Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:01:35,596 --> 00:01:36,597
MR. ASBY.
2
00:01:39,057 --> 00:01:39,808
IT'S ME, JESSE.
3
00:01:39,933 --> 00:01:41,893
JUST, UH, GO ABOUT
WHAT YOU'RE DOING.
4
00:02:34,404 --> 00:02:37,366
[TELEPHONE RINGING]
5
00:02:57,052 --> 00:03:00,055
[RINGING CONTINUES]
6
00:03:17,280 --> 00:03:18,323
Asby: Hello?
7
00:03:19,116 --> 00:03:20,200
Hello?
8
00:03:21,326 --> 00:03:22,326
John?
9
00:03:23,078 --> 00:03:24,079
John?
10
00:03:25,163 --> 00:03:26,498
Can you hear me?
11
00:03:27,874 --> 00:03:29,000
John!
12
00:03:29,835 --> 00:03:31,545
What's the matter?
John!
13
00:03:33,171 --> 00:03:34,715
Answer me... John!
14
00:03:35,298 --> 00:03:36,508
Can you hear me?
15
00:03:37,926 --> 00:03:40,345
John, are you there?
16
00:03:40,721 --> 00:03:41,722
YEAH.
17
00:03:42,431 --> 00:03:43,807
I GOTTA SEE YOU.
18
00:03:45,100 --> 00:03:45,934
IS THIS CAL?
19
00:03:46,059 --> 00:03:47,102
It's me.
20
00:03:49,271 --> 00:03:50,397
IT'S YOUR BROTHER.
21
00:03:51,565 --> 00:03:52,733
DOES HE KNOW YOU'RE HERE?
22
00:03:52,858 --> 00:03:54,109
MNH-MNH.
23
00:03:55,819 --> 00:03:58,071
AT 2:00 IN THE MORNING, MAN?
24
00:03:58,488 --> 00:04:00,031
I'M AT THE OFFICE.
25
00:04:00,365 --> 00:04:02,033
That's your problem, baby.
26
00:04:02,200 --> 00:04:03,285
WHERE YOU BEEN ALL DAY?
27
00:04:03,702 --> 00:04:04,786
AROUND.
28
00:04:05,245 --> 00:04:06,997
I've been trying to reach you.
29
00:04:07,622 --> 00:04:11,418
I PUT $5,000 IN YOUR BANK
ACCOUNT THIS AFTERNOON...
30
00:04:11,668 --> 00:04:12,794
PAYMENT IN ADVANCE.
31
00:04:13,044 --> 00:04:14,171
FOR WHAT?
32
00:04:14,838 --> 00:04:17,048
Pick me up... now.
33
00:04:17,257 --> 00:04:19,342
I'm in deep trouble.
34
00:04:20,302 --> 00:04:21,636
WHAT'S UP?
35
00:04:22,304 --> 00:04:23,972
GET HERE... FAST,
36
00:04:24,514 --> 00:04:26,475
AND I'LL TELL YOU
WHEN I SEE YOU.
37
00:04:27,476 --> 00:04:28,602
YEAH, OKAY.
38
00:04:28,894 --> 00:04:31,438
I'VE BEEN TRYING TO REACH
MY SISTER ARNA...
39
00:04:31,646 --> 00:04:32,647
GOT TO WARN HER.
40
00:04:32,898 --> 00:04:34,232
Have you heard from her?
41
00:04:34,900 --> 00:04:36,651
I THINK I CAN PUT
A HAND ON HER.
42
00:04:39,196 --> 00:04:41,615
IF YOU CAN REACH HER,
TELL HER TO GET HOME,
43
00:04:41,865 --> 00:04:43,700
KEEP THE DOORS LOCKED
TILL WE GET THERE.
44
00:04:44,868 --> 00:04:45,952
YEAH, OKAY.
45
00:04:59,299 --> 00:05:01,499
[INTRODUCTION TO O.C. SMITH'S
"BLOWIN' YOUR MIND" PLAYS]
46
00:06:26,052 --> 00:06:27,052
NOW, LOOK HERE.
47
00:06:27,137 --> 00:06:29,139
♪ WHO TWISTS YOUR SPINE
TILL IT FEELS LIKE JELLY ♪
48
00:06:29,264 --> 00:06:31,766
♪ AND HEATS YOUR BLOOD
TILL IT'S BOILIN' WHITE? ♪
49
00:06:32,100 --> 00:06:34,728
♪ WHO SPLITS YOUR HEART
IN A ZILLION PIECES? ♪
50
00:06:35,145 --> 00:06:35,812
♪ SHAFT ♪
51
00:06:35,937 --> 00:06:37,188
♪ BABY, HE'LL BLOW YOUR MIND ♪
52
00:06:37,314 --> 00:06:39,774
♪ MM-HMM... HE SURE WILL! ♪
53
00:06:42,694 --> 00:06:45,113
♪ WELL, WHO BLINDS YOUR EYES
WITH A TRILLION KISSES ♪
54
00:06:45,238 --> 00:06:47,240
♪ AND ROCKS YOU DEEP
AND TURNS YOUR TIDE? ♪
55
00:06:47,365 --> 00:06:49,993
♪ CRACKS YOUR BACK
IN A BILLION PIECES? ♪
56
00:06:50,118 --> 00:06:51,118
♪ SHAFT ♪
57
00:06:51,161 --> 00:06:53,038
♪ BABY, HE'LL BLOW YOUR MIND ♪
58
00:06:53,204 --> 00:06:55,874
THAT MAN'S TROUBLE!
HE'S BEEN TO MY HOUSE!
59
00:06:58,126 --> 00:06:58,835
♪ OHH! ♪
60
00:06:58,960 --> 00:07:01,129
♪ HE'S A SMOOTH CAT
AND KNOWS WHERE IT'S AT ♪
61
00:07:01,254 --> 00:07:03,131
♪ A BAD SPADE...
DON'T PULL YOUR BLADE ♪
62
00:07:03,256 --> 00:07:05,050
♪ A SUPER BROTHER,
A GONE MOTHER ♪
63
00:07:05,300 --> 00:07:07,469
♪ A COOL DUDE,
AND TROUBLE'S HIS FOOD ♪
64
00:07:07,636 --> 00:07:09,262
♪ JOHN SHAFT ♪
65
00:07:22,776 --> 00:07:25,236
♪ OH, WHO DIMPLES YOUR CHEEKS
TILL YOUR EYELIDS CRINKLE ♪
66
00:07:25,362 --> 00:07:27,697
♪ AND CUTS YOUR PULSE TO 0-9? ♪
67
00:07:28,156 --> 00:07:30,992
♪ WHO FREAKS YOU OUT
TILL YOU'RE DOWNRIGHT SIMPLE? ♪
68
00:07:31,117 --> 00:07:31,868
♪ SHAFT ♪
69
00:07:32,035 --> 00:07:33,870
♪ BABY, HE'LL BLOW YOUR MIND ♪
70
00:07:34,037 --> 00:07:36,289
HE'LL PUT A HOLE
IN YOUR SOUL, HONEY!
71
00:07:36,581 --> 00:07:37,707
♪ HEY ♪
72
00:07:46,591 --> 00:07:48,635
♪ HEY, HEY, HEY ♪
73
00:08:03,274 --> 00:08:04,025
♪ SHAFT ♪
74
00:08:04,234 --> 00:08:06,069
♪ BABY, HE'LL BLOW YOUR MIND ♪
75
00:08:41,479 --> 00:08:43,440
[SIRENS WAILING]
76
00:08:46,776 --> 00:08:48,737
[INDISTINCT TALKING]
77
00:09:23,396 --> 00:09:25,690
[GLASS BREAKING]
78
00:09:29,611 --> 00:09:31,946
CHECK TO SEE IF THERE ARE
ANY OTHER BODIES INSIDE.
79
00:09:42,582 --> 00:09:45,335
LOOKS LIKE CAL ASBY TO ME.
WHAT'S HE LOOK LIKE TO YOU?
80
00:09:46,336 --> 00:09:47,837
WHAT'S LEFT OF HIM.
81
00:09:48,880 --> 00:09:51,091
MAYBE YOU TWO HAD
A LITTLE CONVERSATION
82
00:09:51,216 --> 00:09:52,216
BEFORE THIS HAPPENED.
83
00:09:54,552 --> 00:09:56,054
WHAT DID HE TELL YOU, SHAFT?
84
00:09:56,513 --> 00:09:58,139
"STAY AWAY
FROM BLACK HONKIES
85
00:09:58,264 --> 00:10:00,600
WITH BIG, FLAT FEET."
86
00:10:18,326 --> 00:10:20,537
LOOK LIKE THERE'S
ONLY ONE DEAD, CAPTAIN.
87
00:10:55,655 --> 00:10:58,324
I WAS HOPING MAYBE YOU COULD
SHED SOME LIGHT ON THAT.
88
00:11:06,499 --> 00:11:08,376
HE NEVER HURT ANYONE
IN HIS LIFE.
89
00:11:09,335 --> 00:11:11,212
HE LOVED THIS COMMUNITY,
90
00:11:11,379 --> 00:11:13,298
AND EVERYBODY HERE
LOVED HIM.
91
00:11:13,798 --> 00:11:15,592
HE WAS PLANNING
TO BREAK GROUND
92
00:11:15,675 --> 00:11:18,261
FOR THAT CHILDCARE CLINIC
OVER IN HARLEM
93
00:11:18,386 --> 00:11:20,013
SOMETIME NEXT MONTH.
94
00:11:22,015 --> 00:11:23,099
BUT NOW...
95
00:11:24,100 --> 00:11:25,351
AND HOW DID YOU FEEL
ABOUT THAT?
96
00:11:26,060 --> 00:11:29,397
WITH HIM... ALL THE WAY.
97
00:11:29,772 --> 00:11:31,524
DON'T SHIT ME, KELLY.
98
00:11:32,859 --> 00:11:33,979
YOU FOUGHT HIM
TOOTH AND NAIL
99
00:11:34,027 --> 00:11:35,904
ABOUT LAYING BREAD
ON THAT GHETTO CLINIC.
100
00:11:59,177 --> 00:12:01,471
HEY, UM, FELLAS...
101
00:12:02,430 --> 00:12:04,057
HELP ME MOVE THIS NEXT DOOR.
102
00:12:04,307 --> 00:12:06,309
AFTER ALL,
I CAN'T LEAVE IT HERE.
103
00:12:07,727 --> 00:12:08,811
OKAY?
104
00:12:16,653 --> 00:12:18,321
YEAH, RIGHT THERE IS FINE.
105
00:12:19,739 --> 00:12:20,823
THANKS A LOT.
106
00:12:21,157 --> 00:12:22,176
WOULD YOU, UH,
CLOSE THE DOOR
107
00:12:22,200 --> 00:12:23,409
ON YOUR WAY OUT, PLEASE?
108
00:12:26,663 --> 00:12:27,664
[DOOR CLOSES]
109
00:13:09,038 --> 00:13:10,999
[HELICOPTER WHIRRING]
110
00:14:03,301 --> 00:14:05,428
[NO AUDIBLE DIALOGUE]
111
00:14:24,447 --> 00:14:25,698
AHHH.
112
00:14:28,534 --> 00:14:30,036
WELL, LISTEN,
BEFORE I FORGET...
113
00:14:31,162 --> 00:14:34,040
HAVE JACK CHECK THOSE TWO
FRONT DOORS ON THE CHOPPER.
114
00:14:34,499 --> 00:14:36,459
WHAT THE HELL YOU GOT
THE IDIOT THERE FOR, ANYWAY?
115
00:14:37,335 --> 00:14:38,127
BECAUSE HE'S THE BEST.
116
00:14:38,252 --> 00:14:40,129
WHAT DO YOU THINK
I'VE GOT HIM THERE FOR?
117
00:15:26,801 --> 00:15:29,720
[PLAYS SCALES]
118
00:15:32,682 --> 00:15:35,560
[PLAYS CLASSICAL MUSIC]
119
00:15:49,532 --> 00:15:51,325
SORRY, GUS.
I'LL GO USE THE PHONE...
120
00:15:51,451 --> 00:15:52,660
IN THE BEDROOM.
121
00:15:53,703 --> 00:15:55,538
[RETREATING FOOTSTEPS]
122
00:15:59,375 --> 00:16:01,544
[PLAYS CLASSICAL MUSIC]
123
00:16:54,472 --> 00:16:56,140
KELLY SAYS THE SAFE'S EMPTY.
124
00:16:58,100 --> 00:16:58,768
GUS!
125
00:16:58,935 --> 00:17:00,269
DO YOU HEAR ME?
126
00:17:00,978 --> 00:17:03,022
KELLY SAID THE SAFE'S EMPTY.
127
00:17:19,622 --> 00:17:20,623
POUR.
128
00:17:23,960 --> 00:17:24,794
I DON'T UNDERSTAND
129
00:17:24,919 --> 00:17:27,129
HOW KELLY SAYS
THE SAFE IS EMPTY.
130
00:17:28,548 --> 00:17:33,386
DID YOU ASK MR. KELLY
TO POP... BY?
131
00:17:33,886 --> 00:17:35,012
YES.
132
00:17:35,638 --> 00:17:38,766
I TOLD HIM IF HE DIDN'T HAVE
THE $250,000,
133
00:17:38,891 --> 00:17:40,768
I'D PERSONALLY HAVE HIS ASS.
134
00:17:41,060 --> 00:17:44,397
POSSIBLY MR. KELLY NEEDS
A LITTLE MORE TIME, HMM?
135
00:17:44,897 --> 00:17:46,857
YOU SHOULDN'T CROWD
PEOPLE, ANDY.
136
00:17:46,983 --> 00:17:48,192
IT'S NOT COOL.
137
00:17:48,401 --> 00:17:51,320
YOU, UH, GOT TO GIVE A MAN
A LITTLE ELBOW ROOM.
138
00:17:51,445 --> 00:17:52,863
YEAH, I'LL GIVE HIM
ELBOW ROOM...
139
00:17:53,030 --> 00:17:54,365
BLACK SON OF A BITCH!
140
00:17:54,490 --> 00:17:56,576
UNH-UNH-UNH-UNH-UNH.
141
00:17:56,701 --> 00:17:59,412
YOU HAVE A TENDENCY
TO OVERREACT, ANDREW.
142
00:17:59,829 --> 00:18:02,665
YOU SEE, MR. KELLY MEANS
143
00:18:02,790 --> 00:18:05,167
NOT ONLY THE QUARTER OF
A MILLION DOLLARS HE OWES ME.
144
00:18:05,293 --> 00:18:08,588
BUT REMEMBER...
HE'S GOT THE KEY TO QUEENS.
145
00:18:10,715 --> 00:18:11,924
RELAX.
146
00:18:12,883 --> 00:18:13,968
RELAX.
147
00:20:06,288 --> 00:20:08,332
I DON'T WANT TOO MANY BOYS
HANGING AROUND.
148
00:20:08,708 --> 00:20:09,708
THEY WON'T BE THERE.
149
00:20:09,750 --> 00:20:11,460
ALL RIGHT.
MAKE SURE THEY'RE NOT THERE.
150
00:20:11,585 --> 00:20:12,878
WHAT ARE YOU WUSSES
DOING HERE?
151
00:20:13,170 --> 00:20:14,505
WELL, WELL.
152
00:20:15,131 --> 00:20:17,133
YOU GO TO A LOT
OF FUNERALS, SHAFT.
153
00:20:17,550 --> 00:20:18,592
WILLY AND ME,
154
00:20:19,135 --> 00:20:21,429
ONE DAY
WE'LL DROP IN ON YOURS.
155
00:20:21,637 --> 00:20:23,139
REAL SOON.
156
00:20:24,223 --> 00:20:25,223
YOU'RE NOT INVITED.
157
00:20:25,307 --> 00:20:26,016
IN THAT CASE,
158
00:20:26,142 --> 00:20:28,602
WE'LL SEND YOU A WREATH...
WITH LOVE.
159
00:20:29,145 --> 00:20:30,438
HEH HEH HEH.
160
00:20:34,859 --> 00:20:36,944
WHAT ABOUT ASBY
AND THOSE NUMBERS?
161
00:20:37,069 --> 00:20:39,363
WHAT ARE WE GONNA DO
ABOUT THAT BUSINESS?
162
00:20:39,488 --> 00:20:40,698
AIN'T OUR WAR, WILLY.
163
00:20:42,032 --> 00:20:43,951
KELLY'S IN CHARGE NOW.
164
00:20:44,285 --> 00:20:46,620
WE GOT ENOUGH TROUBLES
OF OUR OWN.
165
00:21:23,365 --> 00:21:24,575
OH, MY GOD.
166
00:21:25,159 --> 00:21:26,911
OH, MY GOD, WHAT HAPPENED?!
167
00:21:45,429 --> 00:21:46,429
KEEP AN EYE ON HER.
168
00:21:46,555 --> 00:21:47,555
YEAH.
169
00:22:08,869 --> 00:22:10,037
AAAH!
170
00:22:15,918 --> 00:22:19,213
[ENGINE REVS,
VEHICLE DRIVES AWAY]
171
00:22:21,298 --> 00:22:23,384
RIGHT ON TIME, MR. KELLY.
172
00:22:24,593 --> 00:22:26,136
JUST TRYING TO HELP, MAN.
173
00:22:27,429 --> 00:22:28,472
YEAH, RIGHT.
174
00:22:30,599 --> 00:22:32,017
LOOK, DO ME A FAVOR...
175
00:22:32,768 --> 00:22:33,936
IF YOU GET A MOMENT,
176
00:22:34,103 --> 00:22:36,272
LET ME TAKE A LOOK AT THOSE
PARTNERSHIP PAPERS, OKAY?
177
00:22:36,355 --> 00:22:37,355
OKAY.
178
00:23:02,172 --> 00:23:04,550
I WANNA THANK YOU FOR
BEING SO HELPFUL, MR. KELLY.
179
00:23:05,259 --> 00:23:08,053
AT A TIME LIKE THIS, JOHN,
IT'S THE LEAST I CAN DO.
180
00:23:09,555 --> 00:23:10,824
ARNA TELLS ME
YOU'RE GONNA BE HANDLING
181
00:23:10,848 --> 00:23:11,932
HER END OF THE BUSINESS.
182
00:23:12,433 --> 00:23:14,768
YOU DON'T HAVE ANY OBJECTIONS
TO THAT, DO YOU?
183
00:23:15,644 --> 00:23:16,937
NO, NO.
184
00:23:17,605 --> 00:23:19,833
FACT IS, I FIGURED SINCE YOU'RE
IN SUCH A BEREAVED STATE,
185
00:23:19,857 --> 00:23:22,359
I MIGHT HANG AROUND
AND KINDA HELP YOU OUT.
186
00:23:23,193 --> 00:23:24,462
WHO KNOWS?
BETWEEN THE TWO OF US,
187
00:23:24,486 --> 00:23:27,489
MAYBE WE CAN FIGURE OUT
WHO KNOCKED OFF CAL.
188
00:23:43,213 --> 00:23:44,298
SHAFT.
189
00:23:45,424 --> 00:23:46,424
YEP.
190
00:23:47,593 --> 00:23:48,969
LATELY
WE SEEM TO BE TRAVELING
191
00:23:49,094 --> 00:23:50,304
IN THE SAME CIRCLES...
192
00:23:50,804 --> 00:23:54,308
BOMBINGS, FUNERALS,
AND HOUSES OF THE DECEASED.
193
00:23:56,644 --> 00:23:57,895
SAD CIRCLES.
194
00:23:58,228 --> 00:24:00,108
LET'S GO DOWN TO THE PRECINCT
AND TALK ABOUT IT.
195
00:24:01,857 --> 00:24:02,857
OKAY, BABY.
196
00:24:03,025 --> 00:24:04,068
GET IN THE VEHICLE.
197
00:24:06,153 --> 00:24:07,488
I GOT MY OWN SHORT.
198
00:24:07,947 --> 00:24:09,031
I'LL FOLLOW YOU.
199
00:24:10,658 --> 00:24:11,658
OKAY.
200
00:25:10,134 --> 00:25:12,428
COME ON, COME ON!
201
00:25:14,221 --> 00:25:15,573
Captain: WHAT THE HELL'S
GOING ON HERE?
202
00:25:15,597 --> 00:25:16,890
CHIEF... HEY, CHIEF,
203
00:25:17,016 --> 00:25:18,183
GET THIS BASTARD
OFF MY BACK.
204
00:25:18,267 --> 00:25:19,685
YOU LITTLE SON OF A BITCH!
205
00:25:20,102 --> 00:25:21,186
TELL HIM I GOT RIGHTS!
206
00:25:22,271 --> 00:25:23,271
WHAT DID HE DO?
207
00:25:23,564 --> 00:25:25,324
THE DELI ON NORTHERN BOULEVARD
FOR 300 BUCKS,
208
00:25:25,441 --> 00:25:27,026
A GAS STATION FOR 27,
209
00:25:27,151 --> 00:25:29,403
THEN HE RAN A STOLEN CHEVY
INTO THE SIDE OF A SQUAD CAR!
210
00:25:29,862 --> 00:25:30,862
I GOT RIGHTS!
211
00:25:31,530 --> 00:25:33,198
FUCK YOUR RIGHTS.
212
00:25:33,782 --> 00:25:34,825
GO SUE THE CITY.
213
00:25:35,409 --> 00:25:36,409
COME ON.
214
00:25:38,537 --> 00:25:40,372
COME ON.
COME ON, KID.
215
00:25:41,915 --> 00:25:43,000
RELAX, HUH?
216
00:25:44,918 --> 00:25:47,379
DON'T YOU KNOW THEY'RE TRYING
TO REHABILITATE YOU HERE?
217
00:25:47,504 --> 00:25:48,714
SHIT.
218
00:25:58,766 --> 00:25:59,516
NOW, YOU LOOK...
219
00:25:59,641 --> 00:26:01,268
YOU TRY ANY OF THAT SHIT
ON ME,
220
00:26:01,685 --> 00:26:03,729
AND NONE OF US
WILL WALK OUT OF THIS ROOM!
221
00:26:04,396 --> 00:26:05,564
COME ON, SHAFT.
222
00:26:09,068 --> 00:26:10,068
SIT DOWN, SHAFT.
223
00:26:11,403 --> 00:26:12,237
I'LL SIT WHEN I'M SURE
224
00:26:12,362 --> 00:26:13,864
THAT APE WILL STAY
IN HIS CAGE.
225
00:26:14,573 --> 00:26:16,575
NOW, WHAT THE HELL
DO YOU WANT WITH ME?
226
00:26:17,117 --> 00:26:19,536
WHAT ARE YOU INTO WITH
CAL ASBY AND JOHNNY KELLY?
227
00:26:19,995 --> 00:26:22,164
I WAS INTO A FUNERAL
FOR AN OLD FRIEND.
228
00:26:23,832 --> 00:26:25,918
HOW'S THAT ANY BUSINESS
OF YOURS?
229
00:26:26,043 --> 00:26:29,004
IT'S BEEN THE BUSINESS
OF EVERY MAN IN THIS BUILDING
230
00:26:29,379 --> 00:26:30,881
EVER SINCE
ASBY AND KELLY SET UP
231
00:26:31,006 --> 00:26:32,758
A NUMBERS RACKET IN QUEENS.
232
00:26:34,760 --> 00:26:36,136
WHAT'S YOUR CONNECTION
WITH IT?
233
00:26:36,470 --> 00:26:37,930
WHAT'S WRONG WITH NUMBERS?
234
00:26:38,889 --> 00:26:40,516
A MAN NEEDS A LITTLE ACTION.
235
00:26:41,433 --> 00:26:43,519
LOOK, YOU GOT OFF-TRACK BETTING
HERE IN NEW YORK,
236
00:26:44,019 --> 00:26:45,604
GOT A LOTTERY SYSTEM
ALL OVER THE WORLD.
237
00:26:46,438 --> 00:26:48,357
EVERYBODY NEEDS A LONG SHOT.
238
00:26:48,732 --> 00:26:49,983
NOW, AIN'T THAT RIGHT,
CAPTAIN?
239
00:26:50,359 --> 00:26:51,568
YOU'RE GONNA MAKE ME THROW UP
240
00:26:51,693 --> 00:26:53,612
IF YOU KEEP LECTURING ME
ON THE PSYCHO-DYNAMICS
241
00:26:53,737 --> 00:26:55,864
OF WHAT PEOPLE NEED.
242
00:26:59,118 --> 00:27:01,453
IT'S AGAINST THE LAW.
THAT'S WHAT'S WRONG WITH IT.
243
00:27:03,038 --> 00:27:06,083
WELL, NOW, I'M GLAD
YOU CLUED ME IN, CAPTAIN.
244
00:27:10,379 --> 00:27:12,131
GET US SOME COFFEE, COOPER.
245
00:27:13,632 --> 00:27:14,967
YOU TALKING TO ME, CAPTAIN?
246
00:27:15,092 --> 00:27:16,593
WHAT DO YOU WANT ME
TO DO, SING?
247
00:27:17,302 --> 00:27:18,303
GET THE COFFEE, MAN.
248
00:27:25,519 --> 00:27:26,519
MAKE MINE BLACK.
249
00:27:33,735 --> 00:27:35,696
YOU DIDN'T HAVE TO SAY THAT
TO COOPER.
250
00:27:38,532 --> 00:27:40,450
SOMETHING JUST CAME OVER ME,
CAPTAIN.
251
00:27:42,035 --> 00:27:43,787
I'M REALLY ASHAMED.
252
00:27:48,792 --> 00:27:50,210
TELL YOU WHAT I GOT,
SHAFT...
253
00:27:52,880 --> 00:27:54,590
YOU JIVIN' ASBY'S SISTER,
254
00:27:55,966 --> 00:27:57,676
HE CATCHES A BOMB,
255
00:27:58,552 --> 00:27:59,761
AND KELLY TAKES OVER.
256
00:28:02,347 --> 00:28:05,058
YOU KNOW, MAYBE YOU TWO
GOT IT BRACKETED.
257
00:28:06,602 --> 00:28:09,271
AND NOW YOU FIGURE
TO RUN THE NUMBERS IN QUEENS.
258
00:28:09,938 --> 00:28:10,938
LIKE THAT SO FAR?
259
00:28:13,942 --> 00:28:14,942
RAP ON.
260
00:28:16,111 --> 00:28:19,531
AND AT THE FUNERAL,
WHO DO I SEE YOU WITH?
261
00:28:19,865 --> 00:28:20,865
BUMPY.
262
00:28:23,493 --> 00:28:26,121
AND YOU FIGURE
I'M BRINGING BUMPY IN.
263
00:28:26,580 --> 00:28:27,664
WHY NOT?
264
00:28:29,958 --> 00:28:32,753
YOU FINGER ASBY
AND BRING IN BUMPY?
265
00:28:35,464 --> 00:28:38,175
YOU PRIVATE SHITS
WILL DO ANYTHING FOR A BUCK.
266
00:28:39,051 --> 00:28:40,636
YOU PULL HARLEM AND QUEENS
TOGETHER,
267
00:28:40,761 --> 00:28:42,304
AND HELL, MAN, YOU'RE FAT.
268
00:28:43,055 --> 00:28:45,432
DO YOU JUST SIT AROUND
AND THINK THESE THINGS UP,
269
00:28:45,599 --> 00:28:48,101
OR DO THEY JUST COME TO YOU
IN A FLASH?
270
00:28:51,730 --> 00:28:54,024
HOW COME WE NEVER HASSLED
CAL ASBY?
271
00:28:55,067 --> 00:28:56,068
GO AHEAD... ASK ME.
272
00:28:57,069 --> 00:28:58,504
YOU NEVER HASSLED HIM
'CAUSE HE'S PROBABLY LAYING
273
00:28:58,528 --> 00:29:01,365
SOME HEAVY BREAD ON YOU GUYS
EVERY MONTH AT THE PRECINCT.
274
00:29:05,035 --> 00:29:06,703
HE RAN A WHEEL, OKAY.
275
00:29:07,955 --> 00:29:09,289
POOR MAN'S RACETRACK,
276
00:29:09,414 --> 00:29:11,541
BUT, MAN,
YOU CAN'T CUT THAT OUT.
277
00:29:14,002 --> 00:29:19,508
BUT HE DIDN'T DEAL IN SHIT
OR WHORES OR LOANSHARKING.
278
00:29:19,841 --> 00:29:21,468
EVERYTHING WAS COOL.
279
00:29:24,429 --> 00:29:28,725
AND NOW, WITH ASBY DEAD
AND KELLY RUNNING THINGS,
280
00:29:29,101 --> 00:29:30,310
WHO KNOWS?
281
00:29:31,436 --> 00:29:33,897
ANYBODY CAN MOVE
INTO THE VACUUM...
282
00:29:34,982 --> 00:29:39,695
MAYBE YOUR PAL BUMPY,
OR MASCOLA FROM DOWNTOWN.
283
00:29:40,112 --> 00:29:41,321
OH, YOU'VE HEARD OF MASCOLA?
284
00:29:42,906 --> 00:29:43,906
YEP.
285
00:29:45,117 --> 00:29:46,535
DOES A LOT OF TV WORK...
286
00:29:46,660 --> 00:29:49,204
EVERY TIME A SENATE
CRIME COMMITTEE IS IN TOWN.
287
00:29:55,085 --> 00:29:56,169
THREE SUGARS...
288
00:29:59,172 --> 00:30:00,257
...WITH CREAM.
289
00:30:02,592 --> 00:30:04,177
SO, WHAT DO YOU WANT
FROM ME, CAPTAIN?
290
00:30:04,303 --> 00:30:05,637
PUT THE WORD OUT...
291
00:30:06,013 --> 00:30:07,389
NOBODY BETTER TRY
TO COME IN HERE
292
00:30:07,514 --> 00:30:09,182
AND MESS UP THE STATUS QUO.
293
00:30:10,767 --> 00:30:13,395
AND NOBODY'S COMING IN HERE
TO SELL SHIT TO OUR KIDS
294
00:30:13,478 --> 00:30:15,022
OR PUT WHORES
ON OUR STREETS.
295
00:30:15,897 --> 00:30:17,733
IS THIS PROGRAM
BEING RECORDED,
296
00:30:17,858 --> 00:30:19,401
OR ARE WE GOING OUT LIVE?
297
00:30:20,944 --> 00:30:22,112
LOOK, MAN...
298
00:30:23,071 --> 00:30:25,198
I CAN COOL YOU OFF
THE OLD-FASHIONED WAY.
299
00:30:25,365 --> 00:30:27,159
WE HAVE A NICE STEEL PAD
BACK THERE.
300
00:30:28,702 --> 00:30:30,662
OKAY. LET'S GO.
301
00:30:38,920 --> 00:30:42,841
BUT I CAN'T BE ANY HELP
TO ANYONE IN A STEEL PAD.
302
00:30:50,432 --> 00:30:53,185
OKAY, SHAFT...
ON THE STREET.
303
00:30:54,603 --> 00:30:55,937
BUT IF YOU'RE SMART,
304
00:30:58,148 --> 00:30:59,441
YOU'LL KEEP IN TOUCH.
305
00:31:17,584 --> 00:31:19,169
ASBY-KELLY MAN.
306
00:31:23,382 --> 00:31:24,633
SANTA CLAUS.
307
00:31:24,758 --> 00:31:26,551
YOU HAVE HIT THE NUMBER,
BROTHER.
308
00:31:27,803 --> 00:31:28,803
COUNT IT.
309
00:31:31,223 --> 00:31:33,558
THANK YOU, BROTHER.
SAME THING TOMORROW, RIGHT?
310
00:31:33,642 --> 00:31:35,060
OKAY.
311
00:31:37,938 --> 00:31:39,606
ASBY-KELLY MAN.
312
00:31:44,736 --> 00:31:45,736
ALL RIGHT, BROTHER.
313
00:31:52,702 --> 00:31:55,163
802 IS THE FIGURE
FOR TODAY, BROTHER.
314
00:31:56,623 --> 00:32:00,252
SEE, THAT'S $3 ON
YOUR WIFE'S BURIAL POLICY...
315
00:32:01,586 --> 00:32:05,549
$1.50 ON YOURS, AND, UH...
316
00:32:05,841 --> 00:32:08,093
SHE SAYS SHE WANTS 717.
317
00:32:08,218 --> 00:32:11,471
717 FOR 50 CENTS.
318
00:32:12,264 --> 00:32:13,390
THANK YOU, BROTHER.
319
00:32:23,108 --> 00:32:24,901
OH, SHHH...
320
00:32:35,120 --> 00:32:36,204
UGH!
321
00:32:38,457 --> 00:32:40,500
HEY, MAN, PLEASE, MAN,
D-D-DON'T SHOOT ME.
322
00:32:40,876 --> 00:32:42,836
HEY, LOOK, MAN,
TAKE THE MONEY.
323
00:32:43,003 --> 00:32:46,173
I GOT A WIFE AND SIX KIDS
AND AN OLD BUICK TO SUPPORT.
324
00:32:46,465 --> 00:32:48,300
YOU WON'T GET HURT
LONG AS YOU KEEP TALKING.
325
00:32:48,967 --> 00:32:50,385
NOW, WHERE'S KELLY
OPERATING OUT OF?
326
00:32:50,552 --> 00:32:51,428
HEY, MAN, I CAN'T...
327
00:32:51,553 --> 00:32:52,553
[GUN COCKS]
328
00:32:52,596 --> 00:32:54,222
HEY, PLEASE, BROTHER,
TAKE THE MONEY.
329
00:32:54,347 --> 00:32:55,932
LOOK, MAN,
I'M JUST A RUNNER, MAN.
330
00:32:56,057 --> 00:32:57,057
WHERE?!
331
00:32:57,100 --> 00:32:58,935
HEY, BROTHER, I CAN'T.
KELLY'S GONNA KILL ME.
332
00:32:59,102 --> 00:33:00,270
I SAID, "WHERE?!"
333
00:33:00,520 --> 00:33:04,065
Woman: ♪ EVERY NIGHT
WHEN MOON COME UP ♪
334
00:33:04,441 --> 00:33:07,903
♪ BIG BAMBOO, HE FILL MY CUP ♪
335
00:33:08,195 --> 00:33:11,698
♪ 'ROUND 'BOUT 6:00
WHEN MOON COME DOWN ♪
336
00:33:12,115 --> 00:33:15,327
♪ BIG BAMBOO NOWHERE AROUND ♪
337
00:33:15,535 --> 00:33:16,578
Kelly: SHUT UP!
338
00:33:28,757 --> 00:33:31,635
YOU USED TO SAY
I HAD AN OPERATIC VOICE.
339
00:33:32,385 --> 00:33:34,179
YOU WERE GONNA GIVE ME
VOICE LESSONS.
340
00:33:34,304 --> 00:33:36,223
JUST KNOCK IT OFF.
341
00:33:38,099 --> 00:33:39,684
NO DAMN FLUID.
342
00:33:40,810 --> 00:33:42,395
MAYBE IT'S THE WICK.
343
00:33:43,188 --> 00:33:45,857
IT'S THE WICKS
THAT ALWAYS GO FIRST.
344
00:33:48,193 --> 00:33:49,236
BITCH.
345
00:33:51,988 --> 00:33:54,574
YOU GONNA HANG AROUND HERE
ALL DAY AND SHAKE?
346
00:33:54,699 --> 00:33:55,699
LISTEN!
347
00:33:57,452 --> 00:33:59,496
HERE, I PAY THE RENT.
348
00:33:59,621 --> 00:34:01,289
IF I WANNA HANG AROUND
ALL DAY,
349
00:34:01,414 --> 00:34:02,499
THAT'S MY BUSINESS.
350
00:34:02,624 --> 00:34:04,709
YOU THINK I NEED YOU.
351
00:34:07,170 --> 00:34:08,713
I DON'T SEE YOU PACKING.
352
00:34:10,382 --> 00:34:11,883
JUST WATCH!
353
00:34:19,808 --> 00:34:21,268
WHAT THE HELL ARE YOU DOING?
354
00:34:21,393 --> 00:34:22,435
YOU BETTER NOT!
355
00:34:24,771 --> 00:34:26,565
THAT'S JUST FOR OPENERS.
356
00:34:26,731 --> 00:34:28,191
[TELEPHONE RINGING]
357
00:34:36,491 --> 00:34:37,491
BITCH!
358
00:34:37,909 --> 00:34:38,909
YEAH?
359
00:34:39,411 --> 00:34:40,704
SO?
360
00:34:41,246 --> 00:34:42,539
Oh, it's you.
361
00:34:43,290 --> 00:34:44,457
IT'S ANOTHER DAY GONE BY,
362
00:34:44,583 --> 00:34:46,543
AND WE'RE GETTING NOTHING
BUT WEATHER REPORTS.
363
00:34:46,793 --> 00:34:49,004
EASY ON MR. KELLY, NOW.
364
00:34:49,170 --> 00:34:51,298
LOOK, MAN, I NEED MORE TIME.
365
00:34:52,841 --> 00:34:54,384
YOU HAVE A FRIEND IN COURT.
366
00:34:55,176 --> 00:34:57,387
THE MAN SAYS
TO GO EASY ON YOU.
367
00:34:58,138 --> 00:34:59,740
YOU MIGHT SUGGEST
IF HE'S IN THE NEIGHBORHOOD
368
00:34:59,764 --> 00:35:02,601
HE STOP BY, AND WE, UH,
HAVE A LITTLE CHAT.
369
00:35:04,436 --> 00:35:06,313
THE BOSS SAYS
IF YOU WOULDN'T MIND,
370
00:35:06,688 --> 00:35:09,274
I'D GET YOUR ASS OVER HERE
RIGHT NOW.
371
00:35:10,275 --> 00:35:11,651
NO CLASS...
372
00:35:11,985 --> 00:35:13,737
SIMPLY NO CLASS.
373
00:35:15,071 --> 00:35:17,365
[Classical music plays]
374
00:35:18,992 --> 00:35:20,035
[RECEIVER CLICKS]
375
00:35:20,702 --> 00:35:22,162
I'LL SEE YOU
IN A COUPLE OF HOURS.
376
00:35:22,871 --> 00:35:25,040
RITA! I SAID I'LL SEE YOU
IN A COUPLE OF HOURS.
377
00:35:26,249 --> 00:35:28,793
MAKE IT A COUPLE OF YEARS.
378
00:35:48,521 --> 00:35:49,648
[ENGINE TURNS OVER]
379
00:36:24,599 --> 00:36:25,725
[KNOCK ON DOOR]
380
00:36:29,771 --> 00:36:30,563
YES?
381
00:36:30,730 --> 00:36:31,856
Shaft: IS KELLY THERE?
382
00:36:33,233 --> 00:36:35,819
WE DON'T GIVE OUT
THAT KIND OF INFORMATION.
383
00:36:35,944 --> 00:36:38,029
TELL KELLY
THAT JOHN SHAFT WANTS HIM.
384
00:36:39,531 --> 00:36:41,571
AND IF HE'S NOT IN MY OFFICE
BY 5:00 THIS AFTERNOON,
385
00:36:41,616 --> 00:36:44,077
I'M COMING BACK HERE AND TAKING
THIS DOOR OFF THE HINGES.
386
00:36:48,707 --> 00:36:50,625
WHY WAIT TILL 5:00?
387
00:36:52,460 --> 00:36:54,713
OBVIOUSLY YOU'RE NOT
A FRIEND OF THE FAMILY.
388
00:36:55,338 --> 00:36:57,215
NOT ANYMORE, I'M NOT...
389
00:36:59,134 --> 00:37:02,595
NOT AFTER THIS NASTY SLAP
IN THE FACE.
390
00:37:03,805 --> 00:37:05,974
BEST THING FOR THAT
IS AN ICE PACK.
391
00:37:07,767 --> 00:37:10,103
WHY, THANK YOU, MR. SHAFT.
392
00:37:10,979 --> 00:37:14,232
WHY DON'T YOU COME IN
AND SHOW ME HOW TO APPLY IT?
393
00:37:21,197 --> 00:37:22,323
ON SECOND THOUGHT...
394
00:37:24,200 --> 00:37:25,368
NO ICE.
395
00:37:27,704 --> 00:37:29,164
YOU MIGHT CATCH COLD.
396
00:37:33,001 --> 00:37:34,502
I SUPPOSE
IT'S IMMODEST OF ME
397
00:37:34,669 --> 00:37:37,255
TO WALK AROUND LIKE THIS
IN FRONT OF A STRANGER.
398
00:37:40,008 --> 00:37:42,469
BUT ANY ENEMY
OF JOHN KELLY'S
399
00:37:42,594 --> 00:37:44,471
IS AN OLD FRIEND OF MINE.
400
00:37:50,977 --> 00:37:51,977
FUNNY...
401
00:37:53,938 --> 00:37:55,398
I USED TO LOVE THE GUY.
402
00:37:56,941 --> 00:37:59,235
UH, WHEN DO YOU
EXPECT HIM BACK?
403
00:37:59,569 --> 00:38:01,237
I HOPE NEVER.
404
00:38:02,947 --> 00:38:05,158
SO, WHAT AM I DOING
IN A PLACE LIKE THIS?
405
00:38:05,658 --> 00:38:07,202
WHY DON'T YOU TELL ME?
406
00:38:11,039 --> 00:38:12,499
WHY DON'T YOU TAKE
YOUR THINGS OFF?
407
00:38:24,469 --> 00:38:25,470
HEY...
408
00:38:26,221 --> 00:38:27,305
WAIT A MINUTE.
409
00:38:29,390 --> 00:38:31,017
I DIDN'T MEAN ALL THAT.
410
00:38:31,601 --> 00:38:33,645
HEY, BABY, LOOK,
IT'S HOT IN HERE.
411
00:38:34,229 --> 00:38:37,315
BESIDES, I DON'T WANT YOU
TO FEEL... OVERDRESSED.
412
00:38:59,045 --> 00:39:00,755
YOU'LL NEVER GUESS
WHERE WE FOUND IT.
413
00:39:00,922 --> 00:39:02,090
HOW MANY TIMES
HAVE I TOLD YOU
414
00:39:02,215 --> 00:39:03,633
NOT TO FRISK OUR GUESTS,
ANDY?
415
00:39:03,758 --> 00:39:05,301
MR. KELLY IS NO HOODLUM.
416
00:39:05,969 --> 00:39:08,304
YOU'RE SITTING ON MY TABLE,
MR. KELLY.
417
00:39:10,431 --> 00:39:11,599
THAT'S BETTER.
418
00:39:13,142 --> 00:39:13,935
TSK, TSK, TSK, TSK.
419
00:39:14,018 --> 00:39:15,645
NOW, I THOUGHT
THIS WAS GOING TO BE
420
00:39:15,728 --> 00:39:18,022
A FRIENDLY CONVERSATION.
421
00:39:18,231 --> 00:39:20,608
BEEN CARRYING THAT PIECE
SINCE I WAS 10 YEARS OLD.
422
00:39:21,818 --> 00:39:24,404
A LOUSY .25 CALIBER.
423
00:39:25,029 --> 00:39:26,948
ALWAYS FIGURED
HE WAS A FAGGOT.
424
00:39:30,660 --> 00:39:31,660
WATCH IT.
425
00:39:32,871 --> 00:39:35,081
NOW, MR. KELLY,
426
00:39:36,082 --> 00:39:37,834
YOU BRING ME
UP TO THE MOMENT
427
00:39:38,001 --> 00:39:39,127
ON OUR SITUATION.
428
00:39:39,627 --> 00:39:42,213
IT'S NOT GOOD, GUS.
IT'S NOT GOOD AT ALL.
429
00:39:42,463 --> 00:39:44,007
HOW SO, MR. KELLY?
430
00:39:44,090 --> 00:39:46,467
PASCAL, GIVE ME
THE PASTA, HMM?
431
00:39:52,223 --> 00:39:53,766
HE HAD THE MONEY
IN THE SAFE.
432
00:39:54,183 --> 00:39:55,393
YOU'RE SURE ABOUT THAT?
433
00:39:55,727 --> 00:39:58,438
HE SIGNED THE PAPERS.
HE WAS BUYING ME OUT...
434
00:39:58,605 --> 00:39:59,689
IN CASH.
435
00:40:01,608 --> 00:40:03,443
I HAD A COUPLE
OF MY BOYS OUTSIDE.
436
00:40:04,736 --> 00:40:06,654
THEY SAW HIM TAKE
A SHOPPING BAG
437
00:40:06,905 --> 00:40:08,031
AND SOMETHING
OUT OF THE SAFE
438
00:40:08,156 --> 00:40:09,699
AND GO
INTO THE FUNERAL HOME.
439
00:40:10,366 --> 00:40:12,076
THE MONEY MUST HAVE BEEN
IN THAT BAG.
440
00:40:12,201 --> 00:40:14,078
HAS IT OCCURRED TO YOU,
MR. KELLY,
441
00:40:14,203 --> 00:40:15,872
THAT WHEN YOU BLEW UP
YOUR PARTNER
442
00:40:16,039 --> 00:40:18,499
THAT YOU MAY HAVE ALSO
BLOWN UP MY MONEY?
443
00:40:19,500 --> 00:40:21,961
YEAH, I HAD NIGHTMARES
ABOUT THAT, TOO.
444
00:40:22,670 --> 00:40:24,297
BUT THEN I GOT
A PHOTOSTATIC COPY
445
00:40:24,464 --> 00:40:26,174
OF THE BOMB SQUAD REPORT.
446
00:40:26,299 --> 00:40:27,926
THERE WAS NO MONEY
IN THE DEBRIS,
447
00:40:28,051 --> 00:40:30,291
SO I FIGURE IT'S GOTTA BE
SOMEWHERE IN THAT FUNERAL HOME.
448
00:40:32,096 --> 00:40:33,556
MM-HMM.
449
00:40:40,855 --> 00:40:41,648
NICE.
450
00:40:41,773 --> 00:40:42,773
THANK YOU.
451
00:40:43,107 --> 00:40:44,418
I'D INVITE YOU TO DINNER,
MR. KELLY,
452
00:40:44,442 --> 00:40:47,445
BUT I SUGGEST YOU HAVE
MORE... PRESSING ENGAGEMENTS.
453
00:40:47,737 --> 00:40:50,865
LIKE GETTING OUT $250,000...
454
00:40:51,824 --> 00:40:53,284
BY TONIGHT.
455
00:40:53,618 --> 00:40:56,371
THERE YOU GO AGAIN
CREATING PRESSURES,
456
00:40:56,871 --> 00:40:58,539
IMPOSING DEADLINES.
457
00:41:00,083 --> 00:41:01,417
NO, MR. KELLY.
458
00:41:02,085 --> 00:41:02,752
WHAT I HAD IN MIND
459
00:41:02,877 --> 00:41:05,505
WAS SOMETHING
ALTOGETHER DIFFERENT.
460
00:41:06,047 --> 00:41:08,108
YOU SEE, NOT ONLY DO I WANT
THE MONEY YOU GAMBLED AWAY
461
00:41:08,132 --> 00:41:09,133
ON MY CRAP TABLES,
462
00:41:09,258 --> 00:41:12,220
BUT I WANT HALF YOUR ACTION
IN QUEENS.
463
00:41:12,345 --> 00:41:13,179
AW, COME ON, MAN.
464
00:41:13,304 --> 00:41:15,098
OH, COME ON, MAN.
465
00:41:15,598 --> 00:41:18,935
WELL, WE SHOULD MAKE
SUPERB PARTNERS, MR. KELLY.
466
00:41:19,060 --> 00:41:21,479
AFTER ALL,
WE'RE BOTH CREATIVE MEN.
467
00:41:21,980 --> 00:41:24,482
WHO ELSE PLAYS THE CLARINET
BETTER THAN I DO?
468
00:41:24,607 --> 00:41:26,609
OR MAKES A BETTER
SHRIMP NEWBURG, HMM?
469
00:41:26,734 --> 00:41:29,070
NO WAY.
IT'S ALL TIED IN
470
00:41:29,195 --> 00:41:32,281
TO THE INSURANCE AND FUNERAL
OPERATION OUT FRONT.
471
00:41:32,407 --> 00:41:35,410
BESIDES, CAL'S SISTER
OWNS HIS SHARE.
472
00:41:35,702 --> 00:41:38,454
WELL, IF YOU WANT YOUR HALF,
YOU GET IT FROM HER.
473
00:41:38,579 --> 00:41:40,623
YOU HARDLY EXPECT ME
TO GIVE UP MY HALF.
474
00:41:42,542 --> 00:41:43,626
LOOK, MAN...
475
00:41:44,419 --> 00:41:45,211
SHE'S GOT A GUY.
476
00:41:45,336 --> 00:41:47,964
HIS NAME IS JOHN SHAFT,
AND HE'S A BAD DUDE.
477
00:41:48,131 --> 00:41:49,757
I CAN'T MESS WITH HER HALF.
478
00:41:50,133 --> 00:41:51,467
EVER HEAR OF JOHN SHAFT?
479
00:41:54,470 --> 00:41:56,723
YOU SEE, MR. KELLY?
NOTHING TO WORRY ABOUT.
480
00:41:56,848 --> 00:41:59,017
PASCAL HASN'T EVER
EVEN HEARD OF HIM.
481
00:42:00,601 --> 00:42:02,270
HE'S ALREADY INTO IT...
482
00:42:02,770 --> 00:42:04,105
SITTING
ON MY SHOULDERS, GUS.
483
00:42:04,188 --> 00:42:05,815
I CAN'T MAKE A MOVE.
484
00:42:11,779 --> 00:42:13,865
COULD WE BE OF ANY ASSISTANCE
WITH THE PROBLEM...
485
00:42:14,032 --> 00:42:15,676
ASSUMING, OF COURSE,
THAT WE'RE PARTNERS...
486
00:42:15,700 --> 00:42:17,577
50/50... IN YOUR WHEEL?
487
00:42:22,915 --> 00:42:24,834
TRY TO THINK FAST,
MR. KELLY.
488
00:42:31,632 --> 00:42:32,632
HMM?
489
00:42:38,598 --> 00:42:40,058
YOU'LL TAKE CARE OF SHAFT?
490
00:42:40,183 --> 00:42:41,601
DEPEND ON IT.
491
00:42:41,726 --> 00:42:46,022
♪ DON'T MISUNDERSTAND ♪
492
00:42:46,731 --> 00:42:50,193
♪ WE ARE ONLY STRANGERS ♪
493
00:42:50,485 --> 00:42:53,738
♪ ON OUR WAY TO SOMEONE ELSE ♪
494
00:42:53,905 --> 00:42:58,493
♪ TO SOMEPLACE WE FORGOT ♪
495
00:43:01,204 --> 00:43:05,625
♪ DON'T MISTAKE MY SMILE ♪
496
00:43:06,167 --> 00:43:10,546
♪ IT JUST MEANS I'M LONELY ♪
497
00:43:11,130 --> 00:43:15,635
♪ LOVE ME
TILL THIS DAY IS PAST ♪
498
00:43:15,802 --> 00:43:19,931
♪ AND THEN FORGET WE MET ♪
499
00:43:22,600 --> 00:43:25,937
♪ WE'RE JUST STEALIN' TIME ♪
500
00:43:26,062 --> 00:43:29,148
♪ IN SOME SECRET PLACE ♪
501
00:43:29,273 --> 00:43:36,197
♪ YIELDING TO A SOFT-WIND DAY
TO LOVE THE PAIN AWAY ♪
502
00:43:39,659 --> 00:43:45,164
♪ DON'T MISUNDERSTAND ♪
503
00:43:45,581 --> 00:43:50,253
♪ YOU ARE NO CONCERN OF MINE ♪
504
00:43:51,295 --> 00:43:54,757
♪ BUT IN CASE
YOU'RE FREE SOMETIME ♪
505
00:43:54,882 --> 00:43:59,762
♪ AND NEED SOME TIME
WITH ME SOMETIME ♪
506
00:44:00,054 --> 00:44:04,767
♪ TO HOLD MY HAND ♪
507
00:44:04,934 --> 00:44:08,563
♪ THEN I ♪
508
00:44:09,272 --> 00:44:16,737
♪ WILL UNDERSTAND ♪
509
00:45:11,584 --> 00:45:12,293
WHERE THE HELL YOU BEEN
510
00:45:12,418 --> 00:45:14,253
WITH
THE GODDAMNED ELEVATOR?
511
00:45:16,088 --> 00:45:19,300
YOU OUGHTN'T TALK
TO A LADY THAT WAY.
512
00:45:19,800 --> 00:45:22,845
WHERE'S YOUR FUCKING MANNERS,
ANYWAY?
513
00:45:40,571 --> 00:45:42,031
DO YOU HAVE TO GO?
514
00:45:42,657 --> 00:45:43,991
GOTTA SPLIT, BABY.
515
00:46:03,469 --> 00:46:04,262
RITA?
516
00:46:04,387 --> 00:46:05,554
[KNOCK ON DOOR]
517
00:46:05,972 --> 00:46:07,265
STILL WANNA SEE HIM?
518
00:46:08,641 --> 00:46:10,101
DRIVE THAT CAT CRAZY?
519
00:46:10,434 --> 00:46:12,770
RITA! OPEN THE DOOR.
520
00:46:15,731 --> 00:46:17,024
RITA!
521
00:46:19,068 --> 00:46:21,737
RITA, OPEN THE DAMN DOOR!
522
00:46:21,904 --> 00:46:22,655
GOT A BACK ENTRANCE?
523
00:46:22,780 --> 00:46:23,906
MM-HMM.
524
00:46:24,240 --> 00:46:26,117
RITA, OPEN THE DOOR.
525
00:46:27,785 --> 00:46:29,912
GOD DAMN IT, WOMAN,
OPEN THE FUCKING DOOR!
526
00:46:30,037 --> 00:46:31,580
WHAT'S THE MATTER WITH YOU?
527
00:46:32,707 --> 00:46:34,583
RITA, OPEN
THE GODDAMN DOOR, WOMAN,
528
00:46:34,750 --> 00:46:36,585
BEFORE I KICK
THE SON OF A BITCH IN!
529
00:46:37,295 --> 00:46:39,005
I SAID OPEN THE DOOR!
530
00:46:39,880 --> 00:46:41,924
RITA, OPEN THE DAMN DOOR!
531
00:46:42,049 --> 00:46:43,801
WHAT'S THE MATTER WITH YOU?
532
00:46:43,968 --> 00:46:44,969
RITA?
533
00:46:46,470 --> 00:46:48,264
YOU MEAN THIS DOOR?
534
00:46:52,184 --> 00:46:53,686
CIAO, BABY.
535
00:46:57,815 --> 00:46:59,984
OPEN THE DAMN DOOR!
RITA!
536
00:47:01,193 --> 00:47:03,487
WHAT'S WRONG WITH YOU, WOMAN?
OPEN THE DAMN DOOR!
537
00:47:05,239 --> 00:47:06,699
OPEN THE GODDAMN DOOR!
538
00:47:06,824 --> 00:47:08,701
[POUNDING]
539
00:47:08,826 --> 00:47:10,178
WHAT THE HELL'S THE MATTER
WITH YOU, WOMAN?
540
00:47:10,202 --> 00:47:11,537
OPEN THIS GODDAMN DOOR!
541
00:47:11,704 --> 00:47:13,873
[POUNDING]
542
00:47:13,998 --> 00:47:15,750
I'LL KICK
THE SON OF A BITCH IN!
543
00:47:19,003 --> 00:47:20,003
I CAN'T BELIEVE IT,
544
00:47:20,755 --> 00:47:22,173
BUT THERE IT IS IN WRITING.
545
00:47:23,466 --> 00:47:24,592
SORRY, BABY.
546
00:47:25,634 --> 00:47:26,994
I WANTED TO OPEN YOUR EYES
EARLIER.
547
00:47:27,219 --> 00:47:29,099
I WANTED TO LET YOU KNOW
WHAT KELLY'S SCENE WAS.
548
00:47:29,472 --> 00:47:30,890
BUT TO DO THAT,
549
00:47:31,015 --> 00:47:33,100
I HAD TO LET YOU KNOW
WHAT YOUR BROTHER WAS INTO.
550
00:47:34,560 --> 00:47:35,895
IT'S UNBELIEVABLE,
551
00:47:36,020 --> 00:47:38,060
ESPECIALLY WHEN YOU THINK
ABOUT THE CHILDCARE CENTER
552
00:47:38,105 --> 00:47:39,648
HE WAS PLANNING TO BUILD
UP IN HARLEM.
553
00:47:39,857 --> 00:47:41,734
YEAH, YOUR BROTHER
WAS A GOOD MAN.
554
00:47:41,859 --> 00:47:43,819
AT LEAST HE PUT THE MONEY
BACK WHERE IT CAME FROM.
555
00:47:45,738 --> 00:47:47,365
THAT'S MORE THAN I CAN SAY
FOR KELLY.
556
00:47:49,408 --> 00:47:50,534
JOHN...
557
00:47:52,995 --> 00:47:55,081
EXACTLY WHAT
DO THESE PAPERS MEAN?
558
00:47:55,456 --> 00:47:56,582
THAT'S SIMPLE...
559
00:47:56,707 --> 00:47:58,769
KELLY WAS BORROWING MONEY
FROM YOUR BROTHER FOR YEARS
560
00:47:58,793 --> 00:48:00,002
TO PAY OFF
HIS GAMBLING DEBTS.
561
00:48:02,088 --> 00:48:04,048
YOUR BROTHER
FINALLY DREW THE LINE...
562
00:48:04,173 --> 00:48:05,800
THE PAPER'S AN AGREEMENT
FROM KELLY
563
00:48:06,050 --> 00:48:07,635
FOR HIS INTEREST
IN THE BUSINESS...
564
00:48:11,097 --> 00:48:13,766
...IN RETURN FOR $250,000.
565
00:48:14,934 --> 00:48:15,952
IF YOUR BROTHER WERE ALIVE,
566
00:48:15,976 --> 00:48:18,437
KELLY WOULD BE BROKEN...
OUT ON HIS ASS.
567
00:48:20,272 --> 00:48:21,565
THE REST OF IT IS OBVIOUS.
568
00:48:21,732 --> 00:48:23,025
COME ON.
COME ON.
569
00:48:23,984 --> 00:48:24,985
- WHAT IS IT?
- UPSTAIRS.
570
00:48:25,111 --> 00:48:26,237
WHAT IS IT?!
571
00:48:32,284 --> 00:48:33,869
[DOORBELL RINGS]
572
00:48:34,036 --> 00:48:35,036
YEAH?
573
00:48:35,121 --> 00:48:36,121
FLOWERS.
574
00:48:36,205 --> 00:48:37,623
JUST LEAVE THEM AT THE DOOR.
575
00:48:37,748 --> 00:48:38,999
SORRY, YOU GOTTA SIGN.
576
00:48:40,334 --> 00:48:41,669
JUST A MINUTE.
577
00:48:52,471 --> 00:48:53,471
HUH!
578
00:49:01,355 --> 00:49:02,565
UGH!
579
00:49:07,903 --> 00:49:09,655
WHO PUT A CONTRACT OUT
ON ME?
580
00:49:23,627 --> 00:49:25,671
ARNA!
GET SOME THINGS TOGETHER,
581
00:49:25,796 --> 00:49:27,339
AND LET'S GET
THE HELL OUT OF HERE.
582
00:49:31,010 --> 00:49:32,219
[KNOCK ON DOOR]
583
00:49:41,979 --> 00:49:43,189
I WANNA SEE YOUR BOSS.
584
00:49:43,314 --> 00:49:44,440
WHAT ABOUT?
585
00:49:45,065 --> 00:49:46,525
INSURANCE.
586
00:49:46,650 --> 00:49:48,986
THE ONLY INSURANCE HE NEEDS
IS ME, SWEET PEA.
587
00:49:49,111 --> 00:49:50,831
LOOK, I'M NOT HERE
SELLING INSURANCE, CLOWN,
588
00:49:50,905 --> 00:49:52,281
AND YOU KNOW IT.
WHERE IS BUMPY?
589
00:49:52,406 --> 00:49:55,534
AIN'T BUYIN' NO COFFINS,
UNLESS HE'S BUYING YOURS.
590
00:49:55,659 --> 00:49:57,036
Bumpy: BRING HIM IN, WILLY.
591
00:50:00,748 --> 00:50:02,666
HE'S CLEAN, BOSS...
592
00:50:02,958 --> 00:50:05,211
CLEAN AS MR. CLEAN HIMSELF.
593
00:50:05,419 --> 00:50:08,380
"CLEAN" KELLY...
PRISTINE AND CLEAN.
594
00:50:08,547 --> 00:50:09,673
HAVE A DRINK.
595
00:50:10,007 --> 00:50:11,425
THANKS, BUMPY.
596
00:50:11,926 --> 00:50:12,635
TAKE A SEAT.
597
00:50:12,885 --> 00:50:14,678
NO, NO, MAN.
I'M ON THE MOVE.
598
00:50:14,803 --> 00:50:17,306
AIN'T A DAMN THING WRONG
WITH STANDING.
599
00:50:18,474 --> 00:50:20,559
I'VE BEEN EXPECTING YOU,
KELLY.
600
00:50:22,269 --> 00:50:23,349
WHAT KIND OF HELP YOU NEED?
601
00:50:23,604 --> 00:50:25,523
WHAT MAKES YOU THINK
I NEED HELP?
602
00:50:25,773 --> 00:50:28,234
A MAN DON'T COME CALLING
ON HIS COMPETITORS
603
00:50:28,400 --> 00:50:29,443
UNLESS HE NEEDS HELP.
604
00:50:29,568 --> 00:50:31,862
WE'RE NOT COMPETITORS,
BUMPY.
605
00:50:32,112 --> 00:50:34,365
ANYBODY IN MY BUSINESS
IS A COMPETITOR.
606
00:50:34,532 --> 00:50:36,659
A MAN WHO KNOWS MY GAME
CAN ALWAYS COME
607
00:50:36,784 --> 00:50:39,203
INTO MY NEIGHBORHOOD
AND TRY TO PLAY IT.
608
00:50:39,370 --> 00:50:40,955
SO, WHAT DO YOU WANT?
609
00:50:41,080 --> 00:50:43,707
I'M SHOPPING
FOR A NEW PARTNER.
610
00:50:43,832 --> 00:50:45,668
KINDA DANGEROUS
BEING YOUR PARTNER.
611
00:50:47,253 --> 00:50:48,587
HOW MUCH IT GONNA COST ME?
612
00:50:49,547 --> 00:50:50,547
QUARTER OF A MILLION...
613
00:50:50,631 --> 00:50:51,799
UP FRONT.
614
00:50:52,466 --> 00:50:53,801
WHAT DOES THAT BUY ME?
615
00:50:54,468 --> 00:50:56,345
25% OF THE ACTION.
616
00:50:56,720 --> 00:50:57,888
GUS MASCOLA WOULD ASK YOU
617
00:50:58,013 --> 00:51:00,057
FOR A HELL OF A LOT MORE
THAN THAT, BABY.
618
00:51:01,392 --> 00:51:02,476
HOW ABOUT 50%?
619
00:51:04,728 --> 00:51:05,728
NO...
620
00:51:07,439 --> 00:51:10,067
WHY DON'T WE MAKE IT
60% OF THE ACTION?
621
00:51:10,359 --> 00:51:12,069
WHAT'S THAT EXTRA 10%?
622
00:51:12,778 --> 00:51:15,698
JUST IN CASE WE NEED
A CONTRACT ON MASCOLA.
623
00:51:17,241 --> 00:51:19,285
MAN, YOU'RE REALLY PUTTING
THE SCREWS TO ME.
624
00:51:19,410 --> 00:51:21,036
MASCOLA...
HE MIGHT NOT LIKE THE IDEA
625
00:51:21,203 --> 00:51:24,123
OF THIS NEW ARRANGEMENT
BETWEEN BROTHERS.
626
00:51:24,665 --> 00:51:26,625
HE MIGHT WANNA TAKE
A LITTLE COUNTERACTION.
627
00:51:26,750 --> 00:51:28,043
I CAN HANDLE THAT.
628
00:51:28,919 --> 00:51:29,962
BUT, UM...
629
00:51:31,797 --> 00:51:34,758
THERE IS ONE MORE...
LITTLE PROBLEM.
630
00:51:35,217 --> 00:51:37,344
NOTHING WE CAN'T HANDLE
TOGETHER, BROTHER.
631
00:51:38,053 --> 00:51:41,390
NOW, IF, UM, CAL'S LITTLE
SISTER OWNS HALF THE BUSINESS,
632
00:51:41,473 --> 00:51:43,183
AND YOU OWN 60%,
633
00:51:44,143 --> 00:51:46,270
THAT DON'T LEAVE NOTHING
FOR ME.
634
00:51:46,478 --> 00:51:48,647
NOW, LOOK, BABY BOO,
635
00:51:48,939 --> 00:51:51,066
THERE'S TROUBLES
AND TROUBLES,
636
00:51:51,191 --> 00:51:52,776
AND THIS ONE IS YOURS.
637
00:51:53,861 --> 00:51:54,861
WILLY!
638
00:51:55,112 --> 00:51:56,155
Willy: YEAH, BOSS?
639
00:51:56,822 --> 00:51:58,198
WILLY WILL SHOW YOU OUT.
640
00:52:00,534 --> 00:52:02,815
SEE THAT HE GETS THE MONEY
THE FIRST THING IN THE MORNING.
641
00:52:03,203 --> 00:52:04,204
YEAH.
642
00:52:06,665 --> 00:52:07,833
YEAH, OKAY.
643
00:52:19,386 --> 00:52:22,806
BOSS, YOU TRUST
THIS NEGRO HERE?
644
00:52:24,600 --> 00:52:25,809
Bumpy: HOLD IT, WILLY!
645
00:52:31,565 --> 00:52:35,319
YOU DON'T HAVE TO WORRY
ABOUT TRUSTING A DEAD MAN.
646
00:52:38,072 --> 00:52:40,991
[FUNK MUSIC PLAYS]
647
00:53:54,732 --> 00:53:55,858
CIGARETTE?
648
00:53:56,233 --> 00:53:57,568
NO, THANK YOU, BABY.
649
00:53:57,860 --> 00:53:59,236
WHAT ELSE CAN YOU OFFER ME?
650
00:53:59,903 --> 00:54:02,114
WELL, I'M OFF AT 4:00.
651
00:54:59,546 --> 00:55:01,924
HEY, BABY,
WHERE'S YOUR WOMAN?
652
00:55:02,800 --> 00:55:04,301
I'M TRAVELING
KIND OF LIGHT TONIGHT.
653
00:55:04,802 --> 00:55:06,053
OH?
654
00:55:08,722 --> 00:55:10,390
100 BUCKS SAYS
THAT BACK DOOR DOESN'T LEAD
655
00:55:10,516 --> 00:55:11,600
TO THE PARKING LOT.
656
00:55:18,816 --> 00:55:20,192
I'M NOT A GAMBLING WOMAN.
657
00:55:21,151 --> 00:55:22,236
I'M A GAMBLING MAN.
658
00:55:23,403 --> 00:55:25,447
I THOUGHT IT WAS MY ACTION
YOU WERE DIGGING HERE.
659
00:55:26,240 --> 00:55:28,158
I NEVER TOOK YOU
FOR A GAMBLER.
660
00:55:29,535 --> 00:55:30,536
BUT...
661
00:55:30,702 --> 00:55:32,871
IF THAT'S YOUR MEAT,
THAT'S THE DOOR.
662
00:55:33,455 --> 00:55:35,123
YOU'RE PUSHING
MIGHTY HARD, MY MAN.
663
00:55:38,460 --> 00:55:39,979
MAYBE I OUGHTA PUSH
THE BOYS IN THE BACK
664
00:55:40,003 --> 00:55:41,883
THAT HAVE BEEN TAKING
ALL YOUR MONEY, MR. KELLY.
665
00:55:51,640 --> 00:55:52,724
OKAY.
666
00:55:53,058 --> 00:55:54,369
YOU EXTEND HIM
FOR ANOTHER FIVE GRAND
667
00:55:54,393 --> 00:55:56,770
AND NOT ONE CENT MORE.
DO YOU UNDERSTAND?
668
00:56:00,607 --> 00:56:01,400
OKAY.
669
00:56:01,567 --> 00:56:02,693
Kelly: LISTEN, GUS...
670
00:56:07,030 --> 00:56:08,030
YOU, UM...
671
00:56:08,949 --> 00:56:10,993
YOU TOLD ME YOU WERE GONNA
TAKE CARE OF SHAFT.
672
00:56:11,118 --> 00:56:12,118
THAT'S WHAT I TOLD YOU.
673
00:56:12,369 --> 00:56:13,569
WELL, MAN,
HE'S RIGHT OUT THERE
674
00:56:13,704 --> 00:56:15,038
AT A RINGSIDE TABLE.
675
00:56:15,831 --> 00:56:17,541
AND HE'S NOT HERE
TO SEE THE FLOOR SHOW.
676
00:56:18,000 --> 00:56:19,167
THERE'S GONNA BE TROUBLE.
677
00:56:19,918 --> 00:56:21,587
THAT'S FINE WITH ME.
678
00:56:21,712 --> 00:56:22,754
WE MADE A DEAL.
679
00:56:22,880 --> 00:56:24,214
AND I JUST CALLED IT OFF.
680
00:56:25,257 --> 00:56:26,609
YOU SEE, MR. KELLY,
I MADE A TEST RUN...
681
00:56:26,633 --> 00:56:29,094
A SORT OF A HOUSE CALL...
ON MR. SHAFT.
682
00:56:29,219 --> 00:56:30,387
DIDN'T WORK OUT SO WELL.
683
00:56:31,138 --> 00:56:32,890
IT COST ME
A DEAD SECOND COUSIN
684
00:56:33,265 --> 00:56:36,059
AND A FRIEND'S KID BROTHER
WITH TWO HITS IN THE CHEST.
685
00:56:41,064 --> 00:56:42,733
AREN'T YOU GONNA SETTLE
THE SCORE?
686
00:56:43,066 --> 00:56:44,401
THE QUESTION IS,
687
00:56:44,735 --> 00:56:46,236
WHO IS HE HERE
TO SETTLE WITH...
688
00:56:46,361 --> 00:56:48,113
ME OR YOU?
689
00:56:49,740 --> 00:56:50,860
YOU'RE A GAMBLER, MR. KELLY.
690
00:56:50,908 --> 00:56:51,908
SO AM I.
691
00:56:53,201 --> 00:56:54,745
NOW, I'M BETTING THAT, UH...
692
00:56:55,913 --> 00:56:57,706
YOU'RE SHAFT'S TARGET
FOR TONIGHT.
693
00:56:58,624 --> 00:56:59,976
SUPPOSE I JUST LET HIM
DO HIS THING...
694
00:57:00,000 --> 00:57:01,752
SAY, UH, KNOCK YOU OFF?
695
00:57:02,753 --> 00:57:04,230
AFTER ALL,
YOU'RE THE ONE THAT TOTALED
696
00:57:04,254 --> 00:57:05,589
HIS GIRLFRIEND'S BIG BROTHER.
697
00:57:07,090 --> 00:57:08,508
AND WHEN YOU COME TO THINK
ABOUT IT,
698
00:57:08,675 --> 00:57:10,636
WHY SHOULD I DO ANYTHING
TO KEEP YOU ALIVE?
699
00:57:10,761 --> 00:57:12,864
YOU HAVEN'T EVEN COME UP WITH
THE MONEY YOU OWE ME YET.
700
00:57:12,888 --> 00:57:15,891
TOMORROW, I TOLD YOU!
GOT IT?
701
00:57:16,475 --> 00:57:17,935
HAVE YOU CONSIDERED RENEWING
702
00:57:18,101 --> 00:57:20,312
YOUR PARTNERSHIP
WITH CAL ASBY?
703
00:57:20,479 --> 00:57:21,855
COME ON, MAN.
HE'S DEAD.
704
00:57:23,690 --> 00:57:25,150
PRECISELY.
705
00:57:27,402 --> 00:57:29,279
YOU DON'T KNOW
WHAT THAT DUDE IS INTO.
706
00:57:29,404 --> 00:57:30,614
HE'S BUMPY'S BOY.
707
00:57:31,740 --> 00:57:33,033
UNDERSTAND THAT?
708
00:57:33,158 --> 00:57:35,535
AND THEY'RE LOOKING TO TAKE
OVER MY WHEEL IN QUEENS.
709
00:57:36,536 --> 00:57:37,955
SHAFT IS WORKING FOR BUMPY?
710
00:57:40,999 --> 00:57:42,542
NOW YOU'RE GETTING SMART.
711
00:58:10,570 --> 00:58:11,822
WELL...
712
00:58:13,365 --> 00:58:15,951
WE'LL SEND MR. SHAFT
BACK TO BUMPY
713
00:58:17,327 --> 00:58:19,788
WITH A MESSAGE
THEY UNDERSTAND UPTOWN.
714
00:58:20,539 --> 00:58:21,748
PASCAL...
715
00:58:43,103 --> 00:58:44,438
IT'S IN THERE.
716
00:58:45,188 --> 00:58:46,314
LET HIM IN.
717
00:58:58,994 --> 00:59:00,078
YOU LOOKING FOR ME?
718
00:59:01,997 --> 00:59:03,999
I'VE BEEN HEARING QUITE A BIT
ABOUT YOU, MR. SHAFT.
719
00:59:04,124 --> 00:59:06,001
YOU'RE, UH, QUITE A BOY.
720
00:59:07,335 --> 00:59:09,171
I PREFER MAN.
721
00:59:09,337 --> 00:59:12,424
ALL RIGHT... MAN.
722
00:59:14,718 --> 00:59:16,428
WHAT BRINGS YOU AROUND HERE?
723
00:59:18,680 --> 00:59:21,475
FORGOT TO TIP YOUR BOYS WHEN
THEY DELIVERED THE FLOWERS.
724
00:59:25,020 --> 00:59:26,700
THE ONLY REASON
I DON'T SPILL YOUR GUTS OUT
725
00:59:26,730 --> 00:59:28,398
RIGHT HERE AND NOW, MAN,
726
00:59:28,565 --> 00:59:31,151
IS THAT IT'S EASIER FOR ME
TO SEND YOU BACK TO BUMPY
727
00:59:31,276 --> 00:59:34,029
WITH MY MESSAGE
THAN TO CALL WESTERN UNION.
728
00:59:34,154 --> 00:59:35,739
AND THE MESSAGE IS
729
00:59:35,864 --> 00:59:38,366
YOU KEEP THE HELL
OUT OF QUEENS.
730
00:59:41,036 --> 00:59:43,246
[O.C. SMITH'S
"MOVE ON IN" PLAYS]
731
01:01:25,765 --> 01:01:27,684
♪ WHAT YOU GONNA DO
WHEN THE BULLHORNS SQUAWK? ♪
732
01:01:27,809 --> 01:01:29,603
♪ MOVE IN, MOVE ON IN ♪
733
01:01:29,769 --> 01:01:31,271
♪ MOVE IN, MOVE ON IN ♪
734
01:01:31,438 --> 01:01:33,398
♪ WHAT YOU GONNA DO
WHEN THE FUZZ DOGS BARK? ♪
735
01:01:33,565 --> 01:01:35,317
♪ MOVE IN, MOVE ON IN ♪
736
01:01:35,400 --> 01:01:37,110
♪ MOVE IN, MOVE ON IN ♪
737
01:01:37,277 --> 01:01:39,070
♪ WHAT YOU GONNA DO
WHEN THE SIRENS SOUND? ♪
738
01:01:39,196 --> 01:01:41,239
♪ WHAT YOU GONNA DO
WHEN THE FUZZ COME 'ROUND? ♪
739
01:01:41,364 --> 01:01:43,200
♪ MOVE IN, MOVE ON IN ♪
740
01:01:43,325 --> 01:01:44,993
♪ MOVE IN, MOVE ON IN ♪
741
01:01:45,118 --> 01:01:46,912
♪ MOVE IN, MOVE ON IN ♪
742
01:01:47,037 --> 01:01:48,955
♪ MOVE IN, MOVE ON IN ♪
743
01:01:50,207 --> 01:01:52,042
[GUITAR SOLO]
744
01:02:01,635 --> 01:02:03,515
♪ WHAT YOU GONNA DO
WHEN THE FUZZ COME 'ROUND? ♪
745
01:02:03,553 --> 01:02:05,305
♪ MOVE IN, MOVE ON IN ♪
746
01:02:05,388 --> 01:02:07,057
♪ MOVE IN, MOVE ON IN ♪
747
01:02:07,265 --> 01:02:09,100
♪ WHAT YOU GONNA DO
WHEN THEY CLUB YOU DOWN? ♪
748
01:02:09,267 --> 01:02:11,102
♪ MOVE IN, MOVE ON IN ♪
749
01:02:11,269 --> 01:02:12,938
♪ MOVE IN, MOVE ON IN ♪
750
01:02:13,063 --> 01:02:14,898
♪ WHAT YOU GONNA DO
WHEN THEY PULL THE HEAT? ♪
751
01:02:15,023 --> 01:02:16,863
♪ WHAT YOU GONNA DO
WHEN THEY BEAT YOUR FEET? ♪
752
01:02:16,900 --> 01:02:19,110
♪ WHAT YOU GONNA DO
WHEN THE FUZZ BRINGS A CLUB ♪
753
01:02:19,236 --> 01:02:21,821
♪ AND THE MACE DOWN
WHEN THE TANKS COME 'ROUND? ♪
754
01:02:21,947 --> 01:02:23,823
♪ WHAT YOU GONNA DO
WHEN YOU SHOVE BACK ♪
755
01:02:23,990 --> 01:02:25,492
♪ AND THE CARBINES CRACK? ♪
756
01:02:25,825 --> 01:02:27,869
♪ WHAT YOU GONNA DO? ♪
757
01:02:28,286 --> 01:02:30,455
♪ MOVE IN, MOVE ON IN ♪
758
01:02:30,622 --> 01:02:32,332
♪ MOVE IN, MOVE ON IN ♪
759
01:02:32,457 --> 01:02:34,501
♪ MOVE IN, MOVE ON IN ♪
760
01:02:34,626 --> 01:02:36,253
♪ WHAT YOU GONNA DO, NOW? ♪
761
01:02:36,378 --> 01:02:38,129
♪ MOVE IN, MOVE ON IN ♪
762
01:02:38,255 --> 01:02:40,340
♪ MOVE IN, MOVE ON IN ♪
763
01:02:41,383 --> 01:02:43,510
♪ TELL ME JUST ONE MORE TIME ♪
764
01:02:44,219 --> 01:02:45,762
♪ MOVE IN, MOVE ON IN ♪
765
01:02:45,887 --> 01:02:47,472
♪ WHAT YOU GONNA DO? ♪
766
01:02:48,139 --> 01:02:50,558
[INSTRUMENTAL SOLO]
767
01:03:06,199 --> 01:03:08,743
HA HA HA HA HA HA HA HA!
768
01:03:09,035 --> 01:03:11,162
WHAT ROUND
DID YOU GO OUT IN, MAN?
769
01:03:11,621 --> 01:03:13,331
YOU AIN'T AS PRETTY
AS YOU USED TO BE.
770
01:03:14,332 --> 01:03:16,602
Shaft: YOU BETTER SEE A PLASTIC
SURGEON ABOUT YOUR CONDITION.
771
01:03:16,626 --> 01:03:17,836
WHAT CONDITION?
772
01:03:18,003 --> 01:03:19,629
YOUR MOUTH IS TOO CLOSE
TO YOUR ASSHOLE.
773
01:03:19,754 --> 01:03:23,133
SIT DOWN, SHAFT.
SAVE YOUR ENERGY.
774
01:03:23,508 --> 01:03:25,760
THAT'S REAL
PROFESSIONAL WORK.
775
01:03:26,344 --> 01:03:27,178
WHO DID THE JOB?
776
01:03:27,345 --> 01:03:29,931
HE WAS TALKING WHEN HE
SHOULD HAVE BEEN LISTENING.
777
01:03:30,098 --> 01:03:31,099
DUDE NAMED MASCOLA.
778
01:03:31,891 --> 01:03:33,091
FIGURED I WAS WORKING
WITH YOU.
779
01:03:33,226 --> 01:03:35,270
I'M YOUR LIVING MESSAGE.
"STAY OUT OF QUEENS."
780
01:03:35,395 --> 01:03:36,730
THAT'S WHAT THE MAN SAID.
781
01:03:36,855 --> 01:03:38,565
WHAT BUSINESS I GOT
IN QUEENS, WILLY?
782
01:03:39,607 --> 01:03:41,127
KELLY BEEN AROUND HERE
TO SEE YOU LATELY?
783
01:03:41,151 --> 01:03:43,236
LOTS OF CATS
COME AND GO AROUND HERE.
784
01:03:43,361 --> 01:03:44,446
FIGURED YOU OUGHT TO KNOW
785
01:03:44,571 --> 01:03:46,823
KELLY'S BEEN HANGING AROUND
WITH MASCOLA A LOT LATELY.
786
01:03:47,157 --> 01:03:48,825
YEAH, THAT KELLY...
787
01:03:49,409 --> 01:03:50,702
HE'S A BUSY BOY.
788
01:03:51,202 --> 01:03:53,413
DEAL HERE, DEAL THERE, HUH?
789
01:03:56,416 --> 01:03:58,668
UNDESIRABLE CHARACTER.
790
01:03:58,960 --> 01:04:00,503
WAIT OUTSIDE, WILLY.
791
01:04:04,966 --> 01:04:07,010
[DOOR OPENS, CLOSES]
792
01:04:07,427 --> 01:04:08,845
WHAT DO YOU WANT
FROM ME, SHAFT?
793
01:04:10,555 --> 01:04:11,806
I DIDN'T ASK YOU
FOR ANYTHING.
794
01:04:11,931 --> 01:04:13,558
JUST DELIVERED
MASCOLA'S MESSAGE.
795
01:04:15,226 --> 01:04:16,266
AND I'LL SEE HIM TOMORROW.
796
01:04:16,353 --> 01:04:18,396
[GUNSHOTS]
797
01:04:37,999 --> 01:04:40,335
THAT DAMN ITALIAN IS SERIOUS.
798
01:04:43,671 --> 01:04:46,257
WILLY, GET YOUR ASS IN HERE!
799
01:04:46,383 --> 01:04:47,884
I'M COMING, BUMPY!
800
01:04:50,303 --> 01:04:53,473
USED TO BE COWBOYS AND INDIANS.
NOW IT'S US AND THEM.
801
01:05:00,063 --> 01:05:01,731
YOU CALL KELLY.
802
01:05:02,732 --> 01:05:04,984
YOU TELL HIM
HIS LOAN'S BEEN CANCELED.
803
01:05:05,402 --> 01:05:07,153
THEN TOMORROW
YOU'LL GO ALONG WITH SHAFT
804
01:05:07,237 --> 01:05:08,822
TO GET THAT MASCOLA,
805
01:05:08,905 --> 01:05:11,908
'CAUSE I WANT HIM BAD...
REAL BAD.
806
01:05:12,200 --> 01:05:13,827
NOW, GET TO IT, BABY.
807
01:05:22,752 --> 01:05:24,963
[WOMAN GIGGLING]
808
01:05:25,088 --> 01:05:27,632
OH, HONEY,
YOU SURE WERE RIGHT
809
01:05:27,799 --> 01:05:29,259
ABOUT THAT WATER BED.
810
01:05:29,426 --> 01:05:30,552
WOW.
811
01:05:30,885 --> 01:05:33,596
Woman: I THOUGHT
YOU'D DIG THAT, BABY.
812
01:05:33,721 --> 01:05:36,433
$10,000 FOR THIS THING.
YOU'VE GOT TO BE KIDDING.
813
01:05:36,558 --> 01:05:37,392
HO, HO.
814
01:05:37,517 --> 01:05:39,185
HO, HO.
HO, HO, HO.
815
01:05:39,644 --> 01:05:41,688
YOU WANT ME TO LOOK NICE,
DON'T YOU?
816
01:05:42,522 --> 01:05:44,041
WHAT THE HELL DO I CARE
WHAT YOU LOOK LIKE
817
01:05:44,065 --> 01:05:45,692
WITH YOUR CLOTHES ON, HUH?
818
01:05:47,235 --> 01:05:47,944
[SNAPS FINGERS]
819
01:05:48,069 --> 01:05:48,903
SERVICE.
820
01:05:49,070 --> 01:05:50,113
[CHUCKLES]
821
01:05:52,282 --> 01:05:53,867
HAVEN'T YOU HAD
ENOUGH SERVICE?
822
01:05:54,742 --> 01:05:57,078
ZIP MY DRESS, PLEASE.
823
01:05:59,289 --> 01:06:00,290
YOU KNOW...
824
01:06:01,958 --> 01:06:04,586
I HAVE A TENDENCY
TO SPOIL YOU, BABY.
825
01:06:07,255 --> 01:06:09,674
MMM. DO IT, DO IT, DO IT.
826
01:06:19,559 --> 01:06:22,061
IS THIS TRIP
ABSOLUTELY NECESSARY?
827
01:06:23,938 --> 01:06:25,815
JUST WASH THE WINDOW, MAN.
828
01:06:28,693 --> 01:06:29,861
AHH.
829
01:06:37,577 --> 01:06:39,704
OH. AGAIN?
830
01:06:40,747 --> 01:06:42,165
YOU LOVE IT.
831
01:06:44,334 --> 01:06:45,418
I LOVE IT.
832
01:06:54,010 --> 01:06:55,762
WHAT ARE THEY DOING?
833
01:06:56,971 --> 01:06:58,431
THEY'VE ALREADY DONE IT.
834
01:06:59,599 --> 01:07:00,683
NOW IT'S OUR TURN.
835
01:07:07,941 --> 01:07:09,901
MMM. GOTTA GO.
836
01:07:11,110 --> 01:07:12,110
[CHUCKLES]
837
01:07:13,279 --> 01:07:15,240
YOU'RE LOOKIN' GOOD, BABY.
838
01:07:18,159 --> 01:07:19,285
DO YOUR NUMBER.
839
01:07:32,298 --> 01:07:33,967
[CHUCKLES]
840
01:07:46,271 --> 01:07:48,231
[NO AUDIBLE DIALOGUE]
841
01:07:54,988 --> 01:07:55,863
YOU READY?
842
01:07:55,989 --> 01:07:57,031
YEAH, I'M READY.
843
01:08:18,553 --> 01:08:21,306
I'LL TAKE THE WHITE BOY
AND GIVE ANYBODY $65
844
01:08:21,472 --> 01:08:23,349
THEY DON'T GO
ANOTHER TWO ROUNDS.
845
01:08:25,518 --> 01:08:26,518
OHH!
846
01:08:29,022 --> 01:08:30,273
RUMBLE WITH HIM, JUNIOR.
847
01:08:44,203 --> 01:08:45,705
COME ON, MAN.
848
01:08:46,914 --> 01:08:48,041
COME ON!!
849
01:08:52,462 --> 01:08:54,839
WHAT THE HELL DID YOU COME
ALONG FOR, THE RIDE, MAN?!
850
01:08:54,964 --> 01:08:56,257
I HEARD YOU WAS GOOD,
SHAFT.
851
01:08:56,382 --> 01:08:59,177
I WANNA SEE HOW GOOD
YOU CAN DO YOUR THING.
852
01:09:02,013 --> 01:09:03,306
COME ON!!
853
01:09:12,148 --> 01:09:13,148
AAH!
854
01:09:19,072 --> 01:09:20,072
GOOD, JUNIOR.
855
01:09:31,584 --> 01:09:32,584
[GLASS BREAKS]
856
01:09:34,712 --> 01:09:36,255
THAT'S HOW IT'S DONE,
JUNIOR.
857
01:09:39,467 --> 01:09:41,803
I'D STEP
ON YOUR GODDAMN THROAT,
858
01:09:42,178 --> 01:09:45,181
BUT I'D RATHER SEE YOU AND KELLY
FRY FOR KILLING CAL ASBY.
859
01:09:45,973 --> 01:09:47,600
AND HE'S MY NEXT VISIT.
860
01:09:48,184 --> 01:09:49,185
I OWE IT TO HIM.
861
01:09:50,019 --> 01:09:53,773
YEAH. AND HE OWES ME.
862
01:09:54,107 --> 01:09:56,025
LIKE WHAT, $250 GRAND?
863
01:09:57,026 --> 01:09:58,111
[PANTING]
864
01:09:58,236 --> 01:10:00,321
I SEE YOU'VE BEEN DOING
YOUR HOMEWORK, BOY.
865
01:10:06,828 --> 01:10:08,079
LET'S GET THE HELL
OUTTA HERE.
866
01:10:08,329 --> 01:10:10,123
YOU'RE GONNA LEAVE HIM
LIKE THAT?
867
01:10:10,248 --> 01:10:12,709
A MAN CAN FALL
OUT THE WINDOW, YOU KNOW?
868
01:10:14,502 --> 01:10:15,712
AND HIM, TOO.
869
01:10:16,003 --> 01:10:18,464
WE ALREADY GOT ENOUGH SHIT
ON THE SIDEWALK.
870
01:10:24,137 --> 01:10:26,848
[CLARINET PLAYS
CLASSICAL MUSIC]
871
01:11:14,812 --> 01:11:15,938
I'M SORRY, GUS.
872
01:11:17,523 --> 01:11:19,358
WHERE THE HELL WERE YOU?
873
01:11:20,818 --> 01:11:23,070
YOU SENT ME OUT
TO GET THE PEPPERS.
874
01:11:25,072 --> 01:11:26,574
YOU GET THE REAL HOT ONES?
875
01:11:27,867 --> 01:11:31,204
YEAH, I GOT THE REAL...
GOT THE REAL HOT ONES.
876
01:11:31,370 --> 01:11:32,455
GOOD.
877
01:11:33,706 --> 01:11:35,124
I'LL TELL YOU WHAT YOU DO.
878
01:11:36,125 --> 01:11:37,585
[SIGHS]
879
01:11:37,794 --> 01:11:39,462
YOU TAKE THEM ONE AT A TIME
880
01:11:41,297 --> 01:11:43,341
AND YOU SHOVE THEM
UP YOUR ASS.
881
01:12:40,273 --> 01:12:41,899
BEEN KEEPING THIS ROOM
CLEAN BACK HERE?
882
01:12:42,024 --> 01:12:43,024
YEAH.
883
01:12:44,652 --> 01:12:46,612
UH, TELL ME, JESSE,
884
01:12:47,280 --> 01:12:50,116
DID YOU SEE MR. ASBY
THE NIGHT THAT HE WAS KILLED?
885
01:12:50,616 --> 01:12:52,618
YEAH. I WAS STRAIGHTENING UP
IN THE CHAPEL,
886
01:12:52,702 --> 01:12:55,955
HEARD SOMEBODY IN HERE,
CAME IN TO SEE.
887
01:12:56,038 --> 01:12:57,456
IT WAS MR. ASBY, ALL RIGHT.
888
01:12:57,582 --> 01:12:58,708
WHAT WAS HE DOING?
889
01:12:59,125 --> 01:13:00,626
JUST STANDING.
890
01:13:00,751 --> 01:13:04,797
MM-HMM. AND DID HE HAVE
ANYTHING WITH HIM?
891
01:13:05,256 --> 01:13:06,591
I DON'T...
892
01:13:07,800 --> 01:13:08,885
YEAH.
893
01:13:10,011 --> 01:13:11,679
I THINK HE DID HAVE
SOMETHING WITH HIM.
894
01:13:12,680 --> 01:13:15,641
YEAH, I REMEMBER...
A SHOPPING BAG...
895
01:13:17,143 --> 01:13:20,146
LIKE HE HAD GONE TO THE STORE
AND WAS TAKING GROCERIES.
896
01:13:20,521 --> 01:13:21,772
GROCERIES?
897
01:13:22,440 --> 01:13:24,233
- THAT COULDN'T BE, THOUGH.
- WELL, WHY NOT?
898
01:13:24,400 --> 01:13:25,902
HE DIDN'T HAVE IT
WHEN HE LEFT.
899
01:13:25,985 --> 01:13:27,278
I CAME OUT TO SAY GOODNIGHT,
900
01:13:27,445 --> 01:13:29,488
BUT HE HAD ALREADY GONE
NEXT DOOR
901
01:13:30,239 --> 01:13:31,741
TO THE INSURANCE OFFICE,
902
01:13:31,866 --> 01:13:33,492
AND HE DIDN'T HAVE IT
WITH HIM THEN.
903
01:13:33,618 --> 01:13:35,953
HMM. THAT'S FUNNY.
904
01:13:39,498 --> 01:13:41,584
NOTHING IN THERE, MR. KELLY.
905
01:13:41,834 --> 01:13:45,004
I DUST AND VACUUM THESE BOXES
TWICE EVERY WEEK.
906
01:13:45,463 --> 01:13:46,839
MM-HMM.
907
01:13:47,256 --> 01:13:49,175
AND THEY'RE ALL
STILL HERE...
908
01:13:50,509 --> 01:13:51,510
EXCEPT THE ONE OVER THERE
909
01:13:51,677 --> 01:13:53,721
THAT POOR MR. ASBY
WAS BURIED IN.
910
01:13:58,601 --> 01:13:59,727
THANK YOU, JESSE.
911
01:14:01,646 --> 01:14:02,897
THANK YOU VERY MUCH.
912
01:14:08,945 --> 01:14:09,945
[DOOR CLOSES]
913
01:15:11,757 --> 01:15:13,134
Bollin: STAY ON THAT TAIL.
914
01:15:59,638 --> 01:16:00,681
Bollin: HEY, SHAFT...
915
01:16:02,099 --> 01:16:03,559
WHAT THE HELL DO YOU WANT?
916
01:16:06,062 --> 01:16:08,189
I THOUGHT WE WAS GONNA
KEEP IN TOUCH.
917
01:16:08,481 --> 01:16:09,732
DIDN'T YOU GET MY MESSAGE?
918
01:16:11,150 --> 01:16:12,943
I LEFT IT
ON CAL'S DOORSTEP.
919
01:16:13,235 --> 01:16:14,235
YEAH.
920
01:16:15,571 --> 01:16:16,571
WHERE'S ARNA ASBY?
921
01:16:18,365 --> 01:16:20,659
YOU SHOULD HAVE ASKED
THAT QUESTION YESTERDAY,
922
01:16:20,785 --> 01:16:22,828
BEFORE MASCOLA
SENT HER FLOWERS.
923
01:16:23,037 --> 01:16:24,830
I'M ASKING YOU NOW.
924
01:16:25,998 --> 01:16:28,167
ARE YOU GONNA PROTECT HER,
OR ARE YOU GONNA HASSLE HER?
925
01:16:28,876 --> 01:16:30,377
YOU LEAVE THAT TO ME.
926
01:16:31,212 --> 01:16:34,757
I KNOW SHE'S HERE IN YOUR PAD,
AND I'M GONNA SEE HER.
927
01:16:34,882 --> 01:16:36,092
OPEN IT UP.
928
01:16:37,301 --> 01:16:38,427
BE MY GUEST.
929
01:16:45,559 --> 01:16:47,603
[KNOCK ON DOOR]
930
01:16:57,655 --> 01:16:58,697
[KNOCK ON DOOR]
931
01:17:03,869 --> 01:17:04,703
SON OF A BITCH!
932
01:17:04,870 --> 01:17:06,080
SHE'LL GO TO JAIL FOR THAT.
933
01:17:06,205 --> 01:17:07,706
TOLD YOU
SHE DIDN'T WANNA TALK.
934
01:17:08,457 --> 01:17:09,792
WAIT A MINUTE,
WAIT A MINUTE.
935
01:17:09,917 --> 01:17:12,378
THAT'S A VERY IMPORTANT
BLACK LADY IN THERE,
936
01:17:13,003 --> 01:17:15,131
AND YOU WOULDN'T WANT
HER DEATH ON YOUR RECORD...
937
01:17:15,256 --> 01:17:17,716
ESPECIALLY
AFTER PROTECTING HER SO.
938
01:17:20,344 --> 01:17:21,762
OPEN THIS DOOR, MISS ASBY!
939
01:17:22,346 --> 01:17:23,389
THIS IS CAPTAIN BOLLIN.
940
01:17:23,514 --> 01:17:26,225
YOU GET AWAY FROM THERE!
I DON'T KNOW WHO YOU ARE!
941
01:17:27,893 --> 01:17:30,146
I'LL BE BACK WITH A WARRANT
AND WITNESSES.
942
01:17:31,313 --> 01:17:32,857
YOU TWO BETTER BE HERE.
943
01:17:38,904 --> 01:17:39,904
IT'S ME, BABY.
944
01:17:48,164 --> 01:17:49,790
YOU ALMOST SHOT A CAPTAIN.
945
01:17:53,961 --> 01:17:56,338
MAN'S GONNA BE BACK HERE
WITH A WARRANT
946
01:17:56,630 --> 01:17:58,757
AS SOON AS HE CAN FIND
A JUDGE TO SIGN IT.
947
01:18:01,051 --> 01:18:02,178
FOR ME?
948
01:18:02,678 --> 01:18:05,472
NO SWEAT.
THE GUN'S REGISTERED.
949
01:18:06,599 --> 01:18:08,642
LOOK, YOU THOUGHT
SOMEONE WAS BREAKING IN,
950
01:18:08,767 --> 01:18:09,911
YOU WANTED TO
PROTECT YOURSELF,
951
01:18:09,935 --> 01:18:12,021
YOU PICKED UP A GUN,
FIRED OFF A COUPLE OF SHOTS.
952
01:18:12,146 --> 01:18:13,898
BUT WHY ARE THEY AFTER ME?
953
01:18:14,481 --> 01:18:15,900
NOTHING PERSONAL.
954
01:18:16,400 --> 01:18:20,613
THEY'RE AFTER CAL'S MONEY
AND HIS OPERATION IN QUEENS,
955
01:18:20,946 --> 01:18:22,740
AND ANYBODY
WHO GETS IN HIS WAY...
956
01:18:22,865 --> 01:18:25,034
INCLUDING HIS KID SISTER
AND ME... [CLICKS TONGUE]
957
01:18:28,954 --> 01:18:31,123
BUT CAN'T WE JUST LET THEM
HAVE IT?
958
01:18:33,542 --> 01:18:35,270
YOU'RE FORGETTING THE CLINIC
THAT CAL WANTED TO BUILD
959
01:18:35,294 --> 01:18:36,545
FOR THE KIDS UP IN HARLEM.
960
01:18:38,547 --> 01:18:40,799
THE FUNERAL BUSINESS,
THE INSURANCE COMPANY...
961
01:18:40,925 --> 01:18:42,343
IT'S ALL GOOD BUSINESS.
962
01:18:43,093 --> 01:18:44,637
YOU DON'T WANT TO JUST
GIVE IT AWAY.
963
01:18:47,723 --> 01:18:50,601
LOOK, WHEN BOLLIN GETS HERE...
THAT'S THE CAPTAIN'S NAME...
964
01:18:51,352 --> 01:18:53,938
LET HIM IN, TALK TO HIM,
TELL HIM ANYTHING YOU WANT,
965
01:18:54,063 --> 01:18:55,522
BUT JUST KEEP HIM HERE.
966
01:19:02,196 --> 01:19:06,075
AS LONG AS HE'S HERE,
NO ONE CAN GET TO YOU.
967
01:19:12,122 --> 01:19:13,122
JOHN...
968
01:19:13,207 --> 01:19:14,875
NOT NOW, BABY, NOT NOW.
969
01:19:34,645 --> 01:19:36,397
BOLLIN'S LEFT HIS BABYSITTERS.
970
01:19:55,374 --> 01:19:57,334
WHAT THE HELL
IS SHE DOING HERE?
971
01:19:59,128 --> 01:20:01,588
YOU SURE ARE
A HARD MAN TO FIND.
972
01:20:02,673 --> 01:20:04,466
TOO MANY PEOPLE
LOOKING FOR ME, BABY.
973
01:20:05,592 --> 01:20:06,592
CAN YOU DRIVE THAT THING?
974
01:20:08,929 --> 01:20:11,598
ANYTHING WITH A STICK SHIFT
IS MY MEAT.
975
01:20:12,141 --> 01:20:13,559
IS THAT RIGHT?
976
01:20:14,018 --> 01:20:16,020
HOW ABOUT DRIVING IT UP
A ONE-WAY STREET FOR ME?
977
01:20:16,145 --> 01:20:17,021
ALL RIGHT.
978
01:20:17,146 --> 01:20:18,146
HERE'S THE KEYS.
979
01:20:18,230 --> 01:20:19,732
JUST JUMP IN
AND START IT UP, OKAY?
980
01:20:38,876 --> 01:20:40,461
[HORN HONKING]
981
01:20:46,258 --> 01:20:48,135
HEY, YOU LEFT HIM
AT THE POST.
982
01:20:50,137 --> 01:20:51,513
YOU DO THAT GOOD.
983
01:20:51,764 --> 01:20:54,224
BEEN RACING
SINCE I WAS 14.
984
01:20:54,892 --> 01:20:56,602
MEN OR CARS?
985
01:20:58,270 --> 01:21:00,773
HEY, BABY, KEEP BOTH HANDS
ON THE WHEEL, HUH?
986
01:21:01,940 --> 01:21:03,859
HEY, IS THAT SNOW?
987
01:21:03,984 --> 01:21:05,652
IT SURE AIN'T COTTON.
988
01:21:37,309 --> 01:21:39,561
[TELEPHONE RINGING]
989
01:21:47,444 --> 01:21:48,695
HELLO?
990
01:21:50,155 --> 01:21:51,240
YEAH.
991
01:21:52,199 --> 01:21:53,325
UH-HUH.
992
01:21:54,326 --> 01:21:55,326
WHAT'S HE DOING?
993
01:21:55,411 --> 01:21:57,329
THEY'RE DIGGING
A GRAVE, GUS.
994
01:21:59,123 --> 01:22:00,934
THAT'S A HELL OF A TIME.
NOW, WHERE HAVE YOU BEEN?
995
01:22:00,958 --> 01:22:01,750
MOTHER IKE'S.
996
01:22:01,875 --> 01:22:03,419
MOTHER IKE'S, MY ASS.
997
01:22:05,003 --> 01:22:06,003
MOTHER IKE'S, MY ASS.
998
01:22:06,046 --> 01:22:08,507
COME ON.
COME ON, I SAID, HUH?!
999
01:22:10,426 --> 01:22:11,677
SHITHEAD!
1000
01:22:11,760 --> 01:22:13,554
I'LL GIVE YOU SHITHEAD.
1001
01:22:16,473 --> 01:22:17,599
I'M SORRY.
GO AHEAD.
1002
01:22:18,976 --> 01:22:20,018
YEAH.
1003
01:22:20,102 --> 01:22:21,913
ALL RIGHT, NOW, YOU STICK
WITH THEM, YOU UNDERSTAND?
1004
01:22:21,937 --> 01:22:23,355
WE'RE GONNA BE RIGHT THERE.
1005
01:22:24,648 --> 01:22:25,648
OKAY.
1006
01:22:28,277 --> 01:22:29,445
PASCAL...
1007
01:22:31,530 --> 01:22:32,739
PASCAL!!
1008
01:22:33,449 --> 01:22:34,158
YEAH?
1009
01:22:34,283 --> 01:22:35,868
- PASCAL!
- YEAH?!
1010
01:22:36,869 --> 01:22:38,203
GET JACK AND AL RIGHT AWAY.
1011
01:22:40,706 --> 01:22:42,624
JACK! JACK, GET UP!
1012
01:22:42,749 --> 01:22:45,419
AL! COME ON!
GET YOUR ASS UP!
1013
01:23:52,110 --> 01:23:53,695
GOOD MORNING, MR. KELLY.
1014
01:23:53,862 --> 01:23:54,947
WHAT HAVE YOU GOT THERE?
1015
01:23:55,072 --> 01:23:56,073
MONEY.
1016
01:23:56,865 --> 01:23:58,033
THE MONEY'S IN THE BOX,
1017
01:23:58,158 --> 01:23:59,478
AND ALL I GOT TO DO
IS GET IT OUT.
1018
01:24:00,744 --> 01:24:02,287
THEN WHAT, MR. KELLY?
1019
01:24:02,704 --> 01:24:04,081
YOU'LL GET WHAT I OWE YOU.
1020
01:24:04,623 --> 01:24:06,041
HEY, THEN IT'S
ME AND YOU, GUS,
1021
01:24:06,208 --> 01:24:08,460
RUNNING THE WHEEL TOGETHER
AND EVERYTHING ELSE, MAN.
1022
01:24:08,544 --> 01:24:10,045
GO AHEAD. GET IT.
1023
01:24:11,380 --> 01:24:12,673
GO AHEAD.
1024
01:24:16,760 --> 01:24:18,470
FIND IT, MR. KELLY?
1025
01:24:19,179 --> 01:24:21,098
MAYBE IT'S IN HIS WALLET.
1026
01:24:25,143 --> 01:24:26,353
I CAN'T.
1027
01:24:27,145 --> 01:24:28,564
GIVE HIM A HAND.
1028
01:24:36,822 --> 01:24:37,864
ROLL IT IN.
1029
01:24:37,990 --> 01:24:39,491
- HEY, COME ON, GUS...
- ROLL IT IN!
1030
01:24:53,589 --> 01:24:56,383
LOOKS LIKE IT'S PAYDAY,
MR. KELLY.
1031
01:24:56,842 --> 01:24:59,303
TOSS IT INTO THE BAG.
I'LL COUNT IT LATER.
1032
01:25:29,416 --> 01:25:30,709
THAT'S ALL OF IT.
1033
01:25:34,046 --> 01:25:35,922
OKAY, KELLY.
1034
01:25:41,219 --> 01:25:43,930
HEY, COME ON, GUS.
NOW, WAIT A MINUTE...
1035
01:25:55,108 --> 01:25:56,276
DROP THE GUNS AND FREEZE.
1036
01:25:56,985 --> 01:25:58,004
WHEN THIS BABY STARTS KICKIN',
1037
01:25:58,028 --> 01:25:59,446
IT WON'T STOP,
SO NOBODY GET CUTE.
1038
01:26:02,574 --> 01:26:03,617
WHO'S NEXT?
1039
01:26:04,660 --> 01:26:05,827
MOVE!
1040
01:26:05,952 --> 01:26:07,079
MOVE OVER THERE!
1041
01:26:09,498 --> 01:26:10,499
COME ON, GET DOWN THERE!
1042
01:26:19,049 --> 01:26:21,009
ALL RIGHT, MASCOLA,
LET'S GO.
1043
01:28:18,335 --> 01:28:19,586
[GUNSHOT]
1044
01:28:35,769 --> 01:28:36,769
[GUNSHOT]
1045
01:28:55,038 --> 01:28:56,373
GET DOWN.
1046
01:28:58,083 --> 01:28:59,083
[TIRES SCREECH]
1047
01:28:59,167 --> 01:29:00,752
2-4 WHISKEY,
WHERE THE HELL ARE YOU?
1048
01:29:00,919 --> 01:29:02,546
COME IN.
2-4 WHISKEY, COME IN.
1049
01:29:28,738 --> 01:29:29,781
[GUNSHOT]
1050
01:29:33,493 --> 01:29:35,161
CAREFUL, AL!
THE BOSS IS IN THERE!
1051
01:29:35,579 --> 01:29:37,080
HARASS HIM,
BUT DON'T HIT HIM!
1052
01:29:37,581 --> 01:29:38,582
[GUNSHOT]
1053
01:30:01,146 --> 01:30:03,940
Jack: GOTTA PULL OUT!
TOO DAMN MANY WIRES AHEAD!
1054
01:30:18,413 --> 01:30:19,581
[GUNSHOT]
1055
01:30:40,143 --> 01:30:41,603
[TIRES SCREECHING]
1056
01:31:12,968 --> 01:31:13,968
[GUNSHOTS]
1057
01:31:18,473 --> 01:31:19,473
RITA, GET OUT!
1058
01:31:19,724 --> 01:31:20,724
GET OUT!
1059
01:31:22,936 --> 01:31:23,936
GET OUT!
1060
01:31:24,187 --> 01:31:26,064
MOVE IT! MOVE IT!
1061
01:31:28,775 --> 01:31:29,859
MOVE!
1062
01:31:49,045 --> 01:31:50,045
COME ON!
1063
01:31:58,680 --> 01:32:00,056
WE'VE LOST HIM
IN THE BOATYARD.
1064
01:32:14,154 --> 01:32:16,156
[ENGINE IDLING]
1065
01:32:17,323 --> 01:32:19,284
MOVE! MOVE IT!
1066
01:32:22,579 --> 01:32:24,748
GET OUTTA THERE!
GET OUT!
1067
01:32:26,249 --> 01:32:27,249
GET IN!
1068
01:32:28,877 --> 01:32:31,087
GET UP THERE!
GET UP THERE!
1069
01:33:09,751 --> 01:33:10,919
WHAT HAPPENED?
1070
01:33:11,086 --> 01:33:13,379
THE BASTARD GOT A BOAT.
LET'S GO.
1071
01:33:13,505 --> 01:33:15,215
[ENGINE SPUTTERS]
1072
01:33:15,381 --> 01:33:17,884
COME ON! COME ON!
1073
01:34:18,486 --> 01:34:19,821
[GUNSHOTS]
1074
01:35:33,102 --> 01:35:35,021
[GUNSHOTS]
1075
01:35:35,188 --> 01:35:36,188
WE HIT HIM!
1076
01:35:50,245 --> 01:35:53,373
[GRUNTING AND SLAPPING]
1077
01:36:15,895 --> 01:36:18,815
[MACHINE GUN FIRE]
1078
01:38:44,293 --> 01:38:46,587
[MACHINE GUN FIRE]
1079
01:38:57,181 --> 01:38:59,684
[MACHINE GUN FIRE]
1080
01:39:53,821 --> 01:39:55,615
[GUNSHOTS]
1081
01:40:29,982 --> 01:40:32,652
AAAAAAH!
1082
01:41:12,441 --> 01:41:14,026
[MACHINE GUN FIRE]
1083
01:41:46,684 --> 01:41:47,684
AAAH!
1084
01:42:42,698 --> 01:42:45,660
[SIRENS WAILING]
1085
01:43:19,860 --> 01:43:21,487
WHAT HAPPENED HERE, SHAFT?
1086
01:43:22,238 --> 01:43:23,698
MASCOLA'S OVER THERE.
1087
01:43:24,407 --> 01:43:26,742
KELLY'S ALREADY
AT OAKLAND CEMETERY,
1088
01:43:26,867 --> 01:43:29,161
RIGHT NEXT TO CAL ASBY.
1089
01:43:30,204 --> 01:43:32,123
AND YOU'VE STILL GOT
A LOT OF BURYING TO DO.
1090
01:43:32,832 --> 01:43:34,583
THAT'S ALL WELL AND GOOD,
1091
01:43:35,251 --> 01:43:37,420
BUT WHERE'S
THE DAMN MONEY, MAN?
1092
01:43:38,003 --> 01:43:40,840
I DON'T KNOW,
BUT I GOT A FEELING
1093
01:43:40,965 --> 01:43:42,317
IT'S ON ITS WAY BACK UP
TO WHERE IT CAME FROM,
1094
01:43:42,341 --> 01:43:43,718
BACK UP IN HARLEM.
1095
01:43:46,178 --> 01:43:47,388
OKAY.
1096
01:43:48,639 --> 01:43:49,639
ADIOS.
1097
01:43:52,476 --> 01:43:54,061
YEAH, ADIOS, MOTHERF...
1098
01:43:56,647 --> 01:43:58,691
CAPTAIN BOLLIN.
70261
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Albanian
Amharic
Armenian
Azerbaijani
Basque
Belarusian
Bengali
Bosnian
Bulgarian
Catalan
Cebuano
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Czech
Danish
Esperanto
Estonian
Finnish
French
Frisian
Galician
Georgian
German
Greek
Gujarati
Haitian Creole
Hawaiian
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Khmer
Korean
Kurdish (Kurmanji)
Kyrgyz
Lao
Latvian
Lithuanian
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mongolian
Myanmar (Burmese)
Nepali
Norwegian
Pashto
Polish
Portuguese
Russian
Samoan
Serbian
Sesotho
Shona
Sinhala
Slovak
Slovenian
Somali
Spanish
Swahili
Swedish
Tajik
Thai
Turkish
Ukrainian
Urdu
Uzbek
Vietnamese
