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.
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00:00:05,540 --> 00:00:06,210
Daly:
Tonight, the battles begin...
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00:00:07,340 --> 00:00:09,300
[ Laughs ]
4
00:00:09,300 --> 00:00:11,800
...with some of the biggest
forces in music today.
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00:00:11,800 --> 00:00:15,510
Four award‐winning
superstar advisers,
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00:00:15,510 --> 00:00:18,180
and this season,
the rules have changed.
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First of all,
this is young Nick Jonas's
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00:00:19,640 --> 00:00:21,520
first battle rounds on
"The Voice."
Yes.
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00:00:21,520 --> 00:00:23,020
What happens if we both try
to ‐‐
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00:00:23,020 --> 00:00:24,650
two people try to steal
the same person?
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00:00:24,650 --> 00:00:26,020
Then you have to fight for it.
Oh, no.
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00:00:26,020 --> 00:00:27,190
The power shifts back to
the artist...
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00:00:27,190 --> 00:00:28,820
Yeah.
...and they pick again.
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00:00:28,820 --> 00:00:30,440
But if it's his people, then
they would obviously pick him.
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00:00:30,440 --> 00:00:32,280
No, I‐I have to wait this time.
We changed the rules.
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00:00:32,280 --> 00:00:35,530
You guys get the steal option
before I get the save.
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00:00:35,530 --> 00:00:37,370
Fantastic.
If none of you guys steal them,
then I can save them.
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00:00:37,370 --> 00:00:38,910
Okay, alright.
Speaking of save,
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00:00:38,910 --> 00:00:40,490
there's gonna be four saves
in the battle.
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And then those four saves
go to the four‐way knockout.
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Which is crazy, yeah.
That's intense.
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00:00:45,830 --> 00:00:47,500
Blake, is there anybody
on somebody else's team
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00:00:47,500 --> 00:00:48,880
that you have
your eye on?
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00:00:48,880 --> 00:00:50,500
My fear is that
these other artists
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00:00:50,500 --> 00:00:52,300
have already worked
with these coaches,
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00:00:52,300 --> 00:00:54,170
and it may be too late
for these people...
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00:00:54,170 --> 00:00:55,880
[ Laughing ] Oh, my God.
...because
there's no telling
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00:00:55,880 --> 00:00:58,050
what horrible direction
they've been given.
True.
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Yeah. We've ruined them.
Who knows what's gonna happen?
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Alright,
let's go do it.
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00:01:01,640 --> 00:01:04,230
Kelly: Let's do it!
Get outta here.
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[ Laughter ]
Go back to my nap.
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00:01:05,640 --> 00:01:08,400
♪♪♪
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00:01:08,400 --> 00:01:10,570
Season 18 battles.
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00:01:10,570 --> 00:01:13,240
Walking in to, uh,
start sorting this out.
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Yep, that's the chair we wanted.
Okay.
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00:01:16,070 --> 00:01:18,530
It's a soundproof glass, is it?
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00:01:18,530 --> 00:01:20,280
Okay, we forgot to put
the glass in.
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00:01:20,280 --> 00:01:22,540
♪♪♪
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00:01:22,540 --> 00:01:24,160
That's Bebe Rexha.
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00:01:24,160 --> 00:01:26,250
I brought in Bebe Rexha
as my adviser.
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Thank you for being here.
I'm excited.
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She's somebody who's been
successful as an artist
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in different genres, and she
probably had the most played
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country song...
♪ But if it's meant to be ♪
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♪ It'll be, it'll be ♪
...in the history of
any country chart.
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00:01:38,260 --> 00:01:39,550
You've done the...
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00:01:39,550 --> 00:01:41,100
Comeback Stage.
...Comeback Stage,
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00:01:41,100 --> 00:01:42,510
so you kind of get
the whole mentoring thing.
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00:01:42,510 --> 00:01:43,930
That prepared me.
Yeah.
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00:01:43,930 --> 00:01:45,230
I think there's some
incredible talent today.
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00:01:45,230 --> 00:01:46,940
I'm excited to see.
Yeah.
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00:01:46,940 --> 00:01:49,100
I not only feel like
she could be a great mentor,
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00:01:49,100 --> 00:01:51,570
I also think that she could be
a good coach, even.
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00:01:51,570 --> 00:01:53,940
I love '80s rock.
Do you like '80s rock?
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I mean, my mom used to play it
in the house.
Yeah.
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00:01:56,240 --> 00:01:57,740
Why do you got to say it
like that?
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I didn't say it like that.
Are you trying to say I'm old?
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00:02:00,120 --> 00:02:01,330
No, you're not old.
And that's why I like it?
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00:02:01,330 --> 00:02:03,080
You're young.
You know how old I am?
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00:02:03,080 --> 00:02:04,830
Mm, I'm not guessing.
[ Laughs ]
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00:02:04,830 --> 00:02:07,120
Oh, my God. Wow.
Hey!
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00:02:07,120 --> 00:02:08,960
What's up, people?
This is Bebe Rexha.
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00:02:08,960 --> 00:02:10,960
Hi, guys.
Nice to meet you. I'm Joei.
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00:02:10,960 --> 00:02:12,540
Coming around the corner
and seeing Blake Shelton
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was obviously exciting,
but then to see Bebe Rexha there
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00:02:15,130 --> 00:02:17,420
is absolutely insane.
It was crazy.
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You guys are, like,
classic rock.
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00:02:19,300 --> 00:02:20,590
And people are starving
for that.
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00:02:20,590 --> 00:02:22,300
I think classic rock's
coming back.
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00:02:22,300 --> 00:02:23,310
We had our hip‐hop moment,
but I feel like actual rock
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00:02:23,310 --> 00:02:24,600
is coming back for sure.
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It's, like, bleeding
into hip‐hop.
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So, apparently, I stuck around
long enough.
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00:02:27,640 --> 00:02:29,270
[ Laughter ]
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00:02:29,270 --> 00:02:31,980
To be 50 and to be here
is kind of overwhelming.
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00:02:31,980 --> 00:02:33,480
I grew up in the '80s,
and that's when hard rock
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was really in the limelight.
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I played in a band called
Harlet.
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00:02:36,490 --> 00:02:37,780
It was just loud,
and it was heavy metal.
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00:02:37,780 --> 00:02:39,450
And by the time I get to the end
of the set,
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my voice is starting to
die already.
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00:02:41,160 --> 00:02:43,370
For the blind audition,
I ended up picking
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a song I've been singing
38 years.
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♪ Juke box hero ♪
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That is a direct path
to the finale, dude.
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00:02:52,670 --> 00:02:56,000
My blind‐audition day
was my 20th anniversary.
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So, to have the opportunity
on the show
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00:02:58,130 --> 00:03:00,430
and the support my family,
it's all icing on the cake.
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00:03:00,430 --> 00:03:02,590
I just love this whole,
like, rock.
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00:03:02,590 --> 00:03:04,350
Oh, my God.
This is, like,
giving me life.
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00:03:04,350 --> 00:03:06,010
That's part of the reason
you're paired together.
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00:03:06,010 --> 00:03:08,520
Joei's kind of got, like,
this Cher sound to her voice.
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00:03:08,520 --> 00:03:11,350
♪ Gypsies, tramps, and thieves ♪
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Oh!
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00:03:12,650 --> 00:03:14,190
So glad I blocked Nick.
[ Laughs ]
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00:03:14,190 --> 00:03:15,690
Don't tell me you would have
chosen him anyway.
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00:03:15,690 --> 00:03:17,190
No, literally, you were
my top pick.
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00:03:17,190 --> 00:03:18,530
I was like, "Blake.
I want Blake."
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00:03:18,530 --> 00:03:20,530
My heart is really in
country rock.
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00:03:20,530 --> 00:03:22,530
I grew up in a family band.
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I played three to five nights
a week, four hours straight.
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00:03:25,330 --> 00:03:26,540
I've been doing this
my whole life.
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00:03:26,540 --> 00:03:27,910
It's the only job I've ever had.
Wow.
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00:03:27,910 --> 00:03:30,710
Except I have other passions.
I love MMA.
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00:03:30,710 --> 00:03:32,790
I do boxing, jujitsu ‐‐
everything.
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00:03:32,790 --> 00:03:35,170
I love how empowering it is
as a woman.
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00:03:35,170 --> 00:03:37,050
It's really cool to have
Bebe Rexha as an adviser,
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'cause she actually has
a woman's perspective.
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It's so cool.
Thank you.
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00:03:41,220 --> 00:03:43,510
Bebe's actually gonna make
all the decisions for me.
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00:03:43,510 --> 00:03:44,850
Oh!
I just want to hear the song.
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Man: Here we go.
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♪ I call you
when I need you ♪
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♪ And my heart's on fire ♪
Blake: Joei and Todd
are gonna be
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singing "The Best"
by Tina Turner.
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00:03:52,310 --> 00:03:55,400
Both of these artists have
a rock edge to what they do.
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It's perfect for both
of their voices.
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00:03:57,650 --> 00:04:00,360
♪ You're simply the best ♪
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00:04:02,400 --> 00:04:05,070
♪ Better than all the rest ♪
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00:04:05,070 --> 00:04:06,870
Joei's voice and tone
is so rich.
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00:04:06,870 --> 00:04:10,580
She has a classic vibe to her,
and it's really refreshing.
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00:04:10,580 --> 00:04:12,330
♪ Don't let go ♪
♪ Don't let go ♪
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00:04:12,330 --> 00:04:14,580
I can't believe
Todd hit those notes. Damn.
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00:04:14,580 --> 00:04:16,420
That was not, like, humanlike.
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00:04:16,420 --> 00:04:18,550
♪ You're the best ♪
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00:04:18,550 --> 00:04:21,090
For a guy to have a range
that high is amazing.
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00:04:21,090 --> 00:04:23,760
Blake: Whoo!
This is gonna be so good.
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00:04:23,760 --> 00:04:25,680
Yeah, yeah, yeah.
[ Laughing ] Thank you.
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00:04:25,680 --> 00:04:27,600
Holy crap!
That is up there.
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00:04:27,600 --> 00:04:29,430
Dogs couldn't hear
that note.
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00:04:29,430 --> 00:04:31,600
[ Laughs ]
Have you always had that range?
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00:04:31,600 --> 00:04:33,730
I didn't, but when I was
younger, I would drive around
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00:04:33,730 --> 00:04:35,560
in my car trying
to sing high like that.
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00:04:35,560 --> 00:04:37,360
I love his voice, too.
I think he's incredible.
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00:04:37,360 --> 00:04:39,860
It's just so exciting to be
working with Blake and Bebe.
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00:04:39,860 --> 00:04:43,610
And Joei's got this really neat,
like, husky tone.
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00:04:43,610 --> 00:04:45,410
I'm actually really intimidated
to sing with her.
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00:04:45,410 --> 00:04:47,990
The only thing I would say
is just ‐‐ it's, like, so high
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00:04:47,990 --> 00:04:50,330
and it's, like,
so much energy ‐‐
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00:04:50,330 --> 00:04:51,830
just listening to each other
a little bit more.
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00:04:51,830 --> 00:04:53,620
Blending is
really, really important,
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00:04:53,620 --> 00:04:55,790
and just watching your pitch.
There's a unison thing.
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00:04:55,790 --> 00:04:57,960
I think we can tweak that
a little bit.
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00:04:57,960 --> 00:04:59,630
Both: Okay.
Let's sing that part.
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00:04:59,630 --> 00:05:05,130
♪ Don't let go‐o‐o‐o ♪
♪ Don't let go‐o‐o ♪
147
00:05:05,130 --> 00:05:06,720
I would just not ‐‐
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00:05:06,720 --> 00:05:08,260
Just don't layer in there
with him.
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00:05:08,260 --> 00:05:09,550
Okay, so just let him
hold that?
150
00:05:09,550 --> 00:05:11,310
I would just let him
have that and...
Okay.
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00:05:11,310 --> 00:05:13,430
She's like, "I want to come out
on that high note, too."
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00:05:13,430 --> 00:05:14,640
[ Laughter ]
"I want to show off."
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00:05:14,640 --> 00:05:16,140
"It's a competition."
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00:05:16,140 --> 00:05:17,730
She gets plenty of showoff.
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00:05:17,730 --> 00:05:19,820
It's definitely a challenge,
going up against someone
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00:05:19,820 --> 00:05:22,320
like Todd, because he does have
such a powerful voice.
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00:05:22,320 --> 00:05:23,990
Can you break glass with that?
[ Vocalizing at high pitch ]
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00:05:23,990 --> 00:05:26,660
It is just high and crystal
clear and pure,
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00:05:26,660 --> 00:05:27,990
and it's ‐‐ it's beautiful.
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00:05:27,990 --> 00:05:29,740
So, they told you about
the new save?
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00:05:29,740 --> 00:05:32,330
It's new. It's exciting.
It's nerve‐racking.
162
00:05:32,330 --> 00:05:33,950
So who's the one
that you're picking?
I'm just joking.
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00:05:33,950 --> 00:05:36,000
This year, the artist
that we choose to save
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00:05:36,000 --> 00:05:40,630
will go on to a knockout round
between four different artists.
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00:05:40,630 --> 00:05:43,510
And only one artist is gonna
come out as the winner.
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00:05:43,510 --> 00:05:44,840
That's not fair to the rest
of the world
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00:05:44,840 --> 00:05:46,340
that you guys have
that much talent.
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00:05:46,340 --> 00:05:48,130
And it's gonna be exciting,
I think.
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00:05:48,130 --> 00:05:49,760
[ Cheers and applause ]
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00:05:49,760 --> 00:05:51,850
I'm so excited!
I love this.
171
00:05:51,850 --> 00:05:53,850
Yeah!
Yeah!
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00:05:53,850 --> 00:05:56,020
Let the battle begin.
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00:05:56,020 --> 00:05:57,690
He's so, like, Whitesnake.
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00:05:57,690 --> 00:06:02,360
♪♪♪
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00:06:02,360 --> 00:06:07,950
♪ I call you when I need you,
and my heart's on fire ♪
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00:06:07,950 --> 00:06:09,660
Alright!
177
00:06:11,370 --> 00:06:16,540
♪ You come to me,
come to me wild and wild ♪
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00:06:19,710 --> 00:06:23,460
♪ Ooh, you come to me ♪
179
00:06:23,460 --> 00:06:28,720
♪ Give me everything
I need ♪
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00:06:28,720 --> 00:06:31,050
♪ You're simply the best ♪
181
00:06:33,560 --> 00:06:38,230
♪ Better than all the rest ♪
182
00:06:38,230 --> 00:06:40,900
♪ Better than anyone ♪
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00:06:40,900 --> 00:06:42,730
Yeah.
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00:06:42,730 --> 00:06:45,980
♪ Anyone I ever met ♪
185
00:06:45,980 --> 00:06:47,400
Whoo!
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00:06:47,400 --> 00:06:50,030
♪ I'm stuck on your heart ♪
187
00:06:51,740 --> 00:06:56,040
♪ I hang on every word you say ♪
188
00:06:56,040 --> 00:07:01,420
♪ Don't tear us apart,
no, no, no ♪
189
00:07:01,420 --> 00:07:05,420
♪ Baby, I would rather
be dead ♪
190
00:07:07,420 --> 00:07:11,510
♪ Each time you leave me,
I start losing control ♪
191
00:07:11,510 --> 00:07:16,770
♪ You're walking away
with my heart and my soul ♪
192
00:07:16,770 --> 00:07:21,440
♪ I can feel you
even when I'm alone ♪
193
00:07:21,440 --> 00:07:26,780
♪ Oh, baby,
don't let go‐o‐o ♪
194
00:07:26,780 --> 00:07:27,940
Yeah!
195
00:07:27,940 --> 00:07:29,570
♪ Ohh ♪
196
00:07:29,570 --> 00:07:31,570
♪ You're the best ♪
197
00:07:33,570 --> 00:07:38,160
♪ Better than all the rest ♪
198
00:07:38,160 --> 00:07:42,790
♪ Better than anyone ♪
199
00:07:42,790 --> 00:07:47,130
♪ Anyone I ever met ♪
200
00:07:47,130 --> 00:07:51,800
♪ I'm stuck on your heart ♪
201
00:07:51,800 --> 00:07:55,970
♪ I hang on
every word you say ♪
202
00:07:55,970 --> 00:07:58,890
♪ Don't tear us apart,
no, no ♪
203
00:07:58,890 --> 00:08:01,640
♪ Don't tear us apart ♪
204
00:08:01,640 --> 00:08:06,150
♪ Baby, I would rather
be dead ♪
205
00:08:06,150 --> 00:08:13,610
♪ You're the be‐e‐e‐st ♪
206
00:08:13,610 --> 00:08:15,160
Yeah!
207
00:08:15,160 --> 00:08:16,830
[ Cheers and applause ]
208
00:08:16,830 --> 00:08:19,200
Whoo!
209
00:08:19,200 --> 00:08:21,330
♪♪♪
210
00:08:21,330 --> 00:08:23,330
Whoo!
211
00:08:23,330 --> 00:08:28,630
Wow!
That was so fun and so good.
212
00:08:28,630 --> 00:08:31,170
Both of your voices
fit the song perfectly.
213
00:08:31,170 --> 00:08:33,930
Joei, y‐your tone is so strong.
214
00:08:33,930 --> 00:08:36,850
When you hit the high notes,
it was fantastic.
Thank you.
215
00:08:36,850 --> 00:08:39,350
Todd, I remember
why I wanted you on my team.
216
00:08:39,350 --> 00:08:42,850
Some of these high notes you're
hitting is just, like, insane.
217
00:08:42,850 --> 00:08:45,190
And you're hitting them
with such clarity and power.
218
00:08:45,190 --> 00:08:48,150
The high‐harmony part above,
was like, Oh, my God.
Oh, my goodness.
219
00:08:48,150 --> 00:08:49,860
I was like,
"Who's singing which part?"
220
00:08:49,860 --> 00:08:51,610
Yeah.
Both of you are fantastic.
221
00:08:51,610 --> 00:08:52,860
Thank you.
Thank you.
222
00:08:52,860 --> 00:08:55,530
[ Cheers and applause ]
223
00:08:55,530 --> 00:08:59,580
That performance was like
10 shots of caffeine.
224
00:08:59,580 --> 00:09:01,540
Yeah, yeah.
That was unbelievable.
225
00:09:01,540 --> 00:09:02,910
Please give it to me.
[ Laughs ]
226
00:09:02,910 --> 00:09:04,540
Todd, truly remarkable range.
Thank you.
227
00:09:04,540 --> 00:09:06,880
You're a phenomenal singer.
I'm blown away by you.
228
00:09:06,880 --> 00:09:09,000
Joei, incredible performance.
Thank you.
229
00:09:09,000 --> 00:09:10,960
Your tone is so consistent,
so cool.
230
00:09:10,960 --> 00:09:13,550
This was a really
fun performance,
231
00:09:13,550 --> 00:09:16,180
but on top of that,
technically perfect.
232
00:09:16,180 --> 00:09:19,050
Just because I'm so intrigued
by your voice, Joei, I might ‐‐
233
00:09:19,050 --> 00:09:20,890
I might lean that direction.
Thank you.
234
00:09:20,890 --> 00:09:22,720
But you should both be so proud
of this performance.
235
00:09:22,720 --> 00:09:24,560
And, Blake, you got
a tough decision to make.
236
00:09:24,560 --> 00:09:26,900
A s‐sucky one.
A sucky one, yeah.
237
00:09:26,900 --> 00:09:28,520
Yeah.
Word of the day.
238
00:09:28,520 --> 00:09:30,070
[ Laughter ]
239
00:09:30,070 --> 00:09:31,520
Hello.
Hi.
240
00:09:31,520 --> 00:09:33,070
How you doing?
That was really killer.
241
00:09:33,070 --> 00:09:34,860
Thank you.
I think you sang Cher
in the blinds,
242
00:09:34,860 --> 00:09:37,570
but you have this rasp that is,
like, seriously cool.
243
00:09:37,570 --> 00:09:39,030
Thank you.
And, Todd, I think
244
00:09:39,030 --> 00:09:41,200
we all were like,
"Is he the high harmony?"
245
00:09:41,200 --> 00:09:43,450
I was like,
your voice is insane.
246
00:09:43,450 --> 00:09:45,410
I don't think anybody else
on this show is like you,
247
00:09:45,410 --> 00:09:47,000
and that's really awesome.
248
00:09:47,000 --> 00:09:48,420
I know you sang Foreigner
in the blinds,
249
00:09:48,420 --> 00:09:50,090
and I love Foreigner,
and you nailed that,
250
00:09:50,090 --> 00:09:51,670
but I'd love to hear you ‐‐
But you didn't turn for me.
251
00:09:51,670 --> 00:09:53,210
I know, but you're incredible,
and, honestly ‐‐
252
00:09:53,210 --> 00:09:54,880
Or maybe Kelly
is full of...
Mm.
253
00:09:54,880 --> 00:09:56,090
...crap.
254
00:09:56,090 --> 00:09:57,680
It. It.
You know what?
I'm owning it.
255
00:09:57,680 --> 00:09:59,590
It. Full of it.
That happens sometimes.
256
00:09:59,590 --> 00:10:01,100
Thank you, Coaches.
257
00:10:01,100 --> 00:10:02,760
Alright, buddy,
you have the final decision.
258
00:10:02,760 --> 00:10:04,560
Give us your thoughts
on the battle first.
259
00:10:04,560 --> 00:10:06,560
I'll start with ‐‐ with you,
Joei, because ‐‐
260
00:10:06,560 --> 00:10:09,020
And by the way,
I found out something about you
261
00:10:09,020 --> 00:10:10,770
that I was telling
John earlier.
262
00:10:10,770 --> 00:10:12,730
I said, "Man, I got this girl
on my team
263
00:10:12,730 --> 00:10:15,940
that's, like, an MMA fighter,
like, a bodybuilder girl.
264
00:10:15,940 --> 00:10:17,740
You know what I'm saying?"
It's like,
265
00:10:17,740 --> 00:10:19,240
"she's very comfortable in this
battle‐round setting
266
00:10:19,240 --> 00:10:21,240
for some reason."
I'm in my setting.
267
00:10:21,240 --> 00:10:25,290
But your voice, truly there's
something very magical about it.
268
00:10:25,290 --> 00:10:28,960
You just got an interesting
blend of some icons in there.
269
00:10:28,960 --> 00:10:30,960
Congratulations on being
an awesome singer.
270
00:10:30,960 --> 00:10:32,790
[ Chuckling ]
Thank you.
271
00:10:32,790 --> 00:10:35,960
And, Todd, I don't think you did
MMA fighting or whatever.
272
00:10:35,960 --> 00:10:37,800
No.
But you do, when you sing,
273
00:10:37,800 --> 00:10:39,760
you do have some karate moves.
I just asked her yesterday,
274
00:10:39,760 --> 00:10:41,720
I'm like, "Do people punch you
in the face?"
275
00:10:41,720 --> 00:10:42,970
Yeah.
"Yeah."
276
00:10:42,970 --> 00:10:44,640
That's so cool.
277
00:10:44,640 --> 00:10:45,970
You've recovered quite well,
is what she's saying.
278
00:10:45,970 --> 00:10:47,480
And you're smiling about it.
That's awesome.
279
00:10:47,480 --> 00:10:49,060
It's fun.
280
00:10:49,060 --> 00:10:50,900
I'm ‐‐
For you, it's great.
281
00:10:50,900 --> 00:10:52,940
[ Laughter ]
282
00:10:52,940 --> 00:10:55,150
Todd wanted to learn how
those guys were singing
283
00:10:55,150 --> 00:10:57,110
all those songs b‐back
in the day, you know,
284
00:10:57,110 --> 00:10:58,820
how they were hitting
these notes.
285
00:10:58,820 --> 00:11:01,160
And ‐‐ And he said he just
finally got to a point where
286
00:11:01,160 --> 00:11:03,830
he just got in his car and drove
around, just kept trying
287
00:11:03,830 --> 00:11:05,870
and trying until he developed
that range,
288
00:11:05,870 --> 00:11:07,200
which is unbelievable.
289
00:11:07,200 --> 00:11:09,660
Both of you two
deserve to be here.
290
00:11:09,660 --> 00:11:11,170
Blake, tough choice here.
291
00:11:11,170 --> 00:11:13,250
Who is the winner
of this battle?
292
00:11:13,250 --> 00:11:15,000
Uh...
293
00:11:15,000 --> 00:11:18,920
[ Dramatic music plays ]
294
00:11:18,920 --> 00:11:21,680
...I'm just gonna hope
for the best here
a‐and roll the dice.
295
00:11:21,680 --> 00:11:24,260
♪♪♪
296
00:11:24,260 --> 00:11:26,350
The winner
of this battle...
297
00:11:26,350 --> 00:11:30,350
♪♪♪
298
00:11:30,350 --> 00:11:31,520
...is Joei.
299
00:11:31,520 --> 00:11:33,150
Joei, congratulations!
300
00:11:33,150 --> 00:11:35,520
You're moving on to
the knockouts.
301
00:11:35,520 --> 00:11:38,860
I ended up choosing her because
she's just got so much talent
302
00:11:38,860 --> 00:11:41,860
and she has a ‐‐ a certain
charisma about her.
303
00:11:41,860 --> 00:11:43,110
Thank you so much.
Congratulations, sis.
304
00:11:43,110 --> 00:11:45,070
She's got a gift
that is very unique.
305
00:11:45,070 --> 00:11:47,910
Oh, my God. It was amazing.
It was so much fun.
306
00:11:47,910 --> 00:11:49,750
I'm so grateful to Blake.
307
00:11:49,750 --> 00:11:52,710
Coaches, let me remind you, Todd
is available to steal or save.
308
00:11:52,710 --> 00:11:56,210
But you only have until he
leaves the stage to steal him.
309
00:11:56,210 --> 00:11:59,130
Todd, anything you'd like to say
to your coach?
310
00:11:59,130 --> 00:12:01,880
You know, Blake, I just want to
thank you for the opportunity.
311
00:12:01,880 --> 00:12:04,550
This has just been a
complete blessing for
me, just getting here,
312
00:12:04,550 --> 00:12:06,550
getting picked and everything,
so it's all good.
313
00:12:06,550 --> 00:12:09,850
Give it up for
Todd Michael Hall,
ladies and gentlemen!
314
00:12:09,850 --> 00:12:11,310
[ Cheers and applause ]
315
00:12:11,310 --> 00:12:14,730
♪♪♪
316
00:12:14,730 --> 00:12:15,900
Whoa!
317
00:12:15,900 --> 00:12:22,320
♪♪♪
318
00:12:22,320 --> 00:12:25,370
Todd Michael Hall
is back on the show!
319
00:12:25,370 --> 00:12:27,910
Was that a save or a steal?
320
00:12:27,910 --> 00:12:29,240
Now go back up there!
321
00:12:29,240 --> 00:12:31,580
[ Cheers and applause ]
322
00:12:31,580 --> 00:12:33,160
Wow.
What happened?
323
00:12:33,160 --> 00:12:34,580
I was ‐‐
I was always gonna do it.
324
00:12:34,580 --> 00:12:36,420
I was being dramatic.
You were a little late.
325
00:12:36,420 --> 00:12:37,420
Blake ‐‐
No, I wasn't.
326
00:12:37,420 --> 00:12:38,710
Blake got the save.
327
00:12:38,710 --> 00:12:40,760
Look up to the sky.
Wait, what?!
328
00:12:40,760 --> 00:12:42,840
[ Laughter ]
329
00:12:42,840 --> 00:12:44,930
I thought I had to wait
till he got down the stairs.
330
00:12:44,930 --> 00:12:46,430
It's the opposite, yeah.
Damn it!
331
00:12:46,430 --> 00:12:47,760
You had to do it before.
332
00:12:47,760 --> 00:12:49,350
It was the first time.
333
00:12:49,350 --> 00:12:51,220
It was the first time!
I have a lot of jobs!
334
00:12:51,220 --> 00:12:52,390
[ Laughter ]
335
00:12:52,390 --> 00:12:54,270
So, Blake,
you've saved Todd.
336
00:12:54,270 --> 00:12:55,900
Blake: I did.
You've used your one save.
337
00:12:55,900 --> 00:12:58,020
I am proud to use my save
on him.
338
00:12:58,020 --> 00:13:00,780
I actually think that Todd
can thrive
339
00:13:00,780 --> 00:13:02,360
in this
four‐way knockout.
340
00:13:02,360 --> 00:13:04,110
It's never happened before,
and if ‐‐
341
00:13:04,110 --> 00:13:05,780
I‐I would not want to go up
against you.
342
00:13:05,780 --> 00:13:07,280
And so, I think you're gonna do
great, man.
343
00:13:07,280 --> 00:13:09,830
Thank you.
Well, give it up for
Todd Michael Hall,
344
00:13:09,830 --> 00:13:11,830
who is back on the show.
345
00:13:11,830 --> 00:13:14,120
We'll see him in
the four‐way knockout,
346
00:13:14,120 --> 00:13:16,120
representing Team Blake.
347
00:13:16,120 --> 00:13:18,290
Todd: I'm so happy
that Blake used his one
and only save on me.
348
00:13:18,290 --> 00:13:20,130
I plan to come light it up
for the knockouts,
349
00:13:20,130 --> 00:13:21,880
so I think he's gonna be
really impressed.
350
00:13:21,880 --> 00:13:23,300
Congrats, brother.
Great job.
351
00:13:23,300 --> 00:13:25,760
Blake: I really think this
worked out for the best.
352
00:13:25,760 --> 00:13:27,970
When the gloves come off
in this four‐way knockout,
353
00:13:27,970 --> 00:13:29,800
nobody in this show
can match his range.
354
00:13:29,800 --> 00:13:31,470
Damn it.
355
00:13:31,470 --> 00:13:34,810
I was gonna steal Todd,
and I messed up, which is ‐‐
356
00:13:34,810 --> 00:13:38,060
You know what ‐‐
not shocking, so it's fine.
357
00:13:38,060 --> 00:13:40,820
I'm looking at Todd, going,
"Welcome to the team."
358
00:13:40,820 --> 00:13:42,940
[ Laughter ]
Daly: Coming up...
359
00:13:42,940 --> 00:13:45,320
♪ It was great
at the very start ♪
360
00:13:45,320 --> 00:13:47,320
Daly: ...our coaches
and advisers get to work...
361
00:13:47,320 --> 00:13:48,820
Bite down a bit.
Like, almost have ‐‐
362
00:13:48,820 --> 00:13:50,700
On the words, yeah.
363
00:13:50,700 --> 00:13:53,040
The runs ‐‐ most of the time,
you're likely not gonna hit it
364
00:13:53,040 --> 00:13:54,700
if there is a doubt
in your mind.
365
00:13:54,700 --> 00:13:56,660
Letting the song breathe
a little bit off the top,
366
00:13:56,660 --> 00:13:58,420
I think, is nice,
until it's go time.
367
00:13:58,420 --> 00:14:00,460
♪ I like it like that ♪
Daly: ...and help produce
368
00:14:00,460 --> 00:14:02,460
some of the best battles
we've ever seen...
369
00:14:02,460 --> 00:14:06,800
♪ Say I like it like that,
like it like that ♪
370
00:14:06,800 --> 00:14:08,800
Wow, first‐time coach.
371
00:14:08,800 --> 00:14:10,430
♪ You gotta know ♪
372
00:14:10,430 --> 00:14:12,850
♪ You know that I adore you ♪
373
00:14:12,850 --> 00:14:14,350
Yeah!
Beautiful!
374
00:14:14,350 --> 00:14:16,850
Daly: ...leaving our coaches
with difficult decisions.
375
00:14:16,850 --> 00:14:19,520
I'm in the toughest position
I've been in,
376
00:14:19,520 --> 00:14:21,150
in my life, right now.
377
00:14:22,020 --> 00:14:32,030
Whoa!
We've got a steal!
378
00:14:32,160 --> 00:14:32,200
.
379
00:14:33,660 --> 00:14:34,080
♪ This is "The Voice" ♪
380
00:14:34,870 --> 00:14:37,210
Daly:
Welcome back to the battles.
381
00:14:37,210 --> 00:14:39,040
Anaya:
Just take a deep breath.
382
00:14:39,040 --> 00:14:40,370
[ Inhales deeply ]
I can't do that.
383
00:14:40,370 --> 00:14:41,880
I got Spanx on, Anaya.
384
00:14:41,880 --> 00:14:43,540
[ Both laugh ]
Oh, my God.
385
00:14:43,540 --> 00:14:44,710
Are you ready?
Yes.
386
00:14:44,710 --> 00:14:45,880
I'm so ready.
Yeah!
387
00:14:45,880 --> 00:14:47,880
I was so excited to find out
388
00:14:47,880 --> 00:14:49,630
who our mentor was...
389
00:14:49,630 --> 00:14:51,640
Are you ready?
I ran down the hall,
basically.
390
00:14:51,640 --> 00:14:53,050
[ Chuckles ]
391
00:14:53,050 --> 00:14:54,560
Hi!
392
00:14:54,560 --> 00:14:56,390
When I saw Kelly by herself,
393
00:14:56,390 --> 00:14:58,060
I was a little confused why
there wasn't an adviser there.
394
00:14:58,060 --> 00:15:00,060
Anaya, Chelle,
nice to see you again.
395
00:15:00,060 --> 00:15:03,560
Today you are doing "Scared to
Be Lonely" by Dua Lipa.
396
00:15:03,560 --> 00:15:06,070
And I thought,
"What better way
397
00:15:06,070 --> 00:15:10,320
than have maybe Dua Lipa
come help you do it?"
398
00:15:10,320 --> 00:15:13,570
[ Laughs ]
Dua, come on in here!
399
00:15:13,570 --> 00:15:15,120
What?!
400
00:15:15,120 --> 00:15:16,540
Oh, my God!
401
00:15:16,540 --> 00:15:18,700
[ Laughter ]
Yes!
402
00:15:18,700 --> 00:15:22,750
She comes out of the door.
I was like, "Dua?" Dua Lipa!
403
00:15:22,750 --> 00:15:24,880
How you doing?
Oh, my God. I'm so good.
404
00:15:24,880 --> 00:15:26,590
Hello.
Hi. How are you?
405
00:15:26,590 --> 00:15:28,510
Good. How are you?
Chelle: Oh, my gosh.
406
00:15:28,510 --> 00:15:31,930
We're gonna sing a Dua Lipa song
in front of Dua Lipa right now.
407
00:15:31,930 --> 00:15:33,720
No pressure ‐‐
it's hers.
408
00:15:33,720 --> 00:15:35,220
No, no,
don't feel any pressure.
409
00:15:35,220 --> 00:15:37,770
I'm so honored you're doing
this, and I'm so excited.
410
00:15:37,770 --> 00:15:41,100
That's just insane. Dua Lipa is
the "it" artist right now.
411
00:15:41,100 --> 00:15:42,940
Like, she is
on top of the world,
412
00:15:42,940 --> 00:15:44,520
she's on top of the charts.
413
00:15:44,520 --> 00:15:45,940
No way in heck did I ever think,
414
00:15:45,940 --> 00:15:47,780
me coming from
Bargersville, Indiana,
415
00:15:47,780 --> 00:15:49,900
I was ever gonna get the chance
to be here.
416
00:15:49,900 --> 00:15:53,240
Bargersville ‐‐ there's probably
7,000 people there.
417
00:15:53,240 --> 00:15:55,910
You'll see cows everywhere,
sometimes goats.
418
00:15:55,910 --> 00:15:59,410
It's not known for a whole lot,
I guess, except for cornfields.
419
00:15:59,410 --> 00:16:01,040
And when you're not singing,
what do you like to do?
420
00:16:01,040 --> 00:16:03,040
I‐I actually collect rocks.
421
00:16:03,040 --> 00:16:04,920
I just graduated high school,
422
00:16:04,920 --> 00:16:08,630
and I became a preschool teacher
at my church.
423
00:16:08,630 --> 00:16:10,130
Before coming to "The Voice,"
424
00:16:10,130 --> 00:16:13,130
I was still trying to find
my own self‐confidence.
425
00:16:13,130 --> 00:16:17,640
♪ If teardrops
could be bottled ♪
426
00:16:17,640 --> 00:16:19,310
I think that you're gonna
flourish on this show
427
00:16:19,310 --> 00:16:21,770
if you really just let go.
428
00:16:21,770 --> 00:16:23,640
Thank you so much.
429
00:16:23,640 --> 00:16:25,980
Now that I'm here,
I am unbelievably ready
430
00:16:25,980 --> 00:16:27,650
to start working with Kelly.
431
00:16:27,650 --> 00:16:29,650
I love amethyst!
432
00:16:29,650 --> 00:16:32,400
For Blake,
I got fool's gold.
433
00:16:32,400 --> 00:16:33,910
Fool's gold.
Fool's gold.
434
00:16:33,910 --> 00:16:35,990
No matter how far I get,
435
00:16:35,990 --> 00:16:38,950
I'm gonna be a better performer
and artist.
436
00:16:38,950 --> 00:16:41,700
So, you have to do school
and this?
Yes.
437
00:16:41,700 --> 00:16:43,250
Wow.
Yeah.
438
00:16:43,250 --> 00:16:45,080
It's, like, all these young
ones, I'm like, "Whoo!"
439
00:16:45,080 --> 00:16:46,830
Anaya: I'm 16 years old.
440
00:16:46,830 --> 00:16:50,000
I've sacrificed a lot
to get to this point.
441
00:16:50,000 --> 00:16:53,010
I moved away from my family
at the age of 12
442
00:16:53,010 --> 00:16:54,970
to go to performing‐arts school.
443
00:16:54,970 --> 00:16:58,510
Living away from my mom
is very hard.
444
00:16:58,510 --> 00:17:01,100
I also sacrificed being away
from my little sister.
445
00:17:01,100 --> 00:17:03,140
When I moved to Georgia,
she was three years old.
446
00:17:03,140 --> 00:17:06,520
I didn't get to see her
grow up in person.
447
00:17:06,520 --> 00:17:09,320
I'm giving up all the usual
teenage‐girl stuff
448
00:17:09,320 --> 00:17:11,320
to pursue my dreams.
449
00:17:11,320 --> 00:17:15,660
♪ Don't wanna give
my heart away ♪
450
00:17:15,660 --> 00:17:18,030
I didn't have your range
at 16.
451
00:17:18,030 --> 00:17:19,910
I had to work
very hard for that.
452
00:17:19,910 --> 00:17:22,410
I am so excited to start working
with Kelly.
453
00:17:22,410 --> 00:17:26,870
You don't even understand ‐‐
like, the notes that she hits?
454
00:17:26,870 --> 00:17:29,040
She's ‐‐ She's not real.
455
00:17:29,040 --> 00:17:31,710
I just thought it would be fun
to kind of do one of her songs
456
00:17:31,710 --> 00:17:33,550
with her being here,
and, obviously, like,
457
00:17:33,550 --> 00:17:35,220
super current,
like, killing it...
458
00:17:35,220 --> 00:17:36,880
Yes.
...on the charts right now.
459
00:17:36,880 --> 00:17:38,220
So, let's hear it.
460
00:17:38,220 --> 00:17:41,470
♪ It was great
at the very start ♪
461
00:17:41,470 --> 00:17:45,020
Anaya's voice
does not sound 16 years old.
462
00:17:45,020 --> 00:17:47,730
And she's very confident.
I love that about her.
463
00:17:47,730 --> 00:17:49,310
She's an incredible singer.
464
00:17:49,310 --> 00:17:52,860
♪ Magnifying all our flaws ♪
465
00:17:52,860 --> 00:17:55,400
Chelle is a really great singer
because she's got this
466
00:17:55,400 --> 00:17:59,910
kind of jazz‐soul background,
and it looks effortless.
467
00:17:59,910 --> 00:18:02,290
She's, like, a dark horse,
I think.
468
00:18:04,040 --> 00:18:07,080
There was a lot of music going
on and no one was singing.
469
00:18:07,080 --> 00:18:08,420
Yeah, that's...
Yes.
470
00:18:08,420 --> 00:18:10,040
It's normally the part
when I'm onstage
471
00:18:10,040 --> 00:18:12,170
and I just end up headbanging
the whole time.
472
00:18:12,170 --> 00:18:14,880
It's, like, I like to call it
mosh pop.
[ Laughter ]
473
00:18:14,880 --> 00:18:17,680
'Cause I definitely find myself
moshing for most of the song.
474
00:18:17,680 --> 00:18:19,260
But I think it's beautiful.
475
00:18:19,260 --> 00:18:21,260
I think, you know, when you're
doing the ad‐lib parts,
476
00:18:21,260 --> 00:18:23,260
it ‐‐ it can also just be "oohs"
and "ahhs."
477
00:18:23,260 --> 00:18:24,850
Yeah.
You know, you can experiment
with that.
478
00:18:24,850 --> 00:18:26,350
And also
the song is quite vulnerable,
479
00:18:26,350 --> 00:18:28,270
and I think there's strength
in vulnerability.
480
00:18:28,270 --> 00:18:29,770
So, when you start the songs,
you know...
481
00:18:29,770 --> 00:18:32,270
♪ It was great
at the very start ♪
482
00:18:32,270 --> 00:18:34,530
...don't put your voice
all out there at once.
483
00:18:34,530 --> 00:18:36,110
Bite down a bit.
Like, almost have ‐‐
484
00:18:36,110 --> 00:18:37,530
On the words, yeah.
'Cause...
485
00:18:37,530 --> 00:18:40,360
♪ Picking fights,
slamming doors ♪
486
00:18:40,360 --> 00:18:43,450
♪ Magnifying
all our flaws ♪
487
00:18:43,450 --> 00:18:45,830
Just make sure you have that
ache, 'cause you're 16.
488
00:18:45,830 --> 00:18:47,960
Maybe you ain't had
this experience,
489
00:18:47,960 --> 00:18:50,120
but make sure you're relating
to the song and the lyric.
490
00:18:50,120 --> 00:18:52,080
Tell a story with the way
that you're singing it.
Yeah.
491
00:18:52,080 --> 00:18:54,630
When you both get to the chorus,
it's so loud ‐‐
492
00:18:54,630 --> 00:18:58,300
allow that to be a kind
of journey and a
trajectory to that point.
493
00:18:58,300 --> 00:19:00,800
The song is essentially coming
to the understanding
494
00:19:00,800 --> 00:19:03,430
that you're in a relationship
for the wrong reasons.
495
00:19:03,430 --> 00:19:05,970
And maybe the only reason
that we're together is because
496
00:19:05,970 --> 00:19:07,480
we're scared to be lonely.
497
00:19:07,480 --> 00:19:10,560
♪ Is it just our bodies? ♪
498
00:19:10,560 --> 00:19:13,980
♪ Are we both
losing our minds? ♪
499
00:19:13,980 --> 00:19:16,780
It was really exciting to see it
done quite differently,
500
00:19:16,780 --> 00:19:18,820
and it was so inspiring
because I was like,
501
00:19:18,820 --> 00:19:20,740
"Oh, maybe I should try
something."
502
00:19:20,740 --> 00:19:22,320
You're both amazing.
503
00:19:22,320 --> 00:19:25,030
I think, just on the...
♪ Even when we know it's wrong ♪
504
00:19:25,030 --> 00:19:26,870
...should we repeat it
twice?
505
00:19:26,870 --> 00:19:28,830
So then you have one that's
a little bit more vulnerable
506
00:19:28,830 --> 00:19:30,330
and one that goes really big...
Yeah.
507
00:19:30,330 --> 00:19:32,830
...and so it goes...
♪ Holding on tonight ♪
508
00:19:32,830 --> 00:19:34,670
♪ 'Cause we're scared to
be lonely ♪
509
00:19:34,670 --> 00:19:36,340
♪ Even when we know ♪
...so we do it twice.
510
00:19:36,340 --> 00:19:39,840
I just got serenaded by you.
That was nice.
511
00:19:39,840 --> 00:19:42,180
It's not about so much
impressing people
512
00:19:42,180 --> 00:19:44,260
with your notes,
it's the vibe.
513
00:19:44,260 --> 00:19:46,310
Yeah.
It's that push,
just on an...
514
00:19:46,310 --> 00:19:47,600
♪ Oh, yeah ♪
515
00:19:47,600 --> 00:19:49,850
♪ Oh, yeah‐eah ♪
516
00:19:49,850 --> 00:19:51,810
Like, have all that "Unh!"
You need that.
517
00:19:51,810 --> 00:19:54,190
That's my favorite part of Dua,
like, listening to her record,
518
00:19:54,190 --> 00:19:55,940
she has so much attitude
when she sings.
519
00:19:55,940 --> 00:19:57,190
It's just innate in her.
520
00:19:57,190 --> 00:19:58,690
Kelly:
They're both great singers,
521
00:19:58,690 --> 00:20:00,320
but I think this battle
is gonna come down
522
00:20:00,320 --> 00:20:03,700
to who can carry that attitude
of this song.
523
00:20:03,700 --> 00:20:06,030
Well, I cannot wait to see you
at stage rehearsals.
524
00:20:06,030 --> 00:20:07,370
I wish
she could be there...
525
00:20:07,370 --> 00:20:08,910
I know. Me too.
...'cause she's so stagey...
526
00:20:08,910 --> 00:20:10,370
Roller‐skating around,
doing all the things.
527
00:20:10,370 --> 00:20:13,040
Like, I'm like, "Wow."
This is one of those jams
528
00:20:13,040 --> 00:20:14,630
everybody's gonna
be singing along to.
529
00:20:14,630 --> 00:20:17,130
♪♪♪
530
00:20:17,130 --> 00:20:19,630
Alright, stage rehearsals
start now.
531
00:20:19,630 --> 00:20:21,380
We're gonna be so good.
I love my team.
532
00:20:21,380 --> 00:20:23,300
I think a very important part
is stage rehearsals
533
00:20:23,300 --> 00:20:25,390
because it's
a very different thing.
534
00:20:25,390 --> 00:20:27,220
You know, it looks like
a boxing ring,
535
00:20:27,220 --> 00:20:29,180
seeing all the cameras, where
they are, where to play to.
536
00:20:29,180 --> 00:20:31,180
So it's nice to have them on
this stage
537
00:20:31,180 --> 00:20:33,350
before they actually have
to do it for real.
538
00:20:33,350 --> 00:20:39,150
♪ Scared to be lonely ♪
539
00:20:39,150 --> 00:20:41,860
Wow! I am screwed!
540
00:20:41,860 --> 00:20:43,400
That was really good!
Thank you.
541
00:20:43,400 --> 00:20:46,240
I have one note ‐‐
feel the vibe of the crowd,
542
00:20:46,240 --> 00:20:48,280
'cause it's, like, kind of
a dance song, you know?
543
00:20:48,280 --> 00:20:50,950
Yeah.
Just make sure you're, you know,
out to the audience.
544
00:20:50,950 --> 00:20:52,750
Me and Chelle have been working
very hard,
545
00:20:52,750 --> 00:20:55,210
so I have the song down,
but now I feel like
546
00:20:55,210 --> 00:20:57,880
it's just time to get
in the vibe of the song.
547
00:20:57,880 --> 00:20:59,250
Don't think, just do.
548
00:20:59,250 --> 00:21:00,880
You just want
that electricity
549
00:21:00,880 --> 00:21:02,760
because that's what's gonna get
them to steal you.
550
00:21:02,760 --> 00:21:05,090
If the whole vibe of this room
is losing their mind,
551
00:21:05,090 --> 00:21:06,930
we get swayed.
552
00:21:06,930 --> 00:21:08,930
Anaya and Chelle ‐‐ they were
really good in rehearsals,
553
00:21:08,930 --> 00:21:10,220
but they were great today.
554
00:21:10,220 --> 00:21:11,220
That was really great.
555
00:21:11,220 --> 00:21:12,180
Thank you.
Thank you.
556
00:21:12,180 --> 00:21:14,270
Make sure you have fun.
557
00:21:14,270 --> 00:21:17,270
Daly: Who would you pick
as the winner of this battle?
558
00:21:17,270 --> 00:21:20,900
Get the "Voice" official app now
and play along.
559
00:21:29,200 --> 00:21:29,240
.
560
00:21:30,580 --> 00:21:30,990
♪ This is "The Voice" ♪
561
00:21:31,830 --> 00:21:33,450
Daly: Welcome back.
562
00:21:33,450 --> 00:21:34,790
Whoo!
563
00:21:34,790 --> 00:21:37,330
Let the battle begin.
564
00:21:39,290 --> 00:21:46,260
♪♪♪
565
00:21:46,260 --> 00:21:50,470
♪ It was great
at the very start ♪
566
00:21:50,470 --> 00:21:53,310
♪ Hands on each other ♪
567
00:21:53,310 --> 00:21:56,890
♪ Couldn't stand
to be far apart ♪
568
00:21:56,890 --> 00:21:59,810
♪ Closer the better ♪
569
00:21:59,810 --> 00:22:03,320
♪ Now we're picking fights
and slamming doors ♪
570
00:22:03,320 --> 00:22:06,650
♪ Magnifying
all our flaws ♪
571
00:22:06,650 --> 00:22:10,320
♪ And I wonder why,
wonder what for ♪
572
00:22:10,320 --> 00:22:15,660
♪ Why we keep coming back
for mo‐o‐re ♪
573
00:22:15,660 --> 00:22:19,170
♪ Is it just our bodies? ♪
574
00:22:19,170 --> 00:22:22,670
♪ Are we both
losing our minds? ♪
575
00:22:22,670 --> 00:22:25,970
♪ Is the only reason
you're holding me tonight ♪
576
00:22:25,970 --> 00:22:29,510
♪ 'Cause we're scared
to be lonely? ♪
577
00:22:29,510 --> 00:22:35,350
♪ Ooh‐ooh,
scared to be lonely ♪
578
00:22:35,350 --> 00:22:38,310
♪ Even when
we know it's wrong ♪
579
00:22:38,310 --> 00:22:41,690
♪ Been somebody better for us
all along ♪
580
00:22:41,690 --> 00:22:44,980
♪ Tell me, how can we keep
holding on? ♪
581
00:22:44,980 --> 00:22:47,190
♪ Holding on tonight ♪
582
00:22:47,190 --> 00:22:49,660
♪ 'Cause we're scared to
be lonely ♪
583
00:22:49,660 --> 00:22:51,870
♪ Even when
we know it's wrong ♪
584
00:22:51,870 --> 00:22:55,740
♪ Been somebody better for us
all along ♪
585
00:22:55,740 --> 00:22:59,330
♪ Tell me, how can we keep
holding on? ♪
586
00:22:59,330 --> 00:23:03,880
♪ Holding o‐o‐o‐on ♪
587
00:23:03,880 --> 00:23:07,720
♪ Is it just our bodies? ♪
588
00:23:07,720 --> 00:23:11,390
♪ Are we both losing
our minds? ♪
589
00:23:11,390 --> 00:23:14,720
♪ Is the only reason
you're holding me tonight ♪
590
00:23:14,720 --> 00:23:18,890
♪ 'Cause we're scared
to be lonely? ♪
591
00:23:18,890 --> 00:23:21,730
♪ Scared
to be lonely ♪
592
00:23:21,730 --> 00:23:26,400
♪ Ooh‐ooh ooh‐ooh ooh ooh‐ooh
ooh‐ooh‐ooh ♪
593
00:23:26,400 --> 00:23:29,070
♪ Ooh oh‐oh‐oh ♪
594
00:23:29,070 --> 00:23:32,360
♪ Yeah ♪
595
00:23:32,360 --> 00:23:35,950
♪ Ooh‐ooh, ooh‐ooh‐ooh ♪
596
00:23:35,950 --> 00:23:42,540
♪ Scared to be lonely ♪
597
00:23:42,540 --> 00:23:43,920
[ Cheers and applause ]
598
00:23:43,920 --> 00:23:46,420
Yeah!
Whoo!
599
00:23:46,420 --> 00:23:50,420
[ Cheers and applause ]
600
00:23:50,420 --> 00:23:51,880
Wow!
601
00:23:51,880 --> 00:23:53,590
Oh, my God!
602
00:23:53,590 --> 00:23:55,550
Yes!
603
00:23:55,550 --> 00:23:56,850
Yes, yes, yes.
Yes, yes.
604
00:23:56,850 --> 00:23:58,060
It was so good.
605
00:23:58,060 --> 00:23:59,270
Hey, guys.
606
00:23:59,270 --> 00:24:00,430
Hi.
Hi.
607
00:24:00,430 --> 00:24:02,440
Blake:
Anaya, you have a very
608
00:24:02,440 --> 00:24:04,440
diverse way of singing.
609
00:24:04,440 --> 00:24:08,440
You can come in and out of all
different kinds of voices.
610
00:24:08,440 --> 00:24:11,780
Your headvoice is strong,
your chest voice, your runs,
611
00:24:11,780 --> 00:24:13,950
and that's impressive
for a 16‐year‐old.
612
00:24:13,950 --> 00:24:17,660
Chelle, I feel like there were
parts of your performance
613
00:24:17,660 --> 00:24:19,660
that got away from you
just a little bit.
614
00:24:19,660 --> 00:24:22,460
You're probably so much better
when all these lights
615
00:24:22,460 --> 00:24:24,630
and people are gone and stuff.
You know what I'm saying?
616
00:24:24,630 --> 00:24:26,460
Anaya, I would probably
go with you.
617
00:24:26,460 --> 00:24:27,710
Thank you.
618
00:24:27,710 --> 00:24:29,590
Both of you
are excellent singers.
619
00:24:29,590 --> 00:24:33,470
Chelle, I think, it was just
a little more, um, imprecise.
620
00:24:33,470 --> 00:24:35,640
And you were going against
Anaya,
621
00:24:35,640 --> 00:24:37,430
who, from the moment you walked
out here,
622
00:24:37,430 --> 00:24:40,140
I was like,
"Okay, she's a star."
623
00:24:40,140 --> 00:24:42,640
You were hitting
all kinds of acrobatics
624
00:24:42,640 --> 00:24:44,770
that were extremely
impressive to me.
625
00:24:44,770 --> 00:24:46,480
Thank you.
626
00:24:46,480 --> 00:24:49,480
Can I ask you a question?
In your second performance,
627
00:24:49,480 --> 00:24:51,610
did you feel
like a star yet?
628
00:24:51,610 --> 00:24:55,070
I'm 37. I've been doing it for
17 years, and I still don't.
629
00:24:55,070 --> 00:24:56,990
[ Laughter ]
630
00:24:56,990 --> 00:24:58,450
We beg to differ, Kelly.
631
00:24:58,450 --> 00:24:59,870
But I think
the point is real,
632
00:24:59,870 --> 00:25:01,660
which is, Chelle,
this is the second time
633
00:25:01,660 --> 00:25:03,410
I'm hearing you sing.
634
00:25:03,410 --> 00:25:04,670
I think there's
real talent there.
635
00:25:04,670 --> 00:25:05,620
You have a real gift.
636
00:25:05,620 --> 00:25:07,000
And you gave us rocks last time,
637
00:25:07,000 --> 00:25:08,670
which was so nice.
638
00:25:08,670 --> 00:25:12,340
I really appreciated
the fool's gold.
639
00:25:12,340 --> 00:25:14,340
Oh, she just pegged it,
didn't you?
640
00:25:14,340 --> 00:25:15,840
[ Laughter ]
641
00:25:15,840 --> 00:25:19,350
Anaya, at 16, I was not
as confident or comfortable,
642
00:25:19,350 --> 00:25:21,020
and I was performing
on the Grammys.
643
00:25:21,020 --> 00:25:23,680
Psshh!
Drop.
644
00:25:23,680 --> 00:25:27,150
Um, the edge that you have
right now is real,
645
00:25:27,150 --> 00:25:29,360
but I want to say,
Chelle, you're also amazing.
646
00:25:29,360 --> 00:25:30,980
There's a lot of potential
because you're incredible.
647
00:25:30,980 --> 00:25:32,530
Thank you.
648
00:25:32,530 --> 00:25:34,030
Daly: Thank you, Coaches.
649
00:25:34,030 --> 00:25:35,530
Alright, Kelly, you have
the final decision, of course.
650
00:25:35,530 --> 00:25:36,700
What'd you think of
the battle?
651
00:25:36,700 --> 00:25:38,370
You're both really great.
652
00:25:38,370 --> 00:25:40,080
You both have completely
different tones, obviously,
653
00:25:40,080 --> 00:25:41,870
but you both have
an amazing range.
Thank you.
654
00:25:41,870 --> 00:25:44,870
And I wanted to see who was
gonna push themselves the most.
655
00:25:44,870 --> 00:25:46,370
Regardless of
it's this show,
656
00:25:46,370 --> 00:25:48,380
regardless of it's
whatever audition you go to,
657
00:25:48,380 --> 00:25:51,380
make sure that you are
very confident
658
00:25:51,380 --> 00:25:53,710
and you own
that moment each time.
659
00:25:53,710 --> 00:25:55,800
Never rest,
or it won't happen,
660
00:25:55,800 --> 00:25:57,890
'cause there's too many
talented people out there.
661
00:25:57,890 --> 00:26:00,010
Kelly, tough decision.
662
00:26:00,010 --> 00:26:01,640
Who's the winner
of this battle?
663
00:26:01,640 --> 00:26:03,180
[ Dramatic music plays ]
664
00:26:03,180 --> 00:26:07,020
The winner
of this battle is...
665
00:26:07,020 --> 00:26:08,480
Anaya.
666
00:26:08,480 --> 00:26:11,730
Anaya moves on
to the knockouts.
667
00:26:11,730 --> 00:26:13,190
Congratulations!
668
00:26:13,190 --> 00:26:15,070
[ Cheers and applause ]
I'm so, so proud of you.
669
00:26:15,070 --> 00:26:16,570
Thank you.
Kelly: I had to pick Anaya,
670
00:26:16,570 --> 00:26:18,160
because when it came down to it,
you know,
671
00:26:18,160 --> 00:26:20,070
the nerves almost
pushed her to be even better.
672
00:26:20,070 --> 00:26:22,950
Anaya is just
a perfect coachable artist.
673
00:26:22,950 --> 00:26:25,910
Girl, you sang the hell
out of that damn song.
674
00:26:25,910 --> 00:26:28,920
Thank you.
I mean, keep doing it
every week.
675
00:26:28,920 --> 00:26:30,750
She doesn't ever get offended
by something.
676
00:26:30,750 --> 00:26:33,090
She's almost, like, flattered
that someone cares enough
677
00:26:33,090 --> 00:26:34,880
to really put their two cents
in,
678
00:26:34,880 --> 00:26:37,590
and that is a really fun
person to work with.
679
00:26:37,590 --> 00:26:40,510
And I'm honestly looking forward
to picking songs with Anaya.
680
00:26:40,510 --> 00:26:41,600
Great job.
681
00:26:41,600 --> 00:26:42,930
Anaya is special.
682
00:26:42,930 --> 00:26:44,720
She's extremely gifted.
683
00:26:44,720 --> 00:26:46,770
I think she's gonna be
one of Kelly's best artists.
684
00:26:46,770 --> 00:26:49,100
Oh, my God. A tear!
685
00:26:49,100 --> 00:26:51,770
I feel very proud of myself,
and I feel accomplished.
686
00:26:51,770 --> 00:26:54,110
I'm so excited to keep working
with Kelly!
687
00:26:54,110 --> 00:26:56,900
Coaches, let me remind
you that Chelle is
available to steal.
688
00:26:56,900 --> 00:26:59,950
Chelle, anything you'd like
to say to your coach, Kelly?
689
00:26:59,950 --> 00:27:02,990
Um, I just want to thank Kelly
for giving me this opportunity
690
00:27:02,990 --> 00:27:05,950
and really believing in me that
I had the power to push myself
691
00:27:05,950 --> 00:27:08,790
on this show,
so thank you so much.
692
00:27:08,790 --> 00:27:10,750
You are very, very gifted.
Give it up again for Chelle,
693
00:27:10,750 --> 00:27:12,630
ladies and gentlemen!
694
00:27:12,630 --> 00:27:15,130
Kelly:
I was super bummed for Chelle,
695
00:27:15,130 --> 00:27:18,970
because that was nowhere near
what Chelle is capable of.
696
00:27:18,970 --> 00:27:20,630
She was a three‐chair turn.
697
00:27:20,630 --> 00:27:22,090
Like, she definitely should
keep singing.
698
00:27:22,090 --> 00:27:24,220
Anaya is insane.
She's good.
699
00:27:24,220 --> 00:27:26,720
Her vocals ‐‐
I was like, "What?"
700
00:27:26,720 --> 00:27:28,730
Yeah,
she's got real potential.
701
00:27:28,730 --> 00:27:30,980
Yeah.
I'm like, "Wow."
702
00:27:30,980 --> 00:27:39,280
♪♪♪
703
00:27:39,280 --> 00:27:43,160
Nick was very adamant about
writing specific words
704
00:27:43,160 --> 00:27:45,530
in his notepad
in the blind auditions.
705
00:27:45,530 --> 00:27:48,200
I'm a little bit, uh, surprised
he's not using it
706
00:27:48,200 --> 00:27:49,910
for the battle rounds.
707
00:27:49,910 --> 00:27:51,500
What'd you write
on his thing?
708
00:27:51,500 --> 00:27:53,830
Asked him why he's not writing
in his notepad.
709
00:27:53,830 --> 00:27:55,630
"Where are your notes?"
[ Laughs ]
710
00:28:02,090 --> 00:28:02,130
.
711
00:28:03,340 --> 00:28:03,800
♪ This is "The Voice" ♪
712
00:28:04,680 --> 00:28:06,680
Daly: Welcome back to
the battle rounds.
713
00:28:06,680 --> 00:28:09,020
Yes, it is so good to finally
meet you guys.
714
00:28:09,020 --> 00:28:10,140
Yeah, same.
Aw, man.
715
00:28:10,140 --> 00:28:11,520
Been a fan
for a long time.
716
00:28:11,520 --> 00:28:13,690
The honor is yours.
It is, indeed.
717
00:28:13,690 --> 00:28:14,860
Uh, thank you, guys,
for doing this.
718
00:28:14,860 --> 00:28:16,610
Oh, we're happy to.
Of course, man.
719
00:28:16,610 --> 00:28:18,190
I think my team is gonna freak
out when they see you.
720
00:28:18,190 --> 00:28:19,820
Anything we can do
to help.
721
00:28:19,820 --> 00:28:21,190
And I need ‐‐ I need you to help
them in any way you can.
722
00:28:21,190 --> 00:28:22,320
Open the door for us.
723
00:28:22,320 --> 00:28:24,160
Okay, I'll open the door
for you.
724
00:28:24,160 --> 00:28:25,700
I brought
two of the most
725
00:28:25,700 --> 00:28:28,080
unintelligent people
I could find,
726
00:28:28,080 --> 00:28:30,410
just so that I would
look better.
727
00:28:30,410 --> 00:28:32,210
Who are those people?
728
00:28:32,210 --> 00:28:33,870
I‐I don't ‐‐ Uh, no.
729
00:28:33,870 --> 00:28:35,880
I brought my brothers...
Hello.
730
00:28:35,880 --> 00:28:37,630
...Joe and Kevin Jonas.
731
00:28:37,630 --> 00:28:39,300
Yes, we are here to save
the day.
732
00:28:39,300 --> 00:28:41,210
This chair doesn't spin.
733
00:28:41,210 --> 00:28:42,880
It doesn't spin.
Sorry, Joe.
734
00:28:42,880 --> 00:28:44,380
We could only work that out
for me.
735
00:28:44,380 --> 00:28:46,220
I specifically ask that
the chair spin.
736
00:28:46,220 --> 00:28:47,850
We're just really happy
to be here.
737
00:28:47,850 --> 00:28:49,640
We, uh ‐‐ W‐We're thrilled.
Yeah.
738
00:28:49,640 --> 00:28:51,220
We're happy to help Nick through
this process and, hopefully,
739
00:28:51,220 --> 00:28:53,890
pass on some knowledge and good
information a‐and wisdom
740
00:28:53,890 --> 00:28:56,060
to these artists
so they can go out there
741
00:28:56,060 --> 00:28:58,070
and deliver
great performances.
742
00:28:58,070 --> 00:29:00,070
I think we just got to
loosen them up, have
some fun with them.
743
00:29:00,070 --> 00:29:01,900
I want them to win,
want them to succeed.
744
00:29:01,900 --> 00:29:03,740
100%.
That sounds good.
745
00:29:03,740 --> 00:29:06,870
Alright.
Alright.
746
00:29:06,870 --> 00:29:08,280
[ Gasps ]
747
00:29:08,280 --> 00:29:10,290
[ Chuckles ]
Oh, my gosh.
748
00:29:10,290 --> 00:29:12,580
Joanna: Walking in that room and
seeing Nick with his brothers
749
00:29:12,580 --> 00:29:14,750
was crazy.
750
00:29:14,750 --> 00:29:16,040
You guys
were my first concert.
751
00:29:16,040 --> 00:29:17,080
Really?
So ‐‐ Yeah.
752
00:29:17,080 --> 00:29:18,090
Wait. We were your first
concert?
753
00:29:18,090 --> 00:29:19,380
Remember me?
754
00:29:19,380 --> 00:29:20,880
Joanna:
They've had platinum albums.
755
00:29:20,880 --> 00:29:22,170
They're nominated
for a Grammy this year.
756
00:29:22,170 --> 00:29:23,880
So it's just so awesome
and surreal
757
00:29:23,880 --> 00:29:25,090
that I get to work with them.
758
00:29:25,090 --> 00:29:26,890
You know they're real.
[ Laughs ]
759
00:29:26,890 --> 00:29:28,760
I got to see
your audition.
760
00:29:28,760 --> 00:29:30,180
Oh.
I was actually on set that day,
761
00:29:30,180 --> 00:29:31,770
backstage with Nick.
Cool.
762
00:29:31,770 --> 00:29:33,680
He didn't think that you were
gonna pick me.
763
00:29:33,680 --> 00:29:34,940
It's true.
I did say that.
764
00:29:34,940 --> 00:29:37,770
I thought I lost
to anybody else,
765
00:29:37,770 --> 00:29:40,270
but I‐I‐I had written down
a note in my notepad that said,
766
00:29:40,270 --> 00:29:42,070
"Fight."
He said, "One day, you might
767
00:29:42,070 --> 00:29:43,440
meet my brothers."
768
00:29:43,440 --> 00:29:45,110
Correct.
That is exactly what I said.
769
00:29:45,110 --> 00:29:46,780
She was like, "Done."
And then Roderick sang
770
00:29:46,780 --> 00:29:48,280
Brian McKnight, which,
obviously...
771
00:29:48,280 --> 00:29:49,910
Oh, yeah.
..."Start Back at One."
772
00:29:49,910 --> 00:29:53,120
♪ One, you're like
a dream come true ♪
773
00:29:54,120 --> 00:29:55,960
That was phenomenal.
Thank you.
774
00:29:55,960 --> 00:29:59,920
You are both such talented
R&B vocalists.
775
00:29:59,920 --> 00:30:02,300
I wanted to tap into that
with a song that no one's heard
776
00:30:02,300 --> 00:30:05,920
in this way or where it's been
fully taken to that R&B place.
777
00:30:05,920 --> 00:30:07,800
I think it's gonna
shake things up.
778
00:30:07,800 --> 00:30:09,800
I gave Joanna and Roderick
779
00:30:09,800 --> 00:30:11,810
"When the Party's Over"
by Billie Eilish.
780
00:30:11,810 --> 00:30:17,270
♪ Nothing
is better sometimes ♪
781
00:30:17,270 --> 00:30:23,070
♪ Once we've both said
our goodbyes ♪
782
00:30:23,070 --> 00:30:25,240
Joanna ‐‐ she is amazing.
783
00:30:25,240 --> 00:30:28,160
Joanna was a four‐chair turn,
and I only had one chair.
784
00:30:28,160 --> 00:30:31,370
And her tone, it's very unique,
and it's very rich.
785
00:30:31,370 --> 00:30:38,170
♪ I could lie and say I like it
like that, like it like that ♪
786
00:30:38,170 --> 00:30:40,330
Wow!
This is gonna be a battle.
787
00:30:40,330 --> 00:30:42,840
Roderick and Joanna ‐‐
I think the dynamics
788
00:30:42,840 --> 00:30:46,340
between the two of them
is just unbelievable.
789
00:30:46,340 --> 00:30:48,930
Here's one thought.
Crazy idea, but it might work.
790
00:30:48,930 --> 00:30:51,090
And since we're here to
experiment, I think we should
791
00:30:51,090 --> 00:30:54,680
add a harmony
on the first chorus.
792
00:30:54,680 --> 00:31:00,980
♪ I could lie and say I like it
like that, like it like that ♪
793
00:31:00,980 --> 00:31:04,150
♪ I could lie and
say I like it like that ♪
794
00:31:04,150 --> 00:31:06,860
♪ Like it like that,
mm mm‐mm‐mm ♪
795
00:31:06,860 --> 00:31:09,450
Yeah.
And at the second verse,
we start to build.
796
00:31:09,450 --> 00:31:11,870
And the last one would be
a big, soaring moment.
797
00:31:11,870 --> 00:31:13,830
♪ Like it like that ♪
798
00:31:13,830 --> 00:31:15,910
♪ Bah dunh dunh ♪
799
00:31:15,910 --> 00:31:18,210
Nice.
Give you guys the ability to
just open it up in harmony.
800
00:31:18,210 --> 00:31:20,210
What do we think?
That's so awesome.
801
00:31:20,210 --> 00:31:22,170
Roderick: Nick absolutely knew
what he was doing.
802
00:31:22,170 --> 00:31:23,710
Right on the spot,
he creates it,
803
00:31:23,710 --> 00:31:25,210
he directs the band what to do.
804
00:31:25,210 --> 00:31:27,210
♪ Buh‐buh bunh dunh dunh ♪
805
00:31:27,210 --> 00:31:29,220
♪ Like it like that ♪
It was like a master class.
806
00:31:29,220 --> 00:31:32,010
All very good advice.
You should do this for a living.
807
00:31:32,010 --> 00:31:35,010
Yeah.
I'd also say, letting the song
808
00:31:35,010 --> 00:31:37,220
breathe a little bit off
the top, I think, is nice.
809
00:31:37,220 --> 00:31:40,390
And it should be really
storytelling until it's go time,
810
00:31:40,390 --> 00:31:42,400
and then, you guys, you know,
go for it.
811
00:31:42,400 --> 00:31:45,070
When we first heard this song,
I was like, "Why?"
812
00:31:45,070 --> 00:31:47,400
[ Chuckles ]
But I‐I got it.
813
00:31:47,400 --> 00:31:49,860
It can be really epic
if it's done properly.
814
00:31:49,860 --> 00:31:50,900
Be a showstopper.
Thank you.
815
00:31:50,900 --> 00:31:52,240
It's gonna be a moment,
816
00:31:52,240 --> 00:31:54,370
and it's ‐‐ it's gonna be
totally unexpected.
817
00:31:54,370 --> 00:31:56,450
I think it's an enormous
opportunity to take a song
818
00:31:56,450 --> 00:31:59,040
that is very popular,
but heard in a new way.
819
00:31:59,040 --> 00:32:00,870
♪ I could lie,
say I like it like that ♪
820
00:32:00,870 --> 00:32:02,580
Nick:
Joanna's voice is so nuanced.
821
00:32:02,580 --> 00:32:05,210
I wish I could do the kind of
runs and things that she does
822
00:32:05,210 --> 00:32:07,090
so naturally.
823
00:32:07,090 --> 00:32:09,920
And Roderick ‐‐ I was blown away
by his blind audition,
824
00:32:09,920 --> 00:32:12,550
but hearing his voice again
today, he's really stepped up.
825
00:32:12,550 --> 00:32:15,050
[ Whistles ] Yeah!
Yeah. That's awesome.
826
00:32:15,050 --> 00:32:17,430
It's gonna be amazing.
Bring the house down.
827
00:32:17,430 --> 00:32:19,270
I think it takes it out of
another thing, well ‐‐
828
00:32:19,270 --> 00:32:20,850
What people would expect?
Yeah. Yeah
829
00:32:20,850 --> 00:32:22,440
Yeah, exactly.
Yeah.
830
00:32:22,440 --> 00:32:24,400
You guys are both so good at
emoting through your singing,
831
00:32:24,400 --> 00:32:27,270
so let's try to feel every word
so that we earn that right
832
00:32:27,270 --> 00:32:29,070
to soar at the end.
Yeah.
833
00:32:29,070 --> 00:32:31,530
Okay.
I love the idea,
from a staging perspective,
834
00:32:31,530 --> 00:32:34,200
the storytelling, of you guys
standing back‐to‐back, and then,
835
00:32:34,200 --> 00:32:36,120
finally, when we break into it,
you guys turn at each other
836
00:32:36,120 --> 00:32:37,620
and just sing.
Okay.
837
00:32:37,620 --> 00:32:39,660
Time to put on, like, a show.
Right, right.
838
00:32:39,660 --> 00:32:41,410
It's really cool because the way
the song is structured,
839
00:32:41,410 --> 00:32:42,960
it kind of feels like
a tug‐of‐war between
840
00:32:42,960 --> 00:32:44,960
two people fighting
these emotions.
841
00:32:44,960 --> 00:32:47,250
Wow.
This is gonna be
one of the best performances
842
00:32:47,250 --> 00:32:48,920
of this battle round.
843
00:32:48,920 --> 00:32:50,300
So, good job.
Thank you.
844
00:32:50,300 --> 00:32:52,300
I am so excited about
Joanna and Roderick,
845
00:32:52,300 --> 00:32:54,630
although now I'm very frustrated
with myself
846
00:32:54,630 --> 00:32:56,390
because they're incredible.
847
00:32:56,390 --> 00:32:58,390
It's gonna be an incredibly
tough choice for me,
848
00:32:58,390 --> 00:32:59,930
and I'm already dreading it.
849
00:33:07,110 --> 00:33:07,150
.
850
00:33:08,400 --> 00:33:08,820
♪ This is "The Voice" ♪
851
00:33:09,900 --> 00:33:12,990
Daly: Welcome back to night one
of the battles.
852
00:33:12,990 --> 00:33:14,490
Joanna:
I'm moments away from my battle,
853
00:33:14,490 --> 00:33:16,410
and I'm feeling
a little bit anxious.
854
00:33:16,410 --> 00:33:20,540
"The Voice," for me, is huge
because it can really dictate
855
00:33:20,540 --> 00:33:22,950
what kind of direction my life
might go in.
856
00:33:22,950 --> 00:33:25,580
I just recently graduated
from high school,
857
00:33:25,580 --> 00:33:28,250
and my mom wanted me to do
something practical.
858
00:33:28,250 --> 00:33:31,460
She's a nurse, but I put college
on hold to be here.
859
00:33:31,460 --> 00:33:34,630
I want to prove to myself
that that wasn't in vain.
860
00:33:34,630 --> 00:33:36,840
Daly: Joanna Serenko!
861
00:33:36,840 --> 00:33:41,180
Joanna: I want to be able to
make my passion into a career.
862
00:33:41,180 --> 00:33:42,850
Roderick:
I'm a full‐time musician,
863
00:33:42,850 --> 00:33:45,140
but I'm 38, so "The Voice"
864
00:33:45,140 --> 00:33:49,270
is probably my last chance to do
something on a huge scale.
865
00:33:49,270 --> 00:33:52,860
It's been 20 years in music
for me, but I got a son now,
866
00:33:52,860 --> 00:33:55,450
so it's a lot of pressure
to make it to the next level
867
00:33:55,450 --> 00:33:56,950
and make it all the way.
868
00:33:56,950 --> 00:33:59,530
John: Yeah!
869
00:33:59,530 --> 00:34:02,990
Oh, handshakes! Oh!
870
00:34:04,620 --> 00:34:06,920
The battle starts now.
871
00:34:08,040 --> 00:34:16,550
♪♪♪
872
00:34:16,550 --> 00:34:24,980
♪ Don't you know
I'm no good for you? ♪
873
00:34:24,980 --> 00:34:34,230
♪ I've learned to lose,
you can't afford to ♪
874
00:34:34,230 --> 00:34:40,070
♪ Tore my shirt
to stop you bleeding ♪
875
00:34:40,070 --> 00:34:42,240
Okay.
Oh, my gosh!
876
00:34:42,240 --> 00:34:50,460
♪ But nothing ever
stops you leaving ♪
877
00:34:51,540 --> 00:34:58,380
♪ Quiet when I'm coming home
and I'm on my own ♪
878
00:34:58,380 --> 00:35:05,930
♪ I could lie and say I like it
like that, like it like that ♪
879
00:35:05,930 --> 00:35:11,690
♪ I could lie and say I like it
like that, like it like that ♪
880
00:35:11,690 --> 00:35:13,400
Beautiful!
881
00:35:13,400 --> 00:35:16,070
[ Cheering ]
882
00:35:16,070 --> 00:35:22,160
♪ Call me friend,
but keep me closer ♪
883
00:35:23,740 --> 00:35:31,960
♪ And I'll call you
when the party's over ♪
884
00:35:31,960 --> 00:35:38,300
♪ But nothing
is better sometimes ♪
885
00:35:38,300 --> 00:35:45,260
♪ Once we've both said
our goodbyes ♪
886
00:35:45,260 --> 00:35:50,640
♪ Let's just let it go ♪
887
00:35:50,640 --> 00:35:52,310
♪ Let me ♪
888
00:35:52,310 --> 00:35:57,570
♪ Let you go ♪
889
00:35:57,570 --> 00:35:59,320
[ Cheers and applause ]
890
00:35:59,320 --> 00:36:05,330
♪ Quiet when I'm coming home,
I'm on my own ♪
891
00:36:05,330 --> 00:36:08,790
Sing, girl!
♪ I could lie, say
I like it like that ♪
892
00:36:08,790 --> 00:36:11,290
♪ Like it like that ♪
893
00:36:11,290 --> 00:36:13,250
Let's go!
894
00:36:13,250 --> 00:36:18,670
♪ I could lie, say I like it
like that, like it like that ♪
895
00:36:20,170 --> 00:36:29,680
♪ I could lie ♪
896
00:36:29,680 --> 00:36:31,020
Yeah!
897
00:36:31,020 --> 00:36:32,440
Wow.
898
00:36:32,440 --> 00:36:34,270
[ Cheers and applause ]
899
00:36:34,270 --> 00:36:35,610
Whoo!
900
00:36:35,610 --> 00:36:38,020
That was really good.
901
00:36:38,020 --> 00:36:40,740
Beautiful! Beautiful!
902
00:36:41,650 --> 00:36:43,200
So good.
903
00:36:43,200 --> 00:36:45,200
Yes, Nick.
904
00:36:45,200 --> 00:36:46,700
Yeah!
905
00:36:46,700 --> 00:36:48,540
[ Cheers and applause ]
906
00:36:48,540 --> 00:36:50,580
I think they liked it.
I think...
907
00:36:50,580 --> 00:36:53,330
[ Laughter ]
908
00:36:53,330 --> 00:36:56,540
Like, for real, that was
my favorite battle thus far.
909
00:36:56,540 --> 00:37:00,210
That was effortless and
beautiful and passionate.
910
00:37:00,210 --> 00:37:02,550
And, wow,
first‐time coach.
911
00:37:02,550 --> 00:37:05,640
Yes, yes, yes.
Well done, well done.
912
00:37:05,640 --> 00:37:06,800
It's all them.
913
00:37:06,800 --> 00:37:09,180
I feel very sorry for you
right now...
914
00:37:09,180 --> 00:37:10,640
I know.
...'cause what you just created
915
00:37:10,640 --> 00:37:13,390
was a masterpiece, and you've
got to cut half of it off.
916
00:37:13,390 --> 00:37:15,730
Joanna, when you started out,
I was like,
917
00:37:15,730 --> 00:37:18,360
"Oh, I'm gonna pick her,"
and then, all of a sudden,
918
00:37:18,360 --> 00:37:20,650
Roderick came and I went,
"Wait. What?"
919
00:37:20,650 --> 00:37:22,530
And I was like, this is the kind
of performance
920
00:37:22,530 --> 00:37:24,240
I want to see
on award shows.
921
00:37:24,240 --> 00:37:26,740
It was flawless.
I cannot pick one.
922
00:37:26,740 --> 00:37:28,200
[ Cheers and applause ]
923
00:37:28,200 --> 00:37:30,120
Thank you.
Thank you.
924
00:37:30,120 --> 00:37:33,410
Joanna, you were a four‐chair
turn, and there's a little more
925
00:37:33,410 --> 00:37:36,580
pressure because we're all like,
"Okay, do it again."
926
00:37:36,580 --> 00:37:39,420
Right.
And I feel like
you did it again.
927
00:37:39,420 --> 00:37:41,710
Roderick, on the flip side of
that coin, I said,
928
00:37:41,710 --> 00:37:44,380
"Oh, this guy had one chair turn
around. I don't know."
929
00:37:44,380 --> 00:37:46,260
And I really feel like
you're the one
930
00:37:46,260 --> 00:37:49,100
that took advantage
of this situation.
931
00:37:49,100 --> 00:37:50,430
I'm a fan
of both of y'all.
932
00:37:50,430 --> 00:37:52,770
In fact, you guys probably were
more in sync
933
00:37:52,770 --> 00:37:54,680
than anybody
we've heard so far.
934
00:37:54,680 --> 00:37:55,850
Good coaching.
It was beautiful.
935
00:37:55,850 --> 00:37:57,230
It was great.
Good coaching.
936
00:37:57,230 --> 00:37:58,520
It was great.
[ Cheering ]
937
00:37:58,520 --> 00:38:00,770
I think, just because of
the shock factor,
938
00:38:00,770 --> 00:38:03,280
maybe I'd pick Roderick.
939
00:38:03,280 --> 00:38:05,570
Not only does the song
have quite a range,
940
00:38:05,570 --> 00:38:09,700
but it also requires
a lot of grace and presence
941
00:38:09,700 --> 00:38:11,660
and restraint,
942
00:38:11,660 --> 00:38:14,620
which both of you showed me
in spades.
943
00:38:14,620 --> 00:38:16,620
I was stunned that you could hit
all those low notes, Joanna,
944
00:38:16,620 --> 00:38:18,710
and do all the things
you did up there.
945
00:38:18,710 --> 00:38:20,790
It was like,
"What can she not do?"
946
00:38:20,790 --> 00:38:22,460
And like Blake said,
947
00:38:22,460 --> 00:38:24,630
I don't think we expected
so much from Roderick.
948
00:38:24,630 --> 00:38:27,630
But if I were to pick,
I would pick Joanna.
949
00:38:27,630 --> 00:38:31,220
Thank you.
Daly: Thank you, Coaches!
950
00:38:31,220 --> 00:38:34,270
Alright, Nick, give us some of
your thoughts on the battle.
951
00:38:34,270 --> 00:38:36,310
The growth, Roderick,
I've seen in you,
952
00:38:36,310 --> 00:38:38,810
and then growing together
as a team, the three of us,
953
00:38:38,810 --> 00:38:41,270
was really an exhilarating
experience for me,
954
00:38:41,270 --> 00:38:43,480
and I'm very proud of the work
you did today onstage.
955
00:38:43,480 --> 00:38:45,490
Joanna, you're
a flawless singer,
956
00:38:45,490 --> 00:38:47,820
and it's so exciting
to hear your voice,
957
00:38:47,820 --> 00:38:50,620
and there's so much to work with
as a coach.
958
00:38:50,620 --> 00:38:52,450
Daly: Nick, we know
it's a tough decision.
959
00:38:52,450 --> 00:38:55,450
Who is the winner
of this battle?
960
00:38:55,450 --> 00:38:59,330
I'm in the toughest position
I've been in, in my life,
961
00:38:59,330 --> 00:39:01,330
right now, trying to decide
between the two of you.
962
00:39:01,330 --> 00:39:04,250
♪♪♪
963
00:39:11,090 --> 00:39:11,140
.
964
00:39:12,470 --> 00:39:12,890
♪ This is "The Voice" ♪
965
00:39:13,680 --> 00:39:15,310
Daly:
Welcome back to the battles.
966
00:39:15,310 --> 00:39:18,940
I'm in the toughest position
I've been in,
967
00:39:18,940 --> 00:39:21,810
in my life, right now, trying to
decide between the two of you.
968
00:39:21,810 --> 00:39:26,360
Um, but I have to ‐‐ I have to
go with a gut feeling.
969
00:39:27,530 --> 00:39:28,650
Um...
970
00:39:28,650 --> 00:39:31,360
♪♪♪
971
00:39:31,360 --> 00:39:35,490
...the winner
of this battle...
972
00:39:35,490 --> 00:39:36,740
is Roderick.
973
00:39:36,740 --> 00:39:39,500
Roderick, congratulations!
974
00:39:39,500 --> 00:39:41,370
You're moving on to
the knockouts.
975
00:39:41,370 --> 00:39:43,330
He didn't see
that coming.
976
00:39:43,330 --> 00:39:46,380
I chose Roderick because
the growth I've seen in him,
977
00:39:46,380 --> 00:39:49,470
his ability to take direction,
there's an opportunity here
978
00:39:49,470 --> 00:39:52,840
to turn this guy into
a‐a real star.
979
00:39:52,840 --> 00:39:54,970
Roderick: I'm just ‐‐
980
00:39:54,970 --> 00:39:57,640
I can't ‐‐ I can't even believe
what's happening.
981
00:39:57,640 --> 00:39:59,480
I really don't even know
what to say.
982
00:39:59,480 --> 00:40:01,390
Daly: Alright, Coaches,
let me remind you that
983
00:40:01,390 --> 00:40:02,850
Joanna is available
to steal or save.
984
00:40:02,850 --> 00:40:05,320
Joanna, anything you'd like to
say to your coach, Nick?
985
00:40:05,320 --> 00:40:06,900
I just want to say
thank you so much
986
00:40:06,900 --> 00:40:08,690
for being such
an incredible coach.
987
00:40:08,690 --> 00:40:10,530
I'm so happy to be here and get
this far, so thank you.
988
00:40:10,530 --> 00:40:12,360
Give it up for Joanna ‐‐
989
00:40:12,360 --> 00:40:13,990
Whoa!
990
00:40:13,990 --> 00:40:16,280
We've got a steal!
991
00:40:16,280 --> 00:40:17,540
Get over here!
992
00:40:17,540 --> 00:40:20,000
♪♪♪
993
00:40:20,000 --> 00:40:21,580
Oh, my God.
994
00:40:21,580 --> 00:40:22,920
Yes! Joanna!
995
00:40:22,920 --> 00:40:25,420
You get one steal
in the battles.
996
00:40:25,420 --> 00:40:27,340
What did you hear
in Joanna?
997
00:40:27,340 --> 00:40:28,760
Like Nick said,
it was flawless.
998
00:40:28,760 --> 00:40:30,550
I wanted you from
the very beginning,
999
00:40:30,550 --> 00:40:32,260
when you were in
the blind auditions.
1000
00:40:32,260 --> 00:40:33,760
You were perfect then.
1001
00:40:33,760 --> 00:40:35,550
I feel like I really did steal
something today.
1002
00:40:35,550 --> 00:40:37,350
I feel good.
[ Laughs ]
1003
00:40:37,350 --> 00:40:39,600
[ Speaks indistinctly ]
John steals Joanna.
1004
00:40:39,600 --> 00:40:41,940
Congratulations!
We'll see you in the knockouts.
1005
00:40:41,940 --> 00:40:43,940
Go say hi
to your new coach.
Yeah!
1006
00:40:43,940 --> 00:40:46,440
I had to steal Joanna.
She just sounded so great.
1007
00:40:46,440 --> 00:40:48,270
She had a lot of style and grace
in her voice.
1008
00:40:48,270 --> 00:40:50,400
Oh, my God. Thank you so much.
Of course, I had to steal you.
1009
00:40:50,400 --> 00:40:53,450
And I think she is gonna be
a formidable competitor.
1010
00:40:53,450 --> 00:40:56,030
Now she's on my team.
Perfect.
1011
00:40:56,030 --> 00:40:58,660
[ Gasps ] Yeah!
Team Legend.
1012
00:40:58,660 --> 00:41:00,910
Team Legend.
We stole somebody today.
1013
00:41:00,910 --> 00:41:02,620
Yo. [ Chuckles ]
1014
00:41:02,620 --> 00:41:04,580
Hey, Blake...
1015
00:41:04,580 --> 00:41:06,540
don't touch my stuff,
okay?
1016
00:41:06,540 --> 00:41:08,420
I didn't touch your stuff.
I saw you writing in my notes.
1017
00:41:08,420 --> 00:41:10,630
It's inappropriate. So this is
my, "Don't touch my stuff."
1018
00:41:10,630 --> 00:41:12,630
I wrote down "singer."
1019
00:41:12,630 --> 00:41:13,970
The notes were helpful.
1020
00:41:13,970 --> 00:41:15,640
You, sir, sing.
1021
00:41:15,640 --> 00:41:17,600
[ Laughter ]
John: "Singer."
1022
00:41:17,600 --> 00:41:20,470
♪♪♪
1023
00:41:20,470 --> 00:41:22,430
Season 18, battles time.
1024
00:41:22,430 --> 00:41:24,310
It's one of my favorite parts
of the show.
1025
00:41:24,310 --> 00:41:25,810
I'm very excited.
1026
00:41:25,810 --> 00:41:27,810
Hello, hello.
1027
00:41:27,810 --> 00:41:29,730
"Team Legend."
We got our own slate.
1028
00:41:29,730 --> 00:41:31,990
Whoo‐whoo!
Hello, hello.
1029
00:41:31,990 --> 00:41:33,740
Ella: What's up?
I brought Ella Mai in
1030
00:41:33,740 --> 00:41:35,820
because I felt like
she'd be such a great adviser
1031
00:41:35,820 --> 00:41:37,490
for these up‐and‐coming
artists.
1032
00:41:37,490 --> 00:41:39,120
Have you ever done something
like this before,
1033
00:41:39,120 --> 00:41:40,790
where you coached?
I have never.
1034
00:41:40,790 --> 00:41:42,370
This is my first time.
I feel like you have a lot of
1035
00:41:42,370 --> 00:41:44,080
good advice for them.
Thank you for having me.
1036
00:41:44,080 --> 00:41:45,330
This is, like, surreal.
1037
00:41:45,330 --> 00:41:46,460
You've really blown up
1038
00:41:46,460 --> 00:41:47,960
over the last few years.
1039
00:41:47,960 --> 00:41:49,840
We got a chance to collaborate
together...
1040
00:41:49,840 --> 00:41:52,670
Yes, we did.
...on a song called
"Everything," which I love.
1041
00:41:52,670 --> 00:41:55,470
She came up in this era
of social media.
1042
00:41:55,470 --> 00:41:58,760
She knows their experience
and has some fresh perspective
1043
00:41:58,760 --> 00:42:00,100
on what can make them better.
1044
00:42:00,100 --> 00:42:01,850
We've got a really
interesting team.
1045
00:42:01,850 --> 00:42:03,520
I've got 10 amazing singers.
1046
00:42:03,520 --> 00:42:06,850
This first group is
Mike and Zach.
1047
00:42:06,850 --> 00:42:10,690
Mike came out in the blind
auditions and he started singing
1048
00:42:10,690 --> 00:42:12,530
"It's a Man's World"
by James Brown.
1049
00:42:12,530 --> 00:42:16,860
♪ This is a ma‐a‐a‐a‐n's world ♪
1050
00:42:16,860 --> 00:42:18,360
Sing!
1051
00:42:18,360 --> 00:42:19,820
His voice is just so big
and powerful.
1052
00:42:19,820 --> 00:42:21,910
♪ Nothing without ♪
1053
00:42:21,910 --> 00:42:24,080
♪ Without a woman or a girl ♪
1054
00:42:24,080 --> 00:42:26,540
Crazy range.
He's just really dope.
1055
00:42:26,540 --> 00:42:29,500
Everything you did was done
with confidence.
1056
00:42:29,500 --> 00:42:31,540
It was like, "Unh!"
1057
00:42:31,540 --> 00:42:34,880
And then Zach, we always have
these moments on "The Voice"
1058
00:42:34,880 --> 00:42:36,720
where you're like, "Oh,
I can't believe this guy
1059
00:42:36,720 --> 00:42:38,890
that sounds like this
looks like this."
1060
00:42:38,890 --> 00:42:41,390
What's so funny?
Wait. What's so funny?
1061
00:42:41,390 --> 00:42:43,560
Is this a joke?
You guys know something
we don't?
1062
00:42:43,560 --> 00:42:46,350
He comes out and sings "Weak"
by SWV,
1063
00:42:46,350 --> 00:42:49,400
which is my jam from my youth.
Yeah. [ Laughs ]
1064
00:42:49,400 --> 00:42:53,020
♪ I try hard to fight it ♪
1065
00:42:53,020 --> 00:42:55,570
♪ No way can I deny it ♪
1066
00:42:55,570 --> 00:42:57,740
So, he comes out doing all these
riffs and runs.
1067
00:42:57,740 --> 00:42:59,700
We turn around...
What?
1068
00:42:59,700 --> 00:43:02,080
He didn't exactly look like the
guy that would be singing it.
1069
00:43:02,080 --> 00:43:04,950
What?
1070
00:43:04,950 --> 00:43:06,700
Hello!
1071
00:43:06,700 --> 00:43:08,000
Hi!
Hi!
1072
00:43:08,000 --> 00:43:09,580
Look who's here.
Oh, my God.
1073
00:43:09,580 --> 00:43:11,580
Our very special guest mentor.
How are you, guys?
1074
00:43:11,580 --> 00:43:13,750
Ella Mai is here.
Oh, my God, you look so cute!
1075
00:43:13,750 --> 00:43:15,090
Nice to meet you. Thank you.
Thank you so much.
1076
00:43:15,090 --> 00:43:16,760
It's a pleasure to meet you.
Nice to meet you.
1077
00:43:16,760 --> 00:43:18,760
When I saw that Ella Mai
was gonna be our adviser,
1078
00:43:18,760 --> 00:43:20,010
it blew me away.
1079
00:43:20,010 --> 00:43:21,890
I mean, I'm a huge fan of hers.
1080
00:43:21,890 --> 00:43:24,100
♪ Biddy‐da‐dum, boo'd up ♪
1081
00:43:24,100 --> 00:43:27,100
♪ Hear my heart go ba‐dum,
boo'd up ♪
1082
00:43:27,100 --> 00:43:29,770
Ella Mai is a Grammy winner,
awesome R&B artist.
1083
00:43:29,770 --> 00:43:32,900
And so to have Ella Mai and John
both coaching
1084
00:43:32,900 --> 00:43:36,440
is gonna definitely stretch me
in so many different ways.
1085
00:43:36,440 --> 00:43:38,530
I'm so excited to
hear you sing together.
1086
00:43:38,530 --> 00:43:40,780
Oh, gosh, yeah.
Are you guys excited?
1087
00:43:40,780 --> 00:43:42,450
Eh!
This is your chance.
1088
00:43:42,450 --> 00:43:43,570
[ Laughs ] It is.
1089
00:43:43,570 --> 00:43:45,160
I'm so happy
you're on my team.
1090
00:43:45,160 --> 00:43:47,660
We've got Ella, and we've got
a dope Miguel song
1091
00:43:47,660 --> 00:43:48,960
to sing together.
Great one.
1092
00:43:48,960 --> 00:43:50,120
And we're gonna
have a good time.
1093
00:43:50,120 --> 00:43:51,870
Absolutely.
Oh. My mouth is dry.
1094
00:43:51,870 --> 00:43:53,790
[ Laughs ]
I think I'm just so excited.
1095
00:43:53,790 --> 00:43:55,800
I'mma follow suit.
Whew! Okay, okay. Whew.
1096
00:43:55,800 --> 00:43:57,880
John: Mike versus Zach.
1097
00:43:57,880 --> 00:44:00,930
Both of them are very soulful
singers with big ranges,
1098
00:44:00,930 --> 00:44:03,640
and I love "Adorn" by Miguel.
1099
00:44:03,640 --> 00:44:06,970
I love Miguel in general.
He's a friend of mine.
1100
00:44:06,970 --> 00:44:12,810
♪ These lips
can't wait to taste your skin ♪
1101
00:44:12,810 --> 00:44:15,150
Ella: It's super important for
me to give back, 'cause I think,
1102
00:44:15,150 --> 00:44:17,650
me being in their position
not that long ago...
1103
00:44:17,650 --> 00:44:19,820
♪ These eyes ♪
1104
00:44:19,820 --> 00:44:22,070
...to come and be a guest mentor
so they can see that
1105
00:44:22,070 --> 00:44:24,240
it really is possible
and anything really is reachable
1106
00:44:24,240 --> 00:44:26,830
if you put your mind to it,
there's hope, really, for them.
1107
00:44:26,830 --> 00:44:28,950
I'm not as far away
as I think I am.
1108
00:44:28,950 --> 00:44:32,080
♪ Let my love ♪
1109
00:44:32,080 --> 00:44:34,130
♪ Let my love adorn you ♪
1110
00:44:34,130 --> 00:44:35,840
Alright!
1111
00:44:35,840 --> 00:44:37,670
Whoo!
It's coming together.
1112
00:44:37,670 --> 00:44:39,590
I‐I see where it's going.
1113
00:44:39,590 --> 00:44:42,800
Okay, so, I love every single
harmony you guys did together.
1114
00:44:42,800 --> 00:44:44,510
But, at the beginning,
1115
00:44:44,510 --> 00:44:46,180
it feels like you're, like,
a little tentative.
1116
00:44:46,180 --> 00:44:49,680
Mike, when you did,
"It's a Man's World,"
1117
00:44:49,680 --> 00:44:52,190
you blew the roof off
of that place.
1118
00:44:52,190 --> 00:44:54,100
I just want to feel
the full Mike.
1119
00:44:54,100 --> 00:44:56,020
You know what I'm saying?
For sure.
1120
00:44:56,020 --> 00:45:00,190
And, Zach, I still want
some more swag, okay?
1121
00:45:00,190 --> 00:45:02,700
This song is sexy.
Right. [ Chuckles ]
1122
00:45:02,700 --> 00:45:05,280
Imagine that the singer
is very confident.
1123
00:45:05,280 --> 00:45:08,330
Zach: I don't really connect to
"Adorn" in that way.
1124
00:45:08,330 --> 00:45:10,910
It's a very sexy song,
which is also, like ‐‐
1125
00:45:10,910 --> 00:45:13,160
I think that I'm not, like
[chuckles] sexy.
1126
00:45:13,160 --> 00:45:15,830
I don't think of myself in that
way, but I'm trying to think
1127
00:45:15,830 --> 00:45:18,210
about it as just, like, "Okay,
I'm an actor in this moment,"
1128
00:45:18,210 --> 00:45:19,880
and just, like,
connect to the words.
1129
00:45:19,880 --> 00:45:21,710
It's crazy
how you put them together,
1130
00:45:21,710 --> 00:45:23,880
'cause the blind auditions
especially, I would never have
1131
00:45:23,880 --> 00:45:27,180
imagined both of their voices
together, but it blends so well.
1132
00:45:27,180 --> 00:45:29,720
Yeah. And I think that's why
I love the harmony so much,
1133
00:45:29,720 --> 00:45:32,310
is then I‐I really feel the full
power of what you guys can do.
1134
00:45:32,310 --> 00:45:35,230
Yeah.
I just want to hear a little bit
more of that individually.
1135
00:45:35,230 --> 00:45:36,980
You got it.
Don't overthink it.
1136
00:45:36,980 --> 00:45:38,560
Yeah.
1137
00:45:38,560 --> 00:45:41,190
♪ Oh, yeah ♪
1138
00:45:41,190 --> 00:45:43,650
Mike: This song is about
essentially adoring someone.
1139
00:45:43,650 --> 00:45:45,570
And connecting to the song
1140
00:45:45,570 --> 00:45:49,120
means that I have to envision
who I'm singing to.
1141
00:45:49,120 --> 00:45:51,370
That person being my girlfriend.
1142
00:45:51,370 --> 00:45:55,080
We met at one of my shows,
and we exchanged numbers.
1143
00:45:55,080 --> 00:45:57,170
And texted.
She never responded.
1144
00:45:57,170 --> 00:45:59,090
Called her.
I never heard anything from her.
1145
00:45:59,090 --> 00:46:01,090
And then we saw each other
six months later.
1146
00:46:01,090 --> 00:46:03,920
And then we realized that we had
the wrong contact information,
1147
00:46:03,920 --> 00:46:05,930
and now we're an item.
1148
00:46:05,930 --> 00:46:08,590
♪ Know that I adore you,
yeah ♪
1149
00:46:08,590 --> 00:46:12,770
♪ Oh, love ain't never looked
so good on ya ♪
1150
00:46:12,770 --> 00:46:14,600
Yeah! Whoo!
1151
00:46:14,600 --> 00:46:16,600
Some of that stuff at the end
was tasty!
1152
00:46:16,600 --> 00:46:18,850
Oh, my goodness.
Excuse me.
1153
00:46:18,850 --> 00:46:20,770
My mouth is watering.
Hey!
1154
00:46:20,770 --> 00:46:22,280
It was tasty.
1155
00:46:22,280 --> 00:46:25,280
There's a little bit of accuracy
issues for both of you.
1156
00:46:25,280 --> 00:46:26,950
When you try to transition
into falsetto...
1157
00:46:26,950 --> 00:46:28,360
♪ Whoo‐whoo‐whoo hoo ♪
1158
00:46:28,360 --> 00:46:30,620
...that stuff ‐‐
it's hit‐and‐miss right now.
1159
00:46:30,620 --> 00:46:32,330
The runs ‐‐ like the choice of
runs and stuff ‐‐
1160
00:46:32,330 --> 00:46:34,290
most of the time,
you're likely not gonna hit it
1161
00:46:34,290 --> 00:46:36,040
if there is a doubt
in your mind.
1162
00:46:36,040 --> 00:46:38,290
It's better to hit something
that might be less technical
1163
00:46:38,290 --> 00:46:39,790
but hit it right...
Yeah.
1164
00:46:39,790 --> 00:46:40,960
...than something that is
more technical
1165
00:46:40,960 --> 00:46:42,300
and you don't hit it at all.
Yeah.
1166
00:46:42,300 --> 00:46:44,380
So I just want just a little
more of that ‐‐
1167
00:46:44,380 --> 00:46:46,880
how confident a‐and the energy
you were at the end ‐‐
1168
00:46:46,880 --> 00:46:49,140
I want a little bit more of that
at the beginning,
1169
00:46:49,140 --> 00:46:50,760
as soon as you enter.
1170
00:46:50,760 --> 00:46:53,140
You don't have a lot of time to
convince people ‐‐
1171
00:46:53,140 --> 00:46:55,390
convince me of ‐‐ of who I want
to keep on my team.
1172
00:46:55,390 --> 00:46:57,730
It's hard for me to be like,
"Be more like Miguel,"
1173
00:46:57,730 --> 00:47:01,150
'cause, you know, Miguel is
Miguel because he's Miguel.
1174
00:47:01,150 --> 00:47:03,400
Thank you so much.
But they're delivering
these lines
1175
00:47:03,400 --> 00:47:06,650
that Miguel delivers
with such confidence.
1176
00:47:06,650 --> 00:47:09,820
I want to see that level
of confidence from them.
1177
00:47:09,820 --> 00:47:11,910
Ella: It's, like,
such a feel‐good song.
1178
00:47:11,910 --> 00:47:13,450
Yeah.
You have to feel it,
1179
00:47:13,450 --> 00:47:15,870
otherwise, it really doesn't
matter what you're doing.
1180
00:47:15,870 --> 00:47:17,790
Yeah.
This one is a hard one.
1181
00:47:17,790 --> 00:47:19,080
Mike's voice was very soulful,
1182
00:47:19,080 --> 00:47:20,830
and he had quite
a lot of dynamic,
1183
00:47:20,830 --> 00:47:23,000
and you had to, like,
switch it up and, um, be soft
1184
00:47:23,000 --> 00:47:24,300
and then bring in the power.
1185
00:47:24,300 --> 00:47:26,170
I know I got to work on
my energy level
1186
00:47:26,170 --> 00:47:29,180
and not being so timid
at the beginning.
1187
00:47:29,180 --> 00:47:32,180
But as for Zach, he had a lot of
personality, which is important,
1188
00:47:32,180 --> 00:47:34,850
and especially a sexy song,
you have to have personality,
1189
00:47:34,850 --> 00:47:36,680
so I feel like he brought
that edge to it.
1190
00:47:36,680 --> 00:47:38,180
You still
want to be able to,
1191
00:47:38,180 --> 00:47:39,980
like, showcase what we can do
at the same time.
1192
00:47:39,980 --> 00:47:41,350
Yeah.
They both have great voices.
1193
00:47:41,350 --> 00:47:43,310
I don't w‐‐
I don't want to choose.
1194
00:47:52,070 --> 00:47:52,110
.
1195
00:47:53,320 --> 00:47:53,740
♪ This is "The Voice" ♪
1196
00:47:54,580 --> 00:47:56,040
Daly:
Welcome back to the battles
1197
00:47:56,040 --> 00:47:58,040
at Universal Studios Hollywood.
1198
00:47:58,040 --> 00:48:00,120
Entering from Team Legend,
1199
00:48:00,120 --> 00:48:03,210
it's the 31‐year‐old
from Georgia, Mike Jerel!
1200
00:48:03,210 --> 00:48:05,290
Mike!
1201
00:48:05,290 --> 00:48:07,710
Yeah!
1202
00:48:07,710 --> 00:48:11,800
Taking on the 26‐year‐old
from Kentucky, Zach Day!
1203
00:48:11,800 --> 00:48:14,180
Oh, yeah, oh, yeah, oh, yeah,
oh, yeah, oh, yeah!
1204
00:48:14,180 --> 00:48:16,180
What?
Zach!
1205
00:48:16,180 --> 00:48:18,350
Let's do it!
Let's go.
1206
00:48:19,310 --> 00:48:21,230
Yeah!
1207
00:48:21,230 --> 00:48:22,230
Oh, yeah!
Let's go!
1208
00:48:22,230 --> 00:48:24,770
This battle begins right now.
1209
00:48:27,230 --> 00:48:31,070
[ Vocalizing ]
1210
00:48:31,070 --> 00:48:34,160
♪ Yeah, these lips ♪
Hey!
1211
00:48:34,160 --> 00:48:35,660
Hey!
1212
00:48:35,660 --> 00:48:39,290
♪ Can't wait to taste
your skin ♪
1213
00:48:39,290 --> 00:48:40,910
♪ Baby ♪
1214
00:48:40,910 --> 00:48:42,330
♪ No, no, no,
no, no, no ♪
1215
00:48:42,330 --> 00:48:45,250
♪ And these eyes ♪
1216
00:48:45,250 --> 00:48:49,090
♪ They can't wait to see
your grin ♪
1217
00:48:49,090 --> 00:48:51,170
♪ Ooh, baby ♪
1218
00:48:51,170 --> 00:48:52,260
Hey!
1219
00:48:52,260 --> 00:48:56,600
♪ Just let my love ♪
1220
00:48:56,600 --> 00:49:00,060
♪ Just let my love
adorn you ♪
1221
00:49:00,060 --> 00:49:02,940
♪ Please, baby ♪
1222
00:49:02,940 --> 00:49:05,940
♪ You gotta know ♪
1223
00:49:05,940 --> 00:49:07,270
♪ You gotta know ♪
1224
00:49:07,270 --> 00:49:11,690
♪ You know
that I adore you ♪
1225
00:49:11,690 --> 00:49:13,280
Yes, Mike!
1226
00:49:13,280 --> 00:49:16,950
♪ Say, baby,
these fists ♪
1227
00:49:16,950 --> 00:49:18,160
♪ Uh ♪
1228
00:49:18,160 --> 00:49:20,660
♪ Will always
protect you ♪
1229
00:49:20,660 --> 00:49:22,120
Whoo!
♪ Yes, they will ♪
1230
00:49:22,120 --> 00:49:24,040
♪ Yes, they will,
yes, they will ♪
1231
00:49:24,040 --> 00:49:28,880
♪ And there's things trying
to break us down ♪
1232
00:49:28,880 --> 00:49:31,760
♪ But don't let that
affect us ♪
1233
00:49:31,760 --> 00:49:34,130
♪ No, baby ♪
1234
00:49:34,130 --> 00:49:37,090
♪ You just got to let my love ♪
1235
00:49:37,090 --> 00:49:39,390
♪ Let my love ♪
1236
00:49:39,390 --> 00:49:42,390
♪ Let my love adorn you ♪
1237
00:49:42,390 --> 00:49:45,640
♪ Ooh,
let it dress you down ♪
1238
00:49:45,640 --> 00:49:48,400
♪ You gotta know ♪
1239
00:49:48,400 --> 00:49:50,150
♪ You gotta know ♪
1240
00:49:50,150 --> 00:49:53,650
♪ You know that I adore you ♪
1241
00:49:53,650 --> 00:49:55,820
♪ Just that, babe ♪
1242
00:49:55,820 --> 00:49:59,200
♪ Oh, yeah ♪
1243
00:49:59,200 --> 00:50:04,250
♪ The same way that the stars
adorn the skies, yeah ♪
1244
00:50:04,250 --> 00:50:06,330
♪ Look up, sugar ♪
1245
00:50:06,330 --> 00:50:09,130
♪ Now, hey, hey, hey ♪
1246
00:50:09,130 --> 00:50:14,340
♪ Ooh, the same way that my
whole world's in your eyes ♪
1247
00:50:14,340 --> 00:50:17,010
♪ Ooh, and this time now ♪
1248
00:50:17,010 --> 00:50:21,260
♪ Just le‐e‐e‐e‐t ♪
1249
00:50:21,260 --> 00:50:24,430
♪ My love adorn you ♪
1250
00:50:24,430 --> 00:50:28,440
♪ Ooh, let it
dress you down ♪
1251
00:50:28,440 --> 00:50:33,150
♪ You gotta know ♪
1252
00:50:33,150 --> 00:50:36,150
♪ Know that I adore you ♪
1253
00:50:36,150 --> 00:50:41,240
♪ Ooh, love ain't never looked
so good on ya ♪
1254
00:50:43,870 --> 00:50:51,790
♪ Let my love adorn you ♪
1255
00:50:51,790 --> 00:50:54,880
Yeah!
1256
00:50:54,880 --> 00:50:56,220
Yeah!
1257
00:50:56,220 --> 00:50:59,220
♪♪♪
1258
00:50:59,220 --> 00:51:00,470
Nick: Killed it, dude.
1259
00:51:00,470 --> 00:51:02,720
Yes! Yes!
1260
00:51:02,720 --> 00:51:05,060
Yes, yes, yes!
That was really good.
1261
00:51:05,060 --> 00:51:06,890
What are you gonna do?
1262
00:51:06,890 --> 00:51:09,480
I don't know!
1263
00:51:09,480 --> 00:51:11,900
Nick: Mike! Zach!
1264
00:51:11,900 --> 00:51:14,360
Wow, that was a true battle.
1265
00:51:14,360 --> 00:51:15,990
I mean, I know you guys might be
friends now,
1266
00:51:15,990 --> 00:51:17,240
but that seemed like you were
both just
1267
00:51:17,240 --> 00:51:19,070
one‐upping each other
at every turn,
1268
00:51:19,070 --> 00:51:20,740
and it was exhilarating
to watch.
Yeah.
1269
00:51:20,740 --> 00:51:22,240
And also ‐‐
[ Cheers and applause ]
1270
00:51:22,240 --> 00:51:23,280
Thank you.
1271
00:51:23,280 --> 00:51:24,870
Also, shockingly confident.
1272
00:51:24,870 --> 00:51:27,080
Yeah.
And I don't know
1273
00:51:27,080 --> 00:51:29,420
what I would do
if I was John right now.
1274
00:51:29,420 --> 00:51:31,920
Why did you do this?
1275
00:51:31,920 --> 00:51:34,000
Like, there's ‐‐ Why did you put
both of these guys ‐‐
1276
00:51:34,000 --> 00:51:36,090
I have an embarrassment
of riches on my team.
1277
00:51:36,090 --> 00:51:39,380
You both have
a really incredible gift
1278
00:51:39,380 --> 00:51:40,510
at being intricate.
1279
00:51:40,510 --> 00:51:42,090
You were feeling yourself.
1280
00:51:42,090 --> 00:51:43,430
You were confidently ‐‐
I like it.
1281
00:51:43,430 --> 00:51:45,060
Confidence is awesome.
1282
00:51:45,060 --> 00:51:46,520
I will say, Zach,
you open your mouth,
1283
00:51:46,520 --> 00:51:48,890
and I'm just like,
"Wait, what?"
1284
00:51:48,890 --> 00:51:50,770
I just
don't expect the sound
1285
00:51:50,770 --> 00:51:52,860
to come out of you
that comes out of you.
1286
00:51:52,860 --> 00:51:54,270
But, Mike, oh, my gosh.
1287
00:51:54,270 --> 00:51:57,030
You were like, "Yes, ma'am,
I'm looking right at you."
1288
00:51:57,030 --> 00:51:59,240
And you were fearless
with it.
1289
00:51:59,240 --> 00:52:01,450
Like, "I will win
this staring contest."
1290
00:52:01,450 --> 00:52:02,870
I was looking ‐‐
[ Laughter ]
1291
00:52:02,870 --> 00:52:04,240
Whew, you're both gifted.
1292
00:52:04,240 --> 00:52:05,330
I don't have a favorite.
1293
00:52:05,330 --> 00:52:07,490
You guys are no help to me.
1294
00:52:07,490 --> 00:52:09,960
I know how John feels
right now
1295
00:52:09,960 --> 00:52:11,870
because sometimes you're in
this situation,
1296
00:52:11,870 --> 00:52:13,540
and there's a little part of me
that's like,
1297
00:52:13,540 --> 00:52:15,460
"I hope one of them screws up
a little bit,"
1298
00:52:15,460 --> 00:52:17,250
so it makes the decision
a lot easier.
1299
00:52:17,250 --> 00:52:18,960
Makes it easier,
makes it easier.
Right, right.
1300
00:52:18,960 --> 00:52:20,970
And, you guys, neither one of
you screwed up a little bit.
1301
00:52:20,970 --> 00:52:22,470
You know,
I feel like Mike ‐‐
1302
00:52:22,470 --> 00:52:25,430
the different places he can go
in his voice
1303
00:52:25,430 --> 00:52:27,470
and technically the things
that he can do,
1304
00:52:27,470 --> 00:52:29,310
it's overwhelming.
1305
00:52:29,310 --> 00:52:31,310
But when you have an artist
like Zach,
1306
00:52:31,310 --> 00:52:33,480
who basically came out here
and just kind of
1307
00:52:33,480 --> 00:52:36,230
kicked the door down and sang
the hell out of a song,
1308
00:52:36,230 --> 00:52:37,980
that's impressive.
1309
00:52:37,980 --> 00:52:41,110
So I‐I really do think it's just
finding what lane
1310
00:52:41,110 --> 00:52:43,160
is m‐maybe a little more open
on your team...
1311
00:52:43,160 --> 00:52:45,490
Mm‐hmm.
...and that's maybe who you
go with, I don't know.
1312
00:52:45,490 --> 00:52:48,040
Daly: Thank you, Coaches.
Thank you.
1313
00:52:48,040 --> 00:52:50,160
Alright, Johnny, give us some
thoughts before you tell us
1314
00:52:50,160 --> 00:52:51,910
who won.
Well, it's so interesting
1315
00:52:51,910 --> 00:52:54,420
because everyone's like,
"Oh, they look so confident,"
1316
00:52:54,420 --> 00:52:56,130
and remember
what we talked about.
1317
00:52:56,130 --> 00:52:57,960
I was a little concerned
you guys weren't giving me
1318
00:52:57,960 --> 00:53:01,510
that confidence, and Miguel ‐‐
he's sexy. He's got swagger.
1319
00:53:01,510 --> 00:53:02,590
I was sitting at the Grammys,
1320
00:53:02,590 --> 00:53:04,340
watching him perform it,
and like ‐‐
1321
00:53:04,340 --> 00:53:06,260
Ooh, me too.
Yeah, it was just incredible.
1322
00:53:06,260 --> 00:53:09,010
We have certain expectations
that this song needs to be
1323
00:53:09,010 --> 00:53:11,930
delivered convincingly,
and, wow,
1324
00:53:11,930 --> 00:53:13,600
you guys delivered it
convincingly.
1325
00:53:13,600 --> 00:53:15,190
Like, no question about it.
1326
00:53:15,190 --> 00:53:16,610
Thanks.
Thanks, John.
1327
00:53:16,610 --> 00:53:19,190
And you made my decision
exceptionally difficult.
1328
00:53:19,190 --> 00:53:20,980
Sucky.
It sucks.
1329
00:53:20,980 --> 00:53:22,280
Yeah.
It's sucky.
1330
00:53:22,280 --> 00:53:24,150
Sucky, yeah.
Sucky, sucky.
1331
00:53:24,150 --> 00:53:25,610
Daly: Alright, John,
I know you love them both,
1332
00:53:25,610 --> 00:53:27,530
but who is the winner
of this battle?
1333
00:53:27,530 --> 00:53:32,040
I'm going to make my decision
just based on, like,
1334
00:53:32,040 --> 00:53:37,540
an edge that I feel one of you
has when it comes to a tone
1335
00:53:37,540 --> 00:53:41,630
that I enjoy listening to
and just appeals to me by a hair
1336
00:53:41,630 --> 00:53:46,220
just slightly more because
nothing else really separated
1337
00:53:46,220 --> 00:53:48,510
you guys that much.
1338
00:53:48,510 --> 00:53:51,180
The winner of this battle
is Mike.
1339
00:53:51,180 --> 00:53:54,390
Daly:
Mike, congratulations.
1340
00:53:54,390 --> 00:53:56,150
You're moving on to
the knockouts.
1341
00:53:56,150 --> 00:53:57,900
[ Cheers and applause ]
1342
00:53:57,900 --> 00:53:59,230
Come here.
Thank you.
1343
00:53:59,230 --> 00:54:00,400
So good, so good.
1344
00:54:00,400 --> 00:54:02,650
John:
Mike just sounded perfect.
1345
00:54:02,650 --> 00:54:06,070
His voice sounded cool.
He was performing with swagger.
1346
00:54:06,070 --> 00:54:09,660
And everything that I was
missing in our early rehearsals,
1347
00:54:09,660 --> 00:54:13,290
he gave me that and more
in this performance.
1348
00:54:13,290 --> 00:54:15,000
Mike: Oh, my gosh.
Whoo!
1349
00:54:15,000 --> 00:54:16,420
I'm overwhelmed with joy.
1350
00:54:16,420 --> 00:54:18,500
I'm just happy to be going on
to the next round,
1351
00:54:18,500 --> 00:54:21,590
and I just can't wait
to get up there and do it again.
1352
00:54:21,590 --> 00:54:24,210
Coaches, let me remind
you that Zach is available
to steal or save.
1353
00:54:24,210 --> 00:54:26,260
Zach, what would you like to say
to your coach?
1354
00:54:26,260 --> 00:54:28,550
Oh, I just want to say thank you
so much for this opportunity.
1355
00:54:28,550 --> 00:54:30,600
Thank you.
This little gay boy
from Kentucky
1356
00:54:30,600 --> 00:54:33,100
and, like, having to come up
here and sing this Miguel song,
1357
00:54:33,100 --> 00:54:35,100
you know what I mean?
Like, that takes a lot of work.
1358
00:54:35,100 --> 00:54:36,940
You nailed it.
And I'm just really proud of
myself, and I'm so happy.
1359
00:54:36,940 --> 00:54:38,600
You should be.
Thank you.
1360
00:54:38,600 --> 00:54:40,440
Give it up for Zach Day!
1361
00:54:40,440 --> 00:54:42,440
Thank you.
1362
00:54:42,440 --> 00:54:44,530
Blake: I thought Mike and Zach
had an amazing performance.
1363
00:54:44,530 --> 00:54:46,360
There's no question about it,
1364
00:54:46,360 --> 00:54:49,110
but musically, I don't know
how much I would connect with
1365
00:54:49,110 --> 00:54:51,490
either one of the two of them,
to be honest with you,
1366
00:54:51,490 --> 00:54:53,330
and that's why
I didn't use a steal.
1367
00:54:53,330 --> 00:54:56,710
Blake just picks one word and
sticks with it and repeats it.
1368
00:54:56,710 --> 00:54:58,710
Every permutation
of that word.
1369
00:54:58,710 --> 00:55:01,210
Sucky.
Sucky.
1370
00:55:01,210 --> 00:55:02,590
Suckalicious.
Yeah.
1371
00:55:02,590 --> 00:55:03,960
Sucktacular.
1372
00:55:03,960 --> 00:55:05,710
Suckle.
Succulent.
1373
00:55:05,710 --> 00:55:07,380
Ooh, I love a succulent.
1374
00:55:07,380 --> 00:55:09,380
[ Laughter ]
1375
00:55:09,380 --> 00:55:10,640
Daly: Coming up...
1376
00:55:10,640 --> 00:55:13,310
♪ How will I know ♪
1377
00:55:13,310 --> 00:55:14,720
Allegra: Yeah.
1378
00:55:14,720 --> 00:55:17,140
Oh, my gosh!
That was so good!
1379
00:55:17,140 --> 00:55:19,480
You two
were so fun to watch.
1380
00:55:19,480 --> 00:55:21,480
I'm trying to figure out
why you're not on my team.
1381
00:55:21,480 --> 00:55:23,320
You didn't push your button.
That was the reason.
1382
00:55:23,320 --> 00:55:24,730
Chair burn.
1383
00:55:24,730 --> 00:55:27,610
Daly: There it is!
The save!
1384
00:55:34,120 --> 00:55:34,160
.
1385
00:55:35,410 --> 00:55:35,870
♪ This is "The Voice" ♪
1386
00:55:36,620 --> 00:55:38,330
Daly:
Welcome back to the battles.
1387
00:55:38,330 --> 00:55:41,000
How's Nick Jonas, the newbie,
doing, Kel?
1388
00:55:41,000 --> 00:55:42,960
Well, y'all don't see him,
but he is real funny
1389
00:55:42,960 --> 00:55:45,090
with his facial expressions
while y'all are talking,
1390
00:55:45,090 --> 00:55:47,130
especially when you start
to not make sense specifically.
1391
00:55:47,130 --> 00:55:49,470
He looks down
and he is just like, "What?"
1392
00:55:49,470 --> 00:55:51,300
Is he judging us?
He is so judging.
1393
00:55:51,300 --> 00:55:53,010
Oh, man.
No, he's ‐‐ He's funny.
1394
00:55:53,010 --> 00:55:54,640
Well, I'm ‐‐
I'm grateful to him
1395
00:55:54,640 --> 00:55:57,140
because he had a four‐chair turn
named Joanna.
1396
00:55:57,140 --> 00:55:59,180
That was crazy, yeah.
1397
00:55:59,180 --> 00:56:01,190
He didn't pick her.
She's on my team, so...
Well, there you go.
1398
00:56:01,190 --> 00:56:04,150
I don't think Nick
has really gotten a grasp.
1399
00:56:04,150 --> 00:56:06,360
He is a great guy.
He's a great artist.
1400
00:56:06,360 --> 00:56:08,320
He is a sucky coach.
1401
00:56:08,320 --> 00:56:10,030
And so are you,
and so are you.
1402
00:56:10,030 --> 00:56:11,660
[ Laughter ]
1403
00:56:11,660 --> 00:56:14,490
Bebe: This is Jamal and ‐‐
Blake: Oh, this is ‐‐
1404
00:56:14,490 --> 00:56:16,830
Levi. Levi's like 14.
1405
00:56:16,830 --> 00:56:18,370
Oh, my God.
He's your age.
1406
00:56:18,370 --> 00:56:19,660
Yes.
Oh, my gosh.
1407
00:56:19,660 --> 00:56:21,160
[ Laughs ]
1408
00:56:21,160 --> 00:56:22,670
Get in here, boys.
1409
00:56:22,670 --> 00:56:24,790
What's up?
How you doing?
1410
00:56:24,790 --> 00:56:28,340
Levi: It was so cool seeing
Bebe Rexha there 'cause, like,
1411
00:56:28,340 --> 00:56:31,340
you just walk in and there's
so much talent in that room.
1412
00:56:31,340 --> 00:56:33,050
Nice to meet you.
Nice to meet you.
1413
00:56:33,050 --> 00:56:35,350
Okay, you're cute. Hi.
Oh, my God, hi, Levi.
1414
00:56:35,350 --> 00:56:37,060
Jamal: That was awesome.
1415
00:56:37,060 --> 00:56:38,220
To have someone like Bebe Rexha
say that you're cute,
1416
00:56:38,220 --> 00:56:40,230
I was super like, "Oh, okay.
1417
00:56:40,230 --> 00:56:41,690
Oh, alright. Alright, thanks."
1418
00:56:41,690 --> 00:56:43,560
I felt kind of cool
for a moment.
1419
00:56:43,560 --> 00:56:46,190
Can I tell you a little story?
You might find this interesting.
1420
00:56:46,190 --> 00:56:48,190
Yeah, yeah.
So, in our first
executive audition,
1421
00:56:48,190 --> 00:56:49,820
I wanted to warm up.
1422
00:56:49,820 --> 00:56:51,650
You know, everyone was nervous,
and I got my guitar,
1423
00:56:51,650 --> 00:56:53,570
and I was like, "Would anyone
like to sing 'Perfect' with me?"
1424
00:56:53,570 --> 00:56:55,200
And he was like,
"Yeah, I'll sing."
1425
00:56:55,200 --> 00:56:58,740
♪ I'm dancing in the dark ♪
1426
00:56:58,740 --> 00:57:00,450
And then when him and I sang,
I said,
1427
00:57:00,450 --> 00:57:02,000
"Oh, man, we're gonna be
onstage."
1428
00:57:02,000 --> 00:57:03,370
Oh, wow.
And I couldn't believe
1429
00:57:03,370 --> 00:57:05,170
when they ch‐‐
Yes, it was crazy.
1430
00:57:05,170 --> 00:57:06,710
It was cool.
Levi:
First time we sang together,
1431
00:57:06,710 --> 00:57:08,710
he was like, "Bro, if we ‐‐
1432
00:57:08,710 --> 00:57:11,550
if we make it past blinds,
then I think they'll pair us
1433
00:57:11,550 --> 00:57:13,090
for battles."
1434
00:57:13,090 --> 00:57:16,050
Woman: Jamal Corrie,
you're battling Levi Watkins.
1435
00:57:16,050 --> 00:57:17,680
I knew it.
I knew it.
1436
00:57:17,680 --> 00:57:20,720
I'm not psychic by any means,
but you can just see, like,
1437
00:57:20,720 --> 00:57:23,190
right off the bat, we connected.
1438
00:57:23,190 --> 00:57:25,730
I kind of see him
like my brother in a way.
1439
00:57:25,730 --> 00:57:27,860
I can't help it.
My brothers are younger.
1440
00:57:27,860 --> 00:57:30,190
I have a 16‐year‐old
and a 12‐year‐old brother
1441
00:57:30,190 --> 00:57:31,740
who's about to turn 13.
1442
00:57:31,740 --> 00:57:34,570
Right now, I help take care of
my brothers and my mom
1443
00:57:34,570 --> 00:57:38,620
because she has many
disabilities.
1444
00:57:38,620 --> 00:57:41,790
Using music to support
my family, it's something that
1445
00:57:41,790 --> 00:57:45,120
impassions my life and gives it
meaning and purpose.
1446
00:57:45,120 --> 00:57:48,630
♪ It'll be alright ♪
1447
00:57:48,630 --> 00:57:51,760
[ Cheers and applause ]
1448
00:57:51,760 --> 00:57:54,300
I hit my button for you
'cause I believe in you
1449
00:57:54,300 --> 00:57:55,760
and I believe
you got talent.
1450
00:57:55,760 --> 00:57:58,220
When Blake turned for me,
I was so close to crying
1451
00:57:58,220 --> 00:58:00,600
because he really gave me
that opportunity
1452
00:58:00,600 --> 00:58:03,430
to take my career
another step forward
1453
00:58:03,430 --> 00:58:05,770
and to provide for myself
and for my family.
1454
00:58:05,770 --> 00:58:07,770
Wait.
Where are you guys from?
1455
00:58:07,770 --> 00:58:10,440
Birmingham, Alabama.
Oh, my God. I love it there.
1456
00:58:10,440 --> 00:58:12,650
How do you like L. A.?
It's pretty cool.
1457
00:58:12,650 --> 00:58:15,150
Um, it's really dry,
1458
00:58:15,150 --> 00:58:18,320
and, um, there's no plastic
out here.
1459
00:58:18,320 --> 00:58:21,330
Like, they use paper straws.
[ Laughs ]
1460
00:58:21,330 --> 00:58:24,500
L. A.'s really different
from Birmingham because usually
1461
00:58:24,500 --> 00:58:28,580
at home I'd work at my dad's
Popsicle shop, actually.
1462
00:58:28,580 --> 00:58:32,300
He makes gourmet Popsicles
with all‐natural ingredients.
1463
00:58:32,300 --> 00:58:34,260
I don't eat a lot of
the Popsicles, though,
1464
00:58:34,260 --> 00:58:37,430
because I'm a type 1 diabetic,
but when I do,
1465
00:58:37,430 --> 00:58:40,350
I go all out
with the most sugar I can,
1466
00:58:40,350 --> 00:58:42,760
and that's like once a year.
1467
00:58:42,760 --> 00:58:45,600
This experience has been crazy.
1468
00:58:45,600 --> 00:58:48,690
Like, on the day of the blind
audition, I was so nervous.
1469
00:58:48,690 --> 00:58:52,480
My legs were shaking so bad.
1470
00:58:52,480 --> 00:58:54,320
When I saw
Mr. Blake's chair turn,
1471
00:58:54,320 --> 00:58:57,360
I was like, "I made it."
1472
00:58:57,360 --> 00:58:58,660
It was so cool.
1473
00:58:58,660 --> 00:59:00,160
Blake: When you guys
didn't turn around,
1474
00:59:00,160 --> 00:59:02,740
it was the worst move
1475
00:59:02,740 --> 00:59:05,370
of your entire "Voice" careers,
all of you.
1476
00:59:05,370 --> 00:59:08,330
I'm so grateful because it just
shows that he really believed
1477
00:59:08,330 --> 00:59:10,670
in what I could do,
and so I really want to show
1478
00:59:10,670 --> 00:59:13,460
that it was worth it.
1479
00:59:13,460 --> 00:59:14,840
Well,
let's do some music.
1480
00:59:14,840 --> 00:59:16,550
I love this song, you guys.
1481
00:59:16,550 --> 00:59:18,510
♪ Old,
but I'm not that old ♪
1482
00:59:18,510 --> 00:59:20,390
♪ I'm young,
but I'm not that bold ♪
1483
00:59:20,390 --> 00:59:21,720
♪ I don't think
the world is sold ♪
1484
00:59:21,720 --> 00:59:23,350
Blake: Levi and Jamal
are gonna be singing
1485
00:59:23,350 --> 00:59:25,350
"Counting Stars" by OneRepublic.
1486
00:59:25,350 --> 00:59:27,730
You know, both of these guys
have a pop edge,
1487
00:59:27,730 --> 00:59:30,480
but they kind of have
rock‐sounding voices,
1488
00:59:30,480 --> 00:59:32,400
and that's why this song is
perfect for them.
1489
00:59:32,400 --> 00:59:34,520
♪ I‐I‐I ♪
1490
00:59:34,520 --> 00:59:36,860
♪ Feel something so right,
doing the wrong thing ♪
1491
00:59:36,860 --> 00:59:38,860
Jamal is not afraid to go
for the big notes.
1492
00:59:38,860 --> 00:59:41,200
If he can hear the note,
he's gonna try to sing it.
1493
00:59:41,200 --> 00:59:42,870
That's what I respect
about his singing.
1494
00:59:42,870 --> 00:59:45,040
Hey, Jamal, I‐I know you're
hitting the notes.
1495
00:59:45,040 --> 00:59:47,870
Yeah.
There's got to be
a way for it to feel...
1496
00:59:47,870 --> 00:59:50,250
Less forced.
...like ‐‐ Exactly.
1497
00:59:50,250 --> 00:59:52,250
You need to, like, sing it in,
like, a very loose way.
1498
00:59:52,250 --> 00:59:54,880
Breath is just
very important there.
Mm‐hmm.
1499
00:59:54,880 --> 00:59:58,260
Jamal: To be coached by the best
in the business was awesome
1500
00:59:58,260 --> 01:00:00,380
because when you have
an environment
1501
01:00:00,380 --> 01:00:02,890
that puts so much stress on you
and you have so many
1502
01:00:02,890 --> 01:00:06,010
professional people around you,
it really forces you to go from
1503
01:00:06,010 --> 01:00:09,890
being a rock
to a polished diamond.
1504
01:00:09,890 --> 01:00:12,440
Levi, I can tell already
that you have a lower range,
1505
01:00:12,440 --> 01:00:14,270
but it's so beautiful.
1506
01:00:14,270 --> 01:00:16,900
But the verse feels too low
to me.
1507
01:00:16,900 --> 01:00:19,280
Can you go into falsetto though?
Uh...
1508
01:00:19,280 --> 01:00:21,610
[ Vocalizes ]
1509
01:00:21,610 --> 01:00:24,450
[ Vocalizes,
voice cracks ]
1510
01:00:24,450 --> 01:00:26,660
No, he can't.
You know, he's in that stage.
1511
01:00:26,660 --> 01:00:29,410
Yeah, yeah.
He needs to be an octave up.
1512
01:00:29,410 --> 01:00:32,420
Try it again. If you crack, then
you can ‐‐ we can go from there.
1513
01:00:32,420 --> 01:00:34,420
Yeah.
♪ And, baby, I've been ♪
1514
01:00:34,420 --> 01:00:36,590
♪ I've been
praying hard ♪
1515
01:00:36,590 --> 01:00:38,630
♪ Said no more
counting dollars ♪
Yes!
1516
01:00:38,630 --> 01:00:41,260
Levi: It's intimidating
to go up against Jamal.
1517
01:00:41,260 --> 01:00:43,050
He's got
a very impressive range,
1518
01:00:43,050 --> 01:00:46,560
and I'm this little kid
whose voice hasn't matured
1519
01:00:46,560 --> 01:00:48,470
to its full potential,
I don't think yet.
1520
01:00:48,470 --> 01:00:50,560
♪ Sink in the river
the lessons I learned ♪
1521
01:00:50,560 --> 01:00:52,600
Whoo! That ending.
Whoa.
1522
01:00:52,600 --> 01:00:54,600
Yeah.
Hold up a minute, Levi.
1523
01:00:54,600 --> 01:00:56,310
Yes.
Why can't you sing like that?
1524
01:00:56,310 --> 01:00:57,820
That last chorus,
do it like that.
1525
01:00:57,820 --> 01:00:59,610
Every time.
Yeah.
1526
01:00:59,610 --> 01:01:02,490
When Levi jumped the octave,
it was like the "aha" moment.
1527
01:01:02,490 --> 01:01:03,950
It was so good.
1528
01:01:03,950 --> 01:01:05,950
I just can't believe
that he's a 14‐year‐old.
1529
01:01:05,950 --> 01:01:07,660
Probably felt like you were
hitting something
1530
01:01:07,660 --> 01:01:10,700
that you don't normally go for,
but trust me.
1531
01:01:10,700 --> 01:01:13,080
It's really good when your voice
starts to shred it.
1532
01:01:13,080 --> 01:01:15,500
♪ Lately I've been ♪
1533
01:01:15,500 --> 01:01:17,630
♪ Lately I've been ♪
1534
01:01:17,630 --> 01:01:19,340
Is that it?
1535
01:01:19,340 --> 01:01:21,460
I was only impersonating him
'cause he's from Birmingham.
1536
01:01:21,460 --> 01:01:23,510
Uh‐huh, yeah.
Yeah, yeah, yeah.
1537
01:01:23,510 --> 01:01:26,800
Just keep in mind
"I'm singing to people."
1538
01:01:26,800 --> 01:01:30,350
Don't just be, you know,
statue guy standing there.
1539
01:01:30,350 --> 01:01:31,980
The thing
that he has on you ‐‐
1540
01:01:31,980 --> 01:01:34,350
his range is way up there,
you know?
1541
01:01:34,350 --> 01:01:35,980
Yeah.
And so that's what's gonna
1542
01:01:35,980 --> 01:01:37,860
make this a‐a fun battle.
1543
01:01:37,860 --> 01:01:39,690
The only person it's gonna suck
for is me
1544
01:01:39,690 --> 01:01:41,650
'cause I got to figure this out,
you know?
1545
01:01:41,650 --> 01:01:43,360
Good luck to you on
figuring this one out.
Yeah, right. I know.
1546
01:01:43,360 --> 01:01:44,950
This sucks.
1547
01:01:44,950 --> 01:01:47,320
You know, both of these guys
are kind of pushed out of
1548
01:01:47,320 --> 01:01:50,910
their comfort zone as far as
the key, as far as the range.
1549
01:01:50,910 --> 01:01:53,330
Thanks, Blake.
So whichever one of these guys
1550
01:01:53,330 --> 01:01:56,670
can step up to the plate
and s‐sound comfortable
1551
01:01:56,670 --> 01:01:59,500
singing the song is probably
gonna be the one that wins.
1552
01:01:59,500 --> 01:02:00,840
You did really good.
I'm proud of you.
1553
01:02:00,840 --> 01:02:02,590
I'm really proud of you.
That's great.
1554
01:02:10,060 --> 01:02:10,100
.
1555
01:02:11,140 --> 01:02:11,560
♪ This is "The Voice" ♪
1556
01:02:12,390 --> 01:02:14,560
Daly: Welcome back.
1557
01:02:14,560 --> 01:02:17,230
[ Cheers and applause ]
1558
01:02:17,230 --> 01:02:18,560
Team Blake!
1559
01:02:18,560 --> 01:02:21,320
Team Blake!
You ready?
1560
01:02:21,320 --> 01:02:23,440
Let's bring it, bro!
1561
01:02:24,360 --> 01:02:26,860
[ Laughs ]
1562
01:02:26,860 --> 01:02:27,860
Nice.
1563
01:02:27,860 --> 01:02:30,450
This battle starts right now.
1564
01:02:30,450 --> 01:02:32,950
♪♪♪
1565
01:02:32,950 --> 01:02:35,750
♪ Lately, I've been ♪
1566
01:02:35,750 --> 01:02:38,750
♪ I've been losing sleep ♪
1567
01:02:38,750 --> 01:02:43,420
♪ Dreaming about the things
that we could be ♪
1568
01:02:43,420 --> 01:02:46,550
What?!
♪ Baby, I've been ♪
1569
01:02:46,550 --> 01:02:49,260
♪ I've been praying hard ♪
1570
01:02:49,260 --> 01:02:51,890
♪ Said no more
counting dollars ♪
1571
01:02:51,890 --> 01:02:55,770
♪ We'll be counting stars ♪
1572
01:02:55,770 --> 01:03:00,060
♪ Yeah, we'll be
counting stars ♪
1573
01:03:00,060 --> 01:03:01,400
Yes!
1574
01:03:04,110 --> 01:03:06,900
Oh, my God!
Alright!
1575
01:03:06,900 --> 01:03:09,280
Unh, yeah!
1576
01:03:09,280 --> 01:03:11,780
♪ I see this life
like a swingin' vine ♪
1577
01:03:11,780 --> 01:03:13,830
♪ I swing my heart across
the line ♪
1578
01:03:13,830 --> 01:03:15,830
♪ In my face there's
flashing signs ♪
1579
01:03:15,830 --> 01:03:17,580
♪ Seek it out
and ye shall find ♪
1580
01:03:17,580 --> 01:03:19,790
♪ I'm old,
but I'm not that old ♪
1581
01:03:19,790 --> 01:03:21,630
♪ Young,
but I'm not that bold ♪
1582
01:03:21,630 --> 01:03:23,800
♪ And I don't think the world
is sold ♪
1583
01:03:23,800 --> 01:03:25,630
♪ I'm just doing
what we're told ♪
1584
01:03:25,630 --> 01:03:30,090
♪ I‐I‐I feel
something so right ♪
1585
01:03:30,090 --> 01:03:33,810
♪ By doing
the wrong thing ♪
1586
01:03:33,810 --> 01:03:38,310
♪ And I‐I‐I‐I
feel something so wrong ♪
1587
01:03:38,310 --> 01:03:41,810
♪ By doing the right thing ♪
1588
01:03:41,810 --> 01:03:45,480
♪ I couldn't lie, couldn't lie,
couldn't lie ♪
1589
01:03:45,480 --> 01:03:48,320
♪ Everything that kills me ♪
1590
01:03:48,320 --> 01:03:49,650
♪ Makes me feel alive ♪
1591
01:03:49,650 --> 01:03:51,450
♪ Lately, I've been ♪
1592
01:03:51,450 --> 01:03:53,620
♪ I've been losing sleep ♪
1593
01:03:53,620 --> 01:03:56,830
♪ Dreaming about the things
that we could be ♪
1594
01:03:56,830 --> 01:03:58,960
♪ Oh, but, baby,
I've been ♪
1595
01:03:58,960 --> 01:04:01,500
♪ I've been praying hard ♪
1596
01:04:01,500 --> 01:04:03,000
♪ Said no more
counting dollars ♪
1597
01:04:03,000 --> 01:04:04,420
♪ We'll be ♪
1598
01:04:04,420 --> 01:04:08,840
♪ We'll be
counting stars ♪
1599
01:04:08,840 --> 01:04:10,680
♪ Take that money,
watch it burn ♪
1600
01:04:10,680 --> 01:04:12,840
♪ Sink in the river the lessons
I learned ♪
1601
01:04:12,840 --> 01:04:14,850
♪ Take that money,
watch it burn ♪
1602
01:04:14,850 --> 01:04:16,770
♪ Sink in the rivers
the lessons I learned ♪
1603
01:04:16,770 --> 01:04:18,680
♪ Take that money,
watch it burn ♪
1604
01:04:18,680 --> 01:04:20,690
♪ Sink in the river the lessons
I learned ♪
1605
01:04:20,690 --> 01:04:22,690
♪ Take that money,
watch it burn ♪
1606
01:04:22,690 --> 01:04:26,690
♪ Sink in the river ♪
1607
01:04:26,690 --> 01:04:28,690
♪ Lately, I've been ♪
1608
01:04:28,690 --> 01:04:30,860
♪ I've been
losing sleep ♪
1609
01:04:30,860 --> 01:04:34,530
♪ Dreaming about the things
that we could be ♪
1610
01:04:34,530 --> 01:04:36,580
♪ And, baby, I've been ♪
1611
01:04:36,580 --> 01:04:38,580
♪ I've been praying hard ♪
1612
01:04:38,580 --> 01:04:40,460
♪ Said no more
counting dollars ♪
1613
01:04:40,460 --> 01:04:44,380
♪ We'll be
counting stars ♪
1614
01:04:44,380 --> 01:04:46,040
♪ Take that money,
watch it burn ♪
1615
01:04:46,040 --> 01:04:48,380
♪ Sink in the river the lessons
I learned ♪
1616
01:04:48,380 --> 01:04:50,130
♪ Take that money,
watch it burn ♪
1617
01:04:50,130 --> 01:04:52,840
♪ Sink in the river the lessons
I learned ♪
1618
01:04:52,840 --> 01:04:54,720
[ Cheers and applause ]
1619
01:04:54,720 --> 01:04:56,890
Yeah!
1620
01:04:56,890 --> 01:04:58,560
Wow.
1621
01:04:58,560 --> 01:05:00,730
I love you, man.
I love you.
1622
01:05:00,730 --> 01:05:02,850
Whoo!
1623
01:05:02,850 --> 01:05:05,230
You two were so fun to watch.
1624
01:05:05,230 --> 01:05:06,980
Both: Thank you.
1625
01:05:06,980 --> 01:05:12,490
Jamal, what I liked about
your voice was your higher end
1626
01:05:12,490 --> 01:05:14,240
and some of those notes
you were hitting,
1627
01:05:14,240 --> 01:05:16,570
but I‐I felt like there was
a lot of imprecision.
1628
01:05:16,570 --> 01:05:18,790
And, Levi, wow.
1629
01:05:18,790 --> 01:05:21,200
Hearing somebody
with your low range
1630
01:05:21,200 --> 01:05:23,750
is already pretty stunning,
and then it makes you think,
1631
01:05:23,750 --> 01:05:25,580
"Well, he probably can't hit
any higher notes,"
1632
01:05:25,580 --> 01:05:28,090
but then you hit some
really great high stuff, too,
1633
01:05:28,090 --> 01:05:31,050
and I kept waiting for you
to mess up, honestly,
1634
01:05:31,050 --> 01:05:33,050
because I was like,
"He's a kid.
1635
01:05:33,050 --> 01:05:34,840
He's probably gonna mess
something up."
1636
01:05:34,840 --> 01:05:37,050
And you just ‐‐
He didn't mess up.
1637
01:05:37,050 --> 01:05:38,930
It was, like ‐‐
It was really good.
He didn't mess up.
He didn't mess up.
1638
01:05:38,930 --> 01:05:41,560
Thank you, Mr. John.
I would definitely
1639
01:05:41,560 --> 01:05:43,060
lean toward Levi
for this battle.
1640
01:05:43,060 --> 01:05:44,890
Thank you.
1641
01:05:44,890 --> 01:05:47,610
You know what? I'm actually
kind of mad right now.
1642
01:05:47,610 --> 01:05:50,610
I'm trying to figure out, Levi,
why you're not on my team.
1643
01:05:50,610 --> 01:05:53,440
Oh, I know why. You didn't push
your button for him.
1644
01:05:53,440 --> 01:05:55,610
T‐That ‐‐
Well, here's ‐‐ here's the deal.
1645
01:05:55,610 --> 01:05:57,200
That was the reason.
Chair burn.
1646
01:05:57,200 --> 01:05:59,830
Are you ‐‐ Are you
type 1 diabetic?
Yes, sir, I am.
1647
01:05:59,830 --> 01:06:01,830
Alright, so,
I'm a type 1 diabetic.
1648
01:06:01,830 --> 01:06:03,450
I know.
1649
01:06:03,450 --> 01:06:05,250
And we could've been
diabetic buddies.
1650
01:06:05,250 --> 01:06:07,250
Like a television show ‐‐
"Diabuddies."
1651
01:06:07,250 --> 01:06:09,130
[ Laughter ]
1652
01:06:09,130 --> 01:06:10,800
My point is,
we could have a lot of fun.
1653
01:06:10,800 --> 01:06:12,050
I'm sorry I didn't turn
my chair.
1654
01:06:12,050 --> 01:06:13,130
He was wrong.
I was wrong.
1655
01:06:13,130 --> 01:06:14,130
I was wrong, too, though.
1656
01:06:14,130 --> 01:06:15,260
We were all wrong.
Yes.
1657
01:06:15,260 --> 01:06:16,760
Not you, though, Blake.
1658
01:06:16,760 --> 01:06:18,090
I know you're smiling
over there, smirking.
1659
01:06:18,090 --> 01:06:19,600
I was exactly right.
He was a ‐‐ He's a wise old man.
1660
01:06:19,600 --> 01:06:22,270
Wise old, old, old man.
1661
01:06:22,270 --> 01:06:23,810
[ Laughter ]
That's fair.
1662
01:06:23,810 --> 01:06:25,980
Um, Jamal,
I loved your energy.
1663
01:06:25,980 --> 01:06:28,650
I loved your enthusiasm to get
out here and do your thing,
1664
01:06:28,650 --> 01:06:30,900
and the ‐‐ the friendship
it seems you've built here,
1665
01:06:30,900 --> 01:06:32,820
it's really nice to see.
He got a new little brother.
1666
01:06:32,820 --> 01:06:34,990
I love that.
Sure bet.
1667
01:06:34,990 --> 01:06:36,490
It's kind of like me
and Blake.
1668
01:06:36,490 --> 01:06:38,990
Yeah.
[ Laughter ]
1669
01:06:38,990 --> 01:06:41,200
I want to see that movie.
1670
01:06:41,200 --> 01:06:43,370
He's more of an appendage to me
than a brother.
1671
01:06:43,370 --> 01:06:45,660
Who, me?
So ‐‐ yeah, like a growth.
1672
01:06:45,660 --> 01:06:48,000
A growth.
A growth.
1673
01:06:48,000 --> 01:06:50,670
[ Laughter ]
1674
01:06:50,670 --> 01:06:53,000
You know what? I do feel like
we're shortchanging Jamal
1675
01:06:53,000 --> 01:06:55,840
a tiny bit here because I think
what I loved about listening
1676
01:06:55,840 --> 01:06:57,630
to you is it was
really adventurous.
1677
01:06:57,630 --> 01:06:59,180
I was like, "Ooh, where's
he gonna go?"
1678
01:06:59,180 --> 01:07:01,680
And it wasn't executed
perfectly, but you know what?
1679
01:07:01,680 --> 01:07:04,020
I'd take passion over perfection
every time,
1680
01:07:04,020 --> 01:07:07,190
and I‐I loved your energy, and
I thought it was really good.
1681
01:07:07,190 --> 01:07:09,520
Thank you.
Daly: Thank you, Coaches.
1682
01:07:09,520 --> 01:07:11,310
Alright, Blake, you got
the final decision.
1683
01:07:11,310 --> 01:07:13,980
Give us some thoughts first.
My favorite thing that happened
1684
01:07:13,980 --> 01:07:15,690
was right when
this song started,
1685
01:07:15,690 --> 01:07:18,660
Jamal has this way of performing
where, you know,
1686
01:07:18,660 --> 01:07:21,200
suddenly he's, like, flailing
around and bouncing around
1687
01:07:21,200 --> 01:07:24,080
onstage, and then Levi kind of
looks over and is like,
1688
01:07:24,080 --> 01:07:26,660
"Oh, is that what we're doing?
I'll do it, too."
1689
01:07:26,660 --> 01:07:28,710
It's like ‐‐
That is so true.
1690
01:07:28,710 --> 01:07:31,040
It literally is
the little‐brother thing.
1691
01:07:31,040 --> 01:07:32,880
It's like, "Oh, that's how you
do this."
1692
01:07:32,880 --> 01:07:34,710
[ Laughter ]
1693
01:07:34,710 --> 01:07:39,720
Jamal, you know, I wonder
if that played into
1694
01:07:39,720 --> 01:07:41,890
some of the pitch issues,
the running around,
1695
01:07:41,890 --> 01:07:44,310
and sometimes you get out of
breath, and ‐‐ and it just ‐‐
1696
01:07:44,310 --> 01:07:46,890
it happens, you know, because
I didn't hear it especially
1697
01:07:46,890 --> 01:07:48,850
in our last rehearsal ‐‐
I really felt like
1698
01:07:48,850 --> 01:07:50,400
if that would've been
the performance
1699
01:07:50,400 --> 01:07:52,190
you would've
given up here today,
1700
01:07:52,190 --> 01:07:54,730
you would be hearing
completely different comments
1701
01:07:54,730 --> 01:07:56,190
up and down the line here,
you know.
1702
01:07:56,190 --> 01:07:58,070
Thank you.
Levi, I don't want to keep
1703
01:07:58,070 --> 01:08:00,200
harping on
the 14‐years‐old thing,
1704
01:08:00,200 --> 01:08:03,570
but that just adds to the
impressiveness of what you do.
1705
01:08:03,570 --> 01:08:06,120
Thank you.
Blake, who's the winner
of this battle?
1706
01:08:06,120 --> 01:08:08,250
Uh, well...
1707
01:08:08,250 --> 01:08:10,580
♪♪♪
1708
01:08:10,580 --> 01:08:12,080
...I've got
to make a decision.
1709
01:08:12,080 --> 01:08:15,210
Uh, the winner
of this battle...
1710
01:08:17,260 --> 01:08:18,210
...is Levi.
1711
01:08:18,210 --> 01:08:20,720
Levi!
Congratulations!
1712
01:08:20,720 --> 01:08:22,760
You're moving on to
the knockouts for Team Blake!
1713
01:08:22,760 --> 01:08:24,760
There was a lot about
what Levi does
1714
01:08:24,760 --> 01:08:26,220
that I think we still haven't
heard yet,
1715
01:08:26,220 --> 01:08:27,770
including maybe even him.
1716
01:08:27,770 --> 01:08:29,180
You did it, man.
Congratulations, brother.
1717
01:08:29,180 --> 01:08:30,940
Do it again.
1718
01:08:30,940 --> 01:08:32,770
It's gonna be a lot of fun
to see what he wants to do
1719
01:08:32,770 --> 01:08:34,560
artistically moving forward.
1720
01:08:34,560 --> 01:08:37,070
Levi, great job.
Levi: I'm so grateful for Blake
1721
01:08:37,070 --> 01:08:38,610
and all the coaches
and all their input.
1722
01:08:38,610 --> 01:08:40,280
I just like
being able to perform
1723
01:08:40,280 --> 01:08:43,110
and really hope that I have
more chances to do it.
1724
01:08:43,110 --> 01:08:44,870
Jamal, anything you
want to say to Blake?
1725
01:08:44,870 --> 01:08:48,240
Yes. Um, I just want to say you
were an excellent coach.
1726
01:08:48,240 --> 01:08:49,950
It was incredible working
with you.
1727
01:08:49,950 --> 01:08:51,250
You're great, man.
Thank you so much for having me.
1728
01:08:51,250 --> 01:08:52,250
Yes, sir.
It was really a pleasure.
1729
01:08:52,250 --> 01:08:54,080
You did really well.
1730
01:08:54,080 --> 01:08:56,250
Good luck to you, man.
1731
01:08:56,250 --> 01:08:58,250
Hey, Nick, I noticed that you've
been writing a lot.
1732
01:08:58,250 --> 01:09:00,420
What is this?
Oh, my God!
1733
01:09:00,420 --> 01:09:01,880
What is this?
You've been writing a lot
in your, uh, notepad.
1734
01:09:01,880 --> 01:09:03,930
He brought you a present.
"Top secret."
1735
01:09:03,930 --> 01:09:05,800
Is this for me?
Yes, I got you a notepad.
1736
01:09:05,800 --> 01:09:07,140
That is really cool.
1737
01:09:07,140 --> 01:09:08,930
Some stickers.
I got you some stickers here.
1738
01:09:08,930 --> 01:09:10,930
And I also ‐‐ I put the first
word in there for you,
1739
01:09:10,930 --> 01:09:12,140
which is "stage."
You got it.
1740
01:09:12,140 --> 01:09:13,940
"Stage." Thank you.
You got it, man.
1741
01:09:13,940 --> 01:09:15,810
Thank you so much.
Just in case he forgets.
1742
01:09:15,810 --> 01:09:17,650
You're such a good friend.
You're welcome.
1743
01:09:17,650 --> 01:09:21,150
I mean, Blake Shelton and Nick,
it's a cute bromance.
1744
01:09:21,150 --> 01:09:23,650
So special.
I'm gonna write you
a note right now.
1745
01:09:23,650 --> 01:09:25,780
You're not like an appendage
to me. I only said that.
1746
01:09:25,780 --> 01:09:27,990
You actually said growth.
That's your first word.
1747
01:09:27,990 --> 01:09:29,370
[ Laughter ]
"Growth."
1748
01:09:29,370 --> 01:09:31,290
That's what I thought of, Kelly.
I'm sorry.
1749
01:09:38,090 --> 01:09:38,130
.
1750
01:09:39,340 --> 01:09:39,800
♪ This is "The Voice" ♪
1751
01:09:40,550 --> 01:09:42,340
Daly:
Welcome back to the battles,
1752
01:09:42,340 --> 01:09:44,300
where the Jonas Brothers
prepare to meet the final
pairing of the night.
1753
01:09:44,300 --> 01:09:46,340
Nick: You were a coach
for "The Voice" in Australia,
1754
01:09:46,340 --> 01:09:48,430
now taking up
the mentor/adviser position.
1755
01:09:48,430 --> 01:09:50,260
How's it different?
Less stressful.
1756
01:09:50,260 --> 01:09:53,350
[ Laughs ]
So, good luck, friend.
1757
01:09:53,350 --> 01:09:55,270
There you go.
Thanks.
1758
01:09:55,270 --> 01:09:57,110
Thank you, friend.
Appreciate it.
1759
01:09:57,110 --> 01:09:59,110
So, next we have Michael
and Allegra.
1760
01:09:59,110 --> 01:10:01,360
Michael ‐‐ There was only
one chair turn, just me.
1761
01:10:01,360 --> 01:10:03,530
There was this big, powerful
moment where he went up
1762
01:10:03,530 --> 01:10:05,660
to the higher part of his
register and really delivered.
1763
01:10:05,660 --> 01:10:08,530
I really believed in his voice,
something about it.
1764
01:10:08,530 --> 01:10:10,410
I knew I could help get him
there.
1765
01:10:10,410 --> 01:10:12,410
Allegra blew me away with a
cover of a Kings of Leon song.
1766
01:10:12,410 --> 01:10:14,210
That's awesome.
♪ Ooh ♪
1767
01:10:14,210 --> 01:10:16,870
Just her, a piano,
and she absolutely crushed it.
1768
01:10:16,870 --> 01:10:20,380
Allegra: The blinds was
one of the most incredible
experiences of my life.
1769
01:10:20,380 --> 01:10:22,710
♪ Ooh‐ooh‐ooh‐ooh ♪
1770
01:10:22,710 --> 01:10:24,300
You sounded so incredible.
1771
01:10:24,300 --> 01:10:26,220
That's Nick freakin' Jonas!
1772
01:10:26,220 --> 01:10:27,470
Nick.
Oh!
1773
01:10:27,470 --> 01:10:29,550
It's amazing to be
on Nick's team
1774
01:10:29,550 --> 01:10:33,180
because he's navigated the
waters of starting really young.
1775
01:10:33,180 --> 01:10:35,480
I'm from a tiny island
called St. John
1776
01:10:35,480 --> 01:10:38,560
in the U. S. Virgin Islands.
1777
01:10:38,560 --> 01:10:44,070
In September of 2017,
Irma hit St. John really hard.
1778
01:10:44,070 --> 01:10:47,740
Almost everything was destroyed.
Like, majority of houses.
1779
01:10:47,740 --> 01:10:49,240
Two years later, the community
1780
01:10:49,240 --> 01:10:52,450
has done an incredible job
of rebuilding.
1781
01:10:52,450 --> 01:10:54,450
I'm really grateful
'cause a lot of people here
1782
01:10:54,450 --> 01:10:56,250
are very supportive of my music.
1783
01:10:56,250 --> 01:10:59,380
I really want to win this battle
to make them proud.
1784
01:10:59,380 --> 01:11:01,000
Are they out there?
1785
01:11:01,000 --> 01:11:02,250
You guys gonna go get them?
1786
01:11:02,250 --> 01:11:03,420
Yeah, why not?
Let's go get them.
1787
01:11:03,420 --> 01:11:04,920
I'm tired of waiting.
Yeah.
1788
01:11:04,920 --> 01:11:06,510
It's crazy.
It could be anybody.
1789
01:11:06,510 --> 01:11:07,720
It really could, yeah.
1790
01:11:07,720 --> 01:11:09,090
What's up?
We're waiting in here, guys.
1791
01:11:09,090 --> 01:11:10,340
Hey!
Come on, let's get it going.
1792
01:11:10,340 --> 01:11:11,600
Well, hello, there!
How you doing?
1793
01:11:11,600 --> 01:11:13,560
Oh, my gosh.
It's absolutely insane
1794
01:11:13,560 --> 01:11:16,560
to be on Nick's team ‐‐
obviously crazy enough.
1795
01:11:16,560 --> 01:11:18,060
This is your stage.
What's up?!
1796
01:11:18,060 --> 01:11:19,400
Hello!
What's up?
1797
01:11:19,400 --> 01:11:21,440
But then to hang out
with the Jonas brothers,
1798
01:11:21,440 --> 01:11:24,280
like, I couldn't ‐‐
It was ridiculous.
1799
01:11:24,280 --> 01:11:26,440
How you guys feeling?
A little nervous,
but ready to get to work.
1800
01:11:26,440 --> 01:11:28,450
Nervous.
Don't be nervous.
This is a safe environment.
1801
01:11:28,450 --> 01:11:30,450
Should we all just scream,
like Joe does?
1802
01:11:30,450 --> 01:11:31,780
I love that.
I think that's great.
1803
01:11:31,780 --> 01:11:33,660
Let's do it.
One, two, three.
1804
01:11:33,660 --> 01:11:36,120
[ Screaming ]
1805
01:11:36,120 --> 01:11:38,250
Alright, now you're not nervous.
That was amazing.
1806
01:11:40,040 --> 01:11:42,130
♪ Oh, it's you ♪
1807
01:11:42,130 --> 01:11:44,800
Allegra and Michael are singing
"How Will I Know,"
1808
01:11:44,800 --> 01:11:46,630
originally recorded
by Whitney Houston.
1809
01:11:46,630 --> 01:11:48,800
But I've given them
the Sam Smith version.
1810
01:11:48,800 --> 01:11:52,140
I think it's so tender
and beautiful,
1811
01:11:52,140 --> 01:11:54,470
and I gave it to them so that
they would get in touch
1812
01:11:54,470 --> 01:11:56,810
with those vulnerable parts
of their voice and the emotion.
1813
01:11:56,810 --> 01:11:59,480
♪ Oh, I lose control ♪
1814
01:11:59,480 --> 01:12:01,810
These are two of my younger
pop artists on my team.
1815
01:12:01,810 --> 01:12:04,400
That's why I think it was such
a great thing to pair them,
1816
01:12:04,400 --> 01:12:07,820
and I was right because, wow,
they are incredible together.
1817
01:12:07,820 --> 01:12:11,660
♪ If you love me ♪
1818
01:12:11,660 --> 01:12:13,160
♪ Yeah ♪
1819
01:12:13,160 --> 01:12:15,160
They both can sing so high,
1820
01:12:15,160 --> 01:12:17,200
and they're harmonizing
together.
1821
01:12:17,200 --> 01:12:18,660
There's a little bit of that
Shawn Mendes and Camila Cabello,
1822
01:12:18,660 --> 01:12:21,120
like with them ‐‐
very distinct vocals.
1823
01:12:21,120 --> 01:12:23,170
Can you make them a group?
'Cause I think ‐‐
1824
01:12:23,170 --> 01:12:25,340
I know.
That would be the thing.
1825
01:12:25,340 --> 01:12:26,840
Bam.
Yeah.
1826
01:12:26,840 --> 01:12:29,300
What?!
[ Laughs ]
1827
01:12:29,300 --> 01:12:31,680
The first time you hear
that harmony together,
1828
01:12:31,680 --> 01:12:34,180
it cuts right through
your heart. It's amazing.
1829
01:12:34,180 --> 01:12:36,180
You sound like you've been
singing together for years.
1830
01:12:36,180 --> 01:12:38,640
We were very lucky to be
brothers, so it's easy for us
1831
01:12:38,640 --> 01:12:40,850
to be able to work together
day in and day out,
1832
01:12:40,850 --> 01:12:43,150
and how you figured that out
by yourself,
1833
01:12:43,150 --> 01:12:45,520
that's really impressive,
and just continue that.
1834
01:12:45,520 --> 01:12:47,190
One note for you,
Allegra.
1835
01:12:47,190 --> 01:12:51,360
On that first line...
♪ Oh, I lose control ♪
1836
01:12:51,360 --> 01:12:53,490
...you coming in soft,
it's okay,
1837
01:12:53,490 --> 01:12:55,700
because when you hit
that big note
1838
01:12:55,700 --> 01:12:59,250
on the second half of the first
verse, it's so impressive,
1839
01:12:59,250 --> 01:13:00,540
and you're like,
"Oh, wow!"
1840
01:13:00,540 --> 01:13:02,540
Also maybe just enunciating
a little bit more
1841
01:13:02,540 --> 01:13:04,710
so we can understand
what you're trying to say.
1842
01:13:04,710 --> 01:13:06,540
The lyrics, gotcha, thank you.
Yeah.
1843
01:13:06,540 --> 01:13:08,710
Michael, the one thing that you
did when you did, like,
1844
01:13:08,710 --> 01:13:10,720
a mic‐move thing,
I would just stay on it...
1845
01:13:10,720 --> 01:13:12,630
Alright.
...'cause it shows that you're
1846
01:13:12,630 --> 01:13:14,300
feeling uncomfortable,
like you might not hit it.
1847
01:13:14,300 --> 01:13:16,680
I'd rather
you go for it on mic
1848
01:13:16,680 --> 01:13:18,680
and it not come out exactly
the way you hoped it would...
1849
01:13:18,680 --> 01:13:21,640
Yeah.
...than to be
m‐maneuvering around it.
1850
01:13:21,640 --> 01:13:23,390
Michael, have you done
theater before?
1851
01:13:23,390 --> 01:13:25,520
I've been doing theater
since I was about 8 years old.
1852
01:13:25,520 --> 01:13:27,520
That's what I thought.
I actually just did "Les Mis,"
like, last November.
1853
01:13:27,520 --> 01:13:29,360
Nice. That's awesome.
Yeah. Valjean.
1854
01:13:29,360 --> 01:13:31,740
It's amazing to have a coach
in my genre
1855
01:13:31,740 --> 01:13:33,910
because not only
did he start young,
1856
01:13:33,910 --> 01:13:35,700
but he started in theater.
1857
01:13:35,700 --> 01:13:38,200
When I was younger, I worked
my way up to be able to land
1858
01:13:38,200 --> 01:13:40,290
big roles in community theater.
1859
01:13:40,290 --> 01:13:42,580
To have Nick come from the roots
I have come from
1860
01:13:42,580 --> 01:13:44,580
makes his coaching method
more personal.
1861
01:13:44,580 --> 01:13:46,750
♪ And I believe ♪
1862
01:13:46,750 --> 01:13:49,420
The day of my audition,
I was full of nerves.
1863
01:13:49,420 --> 01:13:51,920
It was like...
I'm getting a chance
1864
01:13:51,920 --> 01:13:53,550
that not a lot of people do.
1865
01:13:53,550 --> 01:13:56,590
♪ Oh, I believe ♪
1866
01:13:56,590 --> 01:13:58,680
Nick: My falsetto is something
I had to work hard at.
1867
01:13:58,680 --> 01:14:00,220
We could work
on technique for hours,
1868
01:14:00,220 --> 01:14:01,560
but I think the best thing
is just...
1869
01:14:01,560 --> 01:14:05,390
♪ Gonna be for us to sing
in our falsetto ♪
1870
01:14:05,390 --> 01:14:07,440
Whoo!
And just do that for hours.
1871
01:14:07,440 --> 01:14:09,440
It was so cool to have Nick
help me with falsetto,
1872
01:14:09,440 --> 01:14:12,610
and so I was able to go home
and practice my high range.
1873
01:14:12,610 --> 01:14:14,780
To show him that I worked
very hard on that,
1874
01:14:14,780 --> 01:14:17,280
to continue with Nick
would mean the world to me
1875
01:14:17,280 --> 01:14:18,740
to work under
that sort of mentor.
1876
01:14:18,740 --> 01:14:20,620
How do you guys usually
approach, like,
1877
01:14:20,620 --> 01:14:22,580
breathy falsettos,
especially on the first line?
1878
01:14:22,580 --> 01:14:24,370
♪ Oh, it's you ♪
1879
01:14:24,370 --> 01:14:26,460
Anytime you have
[exhales] breath going out
1880
01:14:26,460 --> 01:14:28,630
and you're trying to pop up
to a higher note,
1881
01:14:28,630 --> 01:14:31,710
what I tend to think about
is smiling.
1882
01:14:31,710 --> 01:14:33,760
♪ Oh, it's you ♪
1883
01:14:33,760 --> 01:14:36,300
'Cause you can actually
not push out as much breath
1884
01:14:36,300 --> 01:14:37,970
and keep it in
so you can use it later on.
1885
01:14:37,970 --> 01:14:40,600
♪ Oh, it's you,
oh, it's you ♪
Better.
1886
01:14:40,600 --> 01:14:41,810
Yeah.
The smile helps.
1887
01:14:41,810 --> 01:14:44,310
♪ Oh, it's you ♪
1888
01:14:44,310 --> 01:14:47,400
Michael:
Going from chest to very breathy
falsetto takes a lot of control.
1889
01:14:47,400 --> 01:14:49,480
That's something
that I want to nail
1890
01:14:49,480 --> 01:14:52,570
and bring to the table
to the best of my abilities.
1891
01:14:52,570 --> 01:14:55,990
♪ How will I know ♪
1892
01:14:55,990 --> 01:14:58,570
Allegra:
How you're interacting with
your partner is a big thing.
1893
01:14:58,570 --> 01:15:01,330
Even though it is a slow,
sadder song,
1894
01:15:01,330 --> 01:15:03,620
Michael and I
were playing off each other
1895
01:15:03,620 --> 01:15:06,330
and smiling because even in
the lowest moments,
1896
01:15:06,330 --> 01:15:07,960
there is some joy there.
1897
01:15:07,960 --> 01:15:09,500
Kevin: When you guys turned to
each other in that first part ‐‐
1898
01:15:09,500 --> 01:15:11,340
oh, mm.
It's awesome.
1899
01:15:11,340 --> 01:15:13,500
I'm so happy
you're on my team.
1900
01:15:13,500 --> 01:15:14,800
I thought, "Okay, we're gonna
prep for
1901
01:15:14,800 --> 01:15:16,590
an emotionally
connected song."
1902
01:15:16,590 --> 01:15:18,340
You guys turned it into
a joyous occasion,
1903
01:15:18,340 --> 01:15:20,640
which is really phenomenal,
1904
01:15:20,640 --> 01:15:22,930
and I'm very proud of you
for surprising me
1905
01:15:22,930 --> 01:15:25,430
with something that just
blew me away,
1906
01:15:25,430 --> 01:15:27,480
and I think the more you lean
into that and the fun
1907
01:15:27,480 --> 01:15:29,310
of you guys just enjoying
the ride, the better.
1908
01:15:29,310 --> 01:15:31,020
I thought I saw the cream of
the crop already today.
1909
01:15:31,020 --> 01:15:33,480
That was just, like, pbht.
1910
01:15:33,480 --> 01:15:34,650
That was awesome.
1911
01:15:34,650 --> 01:15:36,320
One of you
is getting stolen.
1912
01:15:36,320 --> 01:15:37,490
Yes!
Unless you save.
1913
01:15:37,490 --> 01:15:38,820
Unless I s‐‐
And if not by them,
1914
01:15:38,820 --> 01:15:40,820
by me and Joe,
so we'll...
1915
01:15:40,820 --> 01:15:42,700
Oh, there you go.
I got this label I'm working on.
1916
01:15:42,700 --> 01:15:44,540
Just let me know.
For sure.
1917
01:15:44,540 --> 01:15:48,330
Allegra and Michael put
the biggest smile on my face.
1918
01:15:48,330 --> 01:15:50,710
There's something so powerful
about their duet.
1919
01:15:50,710 --> 01:15:53,380
It's hard to deny how talented
they both are.
1920
01:15:53,380 --> 01:15:55,300
Keep it up.
Thank you.
Thank you so much.
1921
01:15:55,300 --> 01:15:56,710
I don't know what
you're gonna do.
1922
01:15:56,710 --> 01:15:58,300
We screamed with
the Jonas Brothers, like...
1923
01:15:58,300 --> 01:15:59,510
It was cool.
It was really cool.
1924
01:15:59,510 --> 01:16:00,720
That was all I ever wanted
in life.
1925
01:16:00,720 --> 01:16:03,350
♪♪♪
1926
01:16:03,350 --> 01:16:05,850
Oh, yeah.
I love this performance.
1927
01:16:05,850 --> 01:16:07,730
Can't pick favorites.
1928
01:16:07,730 --> 01:16:09,390
♪ This love is strong ♪
1929
01:16:09,390 --> 01:16:11,900
♪ Why do I feel weak? ♪
1930
01:16:11,900 --> 01:16:13,900
♪ If you love me ♪
1931
01:16:13,900 --> 01:16:15,730
I'm blown away
by this performance.
1932
01:16:15,730 --> 01:16:17,400
It makes me feel like an idiot
for putting them together,
1933
01:16:17,400 --> 01:16:20,070
and I think it's gonna shock
the other coaches.
1934
01:16:20,070 --> 01:16:23,070
It's really great to watch
two artists
1935
01:16:23,070 --> 01:16:25,790
who have actually grown together
as a unit.
1936
01:16:25,790 --> 01:16:28,500
I love the staging, but it'll be
nice to feel just a‐a little bit
1937
01:16:28,500 --> 01:16:30,750
more separation between you guys
so when you come back
1938
01:16:30,750 --> 01:16:32,330
it's that
much more powerful.
1939
01:16:32,330 --> 01:16:34,380
Got you.
And I think part of it's
1940
01:16:34,380 --> 01:16:36,590
gonna be physically selling
some of these high notes.
1941
01:16:36,590 --> 01:16:38,090
Right.
Yeah.
Getting down is great
1942
01:16:38,090 --> 01:16:40,340
because it feels that
much more impactful.
1943
01:16:40,340 --> 01:16:41,930
Yeah.
Just give us a little bit
1944
01:16:41,930 --> 01:16:44,350
of something that shows
that you're digging for it.
1945
01:16:44,350 --> 01:16:46,060
Nick: They're both
so incredibly talented.
1946
01:16:46,060 --> 01:16:47,930
I already feel really connected
to them as well,
1947
01:16:47,930 --> 01:16:50,100
and you build this friendship
and working relationship
1948
01:16:50,100 --> 01:16:52,940
where you're all giving all you
can to make the best it can be.
1949
01:16:52,940 --> 01:16:55,730
[ Sighs ]
1950
01:16:55,730 --> 01:16:57,940
I'm gonna have to pick one.
1951
01:16:57,940 --> 01:16:59,860
How?
1952
01:16:59,860 --> 01:17:01,610
To say goodbye to somebody
1953
01:17:01,610 --> 01:17:05,120
is not something I'm emotionally
prepared for just yet.
1954
01:17:05,120 --> 01:17:06,990
It's a tough job.
1955
01:17:15,040 --> 01:17:15,080
.
1956
01:17:16,380 --> 01:17:16,790
♪ This is "The Voice" ♪
1957
01:17:17,750 --> 01:17:19,130
Daly:
Welcome back to the battles.
1958
01:17:19,130 --> 01:17:21,550
[ Cheers and applause ]
1959
01:17:21,550 --> 01:17:23,220
I'm excited about this one.
1960
01:17:23,220 --> 01:17:25,300
The battle starts right now.
1961
01:17:25,300 --> 01:17:30,560
♪♪♪
1962
01:17:30,560 --> 01:17:33,480
♪ Oh, it's you ♪
1963
01:17:33,480 --> 01:17:35,980
♪ I know ♪
1964
01:17:35,980 --> 01:17:39,820
♪ You're the one
I dream of ♪
1965
01:17:39,820 --> 01:17:41,150
Wow.
1966
01:17:41,150 --> 01:17:43,490
♪ Look into ♪
1967
01:17:43,490 --> 01:17:44,990
A little Nick Jonas.
1968
01:17:44,990 --> 01:17:47,120
♪ My eyes ♪
1969
01:17:47,120 --> 01:17:52,330
♪ Take me
to the clouds above ♪
1970
01:17:52,330 --> 01:17:55,000
♪ Oh, I lose ♪
1971
01:17:55,000 --> 01:17:57,460
Ooh!
♪ Control ♪
1972
01:17:57,460 --> 01:18:03,840
♪ I can't seem to
get enough ♪
1973
01:18:03,840 --> 01:18:09,010
♪ When I wake
from dreaming ♪
1974
01:18:09,010 --> 01:18:12,850
♪ Tell me,
is it really love? ♪
1975
01:18:12,850 --> 01:18:15,230
[ Cheers and applause ]
Yeah, yeah, yeah.
1976
01:18:17,020 --> 01:18:20,900
♪ How will I know? ♪
1977
01:18:22,860 --> 01:18:28,280
♪ How will I know? ♪
1978
01:18:28,280 --> 01:18:32,080
♪ How will I know? ♪
1979
01:18:33,410 --> 01:18:36,540
♪ How will I know? ♪
1980
01:18:36,540 --> 01:18:38,170
Yeah.
1981
01:18:38,170 --> 01:18:43,380
♪ How will I know
if you really love me? ♪
1982
01:18:43,380 --> 01:18:45,380
Come on!
♪ I say a prayer ♪
1983
01:18:45,380 --> 01:18:49,050
♪ With every heartbeat ♪
1984
01:18:49,050 --> 01:18:54,890
♪ I fall in love
whenever we meet ♪
1985
01:18:54,890 --> 01:19:00,230
♪ I'm asking you what you know
about these things ♪
1986
01:19:00,230 --> 01:19:02,400
♪ How will I know ♪
♪ How will I know ♪
1987
01:19:02,400 --> 01:19:05,860
♪ If you're thinking
of me? ♪
1988
01:19:05,860 --> 01:19:09,240
♪ I try to phone,
but I'm too shy ♪
1989
01:19:09,240 --> 01:19:11,240
♪ Can't speak ♪
1990
01:19:11,240 --> 01:19:12,700
♪ Falling in love ♪
1991
01:19:12,700 --> 01:19:14,040
♪ Falling in love ♪
1992
01:19:14,040 --> 01:19:16,870
♪ Is all bittersweet ♪
1993
01:19:16,870 --> 01:19:18,420
♪ This love is strong ♪
1994
01:19:18,420 --> 01:19:21,420
♪ Why do I feel weak? ♪
1995
01:19:21,420 --> 01:19:26,920
♪ If you love me ♪
1996
01:19:26,920 --> 01:19:31,100
♪ If you love me ♪
1997
01:19:31,100 --> 01:19:32,220
Whoo!
1998
01:19:32,220 --> 01:19:34,600
♪ If you love me ♪
1999
01:19:34,600 --> 01:19:40,230
♪ If you love me ♪
2000
01:19:40,230 --> 01:19:48,070
♪ If you love me ♪
2001
01:19:48,070 --> 01:19:50,240
[ Cheers and applause ]
2002
01:19:50,240 --> 01:19:53,240
♪♪♪
2003
01:19:53,240 --> 01:19:54,990
Wow!
2004
01:19:54,990 --> 01:19:57,290
That was really good.
2005
01:19:57,290 --> 01:19:59,210
Awesome.
2006
01:20:01,130 --> 01:20:03,460
Oh, my gosh!
That was so good!
2007
01:20:03,460 --> 01:20:05,300
I don't know why they're not
standing. They're dumb.
2008
01:20:05,300 --> 01:20:07,050
That was so good.
That was so good.
2009
01:20:07,050 --> 01:20:10,130
What a great pairing.
2010
01:20:10,130 --> 01:20:13,050
Wow, Michael,
you came in strong!
2011
01:20:13,050 --> 01:20:14,970
When he started out,
I was like, "Oh, my God."
2012
01:20:14,970 --> 01:20:16,310
He kept going higher.
2013
01:20:16,310 --> 01:20:18,930
I can see obviously
why Nick turned.
2014
01:20:18,930 --> 01:20:21,270
Falsetto is very much
that lane for him.
2015
01:20:21,270 --> 01:20:22,440
I heard a lot of Nick up
in there.
2016
01:20:22,440 --> 01:20:23,980
Yeah, it was good.
2017
01:20:23,980 --> 01:20:26,280
You have a magnificent tool
for a voice.
2018
01:20:26,280 --> 01:20:28,150
And how you switch
from your chest to your nose
2019
01:20:28,150 --> 01:20:30,150
to your falsetto, it's just
all really, really nice.
2020
01:20:30,150 --> 01:20:34,700
Allegra, I am in love
with your voice.
2021
01:20:34,700 --> 01:20:37,200
Your tone, like,
already tells a story,
2022
01:20:37,200 --> 01:20:39,160
and you have this thing
where you kind of bite down
2023
01:20:39,160 --> 01:20:41,000
and you almost sing, like,
through your tee‐‐
2024
01:20:41,000 --> 01:20:43,960
and it's, like,
really cool.
2025
01:20:43,960 --> 01:20:46,460
I know that y'all are just
little babies compared to me,
2026
01:20:46,460 --> 01:20:48,420
but, like,
I grew up on this song.
2027
01:20:48,420 --> 01:20:50,260
It was an all‐skate.
Oh, my gosh.
2028
01:20:50,260 --> 01:20:53,470
And I'm gonna have to say I love
both of you, but, man, Nick,
2029
01:20:53,470 --> 01:20:55,680
Allegra's tone,
that's a finale tone.
2030
01:20:55,680 --> 01:20:57,810
That's a good tone.
That's a good tone.
2031
01:20:57,810 --> 01:20:59,680
[ Applause ]
2032
01:20:59,680 --> 01:21:03,520
Congratulations on a killer
battle performance.
2033
01:21:03,520 --> 01:21:05,810
It wasn't a battle.
It was just a great duet.
2034
01:21:05,810 --> 01:21:07,520
I mean, truly was.
2035
01:21:07,520 --> 01:21:09,690
You can tell that you two have
created a friendship,
2036
01:21:09,690 --> 01:21:11,490
and you can see that
when you perform,
2037
01:21:11,490 --> 01:21:13,530
and you can tell you're
rooting for each other.
2038
01:21:13,530 --> 01:21:15,780
Maybe I'm wrong. Maybe you're
both like, "ha, ha."
2039
01:21:15,780 --> 01:21:17,740
John: They're just
an excellent actors.
2040
01:21:17,740 --> 01:21:20,040
Michael, I mean,
you're a great singer,
2041
01:21:20,040 --> 01:21:23,170
and ‐‐ and everything that Kelly
said is spot on.
2042
01:21:23,170 --> 01:21:26,380
Allegra, I've been making
records 20 years now,
2043
01:21:26,380 --> 01:21:29,840
I've been doing this, and not
that often somebody like you
2044
01:21:29,840 --> 01:21:32,380
comes along that has a special,
unique tone
2045
01:21:32,380 --> 01:21:33,840
and your sound
is so cool.
2046
01:21:33,840 --> 01:21:36,050
So I would pick Allegra.
2047
01:21:36,050 --> 01:21:38,220
Uh, I think they're both great,
though.
2048
01:21:38,220 --> 01:21:41,350
Thank you.
This was lovely for us to watch
2049
01:21:41,350 --> 01:21:43,230
and listen to.
2050
01:21:43,230 --> 01:21:45,190
Doing that song
and this version
2051
01:21:45,190 --> 01:21:48,320
introduces some extra cool
to the performance.
2052
01:21:48,320 --> 01:21:50,230
Michael, I definitely got
some Nick vibes
2053
01:21:50,230 --> 01:21:52,650
when you first came in ‐‐
I was like, "That's Nick Jonas.
2054
01:21:52,650 --> 01:21:55,490
Sounds like Nick Jonas," which
is definitely a compliment.
2055
01:21:55,490 --> 01:21:57,830
Thank you. It is, yeah.
You have range, you have, uh,
2056
01:21:57,830 --> 01:22:00,450
power and control,
all the things you want
2057
01:22:00,450 --> 01:22:02,200
from a great singer.
2058
01:22:02,200 --> 01:22:04,580
And, Allegra, the singers
that really connect the most
2059
01:22:04,580 --> 01:22:08,540
in this world are those with a
tone that's special and magical,
2060
01:22:08,540 --> 01:22:10,590
and I feel like, Allegra,
you have that.
2061
01:22:10,590 --> 01:22:12,420
Both of you
are excellent singers.
2062
01:22:12,420 --> 01:22:15,260
Thank you so much.
Daly: Thank you, Coaches.
2063
01:22:15,260 --> 01:22:17,180
Alright, Nick, you've got
the final decision,
2064
01:22:17,180 --> 01:22:18,850
but before we find out the
winner, give us some thoughts
2065
01:22:18,850 --> 01:22:21,430
on the battle.
From the moment I heard you sing
2066
01:22:21,430 --> 01:22:24,350
this arrangement in that mentor
session with my brothers,
2067
01:22:24,350 --> 01:22:26,730
we all stopped and said, "Wow,
we just witnessed
2068
01:22:26,730 --> 01:22:28,610
something really special."
2069
01:22:28,610 --> 01:22:31,730
I know this is a battle,
but I'm blown away at the level
2070
01:22:31,730 --> 01:22:34,610
at which you guys connected ‐‐
you made this song your own.
2071
01:22:34,610 --> 01:22:36,450
That arrangement
that you came up with
2072
01:22:36,450 --> 01:22:38,530
spoke to every single person
in this place,
2073
01:22:38,530 --> 01:22:42,330
which makes having to make
a decision that much harder.
2074
01:22:42,330 --> 01:22:44,290
It's a tough one for you, Nick.
Yeah.
2075
01:22:44,290 --> 01:22:46,250
Who is the winner
of this battle?
2076
01:22:47,790 --> 01:22:49,380
[ Sighs ]
2077
01:22:50,790 --> 01:22:53,130
Um...
2078
01:22:53,130 --> 01:22:57,630
I‐I think I have to go with ‐‐
with a‐a gut feeling here.
2079
01:22:57,630 --> 01:22:59,760
Um...
2080
01:22:59,760 --> 01:23:02,470
♪♪♪
2081
01:23:02,470 --> 01:23:05,810
...the winner
of this battle...
2082
01:23:05,810 --> 01:23:07,230
is Allegra.
2083
01:23:07,230 --> 01:23:08,650
Allegra, Congratulations!
2084
01:23:08,650 --> 01:23:10,150
You are moving on.
2085
01:23:10,150 --> 01:23:13,150
Oh, my God.
They crushed it.
2086
01:23:13,150 --> 01:23:14,490
But I had to go with Allegra
2087
01:23:14,490 --> 01:23:16,150
because she's
an inspiring vocalist,
2088
01:23:16,150 --> 01:23:18,490
and on top of that,
she's a storyteller.
2089
01:23:18,490 --> 01:23:21,490
I see her getting to the final
in this show.
2090
01:23:21,490 --> 01:23:23,830
Coaches, let me remind
you, Michael is available
to steal or save.
2091
01:23:23,830 --> 01:23:26,330
Michael, anything you want
to say to your coach?
2092
01:23:26,330 --> 01:23:29,500
Yeah, Nick, thank you so much,
um, for being my coach.
2093
01:23:29,500 --> 01:23:31,290
I just really appreciate
all the notes.
2094
01:23:31,290 --> 01:23:32,840
Thank you so much
for this opportunity.
2095
01:23:32,840 --> 01:23:35,670
Give it up for Michael Williams,
ladies and gentlemen!
2096
01:23:35,670 --> 01:23:38,840
[ Cheers and applause ]
2097
01:23:38,840 --> 01:23:41,510
There it is!
2098
01:23:41,510 --> 01:23:44,180
Let's go!
The save!
2099
01:23:44,180 --> 01:23:45,680
Yes!
2100
01:23:45,680 --> 01:23:47,270
Yes, yes, yes, yes, yes!
2101
01:23:47,270 --> 01:23:50,480
Nick Jonas saves Michael,
2102
01:23:50,480 --> 01:23:55,190
who now joins the four‐way
knockout representing Team Nick!
2103
01:23:55,190 --> 01:23:59,360
It was crazy! I'm so grateful
to Nick right now.
2104
01:23:59,360 --> 01:24:01,370
Nick, I thought you
broke your button, you
hit it so hard there.
2105
01:24:01,370 --> 01:24:03,410
I‐I thought I did, too.
What did you hear in Michael
2106
01:24:03,410 --> 01:24:04,870
that made you want
to use it on him?
2107
01:24:04,870 --> 01:24:06,500
It's what I heard today.
2108
01:24:06,500 --> 01:24:08,460
It's what I heard the first day
I heard you sing.
2109
01:24:08,460 --> 01:24:10,210
I'm so impressed by you,
2110
01:24:10,210 --> 01:24:12,630
and there was no way
you were leaving today.
2111
01:24:12,630 --> 01:24:14,710
You're on Team Nick.
Let's go.
2112
01:24:14,710 --> 01:24:16,210
Congratulations!
2113
01:24:16,210 --> 01:24:17,710
Michael is incredible.
2114
01:24:17,710 --> 01:24:20,300
I was so nervous that someone
was gonna swoop in
2115
01:24:20,300 --> 01:24:22,640
and steal him,
and so I was over the moon.
2116
01:24:23,720 --> 01:24:26,350
He's gonna represent Team Nick
in that four‐way knockout,
2117
01:24:26,350 --> 01:24:28,230
which is gonna be insane.
2118
01:24:28,230 --> 01:24:30,390
This is actually great.
I really want you to
write songs in that.
2119
01:24:30,390 --> 01:24:32,560
[ Laughter ]
Call your album "Nick's Notes."
2120
01:24:32,560 --> 01:24:35,230
Next year, when you're accepting
your ‐‐ your next Grammy...
2121
01:24:35,230 --> 01:24:37,400
For "Nick's Notes," the album.
..."I wanna thank Blake Shelton
2122
01:24:37,400 --> 01:24:39,490
for my Nick's Notes."
For my ‐‐ my notepad.
2123
01:24:39,490 --> 01:24:41,240
"For reminding me
what a stage was."
2124
01:24:41,240 --> 01:24:42,490
[ Laughter ]
2125
01:24:42,490 --> 01:24:52,370
♪♪♪
2126
01:24:52,370 --> 01:25:01,930
♪♪♪
2127
01:25:01,930 --> 01:25:11,890
♪♪♪
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