:45,830 Which is crazy, yeah. That's intense. 22 00:00:45,830 --> 00:00:47,500 Blake, is there anybody on somebody else's team 23 00:00:47,500 --> 00:00:48,880 that you have your eye on? 24 00:00:48,880 --> 00:00:50,500 My fear is that these other artists 25 00:00:50,500 --> 00:00:52,300 have already worked with these coaches, 26 00:00:52,300 --> 00:00:54,170 and it may be too late for these people... 27 00:00:54,170 --> 00:00:55,880 [ Laughing ] Oh, my God. ...because there's no telling 28 00:00:55,880 --> 00:00:58,050 what horrible direction they've been given. True. 29 00:00:58,050 --> 00:01:00,390 Yeah. We've ruined them. Who knows what's gonna happen? 30 00:01:00,390 --> 00:01:01,640 Alright, let's go do it. 31 00:01:01,640 --> 00:01:04,230 Kelly: Let's do it! Get outta here. 32 00:01:04,230 --> 00:01:05,640 [ Laughter ] Go back to my nap. 33 00:01:05,640 --> 00:01:08,400 ♪♪♪ 34 00:01:08,400 --> 00:01:10,570 Season 18 battles. 35 00:01:10,570 --> 00:01:13,240 Walking in to, uh, start sorting this out. 36 00:01:13,240 --> 00:01:16,070 Yep, that's the chair we wanted. Okay. 37 00:01:16,070 --> 00:01:18,530 It's a soundproof glass, is it? 38 00:01:18,530 --> 00:01:20,280 Okay, we forgot to put the glass in. 39 00:01:20,280 --> 00:01:22,540 ♪♪♪ 40 00:01:22,540 --> 00:01:24,160 That's Bebe Rexha. 41 00:01:24,160 --> 00:01:26,250 I brought in Bebe Rexha as my adviser. 42 00:01:26,250 --> 00:01:28,250 Thank you for being here. I'm excited. 43 00:01:28,250 --> 00:01:30,750 She's somebody who's been successful as an artist 44 00:01:30,750 --> 00:01:33,590 in different genres, and she probably had the most played 45 00:01:33,590 --> 00:01:35,760 country song... ♪ But if it's meant to be ♪ 46 00:01:35,760 --> 00:01:38,260 ♪ It'll be, it'll be ♪ ...in the history of any country chart. 47 00:01:38,260 --> 00:01:39,550 You've done the... 48 00:01:39,550 --> 00:01:41,100 Comeback Stage. ...Comeback Stage, 49 00:01:41,100 --> 00:01:42,510 so you kind of get the whole mentoring thing. 50 00:01:42,510 --> 00:01:43,930 That prepared me. Yeah. 51 00:01:43,930 --> 00:01:45,230 I think there's some incredible talent today. 52 00:01:45,230 --> 00:01:46,940 I'm excited to see. Yeah. 53 00:01:46,940 --> 00:01:49,100 I not only feel like she could be a great mentor, 54 00:01:49,100 --> 00:01:51,570 I also think that she could be a good coach, even. 55 00:01:51,570 --> 00:01:53,940 I love '80s rock. Do you like '80s rock? 56 00:01:53,940 --> 00:01:56,240 I mean, my mom used to play it in the house. Yeah. 57 00:01:56,240 --> 00:01:57,740 Why do you got to say it like that? 58 00:01:57,740 --> 00:02:00,120 I didn't say it like that. Are you trying to say I'm old? 59 00:02:00,120 --> 00:02:01,330 No, you're not old. And that's why I like it? 60 00:02:01,330 --> 00:02:03,080 You're young. You know how old I am? 61 00:02:03,080 --> 00:02:04,830 Mm, I'm not guessing. [ Laughs ] 62 00:02:04,830 --> 00:02:07,120 Oh, my God. Wow. Hey! 63 00:02:07,120 --> 00:02:08,960 What's up, people? This is Bebe Rexha. 64 00:02:08,960 --> 00:02:10,960 Hi, guys. Nice to meet you. I'm Joei. 65 00:02:10,960 --> 00:02:12,540 Coming around the corner and seeing Blake Shelton 66 00:02:12,540 --> 00:02:15,130 was obviously exciting, but then to see Bebe Rexha there 67 00:02:15,130 --> 00:02:17,420 is absolutely insane. It was crazy. 68 00:02:17,420 --> 00:02:19,300 You guys are, like, classic rock. 69 00:02:19,300 --> 00:02:20,590 And people are starving for that. 70 00:02:20,590 --> 00:02:22,300 I think classic rock's coming back. 71 00:02:22,300 --> 00:02:23,310 We had our hip‐hop moment, but I feel like actual rock 72 00:02:23,310 --> 00:02:24,600 is coming back for sure. 73 00:02:24,600 --> 00:02:26,270 It's, like, bleeding into hip‐hop. 74 00:02:26,270 --> 00:02:27,640 So, apparently, I stuck around long enough. 75 00:02:27,640 --> 00:02:29,270 [ Laughter ] 76 00:02:29,270 --> 00:02:31,980 To be 50 and to be here is kind of overwhelming. 77 00:02:31,980 --> 00:02:33,480 I grew up in the '80s, and that's when hard rock 78 00:02:33,480 --> 00:02:34,780 was really in the limelight. 79 00:02:34,780 --> 00:02:36,490 I played in a band called Harlet. 80 00:02:36,490 --> 00:02:37,780 It was just loud, and it was heavy metal. 81 00:02:37,780 --> 00:02:39,450 And by the time I get to the end of the set, 82 00:02:39,450 --> 00:02:41,160 my voice is starting to die already. 83 00:02:41,160 --> 00:02:43,370 For the blind audition, I ended up picking 84 00:02:43,370 --> 00:02:45,200 a song I've been singing 38 years. 85 00:02:45,200 --> 00:02:49,160 ♪ Juke box hero ♪ 86 00:02:49,160 --> 00:02:52,670 That is a direct path to the finale, dude. 87 00:02:52,670 --> 00:02:56,000 My blind‐audition day was my 20th anniversary. 88 00:02:56,000 --> 00:02:58,130 So, to have the opportunity on the show 89 00:02:58,130 --> 00:03:00,430 and the support my family, it's all icing on the cake. 90 00:03:00,430 --> 00:03:02,590 I just love this whole, like, rock. 91 00:03:02,590 --> 00:03:04,350 Oh, my God. This is, like, giving me life. 92 00:03:04,350 --> 00:03:06,010 That's part of the reason you're paired together. 93 00:03:06,010 --> 00:03:08,520 Joei's kind of got, like, this Cher sound to her voice. 94 00:03:08,520 --> 00:03:11,350 ♪ Gypsies, tramps, and thieves ♪ 95 00:03:11,350 --> 00:03:12,650 Oh! 96 00:03:12,650 --> 00:03:14,190 So glad I blocked Nick. [ Laughs ] 97 00:03:14,190 --> 00:03:15,690 Don't tell me you would have chosen him anyway. 98 00:03:15,690 --> 00:03:17,190 No, literally, you were my top pick. 99 00:03:17,190 --> 00:03:18,530 I was like, "Blake. I want Blake." 100 00:03:18,530 --> 00:03:20,530 My heart is really in country rock. 101 00:03:20,530 --> 00:03:22,530 I grew up in a family band. 102 00:03:22,530 --> 00:03:25,330 I played three to five nights a week, four hours straight. 103 00:03:25,330 --> 00:03:26,540 I've been doing this my whole life. 104 00:03:26,540 --> 00:03:27,910 It's the only job I've ever had. Wow. 105 00:03:27,910 --> 00:03:30,710 Except I have other passions. I love MMA. 106 00:03:30,710 --> 00:03:32,790 I do boxing, jujitsu ‐‐ everything. 107 00:03:32,790 --> 00:03:35,170 I love how empowering it is as a woman. 108 00:03:35,170 --> 00:03:37,050 It's really cool to have Bebe Rexha as an adviser, 109 00:03:37,050 --> 00:03:38,710 'cause she actually has a woman's perspective. 110 00:03:38,710 --> 00:03:41,220 It's so cool. Thank you. 111 00:03:41,220 --> 00:03:43,510 Bebe's actually gonna make all the decisions for me. 112 00:03:43,510 --> 00:03:44,850 Oh! I just want to hear the song. 113 00:03:44,850 --> 00:03:46,220 Man: Here we go. 114 00:03:46,220 --> 00:03:48,310 ♪ I call you when I need you ♪ 115 00:03:48,310 --> 00:03:50,560 ♪ And my heart's on fire ♪ Blake: Joei and Todd are gonna be 116 00:03:50,560 --> 00:03:52,310 singing "The Best" by Tina Turner. 117 00:03:52,310 --> 00:03:55,400 Both of these artists have a rock edge to what they do. 118 00:03:55,400 --> 00:03:57,650 It's perfect for both of their voices. 119 00:03:57,650 --> 00:04:00,360 ♪ You're simply the best ♪ 120 00:04:02,400 --> 00:04:05,070 ♪ Better than all the rest ♪ 121 00:04:05,070 --> 00:04:06,870 Joei's voice and tone is so rich. 122 00:04:06,870 --> 00:04:10,580 She has a classic vibe to her, and it's really refreshing. 123 00:04:10,580 --> 00:04:12,330 ♪ Don't let go ♪ ♪ Don't let go ♪ 124 00:04:12,330 --> 00:04:14,580 I can't believe Todd hit those notes. Damn. 125 00:04:14,580 --> 00:04:16,420 That was not, like, humanlike. 126 00:04:16,420 --> 00:04:18,550 ♪ You're the best ♪ 127 00:04:18,550 --> 00:04:21,090 For a guy to have a range that high is amazing. 128 00:04:21,090 --> 00:04:23,760 Blake: Whoo! This is gonna be so good. 129 00:04:23,760 --> 00:04:25,680 Yeah, yeah, yeah. [ Laughing ] Thank you. 130 00:04:25,680 --> 00:04:27,600 Holy crap! That is up there. 131 00:04:27,600 --> 00:04:29,430 Dogs couldn't hear that note. 132 00:04:29,430 --> 00:04:31,600 [ Laughs ] Have you always had that range? 133 00:04:31,600 --> 00:04:33,730 I didn't, but when I was younger, I would drive around 134 00:04:33,730 --> 00:04:35,560 in my car trying to sing high like that. 135 00:04:35,560 --> 00:04:37,360 I love his voice, too. I think he's incredible. 136 00:04:37,360 --> 00:04:39,860 It's just so exciting to be working with Blake and Bebe. 137 00:04:39,860 --> 00:04:43,610 And Joei's got this really neat, like, husky tone. 138 00:04:43,610 --> 00:04:45,410 I'm actually really intimidated to sing with her. 139 00:04:45,410 --> 00:04:47,990 The only thing I would say is just ‐‐ it's, like, so high 140 00:04:47,990 --> 00:04:50,330 and it's, like, so much energy ‐‐ 141 00:04:50,330 --> 00:04:51,830 just listening to each other a little bit more. 142 00:04:51,830 --> 00:04:53,620 Blending is really, really important, 143 00:04:53,620 --> 00:04:55,790 and just watching your pitch. There's a unison thing. 144 00:04:55,790 --> 00:04:57,960 I think we can tweak that a little bit. 145 00:04:57,960 --> 00:04:59,630 Both: Okay. Let's sing that part. 146 00:04:59,630 --> 00:05:05,130 ♪ Don't let go‐o‐o‐o ♪ ♪ Don't let go‐o‐o ♪ 147 00:05:05,130 --> 00:05:06,720 I would just not ‐‐ 148 00:05:06,720 --> 00:05:08,260 Just don't layer in there with him. 149 00:05:08,260 --> 00:05:09,550 Okay, so just let him hold that? 150 00:05:09,550 --> 00:05:11,310 I would just let him have that and... Okay. 151 00:05:11,310 --> 00:05:13,430 She's like, "I want to come out on that high note, too." 152 00:05:13,430 --> 00:05:14,640 [ Laughter ] "I want to show off." 153 00:05:14,640 --> 00:05:16,140 "It's a competition." 154 00:05:16,140 --> 00:05:17,730 She gets plenty of showoff. 155 00:05:17,730 --> 00:05:19,820 It's definitely a challenge, going up against someone 156 00:05:19,820 --> 00:05:22,320 like Todd, because he does have such a powerful voice. 157 00:05:22,320 --> 00:05:23,990 Can you break glass with that? [ Vocalizing at high pitch ] 158 00:05:23,990 --> 00:05:26,660 It is just high and crystal clear and pure, 159 00:05:26,660 --> 00:05:27,990 and it's ‐‐ it's beautiful. 160 00:05:27,990 --> 00:05:29,740 So, they told you about the new save? 161 00:05:29,740 --> 00:05:32,330 It's new. It's exciting. It's nerve‐racking. 162 00:05:32,330 --> 00:05:33,950 So who's the one that you're picking? I'm just joking. 163 00:05:33,950 --> 00:05:36,000 This year, the artist that we choose to save 164 00:05:36,000 --> 00:05:40,630 will go on to a knockout round between four different artists. 165 00:05:40,630 --> 00:05:43,510 And only one artist is gonna come out as the winner. 166 00:05:43,510 --> 00:05:44,840 That's not fair to the rest of the world 167 00:05:44,840 --> 00:05:46,340 that you guys have that much talent. 168 00:05:46,340 --> 00:05:48,130 And it's gonna be exciting, I think. 169 00:05:48,130 --> 00:05:49,760 [ Cheers and applause ] 170 00:05:49,760 --> 00:05:51,850 I'm so excited! I love this. 171 00:05:51,850 --> 00:05:53,850 Yeah! Yeah! 172 00:05:53,850 --> 00:05:56,020 Let the battle begin. 173 00:05:56,020 --> 00:05:57,690 He's so, like, Whitesnake. 174 00:05:57,690 --> 00:06:02,360 ♪♪♪ 175 00:06:02,360 --> 00:06:07,950 ♪ I call you when I need you, and my heart's on fire ♪ 176 00:06:07,950 --> 00:06:09,660 Alright! 177 00:06:11,370 --> 00:06:16,540 ♪ You come to me, come to me wild and wild ♪ 178 00:06:19,710 --> 00:06:23,460 ♪ Ooh, you come to me ♪ 179 00:06:23,460 --> 00:06:28,720 ♪ Give me everything I need ♪ 180 00:06:28,720 --> 00:06:31,050 ♪ You're simply the best ♪ 181 00:06:33,560 --> 00:06:38,230 ♪ Better than all the rest ♪ 182 00:06:38,230 --> 00:06:40,900 ♪ Better than anyone ♪ 183 00:06:40,900 --> 00:06:42,730 Yeah. 184 00:06:42,730 --> 00:06:45,980 ♪ Anyone I ever met ♪ 185 00:06:45,980 --> 00:06:47,400 Whoo! 186 00:06:47,400 --> 00:06:50,030 ♪ I'm stuck on your heart ♪ 187 00:06:51,740 --> 00:06:56,040 ♪ I hang on every word you say ♪ 188 00:06:56,040 --> 00:07:01,420 ♪ Don't tear us apart, no, no, no ♪ 189 00:07:01,420 --> 00:07:05,420 ♪ Baby, I would rather be dead ♪ 190 00:07:07,420 --> 00:07:11,510 ♪ Each time you leave me, I start losing control ♪ 191 00:07:11,510 --> 00:07:16,770 ♪ You're walking away with my heart and my soul ♪ 192 00:07:16,770 --> 00:07:21,440 ♪ I can feel you even when I'm alone ♪ 193 00:07:21,440 --> 00:07:26,780 ♪ Oh, baby, don't let go‐o‐o ♪ 194 00:07:26,780 --> 00:07:27,940 Yeah! 195 00:07:27,940 --> 00:07:29,570 ♪ Ohh ♪ 196 00:07:29,570 --> 00:07:31,570 ♪ You're the best ♪ 197 00:07:33,570 --> 00:07:38,160 ♪ Better than all the rest ♪ 198 00:07:38,160 --> 00:07:42,790 ♪ Better than anyone ♪ 199 00:07:42,790 --> 00:07:47,130 ♪ Anyone I ever met ♪ 200 00:07:47,130 --> 00:07:51,800 ♪ I'm stuck on your heart ♪ 201 00:07:51,800 --> 00:07:55,970 ♪ I hang on every word you say ♪ 202 00:07:55,970 --> 00:07:58,890 ♪ Don't tear us apart, no, no ♪ 203 00:07:58,890 --> 00:08:01,640 ♪ Don't tear us apart ♪ 204 00:08:01,640 --> 00:08:06,150 ♪ Baby, I would rather be dead ♪ 205 00:08:06,150 --> 00:08:13,610 ♪ You're the be‐e‐e‐st ♪ 206 00:08:13,610 --> 00:08:15,160 Yeah! 207 00:08:15,160 --> 00:08:16,830 [ Cheers and applause ] 208 00:08:16,830 --> 00:08:19,200 Whoo! 209 00:08:19,200 --> 00:08:21,330 ♪♪♪ 210 00:08:21,330 --> 00:08:23,330 Whoo! 211 00:08:23,330 --> 00:08:28,630 Wow! That was so fun and so good. 212 00:08:28,630 --> 00:08:31,170 Both of your voices fit the song perfectly. 213 00:08:31,170 --> 00:08:33,930 Joei, y‐your tone is so strong. 214 00:08:33,930 --> 00:08:36,850 When you hit the high notes, it was fantastic. Thank you. 215 00:08:36,850 --> 00:08:39,350 Todd, I remember why I wanted you on my team. 216 00:08:39,350 --> 00:08:42,850 Some of these high notes you're hitting is just, like, insane. 217 00:08:42,850 --> 00:08:45,190 And you're hitting them with such clarity and power. 218 00:08:45,190 --> 00:08:48,150 The high‐harmony part above, was like, Oh, my God. Oh, my goodness. 219 00:08:48,150 --> 00:08:49,860 I was like, "Who's singing which part?" 220 00:08:49,860 --> 00:08:51,610 Yeah. Both of you are fantastic. 221 00:08:51,610 --> 00:08:52,860 Thank you. Thank you. 222 00:08:52,860 --> 00:08:55,530 [ Cheers and applause ] 223 00:08:55,530 --> 00:08:59,580 That performance was like 10 shots of caffeine. 224 00:08:59,580 --> 00:09:01,540 Yeah, yeah. That was unbelievable. 225 00:09:01,540 --> 00:09:02,910 Please give it to me. [ Laughs ] 226 00:09:02,910 --> 00:09:04,540 Todd, truly remarkable range. Thank you. 227 00:09:04,540 --> 00:09:06,880 You're a phenomenal singer. I'm blown away by you. 228 00:09:06,880 --> 00:09:09,000 Joei, incredible performance. Thank you. 229 00:09:09,000 --> 00:09:10,960 Your tone is so consistent, so cool. 230 00:09:10,960 --> 00:09:13,550 This was a really fun performance, 231 00:09:13,550 --> 00:09:16,180 but on top of that, technically perfect. 232 00:09:16,180 --> 00:09:19,050 Just because I'm so intrigued by your voice, Joei, I might ‐‐ 233 00:09:19,050 --> 00:09:20,890 I might lean that direction. Thank you. 234 00:09:20,890 --> 00:09:22,720 But you should both be so proud of this performance. 235 00:09:22,720 --> 00:09:24,560 And, Blake, you got a tough decision to make. 236 00:09:24,560 --> 00:09:26,900 A s‐sucky one. A sucky one, yeah. 237 00:09:26,900 --> 00:09:28,520 Yeah. Word of the day. 238 00:09:28,520 --> 00:09:30,070 [ Laughter ] 239 00:09:30,070 --> 00:09:31,520 Hello. Hi. 240 00:09:31,520 --> 00:09:33,070 How you doing? That was really killer. 241 00:09:33,070 --> 00:09:34,860 Thank you. I think you sang Cher in the blinds, 242 00:09:34,860 --> 00:09:37,570 but you have this rasp that is, like, seriously cool. 243 00:09:37,570 --> 00:09:39,030 Thank you. And, Todd, I think 244 00:09:39,030 --> 00:09:41,200 we all were like, "Is he the high harmony?" 245 00:09:41,200 --> 00:09:43,450 I was like, your voice is insane. 246 00:09:43,450 --> 00:09:45,410 I don't think anybody else on this show is like you, 247 00:09:45,410 --> 00:09:47,000 and that's really awesome. 248 00:09:47,000 --> 00:09:48,420 I know you sang Foreigner in the blinds, 249 00:09:48,420 --> 00:09:50,090 and I love Foreigner, and you nailed that, 250 00:09:50,090 --> 00:09:51,670 but I'd love to hear you ‐‐ But you didn't turn for me. 251 00:09:51,670 --> 00:09:53,210 I know, but you're incredible, and, honestly ‐‐ 252 00:09:53,210 --> 00:09:54,880 Or maybe Kelly is full of... Mm. 253 00:09:54,880 --> 00:09:56,090 ...crap. 254 00:09:56,090 --> 00:09:57,680 It. It. You know what? I'm owning it. 255 00:09:57,680 --> 00:09:59,590 It. Full of it. That happens sometimes. 256 00:09:59,590 --> 00:10:01,100 Thank you, Coaches. 257 00:10:01,100 --> 00:10:02,760 Alright, buddy, you have the final decision. 258 00:10:02,760 --> 00:10:04,560 Give us your thoughts on the battle first. 259 00:10:04,560 --> 00:10:06,560 I'll start with ‐‐ with you, Joei, because ‐‐ 260 00:10:06,560 --> 00:10:09,020 And by the way, I found out something about you 261 00:10:09,020 --> 00:10:10,770 that I was telling John earlier. 262 00:10:10,770 --> 00:10:12,730 I said, "Man, I got this girl on my team 263 00:10:12,730 --> 00:10:15,940 that's, like, an MMA fighter, like, a bodybuilder girl. 264 00:10:15,940 --> 00:10:17,740 You know what I'm saying?" It's like, 265 00:10:17,740 --> 00:10:19,240 "she's very comfortable in this battle‐round setting 266 00:10:19,240 --> 00:10:21,240 for some reason." I'm in my setting. 267 00:10:21,240 --> 00:10:25,290 But your voice, truly there's something very magical about it. 268 00:10:25,290 --> 00:10:28,960 You just got an interesting blend of some icons in there. 269 00:10:28,960 --> 00:10:30,960 Congratulations on being an awesome singer. 270 00:10:30,960 --> 00:10:32,790 [ Chuckling ] Thank you. 271 00:10:32,790 --> 00:10:35,960 And, Todd, I don't think you did MMA fighting or whatever. 272 00:10:35,960 --> 00:10:37,800 No. But you do, when you sing, 273 00:10:37,800 --> 00:10:39,760 you do have some karate moves. I just asked her yesterday, 274 00:10:39,760 --> 00:10:41,720 I'm like, "Do people punch you in the face?" 275 00:10:41,720 --> 00:10:42,970 Yeah. "Yeah." 276 00:10:42,970 --> 00:10:44,640 That's so cool. 277 00:10:44,640 --> 00:10:45,970 You've recovered quite well, is what she's saying. 278 00:10:45,970 --> 00:10:47,480 And you're smiling about it. That's awesome. 279 00:10:47,480 --> 00:10:49,060 It's fun. 280 00:10:49,060 --> 00:10:50,900 I'm ‐‐ For you, it's great. 281 00:10:50,900 --> 00:10:52,940 [ Laughter ] 282 00:10:52,940 --> 00:10:55,150 Todd wanted to learn how those guys were singing 283 00:10:55,150 --> 00:10:57,110 all those songs b‐back in the day, you know, 284 00:10:57,110 --> 00:10:58,820 how they were hitting these notes. 285 00:10:58,820 --> 00:11:01,160 And ‐‐ And he said he just finally got to a point where 286 00:11:01,160 --> 00:11:03,830 he just got in his car and drove around, just kept trying 287 00:11:03,830 --> 00:11:05,870 and trying until he developed that range, 288 00:11:05,870 --> 00:11:07,200 which is unbelievable. 289 00:11:07,200 --> 00:11:09,660 Both of you two deserve to be here. 290 00:11:09,660 --> 00:11:11,170 Blake, tough choice here. 291 00:11:11,170 --> 00:11:13,250 Who is the winner of this battle? 292 00:11:13,250 --> 00:11:15,000 Uh... 293 00:11:15,000 --> 00:11:18,920 [ Dramatic music plays ] 294 00:11:18,920 --> 00:11:21,680 ...I'm just gonna hope for the best here a‐and roll the dice. 295 00:11:21,680 --> 00:11:24,260 ♪♪♪ 296 00:11:24,260 --> 00:11:26,350 The winner of this battle... 297 00:11:26,350 --> 00:11:30,350 ♪♪♪ 298 00:11:30,350 --> 00:11:31,520 ...is Joei. 299 00:11:31,520 --> 00:11:33,150 Joei, congratulations! 300 00:11:33,150 --> 00:11:35,520 You're moving on to the knockouts. 301 00:11:35,520 --> 00:11:38,860 I ended up choosing her because she's just got so much talent 302 00:11:38,860 --> 00:11:41,860 and she has a ‐‐ a certain charisma about her. 303 00:11:41,860 --> 00:11:43,110 Thank you so much. Congratulations, sis. 304 00:11:43,110 --> 00:11:45,070 She's got a gift that is very unique. 305 00:11:45,070 --> 00:11:47,910 Oh, my God. It was amazing. It was so much fun. 306 00:11:47,910 --> 00:11:49,750 I'm so grateful to Blake. 307 00:11:49,750 --> 00:11:52,710 Coaches, let me remind you, Todd is available to steal or save. 308 00:11:52,710 --> 00:11:56,210 But you only have until he leaves the stage to steal him. 309 00:11:56,210 --> 00:11:59,130 Todd, anything you'd like to say to your coach? 310 00:11:59,130 --> 00:12:01,880 You know, Blake, I just want to thank you for the opportunity. 311 00:12:01,880 --> 00:12:04,550 This has just been a complete blessing for me, just getting here, 312 00:12:04,550 --> 00:12:06,550 getting picked and everything, so it's all good. 313 00:12:06,550 --> 00:12:09,850 Give it up for Todd Michael Hall, ladies and gentlemen! 314 00:12:09,850 --> 00:12:11,310 [ Cheers and applause ] 315 00:12:11,310 --> 00:12:14,730 ♪♪♪ 316 00:12:14,730 --> 00:12:15,900 Whoa! 317 00:12:15,900 --> 00:12:22,320 ♪♪♪ 318 00:12:22,320 --> 00:12:25,370 Todd Michael Hall is back on the show! 319 00:12:25,370 --> 00:12:27,910 Was that a save or a steal? 320 00:12:27,910 --> 00:12:29,240 Now go back up there! 321 00:12:29,240 --> 00:12:31,580 [ Cheers and applause ] 322 00:12:31,580 --> 00:12:33,160 Wow. What happened? 323 00:12:33,160 --> 00:12:34,580 I was ‐‐ I was always gonna do it. 324 00:12:34,580 --> 00:12:36,420 I was being dramatic. You were a little late. 325 00:12:36,420 --> 00:12:37,420 Blake ‐‐ No, I wasn't. 326 00:12:37,420 --> 00:12:38,710 Blake got the save. 327 00:12:38,710 --> 00:12:40,760 Look up to the sky. Wait, what?! 328 00:12:40,760 --> 00:12:42,840 [ Laughter ] 329 00:12:42,840 --> 00:12:44,930 I thought I had to wait till he got down the stairs. 330 00:12:44,930 --> 00:12:46,430 It's the opposite, yeah. Damn it! 331 00:12:46,430 --> 00:12:47,760 You had to do it before. 332 00:12:47,760 --> 00:12:49,350 It was the first time. 333 00:12:49,350 --> 00:12:51,220 It was the first time! I have a lot of jobs! 334 00:12:51,220 --> 00:12:52,390 [ Laughter ] 335 00:12:52,390 --> 00:12:54,270 So, Blake, you've saved Todd. 336 00:12:54,270 --> 00:12:55,900 Blake: I did. You've used your one save. 337 00:12:55,900 --> 00:12:58,020 I am proud to use my save on him. 338 00:12:58,020 --> 00:13:00,780 I actually think that Todd can thrive 339 00:13:00,780 --> 00:13:02,360 in this four‐way knockout. 340 00:13:02,360 --> 00:13:04,110 It's never happened before, and if ‐‐ 341 00:13:04,110 --> 00:13:05,780 I‐I would not want to go up against you. 342 00:13:05,780 --> 00:13:07,280 And so, I think you're gonna do great, man. 343 00:13:07,280 --> 00:13:09,830 Thank you. Well, give it up for Todd Michael Hall, 344 00:13:09,830 --> 00:13:11,830 who is back on the show. 345 00:13:11,830 --> 00:13:14,120 We'll see him in the four‐way knockout, 346 00:13:14,120 --> 00:13:16,120 representing Team Blake. 347 00:13:16,120 --> 00:13:18,290 Todd: I'm so happy that Blake used his one and only save on me. 348 00:13:18,290 --> 00:13:20,130 I plan to come light it up for the knockouts, 349 00:13:20,130 --> 00:13:21,880 so I think he's gonna be really impressed. 350 00:13:21,880 --> 00:13:23,300 Congrats, brother. Great job. 351 00:13:23,300 --> 00:13:25,760 Blake: I really think this worked out for the best. 352 00:13:25,760 --> 00:13:27,970 When the gloves come off in this four‐way knockout, 353 00:13:27,970 --> 00:13:29,800 nobody in this show can match his range. 354 00:13:29,800 --> 00:13:31,470 Damn it. 355 00:13:31,470 --> 00:13:34,810 I was gonna steal Todd, and I messed up, which is ‐‐ 356 00:13:34,810 --> 00:13:38,060 You know what ‐‐ not shocking, so it's fine. 357 00:13:38,060 --> 00:13:40,820 I'm looking at Todd, going, "Welcome to the team." 358 00:13:40,820 --> 00:13:42,940 [ Laughter ] Daly: Coming up... 359 00:13:42,940 --> 00:13:45,320 ♪ It was great at the very start ♪ 360 00:13:45,320 --> 00:13:47,320 Daly: ...our coaches and advisers get to work... 361 00:13:47,320 --> 00:13:48,820 Bite down a bit. Like, almost have ‐‐ 362 00:13:48,820 --> 00:13:50,700 On the words, yeah. 363 00:13:50,700 --> 00:13:53,040 The runs ‐‐ most of the time, you're likely not gonna hit it 364 00:13:53,040 --> 00:13:54,700 if there is a doubt in your mind. 365 00:13:54,700 --> 00:13:56,660 Letting the song breathe a little bit off the top, 366 00:13:56,660 --> 00:13:58,420 I think, is nice, until it's go time. 367 00:13:58,420 --> 00:14:00,460 ♪ I like it like that ♪ Daly: ...and help produce 368 00:14:00,460 --> 00:14:02,460 some of the best battles we've ever seen... 369 00:14:02,460 --> 00:14:06,800 ♪ Say I like it like that, like it like that ♪ 370 00:14:06,800 --> 00:14:08,800 Wow, first‐time coach. 371 00:14:08,800 --> 00:14:10,430 ♪ You gotta know ♪ 372 00:14:10,430 --> 00:14:12,850 ♪ You know that I adore you ♪ 373 00:14:12,850 --> 00:14:14,350 Yeah! Beautiful! 374 00:14:14,350 --> 00:14:16,850 Daly: ...leaving our coaches with difficult decisions. 375 00:14:16,850 --> 00:14:19,520 I'm in the toughest position I've been in, 376 00:14:19,520 --> 00:14:21,150 in my life, right now. 377 00:14:22,020 --> 00:14:32,030 Whoa! We've got a steal! 378 00:14:32,160 --> 00:14:32,200 . 379 00:14:33,660 --> 00:14:34,080 ♪ This is "The Voice" ♪ 380 00:14:34,870 --> 00:14:37,210 Daly: Welcome back to the battles. 381 00:14:37,210 --> 00:14:39,040 Anaya: Just take a deep breath. 382 00:14:39,040 --> 00:14:40,370 [ Inhales deeply ] I can't do that. 383 00:14:40,370 --> 00:14:41,880 I got Spanx on, Anaya. 384 00:14:41,880 --> 00:14:43,540 [ Both laugh ] Oh, my God. 385 00:14:43,540 --> 00:14:44,710 Are you ready? Yes. 386 00:14:44,710 --> 00:14:45,880 I'm so ready. Yeah! 387 00:14:45,880 --> 00:14:47,880 I was so excited to find out 388 00:14:47,880 --> 00:14:49,630 who our mentor was... 389 00:14:49,630 --> 00:14:51,640 Are you ready? I ran down the hall, basically. 390 00:14:51,640 --> 00:14:53,050 [ Chuckles ] 391 00:14:53,050 --> 00:14:54,560 Hi! 392 00:14:54,560 --> 00:14:56,390 When I saw Kelly by herself, 393 00:14:56,390 --> 00:14:58,060 I was a little confused why there wasn't an adviser there. 394 00:14:58,060 --> 00:15:00,060 Anaya, Chelle, nice to see you again. 395 00:15:00,060 --> 00:15:03,560 Today you are doing "Scared to Be Lonely" by Dua Lipa. 396 00:15:03,560 --> 00:15:06,070 And I thought, "What better way 397 00:15:06,070 --> 00:15:10,320 than have maybe Dua Lipa come help you do it?" 398 00:15:10,320 --> 00:15:13,570 [ Laughs ] Dua, come on in here! 399 00:15:13,570 --> 00:15:15,120 What?! 400 00:15:15,120 --> 00:15:16,540 Oh, my God! 401 00:15:16,540 --> 00:15:18,700 [ Laughter ] Yes! 402 00:15:18,700 --> 00:15:22,750 She comes out of the door. I was like, "Dua?" Dua Lipa! 403 00:15:22,750 --> 00:15:24,880 How you doing? Oh, my God. I'm so good. 404 00:15:24,880 --> 00:15:26,590 Hello. Hi. How are you? 405 00:15:26,590 --> 00:15:28,510 Good. How are you? Chelle: Oh, my gosh. 406 00:15:28,510 --> 00:15:31,930 We're gonna sing a Dua Lipa song in front of Dua Lipa right now. 407 00:15:31,930 --> 00:15:33,720 No pressure ‐‐ it's hers. 408 00:15:33,720 --> 00:15:35,220 No, no, don't feel any pressure. 409 00:15:35,220 --> 00:15:37,770 I'm so honored you're doing this, and I'm so excited. 410 00:15:37,770 --> 00:15:41,100 That's just insane. Dua Lipa is the "it" artist right now. 411 00:15:41,100 --> 00:15:42,940 Like, she is on top of the world, 412 00:15:42,940 --> 00:15:44,520 she's on top of the charts. 413 00:15:44,520 --> 00:15:45,940 No way in heck did I ever think, 414 00:15:45,940 --> 00:15:47,780 me coming from Bargersville, Indiana, 415 00:15:47,780 --> 00:15:49,900 I was ever gonna get the chance to be here. 416 00:15:49,900 --> 00:15:53,240 Bargersville ‐‐ there's probably 7,000 people there. 417 00:15:53,240 --> 00:15:55,910 You'll see cows everywhere, sometimes goats. 418 00:15:55,910 --> 00:15:59,410 It's not known for a whole lot, I guess, except for cornfields. 419 00:15:59,410 --> 00:16:01,040 And when you're not singing, what do you like to do? 420 00:16:01,040 --> 00:16:03,040 I‐I actually collect rocks. 421 00:16:03,040 --> 00:16:04,920 I just graduated high school, 422 00:16:04,920 --> 00:16:08,630 and I became a preschool teacher at my church. 423 00:16:08,630 --> 00:16:10,130 Before coming to "The Voice," 424 00:16:10,130 --> 00:16:13,130 I was still trying to find my own self‐confidence. 425 00:16:13,130 --> 00:16:17,640 ♪ If teardrops could be bottled ♪ 426 00:16:17,640 --> 00:16:19,310 I think that you're gonna flourish on this show 427 00:16:19,310 --> 00:16:21,770 if you really just let go. 428 00:16:21,770 --> 00:16:23,640 Thank you so much. 429 00:16:23,640 --> 00:16:25,980 Now that I'm here, I am unbelievably ready 430 00:16:25,980 --> 00:16:27,650 to start working with Kelly. 431 00:16:27,650 --> 00:16:29,650 I love amethyst! 432 00:16:29,650 --> 00:16:32,400 For Blake, I got fool's gold. 433 00:16:32,400 --> 00:16:33,910 Fool's gold. Fool's gold. 434 00:16:33,910 --> 00:16:35,990 No matter how far I get, 435 00:16:35,990 --> 00:16:38,950 I'm gonna be a better performer and artist. 436 00:16:38,950 --> 00:16:41,700 So, you have to do school and this? Yes. 437 00:16:41,700 --> 00:16:43,250 Wow. Yeah. 438 00:16:43,250 --> 00:16:45,080 It's, like, all these young ones, I'm like, "Whoo!" 439 00:16:45,080 --> 00:16:46,830 Anaya: I'm 16 years old. 440 00:16:46,830 --> 00:16:50,000 I've sacrificed a lot to get to this point. 441 00:16:50,000 --> 00:16:53,010 I moved away from my family at the age of 12 442 00:16:53,010 --> 00:16:54,970 to go to performing‐arts school. 443 00:16:54,970 --> 00:16:58,510 Living away from my mom is very hard. 444 00:16:58,510 --> 00:17:01,100 I also sacrificed being away from my little sister. 445 00:17:01,100 --> 00:17:03,140 When I moved to Georgia, she was three years old. 446 00:17:03,140 --> 00:17:06,520 I didn't get to see her grow up in person. 447 00:17:06,520 --> 00:17:09,320 I'm giving up all the usual teenage‐girl stuff 448 00:17:09,320 --> 00:17:11,320 to pursue my dreams. 449 00:17:11,320 --> 00:17:15,660 ♪ Don't wanna give my heart away ♪ 450 00:17:15,660 --> 00:17:18,030 I didn't have your range at 16. 451 00:17:18,030 --> 00:17:19,910 I had to work very hard for that. 452 00:17:19,910 --> 00:17:22,410 I am so excited to start working with Kelly. 453 00:17:22,410 --> 00:17:26,870 You don't even understand ‐‐ like, the notes that she hits? 454 00:17:26,870 --> 00:17:29,040 She's ‐‐ She's not real. 455 00:17:29,040 --> 00:17:31,710 I just thought it would be fun to kind of do one of her songs 456 00:17:31,710 --> 00:17:33,550 with her being here, and, obviously, like, 457 00:17:33,550 --> 00:17:35,220 super current, like, killing it... 458 00:17:35,220 --> 00:17:36,880 Yes. ...on the charts right now. 459 00:17:36,880 --> 00:17:38,220 So, let's hear it. 460 00:17:38,220 --> 00:17:41,470 ♪ It was great at the very start ♪ 461 00:17:41,470 --> 00:17:45,020 Anaya's voice does not sound 16 years old. 462 00:17:45,020 --> 00:17:47,730 And she's very confident. I love that about her. 463 00:17:47,730 --> 00:17:49,310 She's an incredible singer. 464 00:17:49,310 --> 00:17:52,860 ♪ Magnifying all our flaws ♪ 465 00:17:52,860 --> 00:17:55,400 Chelle is a really great singer because she's got this 466 00:17:55,400 --> 00:17:59,910 kind of jazz‐soul background, and it looks effortless. 467 00:17:59,910 --> 00:18:02,290 She's, like, a dark horse, I think. 468 00:18:04,040 --> 00:18:07,080 There was a lot of music going on and no one was singing. 469 00:18:07,080 --> 00:18:08,420 Yeah, that's... Yes. 470 00:18:08,420 --> 00:18:10,040 It's normally the part when I'm onstage 471 00:18:10,040 --> 00:18:12,170 and I just end up headbanging the whole time. 472 00:18:12,170 --> 00:18:14,880 It's, like, I like to call it mosh pop. [ Laughter ] 473 00:18:14,880 --> 00:18:17,680 'Cause I definitely find myself moshing for most of the song. 474 00:18:17,680 --> 00:18:19,260 But I think it's beautiful. 475 00:18:19,260 --> 00:18:21,260 I think, you know, when you're doing the ad‐lib parts, 476 00:18:21,260 --> 00:18:23,260 it ‐‐ it can also just be "oohs" and "ahhs." 477 00:18:23,260 --> 00:18:24,850 Yeah. You know, you can experiment with that. 478 00:18:24,850 --> 00:18:26,350 And also the song is quite vulnerable, 479 00:18:26,350 --> 00:18:28,270 and I think there's strength in vulnerability. 480 00:18:28,270 --> 00:18:29,770 So, when you start the songs, you know... 481 00:18:29,770 --> 00:18:32,270 ♪ It was great at the very start ♪ 482 00:18:32,270 --> 00:18:34,530 ...don't put your voice all out there at once. 483 00:18:34,530 --> 00:18:36,110 Bite down a bit. Like, almost have ‐‐ 484 00:18:36,110 --> 00:18:37,530 On the words, yeah. 'Cause... 485 00:18:37,530 --> 00:18:40,360 ♪ Picking fights, slamming doors ♪ 486 00:18:40,360 --> 00:18:43,450 ♪ Magnifying all our flaws ♪ 487 00:18:43,450 --> 00:18:45,830 Just make sure you have that ache, 'cause you're 16. 488 00:18:45,830 --> 00:18:47,960 Maybe you ain't had this experience, 489 00:18:47,960 --> 00:18:50,120 but make sure you're relating to the song and the lyric. 490 00:18:50,120 --> 00:18:52,080 Tell a story with the way that you're singing it. Yeah. 491 00:18:52,080 --> 00:18:54,630 When you both get to the chorus, it's so loud ‐‐ 492 00:18:54,630 --> 00:18:58,300 allow that to be a kind of journey and a trajectory to that point. 493 00:18:58,300 --> 00:19:00,800 The song is essentially coming to the understanding 494 00:19:00,800 --> 00:19:03,430 that you're in a relationship for the wrong reasons. 495 00:19:03,430 --> 00:19:05,970 And maybe the only reason that we're together is because 496 00:19:05,970 --> 00:19:07,480 we're scared to be lonely. 497 00:19:07,480 --> 00:19:10,560 ♪ Is it just our bodies? ♪ 498 00:19:10,560 --> 00:19:13,980 ♪ Are we both losing our minds? ♪ 499 00:19:13,980 --> 00:19:16,780 It was really exciting to see it done quite differently, 500 00:19:16,780 --> 00:19:18,820 and it was so inspiring because I was like, 501 00:19:18,820 --> 00:19:20,740 "Oh, maybe I should try something." 502 00:19:20,740 --> 00:19:22,320 You're both amazing. 503 00:19:22,320 --> 00:19:25,030 I think, just on the... ♪ Even when we know it's wrong ♪ 504 00:19:25,030 --> 00:19:26,870 ...should we repeat it twice? 505 00:19:26,870 --> 00:19:28,830 So then you have one that's a little bit more vulnerable 506 00:19:28,830 --> 00:19:30,330 and one that goes really big... Yeah. 507 00:19:30,330 --> 00:19:32,830 ...and so it goes... ♪ Holding on tonight ♪ 508 00:19:32,830 --> 00:19:34,670 ♪ 'Cause we're scared to be lonely ♪ 509 00:19:34,670 --> 00:19:36,340 ♪ Even when we know ♪ ...so we do it twice. 510 00:19:36,340 --> 00:19:39,840 I just got serenaded by you. That was nice. 511 00:19:39,840 --> 00:19:42,180 It's not about so much impressing people 512 00:19:42,180 --> 00:19:44,260 with your notes, it's the vibe. 513 00:19:44,260 --> 00:19:46,310 Yeah. It's that push, just on an... 514 00:19:46,310 --> 00:19:47,600 ♪ Oh, yeah ♪ 515 00:19:47,600 --> 00:19:49,850 ♪ Oh, yeah‐eah ♪ 516 00:19:49,850 --> 00:19:51,810 Like, have all that "Unh!" You need that. 517 00:19:51,810 --> 00:19:54,190 That's my favorite part of Dua, like, listening to her record, 518 00:19:54,190 --> 00:19:55,940 she has so much attitude when she sings. 519 00:19:55,940 --> 00:19:57,190 It's just innate in her. 520 00:19:57,190 --> 00:19:58,690 Kelly: They're both great singers, 521 00:19:58,690 --> 00:20:00,320 but I think this battle is gonna come down 522 00:20:00,320 --> 00:20:03,700 to who can carry that attitude of this song. 523 00:20:03,700 --> 00:20:06,030 Well, I cannot wait to see you at stage rehearsals. 524 00:20:06,030 --> 00:20:07,370 I wish she could be there... 525 00:20:07,370 --> 00:20:08,910 I know. Me too. ...'cause she's so stagey... 526 00:20:08,910 --> 00:20:10,370 Roller‐skating around, doing all the things. 527 00:20:10,370 --> 00:20:13,040 Like, I'm like, "Wow." This is one of those jams 528 00:20:13,040 --> 00:20:14,630 everybody's gonna be singing along to. 529 00:20:14,630 --> 00:20:17,130 ♪♪♪ 530 00:20:17,130 --> 00:20:19,630 Alright, stage rehearsals start now. 531 00:20:19,630 --> 00:20:21,380 We're gonna be so good. I love my team. 532 00:20:21,380 --> 00:20:23,300 I think a very important part is stage rehearsals 533 00:20:23,300 --> 00:20:25,390 because it's a very different thing. 534 00:20:25,390 --> 00:20:27,220 You know, it looks like a boxing ring, 535 00:20:27,220 --> 00:20:29,180 seeing all the cameras, where they are, where to play to. 536 00:20:29,180 --> 00:20:31,180 So it's nice to have them on this stage 537 00:20:31,180 --> 00:20:33,350 before they actually have to do it for real. 538 00:20:33,350 --> 00:20:39,150 ♪ Scared to be lonely ♪ 539 00:20:39,150 --> 00:20:41,860 Wow! I am screwed! 540 00:20:41,860 --> 00:20:43,400 That was really good! Thank you. 541 00:20:43,400 --> 00:20:46,240 I have one note ‐‐ feel the vibe of the crowd, 542 00:20:46,240 --> 00:20:48,280 'cause it's, like, kind of a dance song, you know? 543 00:20:48,280 --> 00:20:50,950 Yeah. Just make sure you're, you know, out to the audience. 544 00:20:50,950 --> 00:20:52,750 Me and Chelle have been working very hard, 545 00:20:52,750 --> 00:20:55,210 so I have the song down, but now I feel like 546 00:20:55,210 --> 00:20:57,880 it's just time to get in the vibe of the song. 547 00:20:57,880 --> 00:20:59,250 Don't think, just do. 548 00:20:59,250 --> 00:21:00,880 You just want that electricity 549 00:21:00,880 --> 00:21:02,760 because that's what's gonna get them to steal you. 550 00:21:02,760 --> 00:21:05,090 If the whole vibe of this room is losing their mind, 551 00:21:05,090 --> 00:21:06,930 we get swayed. 552 00:21:06,930 --> 00:21:08,930 Anaya and Chelle ‐‐ they were really good in rehearsals, 553 00:21:08,930 --> 00:21:10,220 but they were great today. 554 00:21:10,220 --> 00:21:11,220 That was really great. 555 00:21:11,220 --> 00:21:12,180 Thank you. Thank you. 556 00:21:12,180 --> 00:21:14,270 Make sure you have fun. 557 00:21:14,270 --> 00:21:17,270 Daly: Who would you pick as the winner of this battle? 558 00:21:17,270 --> 00:21:20,900 Get the "Voice" official app now and play along. 559 00:21:29,200 --> 00:21:29,240 . 560 00:21:30,580 --> 00:21:30,990 ♪ This is "The Voice" ♪ 561 00:21:31,830 --> 00:21:33,450 Daly: Welcome back. 562 00:21:33,450 --> 00:21:34,790 Whoo! 563 00:21:34,790 --> 00:21:37,330 Let the battle begin. 564 00:21:39,290 --> 00:21:46,260 ♪♪♪ 565 00:21:46,260 --> 00:21:50,470 ♪ It was great at the very start ♪ 566 00:21:50,470 --> 00:21:53,310 ♪ Hands on each other ♪ 567 00:21:53,310 --> 00:21:56,890 ♪ Couldn't stand to be far apart ♪ 568 00:21:56,890 --> 00:21:59,810 ♪ Closer the better ♪ 569 00:21:59,810 --> 00:22:03,320 ♪ Now we're picking fights and slamming doors ♪ 570 00:22:03,320 --> 00:22:06,650 ♪ Magnifying all our flaws ♪ 571 00:22:06,650 --> 00:22:10,320 ♪ And I wonder why, wonder what for ♪ 572 00:22:10,320 --> 00:22:15,660 ♪ Why we keep coming back for mo‐o‐re ♪ 573 00:22:15,660 --> 00:22:19,170 ♪ Is it just our bodies? ♪ 574 00:22:19,170 --> 00:22:22,670 ♪ Are we both losing our minds? ♪ 575 00:22:22,670 --> 00:22:25,970 ♪ Is the only reason you're holding me tonight ♪ 576 00:22:25,970 --> 00:22:29,510 ♪ 'Cause we're scared to be lonely? ♪ 577 00:22:29,510 --> 00:22:35,350 ♪ Ooh‐ooh, scared to be lonely ♪ 578 00:22:35,350 --> 00:22:38,310 ♪ Even when we know it's wrong ♪ 579 00:22:38,310 --> 00:22:41,690 ♪ Been somebody better for us all along ♪ 580 00:22:41,690 --> 00:22:44,980 ♪ Tell me, how can we keep holding on? ♪ 581 00:22:44,980 --> 00:22:47,190 ♪ Holding on tonight ♪ 582 00:22:47,190 --> 00:22:49,660 ♪ 'Cause we're scared to be lonely ♪ 583 00:22:49,660 --> 00:22:51,870 ♪ Even when we know it's wrong ♪ 584 00:22:51,870 --> 00:22:55,740 ♪ Been somebody better for us all along ♪ 585 00:22:55,740 --> 00:22:59,330 ♪ Tell me, how can we keep holding on? ♪ 586 00:22:59,330 --> 00:23:03,880 ♪ Holding o‐o‐o‐on ♪ 587 00:23:03,880 --> 00:23:07,720 ♪ Is it just our bodies? ♪ 588 00:23:07,720 --> 00:23:11,390 ♪ Are we both losing our minds? ♪ 589 00:23:11,390 --> 00:23:14,720 ♪ Is the only reason you're holding me tonight ♪ 590 00:23:14,720 --> 00:23:18,890 ♪ 'Cause we're scared to be lonely? ♪ 591 00:23:18,890 --> 00:23:21,730 ♪ Scared to be lonely ♪ 592 00:23:21,730 --> 00:23:26,400 ♪ Ooh‐ooh ooh‐ooh ooh ooh‐ooh ooh‐ooh‐ooh ♪ 593 00:23:26,400 --> 00:23:29,070 ♪ Ooh oh‐oh‐oh ♪ 594 00:23:29,070 --> 00:23:32,360 ♪ Yeah ♪ 595 00:23:32,360 --> 00:23:35,950 ♪ Ooh‐ooh, ooh‐ooh‐ooh ♪ 596 00:23:35,950 --> 00:23:42,540 ♪ Scared to be lonely ♪ 597 00:23:42,540 --> 00:23:43,920 [ Cheers and applause ] 598 00:23:43,920 --> 00:23:46,420 Yeah! Whoo! 599 00:23:46,420 --> 00:23:50,420 [ Cheers and applause ] 600 00:23:50,420 --> 00:23:51,880 Wow! 601 00:23:51,880 --> 00:23:53,590 Oh, my God! 602 00:23:53,590 --> 00:23:55,550 Yes! 603 00:23:55,550 --> 00:23:56,850 Yes, yes, yes. Yes, yes. 604 00:23:56,850 --> 00:23:58,060 It was so good. 605 00:23:58,060 --> 00:23:59,270 Hey, guys. 606 00:23:59,270 --> 00:24:00,430 Hi. Hi. 607 00:24:00,430 --> 00:24:02,440 Blake: Anaya, you have a very 608 00:24:02,440 --> 00:24:04,440 diverse way of singing. 609 00:24:04,440 --> 00:24:08,440 You can come in and out of all different kinds of voices. 610 00:24:08,440 --> 00:24:11,780 Your headvoice is strong, your chest voice, your runs, 611 00:24:11,780 --> 00:24:13,950 and that's impressive for a 16‐year‐old. 612 00:24:13,950 --> 00:24:17,660 Chelle, I feel like there were parts of your performance 613 00:24:17,660 --> 00:24:19,660 that got away from you just a little bit. 614 00:24:19,660 --> 00:24:22,460 You're probably so much better when all these lights 615 00:24:22,460 --> 00:24:24,630 and people are gone and stuff. You know what I'm saying? 616 00:24:24,630 --> 00:24:26,460 Anaya, I would probably go with you. 617 00:24:26,460 --> 00:24:27,710 Thank you. 618 00:24:27,710 --> 00:24:29,590 Both of you are excellent singers. 619 00:24:29,590 --> 00:24:33,470 Chelle, I think, it was just a little more, um, imprecise. 620 00:24:33,470 --> 00:24:35,640 And you were going against Anaya, 621 00:24:35,640 --> 00:24:37,430 who, from the moment you walked out here, 622 00:24:37,430 --> 00:24:40,140 I was like, "Okay, she's a star." 623 00:24:40,140 --> 00:24:42,640 You were hitting all kinds of acrobatics 624 00:24:42,640 --> 00:24:44,770 that were extremely impressive to me. 625 00:24:44,770 --> 00:24:46,480 Thank you. 626 00:24:46,480 --> 00:24:49,480 Can I ask you a question? In your second performance, 627 00:24:49,480 --> 00:24:51,610 did you feel like a star yet? 628 00:24:51,610 --> 00:24:55,070 I'm 37. I've been doing it for 17 years, and I still don't. 629 00:24:55,070 --> 00:24:56,990 [ Laughter ] 630 00:24:56,990 --> 00:24:58,450 We beg to differ, Kelly. 631 00:24:58,450 --> 00:24:59,870 But I think the point is real, 632 00:24:59,870 --> 00:25:01,660 which is, Chelle, this is the second time 633 00:25:01,660 --> 00:25:03,410 I'm hearing you sing. 634 00:25:03,410 --> 00:25:04,670 I think there's real talent there. 635 00:25:04,670 --> 00:25:05,620 You have a real gift. 636 00:25:05,620 --> 00:25:07,000 And you gave us rocks last time, 637 00:25:07,000 --> 00:25:08,670 which was so nice. 638 00:25:08,670 --> 00:25:12,340 I really appreciated the fool's gold. 639 00:25:12,340 --> 00:25:14,340 Oh, she just pegged it, didn't you? 640 00:25:14,340 --> 00:25:15,840 [ Laughter ] 641 00:25:15,840 --> 00:25:19,350 Anaya, at 16, I was not as confident or comfortable, 642 00:25:19,350 --> 00:25:21,020 and I was performing on the Grammys. 643 00:25:21,020 --> 00:25:23,680 Psshh! Drop. 644 00:25:23,680 --> 00:25:27,150 Um, the edge that you have right now is real, 645 00:25:27,150 --> 00:25:29,360 but I want to say, Chelle, you're also amazing. 646 00:25:29,360 --> 00:25:30,980 There's a lot of potential because you're incredible. 647 00:25:30,980 --> 00:25:32,530 Thank you. 648 00:25:32,530 --> 00:25:34,030 Daly: Thank you, Coaches. 649 00:25:34,030 --> 00:25:35,530 Alright, Kelly, you have the final decision, of course. 650 00:25:35,530 --> 00:25:36,700 What'd you think of the battle? 651 00:25:36,700 --> 00:25:38,370 You're both really great. 652 00:25:38,370 --> 00:25:40,080 You both have completely different tones, obviously, 653 00:25:40,080 --> 00:25:41,870 but you both have an amazing range. Thank you. 654 00:25:41,870 --> 00:25:44,870 And I wanted to see who was gonna push themselves the most. 655 00:25:44,870 --> 00:25:46,370 Regardless of it's this show, 656 00:25:46,370 --> 00:25:48,380 regardless of it's whatever audition you go to, 657 00:25:48,380 --> 00:25:51,380 make sure that you are very confident 658 00:25:51,380 --> 00:25:53,710 and you own that moment each time. 659 00:25:53,710 --> 00:25:55,800 Never rest, or it won't happen, 660 00:25:55,800 --> 00:25:57,890 'cause there's too many talented people out there. 661 00:25:57,890 --> 00:26:00,010 Kelly, tough decision. 662 00:26:00,010 --> 00:26:01,640 Who's the winner of this battle? 663 00:26:01,640 --> 00:26:03,180 [ Dramatic music plays ] 664 00:26:03,180 --> 00:26:07,020 The winner of this battle is... 665 00:26:07,020 --> 00:26:08,480 Anaya. 666 00:26:08,480 --> 00:26:11,730 Anaya moves on to the knockouts. 667 00:26:11,730 --> 00:26:13,190 Congratulations! 668 00:26:13,190 --> 00:26:15,070 [ Cheers and applause ] I'm so, so proud of you. 669 00:26:15,070 --> 00:26:16,570 Thank you. Kelly: I had to pick Anaya, 670 00:26:16,570 --> 00:26:18,160 because when it came down to it, you know, 671 00:26:18,160 --> 00:26:20,070 the nerves almost pushed her to be even better. 672 00:26:20,070 --> 00:26:22,950 Anaya is just a perfect coachable artist. 673 00:26:22,950 --> 00:26:25,910 Girl, you sang the hell out of that damn song. 674 00:26:25,910 --> 00:26:28,920 Thank you. I mean, keep doing it every week. 675 00:26:28,920 --> 00:26:30,750 She doesn't ever get offended by something. 676 00:26:30,750 --> 00:26:33,090 She's almost, like, flattered that someone cares enough 677 00:26:33,090 --> 00:26:34,880 to really put their two cents in, 678 00:26:34,880 --> 00:26:37,590 and that is a really fun person to work with. 679 00:26:37,590 --> 00:26:40,510 And I'm honestly looking forward to picking songs with Anaya. 680 00:26:40,510 --> 00:26:41,600 Great job. 681 00:26:41,600 --> 00:26:42,930 Anaya is special. 682 00:26:42,930 --> 00:26:44,720 She's extremely gifted. 683 00:26:44,720 --> 00:26:46,770 I think she's gonna be one of Kelly's best artists. 684 00:26:46,770 --> 00:26:49,100 Oh, my God. A tear! 685 00:26:49,100 --> 00:26:51,770 I feel very proud of myself, and I feel accomplished. 686 00:26:51,770 --> 00:26:54,110 I'm so excited to keep working with Kelly! 687 00:26:54,110 --> 00:26:56,900 Coaches, let me remind you that Chelle is available to steal. 688 00:26:56,900 --> 00:26:59,950 Chelle, anything you'd like to say to your coach, Kelly? 689 00:26:59,950 --> 00:27:02,990 Um, I just want to thank Kelly for giving me this opportunity 690 00:27:02,990 --> 00:27:05,950 and really believing in me that I had the power to push myself 691 00:27:05,950 --> 00:27:08,790 on this show, so thank you so much. 692 00:27:08,790 --> 00:27:10,750 You are very, very gifted. Give it up again for Chelle, 693 00:27:10,750 --> 00:27:12,630 ladies and gentlemen! 694 00:27:12,630 --> 00:27:15,130 Kelly: I was super bummed for Chelle, 695 00:27:15,130 --> 00:27:18,970 because that was nowhere near what Chelle is capable of. 696 00:27:18,970 --> 00:27:20,630 She was a three‐chair turn. 697 00:27:20,630 --> 00:27:22,090 Like, she definitely should keep singing. 698 00:27:22,090 --> 00:27:24,220 Anaya is insane. She's good. 699 00:27:24,220 --> 00:27:26,720 Her vocals ‐‐ I was like, "What?" 700 00:27:26,720 --> 00:27:28,730 Yeah, she's got real potential. 701 00:27:28,730 --> 00:27:30,980 Yeah. I'm like, "Wow." 702 00:27:30,980 --> 00:27:39,280 ♪♪♪ 703 00:27:39,280 --> 00:27:43,160 Nick was very adamant about writing specific words 704 00:27:43,160 --> 00:27:45,530 in his notepad in the blind auditions. 705 00:27:45,530 --> 00:27:48,200 I'm a little bit, uh, surprised he's not using it 706 00:27:48,200 --> 00:27:49,910 for the battle rounds. 707 00:27:49,910 --> 00:27:51,500 What'd you write on his thing? 708 00:27:51,500 --> 00:27:53,830 Asked him why he's not writing in his notepad. 709 00:27:53,830 --> 00:27:55,630 "Where are your notes?" [ Laughs ] 710 00:28:02,090 --> 00:28:02,130 . 711 00:28:03,340 --> 00:28:03,800 ♪ This is "The Voice" ♪ 712 00:28:04,680 --> 00:28:06,680 Daly: Welcome back to the battle rounds. 713 00:28:06,680 --> 00:28:09,020 Yes, it is so good to finally meet you guys. 714 00:28:09,020 --> 00:28:10,140 Yeah, same. Aw, man. 715 00:28:10,140 --> 00:28:11,520 Been a fan for a long time. 716 00:28:11,520 --> 00:28:13,690 The honor is yours. It is, indeed. 717 00:28:13,690 --> 00:28:14,860 Uh, thank you, guys, for doing this. 718 00:28:14,860 --> 00:28:16,610 Oh, we're happy to. Of course, man. 719 00:28:16,610 --> 00:28:18,190 I think my team is gonna freak out when they see you. 720 00:28:18,190 --> 00:28:19,820 Anything we can do to help. 721 00:28:19,820 --> 00:28:21,190 And I need ‐‐ I need you to help them in any way you can. 722 00:28:21,190 --> 00:28:22,320 Open the door for us. 723 00:28:22,320 --> 00:28:24,160 Okay, I'll open the door for you. 724 00:28:24,160 --> 00:28:25,700 I brought two of the most 725 00:28:25,700 --> 00:28:28,080 unintelligent people I could find, 726 00:28:28,080 --> 00:28:30,410 just so that I would look better. 727 00:28:30,410 --> 00:28:32,210 Who are those people? 728 00:28:32,210 --> 00:28:33,870 I‐I don't ‐‐ Uh, no. 729 00:28:33,870 --> 00:28:35,880 I brought my brothers... Hello. 730 00:28:35,880 --> 00:28:37,630 ...Joe and Kevin Jonas. 731 00:28:37,630 --> 00:28:39,300 Yes, we are here to save the day. 732 00:28:39,300 --> 00:28:41,210 This chair doesn't spin. 733 00:28:41,210 --> 00:28:42,880 It doesn't spin. Sorry, Joe. 734 00:28:42,880 --> 00:28:44,380 We could only work that out for me. 735 00:28:44,380 --> 00:28:46,220 I specifically ask that the chair spin. 736 00:28:46,220 --> 00:28:47,850 We're just really happy to be here. 737 00:28:47,850 --> 00:28:49,640 We, uh ‐‐ W‐We're thrilled. Yeah. 738 00:28:49,640 --> 00:28:51,220 We're happy to help Nick through this process and, hopefully, 739 00:28:51,220 --> 00:28:53,890 pass on some knowledge and good information a‐and wisdom 740 00:28:53,890 --> 00:28:56,060 to these artists so they can go out there 741 00:28:56,060 --> 00:28:58,070 and deliver great performances. 742 00:28:58,070 --> 00:29:00,070 I think we just got to loosen them up, have some fun with them. 743 00:29:00,070 --> 00:29:01,900 I want them to win, want them to succeed. 744 00:29:01,900 --> 00:29:03,740 100%. That sounds good. 745 00:29:03,740 --> 00:29:06,870 Alright. Alright. 746 00:29:06,870 --> 00:29:08,280 [ Gasps ] 747 00:29:08,280 --> 00:29:10,290 [ Chuckles ] Oh, my gosh. 748 00:29:10,290 --> 00:29:12,580 Joanna: Walking in that room and seeing Nick with his brothers 749 00:29:12,580 --> 00:29:14,750 was crazy. 750 00:29:14,750 --> 00:29:16,040 You guys were my first concert. 751 00:29:16,040 --> 00:29:17,080 Really? So ‐‐ Yeah. 752 00:29:17,080 --> 00:29:18,090 Wait. We were your first concert? 753 00:29:18,090 --> 00:29:19,380 Remember me? 754 00:29:19,380 --> 00:29:20,880 Joanna: They've had platinum albums. 755 00:29:20,880 --> 00:29:22,170 They're nominated for a Grammy this year. 756 00:29:22,170 --> 00:29:23,880 So it's just so awesome and surreal 757 00:29:23,880 --> 00:29:25,090 that I get to work with them. 758 00:29:25,090 --> 00:29:26,890 You know they're real. [ Laughs ] 759 00:29:26,890 --> 00:29:28,760 I got to see your audition. 760 00:29:28,760 --> 00:29:30,180 Oh. I was actually on set that day, 761 00:29:30,180 --> 00:29:31,770 backstage with Nick. Cool. 762 00:29:31,770 --> 00:29:33,680 He didn't think that you were gonna pick me. 763 00:29:33,680 --> 00:29:34,940 It's true. I did say that. 764 00:29:34,940 --> 00:29:37,770 I thought I lost to anybody else, 765 00:29:37,770 --> 00:29:40,270 but I‐I‐I had written down a note in my notepad that said, 766 00:29:40,270 --> 00:29:42,070 "Fight." He said, "One day, you might 767 00:29:42,070 --> 00:29:43,440 meet my brothers." 768 00:29:43,440 --> 00:29:45,110 Correct. That is exactly what I said. 769 00:29:45,110 --> 00:29:46,780 She was like, "Done." And then Roderick sang 770 00:29:46,780 --> 00:29:48,280 Brian McKnight, which, obviously... 771 00:29:48,280 --> 00:29:49,910 Oh, yeah. ..."Start Back at One." 772 00:29:49,910 --> 00:29:53,120 ♪ One, you're like a dream come true ♪ 773 00:29:54,120 --> 00:29:55,960 That was phenomenal. Thank you. 774 00:29:55,960 --> 00:29:59,920 You are both such talented R&B vocalists. 775 00:29:59,920 --> 00:30:02,300 I wanted to tap into that with a song that no one's heard 776 00:30:02,300 --> 00:30:05,920 in this way or where it's been fully taken to that R&B place. 777 00:30:05,920 --> 00:30:07,800 I think it's gonna shake things up. 778 00:30:07,800 --> 00:30:09,800 I gave Joanna and Roderick 779 00:30:09,800 --> 00:30:11,810 "When the Party's Over" by Billie Eilish. 780 00:30:11,810 --> 00:30:17,270 ♪ Nothing is better sometimes ♪ 781 00:30:17,270 --> 00:30:23,070 ♪ Once we've both said our goodbyes ♪ 782 00:30:23,070 --> 00:30:25,240 Joanna ‐‐ she is amazing. 783 00:30:25,240 --> 00:30:28,160 Joanna was a four‐chair turn, and I only had one chair. 784 00:30:28,160 --> 00:30:31,370 And her tone, it's very unique, and it's very rich. 785 00:30:31,370 --> 00:30:38,170 ♪ I could lie and say I like it like that, like it like that ♪ 786 00:30:38,170 --> 00:30:40,330 Wow! This is gonna be a battle. 787 00:30:40,330 --> 00:30:42,840 Roderick and Joanna ‐‐ I think the dynamics 788 00:30:42,840 --> 00:30:46,340 between the two of them is just unbelievable. 789 00:30:46,340 --> 00:30:48,930 Here's one thought. Crazy idea, but it might work. 790 00:30:48,930 --> 00:30:51,090 And since we're here to experiment, I think we should 791 00:30:51,090 --> 00:30:54,680 add a harmony on the first chorus. 792 00:30:54,680 --> 00:31:00,980 ♪ I could lie and say I like it like that, like it like that ♪ 793 00:31:00,980 --> 00:31:04,150 ♪ I could lie and say I like it like that ♪ 794 00:31:04,150 --> 00:31:06,860 ♪ Like it like that, mm mm‐mm‐mm ♪ 795 00:31:06,860 --> 00:31:09,450 Yeah. And at the second verse, we start to build. 796 00:31:09,450 --> 00:31:11,870 And the last one would be a big, soaring moment. 797 00:31:11,870 --> 00:31:13,830 ♪ Like it like that ♪ 798 00:31:13,830 --> 00:31:15,910 ♪ Bah dunh dunh ♪ 799 00:31:15,910 --> 00:31:18,210 Nice. Give you guys the ability to just open it up in harmony. 800 00:31:18,210 --> 00:31:20,210 What do we think? That's so awesome. 801 00:31:20,210 --> 00:31:22,170 Roderick: Nick absolutely knew what he was doing. 802 00:31:22,170 --> 00:31:23,710 Right on the spot, he creates it, 803 00:31:23,710 --> 00:31:25,210 he directs the band what to do. 804 00:31:25,210 --> 00:31:27,210 ♪ Buh‐buh bunh dunh dunh ♪ 805 00:31:27,210 --> 00:31:29,220 ♪ Like it like that ♪ It was like a master class. 806 00:31:29,220 --> 00:31:32,010 All very good advice. You should do this for a living. 807 00:31:32,010 --> 00:31:35,010 Yeah. I'd also say, letting the song 808 00:31:35,010 --> 00:31:37,220 breathe a little bit off the top, I think, is nice. 809 00:31:37,220 --> 00:31:40,390 And it should be really storytelling until it's go time, 810 00:31:40,390 --> 00:31:42,400 and then, you guys, you know, go for it. 811 00:31:42,400 --> 00:31:45,070 When we first heard this song, I was like, "Why?" 812 00:31:45,070 --> 00:31:47,400 [ Chuckles ] But I‐I got it. 813 00:31:47,400 --> 00:31:49,860 It can be really epic if it's done properly. 814 00:31:49,860 --> 00:31:50,900 Be a showstopper. Thank you. 815 00:31:50,900 --> 00:31:52,240 It's gonna be a moment, 816 00:31:52,240 --> 00:31:54,370 and it's ‐‐ it's gonna be totally unexpected. 817 00:31:54,370 --> 00:31:56,450 I think it's an enormous opportunity to take a song 818 00:31:56,450 --> 00:31:59,040 that is very popular, but heard in a new way. 819 00:31:59,040 --> 00:32:00,870 ♪ I could lie, say I like it like that ♪ 820 00:32:00,870 --> 00:32:02,580 Nick: Joanna's voice is so nuanced. 821 00:32:02,580 --> 00:32:05,210 I wish I could do the kind of runs and things that she does 822 00:32:05,210 --> 00:32:07,090 so naturally. 823 00:32:07,090 --> 00:32:09,920 And Roderick ‐‐ I was blown away by his blind audition, 824 00:32:09,920 --> 00:32:12,550 but hearing his voice again today, he's really stepped up. 825 00:32:12,550 --> 00:32:15,050 [ Whistles ] Yeah! Yeah. That's awesome. 826 00:32:15,050 --> 00:32:17,430 It's gonna be amazing. Bring the house down. 827 00:32:17,430 --> 00:32:19,270 I think it takes it out of another thing, well ‐‐ 828 00:32:19,270 --> 00:32:20,850 What people would expect? Yeah. Yeah 829 00:32:20,850 --> 00:32:22,440 Yeah, exactly. Yeah. 830 00:32:22,440 --> 00:32:24,400 You guys are both so good at emoting through your singing, 831 00:32:24,400 --> 00:32:27,270 so let's try to feel every word so that we earn that right 832 00:32:27,270 --> 00:32:29,070 to soar at the end. Yeah. 833 00:32:29,070 --> 00:32:31,530 Okay. I love the idea, from a staging perspective, 834 00:32:31,530 --> 00:32:34,200 the storytelling, of you guys standing back‐to‐back, and then, 835 00:32:34,200 --> 00:32:36,120 finally, when we break into it, you guys turn at each other 836 00:32:36,120 --> 00:32:37,620 and just sing. Okay. 837 00:32:37,620 --> 00:32:39,660 Time to put on, like, a show. Right, right. 838 00:32:39,660 --> 00:32:41,410 It's really cool because the way the song is structured, 839 00:32:41,410 --> 00:32:42,960 it kind of feels like a tug‐of‐war between 840 00:32:42,960 --> 00:32:44,960 two people fighting these emotions. 841 00:32:44,960 --> 00:32:47,250 Wow. This is gonna be one of the best performances 842 00:32:47,250 --> 00:32:48,920 of this battle round. 843 00:32:48,920 --> 00:32:50,300 So, good job. Thank you. 844 00:32:50,300 --> 00:32:52,300 I am so excited about Joanna and Roderick, 845 00:32:52,300 --> 00:32:54,630 although now I'm very frustrated with myself 846 00:32:54,630 --> 00:32:56,390 because they're incredible. 847 00:32:56,390 --> 00:32:58,390 It's gonna be an incredibly tough choice for me, 848 00:32:58,390 --> 00:32:59,930 and I'm already dreading it. 849 00:33:07,110 --> 00:33:07,150 . 850 00:33:08,400 --> 00:33:08,820 ♪ This is "The Voice" ♪ 851 00:33:09,900 --> 00:33:12,990 Daly: Welcome back to night one of the battles. 852 00:33:12,990 --> 00:33:14,490 Joanna: I'm moments away from my battle, 853 00:33:14,490 --> 00:33:16,410 and I'm feeling a little bit anxious. 854 00:33:16,410 --> 00:33:20,540 "The Voice," for me, is huge because it can really dictate 855 00:33:20,540 --> 00:33:22,950 what kind of direction my life might go in. 856 00:33:22,950 --> 00:33:25,580 I just recently graduated from high school, 857 00:33:25,580 --> 00:33:28,250 and my mom wanted me to do something practical. 858 00:33:28,250 --> 00:33:31,460 She's a nurse, but I put college on hold to be here. 859 00:33:31,460 --> 00:33:34,630 I want to prove to myself that that wasn't in vain. 860 00:33:34,630 --> 00:33:36,840 Daly: Joanna Serenko! 861 00:33:36,840 --> 00:33:41,180 Joanna: I want to be able to make my passion into a career. 862 00:33:41,180 --> 00:33:42,850 Roderick: I'm a full‐time musician, 863 00:33:42,850 --> 00:33:45,140 but I'm 38, so "The Voice" 864 00:33:45,140 --> 00:33:49,270 is probably my last chance to do something on a huge scale. 865 00:33:49,270 --> 00:33:52,860 It's been 20 years in music for me, but I got a son now, 866 00:33:52,860 --> 00:33:55,450 so it's a lot of pressure to make it to the next level 867 00:33:55,450 --> 00:33:56,950 and make it all the way. 868 00:33:56,950 --> 00:33:59,530 John: Yeah! 869 00:33:59,530 --> 00:34:02,990 Oh, handshakes! Oh! 870 00:34:04,620 --> 00:34:06,920 The battle starts now. 871 00:34:08,040 --> 00:34:16,550 ♪♪♪ 872 00:34:16,550 --> 00:34:24,980 ♪ Don't you know I'm no good for you? ♪ 873 00:34:24,980 --> 00:34:34,230 ♪ I've learned to lose, you can't afford to ♪ 874 00:34:34,230 --> 00:34:40,070 ♪ Tore my shirt to stop you bleeding ♪ 875 00:34:40,070 --> 00:34:42,240 Okay. Oh, my gosh! 876 00:34:42,240 --> 00:34:50,460 ♪ But nothing ever stops you leaving ♪ 877 00:34:51,540 --> 00:34:58,380 ♪ Quiet when I'm coming home and I'm on my own ♪ 878 00:34:58,380 --> 00:35:05,930 ♪ I could lie and say I like it like that, like it like that ♪ 879 00:35:05,930 --> 00:35:11,690 ♪ I could lie and say I like it like that, like it like that ♪ 880 00:35:11,690 --> 00:35:13,400 Beautiful! 881 00:35:13,400 --> 00:35:16,070 [ Cheering ] 882 00:35:16,070 --> 00:35:22,160 ♪ Call me friend, but keep me closer ♪ 883 00:35:23,740 --> 00:35:31,960 ♪ And I'll call you when the party's over ♪ 884 00:35:31,960 --> 00:35:38,300 ♪ But nothing is better sometimes ♪ 885 00:35:38,300 --> 00:35:45,260 ♪ Once we've both said our goodbyes ♪ 886 00:35:45,260 --> 00:35:50,640 ♪ Let's just let it go ♪ 887 00:35:50,640 --> 00:35:52,310 ♪ Let me ♪ 888 00:35:52,310 --> 00:35:57,570 ♪ Let you go ♪ 889 00:35:57,570 --> 00:35:59,320 [ Cheers and applause ] 890 00:35:59,320 --> 00:36:05,330 ♪ Quiet when I'm coming home, I'm on my own ♪ 891 00:36:05,330 --> 00:36:08,790 Sing, girl! ♪ I could lie, say I like it like that ♪ 892 00:36:08,790 --> 00:36:11,290 ♪ Like it like that ♪ 893 00:36:11,290 --> 00:36:13,250 Let's go! 894 00:36:13,250 --> 00:36:18,670 ♪ I could lie, say I like it like that, like it like that ♪ 895 00:36:20,170 --> 00:36:29,680 ♪ I could lie ♪ 896 00:36:29,680 --> 00:36:31,020 Yeah! 897 00:36:31,020 --> 00:36:32,440 Wow. 898 00:36:32,440 --> 00:36:34,270 [ Cheers and applause ] 899 00:36:34,270 --> 00:36:35,610 Whoo! 900 00:36:35,610 --> 00:36:38,020 That was really good. 901 00:36:38,020 --> 00:36:40,740 Beautiful! Beautiful! 902 00:36:41,650 --> 00:36:43,200 So good. 903 00:36:43,200 --> 00:36:45,200 Yes, Nick. 904 00:36:45,200 --> 00:36:46,700 Yeah! 905 00:36:46,700 --> 00:36:48,540 [ Cheers and applause ] 906 00:36:48,540 --> 00:36:50,580 I think they liked it. I think... 907 00:36:50,580 --> 00:36:53,330 [ Laughter ] 908 00:36:53,330 --> 00:36:56,540 Like, for real, that was my favorite battle thus far. 909 00:36:56,540 --> 00:37:00,210 That was effortless and beautiful and passionate. 910 00:37:00,210 --> 00:37:02,550 And, wow, first‐time coach. 911 00:37:02,550 --> 00:37:05,640 Yes, yes, yes. Well done, well done. 912 00:37:05,640 --> 00:37:06,800 It's all them. 913 00:37:06,800 --> 00:37:09,180 I feel very sorry for you right now... 914 00:37:09,180 --> 00:37:10,640 I know. ...'cause what you just created 915 00:37:10,640 --> 00:37:13,390 was a masterpiece, and you've got to cut half of it off. 916 00:37:13,390 --> 00:37:15,730 Joanna, when you started out, I was like, 917 00:37:15,730 --> 00:37:18,360 "Oh, I'm gonna pick her," and then, all of a sudden, 918 00:37:18,360 --> 00:37:20,650 Roderick came and I went, "Wait. What?" 919 00:37:20,650 --> 00:37:22,530 And I was like, this is the kind of performance 920 00:37:22,530 --> 00:37:24,240 I want to see on award shows. 921 00:37:24,240 --> 00:37:26,740 It was flawless. I cannot pick one. 922 00:37:26,740 --> 00:37:28,200 [ Cheers and applause ] 923 00:37:28,200 --> 00:37:30,120 Thank you. Thank you. 924 00:37:30,120 --> 00:37:33,410 Joanna, you were a four‐chair turn, and there's a little more 925 00:37:33,410 --> 00:37:36,580 pressure because we're all like, "Okay, do it again." 926 00:37:36,580 --> 00:37:39,420 Right. And I feel like you did it again. 927 00:37:39,420 --> 00:37:41,710 Roderick, on the flip side of that coin, I said, 928 00:37:41,710 --> 00:37:44,380 "Oh, this guy had one chair turn around. I don't know." 929 00:37:44,380 --> 00:37:46,260 And I really feel like you're the one 930 00:37:46,260 --> 00:37:49,100 that took advantage of this situation. 931 00:37:49,100 --> 00:37:50,430 I'm a fan of both of y'all. 932 00:37:50,430 --> 00:37:52,770 In fact, you guys probably were more in sync 933 00:37:52,770 --> 00:37:54,680 than anybody we've heard so far. 934 00:37:54,680 --> 00:37:55,850 Good coaching. It was beautiful. 935 00:37:55,850 --> 00:37:57,230 It was great. Good coaching. 936 00:37:57,230 --> 00:37:58,520 It was great. [ Cheering ] 937 00:37:58,520 --> 00:38:00,770 I think, just because of the shock factor, 938 00:38:00,770 --> 00:38:03,280 maybe I'd pick Roderick. 939 00:38:03,280 --> 00:38:05,570 Not only does the song have quite a range, 940 00:38:05,570 --> 00:38:09,700 but it also requires a lot of grace and presence 941 00:38:09,700 --> 00:38:11,660 and restraint, 942 00:38:11,660 --> 00:38:14,620 which both of you showed me in spades. 943 00:38:14,620 --> 00:38:16,620 I was stunned that you could hit all those low notes, Joanna, 944 00:38:16,620 --> 00:38:18,710 and do all the things you did up there. 945 00:38:18,710 --> 00:38:20,790 It was like, "What can she not do?" 946 00:38:20,790 --> 00:38:22,460 And like Blake said, 947 00:38:22,460 --> 00:38:24,630 I don't think we expected so much from Roderick. 948 00:38:24,630 --> 00:38:27,630 But if I were to pick, I would pick Joanna. 949 00:38:27,630 --> 00:38:31,220 Thank you. Daly: Thank you, Coaches! 950 00:38:31,220 --> 00:38:34,270 Alright, Nick, give us some of your thoughts on the battle. 951 00:38:34,270 --> 00:38:36,310 The growth, Roderick, I've seen in you, 952 00:38:36,310 --> 00:38:38,810 and then growing together as a team, the three of us, 953 00:38:38,810 --> 00:38:41,270 was really an exhilarating experience for me, 954 00:38:41,270 --> 00:38:43,480 and I'm very proud of the work you did today onstage. 955 00:38:43,480 --> 00:38:45,490 Joanna, you're a flawless singer, 956 00:38:45,490 --> 00:38:47,820 and it's so exciting to hear your voice, 957 00:38:47,820 --> 00:38:50,620 and there's so much to work with as a coach. 958 00:38:50,620 --> 00:38:52,450 Daly: Nick, we know it's a tough decision. 959 00:38:52,450 --> 00:38:55,450 Who is the winner of this battle? 960 00:38:55,450 --> 00:38:59,330 I'm in the toughest position I've been in, in my life, 961 00:38:59,330 --> 00:39:01,330 right now, trying to decide between the two of you. 962 00:39:01,330 --> 00:39:04,250 ♪♪♪ 963 00:39:11,090 --> 00:39:11,140 . 964 00:39:12,470 --> 00:39:12,890 ♪ This is "The Voice" ♪ 965 00:39:13,680 --> 00:39:15,310 Daly: Welcome back to the battles. 966 00:39:15,310 --> 00:39:18,940 I'm in the toughest position I've been in, 967 00:39:18,940 --> 00:39:21,810 in my life, right now, trying to decide between the two of you. 968 00:39:21,810 --> 00:39:26,360 Um, but I have to ‐‐ I have to go with a gut feeling. 969 00:39:27,530 --> 00:39:28,650 Um... 970 00:39:28,650 --> 00:39:31,360 ♪♪♪ 971 00:39:31,360 --> 00:39:35,490 ...the winner of this battle... 972 00:39:35,490 --> 00:39:36,740 is Roderick. 973 00:39:36,740 --> 00:39:39,500 Roderick, congratulations! 974 00:39:39,500 --> 00:39:41,370 You're moving on to the knockouts. 975 00:39:41,370 --> 00:39:43,330 He didn't see that coming. 976 00:39:43,330 --> 00:39:46,380 I chose Roderick because the growth I've seen in him, 977 00:39:46,380 --> 00:39:49,470 his ability to take direction, there's an opportunity here 978 00:39:49,470 --> 00:39:52,840 to turn this guy into a‐a real star. 979 00:39:52,840 --> 00:39:54,970 Roderick: I'm just ‐‐ 980 00:39:54,970 --> 00:39:57,640 I can't ‐‐ I can't even believe what's happening. 981 00:39:57,640 --> 00:39:59,480 I really don't even know what to say. 982 00:39:59,480 --> 00:40:01,390 Daly: Alright, Coaches, let me remind you that 983 00:40:01,390 --> 00:40:02,850 Joanna is available to steal or save. 984 00:40:02,850 --> 00:40:05,320 Joanna, anything you'd like to say to your coach, Nick? 985 00:40:05,320 --> 00:40:06,900 I just want to say thank you so much 986 00:40:06,900 --> 00:40:08,690 for being such an incredible coach. 987 00:40:08,690 --> 00:40:10,530 I'm so happy to be here and get this far, so thank you. 988 00:40:10,530 --> 00:40:12,360 Give it up for Joanna ‐‐ 989 00:40:12,360 --> 00:40:13,990 Whoa! 990 00:40:13,990 --> 00:40:16,280 We've got a steal! 991 00:40:16,280 --> 00:40:17,540 Get over here! 992 00:40:17,540 --> 00:40:20,000 ♪♪♪ 993 00:40:20,000 --> 00:40:21,580 Oh, my God. 994 00:40:21,580 --> 00:40:22,920 Yes! Joanna! 995 00:40:22,920 --> 00:40:25,420 You get one steal in the battles. 996 00:40:25,420 --> 00:40:27,340 What did you hear in Joanna? 997 00:40:27,340 --> 00:40:28,760 Like Nick said, it was flawless. 998 00:40:28,760 --> 00:40:30,550 I wanted you from the very beginning, 999 00:40:30,550 --> 00:40:32,260 when you were in the blind auditions. 1000 00:40:32,260 --> 00:40:33,760 You were perfect then. 1001 00:40:33,760 --> 00:40:35,550 I feel like I really did steal something today. 1002 00:40:35,550 --> 00:40:37,350 I feel good. [ Laughs ] 1003 00:40:37,350 --> 00:40:39,600 [ Speaks indistinctly ] John steals Joanna. 1004 00:40:39,600 --> 00:40:41,940 Congratulations! We'll see you in the knockouts. 1005 00:40:41,940 --> 00:40:43,940 Go say hi to your new coach. Yeah! 1006 00:40:43,940 --> 00:40:46,440 I had to steal Joanna. She just sounded so great. 1007 00:40:46,440 --> 00:40:48,270 She had a lot of style and grace in her voice. 1008 00:40:48,270 --> 00:40:50,400 Oh, my God. Thank you so much. Of course, I had to steal you. 1009 00:40:50,400 --> 00:40:53,450 And I think she is gonna be a formidable competitor. 1010 00:40:53,450 --> 00:40:56,030 Now she's on my team. Perfect. 1011 00:40:56,030 --> 00:40:58,660 [ Gasps ] Yeah! Team Legend. 1012 00:40:58,660 --> 00:41:00,910 Team Legend. We stole somebody today. 1013 00:41:00,910 --> 00:41:02,620 Yo. [ Chuckles ] 1014 00:41:02,620 --> 00:41:04,580 Hey, Blake... 1015 00:41:04,580 --> 00:41:06,540 don't touch my stuff, okay? 1016 00:41:06,540 --> 00:41:08,420 I didn't touch your stuff. I saw you writing in my notes. 1017 00:41:08,420 --> 00:41:10,630 It's inappropriate. So this is my, "Don't touch my stuff." 1018 00:41:10,630 --> 00:41:12,630 I wrote down "singer." 1019 00:41:12,630 --> 00:41:13,970 The notes were helpful. 1020 00:41:13,970 --> 00:41:15,640 You, sir, sing. 1021 00:41:15,640 --> 00:41:17,600 [ Laughter ] John: "Singer." 1022 00:41:17,600 --> 00:41:20,470 ♪♪♪ 1023 00:41:20,470 --> 00:41:22,430 Season 18, battles time. 1024 00:41:22,430 --> 00:41:24,310 It's one of my favorite parts of the show. 1025 00:41:24,310 --> 00:41:25,810 I'm very excited. 1026 00:41:25,810 --> 00:41:27,810 Hello, hello. 1027 00:41:27,810 --> 00:41:29,730 "Team Legend." We got our own slate. 1028 00:41:29,730 --> 00:41:31,990 Whoo‐whoo! Hello, hello. 1029 00:41:31,990 --> 00:41:33,740 Ella: What's up? I brought Ella Mai in 1030 00:41:33,740 --> 00:41:35,820 because I felt like she'd be such a great adviser 1031 00:41:35,820 --> 00:41:37,490 for these up‐and‐coming artists. 1032 00:41:37,490 --> 00:41:39,120 Have you ever done something like this before, 1033 00:41:39,120 --> 00:41:40,790 where you coached? I have never. 1034 00:41:40,790 --> 00:41:42,370 This is my first time. I feel like you have a lot of 1035 00:41:42,370 --> 00:41:44,080 good advice for them. Thank you for having me. 1036 00:41:44,080 --> 00:41:45,330 This is, like, surreal. 1037 00:41:45,330 --> 00:41:46,460 You've really blown up 1038 00:41:46,460 --> 00:41:47,960 over the last few years. 1039 00:41:47,960 --> 00:41:49,840 We got a chance to collaborate together... 1040 00:41:49,840 --> 00:41:52,670 Yes, we did. ...on a song called "Everything," which I love. 1041 00:41:52,670 --> 00:41:55,470 She came up in this era of social media. 1042 00:41:55,470 --> 00:41:58,760 She knows their experience and has some fresh perspective 1043 00:41:58,760 --> 00:42:00,100 on what can make them better. 1044 00:42:00,100 --> 00:42:01,850 We've got a really interesting team. 1045 00:42:01,850 --> 00:42:03,520 I've got 10 amazing singers. 1046 00:42:03,520 --> 00:42:06,850 This first group is Mike and Zach. 1047 00:42:06,850 --> 00:42:10,690 Mike came out in the blind auditions and he started singing 1048 00:42:10,690 --> 00:42:12,530 "It's a Man's World" by James Brown. 1049 00:42:12,530 --> 00:42:16,860 ♪ This is a ma‐a‐a‐a‐n's world ♪ 1050 00:42:16,860 --> 00:42:18,360 Sing! 1051 00:42:18,360 --> 00:42:19,820 His voice is just so big and powerful. 1052 00:42:19,820 --> 00:42:21,910 ♪ Nothing without ♪ 1053 00:42:21,910 --> 00:42:24,080 ♪ Without a woman or a girl ♪ 1054 00:42:24,080 --> 00:42:26,540 Crazy range. He's just really dope. 1055 00:42:26,540 --> 00:42:29,500 Everything you did was done with confidence. 1056 00:42:29,500 --> 00:42:31,540 It was like, "Unh!" 1057 00:42:31,540 --> 00:42:34,880 And then Zach, we always have these moments on "The Voice" 1058 00:42:34,880 --> 00:42:36,720 where you're like, "Oh, I can't believe this guy 1059 00:42:36,720 --> 00:42:38,890 that sounds like this looks like this." 1060 00:42:38,890 --> 00:42:41,390 What's so funny? Wait. What's so funny? 1061 00:42:41,390 --> 00:42:43,560 Is this a joke? You guys know something we don't? 1062 00:42:43,560 --> 00:42:46,350 He comes out and sings "Weak" by SWV, 1063 00:42:46,350 --> 00:42:49,400 which is my jam from my youth. Yeah. [ Laughs ] 1064 00:42:49,400 --> 00:42:53,020 ♪ I try hard to fight it ♪ 1065 00:42:53,020 --> 00:42:55,570 ♪ No way can I deny it ♪ 1066 00:42:55,570 --> 00:42:57,740 So, he comes out doing all these riffs and runs. 1067 00:42:57,740 --> 00:42:59,700 We turn around... What? 1068 00:42:59,700 --> 00:43:02,080 He didn't exactly look like the guy that would be singing it. 1069 00:43:02,080 --> 00:43:04,950 What? 1070 00:43:04,950 --> 00:43:06,700 Hello! 1071 00:43:06,700 --> 00:43:08,000 Hi! Hi! 1072 00:43:08,000 --> 00:43:09,580 Look who's here. Oh, my God. 1073 00:43:09,580 --> 00:43:11,580 Our very special guest mentor. How are you, guys? 1074 00:43:11,580 --> 00:43:13,750 Ella Mai is here. Oh, my God, you look so cute! 1075 00:43:13,750 --> 00:43:15,090 Nice to meet you. Thank you. Thank you so much. 1076 00:43:15,090 --> 00:43:16,760 It's a pleasure to meet you. Nice to meet you. 1077 00:43:16,760 --> 00:43:18,760 When I saw that Ella Mai was gonna be our adviser, 1078 00:43:18,760 --> 00:43:20,010 it blew me away. 1079 00:43:20,010 --> 00:43:21,890 I mean, I'm a huge fan of hers. 1080 00:43:21,890 --> 00:43:24,100 ♪ Biddy‐da‐dum, boo'd up ♪ 1081 00:43:24,100 --> 00:43:27,100 ♪ Hear my heart go ba‐dum, boo'd up ♪ 1082 00:43:27,100 --> 00:43:29,770 Ella Mai is a Grammy winner, awesome R&B artist. 1083 00:43:29,770 --> 00:43:32,900 And so to have Ella Mai and John both coaching 1084 00:43:32,900 --> 00:43:36,440 is gonna definitely stretch me in so many different ways. 1085 00:43:36,440 --> 00:43:38,530 I'm so excited to hear you sing together. 1086 00:43:38,530 --> 00:43:40,780 Oh, gosh, yeah. Are you guys excited? 1087 00:43:40,780 --> 00:43:42,450 Eh! This is your chance. 1088 00:43:42,450 --> 00:43:43,570 [ Laughs ] It is. 1089 00:43:43,570 --> 00:43:45,160 I'm so happy you're on my team. 1090 00:43:45,160 --> 00:43:47,660 We've got Ella, and we've got a dope Miguel song 1091 00:43:47,660 --> 00:43:48,960 to sing together. Great one. 1092 00:43:48,960 --> 00:43:50,120 And we're gonna have a good time. 1093 00:43:50,120 --> 00:43:51,870 Absolutely. Oh. My mouth is dry. 1094 00:43:51,870 --> 00:43:53,790 [ Laughs ] I think I'm just so excited. 1095 00:43:53,790 --> 00:43:55,800 I'mma follow suit. Whew! Okay, okay. Whew. 1096 00:43:55,800 --> 00:43:57,880 John: Mike versus Zach. 1097 00:43:57,880 --> 00:44:00,930 Both of them are very soulful singers with big ranges, 1098 00:44:00,930 --> 00:44:03,640 and I love "Adorn" by Miguel. 1099 00:44:03,640 --> 00:44:06,970 I love Miguel in general. He's a friend of mine. 1100 00:44:06,970 --> 00:44:12,810 ♪ These lips can't wait to taste your skin ♪ 1101 00:44:12,810 --> 00:44:15,150 Ella: It's super important for me to give back, 'cause I think, 1102 00:44:15,150 --> 00:44:17,650 me being in their position not that long ago... 1103 00:44:17,650 --> 00:44:19,820 ♪ These eyes ♪ 1104 00:44:19,820 --> 00:44:22,070 ...to come and be a guest mentor so they can see that 1105 00:44:22,070 --> 00:44:24,240 it really is possible and anything really is reachable 1106 00:44:24,240 --> 00:44:26,830 if you put your mind to it, there's hope, really, for them. 1107 00:44:26,830 --> 00:44:28,950 I'm not as far away as I think I am. 1108 00:44:28,950 --> 00:44:32,080 ♪ Let my love ♪ 1109 00:44:32,080 --> 00:44:34,130 ♪ Let my love adorn you ♪ 1110 00:44:34,130 --> 00:44:35,840 Alright! 1111 00:44:35,840 --> 00:44:37,670 Whoo! It's coming together. 1112 00:44:37,670 --> 00:44:39,590 I‐I see where it's going. 1113 00:44:39,590 --> 00:44:42,800 Okay, so, I love every single harmony you guys did together. 1114 00:44:42,800 --> 00:44:44,510 But, at the beginning, 1115 00:44:44,510 --> 00:44:46,180 it feels like you're, like, a little tentative. 1116 00:44:46,180 --> 00:44:49,680 Mike, when you did, "It's a Man's World," 1117 00:44:49,680 --> 00:44:52,190 you blew the roof off of that place. 1118 00:44:52,190 --> 00:44:54,100 I just want to feel the full Mike. 1119 00:44:54,100 --> 00:44:56,020 You know what I'm saying? For sure. 1120 00:44:56,020 --> 00:45:00,190 And, Zach, I still want some more swag, okay? 1121 00:45:00,190 --> 00:45:02,700 This song is sexy. Right. [ Chuckles ] 1122 00:45:02,700 --> 00:45:05,280 Imagine that the singer is very confident. 1123 00:45:05,280 --> 00:45:08,330 Zach: I don't really connect to "Adorn" in that way. 1124 00:45:08,330 --> 00:45:10,910 It's a very sexy song, which is also, like ‐‐ 1125 00:45:10,910 --> 00:45:13,160 I think that I'm not, like [chuckles] sexy. 1126 00:45:13,160 --> 00:45:15,830 I don't think of myself in that way, but I'm trying to think 1127 00:45:15,830 --> 00:45:18,210 about it as just, like, "Okay, I'm an actor in this moment," 1128 00:45:18,210 --> 00:45:19,880 and just, like, connect to the words. 1129 00:45:19,880 --> 00:45:21,710 It's crazy how you put them together, 1130 00:45:21,710 --> 00:45:23,880 'cause the blind auditions especially, I would never have 1131 00:45:23,880 --> 00:45:27,180 imagined both of their voices together, but it blends so well. 1132 00:45:27,180 --> 00:45:29,720 Yeah. And I think that's why I love the harmony so much, 1133 00:45:29,720 --> 00:45:32,310 is then I‐I really feel the full power of what you guys can do. 1134 00:45:32,310 --> 00:45:35,230 Yeah. I just want to hear a little bit more of that individually. 1135 00:45:35,230 --> 00:45:36,980 You got it. Don't overthink it. 1136 00:45:36,980 --> 00:45:38,560 Yeah. 1137 00:45:38,560 --> 00:45:41,190 ♪ Oh, yeah ♪ 1138 00:45:41,190 --> 00:45:43,650 Mike: This song is about essentially adoring someone. 1139 00:45:43,650 --> 00:45:45,570 And connecting to the song 1140 00:45:45,570 --> 00:45:49,120 means that I have to envision who I'm singing to. 1141 00:45:49,120 --> 00:45:51,370 That person being my girlfriend. 1142 00:45:51,370 --> 00:45:55,080 We met at one of my shows, and we exchanged numbers. 1143 00:45:55,080 --> 00:45:57,170 And texted. She never responded. 1144 00:45:57,170 --> 00:45:59,090 Called her. I never heard anything from her. 1145 00:45:59,090 --> 00:46:01,090 And then we saw each other six months later. 1146 00:46:01,090 --> 00:46:03,920 And then we realized that we had the wrong contact information, 1147 00:46:03,920 --> 00:46:05,930 and now we're an item. 1148 00:46:05,930 --> 00:46:08,590 ♪ Know that I adore you, yeah ♪ 1149 00:46:08,590 --> 00:46:12,770 ♪ Oh, love ain't never looked so good on ya ♪ 1150 00:46:12,770 --> 00:46:14,600 Yeah! Whoo! 1151 00:46:14,600 --> 00:46:16,600 Some of that stuff at the end was tasty! 1152 00:46:16,600 --> 00:46:18,850 Oh, my goodness. Excuse me. 1153 00:46:18,850 --> 00:46:20,770 My mouth is watering. Hey! 1154 00:46:20,770 --> 00:46:22,280 It was tasty. 1155 00:46:22,280 --> 00:46:25,280 There's a little bit of accuracy issues for both of you. 1156 00:46:25,280 --> 00:46:26,950 When you try to transition into falsetto... 1157 00:46:26,950 --> 00:46:28,360 ♪ Whoo‐whoo‐whoo hoo ♪ 1158 00:46:28,360 --> 00:46:30,620 ...that stuff ‐‐ it's hit‐and‐miss right now. 1159 00:46:30,620 --> 00:46:32,330 The runs ‐‐ like the choice of runs and stuff ‐‐ 1160 00:46:32,330 --> 00:46:34,290 most of the time, you're likely not gonna hit it 1161 00:46:34,290 --> 00:46:36,040 if there is a doubt in your mind. 1162 00:46:36,040 --> 00:46:38,290 It's better to hit something that might be less technical 1163 00:46:38,290 --> 00:46:39,790 but hit it right... Yeah. 1164 00:46:39,790 --> 00:46:40,960 ...than something that is more technical 1165 00:46:40,960 --> 00:46:42,300 and you don't hit it at all. Yeah. 1166 00:46:42,300 --> 00:46:44,380 So I just want just a little more of that ‐‐ 1167 00:46:44,380 --> 00:46:46,880 how confident a‐and the energy you were at the end ‐‐ 1168 00:46:46,880 --> 00:46:49,140 I want a little bit more of that at the beginning, 1169 00:46:49,140 --> 00:46:50,760 as soon as you enter. 1170 00:46:50,760 --> 00:46:53,140 You don't have a lot of time to convince people ‐‐ 1171 00:46:53,140 --> 00:46:55,390 convince me of ‐‐ of who I want to keep on my team. 1172 00:46:55,390 --> 00:46:57,730 It's hard for me to be like, "Be more like Miguel," 1173 00:46:57,730 --> 00:47:01,150 'cause, you know, Miguel is Miguel because he's Miguel. 1174 00:47:01,150 --> 00:47:03,400 Thank you so much. But they're delivering these lines 1175 00:47:03,400 --> 00:47:06,650 that Miguel delivers with such confidence. 1176 00:47:06,650 --> 00:47:09,820 I want to see that level of confidence from them. 1177 00:47:09,820 --> 00:47:11,910 Ella: It's, like, such a feel‐good song. 1178 00:47:11,910 --> 00:47:13,450 Yeah. You have to feel it, 1179 00:47:13,450 --> 00:47:15,870 otherwise, it really doesn't matter what you're doing. 1180 00:47:15,870 --> 00:47:17,790 Yeah. This one is a hard one. 1181 00:47:17,790 --> 00:47:19,080 Mike's voice was very soulful, 1182 00:47:19,080 --> 00:47:20,830 and he had quite a lot of dynamic, 1183 00:47:20,830 --> 00:47:23,000 and you had to, like, switch it up and, um, be soft 1184 00:47:23,000 --> 00:47:24,300 and then bring in the power. 1185 00:47:24,300 --> 00:47:26,170 I know I got to work on my energy level 1186 00:47:26,170 --> 00:47:29,180 and not being so timid at the beginning. 1187 00:47:29,180 --> 00:47:32,180 But as for Zach, he had a lot of personality, which is important, 1188 00:47:32,180 --> 00:47:34,850 and especially a sexy song, you have to have personality, 1189 00:47:34,850 --> 00:47:36,680 so I feel like he brought that edge to it. 1190 00:47:36,680 --> 00:47:38,180 You still want to be able to, 1191 00:47:38,180 --> 00:47:39,980 like, showcase what we can do at the same time. 1192 00:47:39,980 --> 00:47:41,350 Yeah. They both have great voices. 1193 00:47:41,350 --> 00:47:43,310 I don't w‐‐ I don't want to choose. 1194 00:47:52,070 --> 00:47:52,110 . 1195 00:47:53,320 --> 00:47:53,740 ♪ This is "The Voice" ♪ 1196 00:47:54,580 --> 00:47:56,040 Daly: Welcome back to the battles 1197 00:47:56,040 --> 00:47:58,040 at Universal Studios Hollywood. 1198 00:47:58,040 --> 00:48:00,120 Entering from Team Legend, 1199 00:48:00,120 --> 00:48:03,210 it's the 31‐year‐old from Georgia, Mike Jerel! 1200 00:48:03,210 --> 00:48:05,290 Mike! 1201 00:48:05,290 --> 00:48:07,710 Yeah! 1202 00:48:07,710 --> 00:48:11,800 Taking on the 26‐year‐old from Kentucky, Zach Day! 1203 00:48:11,800 --> 00:48:14,180 Oh, yeah, oh, yeah, oh, yeah, oh, yeah, oh, yeah! 1204 00:48:14,180 --> 00:48:16,180 What? Zach! 1205 00:48:16,180 --> 00:48:18,350 Let's do it! Let's go. 1206 00:48:19,310 --> 00:48:21,230 Yeah! 1207 00:48:21,230 --> 00:48:22,230 Oh, yeah! Let's go! 1208 00:48:22,230 --> 00:48:24,770 This battle begins right now. 1209 00:48:27,230 --> 00:48:31,070 [ Vocalizing ] 1210 00:48:31,070 --> 00:48:34,160 ♪ Yeah, these lips ♪ Hey! 1211 00:48:34,160 --> 00:48:35,660 Hey! 1212 00:48:35,660 --> 00:48:39,290 ♪ Can't wait to taste your skin ♪ 1213 00:48:39,290 --> 00:48:40,910 ♪ Baby ♪ 1214 00:48:40,910 --> 00:48:42,330 ♪ No, no, no, no, no, no ♪ 1215 00:48:42,330 --> 00:48:45,250 ♪ And these eyes ♪ 1216 00:48:45,250 --> 00:48:49,090 ♪ They can't wait to see your grin ♪ 1217 00:48:49,090 --> 00:48:51,170 ♪ Ooh, baby ♪ 1218 00:48:51,170 --> 00:48:52,260 Hey! 1219 00:48:52,260 --> 00:48:56,600 ♪ Just let my love ♪ 1220 00:48:56,600 --> 00:49:00,060 ♪ Just let my love adorn you ♪ 1221 00:49:00,060 --> 00:49:02,940 ♪ Please, baby ♪ 1222 00:49:02,940 --> 00:49:05,940 ♪ You gotta know ♪ 1223 00:49:05,940 --> 00:49:07,270 ♪ You gotta know ♪ 1224 00:49:07,270 --> 00:49:11,690 ♪ You know that I adore you ♪ 1225 00:49:11,690 --> 00:49:13,280 Yes, Mike! 1226 00:49:13,280 --> 00:49:16,950 ♪ Say, baby, these fists ♪ 1227 00:49:16,950 --> 00:49:18,160 ♪ Uh ♪ 1228 00:49:18,160 --> 00:49:20,660 ♪ Will always protect you ♪ 1229 00:49:20,660 --> 00:49:22,120 Whoo! ♪ Yes, they will ♪ 1230 00:49:22,120 --> 00:49:24,040 ♪ Yes, they will, yes, they will ♪ 1231 00:49:24,040 --> 00:49:28,880 ♪ And there's things trying to break us down ♪ 1232 00:49:28,880 --> 00:49:31,760 ♪ But don't let that affect us ♪ 1233 00:49:31,760 --> 00:49:34,130 ♪ No, baby ♪ 1234 00:49:34,130 --> 00:49:37,090 ♪ You just got to let my love ♪ 1235 00:49:37,090 --> 00:49:39,390 ♪ Let my love ♪ 1236 00:49:39,390 --> 00:49:42,390 ♪ Let my love adorn you ♪ 1237 00:49:42,390 --> 00:49:45,640 ♪ Ooh, let it dress you down ♪ 1238 00:49:45,640 --> 00:49:48,400 ♪ You gotta know ♪ 1239 00:49:48,400 --> 00:49:50,150 ♪ You gotta know ♪ 1240 00:49:50,150 --> 00:49:53,650 ♪ You know that I adore you ♪ 1241 00:49:53,650 --> 00:49:55,820 ♪ Just that, babe ♪ 1242 00:49:55,820 --> 00:49:59,200 ♪ Oh, yeah ♪ 1243 00:49:59,200 --> 00:50:04,250 ♪ The same way that the stars adorn the skies, yeah ♪ 1244 00:50:04,250 --> 00:50:06,330 ♪ Look up, sugar ♪ 1245 00:50:06,330 --> 00:50:09,130 ♪ Now, hey, hey, hey ♪ 1246 00:50:09,130 --> 00:50:14,340 ♪ Ooh, the same way that my whole world's in your eyes ♪ 1247 00:50:14,340 --> 00:50:17,010 ♪ Ooh, and this time now ♪ 1248 00:50:17,010 --> 00:50:21,260 ♪ Just le‐e‐e‐e‐t ♪ 1249 00:50:21,260 --> 00:50:24,430 ♪ My love adorn you ♪ 1250 00:50:24,430 --> 00:50:28,440 ♪ Ooh, let it dress you down ♪ 1251 00:50:28,440 --> 00:50:33,150 ♪ You gotta know ♪ 1252 00:50:33,150 --> 00:50:36,150 ♪ Know that I adore you ♪ 1253 00:50:36,150 --> 00:50:41,240 ♪ Ooh, love ain't never looked so good on ya ♪ 1254 00:50:43,870 --> 00:50:51,790 ♪ Let my love adorn you ♪ 1255 00:50:51,790 --> 00:50:54,880 Yeah! 1256 00:50:54,880 --> 00:50:56,220 Yeah! 1257 00:50:56,220 --> 00:50:59,220 ♪♪♪ 1258 00:50:59,220 --> 00:51:00,470 Nick: Killed it, dude. 1259 00:51:00,470 --> 00:51:02,720 Yes! Yes! 1260 00:51:02,720 --> 00:51:05,060 Yes, yes, yes! That was really good. 1261 00:51:05,060 --> 00:51:06,890 What are you gonna do? 1262 00:51:06,890 --> 00:51:09,480 I don't know! 1263 00:51:09,480 --> 00:51:11,900 Nick: Mike! Zach! 1264 00:51:11,900 --> 00:51:14,360 Wow, that was a true battle. 1265 00:51:14,360 --> 00:51:15,990 I mean, I know you guys might be friends now, 1266 00:51:15,990 --> 00:51:17,240 but that seemed like you were both just 1267 00:51:17,240 --> 00:51:19,070 one‐upping each other at every turn, 1268 00:51:19,070 --> 00:51:20,740 and it was exhilarating to watch. Yeah. 1269 00:51:20,740 --> 00:51:22,240 And also ‐‐ [ Cheers and applause ] 1270 00:51:22,240 --> 00:51:23,280 Thank you. 1271 00:51:23,280 --> 00:51:24,870 Also, shockingly confident. 1272 00:51:24,870 --> 00:51:27,080 Yeah. And I don't know 1273 00:51:27,080 --> 00:51:29,420 what I would do if I was John right now. 1274 00:51:29,420 --> 00:51:31,920 Why did you do this? 1275 00:51:31,920 --> 00:51:34,000 Like, there's ‐‐ Why did you put both of these guys ‐‐ 1276 00:51:34,000 --> 00:51:36,090 I have an embarrassment of riches on my team. 1277 00:51:36,090 --> 00:51:39,380 You both have a really incredible gift 1278 00:51:39,380 --> 00:51:40,510 at being intricate. 1279 00:51:40,510 --> 00:51:42,090 You were feeling yourself. 1280 00:51:42,090 --> 00:51:43,430 You were confidently ‐‐ I like it. 1281 00:51:43,430 --> 00:51:45,060 Confidence is awesome. 1282 00:51:45,060 --> 00:51:46,520 I will say, Zach, you open your mouth, 1283 00:51:46,520 --> 00:51:48,890 and I'm just like, "Wait, what?" 1284 00:51:48,890 --> 00:51:50,770 I just don't expect the sound 1285 00:51:50,770 --> 00:51:52,860 to come out of you that comes out of you. 1286 00:51:52,860 --> 00:51:54,270 But, Mike, oh, my gosh. 1287 00:51:54,270 --> 00:51:57,030 You were like, "Yes, ma'am, I'm looking right at you." 1288 00:51:57,030 --> 00:51:59,240 And you were fearless with it. 1289 00:51:59,240 --> 00:52:01,450 Like, "I will win this staring contest." 1290 00:52:01,450 --> 00:52:02,870 I was looking ‐‐ [ Laughter ] 1291 00:52:02,870 --> 00:52:04,240 Whew, you're both gifted. 1292 00:52:04,240 --> 00:52:05,330 I don't have a favorite. 1293 00:52:05,330 --> 00:52:07,490 You guys are no help to me. 1294 00:52:07,490 --> 00:52:09,960 I know how John feels right now 1295 00:52:09,960 --> 00:52:11,870 because sometimes you're in this situation, 1296 00:52:11,870 --> 00:52:13,540 and there's a little part of me that's like, 1297 00:52:13,540 --> 00:52:15,460 "I hope one of them screws up a little bit," 1298 00:52:15,460 --> 00:52:17,250 so it makes the decision a lot easier. 1299 00:52:17,250 --> 00:52:18,960 Makes it easier, makes it easier. Right, right. 1300 00:52:18,960 --> 00:52:20,970 And, you guys, neither one of you screwed up a little bit. 1301 00:52:20,970 --> 00:52:22,470 You know, I feel like Mike ‐‐ 1302 00:52:22,470 --> 00:52:25,430 the different places he can go in his voice 1303 00:52:25,430 --> 00:52:27,470 and technically the things that he can do, 1304 00:52:27,470 --> 00:52:29,310 it's overwhelming. 1305 00:52:29,310 --> 00:52:31,310 But when you have an artist like Zach, 1306 00:52:31,310 --> 00:52:33,480 who basically came out here and just kind of 1307 00:52:33,480 --> 00:52:36,230 kicked the door down and sang the hell out of a song, 1308 00:52:36,230 --> 00:52:37,980 that's impressive. 1309 00:52:37,980 --> 00:52:41,110 So I‐I really do think it's just finding what lane 1310 00:52:41,110 --> 00:52:43,160 is m‐maybe a little more open on your team... 1311 00:52:43,160 --> 00:52:45,490 Mm‐hmm. ...and that's maybe who you go with, I don't know. 1312 00:52:45,490 --> 00:52:48,040 Daly: Thank you, Coaches. Thank you. 1313 00:52:48,040 --> 00:52:50,160 Alright, Johnny, give us some thoughts before you tell us 1314 00:52:50,160 --> 00:52:51,910 who won. Well, it's so interesting 1315 00:52:51,910 --> 00:52:54,420 because everyone's like, "Oh, they look so confident," 1316 00:52:54,420 --> 00:52:56,130 and remember what we talked about. 1317 00:52:56,130 --> 00:52:57,960 I was a little concerned you guys weren't giving me 1318 00:52:57,960 --> 00:53:01,510 that confidence, and Miguel ‐‐ he's sexy. He's got swagger. 1319 00:53:01,510 --> 00:53:02,590 I was sitting at the Grammys, 1320 00:53:02,590 --> 00:53:04,340 watching him perform it, and like ‐‐ 1321 00:53:04,340 --> 00:53:06,260 Ooh, me too. Yeah, it was just incredible. 1322 00:53:06,260 --> 00:53:09,010 We have certain expectations that this song needs to be 1323 00:53:09,010 --> 00:53:11,930 delivered convincingly, and, wow, 1324 00:53:11,930 --> 00:53:13,600 you guys delivered it convincingly. 1325 00:53:13,600 --> 00:53:15,190 Like, no question about it. 1326 00:53:15,190 --> 00:53:16,610 Thanks. Thanks, John. 1327 00:53:16,610 --> 00:53:19,190 And you made my decision exceptionally difficult. 1328 00:53:19,190 --> 00:53:20,980 Sucky. It sucks. 1329 00:53:20,980 --> 00:53:22,280 Yeah. It's sucky. 1330 00:53:22,280 --> 00:53:24,150 Sucky, yeah. Sucky, sucky. 1331 00:53:24,150 --> 00:53:25,610 Daly: Alright, John, I know you love them both, 1332 00:53:25,610 --> 00:53:27,530 but who is the winner of this battle? 1333 00:53:27,530 --> 00:53:32,040 I'm going to make my decision just based on, like, 1334 00:53:32,040 --> 00:53:37,540 an edge that I feel one of you has when it comes to a tone 1335 00:53:37,540 --> 00:53:41,630 that I enjoy listening to and just appeals to me by a hair 1336 00:53:41,630 --> 00:53:46,220 just slightly more because nothing else really separated 1337 00:53:46,220 --> 00:53:48,510 you guys that much. 1338 00:53:48,510 --> 00:53:51,180 The winner of this battle is Mike. 1339 00:53:51,180 --> 00:53:54,390 Daly: Mike, congratulations. 1340 00:53:54,390 --> 00:53:56,150 You're moving on to the knockouts. 1341 00:53:56,150 --> 00:53:57,900 [ Cheers and applause ] 1342 00:53:57,900 --> 00:53:59,230 Come here. Thank you. 1343 00:53:59,230 --> 00:54:00,400 So good, so good. 1344 00:54:00,400 --> 00:54:02,650 John: Mike just sounded perfect. 1345 00:54:02,650 --> 00:54:06,070 His voice sounded cool. He was performing with swagger. 1346 00:54:06,070 --> 00:54:09,660 And everything that I was missing in our early rehearsals, 1347 00:54:09,660 --> 00:54:13,290 he gave me that and more in this performance. 1348 00:54:13,290 --> 00:54:15,000 Mike: Oh, my gosh. Whoo! 1349 00:54:15,000 --> 00:54:16,420 I'm overwhelmed with joy. 1350 00:54:16,420 --> 00:54:18,500 I'm just happy to be going on to the next round, 1351 00:54:18,500 --> 00:54:21,590 and I just can't wait to get up there and do it again. 1352 00:54:21,590 --> 00:54:24,210 Coaches, let me remind you that Zach is available to steal or save. 1353 00:54:24,210 --> 00:54:26,260 Zach, what would you like to say to your coach? 1354 00:54:26,260 --> 00:54:28,550 Oh, I just want to say thank you so much for this opportunity. 1355 00:54:28,550 --> 00:54:30,600 Thank you. This little gay boy from Kentucky 1356 00:54:30,600 --> 00:54:33,100 and, like, having to come up here and sing this Miguel song, 1357 00:54:33,100 --> 00:54:35,100 you know what I mean? Like, that takes a lot of work. 1358 00:54:35,100 --> 00:54:36,940 You nailed it. And I'm just really proud of myself, and I'm so happy. 1359 00:54:36,940 --> 00:54:38,600 You should be. Thank you. 1360 00:54:38,600 --> 00:54:40,440 Give it up for Zach Day! 1361 00:54:40,440 --> 00:54:42,440 Thank you. 1362 00:54:42,440 --> 00:54:44,530 Blake: I thought Mike and Zach had an amazing performance. 1363 00:54:44,530 --> 00:54:46,360 There's no question about it, 1364 00:54:46,360 --> 00:54:49,110 but musically, I don't know how much I would connect with 1365 00:54:49,110 --> 00:54:51,490 either one of the two of them, to be honest with you, 1366 00:54:51,490 --> 00:54:53,330 and that's why I didn't use a steal. 1367 00:54:53,330 --> 00:54:56,710 Blake just picks one word and sticks with it and repeats it. 1368 00:54:56,710 --> 00:54:58,710 Every permutation of that word. 1369 00:54:58,710 --> 00:55:01,210 Sucky. Sucky. 1370 00:55:01,210 --> 00:55:02,590 Suckalicious. Yeah. 1371 00:55:02,590 --> 00:55:03,960 Sucktacular. 1372 00:55:03,960 --> 00:55:05,710 Suckle. Succulent. 1373 00:55:05,710 --> 00:55:07,380 Ooh, I love a succulent. 1374 00:55:07,380 --> 00:55:09,380 [ Laughter ] 1375 00:55:09,380 --> 00:55:10,640 Daly: Coming up... 1376 00:55:10,640 --> 00:55:13,310 ♪ How will I know ♪ 1377 00:55:13,310 --> 00:55:14,720 Allegra: Yeah. 1378 00:55:14,720 --> 00:55:17,140 Oh, my gosh! That was so good! 1379 00:55:17,140 --> 00:55:19,480 You two were so fun to watch. 1380 00:55:19,480 --> 00:55:21,480 I'm trying to figure out why you're not on my team. 1381 00:55:21,480 --> 00:55:23,320 You didn't push your button. That was the reason. 1382 00:55:23,320 --> 00:55:24,730 Chair burn. 1383 00:55:24,730 --> 00:55:27,610 Daly: There it is! The save! 1384 00:55:34,120 --> 00:55:34,160 . 1385 00:55:35,410 --> 00:55:35,870 ♪ This is "The Voice" ♪ 1386 00:55:36,620 --> 00:55:38,330 Daly: Welcome back to the battles. 1387 00:55:38,330 --> 00:55:41,000 How's Nick Jonas, the newbie, doing, Kel? 1388 00:55:41,000 --> 00:55:42,960 Well, y'all don't see him, but he is real funny 1389 00:55:42,960 --> 00:55:45,090 with his facial expressions while y'all are talking, 1390 00:55:45,090 --> 00:55:47,130 especially when you start to not make sense specifically. 1391 00:55:47,130 --> 00:55:49,470 He looks down and he is just like, "What?" 1392 00:55:49,470 --> 00:55:51,300 Is he judging us? He is so judging. 1393 00:55:51,300 --> 00:55:53,010 Oh, man. No, he's ‐‐ He's funny. 1394 00:55:53,010 --> 00:55:54,640 Well, I'm ‐‐ I'm grateful to him 1395 00:55:54,640 --> 00:55:57,140 because he had a four‐chair turn named Joanna. 1396 00:55:57,140 --> 00:55:59,180 That was crazy, yeah. 1397 00:55:59,180 --> 00:56:01,190 He didn't pick her. She's on my team, so... Well, there you go. 1398 00:56:01,190 --> 00:56:04,150 I don't think Nick has really gotten a grasp. 1399 00:56:04,150 --> 00:56:06,360 He is a great guy. He's a great artist. 1400 00:56:06,360 --> 00:56:08,320 He is a sucky coach. 1401 00:56:08,320 --> 00:56:10,030 And so are you, and so are you. 1402 00:56:10,030 --> 00:56:11,660 [ Laughter ] 1403 00:56:11,660 --> 00:56:14,490 Bebe: This is Jamal and ‐‐ Blake: Oh, this is ‐‐ 1404 00:56:14,490 --> 00:56:16,830 Levi. Levi's like 14. 1405 00:56:16,830 --> 00:56:18,370 Oh, my God. He's your age. 1406 00:56:18,370 --> 00:56:19,660 Yes. Oh, my gosh. 1407 00:56:19,660 --> 00:56:21,160 [ Laughs ] 1408 00:56:21,160 --> 00:56:22,670 Get in here, boys. 1409 00:56:22,670 --> 00:56:24,790 What's up? How you doing? 1410 00:56:24,790 --> 00:56:28,340 Levi: It was so cool seeing Bebe Rexha there 'cause, like, 1411 00:56:28,340 --> 00:56:31,340 you just walk in and there's so much talent in that room. 1412 00:56:31,340 --> 00:56:33,050 Nice to meet you. Nice to meet you. 1413 00:56:33,050 --> 00:56:35,350 Okay, you're cute. Hi. Oh, my God, hi, Levi. 1414 00:56:35,350 --> 00:56:37,060 Jamal: That was awesome. 1415 00:56:37,060 --> 00:56:38,220 To have someone like Bebe Rexha say that you're cute, 1416 00:56:38,220 --> 00:56:40,230 I was super like, "Oh, okay. 1417 00:56:40,230 --> 00:56:41,690 Oh, alright. Alright, thanks." 1418 00:56:41,690 --> 00:56:43,560 I felt kind of cool for a moment. 1419 00:56:43,560 --> 00:56:46,190 Can I tell you a little story? You might find this interesting. 1420 00:56:46,190 --> 00:56:48,190 Yeah, yeah. So, in our first executive audition, 1421 00:56:48,190 --> 00:56:49,820 I wanted to warm up. 1422 00:56:49,820 --> 00:56:51,650 You know, everyone was nervous, and I got my guitar, 1423 00:56:51,650 --> 00:56:53,570 and I was like, "Would anyone like to sing 'Perfect' with me?" 1424 00:56:53,570 --> 00:56:55,200 And he was like, "Yeah, I'll sing." 1425 00:56:55,200 --> 00:56:58,740 ♪ I'm dancing in the dark ♪ 1426 00:56:58,740 --> 00:57:00,450 And then when him and I sang, I said, 1427 00:57:00,450 --> 00:57:02,000 "Oh, man, we're gonna be onstage." 1428 00:57:02,000 --> 00:57:03,370 Oh, wow. And I couldn't believe 1429 00:57:03,370 --> 00:57:05,170 when they ch‐‐ Yes, it was crazy. 1430 00:57:05,170 --> 00:57:06,710 It was cool. Levi: First time we sang together, 1431 00:57:06,710 --> 00:57:08,710 he was like, "Bro, if we ‐‐ 1432 00:57:08,710 --> 00:57:11,550 if we make it past blinds, then I think they'll pair us 1433 00:57:11,550 --> 00:57:13,090 for battles." 1434 00:57:13,090 --> 00:57:16,050 Woman: Jamal Corrie, you're battling Levi Watkins. 1435 00:57:16,050 --> 00:57:17,680 I knew it. I knew it. 1436 00:57:17,680 --> 00:57:20,720 I'm not psychic by any means, but you can just see, like, 1437 00:57:20,720 --> 00:57:23,190 right off the bat, we connected. 1438 00:57:23,190 --> 00:57:25,730 I kind of see him like my brother in a way. 1439 00:57:25,730 --> 00:57:27,860 I can't help it. My brothers are younger. 1440 00:57:27,860 --> 00:57:30,190 I have a 16‐year‐old and a 12‐year‐old brother 1441 00:57:30,190 --> 00:57:31,740 who's about to turn 13. 1442 00:57:31,740 --> 00:57:34,570 Right now, I help take care of my brothers and my mom 1443 00:57:34,570 --> 00:57:38,620 because she has many disabilities. 1444 00:57:38,620 --> 00:57:41,790 Using music to support my family, it's something that 1445 00:57:41,790 --> 00:57:45,120 impassions my life and gives it meaning and purpose. 1446 00:57:45,120 --> 00:57:48,630 ♪ It'll be alright ♪ 1447 00:57:48,630 --> 00:57:51,760 [ Cheers and applause ] 1448 00:57:51,760 --> 00:57:54,300 I hit my button for you 'cause I believe in you 1449 00:57:54,300 --> 00:57:55,760 and I believe you got talent. 1450 00:57:55,760 --> 00:57:58,220 When Blake turned for me, I was so close to crying 1451 00:57:58,220 --> 00:58:00,600 because he really gave me that opportunity 1452 00:58:00,600 --> 00:58:03,430 to take my career another step forward 1453 00:58:03,430 --> 00:58:05,770 and to provide for myself and for my family. 1454 00:58:05,770 --> 00:58:07,770 Wait. Where are you guys from? 1455 00:58:07,770 --> 00:58:10,440 Birmingham, Alabama. Oh, my God. I love it there. 1456 00:58:10,440 --> 00:58:12,650 How do you like L. A.? It's pretty cool. 1457 00:58:12,650 --> 00:58:15,150 Um, it's really dry, 1458 00:58:15,150 --> 00:58:18,320 and, um, there's no plastic out here. 1459 00:58:18,320 --> 00:58:21,330 Like, they use paper straws. [ Laughs ] 1460 00:58:21,330 --> 00:58:24,500 L. A.'s really different from Birmingham because usually 1461 00:58:24,500 --> 00:58:28,580 at home I'd work at my dad's Popsicle shop, actually. 1462 00:58:28,580 --> 00:58:32,300 He makes gourmet Popsicles with all‐natural ingredients. 1463 00:58:32,300 --> 00:58:34,260 I don't eat a lot of the Popsicles, though, 1464 00:58:34,260 --> 00:58:37,430 because I'm a type 1 diabetic, but when I do, 1465 00:58:37,430 --> 00:58:40,350 I go all out with the most sugar I can, 1466 00:58:40,350 --> 00:58:42,760 and that's like once a year. 1467 00:58:42,760 --> 00:58:45,600 This experience has been crazy. 1468 00:58:45,600 --> 00:58:48,690 Like, on the day of the blind audition, I was so nervous. 1469 00:58:48,690 --> 00:58:52,480 My legs were shaking so bad. 1470 00:58:52,480 --> 00:58:54,320 When I saw Mr. Blake's chair turn, 1471 00:58:54,320 --> 00:58:57,360 I was like, "I made it." 1472 00:58:57,360 --> 00:58:58,660 It was so cool. 1473 00:58:58,660 --> 00:59:00,160 Blake: When you guys didn't turn around, 1474 00:59:00,160 --> 00:59:02,740 it was the worst move 1475 00:59:02,740 --> 00:59:05,370 of your entire "Voice" careers, all of you. 1476 00:59:05,370 --> 00:59:08,330 I'm so grateful because it just shows that he really believed 1477 00:59:08,330 --> 00:59:10,670 in what I could do, and so I really want to show 1478 00:59:10,670 --> 00:59:13,460 that it was worth it. 1479 00:59:13,460 --> 00:59:14,840 Well, let's do some music. 1480 00:59:14,840 --> 00:59:16,550 I love this song, you guys. 1481 00:59:16,550 --> 00:59:18,510 ♪ Old, but I'm not that old ♪ 1482 00:59:18,510 --> 00:59:20,390 ♪ I'm young, but I'm not that bold ♪ 1483 00:59:20,390 --> 00:59:21,720 ♪ I don't think the world is sold ♪ 1484 00:59:21,720 --> 00:59:23,350 Blake: Levi and Jamal are gonna be singing 1485 00:59:23,350 --> 00:59:25,350 "Counting Stars" by OneRepublic. 1486 00:59:25,350 --> 00:59:27,730 You know, both of these guys have a pop edge, 1487 00:59:27,730 --> 00:59:30,480 but they kind of have rock‐sounding voices, 1488 00:59:30,480 --> 00:59:32,400 and that's why this song is perfect for them. 1489 00:59:32,400 --> 00:59:34,520 ♪ I‐I‐I ♪ 1490 00:59:34,520 --> 00:59:36,860 ♪ Feel something so right, doing the wrong thing ♪ 1491 00:59:36,860 --> 00:59:38,860 Jamal is not afraid to go for the big notes. 1492 00:59:38,860 --> 00:59:41,200 If he can hear the note, he's gonna try to sing it. 1493 00:59:41,200 --> 00:59:42,870 That's what I respect about his singing. 1494 00:59:42,870 --> 00:59:45,040 Hey, Jamal, I‐I know you're hitting the notes. 1495 00:59:45,040 --> 00:59:47,870 Yeah. There's got to be a way for it to feel... 1496 00:59:47,870 --> 00:59:50,250 Less forced. ...like ‐‐ Exactly. 1497 00:59:50,250 --> 00:59:52,250 You need to, like, sing it in, like, a very loose way. 1498 00:59:52,250 --> 00:59:54,880 Breath is just very important there. Mm‐hmm. 1499 00:59:54,880 --> 00:59:58,260 Jamal: To be coached by the best in the business was awesome 1500 00:59:58,260 --> 01:00:00,380 because when you have an environment 1501 01:00:00,380 --> 01:00:02,890 that puts so much stress on you and you have so many 1502 01:00:02,890 --> 01:00:06,010 professional people around you, it really forces you to go from 1503 01:00:06,010 --> 01:00:09,890 being a rock to a polished diamond. 1504 01:00:09,890 --> 01:00:12,440 Levi, I can tell already that you have a lower range, 1505 01:00:12,440 --> 01:00:14,270 but it's so beautiful. 1506 01:00:14,270 --> 01:00:16,900 But the verse feels too low to me. 1507 01:00:16,900 --> 01:00:19,280 Can you go into falsetto though? Uh... 1508 01:00:19,280 --> 01:00:21,610 [ Vocalizes ] 1509 01:00:21,610 --> 01:00:24,450 [ Vocalizes, voice cracks ] 1510 01:00:24,450 --> 01:00:26,660 No, he can't. You know, he's in that stage. 1511 01:00:26,660 --> 01:00:29,410 Yeah, yeah. He needs to be an octave up. 1512 01:00:29,410 --> 01:00:32,420 Try it again. If you crack, then you can ‐‐ we can go from there. 1513 01:00:32,420 --> 01:00:34,420 Yeah. ♪ And, baby, I've been ♪ 1514 01:00:34,420 --> 01:00:36,590 ♪ I've been praying hard ♪ 1515 01:00:36,590 --> 01:00:38,630 ♪ Said no more counting dollars ♪ Yes! 1516 01:00:38,630 --> 01:00:41,260 Levi: It's intimidating to go up against Jamal. 1517 01:00:41,260 --> 01:00:43,050 He's got a very impressive range, 1518 01:00:43,050 --> 01:00:46,560 and I'm this little kid whose voice hasn't matured 1519 01:00:46,560 --> 01:00:48,470 to its full potential, I don't think yet. 1520 01:00:48,470 --> 01:00:50,560 ♪ Sink in the river the lessons I learned ♪ 1521 01:00:50,560 --> 01:00:52,600 Whoo! That ending. Whoa. 1522 01:00:52,600 --> 01:00:54,600 Yeah. Hold up a minute, Levi. 1523 01:00:54,600 --> 01:00:56,310 Yes. Why can't you sing like that? 1524 01:00:56,310 --> 01:00:57,820 That last chorus, do it like that. 1525 01:00:57,820 --> 01:00:59,610 Every time. Yeah. 1526 01:00:59,610 --> 01:01:02,490 When Levi jumped the octave, it was like the "aha" moment. 1527 01:01:02,490 --> 01:01:03,950 It was so good. 1528 01:01:03,950 --> 01:01:05,950 I just can't believe that he's a 14‐year‐old. 1529 01:01:05,950 --> 01:01:07,660 Probably felt like you were hitting something 1530 01:01:07,660 --> 01:01:10,700 that you don't normally go for, but trust me. 1531 01:01:10,700 --> 01:01:13,080 It's really good when your voice starts to shred it. 1532 01:01:13,080 --> 01:01:15,500 ♪ Lately I've been ♪ 1533 01:01:15,500 --> 01:01:17,630 ♪ Lately I've been ♪ 1534 01:01:17,630 --> 01:01:19,340 Is that it? 1535 01:01:19,340 --> 01:01:21,460 I was only impersonating him 'cause he's from Birmingham. 1536 01:01:21,460 --> 01:01:23,510 Uh‐huh, yeah. Yeah, yeah, yeah. 1537 01:01:23,510 --> 01:01:26,800 Just keep in mind "I'm singing to people." 1538 01:01:26,800 --> 01:01:30,350 Don't just be, you know, statue guy standing there. 1539 01:01:30,350 --> 01:01:31,980 The thing that he has on you ‐‐ 1540 01:01:31,980 --> 01:01:34,350 his range is way up there, you know? 1541 01:01:34,350 --> 01:01:35,980 Yeah. And so that's what's gonna 1542 01:01:35,980 --> 01:01:37,860 make this a‐a fun battle. 1543 01:01:37,860 --> 01:01:39,690 The only person it's gonna suck for is me 1544 01:01:39,690 --> 01:01:41,650 'cause I got to figure this out, you know? 1545 01:01:41,650 --> 01:01:43,360 Good luck to you on figuring this one out. Yeah, right. I know. 1546 01:01:43,360 --> 01:01:44,950 This sucks. 1547 01:01:44,950 --> 01:01:47,320 You know, both of these guys are kind of pushed out of 1548 01:01:47,320 --> 01:01:50,910 their comfort zone as far as the key, as far as the range. 1549 01:01:50,910 --> 01:01:53,330 Thanks, Blake. So whichever one of these guys 1550 01:01:53,330 --> 01:01:56,670 can step up to the plate and s‐sound comfortable 1551 01:01:56,670 --> 01:01:59,500 singing the song is probably gonna be the one that wins. 1552 01:01:59,500 --> 01:02:00,840 You did really good. I'm proud of you. 1553 01:02:00,840 --> 01:02:02,590 I'm really proud of you. That's great. 1554 01:02:10,060 --> 01:02:10,100 . 1555 01:02:11,140 --> 01:02:11,560 ♪ This is "The Voice" ♪ 1556 01:02:12,390 --> 01:02:14,560 Daly: Welcome back. 1557 01:02:14,560 --> 01:02:17,230 [ Cheers and applause ] 1558 01:02:17,230 --> 01:02:18,560 Team Blake! 1559 01:02:18,560 --> 01:02:21,320 Team Blake! You ready? 1560 01:02:21,320 --> 01:02:23,440 Let's bring it, bro! 1561 01:02:24,360 --> 01:02:26,860 [ Laughs ] 1562 01:02:26,860 --> 01:02:27,860 Nice. 1563 01:02:27,860 --> 01:02:30,450 This battle starts right now. 1564 01:02:30,450 --> 01:02:32,950 ♪♪♪ 1565 01:02:32,950 --> 01:02:35,750 ♪ Lately, I've been ♪ 1566 01:02:35,750 --> 01:02:38,750 ♪ I've been losing sleep ♪ 1567 01:02:38,750 --> 01:02:43,420 ♪ Dreaming about the things that we could be ♪ 1568 01:02:43,420 --> 01:02:46,550 What?! ♪ Baby, I've been ♪ 1569 01:02:46,550 --> 01:02:49,260 ♪ I've been praying hard ♪ 1570 01:02:49,260 --> 01:02:51,890 ♪ Said no more counting dollars ♪ 1571 01:02:51,890 --> 01:02:55,770 ♪ We'll be counting stars ♪ 1572 01:02:55,770 --> 01:03:00,060 ♪ Yeah, we'll be counting stars ♪ 1573 01:03:00,060 --> 01:03:01,400 Yes! 1574 01:03:04,110 --> 01:03:06,900 Oh, my God! Alright! 1575 01:03:06,900 --> 01:03:09,280 Unh, yeah! 1576 01:03:09,280 --> 01:03:11,780 ♪ I see this life like a swingin' vine ♪ 1577 01:03:11,780 --> 01:03:13,830 ♪ I swing my heart across the line ♪ 1578 01:03:13,830 --> 01:03:15,830 ♪ In my face there's flashing signs ♪ 1579 01:03:15,830 --> 01:03:17,580 ♪ Seek it out and ye shall find ♪ 1580 01:03:17,580 --> 01:03:19,790 ♪ I'm old, but I'm not that old ♪ 1581 01:03:19,790 --> 01:03:21,630 ♪ Young, but I'm not that bold ♪ 1582 01:03:21,630 --> 01:03:23,800 ♪ And I don't think the world is sold ♪ 1583 01:03:23,800 --> 01:03:25,630 ♪ I'm just doing what we're told ♪ 1584 01:03:25,630 --> 01:03:30,090 ♪ I‐I‐I feel something so right ♪ 1585 01:03:30,090 --> 01:03:33,810 ♪ By doing the wrong thing ♪ 1586 01:03:33,810 --> 01:03:38,310 ♪ And I‐I‐I‐I feel something so wrong ♪ 1587 01:03:38,310 --> 01:03:41,810 ♪ By doing the right thing ♪ 1588 01:03:41,810 --> 01:03:45,480 ♪ I couldn't lie, couldn't lie, couldn't lie ♪ 1589 01:03:45,480 --> 01:03:48,320 ♪ Everything that kills me ♪ 1590 01:03:48,320 --> 01:03:49,650 ♪ Makes me feel alive ♪ 1591 01:03:49,650 --> 01:03:51,450 ♪ Lately, I've been ♪ 1592 01:03:51,450 --> 01:03:53,620 ♪ I've been losing sleep ♪ 1593 01:03:53,620 --> 01:03:56,830 ♪ Dreaming about the things that we could be ♪ 1594 01:03:56,830 --> 01:03:58,960 ♪ Oh, but, baby, I've been ♪ 1595 01:03:58,960 --> 01:04:01,500 ♪ I've been praying hard ♪ 1596 01:04:01,500 --> 01:04:03,000 ♪ Said no more counting dollars ♪ 1597 01:04:03,000 --> 01:04:04,420 ♪ We'll be ♪ 1598 01:04:04,420 --> 01:04:08,840 ♪ We'll be counting stars ♪ 1599 01:04:08,840 --> 01:04:10,680 ♪ Take that money, watch it burn ♪ 1600 01:04:10,680 --> 01:04:12,840 ♪ Sink in the river the lessons I learned ♪ 1601 01:04:12,840 --> 01:04:14,850 ♪ Take that money, watch it burn ♪ 1602 01:04:14,850 --> 01:04:16,770 ♪ Sink in the rivers the lessons I learned ♪ 1603 01:04:16,770 --> 01:04:18,680 ♪ Take that money, watch it burn ♪ 1604 01:04:18,680 --> 01:04:20,690 ♪ Sink in the river the lessons I learned ♪ 1605 01:04:20,690 --> 01:04:22,690 ♪ Take that money, watch it burn ♪ 1606 01:04:22,690 --> 01:04:26,690 ♪ Sink in the river ♪ 1607 01:04:26,690 --> 01:04:28,690 ♪ Lately, I've been ♪ 1608 01:04:28,690 --> 01:04:30,860 ♪ I've been losing sleep ♪ 1609 01:04:30,860 --> 01:04:34,530 ♪ Dreaming about the things that we could be ♪ 1610 01:04:34,530 --> 01:04:36,580 ♪ And, baby, I've been ♪ 1611 01:04:36,580 --> 01:04:38,580 ♪ I've been praying hard ♪ 1612 01:04:38,580 --> 01:04:40,460 ♪ Said no more counting dollars ♪ 1613 01:04:40,460 --> 01:04:44,380 ♪ We'll be counting stars ♪ 1614 01:04:44,380 --> 01:04:46,040 ♪ Take that money, watch it burn ♪ 1615 01:04:46,040 --> 01:04:48,380 ♪ Sink in the river the lessons I learned ♪ 1616 01:04:48,380 --> 01:04:50,130 ♪ Take that money, watch it burn ♪ 1617 01:04:50,130 --> 01:04:52,840 ♪ Sink in the river the lessons I learned ♪ 1618 01:04:52,840 --> 01:04:54,720 [ Cheers and applause ] 1619 01:04:54,720 --> 01:04:56,890 Yeah! 1620 01:04:56,890 --> 01:04:58,560 Wow. 1621 01:04:58,560 --> 01:05:00,730 I love you, man. I love you. 1622 01:05:00,730 --> 01:05:02,850 Whoo! 1623 01:05:02,850 --> 01:05:05,230 You two were so fun to watch. 1624 01:05:05,230 --> 01:05:06,980 Both: Thank you. 1625 01:05:06,980 --> 01:05:12,490 Jamal, what I liked about your voice was your higher end 1626 01:05:12,490 --> 01:05:14,240 and some of those notes you were hitting, 1627 01:05:14,240 --> 01:05:16,570 but I‐I felt like there was a lot of imprecision. 1628 01:05:16,570 --> 01:05:18,790 And, Levi, wow. 1629 01:05:18,790 --> 01:05:21,200 Hearing somebody with your low range 1630 01:05:21,200 --> 01:05:23,750 is already pretty stunning, and then it makes you think, 1631 01:05:23,750 --> 01:05:25,580 "Well, he probably can't hit any higher notes," 1632 01:05:25,580 --> 01:05:28,090 but then you hit some really great high stuff, too, 1633 01:05:28,090 --> 01:05:31,050 and I kept waiting for you to mess up, honestly, 1634 01:05:31,050 --> 01:05:33,050 because I was like, "He's a kid. 1635 01:05:33,050 --> 01:05:34,840 He's probably gonna mess something up." 1636 01:05:34,840 --> 01:05:37,050 And you just ‐‐ He didn't mess up. 1637 01:05:37,050 --> 01:05:38,930 It was, like ‐‐ It was really good. He didn't mess up. He didn't mess up. 1638 01:05:38,930 --> 01:05:41,560 Thank you, Mr. John. I would definitely 1639 01:05:41,560 --> 01:05:43,060 lean toward Levi for this battle. 1640 01:05:43,060 --> 01:05:44,890 Thank you. 1641 01:05:44,890 --> 01:05:47,610 You know what? I'm actually kind of mad right now. 1642 01:05:47,610 --> 01:05:50,610 I'm trying to figure out, Levi, why you're not on my team. 1643 01:05:50,610 --> 01:05:53,440 Oh, I know why. You didn't push your button for him. 1644 01:05:53,440 --> 01:05:55,610 T‐That ‐‐ Well, here's ‐‐ here's the deal. 1645 01:05:55,610 --> 01:05:57,200 That was the reason. Chair burn. 1646 01:05:57,200 --> 01:05:59,830 Are you ‐‐ Are you type 1 diabetic? Yes, sir, I am. 1647 01:05:59,830 --> 01:06:01,830 Alright, so, I'm a type 1 diabetic. 1648 01:06:01,830 --> 01:06:03,450 I know. 1649 01:06:03,450 --> 01:06:05,250 And we could've been diabetic buddies. 1650 01:06:05,250 --> 01:06:07,250 Like a television show ‐‐ "Diabuddies." 1651 01:06:07,250 --> 01:06:09,130 [ Laughter ] 1652 01:06:09,130 --> 01:06:10,800 My point is, we could have a lot of fun. 1653 01:06:10,800 --> 01:06:12,050 I'm sorry I didn't turn my chair. 1654 01:06:12,050 --> 01:06:13,130 He was wrong. I was wrong. 1655 01:06:13,130 --> 01:06:14,130 I was wrong, too, though. 1656 01:06:14,130 --> 01:06:15,260 We were all wrong. Yes. 1657 01:06:15,260 --> 01:06:16,760 Not you, though, Blake. 1658 01:06:16,760 --> 01:06:18,090 I know you're smiling over there, smirking. 1659 01:06:18,090 --> 01:06:19,600 I was exactly right. He was a ‐‐ He's a wise old man. 1660 01:06:19,600 --> 01:06:22,270 Wise old, old, old man. 1661 01:06:22,270 --> 01:06:23,810 [ Laughter ] That's fair. 1662 01:06:23,810 --> 01:06:25,980 Um, Jamal, I loved your energy. 1663 01:06:25,980 --> 01:06:28,650 I loved your enthusiasm to get out here and do your thing, 1664 01:06:28,650 --> 01:06:30,900 and the ‐‐ the friendship it seems you've built here, 1665 01:06:30,900 --> 01:06:32,820 it's really nice to see. He got a new little brother. 1666 01:06:32,820 --> 01:06:34,990 I love that. Sure bet. 1667 01:06:34,990 --> 01:06:36,490 It's kind of like me and Blake. 1668 01:06:36,490 --> 01:06:38,990 Yeah. [ Laughter ] 1669 01:06:38,990 --> 01:06:41,200 I want to see that movie. 1670 01:06:41,200 --> 01:06:43,370 He's more of an appendage to me than a brother. 1671 01:06:43,370 --> 01:06:45,660 Who, me? So ‐‐ yeah, like a growth. 1672 01:06:45,660 --> 01:06:48,000 A growth. A growth. 1673 01:06:48,000 --> 01:06:50,670 [ Laughter ] 1674 01:06:50,670 --> 01:06:53,000 You know what? I do feel like we're shortchanging Jamal 1675 01:06:53,000 --> 01:06:55,840 a tiny bit here because I think what I loved about listening 1676 01:06:55,840 --> 01:06:57,630 to you is it was really adventurous. 1677 01:06:57,630 --> 01:06:59,180 I was like, "Ooh, where's he gonna go?" 1678 01:06:59,180 --> 01:07:01,680 And it wasn't executed perfectly, but you know what? 1679 01:07:01,680 --> 01:07:04,020 I'd take passion over perfection every time, 1680 01:07:04,020 --> 01:07:07,190 and I‐I loved your energy, and I thought it was really good. 1681 01:07:07,190 --> 01:07:09,520 Thank you. Daly: Thank you, Coaches. 1682 01:07:09,520 --> 01:07:11,310 Alright, Blake, you got the final decision. 1683 01:07:11,310 --> 01:07:13,980 Give us some thoughts first. My favorite thing that happened 1684 01:07:13,980 --> 01:07:15,690 was right when this song started, 1685 01:07:15,690 --> 01:07:18,660 Jamal has this way of performing where, you know, 1686 01:07:18,660 --> 01:07:21,200 suddenly he's, like, flailing around and bouncing around 1687 01:07:21,200 --> 01:07:24,080 onstage, and then Levi kind of looks over and is like, 1688 01:07:24,080 --> 01:07:26,660 "Oh, is that what we're doing? I'll do it, too." 1689 01:07:26,660 --> 01:07:28,710 It's like ‐‐ That is so true. 1690 01:07:28,710 --> 01:07:31,040 It literally is the little‐brother thing. 1691 01:07:31,040 --> 01:07:32,880 It's like, "Oh, that's how you do this." 1692 01:07:32,880 --> 01:07:34,710 [ Laughter ] 1693 01:07:34,710 --> 01:07:39,720 Jamal, you know, I wonder if that played into 1694 01:07:39,720 --> 01:07:41,890 some of the pitch issues, the running around, 1695 01:07:41,890 --> 01:07:44,310 and sometimes you get out of breath, and ‐‐ and it just ‐‐ 1696 01:07:44,310 --> 01:07:46,890 it happens, you know, because I didn't hear it especially 1697 01:07:46,890 --> 01:07:48,850 in our last rehearsal ‐‐ I really felt like 1698 01:07:48,850 --> 01:07:50,400 if that would've been the performance 1699 01:07:50,400 --> 01:07:52,190 you would've given up here today, 1700 01:07:52,190 --> 01:07:54,730 you would be hearing completely different comments 1701 01:07:54,730 --> 01:07:56,190 up and down the line here, you know. 1702 01:07:56,190 --> 01:07:58,070 Thank you. Levi, I don't want to keep 1703 01:07:58,070 --> 01:08:00,200 harping on the 14‐years‐old thing, 1704 01:08:00,200 --> 01:08:03,570 but that just adds to the impressiveness of what you do. 1705 01:08:03,570 --> 01:08:06,120 Thank you. Blake, who's the winner of this battle? 1706 01:08:06,120 --> 01:08:08,250 Uh, well... 1707 01:08:08,250 --> 01:08:10,580 ♪♪♪ 1708 01:08:10,580 --> 01:08:12,080 ...I've got to make a decision. 1709 01:08:12,080 --> 01:08:15,210 Uh, the winner of this battle... 1710 01:08:17,260 --> 01:08:18,210 ...is Levi. 1711 01:08:18,210 --> 01:08:20,720 Levi! Congratulations! 1712 01:08:20,720 --> 01:08:22,760 You're moving on to the knockouts for Team Blake! 1713 01:08:22,760 --> 01:08:24,760 There was a lot about what Levi does 1714 01:08:24,760 --> 01:08:26,220 that I think we still haven't heard yet, 1715 01:08:26,220 --> 01:08:27,770 including maybe even him. 1716 01:08:27,770 --> 01:08:29,180 You did it, man. Congratulations, brother. 1717 01:08:29,180 --> 01:08:30,940 Do it again. 1718 01:08:30,940 --> 01:08:32,770 It's gonna be a lot of fun to see what he wants to do 1719 01:08:32,770 --> 01:08:34,560 artistically moving forward. 1720 01:08:34,560 --> 01:08:37,070 Levi, great job. Levi: I'm so grateful for Blake 1721 01:08:37,070 --> 01:08:38,610 and all the coaches and all their input. 1722 01:08:38,610 --> 01:08:40,280 I just like being able to perform 1723 01:08:40,280 --> 01:08:43,110 and really hope that I have more chances to do it. 1724 01:08:43,110 --> 01:08:44,870 Jamal, anything you want to say to Blake? 1725 01:08:44,870 --> 01:08:48,240 Yes. Um, I just want to say you were an excellent coach. 1726 01:08:48,240 --> 01:08:49,950 It was incredible working with you. 1727 01:08:49,950 --> 01:08:51,250 You're great, man. Thank you so much for having me. 1728 01:08:51,250 --> 01:08:52,250 Yes, sir. It was really a pleasure. 1729 01:08:52,250 --> 01:08:54,080 You did really well. 1730 01:08:54,080 --> 01:08:56,250 Good luck to you, man. 1731 01:08:56,250 --> 01:08:58,250 Hey, Nick, I noticed that you've been writing a lot. 1732 01:08:58,250 --> 01:09:00,420 What is this? Oh, my God! 1733 01:09:00,420 --> 01:09:01,880 What is this? You've been writing a lot in your, uh, notepad. 1734 01:09:01,880 --> 01:09:03,930 He brought you a present. "Top secret." 1735 01:09:03,930 --> 01:09:05,800 Is this for me? Yes, I got you a notepad. 1736 01:09:05,800 --> 01:09:07,140 That is really cool. 1737 01:09:07,140 --> 01:09:08,930 Some stickers. I got you some stickers here. 1738 01:09:08,930 --> 01:09:10,930 And I also ‐‐ I put the first word in there for you, 1739 01:09:10,930 --> 01:09:12,140 which is "stage." You got it. 1740 01:09:12,140 --> 01:09:13,940 "Stage." Thank you. You got it, man. 1741 01:09:13,940 --> 01:09:15,810 Thank you so much. Just in case he forgets. 1742 01:09:15,810 --> 01:09:17,650 You're such a good friend. You're welcome. 1743 01:09:17,650 --> 01:09:21,150 I mean, Blake Shelton and Nick, it's a cute bromance. 1744 01:09:21,150 --> 01:09:23,650 So special. I'm gonna write you a note right now. 1745 01:09:23,650 --> 01:09:25,780 You're not like an appendage to me. I only said that. 1746 01:09:25,780 --> 01:09:27,990 You actually said growth. That's your first word. 1747 01:09:27,990 --> 01:09:29,370 [ Laughter ] "Growth." 1748 01:09:29,370 --> 01:09:31,290 That's what I thought of, Kelly. I'm sorry. 1749 01:09:38,090 --> 01:09:38,130 . 1750 01:09:39,340 --> 01:09:39,800 ♪ This is "The Voice" ♪ 1751 01:09:40,550 --> 01:09:42,340 Daly: Welcome back to the battles, 1752 01:09:42,340 --> 01:09:44,300 where the Jonas Brothers prepare to meet the final pairing of the night. 1753 01:09:44,300 --> 01:09:46,340 Nick: You were a coach for "The Voice" in Australia, 1754 01:09:46,340 --> 01:09:48,430 now taking up the mentor/adviser position. 1755 01:09:48,430 --> 01:09:50,260 How's it different? Less stressful. 1756 01:09:50,260 --> 01:09:53,350 [ Laughs ] So, good luck, friend. 1757 01:09:53,350 --> 01:09:55,270 There you go. Thanks. 1758 01:09:55,270 --> 01:09:57,110 Thank you, friend. Appreciate it. 1759 01:09:57,110 --> 01:09:59,110 So, next we have Michael and Allegra. 1760 01:09:59,110 --> 01:10:01,360 Michael ‐‐ There was only one chair turn, just me. 1761 01:10:01,360 --> 01:10:03,530 There was this big, powerful moment where he went up 1762 01:10:03,530 --> 01:10:05,660 to the higher part of his register and really delivered. 1763 01:10:05,660 --> 01:10:08,530 I really believed in his voice, something about it. 1764 01:10:08,530 --> 01:10:10,410 I knew I could help get him there. 1765 01:10:10,410 --> 01:10:12,410 Allegra blew me away with a cover of a Kings of Leon song. 1766 01:10:12,410 --> 01:10:14,210 That's awesome. ♪ Ooh ♪ 1767 01:10:14,210 --> 01:10:16,870 Just her, a piano, and she absolutely crushed it. 1768 01:10:16,870 --> 01:10:20,380 Allegra: The blinds was one of the most incredible experiences of my life. 1769 01:10:20,380 --> 01:10:22,710 ♪ Ooh‐ooh‐ooh‐ooh ♪ 1770 01:10:22,710 --> 01:10:24,300 You sounded so incredible. 1771 01:10:24,300 --> 01:10:26,220 That's Nick freakin' Jonas! 1772 01:10:26,220 --> 01:10:27,470 Nick. Oh! 1773 01:10:27,470 --> 01:10:29,550 It's amazing to be on Nick's team 1774 01:10:29,550 --> 01:10:33,180 because he's navigated the waters of starting really young. 1775 01:10:33,180 --> 01:10:35,480 I'm from a tiny island called St. John 1776 01:10:35,480 --> 01:10:38,560 in the U. S. Virgin Islands. 1777 01:10:38,560 --> 01:10:44,070 In September of 2017, Irma hit St. John really hard. 1778 01:10:44,070 --> 01:10:47,740 Almost everything was destroyed. Like, majority of houses. 1779 01:10:47,740 --> 01:10:49,240 Two years later, the community 1780 01:10:49,240 --> 01:10:52,450 has done an incredible job of rebuilding. 1781 01:10:52,450 --> 01:10:54,450 I'm really grateful 'cause a lot of people here 1782 01:10:54,450 --> 01:10:56,250 are very supportive of my music. 1783 01:10:56,250 --> 01:10:59,380 I really want to win this battle to make them proud. 1784 01:10:59,380 --> 01:11:01,000 Are they out there? 1785 01:11:01,000 --> 01:11:02,250 You guys gonna go get them? 1786 01:11:02,250 --> 01:11:03,420 Yeah, why not? Let's go get them. 1787 01:11:03,420 --> 01:11:04,920 I'm tired of waiting. Yeah. 1788 01:11:04,920 --> 01:11:06,510 It's crazy. It could be anybody. 1789 01:11:06,510 --> 01:11:07,720 It really could, yeah. 1790 01:11:07,720 --> 01:11:09,090 What's up? We're waiting in here, guys. 1791 01:11:09,090 --> 01:11:10,340 Hey! Come on, let's get it going. 1792 01:11:10,340 --> 01:11:11,600 Well, hello, there! How you doing? 1793 01:11:11,600 --> 01:11:13,560 Oh, my gosh. It's absolutely insane 1794 01:11:13,560 --> 01:11:16,560 to be on Nick's team ‐‐ obviously crazy enough. 1795 01:11:16,560 --> 01:11:18,060 This is your stage. What's up?! 1796 01:11:18,060 --> 01:11:19,400 Hello! What's up? 1797 01:11:19,400 --> 01:11:21,440 But then to hang out with the Jonas brothers, 1798 01:11:21,440 --> 01:11:24,280 like, I couldn't ‐‐ It was ridiculous. 1799 01:11:24,280 --> 01:11:26,440 How you guys feeling? A little nervous, but ready to get to work. 1800 01:11:26,440 --> 01:11:28,450 Nervous. Don't be nervous. This is a safe environment. 1801 01:11:28,450 --> 01:11:30,450 Should we all just scream, like Joe does? 1802 01:11:30,450 --> 01:11:31,780 I love that. I think that's great. 1803 01:11:31,780 --> 01:11:33,660 Let's do it. One, two, three. 1804 01:11:33,660 --> 01:11:36,120 [ Screaming ] 1805 01:11:36,120 --> 01:11:38,250 Alright, now you're not nervous. That was amazing. 1806 01:11:40,040 --> 01:11:42,130 ♪ Oh, it's you ♪ 1807 01:11:42,130 --> 01:11:44,800 Allegra and Michael are singing "How Will I Know," 1808 01:11:44,800 --> 01:11:46,630 originally recorded by Whitney Houston. 1809 01:11:46,630 --> 01:11:48,800 But I've given them the Sam Smith version. 1810 01:11:48,800 --> 01:11:52,140 I think it's so tender and beautiful, 1811 01:11:52,140 --> 01:11:54,470 and I gave it to them so that they would get in touch 1812 01:11:54,470 --> 01:11:56,810 with those vulnerable parts of their voice and the emotion. 1813 01:11:56,810 --> 01:11:59,480 ♪ Oh, I lose control ♪ 1814 01:11:59,480 --> 01:12:01,810 These are two of my younger pop artists on my team. 1815 01:12:01,810 --> 01:12:04,400 That's why I think it was such a great thing to pair them, 1816 01:12:04,400 --> 01:12:07,820 and I was right because, wow, they are incredible together. 1817 01:12:07,820 --> 01:12:11,660 ♪ If you love me ♪ 1818 01:12:11,660 --> 01:12:13,160 ♪ Yeah ♪ 1819 01:12:13,160 --> 01:12:15,160 They both can sing so high, 1820 01:12:15,160 --> 01:12:17,200 and they're harmonizing together. 1821 01:12:17,200 --> 01:12:18,660 There's a little bit of that Shawn Mendes and Camila Cabello, 1822 01:12:18,660 --> 01:12:21,120 like with them ‐‐ very distinct vocals. 1823 01:12:21,120 --> 01:12:23,170 Can you make them a group? 'Cause I think ‐‐ 1824 01:12:23,170 --> 01:12:25,340 I know. That would be the thing. 1825 01:12:25,340 --> 01:12:26,840 Bam. Yeah. 1826 01:12:26,840 --> 01:12:29,300 What?! [ Laughs ] 1827 01:12:29,300 --> 01:12:31,680 The first time you hear that harmony together, 1828 01:12:31,680 --> 01:12:34,180 it cuts right through your heart. It's amazing. 1829 01:12:34,180 --> 01:12:36,180 You sound like you've been singing together for years. 1830 01:12:36,180 --> 01:12:38,640 We were very lucky to be brothers, so it's easy for us 1831 01:12:38,640 --> 01:12:40,850 to be able to work together day in and day out, 1832 01:12:40,850 --> 01:12:43,150 and how you figured that out by yourself, 1833 01:12:43,150 --> 01:12:45,520 that's really impressive, and just continue that. 1834 01:12:45,520 --> 01:12:47,190 One note for you, Allegra. 1835 01:12:47,190 --> 01:12:51,360 On that first line... ♪ Oh, I lose control ♪ 1836 01:12:51,360 --> 01:12:53,490 ...you coming in soft, it's okay, 1837 01:12:53,490 --> 01:12:55,700 because when you hit that big note 1838 01:12:55,700 --> 01:12:59,250 on the second half of the first verse, it's so impressive, 1839 01:12:59,250 --> 01:13:00,540 and you're like, "Oh, wow!" 1840 01:13:00,540 --> 01:13:02,540 Also maybe just enunciating a little bit more 1841 01:13:02,540 --> 01:13:04,710 so we can understand what you're trying to say. 1842 01:13:04,710 --> 01:13:06,540 The lyrics, gotcha, thank you. Yeah. 1843 01:13:06,540 --> 01:13:08,710 Michael, the one thing that you did when you did, like, 1844 01:13:08,710 --> 01:13:10,720 a mic‐move thing, I would just stay on it... 1845 01:13:10,720 --> 01:13:12,630 Alright. ...'cause it shows that you're 1846 01:13:12,630 --> 01:13:14,300 feeling uncomfortable, like you might not hit it. 1847 01:13:14,300 --> 01:13:16,680 I'd rather you go for it on mic 1848 01:13:16,680 --> 01:13:18,680 and it not come out exactly the way you hoped it would... 1849 01:13:18,680 --> 01:13:21,640 Yeah. ...than to be m‐maneuvering around it. 1850 01:13:21,640 --> 01:13:23,390 Michael, have you done theater before? 1851 01:13:23,390 --> 01:13:25,520 I've been doing theater since I was about 8 years old. 1852 01:13:25,520 --> 01:13:27,520 That's what I thought. I actually just did "Les Mis," like, last November. 1853 01:13:27,520 --> 01:13:29,360 Nice. That's awesome. Yeah. Valjean. 1854 01:13:29,360 --> 01:13:31,740 It's amazing to have a coach in my genre 1855 01:13:31,740 --> 01:13:33,910 because not only did he start young, 1856 01:13:33,910 --> 01:13:35,700 but he started in theater. 1857 01:13:35,700 --> 01:13:38,200 When I was younger, I worked my way up to be able to land 1858 01:13:38,200 --> 01:13:40,290 big roles in community theater. 1859 01:13:40,290 --> 01:13:42,580 To have Nick come from the roots I have come from 1860 01:13:42,580 --> 01:13:44,580 makes his coaching method more personal. 1861 01:13:44,580 --> 01:13:46,750 ♪ And I believe ♪ 1862 01:13:46,750 --> 01:13:49,420 The day of my audition, I was full of nerves. 1863 01:13:49,420 --> 01:13:51,920 It was like... I'm getting a chance 1864 01:13:51,920 --> 01:13:53,550 that not a lot of people do. 1865 01:13:53,550 --> 01:13:56,590 ♪ Oh, I believe ♪ 1866 01:13:56,590 --> 01:13:58,680 Nick: My falsetto is something I had to work hard at. 1867 01:13:58,680 --> 01:14:00,220 We could work on technique for hours, 1868 01:14:00,220 --> 01:14:01,560 but I think the best thing is just... 1869 01:14:01,560 --> 01:14:05,390 ♪ Gonna be for us to sing in our falsetto ♪ 1870 01:14:05,390 --> 01:14:07,440 Whoo! And just do that for hours. 1871 01:14:07,440 --> 01:14:09,440 It was so cool to have Nick help me with falsetto, 1872 01:14:09,440 --> 01:14:12,610 and so I was able to go home and practice my high range. 1873 01:14:12,610 --> 01:14:14,780 To show him that I worked very hard on that, 1874 01:14:14,780 --> 01:14:17,280 to continue with Nick would mean the world to me 1875 01:14:17,280 --> 01:14:18,740 to work under that sort of mentor. 1876 01:14:18,740 --> 01:14:20,620 How do you guys usually approach, like, 1877 01:14:20,620 --> 01:14:22,580 breathy falsettos, especially on the first line? 1878 01:14:22,580 --> 01:14:24,370 ♪ Oh, it's you ♪ 1879 01:14:24,370 --> 01:14:26,460 Anytime you have [exhales] breath going out 1880 01:14:26,460 --> 01:14:28,630 and you're trying to pop up to a higher note, 1881 01:14:28,630 --> 01:14:31,710 what I tend to think about is smiling. 1882 01:14:31,710 --> 01:14:33,760 ♪ Oh, it's you ♪ 1883 01:14:33,760 --> 01:14:36,300 'Cause you can actually not push out as much breath 1884 01:14:36,300 --> 01:14:37,970 and keep it in so you can use it later on. 1885 01:14:37,970 --> 01:14:40,600 ♪ Oh, it's you, oh, it's you ♪ Better. 1886 01:14:40,600 --> 01:14:41,810 Yeah. The smile helps. 1887 01:14:41,810 --> 01:14:44,310 ♪ Oh, it's you ♪ 1888 01:14:44,310 --> 01:14:47,400 Michael: Going from chest to very breathy falsetto takes a lot of control. 1889 01:14:47,400 --> 01:14:49,480 That's something that I want to nail 1890 01:14:49,480 --> 01:14:52,570 and bring to the table to the best of my abilities. 1891 01:14:52,570 --> 01:14:55,990 ♪ How will I know ♪ 1892 01:14:55,990 --> 01:14:58,570 Allegra: How you're interacting with your partner is a big thing. 1893 01:14:58,570 --> 01:15:01,330 Even though it is a slow, sadder song, 1894 01:15:01,330 --> 01:15:03,620 Michael and I were playing off each other 1895 01:15:03,620 --> 01:15:06,330 and smiling because even in the lowest moments, 1896 01:15:06,330 --> 01:15:07,960 there is some joy there. 1897 01:15:07,960 --> 01:15:09,500 Kevin: When you guys turned to each other in that first part ‐‐ 1898 01:15:09,500 --> 01:15:11,340 oh, mm. It's awesome. 1899 01:15:11,340 --> 01:15:13,500 I'm so happy you're on my team. 1900 01:15:13,500 --> 01:15:14,800 I thought, "Okay, we're gonna prep for 1901 01:15:14,800 --> 01:15:16,590 an emotionally connected song." 1902 01:15:16,590 --> 01:15:18,340 You guys turned it into a joyous occasion, 1903 01:15:18,340 --> 01:15:20,640 which is really phenomenal, 1904 01:15:20,640 --> 01:15:22,930 and I'm very proud of you for surprising me 1905 01:15:22,930 --> 01:15:25,430 with something that just blew me away, 1906 01:15:25,430 --> 01:15:27,480 and I think the more you lean into that and the fun 1907 01:15:27,480 --> 01:15:29,310 of you guys just enjoying the ride, the better. 1908 01:15:29,310 --> 01:15:31,020 I thought I saw the cream of the crop already today. 1909 01:15:31,020 --> 01:15:33,480 That was just, like, pbht. 1910 01:15:33,480 --> 01:15:34,650 That was awesome. 1911 01:15:34,650 --> 01:15:36,320 One of you is getting stolen. 1912 01:15:36,320 --> 01:15:37,490 Yes! Unless you save. 1913 01:15:37,490 --> 01:15:38,820 Unless I s‐‐ And if not by them, 1914 01:15:38,820 --> 01:15:40,820 by me and Joe, so we'll... 1915 01:15:40,820 --> 01:15:42,700 Oh, there you go. I got this label I'm working on. 1916 01:15:42,700 --> 01:15:44,540 Just let me know. For sure. 1917 01:15:44,540 --> 01:15:48,330 Allegra and Michael put the biggest smile on my face. 1918 01:15:48,330 --> 01:15:50,710 There's something so powerful about their duet. 1919 01:15:50,710 --> 01:15:53,380 It's hard to deny how talented they both are. 1920 01:15:53,380 --> 01:15:55,300 Keep it up. Thank you. Thank you so much. 1921 01:15:55,300 --> 01:15:56,710 I don't know what you're gonna do. 1922 01:15:56,710 --> 01:15:58,300 We screamed with the Jonas Brothers, like... 1923 01:15:58,300 --> 01:15:59,510 It was cool. It was really cool. 1924 01:15:59,510 --> 01:16:00,720 That was all I ever wanted in life. 1925 01:16:00,720 --> 01:16:03,350 ♪♪♪ 1926 01:16:03,350 --> 01:16:05,850 Oh, yeah. I love this performance. 1927 01:16:05,850 --> 01:16:07,730 Can't pick favorites. 1928 01:16:07,730 --> 01:16:09,390 ♪ This love is strong ♪ 1929 01:16:09,390 --> 01:16:11,900 ♪ Why do I feel weak? ♪ 1930 01:16:11,900 --> 01:16:13,900 ♪ If you love me ♪ 1931 01:16:13,900 --> 01:16:15,730 I'm blown away by this performance. 1932 01:16:15,730 --> 01:16:17,400 It makes me feel like an idiot for putting them together, 1933 01:16:17,400 --> 01:16:20,070 and I think it's gonna shock the other coaches. 1934 01:16:20,070 --> 01:16:23,070 It's really great to watch two artists 1935 01:16:23,070 --> 01:16:25,790 who have actually grown together as a unit. 1936 01:16:25,790 --> 01:16:28,500 I love the staging, but it'll be nice to feel just a‐a little bit 1937 01:16:28,500 --> 01:16:30,750 more separation between you guys so when you come back 1938 01:16:30,750 --> 01:16:32,330 it's that much more powerful. 1939 01:16:32,330 --> 01:16:34,380 Got you. And I think part of it's 1940 01:16:34,380 --> 01:16:36,590 gonna be physically selling some of these high notes. 1941 01:16:36,590 --> 01:16:38,090 Right. Yeah. Getting down is great 1942 01:16:38,090 --> 01:16:40,340 because it feels that much more impactful. 1943 01:16:40,340 --> 01:16:41,930 Yeah. Just give us a little bit 1944 01:16:41,930 --> 01:16:44,350 of something that shows that you're digging for it. 1945 01:16:44,350 --> 01:16:46,060 Nick: They're both so incredibly talented. 1946 01:16:46,060 --> 01:16:47,930 I already feel really connected to them as well, 1947 01:16:47,930 --> 01:16:50,100 and you build this friendship and working relationship 1948 01:16:50,100 --> 01:16:52,940 where you're all giving all you can to make the best it can be. 1949 01:16:52,940 --> 01:16:55,730 [ Sighs ] 1950 01:16:55,730 --> 01:16:57,940 I'm gonna have to pick one. 1951 01:16:57,940 --> 01:16:59,860 How? 1952 01:16:59,860 --> 01:17:01,610 To say goodbye to somebody 1953 01:17:01,610 --> 01:17:05,120 is not something I'm emotionally prepared for just yet. 1954 01:17:05,120 --> 01:17:06,990 It's a tough job. 1955 01:17:15,040 --> 01:17:15,080 . 1956 01:17:16,380 --> 01:17:16,790 ♪ This is "The Voice" ♪ 1957 01:17:17,750 --> 01:17:19,130 Daly: Welcome back to the battles. 1958 01:17:19,130 --> 01:17:21,550 [ Cheers and applause ] 1959 01:17:21,550 --> 01:17:23,220 I'm excited about this one. 1960 01:17:23,220 --> 01:17:25,300 The battle starts right now. 1961 01:17:25,300 --> 01:17:30,560 ♪♪♪ 1962 01:17:30,560 --> 01:17:33,480 ♪ Oh, it's you ♪ 1963 01:17:33,480 --> 01:17:35,980 ♪ I know ♪ 1964 01:17:35,980 --> 01:17:39,820 ♪ You're the one I dream of ♪ 1965 01:17:39,820 --> 01:17:41,150 Wow. 1966 01:17:41,150 --> 01:17:43,490 ♪ Look into ♪ 1967 01:17:43,490 --> 01:17:44,990 A little Nick Jonas. 1968 01:17:44,990 --> 01:17:47,120 ♪ My eyes ♪ 1969 01:17:47,120 --> 01:17:52,330 ♪ Take me to the clouds above ♪ 1970 01:17:52,330 --> 01:17:55,000 ♪ Oh, I lose ♪ 1971 01:17:55,000 --> 01:17:57,460 Ooh! ♪ Control ♪ 1972 01:17:57,460 --> 01:18:03,840 ♪ I can't seem to get enough ♪ 1973 01:18:03,840 --> 01:18:09,010 ♪ When I wake from dreaming ♪ 1974 01:18:09,010 --> 01:18:12,850 ♪ Tell me, is it really love? ♪ 1975 01:18:12,850 --> 01:18:15,230 [ Cheers and applause ] Yeah, yeah, yeah. 1976 01:18:17,020 --> 01:18:20,900 ♪ How will I know? ♪ 1977 01:18:22,860 --> 01:18:28,280 ♪ How will I know? ♪ 1978 01:18:28,280 --> 01:18:32,080 ♪ How will I know? ♪ 1979 01:18:33,410 --> 01:18:36,540 ♪ How will I know? ♪ 1980 01:18:36,540 --> 01:18:38,170 Yeah. 1981 01:18:38,170 --> 01:18:43,380 ♪ How will I know if you really love me? ♪ 1982 01:18:43,380 --> 01:18:45,380 Come on! ♪ I say a prayer ♪ 1983 01:18:45,380 --> 01:18:49,050 ♪ With every heartbeat ♪ 1984 01:18:49,050 --> 01:18:54,890 ♪ I fall in love whenever we meet ♪ 1985 01:18:54,890 --> 01:19:00,230 ♪ I'm asking you what you know about these things ♪ 1986 01:19:00,230 --> 01:19:02,400 ♪ How will I know ♪ ♪ How will I know ♪ 1987 01:19:02,400 --> 01:19:05,860 ♪ If you're thinking of me? ♪ 1988 01:19:05,860 --> 01:19:09,240 ♪ I try to phone, but I'm too shy ♪ 1989 01:19:09,240 --> 01:19:11,240 ♪ Can't speak ♪ 1990 01:19:11,240 --> 01:19:12,700 ♪ Falling in love ♪ 1991 01:19:12,700 --> 01:19:14,040 ♪ Falling in love ♪ 1992 01:19:14,040 --> 01:19:16,870 ♪ Is all bittersweet ♪ 1993 01:19:16,870 --> 01:19:18,420 ♪ This love is strong ♪ 1994 01:19:18,420 --> 01:19:21,420 ♪ Why do I feel weak? ♪ 1995 01:19:21,420 --> 01:19:26,920 ♪ If you love me ♪ 1996 01:19:26,920 --> 01:19:31,100 ♪ If you love me ♪ 1997 01:19:31,100 --> 01:19:32,220 Whoo! 1998 01:19:32,220 --> 01:19:34,600 ♪ If you love me ♪ 1999 01:19:34,600 --> 01:19:40,230 ♪ If you love me ♪ 2000 01:19:40,230 --> 01:19:48,070 ♪ If you love me ♪ 2001 01:19:48,070 --> 01:19:50,240 [ Cheers and applause ] 2002 01:19:50,240 --> 01:19:53,240 ♪♪♪ 2003 01:19:53,240 --> 01:19:54,990 Wow! 2004 01:19:54,990 --> 01:19:57,290 That was really good. 2005 01:19:57,290 --> 01:19:59,210 Awesome. 2006 01:20:01,130 --> 01:20:03,460 Oh, my gosh! That was so good! 2007 01:20:03,460 --> 01:20:05,300 I don't know why they're not standing. They're dumb. 2008 01:20:05,300 --> 01:20:07,050 That was so good. That was so good. 2009 01:20:07,050 --> 01:20:10,130 What a great pairing. 2010 01:20:10,130 --> 01:20:13,050 Wow, Michael, you came in strong! 2011 01:20:13,050 --> 01:20:14,970 When he started out, I was like, "Oh, my God." 2012 01:20:14,970 --> 01:20:16,310 He kept going higher. 2013 01:20:16,310 --> 01:20:18,930 I can see obviously why Nick turned. 2014 01:20:18,930 --> 01:20:21,270 Falsetto is very much that lane for him. 2015 01:20:21,270 --> 01:20:22,440 I heard a lot of Nick up in there. 2016 01:20:22,440 --> 01:20:23,980 Yeah, it was good. 2017 01:20:23,980 --> 01:20:26,280 You have a magnificent tool for a voice. 2018 01:20:26,280 --> 01:20:28,150 And how you switch from your chest to your nose 2019 01:20:28,150 --> 01:20:30,150 to your falsetto, it's just all really, really nice. 2020 01:20:30,150 --> 01:20:34,700 Allegra, I am in love with your voice. 2021 01:20:34,700 --> 01:20:37,200 Your tone, like, already tells a story, 2022 01:20:37,200 --> 01:20:39,160 and you have this thing where you kind of bite down 2023 01:20:39,160 --> 01:20:41,000 and you almost sing, like, through your tee‐‐ 2024 01:20:41,000 --> 01:20:43,960 and it's, like, really cool. 2025 01:20:43,960 --> 01:20:46,460 I know that y'all are just little babies compared to me, 2026 01:20:46,460 --> 01:20:48,420 but, like, I grew up on this song. 2027 01:20:48,420 --> 01:20:50,260 It was an all‐skate. Oh, my gosh. 2028 01:20:50,260 --> 01:20:53,470 And I'm gonna have to say I love both of you, but, man, Nick, 2029 01:20:53,470 --> 01:20:55,680 Allegra's tone, that's a finale tone. 2030 01:20:55,680 --> 01:20:57,810 That's a good tone. That's a good tone. 2031 01:20:57,810 --> 01:20:59,680 [ Applause ] 2032 01:20:59,680 --> 01:21:03,520 Congratulations on a killer battle performance. 2033 01:21:03,520 --> 01:21:05,810 It wasn't a battle. It was just a great duet. 2034 01:21:05,810 --> 01:21:07,520 I mean, truly was. 2035 01:21:07,520 --> 01:21:09,690 You can tell that you two have created a friendship, 2036 01:21:09,690 --> 01:21:11,490 and you can see that when you perform, 2037 01:21:11,490 --> 01:21:13,530 and you can tell you're rooting for each other. 2038 01:21:13,530 --> 01:21:15,780 Maybe I'm wrong. Maybe you're both like, "ha, ha." 2039 01:21:15,780 --> 01:21:17,740 John: They're just an excellent actors. 2040 01:21:17,740 --> 01:21:20,040 Michael, I mean, you're a great singer, 2041 01:21:20,040 --> 01:21:23,170 and ‐‐ and everything that Kelly said is spot on. 2042 01:21:23,170 --> 01:21:26,380 Allegra, I've been making records 20 years now, 2043 01:21:26,380 --> 01:21:29,840 I've been doing this, and not that often somebody like you 2044 01:21:29,840 --> 01:21:32,380 comes along that has a special, unique tone 2045 01:21:32,380 --> 01:21:33,840 and your sound is so cool. 2046 01:21:33,840 --> 01:21:36,050 So I would pick Allegra. 2047 01:21:36,050 --> 01:21:38,220 Uh, I think they're both great, though. 2048 01:21:38,220 --> 01:21:41,350 Thank you. This was lovely for us to watch 2049 01:21:41,350 --> 01:21:43,230 and listen to. 2050 01:21:43,230 --> 01:21:45,190 Doing that song and this version 2051 01:21:45,190 --> 01:21:48,320 introduces some extra cool to the performance. 2052 01:21:48,320 --> 01:21:50,230 Michael, I definitely got some Nick vibes 2053 01:21:50,230 --> 01:21:52,650 when you first came in ‐‐ I was like, "That's Nick Jonas. 2054 01:21:52,650 --> 01:21:55,490 Sounds like Nick Jonas," which is definitely a compliment. 2055 01:21:55,490 --> 01:21:57,830 Thank you. It is, yeah. You have range, you have, uh, 2056 01:21:57,830 --> 01:22:00,450 power and control, all the things you want 2057 01:22:00,450 --> 01:22:02,200 from a great singer. 2058 01:22:02,200 --> 01:22:04,580 And, Allegra, the singers that really connect the most 2059 01:22:04,580 --> 01:22:08,540 in this world are those with a tone that's special and magical, 2060 01:22:08,540 --> 01:22:10,590 and I feel like, Allegra, you have that. 2061 01:22:10,590 --> 01:22:12,420 Both of you are excellent singers. 2062 01:22:12,420 --> 01:22:15,260 Thank you so much. Daly: Thank you, Coaches. 2063 01:22:15,260 --> 01:22:17,180 Alright, Nick, you've got the final decision, 2064 01:22:17,180 --> 01:22:18,850 but before we find out the winner, give us some thoughts 2065 01:22:18,850 --> 01:22:21,430 on the battle. From the moment I heard you sing 2066 01:22:21,430 --> 01:22:24,350 this arrangement in that mentor session with my brothers, 2067 01:22:24,350 --> 01:22:26,730 we all stopped and said, "Wow, we just witnessed 2068 01:22:26,730 --> 01:22:28,610 something really special." 2069 01:22:28,610 --> 01:22:31,730 I know this is a battle, but I'm blown away at the level 2070 01:22:31,730 --> 01:22:34,610 at which you guys connected ‐‐ you made this song your own. 2071 01:22:34,610 --> 01:22:36,450 That arrangement that you came up with 2072 01:22:36,450 --> 01:22:38,530 spoke to every single person in this place, 2073 01:22:38,530 --> 01:22:42,330 which makes having to make a decision that much harder. 2074 01:22:42,330 --> 01:22:44,290 It's a tough one for you, Nick. Yeah. 2075 01:22:44,290 --> 01:22:46,250 Who is the winner of this battle? 2076 01:22:47,790 --> 01:22:49,380 [ Sighs ] 2077 01:22:50,790 --> 01:22:53,130 Um... 2078 01:22:53,130 --> 01:22:57,630 I‐I think I have to go with ‐‐ with a‐a gut feeling here. 2079 01:22:57,630 --> 01:22:59,760 Um... 2080 01:22:59,760 --> 01:23:02,470 ♪♪♪ 2081 01:23:02,470 --> 01:23:05,810 ...the winner of this battle... 2082 01:23:05,810 --> 01:23:07,230 is Allegra. 2083 01:23:07,230 --> 01:23:08,650 Allegra, Congratulations! 2084 01:23:08,650 --> 01:23:10,150 You are moving on. 2085 01:23:10,150 --> 01:23:13,150 Oh, my God. They crushed it. 2086 01:23:13,150 --> 01:23:14,490 But I had to go with Allegra 2087 01:23:14,490 --> 01:23:16,150 because she's an inspiring vocalist, 2088 01:23:16,150 --> 01:23:18,490 and on top of that, she's a storyteller. 2089 01:23:18,490 --> 01:23:21,490 I see her getting to the final in this show. 2090 01:23:21,490 --> 01:23:23,830 Coaches, let me remind you, Michael is available to steal or save. 2091 01:23:23,830 --> 01:23:26,330 Michael, anything you want to say to your coach? 2092 01:23:26,330 --> 01:23:29,500 Yeah, Nick, thank you so much, um, for being my coach. 2093 01:23:29,500 --> 01:23:31,290 I just really appreciate all the notes. 2094 01:23:31,290 --> 01:23:32,840 Thank you so much for this opportunity. 2095 01:23:32,840 --> 01:23:35,670 Give it up for Michael Williams, ladies and gentlemen! 2096 01:23:35,670 --> 01:23:38,840 [ Cheers and applause ] 2097 01:23:38,840 --> 01:23:41,510 There it is! 2098 01:23:41,510 --> 01:23:44,180 Let's go! The save! 2099 01:23:44,180 --> 01:23:45,680 Yes! 2100 01:23:45,680 --> 01:23:47,270 Yes, yes, yes, yes, yes! 2101 01:23:47,270 --> 01:23:50,480 Nick Jonas saves Michael, 2102 01:23:50,480 --> 01:23:55,190 who now joins the four‐way knockout representing Team Nick! 2103 01:23:55,190 --> 01:23:59,360 It was crazy! I'm so grateful to Nick right now. 2104 01:23:59,360 --> 01:24:01,370 Nick, I thought you broke your button, you hit it so hard there. 2105 01:24:01,370 --> 01:24:03,410 I‐I thought I did, too. What did you hear in Michael 2106 01:24:03,410 --> 01:24:04,870 that made you want to use it on him? 2107 01:24:04,870 --> 01:24:06,500 It's what I heard today. 2108 01:24:06,500 --> 01:24:08,460 It's what I heard the first day I heard you sing. 2109 01:24:08,460 --> 01:24:10,210 I'm so impressed by you, 2110 01:24:10,210 --> 01:24:12,630 and there was no way you were leaving today. 2111 01:24:12,630 --> 01:24:14,710 You're on Team Nick. Let's go. 2112 01:24:14,710 --> 01:24:16,210 Congratulations! 2113 01:24:16,210 --> 01:24:17,710 Michael is incredible. 2114 01:24:17,710 --> 01:24:20,300 I was so nervous that someone was gonna swoop in 2115 01:24:20,300 --> 01:24:22,640 and steal him, and so I was over the moon. 2116 01:24:23,720 --> 01:24:26,350 He's gonna represent Team Nick in that four‐way knockout, 2117 01:24:26,350 --> 01:24:28,230 which is gonna be insane. 2118 01:24:28,230 --> 01:24:30,390 This is actually great. I really want you to write songs in that. 2119 01:24:30,390 --> 01:24:32,560 [ Laughter ] Call your album "Nick's Notes." 2120 01:24:32,560 --> 01:24:35,230 Next year, when you're accepting your ‐‐ your next Grammy... 2121 01:24:35,230 --> 01:24:37,400 For "Nick's Notes," the album. ..."I wanna thank Blake Shelton 2122 01:24:37,400 --> 01:24:39,490 for my Nick's Notes." For my ‐‐ my notepad. 2123 01:24:39,490 --> 01:24:41,240 "For reminding me what a stage was." 2124 01:24:41,240 --> 01:24:42,490 [ Laughter ] 2125 01:24:42,490 --> 01:24:52,370 ♪♪♪ 2126 01:24:52,370 --> 01:25:01,930 ♪♪♪ 2127 01:25:01,930 --> 01:25:11,890 ♪♪♪ 165560

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