Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:02,210 --> 00:00:06,256
[CHILDREN LAUGHING]
2
00:00:06,339 --> 00:00:08,633
[INDISTINCT CHATTER]
3
00:00:11,720 --> 00:00:14,597
GARCIA: OH. THANK YOU
FOR PICKING ME UP.
4
00:00:14,681 --> 00:00:16,433
YEAH. OF COURSE.
5
00:00:16,516 --> 00:00:18,476
OH, I DON'T KNOW
HOW LONG ESTHER'S
GONNA BE IN THE SHOP.
6
00:00:18,560 --> 00:00:20,645
THE MECHANIC, SHE
SAYS THEY HAVE TO
GET A SPECIAL PART
7
00:00:20,729 --> 00:00:22,480
FROM CALIFORNIA
BECAUSE, YOU KNOW,
ESTHER RUNS ON BIODIESEL,
8
00:00:22,564 --> 00:00:24,023
BUT WHEN THAT PART IS
INSIDE ESTHER,
9
00:00:24,107 --> 00:00:25,483
SHE'S GONNA RUN
LIKE A DREAM.
10
00:00:25,567 --> 00:00:27,569
SHE MIGHT RUN
FOR ANOTHER
100,000 MILES.
11
00:00:27,652 --> 00:00:29,404
ISN'T THIS PLACE
GREAT?
12
00:00:29,487 --> 00:00:30,655
IT IS. YEAH. I'VE
NEVER BEEN HERE BEFORE,
13
00:00:30,739 --> 00:00:32,282
BUT I ORDERED EXACTLY
WHAT YOU TOLD ME.
14
00:00:32,365 --> 00:00:33,658
YES! USUALLY, I'M
A TEA GAL,
15
00:00:33,742 --> 00:00:35,285
BUT THEIR NITRO
COLD BREW HERE
IS EVERYTHING.
16
00:00:35,368 --> 00:00:36,494
WOMAN: ORDER FOR EMILY.
17
00:00:36,578 --> 00:00:37,746
OH. THIS IS US.
18
00:00:36,578 --> 00:00:37,746
OOH!
19
00:00:37,829 --> 00:00:39,080
UH, QUESTION.
20
00:00:39,164 --> 00:00:40,915
DID YOU WATCH
THE SHOW LAST NIGHT?
21
00:00:40,999 --> 00:00:42,417
NO. I'M BEHIND.
22
00:00:42,500 --> 00:00:43,585
SPOILER ALERT.
MAY I?
23
00:00:43,668 --> 00:00:45,462
GO AHEAD.
24
00:00:43,668 --> 00:00:45,462
OK. THE BLOND ONE,
25
00:00:45,545 --> 00:00:48,006
SHE DIED TWICE
LAST WEEK!
26
00:00:48,089 --> 00:00:49,966
IT WAS CRAZY
WITH A "K"!
27
00:00:50,049 --> 00:00:51,593
ALL RIGHT. SO
THERE WAS THAT
BATTLE, RIGHT,
28
00:00:51,676 --> 00:00:53,136
AND THEY NEEDED
HER TO HAVE
A SECRET IDENTITY.
29
00:00:53,219 --> 00:00:55,013
WELL, AFTER THAT
RACECAR THING,
30
00:00:55,096 --> 00:00:56,639
AND THEN THIS WEEK,
SHE'S BACK AT WORK.
31
00:00:56,723 --> 00:00:58,475
WAIT. SHE'S ALREADY
BACK AT WORK?
32
00:00:58,558 --> 00:01:00,351
YES, BECAUSE SHE
HAS SPECIAL HEALING
POWERS, REMEMBER?
33
00:01:00,435 --> 00:01:01,811
SHE GETS BACK TO WORK,
AND SHE PROFESSES
34
00:01:01,895 --> 00:01:04,022
HER UNDYING LOVE
TO HER BOSS STEFFI,
35
00:01:04,105 --> 00:01:05,607
AND I, LIKE, SCREAMED,
36
00:01:05,690 --> 00:01:07,984
"THEY'RE GONNA
DO THAT NOW? NOW?"
37
00:01:08,067 --> 00:01:10,278
I MEAN, SHE HAS LOVED
HER FOR YEARS AND YEARS.
38
00:01:10,361 --> 00:01:11,696
REMEMBER THAT
ONE CASE THEY HAD,
39
00:01:11,780 --> 00:01:13,114
AND THEY WENT
ON THE DATE
AFTERWARDS--
40
00:01:13,198 --> 00:01:14,365
NOT A DATE. IT WAS
A NON-DATE DATE,
BUT STILL--
41
00:01:14,449 --> 00:01:16,117
AND THEN SERGIO,
HE PUKED UP A FUR BALL
42
00:01:16,201 --> 00:01:17,827
ON SOME CLEAN LAUNDRY
BECAUSE HE'S DIABOLICAL,
43
00:01:17,911 --> 00:01:19,162
BUT YOU'RE HERE,
AND I'M HERE,
44
00:01:19,245 --> 00:01:20,705
AND IT'S A BEAUTIFUL
WEDNESDAY MORNING--
45
00:01:20,789 --> 00:01:23,708
PENELOPE, THAT ISN'T
YOUR FIRST COFFEE, IS IT?
46
00:01:23,792 --> 00:01:26,336
WELL, IT DOESN'T COUNT
IF YOU BREW IT YOURSELF.
47
00:01:26,419 --> 00:01:29,005
I'M CUTTING YOU OFF NOW.
48
00:01:29,088 --> 00:01:30,507
FAIR PLAY.
49
00:01:44,062 --> 00:01:46,648
[CELL PHONE RINGING]
50
00:01:49,943 --> 00:01:51,444
[SIGHS]
51
00:01:57,158 --> 00:01:58,493
[KNOCK ON DOOR]
52
00:01:58,576 --> 00:01:59,702
MORNING.
HEY.
53
00:01:59,786 --> 00:02:01,371
ANOTHER DAY,
ANOTHER DOLLAR.
54
00:02:01,454 --> 00:02:03,540
YEP. GOOD OLD-FASHIONED
GOVERNMENT DOLLAR.
55
00:02:03,623 --> 00:02:06,543
I CAN TELL GARCIA
HIT UP HER FAVORITE
COFFEE TRUCK
56
00:02:06,626 --> 00:02:07,836
ON HER WAY TO WORK.
57
00:02:07,919 --> 00:02:09,879
I HAD TO CUT HER OFF.
58
00:02:09,963 --> 00:02:12,006
WAIT. DON'T YOU HAVE
A BUDGET MEETING
THIS MORNING?
59
00:02:12,090 --> 00:02:13,925
UH, YES, I DO.
60
00:02:14,008 --> 00:02:15,552
EMILY.
61
00:02:15,635 --> 00:02:18,054
YEAH?
62
00:02:18,137 --> 00:02:20,056
YOU BURIED THE LEDE.
63
00:02:20,139 --> 00:02:21,724
FLOWERS?
64
00:02:21,808 --> 00:02:24,435
THAT ANDREW MENDOZA'S
A KEEPER.
65
00:02:24,519 --> 00:02:27,856
MM-HMM.
66
00:02:27,939 --> 00:02:29,899
CAN'T BE LATE
FOR THAT MEETING.
67
00:02:27,939 --> 00:02:29,899
MM-HMM.
68
00:02:32,485 --> 00:02:34,529
MAN: THIS FISCAL YEAR,
THE BUREAU SAW
69
00:02:34,612 --> 00:02:37,615
A $46 MILLION REDUCTION.
70
00:02:37,699 --> 00:02:40,243
THE BAU WAS FIRST
AGAINST ALL OTHER UNITS
71
00:02:40,326 --> 00:02:43,413
IN DIRECT AND INDIRECT COSTS
FOR YOUR TRAVEL.
72
00:02:43,496 --> 00:02:45,707
I THINK UNIT CHIEF PRENTISS
CAN BETTER SPEAK
73
00:02:45,790 --> 00:02:47,625
TO THEIR NEEDS.
74
00:02:47,709 --> 00:02:49,794
YES, OF COURSE.
75
00:02:49,878 --> 00:02:53,798
UH, THIS FISCAL YEAR,
THE BAU's COSTS
HAVE INCREASED...
76
00:03:04,809 --> 00:03:06,561
MAN: PRENTISS.
77
00:03:06,644 --> 00:03:09,105
YOU HAVE A SECOND
TO GO OVER WITH REQUESTS
WITH THE DIRECTOR?
78
00:03:09,188 --> 00:03:10,607
ABSOLUTELY.
79
00:03:09,188 --> 00:03:10,607
MAYBE GRAB SOME LUNCH.
80
00:03:10,690 --> 00:03:12,400
I KNOW HE'S BEEN WANTING
TO SPEAK WITH YOU.
81
00:03:12,483 --> 00:03:13,818
I'D LOVE TO.
82
00:03:15,361 --> 00:03:16,738
I THOUGHT THAT
WENT WELL.
83
00:03:15,361 --> 00:03:16,738
YEAH!
84
00:03:16,821 --> 00:03:18,406
DO YOU THINK SHE'LL GET
TO SCHOOL ON TIME?
85
00:03:18,489 --> 00:03:19,824
IT'S NOT FAR, RIGHT?
86
00:03:19,908 --> 00:03:21,284
NO. THEY'LL
MAKE IT.
87
00:03:21,367 --> 00:03:22,744
KARA'S A GREAT KID.
88
00:03:22,827 --> 00:03:25,496
HER FOSTER MOM'S
TAKING REALLY
GOOD CARE OF HER.
89
00:03:25,580 --> 00:03:27,582
SHE ADORES YOU.
90
00:03:27,665 --> 00:03:29,500
BECOMING AN UNCLE
5 YEARS AGO WAS
A BIG SURPRISE,
91
00:03:29,584 --> 00:03:32,629
BUT NOW, MAN, I CAN'T
IMAGINE MY LIFE
WITHOUT HER.
92
00:03:32,712 --> 00:03:34,339
YOU'RE GONNA BE
A GREAT DAD.
93
00:03:36,674 --> 00:03:40,094
THANKS. UM, HOW LONG
DOES THIS USUALLY TAKE?
94
00:03:40,178 --> 00:03:44,682
A WHILE, SO JUST
HANG IN THERE.
95
00:03:44,766 --> 00:03:45,975
BRENDA, I CAN'T THANK
YOU ENOUGH.
96
00:03:46,059 --> 00:03:47,435
IT'S MY PLEASURE.
97
00:03:47,518 --> 00:03:48,770
I'LL BE IN TOUCH.
98
00:03:47,518 --> 00:03:48,770
GREAT.
99
00:03:53,733 --> 00:03:55,944
OH. YOU'RE
FOLLOWING ME NOW.
100
00:03:56,027 --> 00:03:57,362
IT'S SO AWKWARD
WHEN THIS HAPPENS
101
00:03:57,445 --> 00:03:58,613
BECAUSE WE ALREADY
SAID GOOD-BYE.
102
00:03:58,696 --> 00:04:00,031
NO. I GET IT.
YOU WANTED TO SPEND
103
00:04:00,114 --> 00:04:01,324
A FEW EXTRA MINUTES
WITH ME.
104
00:04:01,407 --> 00:04:02,659
YOU COULD HAVE JUST
ASKED, SEAN.
105
00:04:02,742 --> 00:04:04,327
OH. I WISH I HAD THE TIME,
BUT ACTUALLY,
106
00:04:04,410 --> 00:04:06,454
I'M RUNNING LATE
FOR A MEETING.
107
00:04:06,537 --> 00:04:08,247
MAYBE NEXT TIME.
108
00:04:08,331 --> 00:04:09,874
THIS IS ME.
109
00:04:08,331 --> 00:04:09,874
OH.
110
00:04:09,958 --> 00:04:11,668
BYE, SEAN.
111
00:04:09,958 --> 00:04:11,668
BYE.
112
00:04:31,437 --> 00:04:32,855
[CAR STARTS]
113
00:04:43,908 --> 00:04:46,452
[LIQUID GUSHING]
114
00:05:03,011 --> 00:05:05,013
EVERYTHING IS WRONG!
115
00:05:05,096 --> 00:05:08,558
EVERYTHING YOU KNOW
IS WRONG...
116
00:05:08,641 --> 00:05:10,101
AND THIS IS PROOF!
117
00:05:13,813 --> 00:05:16,399
PRETTY GRUESOME STUFF.
118
00:05:16,482 --> 00:05:19,736
YEAH. THIS IS
THE THIRD KILLING
IN THE LAST TWO MONTHS?
119
00:05:19,819 --> 00:05:21,612
YES. THE DENVER
DIVISION INVITED
US IN.
120
00:05:21,696 --> 00:05:23,698
THEY'VE GOT
3 MEN DEAD.
121
00:05:23,781 --> 00:05:25,033
EACH WAS
DECAPITATED.
122
00:05:25,116 --> 00:05:26,325
HEADS NOWHERE
TO BE FOUND.
123
00:05:26,409 --> 00:05:28,202
GARCIA: THE FIRST TWO
WERE KILLED IN PUBLIC
YET SECLUDED AREAS,
124
00:05:28,286 --> 00:05:30,705
ONE ON A BIKE PATH,
THE OTHER AT A PARK.
125
00:05:30,788 --> 00:05:32,582
THIS THE FIRST TIME
THIS GUY'S LEFT
A MESSAGE?
126
00:05:32,665 --> 00:05:34,375
PRENTISS: YEAH. NOTHING
LIKE THIS WAS FOUND AT
THE OTHER CRIME SCENES.
127
00:05:34,459 --> 00:05:35,877
GARCIA: YEAH, AND SPEAKING
OF THIS MESSAGE,
128
00:05:35,960 --> 00:05:37,754
IT WAS FILMED
ON THE VICTIM'S PHONE,
129
00:05:37,837 --> 00:05:38,921
SO THERE'S NO WAY
TO TRACK IT.
130
00:05:39,005 --> 00:05:40,423
THE UNSUB's NOT AFRAID
OF BEING SEEN.
131
00:05:40,506 --> 00:05:41,758
WE SHOULD TAKE
THE PARTIAL WE HAVE
OF HIS FACE,
132
00:05:41,841 --> 00:05:43,259
RUN IT THROUGH VICAP,
AND SEE IF IT HITS.
133
00:05:43,342 --> 00:05:45,136
AND WHAT DID HE MEAN
BY "EVERYTHING YOU
KNOW IS WRONG
134
00:05:45,219 --> 00:05:47,388
AND THIS IS PROOF"?
135
00:05:47,472 --> 00:05:48,431
PROOF OF WHAT?
136
00:05:48,514 --> 00:05:51,476
POWER, CONTROL,
HIS DOMINANCE
OVER THE VICTIMS.
137
00:05:51,559 --> 00:05:53,603
WELL, HIS WORD CHOICE
PLUS THAT HEAD,
IT FEELS LIKE A TAUNT
138
00:05:53,686 --> 00:05:55,438
DIRECTED AT HE VIEWER,
NOT THE VICTIM.
139
00:05:55,521 --> 00:05:57,231
IF IT WAS
A TAUNT DIRECTED
AT THE GENERAL PUBLIC,
140
00:05:57,315 --> 00:05:58,816
HE WOULD HAVE UPLOADED
IT SOMEWHERE.
141
00:05:58,900 --> 00:06:00,276
THEN IT MUST BE
LAW ENFORCEMENT.
142
00:06:00,359 --> 00:06:01,944
EITHER WAY, THE DISTINCT
LACK OF EMPATHY
143
00:06:02,028 --> 00:06:03,279
AND REMORSE IN HIS VOICE
144
00:06:03,362 --> 00:06:04,614
PLUS HIS GENERAL
DEMEANOR
145
00:06:04,697 --> 00:06:06,115
AND THE NATURE
OF HIS CRIMES TELLS US
146
00:06:06,199 --> 00:06:07,533
THAT HE'S AN ORGANIZED
OFFENDER
147
00:06:07,617 --> 00:06:09,118
WITH A SPECIFIC
PSYCHOPATHOLOGY.
148
00:06:09,202 --> 00:06:11,245
ONE THAT INCLUDES TAKING
HIS VICTIM'S HEADS.
149
00:06:11,329 --> 00:06:12,830
NOTHING HERE SAYS HE'S
CLOSE TO BEING DONE.
150
00:06:12,914 --> 00:06:14,665
WHEELS UP IN 10.
151
00:06:23,132 --> 00:06:24,759
DENVER, HUH?
152
00:06:24,842 --> 00:06:26,761
YEAH.
153
00:06:26,844 --> 00:06:29,680
MENDOZA CALL YOU
DIRECTLY?
154
00:06:29,764 --> 00:06:32,600
UH, NO ACTUALLY.
IT CAME THROUGH
OFFICIAL CHANNELS.
155
00:06:32,683 --> 00:06:36,145
SO...YOU AND ANDREW
LONG DISTANCE--
156
00:06:36,229 --> 00:06:37,814
HOW'S THAT BEEN GOING?
157
00:07:02,588 --> 00:07:05,174
VOICE: KYLE!
158
00:07:05,258 --> 00:07:06,801
YOU'RE GETTING CLOSER.
159
00:07:38,249 --> 00:07:41,460
CAPTIONING MADE POSSIBLE
BY ABC STUDIOS, LLC
AND CBS, INC.
160
00:07:48,134 --> 00:07:50,344
PRENTISS: "HISTORY HAS A WAY
OF ALTERING VILLAINS
161
00:07:50,428 --> 00:07:53,431
SO THAT WE CAN NO LONGER
SEE OURSELVES IN THEM."
162
00:07:53,514 --> 00:07:55,892
ADAM SERWER.
163
00:07:55,975 --> 00:07:57,518
GO AHEAD, GARCIA.
164
00:07:57,602 --> 00:08:00,021
GARCIA: OK, FAM.
WE GOT DOSSIERS
ON TOP OF DOSSIERS.
165
00:08:00,104 --> 00:08:01,564
OUR FIRST VICTIM IS
MANNY RODRIGUEZ--
166
00:08:01,647 --> 00:08:03,608
LATE THIRTIES,
DIVORCED, NO KIDS.
167
00:08:03,691 --> 00:08:05,526
HE WAS A TWICE-ELECTED
CITY COUNCILPERSON.
168
00:08:05,610 --> 00:08:08,779
POLITICS CAN BE MESSY.
HE MAY HAVE RUFFLED
SOME FEATHERS.
169
00:08:08,863 --> 00:08:10,615
JAREAU: PERHAPS,
BUT OUR SECOND VICTIM
170
00:08:10,698 --> 00:08:12,533
ISAAC WILEY WAS
IN HIS LATE 20s.
171
00:08:12,617 --> 00:08:14,076
HE WORKED
FOR A TECH FIRM.
172
00:08:14,160 --> 00:08:15,453
THERE'S NOTHING
IN HIS FILE
173
00:08:15,536 --> 00:08:17,038
THAT COULD BE CONSIDERED
CONTROVERSIAL
174
00:08:17,121 --> 00:08:18,414
OR POLITICAL.
175
00:08:18,497 --> 00:08:20,708
OUR LATEST VICTIM
SEAN McAFEE WAS
AN ARCHITECT,
176
00:08:20,791 --> 00:08:23,502
EARLY 30s, SINGLE,
NEVER MARRIED,
NO KIDS.
177
00:08:23,586 --> 00:08:25,087
SO ALL 3 HAD
DIFFERENT JOBS
178
00:08:25,171 --> 00:08:26,881
AND LIVED IN DIFFERENT
PARTS OF TOWN.
179
00:08:26,964 --> 00:08:29,592
ALVEZ: GARCIA,
HAVE YOU FOUND ANY
OVERLAP SOCIALLY?
180
00:08:29,675 --> 00:08:31,886
DO I HAVE TO START
CALLING YOU NEWBIE AGAIN?
181
00:08:31,969 --> 00:08:34,889
OK. SO YOU
WOULD HAVE
LED WITH THAT.
182
00:08:34,972 --> 00:08:36,432
SHUT THE FRONT DOOR.
183
00:08:36,515 --> 00:08:38,893
ANDREW MENDOZA SIGNED
THIS REPORT.
184
00:08:38,976 --> 00:08:41,437
ANDREW MENDOZA IS
PRENTISS' BOYFRIEND.
185
00:08:41,520 --> 00:08:43,272
HE'S THE HEAD
OF THE DENVER FIELD OFFICE?
186
00:08:43,356 --> 00:08:47,985
UH, YES. HE HAS
BEEN FOR THE PAST,
UH, TWO MONTHS.
187
00:08:48,069 --> 00:08:50,279
UM, HIS DAUGHTER
AND EX-WIFE MOVED
188
00:08:50,363 --> 00:08:51,656
TO COLORADO
A YEAR AGO,
189
00:08:51,739 --> 00:08:53,241
AND HE'D BEEN WAITING
FOR A TRANSFER
190
00:08:53,324 --> 00:08:54,951
SO HE COULD BE
CLOSER TO KEELY.
191
00:08:55,034 --> 00:08:57,036
SHE STARTS HIGH SCHOOL
SOON, SO...
192
00:09:00,331 --> 00:09:03,543
ALVEZ: BUT YOU
GUYS ARE, UM--
YOU'RE GOOD?
193
00:09:03,626 --> 00:09:05,795
YEAH. YEAH.
IT'S ALL GOOD.
194
00:09:05,878 --> 00:09:07,838
ANYWAY, WE HAVE
BIGGER FISH TO FRY
195
00:09:07,922 --> 00:09:09,840
THAN MY PERSONAL LIFE,
SO WHEN WE LAND,
196
00:09:09,924 --> 00:09:11,509
SIMMONS, ROSSI,
AND I WILL SET UP
197
00:09:11,592 --> 00:09:12,468
AT THE DENVER DIVISION.
198
00:09:12,551 --> 00:09:16,180
JJ, REID, CHECK OUT
THE LATEST CRIME SCENE.
199
00:09:16,264 --> 00:09:18,975
TARA AND LUKE,
YOU WILL GO TO
THE M.E.'s OFFICE.
200
00:09:19,058 --> 00:09:20,351
GARCIA: SO WE'RE JUST
NOT GONNA TALK
201
00:09:20,434 --> 00:09:22,311
ABOUT THAT TALL HUNK
OF WATER YOU CALL YOUR BAE?
202
00:09:22,395 --> 00:09:23,312
NO.
203
00:09:23,396 --> 00:09:24,313
I HAVE SO MANY QUESTIONS.
204
00:09:24,397 --> 00:09:26,482
LIKE, IS HE LEFT-HANDED?
WHAT DOES HE SLEEP IN?
205
00:09:26,565 --> 00:09:27,441
IS HE ALLERGIC
TO CATS?
206
00:09:27,525 --> 00:09:28,609
PRENTISS:
BYE, PENELOPE.
207
00:09:28,693 --> 00:09:29,902
WAS HE EVER IN BAND?
208
00:09:37,576 --> 00:09:40,705
HEY. I GOT TO GO,
ALL RIGHT?
209
00:09:40,788 --> 00:09:42,540
DAVE, GOOD TO SEE YOU.
210
00:09:42,623 --> 00:09:43,332
SAME HERE.
211
00:09:43,416 --> 00:09:44,667
HOW YOU DOING?
212
00:09:43,416 --> 00:09:44,667
HOW ARE YOU, BROTHER?
213
00:09:44,750 --> 00:09:46,377
GOOD TO SEE YOU.
214
00:09:44,750 --> 00:09:46,377
YOU, TOO. YOU, TOO.
215
00:09:46,460 --> 00:09:47,670
AND CHIEF PRENTISS.
216
00:09:47,753 --> 00:09:50,673
OH, HI. YEAH.
217
00:09:50,756 --> 00:09:53,009
ANDREW, UH, WHAT
HAVE YOU GOT FOR US?
218
00:09:53,092 --> 00:09:55,136
WELL, FIRST OFF,
WE GOT YOU GUYS
SET UP OVER HERE,
219
00:09:55,219 --> 00:09:57,013
AND WAITING TO BE
INTERVIEWED ARE
220
00:09:57,096 --> 00:09:58,764
THE FRIENDS AND FAMILY
OF THE FIRST TWO VICTIMS.
221
00:09:58,848 --> 00:10:01,350
ALSO A WOMAN NAMED
ALICE CLARKE IS COMING IN.
222
00:10:01,434 --> 00:10:03,728
SHE'S THE LAST KNOWN
PERSON TO SPEAK
TO SEAN McAFEE.
223
00:10:03,811 --> 00:10:06,188
GREAT. WE'LL JUST NEED
A FEW MINUTES TO SET UP.
224
00:10:06,272 --> 00:10:08,107
ALL RIGHT.
225
00:10:08,190 --> 00:10:09,608
HEY.
226
00:10:11,277 --> 00:10:13,404
I MISSED YOU.
227
00:10:13,487 --> 00:10:14,989
IT'S GOOD TO
SEE YOU.
228
00:10:15,072 --> 00:10:17,491
UH-HUH. THINK WE
NEED TO TALK.
229
00:10:17,575 --> 00:10:20,161
WE WILL WHEN
THE CASE IS OVER.
230
00:10:25,583 --> 00:10:27,209
JAREAU: ALL RIGHT.
THANKS.
231
00:10:27,293 --> 00:10:29,378
SO, UH, NEIGHBORS
REPORTED SEEING
232
00:10:29,462 --> 00:10:31,422
AN OLDER FORD
STATION WAGON
IN THE AREA.
233
00:10:31,505 --> 00:10:32,923
HOPEFULLY WE CAN
GET PLATES.
234
00:10:33,007 --> 00:10:35,259
DID YOU SEE THE ADDITIONAL
HOME SURVEILLANCE?
235
00:10:35,343 --> 00:10:37,053
I DID. I JUST WATCHED
ALL THE FOOTAGE.
236
00:10:37,136 --> 00:10:38,387
HOPEFULLY, THE EXTRA
ANGLES CAN HELP GARCIA
237
00:10:38,471 --> 00:10:40,056
WITH HER FACIAL
RECOGNITION SEARCH.
238
00:10:40,139 --> 00:10:41,724
SEAN HAD CAMERAS
ALL OVER HIS HOUSE,
239
00:10:41,807 --> 00:10:43,559
BUT BASED
ON THE UNSUB's
BEHAVIOR,
240
00:10:43,642 --> 00:10:44,644
HE HAD NO IDEA
HE WAS BEING FILMED.
241
00:10:44,727 --> 00:10:46,562
THAT MEANS THE UNSUB
PROBABLY WASN'T
STALKING HIM.
242
00:10:46,645 --> 00:10:48,356
THIS WAS ALL IMPULSE.
243
00:10:48,439 --> 00:10:50,358
HE RANSACKED THE PLACE
AFTER KILLING SEAN.
244
00:10:50,441 --> 00:10:52,777
IN THE VIDEO WE SAW,
HE CLEARLY WASN'T
LOOKING FOR ANYTHING.
245
00:10:52,860 --> 00:10:54,403
HE JUST LOST IT.
246
00:10:54,487 --> 00:10:55,613
DID YOU SEE THE WAY
THAT HE KEPT SQUINTING
247
00:10:55,696 --> 00:10:57,239
AND SHIELDING
HIS EYES EVEN THOUGH
248
00:10:57,323 --> 00:10:59,533
THERE WAS NO LIGHT
ABOVE HIM?
249
00:10:59,617 --> 00:11:00,785
LIGHT SENSITIVITY.
250
00:11:00,868 --> 00:11:02,203
PLUS EMOTIONAL
OUTBURSTS.
251
00:11:02,286 --> 00:11:03,454
PRETTY CLEAR HE'S
GOING THROUGH SOME KIND
252
00:11:03,537 --> 00:11:04,914
OF PSYCHOTIC BREAK.
253
00:11:04,997 --> 00:11:06,415
THAT COULD MAKE HIM
EASIER TO SPOT.
254
00:11:06,499 --> 00:11:08,709
WE SHOULD ASK EYEWITNESSES
ABOUT STRANGERS
255
00:11:08,793 --> 00:11:12,546
EXHIBITING ANY INNOCUOUS,
REPETITIVE BEHAVIORS.
256
00:11:12,630 --> 00:11:14,256
THERE WERE NO
DEFENSIVE WOUNDS,
257
00:11:14,340 --> 00:11:16,217
NO SIGNS OF TORTURE
OR LIGATURE MARKS,
258
00:11:16,300 --> 00:11:18,552
SO IT'S UNLIKELY
HE WAS HELD.
259
00:11:18,636 --> 00:11:20,137
DID YOU RUN
A TOX SCREEN?
260
00:11:20,221 --> 00:11:22,098
CAME UP CLEAN JUST AS
IN THE PREVIOUS
TWO MURDERS.
261
00:11:22,181 --> 00:11:23,891
ALVEZ: WELL, IF OUR UNSUB
DIDN'T DRUG SEAN
262
00:11:23,974 --> 00:11:25,601
AND HE DIDN'T FIGHT BACK,
THEN HE MUST HAVE
263
00:11:25,684 --> 00:11:27,478
INCAPACITATED HIM
SOMEHOW.
264
00:11:27,561 --> 00:11:29,480
YEAH. PERHAPS WITH
A SHARP BUMP TO
THE BACK OF THE HEAD.
265
00:11:29,563 --> 00:11:31,565
WAS THE C.O.D.
DECAPITATION?
266
00:11:31,649 --> 00:11:33,025
I BELIEVE SO.
267
00:11:35,778 --> 00:11:38,572
HE MOST LIKELY USED
SOME KIND OF A HEAVY BLADE,
268
00:11:38,656 --> 00:11:40,116
A BROAD OR A FELLING AX.
269
00:11:40,199 --> 00:11:41,450
THAT WAS MY
THINKING, AS WELL,
270
00:11:41,534 --> 00:11:43,577
AND IT WAS DONE
PERIMORTEM.
271
00:11:43,661 --> 00:11:45,287
SEAN WAS ALIVE
WHEN THIS HAPPENED?
272
00:11:45,371 --> 00:11:46,997
YEAH, AND THIS KILLER
KNEW WHAT HE WAS DOING.
273
00:11:47,081 --> 00:11:48,624
A COUPLE OF
CLEAN STRIKES,
AND--KKTT--
274
00:11:48,707 --> 00:11:50,334
HE WAS FINISHED.
275
00:11:50,418 --> 00:11:52,420
THAT FEELS QUICK,
ALMOST TRANSACTIONAL.
276
00:11:52,503 --> 00:11:54,463
YEAH. HE DIDN'T WANT TO
PROLONG THE EXPERIENCE.
277
00:11:54,547 --> 00:11:56,757
HE WAS FOCUSED.
HE WANTED TO GET
IT DONE WITH.
278
00:11:56,841 --> 00:11:58,592
AND CHECK OUT
THIS LATENT BRUISING.
279
00:11:58,676 --> 00:12:00,803
AT FIRST, I WASN'T
SURE IF IT HAPPENED
DURING THE ATTACK
280
00:12:00,886 --> 00:12:04,014
OR WHEN HE FELL,
BUT IT APPEARS TO BE
SOME KIND OF MARKING.
281
00:12:04,098 --> 00:12:07,143
THE UNSUB MUST HAVE
PRESSED IT INTO
HIS CHEST.
282
00:12:07,226 --> 00:12:10,479
DR. MARTINEZ, DID YOU
FIND ANYTHING SIMILAR
ON THE OTHER VICTIMS?
283
00:12:10,563 --> 00:12:12,815
THERE WAS SOME
LATENT BRUISING
IN THE SAME VICINITY,
284
00:12:12,898 --> 00:12:15,109
BUT I'M NOT SURE
ABOUT SYMBOLS
OR MARKINGS.
285
00:12:15,192 --> 00:12:16,318
ARE THE BODIES
STILL HERE?
286
00:12:16,402 --> 00:12:17,486
YES, THEY ARE.
287
00:12:17,570 --> 00:12:19,363
WELL, LET'S TAKE A LOOK.
288
00:12:17,570 --> 00:12:19,363
OK.
289
00:12:26,287 --> 00:12:28,581
MENDOZA: MS. CLARKE,
THANK YOU FOR COMING IN.
290
00:12:28,664 --> 00:12:31,375
HAVE A SEAT.
291
00:12:31,459 --> 00:12:34,044
I UNDERSTAND YOU WORKED
WITH SEAN McAFEE.
292
00:12:34,128 --> 00:12:36,464
YES, THAT'S RIGHT.
WE'RE WORKING--
293
00:12:36,547 --> 00:12:38,466
WE WORKED ON THE SAME
PROJECT TOGETHER,
294
00:12:38,549 --> 00:12:40,176
THIS HIGH RISE GOING
UP DOWNTOWN.
295
00:12:40,259 --> 00:12:42,344
AND HE CALLED YOU
YESTERDAY AFTERNOON?
296
00:12:42,428 --> 00:12:44,263
YES. HE WAS RUNNING LATE.
297
00:12:44,346 --> 00:12:45,848
HE JUST WANTED TO
LET ME KNOW THAT I SHOULD
298
00:12:45,931 --> 00:12:47,725
START THE MEETING
BY MYSELF.
299
00:12:47,808 --> 00:12:49,852
I WAS SURPRISED,
BUT HE ALSO HAS A LOT
300
00:12:49,935 --> 00:12:52,354
OF PERSONAL THINGS
GOING ON IN HIS LIFE, SO--
301
00:12:52,438 --> 00:12:54,607
OH, YEAH? LIKE WHAT?
302
00:12:54,690 --> 00:12:56,859
HE HAS A SISTER THAT
JUST WENT TO JAIL
FOR 10 YEARS--
303
00:12:56,942 --> 00:12:58,319
DRUGS OR SOMETHING.
304
00:12:58,402 --> 00:13:01,530
SEAN WAS FILING
FOR CUSTODY OF HER
DAUGHTER KARA.
305
00:13:01,614 --> 00:13:03,032
HE WANTED TO RAISE HER.
306
00:13:03,115 --> 00:13:04,867
THAT'S WHY HE WAS LATE
307
00:13:04,950 --> 00:13:08,370
BECAUSE HE WAS HAVING
LUNCH WITH HIS NIECE
AND THE CASE WORKER.
308
00:13:08,454 --> 00:13:09,413
IT WAS THEIR FIRST
SIT-DOWN.
309
00:13:09,497 --> 00:13:11,165
SEAN WAS GONNA
BE A FATHER.
310
00:13:15,252 --> 00:13:17,046
WE GOT TO BRING
THAT CASE WORKER IN.
311
00:13:17,129 --> 00:13:19,548
YES, AND LIKE
OUR OTHER TWO VICTIMS,
312
00:13:19,632 --> 00:13:23,052
SEAN WAS LAST SEEN
WITH OR AROUND
A CHILD.
313
00:13:23,135 --> 00:13:25,262
THEY'RE FATHERS
OR FATHER FIGURES.
314
00:13:25,346 --> 00:13:26,889
THAT'S WHY THE UNSUB
IS TARGETING THEM.
315
00:13:26,972 --> 00:13:28,390
YEAH.
316
00:13:28,474 --> 00:13:29,600
MAN: WATCH YOUR HEAD!
317
00:13:29,683 --> 00:13:31,810
[INDISTINCT CHATTER]
318
00:13:34,605 --> 00:13:38,734
HEY, HEY. I GOT IT.
I GOT IT. THANK YOU.
319
00:13:38,817 --> 00:13:40,236
HEY. COME ON, BUD.
LET'S GO.
320
00:13:40,319 --> 00:13:42,905
EVEN LIONEL MESSI
HAS TO PRACTICE.
321
00:13:42,988 --> 00:13:44,657
COMING!
322
00:13:51,497 --> 00:13:54,542
LEWIS: SO IT TURNS OUT THAT
THERE WAS LATENT BRUISING
323
00:13:54,625 --> 00:13:57,753
ON THE TORSOS AND CHESTS
OF ALL 3 VICTIMS.
324
00:13:57,836 --> 00:14:00,589
A CLOSER ANALYSIS
OF THE CONTUSIONS REVEALED
325
00:14:00,673 --> 00:14:03,342
THAT THEY'RE SOME KIND
OF CHARACTERS.
326
00:14:03,425 --> 00:14:06,595
NOW TAKEN TOGETHER,
WE THINK THEY MAY BE
MATHEMATICAL SYMBOLS,
327
00:14:06,679 --> 00:14:08,597
PERHAPS PART
OF A LARGER EXPRESSION.
328
00:14:08,681 --> 00:14:12,434
SCHRODINGER'S EQUATION.
THEY FORM THE BASIS
OF SCHRODINGER'S EQUATION.
329
00:14:14,645 --> 00:14:17,606
PRENTISS: WELL, I'VE HEARD
OF SCHRODINGER'S CAT.
330
00:14:17,690 --> 00:14:19,775
BOTH DESCRIBE
POTENTIAL ENERGY.
331
00:14:19,858 --> 00:14:22,820
SCHRODINGER'S EQUATION
IS THE BASIS
OF QUANTUM MECHANICS.
332
00:14:22,903 --> 00:14:24,321
IT DESCRIBES
THE PROBABILITY THAT
333
00:14:24,405 --> 00:14:25,990
A PARTICLE WILL BEHAVE
IN A CERTAIN WAY
334
00:14:26,073 --> 00:14:28,033
IN A CERTAIN PLACE
IN A CERTAIN TIME.
335
00:14:28,117 --> 00:14:30,411
THE IMPLICATIONS
OF THIS GAVE RISE TO
THE MANY WORLDS THEORY
336
00:14:30,494 --> 00:14:31,328
OF THE UNIVERSE.
337
00:14:31,412 --> 00:14:33,581
MENDOZA: WHICH IS THAT
REALITY AS WE KNOW IT
338
00:14:33,664 --> 00:14:36,208
IS ONLY ONE OF MANY
POSSIBLE UNIVERSES.
339
00:14:36,292 --> 00:14:39,003
YEAH. YEAH.
I'M WITH YOU.
340
00:14:39,086 --> 00:14:40,546
I WATCH "DOCTOR WHO."
341
00:14:40,629 --> 00:14:42,464
JAREAU: OK. SO DOES
OUR UNSUB THINK HE'S
342
00:14:42,548 --> 00:14:44,300
IN A PARALLEL UNIVERSE?
343
00:14:44,383 --> 00:14:45,884
ALVEZ: WHAT DOES
KILLING DADS HAVE TO DO
344
00:14:45,968 --> 00:14:47,595
WITH PARALLEL
UNIVERSES?
345
00:14:47,678 --> 00:14:49,597
I MEAN, MAYBE HE'S
MAD AT HIS OWN?
346
00:14:49,680 --> 00:14:51,682
EVEN IF HE IS,
WHY TAKE THEIR HEADS?
347
00:14:51,765 --> 00:14:53,017
IT DOESN'T LINE UP.
348
00:14:53,100 --> 00:14:54,935
YOU KNOW, WE SAID THESE
KILLS ARE TRANSACTIONAL.
349
00:14:55,019 --> 00:14:58,272
MAYBE THE HEADS ARE
SACRIFICES OR TOKENS
OF SOME SORT,
350
00:14:58,355 --> 00:15:00,357
SOMETHING THE UNSUB
NEEDS TO DO
351
00:15:00,441 --> 00:15:04,153
IN ORDER TO PASS
BETWEEN REALITIES.
352
00:15:04,236 --> 00:15:05,863
I MEAN, IT ONLY HAS
TO MAKE SENSE TO HIM.
353
00:15:05,946 --> 00:15:07,781
YEAH. MATT'S RIGHT.
354
00:15:07,865 --> 00:15:10,034
MOST SERIAL KILLERS
ENGAGE IN SOME KIND
355
00:15:10,117 --> 00:15:11,493
OF FANTASTICAL
THINKING, RIGHT--
356
00:15:11,577 --> 00:15:13,370
BUNDY, DAHMER.
357
00:15:13,454 --> 00:15:15,372
SON OF SAM THOUGHT
HE SAW A TALKING DOG,
358
00:15:15,456 --> 00:15:17,458
BUT THIS PARTICULAR
DELUSION THAT
359
00:15:17,541 --> 00:15:19,376
THIS UNSUB IS
EXPERIENCING,
360
00:15:19,460 --> 00:15:21,170
IT COMES
FROM SOMEWHERE.
361
00:15:21,253 --> 00:15:23,213
NOT TO MENTION, OUTSIDE
OF OUR BOY GENIUS,
362
00:15:23,297 --> 00:15:25,507
MOST PEOPLE DON'T KNOW
THAT EQUATION.
363
00:15:25,591 --> 00:15:27,676
YEAH. WE SHOULD BE
LOOKING FOR PEOPLE
WITH A BACKGROUND
364
00:15:27,760 --> 00:15:29,970
IN THEORETICAL PHYSICS
AND QUANTUM MECHANICS.
365
00:15:30,054 --> 00:15:33,015
AND FAST BECAUSE
BASED ON THE MARKINGS
ON THOSE BODIES,
366
00:15:33,098 --> 00:15:35,184
HIS EQUATION
ISN'T COMPLETE.
367
00:15:35,267 --> 00:15:37,311
HE HASN'T FINISHED
HIS PROOF YET.
368
00:15:39,438 --> 00:15:41,732
YES, HONEY. I GOT
THE ONION PAKORA
369
00:15:41,815 --> 00:15:45,069
AND THE MANGO CHUTNEY, TOO,
EXTRA HOT.
370
00:15:45,152 --> 00:15:47,655
OK. ALL RIGHT.
THEN SHE CAN HAVE
MY BUTTER CHICKEN.
371
00:15:47,738 --> 00:15:50,574
ALL RIGHT. SEE YOU SOON.
LOVE YOU.
372
00:15:55,579 --> 00:15:57,164
UNH!
373
00:15:59,333 --> 00:16:02,586
[THUD]
374
00:16:02,670 --> 00:16:04,171
[SPLAT]
375
00:16:04,254 --> 00:16:06,006
CREATURE: HA HA HA!
376
00:16:10,469 --> 00:16:14,640
YOU HAVE TO MARK
HIM, KYLE.
377
00:16:22,106 --> 00:16:24,775
THANKS. VICTIM'S NAME
WAS DAN MONTGOMERY.
378
00:16:24,858 --> 00:16:26,735
HE WAS PICKING UP FOOD
FOR HIS WIFE AND SON.
379
00:16:26,819 --> 00:16:28,237
DID HE HAVE THE SAME KIND
OF LATENT BRUISING
380
00:16:28,320 --> 00:16:29,780
ON HIS CHEST
AS THE OTHERS?
381
00:16:29,863 --> 00:16:31,907
YEAH. THE NEXT SYMBOLS
IN THE EQUATION.
382
00:16:31,990 --> 00:16:34,243
OK. THANKS.
383
00:16:34,326 --> 00:16:35,953
MAN: LOOK. I'M NOT
SAYING IT WAS A WALK
OF SHAME OR ANYTHING,
384
00:16:36,036 --> 00:16:39,707
BUT, UH, THESE ARE
YESTERDAY'S CLOTHES.
385
00:16:39,790 --> 00:16:40,958
OH. SOUNDS LIKE
A HELL OF A NIGHT.
386
00:16:41,041 --> 00:16:41,834
THIS IS KEVIN PATTERSON.
387
00:16:41,917 --> 00:16:43,460
HE WAS IN THE BAR
NEXT DOOR LAST NIGHT.
388
00:16:43,544 --> 00:16:45,087
WHAT'D YOU SEE?
389
00:16:43,544 --> 00:16:45,087
I HAD A FEW DRINKS,
390
00:16:45,170 --> 00:16:46,755
UH, MET A WOMAN.
391
00:16:46,839 --> 00:16:47,881
WE GOT TO CHATTING.
392
00:16:47,965 --> 00:16:49,591
THINGS WERE
GOING WELL.
393
00:16:49,675 --> 00:16:51,218
I WAS PRETTY SURE
SHE LIKED ME.
394
00:16:51,301 --> 00:16:53,512
ANYWAY, I STEPPED
OUTSIDE WHILE SHE WAS
IN THE RESTROOM.
395
00:16:53,595 --> 00:16:55,806
THEN I SAW THIS GUY
ACROSS THE WAY.
396
00:16:55,889 --> 00:16:59,768
HE, UH, HAD SOMETHING
IN HIS HAND, I THINK,
A LARGE STICK,
397
00:16:59,852 --> 00:17:02,855
BUT I HEARD HIM SAY,
"ISN'T THIS ENOUGH?
398
00:17:02,938 --> 00:17:04,773
WHY ISN'T THIS
ENOUGH?"
399
00:17:04,857 --> 00:17:06,483
WHO WAS HE TALKING TO?
400
00:17:06,567 --> 00:17:10,028
NOBODY. I JUST
FIGURED HE WAS
SOME HOMELESS DRUNK,
401
00:17:10,112 --> 00:17:12,614
BUT THEN HE TURNED
TO ME STONE-COLD SOBER
402
00:17:12,698 --> 00:17:16,326
AND SAID, "I NEED
TO GET BACK."
403
00:17:16,410 --> 00:17:19,788
FREAKED ME OUT,
AND THE GIRL I MET
CAME OUT OF THE BAR.
404
00:17:19,872 --> 00:17:21,290
WE LEFT TOGETHER.
405
00:17:21,373 --> 00:17:22,958
UH, I NEVER SAW
A BODY OR ANYTHING.
406
00:17:23,041 --> 00:17:24,126
I DIDN'T THINK
ABOUT IT AGAIN
TILL THIS MORNING
407
00:17:24,209 --> 00:17:25,919
WHEN I SAW THE NEWS.
408
00:17:26,003 --> 00:17:27,629
ALL RIGHT. WE'RE GONNA
NEED THE NAME OF THE WOMAN
YOU LEFT WITH.
409
00:17:27,713 --> 00:17:29,465
AND, KEVIN, I'D LIKE
YOU TO WORK WITH ONE
OF OUR SKETCH ARTISTS.
410
00:17:29,548 --> 00:17:30,841
IS THAT ALL RIGHT?
411
00:17:30,924 --> 00:17:32,009
OH, YEAH. YEAH.
OF COURSE.
412
00:17:32,092 --> 00:17:33,427
GREAT.
413
00:17:33,510 --> 00:17:36,013
RIGHT THIS WAY.
414
00:17:36,096 --> 00:17:38,766
OUR UNSUB's
PSYCHOSIS IS
GETTING WORSE.
415
00:17:38,849 --> 00:17:40,476
HE'S HALLUCINATING
NOW.
416
00:17:40,559 --> 00:17:42,144
YEAH. HE'S NOT EVEN
CONCERNED ABOUT
A POTENTIAL WITNESS
417
00:17:42,227 --> 00:17:43,604
SEEING HIM EITHER.
418
00:17:43,687 --> 00:17:45,314
WELL, WHAT WAS
THE LAST THING KEVIN
HEARD HIM SAY?
419
00:17:45,397 --> 00:17:47,816
HE NEEDS TO
GET BACK.
420
00:17:47,900 --> 00:17:49,860
SO LET'S PUT THIS
ALL TOGETHER.
421
00:17:49,943 --> 00:17:53,822
PARALLEL UNIVERSES,
WRONG TIMELINE,
422
00:17:53,906 --> 00:17:57,159
GET BACK AS IN
CROSS OVER.
423
00:17:57,242 --> 00:17:58,827
I THINK I KNOW HOW
THIS IS ALL CONNECTED.
424
00:17:58,911 --> 00:18:00,954
WE NEED TO DELIVER
THE PROFILE.
425
00:18:03,081 --> 00:18:06,293
WE'RE LOOKING FOR A MALE IN
HIS LATE 30s OR EARLY 40S,
426
00:18:06,376 --> 00:18:08,670
WHO WE BELIEVE IS
KILLING IN ORDER
427
00:18:08,754 --> 00:18:11,006
TO CROSS OVER INTO
A PARALLEL UNIVERSE.
428
00:18:11,089 --> 00:18:13,342
SIMMONS: THIS UNSUB
IS A MAN LIVING
INSIDE A DELUSION,
429
00:18:13,425 --> 00:18:15,969
A FRACTURED REALITY
THAT HE BELIEVES
IS WRONG.
430
00:18:16,053 --> 00:18:17,846
ROSSI: THE IDEA THAT
WE'RE LIVING IN
THE WRONG TIMELINE
431
00:18:17,930 --> 00:18:21,850
IS MOST COMMONLY
DESCRIBED AS
THE MANDELA EFFECT.
432
00:18:21,934 --> 00:18:25,020
LEWIS: THE MANDELA EFFECT
IS A PSYCHOLOGICAL
PHENOMENON SIMILAR
433
00:18:25,103 --> 00:18:27,356
TO FALSE MEMORY SYNDROME.
434
00:18:27,439 --> 00:18:29,566
IT'S SO CALLED BECAUSE
A SIGNIFICANT NUMBER
OF PEOPLE HAVE
435
00:18:29,650 --> 00:18:31,485
A VERY CLEAR MEMORY
OF NELSON MANDELA
436
00:18:31,568 --> 00:18:33,362
DYING IN PRISON
IN THE 1980s
437
00:18:33,445 --> 00:18:35,322
WHEN WE KNOW THAT
NOT TO BE TRUE.
438
00:18:35,405 --> 00:18:36,990
HE DID, IN FACT,
SURVIVE, WAS RELEASED,
439
00:18:37,074 --> 00:18:38,242
AND MADE PRESIDENT
OF SOUTH AFRICA
440
00:18:38,325 --> 00:18:40,077
UNTIL HE PASSED AWAY
IN 2013.
441
00:18:40,160 --> 00:18:42,496
SCIENTISTS AND PSYCHOLOGISTS
HAVEN'T FIGURED OUT
442
00:18:42,579 --> 00:18:43,705
THIS PHENOMENON YET.
443
00:18:43,789 --> 00:18:44,790
REID: BUT A POPULAR
THEORY ON LINE IS
444
00:18:44,873 --> 00:18:47,835
THAT WE ARE CURRENTLY
LIVING IN A PARALLEL REALITY,
445
00:18:47,918 --> 00:18:49,378
THAT AT SOME POINT
IN THE RECENT PAST
446
00:18:49,461 --> 00:18:51,213
OUR WORLD OR TIMELINE
SHIFTED,
447
00:18:51,296 --> 00:18:53,048
AND THE EVIDENCE
IS ALL AROUND US.
448
00:18:53,131 --> 00:18:57,427
THINGS WE COLLECTIVELY
REMEMBER TO BE ONE WAY
ARE ACTUALLY ANOTHER.
449
00:18:57,511 --> 00:19:00,514
NAMES OF CHILDHOOD BOOKS,
AUTHORS,
450
00:19:00,597 --> 00:19:02,599
CERTAIN PHRASES,
EVEN BRANDS.
451
00:19:02,683 --> 00:19:06,728
"THE BERENSTEIN BEARS"
WHILE OTHERS RECALL
"THE BERENSTAIN BEARS."
452
00:19:06,812 --> 00:19:08,522
UNH!
453
00:19:08,605 --> 00:19:10,649
UNH! UNH!
454
00:19:10,732 --> 00:19:13,735
REID: OR CURIOUS GEORGE--
DO YOU GUYS REMEMBER
A TAIL OR NO TAIL?
455
00:19:13,819 --> 00:19:15,070
A TAIL.
456
00:19:15,153 --> 00:19:16,530
GOT TO HAVE
A TAIL, RIGHT?
457
00:19:16,613 --> 00:19:18,073
HE'S A MONKEY.
458
00:19:18,156 --> 00:19:19,867
NO TAIL.
459
00:19:19,950 --> 00:19:21,118
SIMMONS: WE DON'T
KNOW WHAT SPARKED
OUR UNSUB's
460
00:19:21,201 --> 00:19:22,578
INTEREST IN
THE MANDELA EFFECT,
461
00:19:22,661 --> 00:19:23,620
BUT WHEN WE FIND
THAT, WE FIND HIM.
462
00:19:23,704 --> 00:19:25,747
MENDOZA: DO WE HAVE
A THEORY ON WHY HE'S
TARGETING
463
00:19:25,831 --> 00:19:27,833
FATHERS
OR FATHER FIGURES?
464
00:19:27,916 --> 00:19:29,751
WELL, AS OF RIGHT NOW,
GIVEN THE VIOLENCE,
465
00:19:29,835 --> 00:19:33,797
HE SEEMS DRIVEN
BY A HATRED PERHAPS
TOWARDS HIS OWN FATHER.
466
00:19:33,881 --> 00:19:35,382
ALVEZ: THIS MAN
IS DANGEROUS.
467
00:19:35,465 --> 00:19:37,968
HE'S ISOLATED,
AND HE'S
MISSION-ORIENTED.
468
00:19:38,051 --> 00:19:40,888
[GRUNTING]
469
00:19:40,971 --> 00:19:43,432
ALVEZ: WE HAVE TO ISSUE
A WARNING TO THE PUBLIC
NOT TO CONFRONT HIM.
470
00:19:43,515 --> 00:19:45,309
[SCREAMING]
471
00:19:45,392 --> 00:19:47,311
HE'S OUT THERE.
LET'S GET TO WORK.
472
00:19:47,394 --> 00:19:49,980
THANK YOU.
473
00:19:50,063 --> 00:19:51,815
AAH!
474
00:19:51,899 --> 00:19:54,359
[BREATHING HEAVILY]
475
00:19:58,405 --> 00:20:00,490
WHY WON'T YOU LET
ME SEE HIM?
476
00:20:00,574 --> 00:20:05,329
YOU CAN'T SEE WHAT
YOU REFUSE TO LOOK
AT, KYLE.
477
00:20:05,412 --> 00:20:07,039
YOU'RE RUNNING
OUT OF TIME.
478
00:20:16,715 --> 00:20:17,799
COFFEE?
479
00:20:17,883 --> 00:20:19,843
LEWIS: YES.
THANK YOU.
480
00:20:19,927 --> 00:20:21,845
LOOK, GUYS. WE ARE
BANGING OUR HEADS
481
00:20:21,929 --> 00:20:23,138
AGAINST A WALL HERE.
482
00:20:23,221 --> 00:20:24,640
I MEAN, DENVER IS
LITTERED WITH
COLLEGES,
483
00:20:24,723 --> 00:20:25,933
AND WE'VE ALREADY
WORKED OUR WAY
484
00:20:26,016 --> 00:20:27,517
THROUGH MOST
OF THE ACADEMICS
AND SCIENTISTS.
485
00:20:27,601 --> 00:20:28,894
WELL, YOU KNOW WHAT?
WE JUST NEED TO
STEP BACK
486
00:20:28,977 --> 00:20:30,771
AND LOOK AT THINGS
DIFFERENTLY.
487
00:20:30,854 --> 00:20:34,983
THE MANDELA EFFECT
IS A UNIQUE PSYCHOLOGICAL
CONSTRUCT, RIGHT?
488
00:20:35,067 --> 00:20:36,985
I MEAN, THERE'S GOT TO
BE A GOOD REASON
489
00:20:37,069 --> 00:20:39,154
WHY HE LATCHED ONTO IT
IN PARTICULAR.
490
00:20:39,237 --> 00:20:41,156
WELL, CREATION
OF DISSOCIATIVE REALITIES
491
00:20:41,240 --> 00:20:45,494
CAN OFTEN BE A CRUTCH
FOR PEOPLE WHO'VE
SUFFERED EXTREME TRAUMA.
492
00:20:45,577 --> 00:20:47,371
OK. LET'S RUN
WITH THAT.
493
00:20:47,454 --> 00:20:50,165
WE'RE LOOKING
FOR A LOSS TRIGGERED
BY AN EVENT
494
00:20:50,249 --> 00:20:53,168
LIKELY CAUSED
BY THE UNSUB HIMSELF,
495
00:20:53,251 --> 00:20:55,963
AND THEN THIS
INABILITY TO
ACCEPT THIS REALITY
496
00:20:56,046 --> 00:20:58,966
WOULD BE A DEFENSE
MECHANISM FOR A MIND
RACKED WITH GUILT.
497
00:20:59,049 --> 00:21:02,511
ALVEZ: SO UNABLE TO FACE
REALITY, OUR UNSUB
HAS CREATED HIS OWN.
498
00:21:02,594 --> 00:21:05,472
STILL DOESN'T EXPLAIN
WHY HE'S KILLING
FATHER FIGURES, THOUGH.
499
00:21:05,555 --> 00:21:08,016
UNLESS IT DOES.
SAY HIS OWN GUILT
500
00:21:08,100 --> 00:21:10,018
IS A MAJOR FACTOR
IN A BREAK LIKE THIS.
501
00:21:10,102 --> 00:21:12,229
THAT WOULD MEAN THAT
HE'S PICKING OUT DADS
502
00:21:12,312 --> 00:21:13,897
OUT OF SOME KIND
OF SELF-LOATHING.
503
00:21:13,981 --> 00:21:18,902
THIS ISN'T
ABOUT HIS HATRED
TOWARD HIS OWN DAD.
504
00:21:18,986 --> 00:21:20,487
THESE MEN ARE SURROGATES
FOR HIM.
505
00:21:20,570 --> 00:21:22,823
HE'S ANGRY AT HIMSELF.
506
00:21:22,906 --> 00:21:24,533
OUR UNSUB's
THE FATHER HERE.
507
00:21:37,629 --> 00:21:40,090
HEY.
508
00:21:40,173 --> 00:21:41,758
WHAT HAPPENED
TO YOU LAST NIGHT?
509
00:21:41,842 --> 00:21:43,010
I THOUGHT YOU'D
COME BY.
510
00:21:43,093 --> 00:21:44,094
I TEXTED YOU.
511
00:21:44,177 --> 00:21:46,888
UM...
512
00:21:46,972 --> 00:21:49,016
OH. HERE.
COME WITH ME.
513
00:21:59,067 --> 00:22:00,902
TALK TO ME.
514
00:22:00,986 --> 00:22:02,404
I DON'T KNOW
WHAT TO SAY.
515
00:22:02,487 --> 00:22:04,531
WELL, MAYBE YOU START
WITH WHY YOU CANCELED
516
00:22:04,614 --> 00:22:06,575
YOUR TRIP A COUPLE
WEEKS AGO.
517
00:22:06,658 --> 00:22:07,951
LIKE I SAID, THERE
WAS AN ABDUCTION.
518
00:22:08,035 --> 00:22:10,787
EMILY, THERE'S ALWAYS
GONNA BE A CASE,
519
00:22:10,871 --> 00:22:12,748
AND YOU KNOW I KNOW, OK,
520
00:22:12,831 --> 00:22:14,458
BUT YOU WERE SUPPOSED
TO COME FOR THE WEEKEND,
521
00:22:14,541 --> 00:22:15,917
FINALLY MEET KEELY.
522
00:22:16,001 --> 00:22:16,960
MM-HMM.
523
00:22:17,044 --> 00:22:20,589
AND NOW YOU'RE BACK TO
DODGING MY CALLS AND TEXTS.
524
00:22:20,672 --> 00:22:22,049
DID I DO SOMETHING
WRONG?
525
00:22:22,132 --> 00:22:25,469
NO, AND THANK YOU
FOR THE FLOWERS.
526
00:22:25,552 --> 00:22:30,265
OH, YOU'RE WELCOME,
BUT IF NOT,
THEN WHAT IS IT?
527
00:22:30,348 --> 00:22:36,772
THIS HAS JUST BEEN
HARDER THAN I THOUGHT
IT WAS GONNA BE.
528
00:22:36,855 --> 00:22:40,776
YOU KNOW, I NEVER WANTED
MOVING HERE TO CHANGE
ANYTHING BETWEEN US.
529
00:22:40,859 --> 00:22:45,906
WHAT I WANT...IS YOU.
530
00:22:45,989 --> 00:22:47,949
I WANT US,
531
00:22:48,033 --> 00:22:49,284
BUT RIGHT NOW,
IT FEELS LIKE
532
00:22:49,367 --> 00:22:51,995
YOU'RE...PULLING AWAY.
533
00:22:52,079 --> 00:22:53,914
OHH.
534
00:22:53,997 --> 00:22:57,125
ARE WE BREAKING UP?
535
00:22:57,209 --> 00:23:00,337
NO. THAT'S NOT
WHAT I WANT.
536
00:23:00,420 --> 00:23:02,089
WELL, THEN WHAT
DO YOU WANT? TELL ME.
537
00:23:02,172 --> 00:23:03,799
I'LL DO IT.
538
00:23:17,896 --> 00:23:20,023
WE'RE AT WORK.
539
00:23:23,777 --> 00:23:26,613
BEFORE YOU GO BACK
TO D.C.,
540
00:23:26,696 --> 00:23:28,782
I JUST WANT TO KNOW
WHERE WE STAND, OK?
541
00:23:36,832 --> 00:23:37,958
[SIGHS]
542
00:23:40,252 --> 00:23:41,837
OH, HEY. I WAS
JUST LOOKING FOR YOU.
543
00:23:41,920 --> 00:23:42,963
WHAT'S UP?
544
00:23:43,046 --> 00:23:44,506
PENELOPE FOUND
SOMETHING HINKY
545
00:23:44,589 --> 00:23:45,841
IN REGARDS TO
THE SOCIAL WORKER
546
00:23:45,924 --> 00:23:47,467
WHO WAS HELPING
SEAN McAFEE.
547
00:23:47,551 --> 00:23:48,844
SHE'S BRINGING
THE OTHERS UP
TO SPEED NOW.
548
00:23:48,927 --> 00:23:51,263
OK. GREAT.
549
00:23:55,767 --> 00:23:57,477
GO AHEAD, GARCIA.
550
00:23:57,561 --> 00:23:58,687
OK. SO OUR INITIAL INTERVIEW
WITH SEAN'S CASE WORKER
551
00:23:58,770 --> 00:24:00,856
BRENDA HACKER DIDN'T
RAISE ANY RED FLAGS,
552
00:24:00,939 --> 00:24:02,732
BUT SHE WAS THE LAST
PERSON TO SEE HIM ALIVE,
553
00:24:02,816 --> 00:24:04,860
SO I DID SOME
ADDITIONAL SPELUNKING.
554
00:24:04,943 --> 00:24:05,986
AND?
555
00:24:06,069 --> 00:24:06,820
WELCOME TO THE THUNDERDOME.
556
00:24:06,903 --> 00:24:07,612
I LOOKED AT BRENDA'S
FINANCIAL RECORDS,
557
00:24:07,696 --> 00:24:11,032
HER PHONE RECORDS,
HER CASE RECORDS.
558
00:24:11,116 --> 00:24:14,119
SHE SPECIALIZES
IN A VERY SPECIFIC CLIENTELE,
559
00:24:14,202 --> 00:24:16,580
SINGLE DADS WHO ARE
FIGHTING FOR CUSTODY
560
00:24:16,663 --> 00:24:18,039
OF THEIR CHILD
OR CHILDREN,
561
00:24:18,123 --> 00:24:21,418
AND SHE HAS AN UNUSUALLY
HIGH SUCCESS/PLACEMENT RATE.
562
00:24:21,501 --> 00:24:22,377
HOW UNUSUAL?
563
00:24:22,460 --> 00:24:24,337
LIKE, GET YOURSELF TO VEGAS,
CALL YOUR BOOKIE,
564
00:24:24,421 --> 00:24:25,505
THE FIX IS IN UNUSUAL.
565
00:24:25,589 --> 00:24:26,882
YOU THINK SHE'S
GREASING THE WHEELS?
566
00:24:26,965 --> 00:24:29,551
OH, SHE'S LUBING
THEM UP BIG TIME.
567
00:24:29,634 --> 00:24:30,886
UH, STOP SMILING,
LUKE ALVEZ.
568
00:24:30,969 --> 00:24:32,596
I CAN FEEL IT.
THAT JOKE WAS
NOT FOR YOU.
569
00:24:32,679 --> 00:24:34,556
WHAT I'M SAYING IS
HER TESTIMONY HOLDS
570
00:24:34,639 --> 00:24:35,724
A SPECIAL KIND
OF WEIGHT WITH THE JUDGE.
571
00:24:35,807 --> 00:24:37,684
SHE'S GOT HER FINGER
IN THE COOKIE JAR
SOMEHOW OR ANOTHER.
572
00:24:37,767 --> 00:24:39,269
WE SHOULD BRING
HER BACK IN.
573
00:24:39,352 --> 00:24:41,062
DOESN'T SEEM LIKE
A COINCIDENCE THAT
SHE WORKS WITH FATHERS
574
00:24:41,146 --> 00:24:42,439
AND OUR UNSUB
MIGHT BE ONE.
575
00:24:42,522 --> 00:24:44,399
LEWIS: GOOD WORK,
GARCIA.
576
00:24:44,482 --> 00:24:45,609
ALVEZ: PENELOPE.
577
00:24:45,692 --> 00:24:48,069
NEW PHONE. WHO DIS?
578
00:24:48,153 --> 00:24:50,238
THANK YOU.
579
00:24:50,322 --> 00:24:52,449
YOU SHOULD WORSHIP
AT MY THRONE, LUKE ALVEZ.
580
00:24:52,532 --> 00:24:58,121
OH, BUT I DO. I DO.
YOU KNOW I DO.
581
00:24:58,205 --> 00:24:59,706
WHAT DOES THAT
EVEN MEAN?
582
00:25:01,458 --> 00:25:02,542
MAN: ANOTHER TIME.
583
00:25:02,626 --> 00:25:04,127
COME ON, DAD.
584
00:25:04,211 --> 00:25:05,378
MO WOULD LET ME
DRIVE.
585
00:25:05,462 --> 00:25:06,880
I HAVE MY
LEARNER'S PERMIT.
586
00:25:06,963 --> 00:25:08,048
BOY: YEAH.
LET HER, DAD.
587
00:25:08,131 --> 00:25:08,965
HERE. YOU CAN
START THE CAR,
588
00:25:09,049 --> 00:25:10,634
BUT THAT'S IT.
589
00:25:10,717 --> 00:25:12,677
GIRL: DAD, THAT'S
SO LAME.
590
00:25:12,761 --> 00:25:14,221
MAN: THAT'S ALL YOU'RE
GONNA GET FOR NOW.
591
00:25:14,304 --> 00:25:16,473
I'LL TAKE YOU OUT
LATER WHEN IT'S
JUST THE TWO OF US.
592
00:25:18,058 --> 00:25:20,685
[SIGHS]
593
00:25:20,769 --> 00:25:23,104
[CAR STARTS]
594
00:25:23,188 --> 00:25:26,066
KYLE: UNH!
595
00:25:26,149 --> 00:25:27,275
UNH!
596
00:25:27,359 --> 00:25:28,568
OHH!
597
00:25:28,652 --> 00:25:30,195
DAD?!
598
00:25:32,155 --> 00:25:33,240
AAH! AAH!
599
00:25:33,323 --> 00:25:35,825
OH, NO!
600
00:25:35,909 --> 00:25:38,119
AAH! AAH! AAH!
601
00:25:38,203 --> 00:25:40,622
BOY: DAD!
602
00:25:38,203 --> 00:25:40,622
KYLE: DRIVE, DRIVE!
603
00:25:40,705 --> 00:25:42,457
DRIVE NOW!
604
00:25:40,705 --> 00:25:42,457
NO, NO!
605
00:25:42,540 --> 00:25:44,960
GO!
606
00:25:45,043 --> 00:25:48,004
GIRL: AAH!
607
00:25:45,043 --> 00:25:48,004
DRIVE!
608
00:25:48,088 --> 00:25:49,881
[TIRES SQUEALING]
609
00:26:01,059 --> 00:26:02,978
WOW. THIS PLACE
REALLY CLEARS OUT
AT LUNCH.
610
00:26:03,061 --> 00:26:05,105
YEAH. THIS GRANOLA BAR
WILL DO IT FOR ME.
611
00:26:05,188 --> 00:26:08,275
HMM. ME, TOO.
612
00:26:08,358 --> 00:26:10,318
SO YOU'RE NOT HAVING
LUNCH WITH ANDREW?
613
00:26:14,197 --> 00:26:16,366
3 MONTHS AGO,
614
00:26:16,449 --> 00:26:19,494
ANDREW ASKED ME TO
MOVE TO DENVER WITH HIM,
615
00:26:19,577 --> 00:26:22,038
BUT I'M HAPPY
WHERE I AM.
616
00:26:22,122 --> 00:26:23,707
I'M NOT READY TO
LEAVE THE BAU.
617
00:26:23,790 --> 00:26:26,293
I HAVEN'T EVEN MET
HIS DAUGHTER YET.
618
00:26:26,376 --> 00:26:28,628
WHY? YOU'VE BEEN
SEEING HIM
FOR OVER A YEAR.
619
00:26:28,712 --> 00:26:31,298
KEELY WAS ALREADY
IN COLORADO,
620
00:26:31,381 --> 00:26:33,300
AND THE COUPLE OF TIMES
SHE VISITED LAST YEAR,
621
00:26:33,383 --> 00:26:35,135
THE TIMING JUST
DIDN'T WORK OUT.
622
00:26:35,218 --> 00:26:37,512
HEY. YOU'RE PUTTING
UP WALLS.
623
00:26:37,595 --> 00:26:40,140
I KNOW BECAUSE I'VE
PUT UP PLENTY MYSELF.
624
00:26:40,223 --> 00:26:42,183
UPROOTING MY WHOLE LIFE?
625
00:26:42,267 --> 00:26:44,519
MOVING HALFWAY
ACROSS THE COUNTRY?
626
00:26:44,602 --> 00:26:46,980
THAT'S JUST NOT SOMETHING
THAT I EVER HAD IN MY PLANS,
627
00:26:47,063 --> 00:26:48,481
AND WHAT IF IT
DOESN'T WORK OUT?
628
00:26:48,565 --> 00:26:51,192
TAKE IT FROM A GUY
WHO JUST MARRIED
HIS THIRD EX-WIFE
629
00:26:51,276 --> 00:26:53,320
FOR THE SECOND TIME.
630
00:26:53,403 --> 00:26:57,198
ALL OF THIS WORK
IS WORTH IT.
631
00:26:57,282 --> 00:27:00,577
YOU DESERVE THIS.
BE HONEST WITH HIM.
632
00:27:00,660 --> 00:27:03,580
TELL HIM HOW YOU FEEL.
633
00:27:03,663 --> 00:27:05,582
SIMMONS: SORRY TO INTERRUPT.
DENVER PD JUST FOUND
634
00:27:05,665 --> 00:27:07,042
ANOTHER DECAPITATED BODY.
635
00:27:07,125 --> 00:27:09,252
THE HEAD IS MISSING,
AND SO ARE THE MAN'S
TWO KIDS.
636
00:27:09,336 --> 00:27:11,338
JJ AND REID
ARE EN ROUTE.
637
00:27:11,421 --> 00:27:12,297
[CAMERA SHUTTER CLICKS]
638
00:27:16,301 --> 00:27:18,136
THE FACT THAT HE LEFT
HIS VEHICLE BEHIND
639
00:27:18,219 --> 00:27:20,221
MEANS HE HAS NO INTENTION
OF COMING BACK.
640
00:27:20,305 --> 00:27:21,639
HE'S NEVER REALLY
HIDDEN FROM US,
641
00:27:21,723 --> 00:27:23,892
BUT THIS JUST FEELS
LIKE THE FINAL STRAW.
642
00:27:23,975 --> 00:27:24,976
HE'S FINISHED
ONE WAY OR ANOTHER.
643
00:27:25,060 --> 00:27:27,395
BASED ON HIS EQUATION,
THESE ARE HIS FINAL
3 VICTIMS.
644
00:27:27,479 --> 00:27:29,064
OK, BUT THEN WHY
THE CHANGE IN M.O.?
645
00:27:29,147 --> 00:27:30,732
WHY ABDUCT
TWO TEENAGERS?
646
00:27:30,815 --> 00:27:33,401
PROBABLY HAS SOMETHING
TO DO WITH THE LOSS
THAT HE SUFFERED.
647
00:27:36,363 --> 00:27:38,198
JAREAU: OH.
648
00:27:38,281 --> 00:27:39,407
LOOK AT THIS.
649
00:27:42,535 --> 00:27:46,081
OH, ETHAN.
I'VE BEEN LEAVING
YOU MESSAGES.
650
00:27:46,164 --> 00:27:47,415
I HOPE YOU'RE
GETTING THEM.
651
00:27:47,499 --> 00:27:49,084
I'VE BEEN TRYING
TO EXPLAIN TO YOU
652
00:27:49,167 --> 00:27:52,253
THAT THERE ARE
AN INFINITE NUMBER
OF REALITIES,
653
00:27:52,337 --> 00:27:55,590
BRANCHES,
AND 7 YEARS AGO,
654
00:27:55,673 --> 00:27:59,094
OUR UNIVERSE, IT BRANCHED
INTO ANOTHER ONE.
655
00:27:59,177 --> 00:28:01,596
IT--IT WAS
ANOTHER TIMELINE.
656
00:28:01,679 --> 00:28:05,100
IT WAS THE WRONG ONE
BECAUSE YOU AREN'T HERE,
657
00:28:05,183 --> 00:28:10,563
BUT I'VE FIGURED OUT
A WAY TO CROSS OVER
TO GET BACK TO YOU.
658
00:28:10,647 --> 00:28:12,273
I'M COMING FOR YOU.
659
00:28:12,357 --> 00:28:14,109
IT'S ALL GONNA BE OK.
660
00:28:14,192 --> 00:28:16,611
DON'T BE SCARED.
661
00:28:16,694 --> 00:28:18,279
DAD IS COMING.
662
00:28:18,363 --> 00:28:19,948
SO IT WAS HIS SON
THAT HE LOST.
663
00:28:20,031 --> 00:28:21,991
HE'LL DO ANYTHING
TO GET BACK TO HIM,
EVEN KILL,
664
00:28:22,075 --> 00:28:23,243
MAYBE EVEN TRADE
ONE KID'S LIFE
665
00:28:23,326 --> 00:28:25,036
FOR ANOTHER.
666
00:28:25,120 --> 00:28:27,956
SON'S NAME IS ETHAN,
RIGHT?
667
00:28:28,039 --> 00:28:29,499
ETHAN WAS THE FINAL PIECE
OF THE PUZZLE.
668
00:28:29,582 --> 00:28:31,543
OUR UNSUB's NAME IS
GEORGE KYLE PETERS.
669
00:28:31,626 --> 00:28:33,294
HE GOES BY KYLE.
HE'S A FORMER
670
00:28:33,378 --> 00:28:34,629
HIGH SCHOOL PHYSICS TEACHER,
671
00:28:34,712 --> 00:28:37,132
AND HIS SON ETHAN DIED
WHEN HE WAS 7 YEARS OLD
672
00:28:37,215 --> 00:28:39,008
IN A HORRIFIC
CAR CRASH.
673
00:28:39,092 --> 00:28:41,177
I'M SENDING YOU
THE INFO NOW.
674
00:28:41,261 --> 00:28:43,263
IT SAYS HERE THAT
KYLE WAS DRIVING
675
00:28:43,346 --> 00:28:45,473
HIS 7-YEAR-OLD SON
HOME FROM A MOVIE
676
00:28:45,557 --> 00:28:48,476
WHEN HE STRUCK
A PATCH OF BLACK ICE
AND LOST CONTROL.
677
00:28:48,560 --> 00:28:51,104
ETHAN WAS...
DECAPITATED.
678
00:28:58,236 --> 00:29:00,196
RUSTY!
679
00:29:00,280 --> 00:29:03,950
GARCIA: TWO MONTHS AGO WAS
THE 7-YEAR ANNIVERSARY
OF THIS DEATH.
680
00:29:04,033 --> 00:29:05,368
THE ANNIVERSARY
WAS HIS TRIGGER.
681
00:29:05,452 --> 00:29:08,288
KYLE WAS IN A COMA
FOR MONTHS FOLLOWING
THE ACCIDENT.
682
00:29:08,371 --> 00:29:11,291
WHEN HE WOKE UP,
HIS SON WAS GONE.
683
00:29:11,374 --> 00:29:12,459
WELL, THAT'S A HELL
OF A STRESSOR.
684
00:29:12,542 --> 00:29:15,795
LEWIS: KYLE'S MIND
WOULD NOT LET HIM
PROCESS THIS GRIEF.
685
00:29:15,879 --> 00:29:18,298
[SCREAMING]
686
00:29:18,381 --> 00:29:20,717
NO MATTER WHAT KIND
OF SUPPORT HE MIGHT
HAVE GOTTEN,
687
00:29:20,800 --> 00:29:22,677
HE COULD NOT CONCEIVE
OF A WORLD THAT DID NOT
HAVE HIS SON IN IT,
688
00:29:22,760 --> 00:29:25,346
SO HE CREATED
A NEW ONE,
689
00:29:25,430 --> 00:29:27,557
ONE WHERE ETHAN
WAS STILL ALIVE.
690
00:29:27,640 --> 00:29:29,642
WHERE'S KYLE BEEN
THE LAST 7 YEARS?
691
00:29:29,726 --> 00:29:31,186
IN AND OUT
OF INSTITUTIONS.
692
00:29:31,269 --> 00:29:32,353
HE WAS RELEASED
4 MONTHS AGO.
693
00:29:32,437 --> 00:29:34,481
[KYLE SCREAMING]
694
00:29:34,564 --> 00:29:37,317
I DID EVERYTHING
YOU ASKED!
695
00:29:37,400 --> 00:29:39,194
I BROUGHT YOU
THEIR HEADS AS PROOF.
696
00:29:39,277 --> 00:29:41,738
7 LIVES FOR THE 7 YEARS
THAT HAVE PASSED.
697
00:29:41,821 --> 00:29:43,364
ALVEZ: THE TWO TEENS
THAT HE KIDNAPPED,
698
00:29:43,448 --> 00:29:46,534
EMMA AND COLIN CHOI,
COLIN'S 14.
699
00:29:46,618 --> 00:29:49,662
THAT'S THE SAME AGE
HIS SON WOULD HAVE
BEEN IF HE SURVIVED.
700
00:29:49,746 --> 00:29:52,123
MENDOZA: LOOKS LIKE
WE CAUGHT A BREAK.
701
00:29:52,207 --> 00:29:54,042
GARCIA WANTED US
TO PULL HARD COPIES
702
00:29:54,125 --> 00:29:55,418
OF ALL OF
BRENDA HACKER'S FILES,
703
00:29:55,502 --> 00:29:57,212
THE ONES THAT HADN'T
BEEN DIGITIZED.
704
00:29:57,295 --> 00:29:59,255
TURNS OUT 12 YEARS AGO
BRENDA WAS ASSIGNED
705
00:29:59,339 --> 00:30:00,882
TO HELP KYLE PETERS
GET CUSTODY
706
00:30:00,965 --> 00:30:02,509
OF HIS SON ETHAN.
707
00:30:02,592 --> 00:30:04,886
WAIT A MINUTE.
THE SAME PERSON WAS
THE CASE WORKER
708
00:30:04,969 --> 00:30:07,222
FOR OUR THIRD VICTIM
SEAN AND OUR UNSUB?
709
00:30:07,305 --> 00:30:08,765
WE THINKING THAT'S
JUST AS COINCIDENCE?
710
00:30:08,848 --> 00:30:10,433
WELL, ACTUALLY,
IT MIGHT BE.
711
00:30:10,517 --> 00:30:12,393
SOCIAL WORKERS HERE,
THEY'RE FORCED TO SEE
A LOT OF CLIENTS,
712
00:30:12,477 --> 00:30:14,020
COVER
A LOT OF GROUND,
713
00:30:14,103 --> 00:30:15,563
AND WE HAVEN'T SEEN
ANY CONNECTION
714
00:30:15,647 --> 00:30:17,273
BETWEEN HER AND OUR
OTHER VICTIMS, SO--
715
00:30:17,357 --> 00:30:18,816
HOLD ON. IT SAYS HERE
KYLE WAS ARRESTED
716
00:30:18,900 --> 00:30:21,486
ON TWO DUI CHARGES
IN COLLEGE.
717
00:30:21,569 --> 00:30:23,530
HE SOUGHT HELP
FOR A DRINKING PROBLEM.
718
00:30:23,613 --> 00:30:26,282
AND YET BRENDA
STILL MANAGED TO
GET HIM CUSTODY.
719
00:30:26,366 --> 00:30:27,492
LIKE I SAID,
CALL YOUR BOOKIES.
720
00:30:27,575 --> 00:30:30,328
THAT WOULD INDICATE
A CLASSIC NARCISSISTIC
SAVIOR COMPLEX.
721
00:30:30,411 --> 00:30:32,413
BRENDA LIKES THAT
THESE MEN NEED HER,
722
00:30:32,497 --> 00:30:33,957
AND SHE USES IT
AGAINST THEM.
723
00:30:34,040 --> 00:30:36,251
PENELOPE, I NEED
EVERYTHING YOU'VE FOUND
ON HER SO FAR.
724
00:30:36,334 --> 00:30:37,794
GOT IT. COMING, COMING.
725
00:30:37,877 --> 00:30:39,254
IS BRENDA HERE?
726
00:30:39,337 --> 00:30:40,880
JUST ARRIVED. PUT HER
IN MY OFFICE.
727
00:30:40,964 --> 00:30:43,967
OK. WE NEED TO CHECK OUT
KYLE'S HOME AND LAST KNOWNS.
728
00:30:44,050 --> 00:30:46,427
TALK TO HIS FORMER
CO-WORKERS AND NEIGHBORS.
729
00:30:46,511 --> 00:30:48,263
HE'S TAKEN THESE KIDS
SOMEPLACE,
730
00:30:48,346 --> 00:30:50,181
LIKELY SOMEWHERE PERSONAL.
731
00:30:56,729 --> 00:30:59,649
I DID EVERYTHING
YOU ASKED!
732
00:30:59,732 --> 00:31:02,235
NOW IT'S TIME TO
MAKE THE TRADE!
733
00:31:02,318 --> 00:31:04,070
WHO'S HE TALKING TO?
734
00:31:04,153 --> 00:31:07,282
COLIN: HE'S CRAZY.
THERE'S NO ONE THERE.
735
00:31:07,365 --> 00:31:08,783
WE'VE GOT TO
GET OUT OF HERE.
736
00:31:08,866 --> 00:31:10,159
HOW?
737
00:31:10,243 --> 00:31:11,452
HELP ME WITH MY TAPE.
738
00:31:11,536 --> 00:31:12,996
KYLE: THAT'S NOT WHAT
WE AGREED TO!
739
00:31:13,079 --> 00:31:16,291
YOU TOLD ME THAT THIS
WOULD BE OVER WITH!
740
00:31:16,374 --> 00:31:18,626
WAIT A MINUTE.
SHE WAS MAKING MONEY
OFF THESE GUYS?
741
00:31:18,710 --> 00:31:20,295
YEP. EXTORTION
PLAIN AS DAY.
742
00:31:20,378 --> 00:31:22,797
WHAT? ALL THESE CALLS,
ALL THIS TIME TOGETHER.
743
00:31:22,880 --> 00:31:24,799
MAYBE IT DIDN'T
STOP THERE.
744
00:31:24,882 --> 00:31:27,260
WELL, BRENDA'S SMART.
SHE'S NOT GONNA
INCRIMINATE HERSELF.
745
00:31:27,343 --> 00:31:28,595
WELL, WE CAN'T
GIVE HER AN OUT.
746
00:31:28,678 --> 00:31:30,305
BRENDA KNOWS OUR
UNSUB AND WELL.
747
00:31:30,388 --> 00:31:32,390
RIGHT NOW, SHE'S
OUR BEST BET AT
FINDING THOSE KIDS.
748
00:31:33,891 --> 00:31:36,352
BRENDA, WHEN WAS
THE LAST TIME YOU SAW
KYLE PETERS?
749
00:31:36,436 --> 00:31:38,980
10, 12 YEARS AGO.
750
00:31:39,063 --> 00:31:41,149
BUT YOU WERE AWARE
THAT HIS SON PASSED AWAY?
751
00:31:41,232 --> 00:31:43,192
YEAH. I HEARD.
I DIDN'T KNOW HIM
VERY WELL.
752
00:31:43,276 --> 00:31:45,486
I WAS JUST
HIS CASE WORKER.
753
00:31:45,570 --> 00:31:47,113
ACCORDING TO CELL PHONE
RECORDS, YOU CALLED KYLE
754
00:31:47,196 --> 00:31:49,824
7 YEARS AGO.
755
00:31:49,907 --> 00:31:51,284
I DON'T REALLY
REMEMBER.
756
00:31:51,367 --> 00:31:53,786
AND PRIOR TO THAT
WHEN YOU WERE
HANDLING HIS CASE,
757
00:31:53,870 --> 00:31:56,331
YOU CALLED HIM
4 OR 5 TIMES A DAY
758
00:31:56,414 --> 00:31:58,291
FROM YOUR
PERSONAL PHONE,
759
00:31:58,374 --> 00:31:59,626
SOMETIMES AFTER HOURS.
760
00:31:59,709 --> 00:32:01,002
THAT SOUND LIKE
WORK TO YOU?
761
00:32:01,085 --> 00:32:02,211
UH, IT DOES NOT.
762
00:32:02,295 --> 00:32:04,672
I THINK YOU KNEW KYLE
A LOT BETTER THAN
YOU'RE LETTING ON.
763
00:32:04,756 --> 00:32:07,800
PERHAPS YOU SAW
EACH OTHER SOCIALLY.
764
00:32:07,884 --> 00:32:09,886
I'M NOT COMFORTABLE
WITH THIS CONVERSATION.
765
00:32:09,969 --> 00:32:14,015
BRENDA, THESE ARE
FINANCIAL RECORDS, YOURS.
766
00:32:14,098 --> 00:32:16,851
UH, YOU'LL SEE THAT
THERE ARE A LARGE NUMBER
OF CASH DEPOSITS
767
00:32:16,934 --> 00:32:18,478
DURING THE TIME PERIOD
IN QUESTION,
768
00:32:18,561 --> 00:32:20,855
AND WHAT'S INTERESTING
IS THAT THEY MATCH UP
769
00:32:20,938 --> 00:32:23,816
WITH THESE RECORDS HERE,
WHICH ARE KYLE'S
BANK RECORDS.
770
00:32:23,900 --> 00:32:26,653
THEY SHOW WITHDRAWALS
FROM THE SAME
TIME PERIOD.
771
00:32:26,736 --> 00:32:28,696
I DON'T LIKE
WHAT YOU'RE IMPLYING.
772
00:32:28,780 --> 00:32:31,574
PRENTISS: MS. HACKER,
KYLE HAS KILLED
5 PEOPLE.
773
00:32:31,658 --> 00:32:33,242
HE'S ABDUCTED
TWO TEENAGERS,
774
00:32:33,326 --> 00:32:35,328
MOST LIKELY
WITH THE INTENT TO
KILL THEM, TOO.
775
00:32:35,411 --> 00:32:37,330
I DON'T KNOW
ANYTHING ABOUT THAT.
776
00:32:37,413 --> 00:32:39,874
I HAVEN'T DONE
ANYTHING WRONG.
777
00:32:39,957 --> 00:32:42,752
WELL, NOW THAT'S NOT
ENTIRELY TRUE,
BRENDA, IS IT?
778
00:32:42,835 --> 00:32:45,046
YOU TARGET SINGLE MEN,
LIKE SEAN,
779
00:32:45,129 --> 00:32:48,383
FATHERS WHO ARE DESPERATE
TO RETAIN CUSTODY
OF THEIR CHILDREN.
780
00:32:48,466 --> 00:32:50,593
YOU GET THEM TO SLIP
YOU A LITTLE CASH
UNDER THE TABLE,
781
00:32:50,677 --> 00:32:53,388
AND IN EXCHANGE,
YOU DOCTOR THEIR FILES.
782
00:32:53,471 --> 00:32:55,598
YOU CAN'T PROVE
THAT.
783
00:32:55,682 --> 00:32:57,266
NOT YET.
784
00:32:57,350 --> 00:33:00,228
YOU CONVINCED A JUDGE
THAT KYLE SHOULD GET
CUSTODY OF HIS SON
785
00:33:00,311 --> 00:33:03,231
DESPITE HIS HISTORY
WITH ALCOHOL ABUSE.
786
00:33:03,314 --> 00:33:06,067
MY GUESS IS HE WAS DRUNK
ON THE NIGHT OF THE ACCIDENT,
787
00:33:06,150 --> 00:33:07,735
AND WHEN HE WOKE UP
FROM HIS COMA,
788
00:33:07,819 --> 00:33:10,238
YOU CALLED HIM,
AND YOU HELPED HIM
FIX HIS STORY.
789
00:33:10,321 --> 00:33:12,365
YOU ADDED IN THAT BIT
ABOUT THE BLACK ICE.
790
00:33:12,448 --> 00:33:16,077
NOW IT'S PRETTY CLEAR
THAT STORY WAS TO
PROTECT YOU, NOT HIM.
791
00:33:16,160 --> 00:33:18,413
YOU DIDN'T WANT ANYBODY
DIGGING INTO KYLE'S PAST
792
00:33:18,496 --> 00:33:21,749
AND FINDING SOMETHING
THAT YOU WORKED
SO HARD TO HIDE.
793
00:33:21,833 --> 00:33:24,919
THE WAY I SEE IT,
THAT'S CHILD ENDANGERMENT.
794
00:33:25,002 --> 00:33:26,421
SO, BRENDA, DO
YOURSELF A FAVOR.
795
00:33:26,504 --> 00:33:28,423
SIT BACK DOWN
AND TELL US
796
00:33:28,506 --> 00:33:30,174
ABOUT YOUR RELATIONSHIP
WITH KYLE,
797
00:33:30,258 --> 00:33:32,885
AND WE'LL TAKE
YOUR COOPERATION
INTO CONSIDERATION.
798
00:33:39,183 --> 00:33:40,309
WHAT DO YOU
WANT TO KNOW?
799
00:33:40,393 --> 00:33:42,729
EVERYTHING THAT WASN'T
IN HIS CASE FILE.
800
00:33:42,812 --> 00:33:44,272
[GRUNTING]
801
00:33:44,355 --> 00:33:47,066
KYLE: NOW WE AGREED,
RUSTY.
802
00:33:47,150 --> 00:33:48,943
IT HAD TO BE.
803
00:33:49,026 --> 00:33:50,945
THAT'S WHAT YOU SAID!
804
00:33:51,028 --> 00:33:53,281
AAH!
805
00:33:53,364 --> 00:33:55,408
[GROANING]
806
00:34:00,329 --> 00:34:02,373
[WHIMPERING]
807
00:34:04,375 --> 00:34:06,002
UGH.
808
00:34:21,058 --> 00:34:22,101
PRENTISS: BRENDA TOLD US
THAT KYLE AND HIS SON
809
00:34:22,185 --> 00:34:23,895
LOVED TO EXPLORE
AN AREA AROUND
AN ABANDONED GOLD MINE
810
00:34:23,978 --> 00:34:25,354
IN THE FOOTHILLS.
811
00:34:25,438 --> 00:34:26,939
YEAH. THEY WENT
EVERY WEEKEND.
812
00:34:27,023 --> 00:34:28,608
SIMMONS: THAT MAKES SENSE.
KYLE WAS A SCIENTIST.
813
00:34:28,691 --> 00:34:30,318
HE WANTED TO FOSTER
A SIMILAR LOVE
IN HIS SON.
814
00:34:30,401 --> 00:34:32,612
ALVEZ: WE'RE SURE
THIS IS WHERE HE WOULD
TAKE EMMA AND COLIN?
815
00:34:32,695 --> 00:34:34,655
IT'S IDEAL.
THE MINE'S SECLUDED.
816
00:34:34,739 --> 00:34:35,656
IT'S BEEN VACANT
FOR DECADES.
817
00:34:35,740 --> 00:34:38,618
WE NEED TO BE CAREFUL.
WE'RE GONNA BE ON HIS TURF.
818
00:34:43,539 --> 00:34:45,208
RUSTY:
THIS IS IT, KYLE.
819
00:34:45,291 --> 00:34:48,503
THIS CHILD
FOR YOURS.
820
00:34:48,586 --> 00:34:51,339
PLEASE DON'T HURT ME.
821
00:34:51,422 --> 00:34:54,008
[CRYING]
822
00:34:54,091 --> 00:34:56,636
I JUST--I--I CAN'T.
823
00:34:56,719 --> 00:34:58,638
I'M SORRY. I CAN'T.
824
00:34:58,721 --> 00:35:01,015
DON'T YOU WANT TO
SEE YOUR SON AGAIN?
825
00:35:01,098 --> 00:35:02,725
OHH, OHH.
826
00:35:02,809 --> 00:35:04,519
PLEASE.
827
00:35:04,602 --> 00:35:06,395
THIS CHILD
FOR YOURS.
828
00:35:06,479 --> 00:35:07,897
PLEASE.
829
00:35:12,944 --> 00:35:16,030
I'M SORRY.
830
00:35:16,114 --> 00:35:17,824
I'M SO SORRY, ETHAN.
831
00:35:20,743 --> 00:35:24,539
I'M SORRY.
I'M SORRY.
832
00:35:24,622 --> 00:35:27,083
I'M SORRY.
833
00:35:27,166 --> 00:35:28,793
I'M SO SORRY, ETHAN.
834
00:35:45,476 --> 00:35:47,728
OHH! I'M SO SORRY!
835
00:35:49,480 --> 00:35:51,732
I'M SO SORRY, ETHAN.
836
00:35:53,860 --> 00:35:55,903
I'M SORRY.
I'M SORRY.
837
00:35:57,613 --> 00:35:59,615
SIMMONS: THESE TRACKS
LEAD INSIDE.
838
00:35:59,699 --> 00:36:01,117
LEWIS: THIS HAS
GOT TO BE IT.
839
00:36:01,200 --> 00:36:02,618
ALVEZ: ACCORDING
TO THE MAP, THERE'S
ANOTHER ENTRANCE
840
00:36:02,702 --> 00:36:03,744
AT THE NORTH.
841
00:36:03,828 --> 00:36:05,246
ROSSI: WE SHOULD
SPLIT UP.
842
00:36:05,329 --> 00:36:09,250
LEWIS, ALVEZ, SIMMONS,
SEE IF THERE'S
ANOTHER WAY IN.
843
00:36:09,333 --> 00:36:11,586
KYLE: I'M SORRY.
844
00:36:11,669 --> 00:36:14,213
ROSSI: KYLE PETERS,
FBI!
845
00:36:14,297 --> 00:36:17,133
DROP THE AX!
PUT IT DOWN!
846
00:36:17,216 --> 00:36:18,759
PRENTISS: KYLE,
LOOK AT ME.
847
00:36:20,803 --> 00:36:22,471
YOU DON'T UNDERSTAND!
848
00:36:22,555 --> 00:36:24,724
HE IS ON THE OTHER SIDE,
HE IS TRAPPED ON
THE OTHER SIDE.
849
00:36:24,807 --> 00:36:26,559
HE NEEDS ME!
I AM HIS FATHER!
850
00:36:26,642 --> 00:36:28,936
I DO UNDERSTAND.
851
00:36:29,020 --> 00:36:30,938
I KNOW WHAT IT'S
LIKE TO HAVE
852
00:36:31,022 --> 00:36:34,108
SOMEONE YOU
LOVE STUCK
IN ANOTHER WORLD,
853
00:36:34,192 --> 00:36:36,444
WANTING ONE THING,
HAVING ANOTHER,
854
00:36:36,527 --> 00:36:38,613
BUT REALLY HAVING
NEITHER,
855
00:36:38,696 --> 00:36:40,573
AFRAID TO FACE
THE TRUTH.
856
00:36:40,656 --> 00:36:44,243
YOU HAVE TO FACE
IT, KYLE.
857
00:36:44,327 --> 00:36:46,370
RUSTY: KYLE.
858
00:36:46,454 --> 00:36:49,457
NO. HE SAID THIS
THE ONLY WAY
TO GET HIM BACK.
859
00:36:49,540 --> 00:36:51,250
HE SAID A BOY
FOR A BOY.
860
00:36:51,334 --> 00:36:54,003
PRENTISS: IT'S NOT.
EVERYTHING IS WRONG.
861
00:36:54,086 --> 00:36:55,296
NO.
862
00:36:55,379 --> 00:36:56,839
THAT'S WHAT YOU
THINK, RIGHT?
863
00:36:56,923 --> 00:36:58,257
ERR!
864
00:36:58,341 --> 00:36:59,467
THAT THESE SACRIFICES
YOU'VE BEEN MAKING
865
00:36:59,550 --> 00:37:00,927
WILL HELP YOU GET
YOUR SON BACK,
866
00:37:01,010 --> 00:37:02,970
BUT THEY WON'T.
867
00:37:03,054 --> 00:37:04,972
IT'S NOT REAL.
868
00:37:03,054 --> 00:37:04,972
ERR!
869
00:37:05,056 --> 00:37:06,599
LOOK AGAIN.
870
00:37:09,769 --> 00:37:11,812
KYLE, YOU HAVE TO
FACE THE TRUTH.
871
00:37:22,198 --> 00:37:24,700
[KYLE SOBBING]
872
00:37:36,045 --> 00:37:37,546
OH, NO.
873
00:37:43,761 --> 00:37:46,138
WHAT IS THE TRUTH?
874
00:37:46,222 --> 00:37:47,473
HE'S GONE.
875
00:37:47,556 --> 00:37:48,849
OHH!
876
00:37:48,933 --> 00:37:50,601
ETHAN IS GONE.
877
00:37:52,061 --> 00:37:53,896
[SQUEALS]
878
00:37:53,980 --> 00:37:57,024
I JUST WANTED TO
SEE HIM AGAIN.
879
00:37:57,108 --> 00:37:59,443
[SOBBING]
880
00:37:59,527 --> 00:38:01,654
[AX CLATTERS]
881
00:38:01,737 --> 00:38:03,531
WE NEED MEDICS ASAP.
882
00:38:06,575 --> 00:38:08,202
COME ON.
883
00:38:08,286 --> 00:38:11,831
OH, GOD. I'M SORRY.
I'M SORRY!
884
00:38:11,914 --> 00:38:14,417
I'M SORRY.
I'M SORRY.
885
00:38:33,936 --> 00:38:34,895
MOM!
MOM!
886
00:38:34,979 --> 00:38:36,731
MOM!
887
00:38:41,736 --> 00:38:44,989
JAREAU: ALL THIS TALK
OF ALTERNATE REALITIES.
888
00:38:45,072 --> 00:38:48,743
WHO DO YOU THINK YOU'D
BE IN A PARALLEL UNIVERSE,
889
00:38:48,826 --> 00:38:51,078
YOU KNOW, IN ONE
OF YOUR IMAGINED FUTURES?
890
00:38:51,162 --> 00:38:52,288
REID: I DON'T KNOW.
891
00:38:52,371 --> 00:38:53,539
COME ON.
892
00:38:53,622 --> 00:38:56,083
IF YOU WEREN'T
AN FBI AGENT,
893
00:38:56,167 --> 00:38:58,919
WHAT WOULD YOU DO?
894
00:38:59,003 --> 00:39:00,755
YOU PROMISE
NOT TO LAUGH?
895
00:39:05,676 --> 00:39:08,429
A COWBOY.
896
00:39:08,512 --> 00:39:10,598
A COWBOY?
897
00:39:08,512 --> 00:39:10,598
MM-HMM. YEAH.
898
00:39:10,681 --> 00:39:13,434
I'D, UM, YOU KNOW,
HAVE SOME HORSES,
899
00:39:13,517 --> 00:39:14,894
A FEW CATTLE,
900
00:39:14,977 --> 00:39:18,397
BE SURROUNDED
BY NATURE.
901
00:39:18,481 --> 00:39:20,775
AND WHAT WOULD YOU DO
WITH CATTLE?
902
00:39:20,858 --> 00:39:23,944
WELL, YOU KNOW, LOOK
AT THEM, PET THEM.
903
00:39:24,028 --> 00:39:25,946
I--I HADN'T REALLY
THOUGHT ABOUT THAT,
904
00:39:26,030 --> 00:39:28,491
BUT I'LL--I'LL
FIGURE IT OUT.
905
00:39:28,574 --> 00:39:32,620
WOW. I WAS--WAS NOT
EXPECTING THAT.
906
00:39:32,703 --> 00:39:35,498
AHEM. AND, UH,
YOU'RE THERE
907
00:39:35,581 --> 00:39:36,957
WITH WILL
AND THE BOYS.
908
00:39:37,041 --> 00:39:40,836
YOU RUN THE FLOWER SHOP
ON HICKORY STREET.
909
00:39:40,920 --> 00:39:43,005
IT'S THIS CUTE, LITTLE
STREET IN A TINY TOWN
910
00:39:43,089 --> 00:39:44,799
IN THE MIDDLE
OF NOWHERE,
911
00:39:44,882 --> 00:39:46,467
AND ROSSI'S THERE.
912
00:39:46,550 --> 00:39:49,095
HE RUNS A SALOON,
WHICH HE LIVES ABOVE,
913
00:39:49,178 --> 00:39:53,641
AND GARCIA
HAS A SANCTUARY
FOR WOUNDED ANIMALS.
914
00:39:53,724 --> 00:39:56,435
ROSSI: MAY I INTEREST
ANYONE IN A BEVERAGE?
915
00:39:56,519 --> 00:39:59,605
WOW. THAT'S TIMING.
916
00:39:59,688 --> 00:40:03,442
SO, UH, DAVE,
IN ANOTHER LIFE,
917
00:40:03,526 --> 00:40:05,444
WHAT WOULD YOU BE?
918
00:40:05,528 --> 00:40:07,822
OH, THAT'S EASY.
A BOXER.
919
00:40:07,905 --> 00:40:09,281
JAREAU: HMM.
920
00:40:09,365 --> 00:40:11,534
IN FACT, THERE WAS
A TIME I WAS HAVING DINNER
921
00:40:11,617 --> 00:40:14,078
WITH MUHAMMAD ALI,
AND WE WERE HAVING
A DISCUSSION
922
00:40:14,161 --> 00:40:16,455
JUST ON THIS SUBJECT--
923
00:40:16,539 --> 00:40:20,543
ROADS TAKEN OR NOT TAKEN
IN THIS LIFE.
924
00:40:20,626 --> 00:40:23,212
AND WHAT DID HE SAY?
925
00:40:23,295 --> 00:40:28,676
I DON'T QUITE REMEMBER
BECAUSE I WAS DRINKING
FOR THE TWO OF US,
926
00:40:28,759 --> 00:40:30,845
AND IT WAS THE BEST
SCOTCH I'D EVER HAD,
927
00:40:30,928 --> 00:40:33,848
AND THAT'S SAYING...
A LOT.
928
00:40:33,931 --> 00:40:37,226
SO TO PATHS NOT TAKEN.
929
00:40:39,478 --> 00:40:40,938
TO PATHS
NOT TAKEN.
930
00:40:45,693 --> 00:40:47,027
[DOORBELL RINGS]
931
00:40:47,111 --> 00:40:48,362
MENDOZA: GET THE STOVE,
ALL RIGHT?
932
00:40:48,445 --> 00:40:51,031
YOU KNOW DADDY LIKES
TO BURN STUFF.
933
00:40:51,115 --> 00:40:52,825
HI.
934
00:40:52,908 --> 00:40:55,327
I THOUGHT YOU LEFT.
935
00:40:55,411 --> 00:40:56,495
THE TEAM DID,
936
00:40:56,579 --> 00:40:59,498
BUT, UH, I WASN'T
READY TO GO.
937
00:40:59,582 --> 00:41:02,418
IN FACT, I WAS HOPING
WE COULD HAVE
DINNER TONIGHT.
938
00:41:02,501 --> 00:41:05,671
UH, WELL, MY DAUGHTER
AND I ARE JUST
ABOUT TO EAT.
939
00:41:05,754 --> 00:41:09,466
OH, OF COURSE.
I--I'M SORRY.
940
00:41:09,550 --> 00:41:12,928
I DIDN'T MEAN
TO INTRUDE.
941
00:41:13,012 --> 00:41:14,597
HEY.
942
00:41:16,974 --> 00:41:19,059
I'D LOVE IT IF YOU'D
JOIN US.
943
00:41:19,143 --> 00:41:22,104
HEH. I WOULD LOVE TO.
944
00:41:24,857 --> 00:41:26,692
THANK YOU.
945
00:41:37,494 --> 00:41:39,038
[MENDOZA SIGHS]
946
00:41:39,121 --> 00:41:42,583
KEELY, THIS IS
EMILY.
947
00:41:42,666 --> 00:41:46,212
EMILY, THIS IS
KEELY.
948
00:41:46,295 --> 00:41:49,590
HI. I HAVE HEARD
SO MUCH ABOUT YOU.
949
00:41:49,673 --> 00:41:52,092
AND I'VE HEARD
SO MUCH ABOUT YOU.
950
00:41:52,176 --> 00:41:54,595
YOU DID NOT
OVERSELL IT, DAD.
951
00:41:54,678 --> 00:41:58,432
KEELY.
952
00:41:54,678 --> 00:41:58,432
DAD.
953
00:41:58,515 --> 00:42:01,435
OH! HA HA HA!
954
00:42:01,518 --> 00:42:04,855
UH, I WOULD ACTUALLY
REALLY LIKE TO HEAR
955
00:42:04,939 --> 00:42:06,732
MORE ABOUT THAT.
956
00:42:06,815 --> 00:42:10,486
WHAT EXACTLY DID
YOUR DAD NOT OVERSELL?
957
00:42:10,569 --> 00:42:12,446
MAYBE WE SHOULD
COMPARE NOTES.
958
00:42:12,529 --> 00:42:13,948
I LIKE HER.
959
00:42:14,031 --> 00:42:15,783
MAYBE WE SHOULDN'T
COMPARE NOTES.
HOW ABOUT THAT?
960
00:42:15,866 --> 00:42:17,618
NO. I THINK
THAT'S ACTUALLY
A PERFECT IDEA.
961
00:42:17,701 --> 00:42:19,620
HERE YOU GO.
THERE WE ARE.
962
00:42:19,703 --> 00:42:21,455
PRENTISS, VOICE-OVER: "WE MUST
BE WILLING TO LET GO
963
00:42:21,538 --> 00:42:23,457
"OF THE LIFE
WE'VE PLANNED
964
00:42:23,540 --> 00:42:26,794
SO AS TO HAVE THE LIFE
THAT IS WAITING FOR US."
965
00:42:26,877 --> 00:42:28,462
JOSEPH CAMPBELL.
966
00:42:28,545 --> 00:42:30,631
THE FACT THAT
HE SAID YOU'RE
ABSOLUTELY GORGEOUS.
967
00:42:49,567 --> 00:42:50,943
CAPTIONING MADE POSSIBLE
BY ABC STUDIOS, LLC
968
00:42:51,026 --> 00:42:52,486
AND CBS, INC.
969
00:42:52,569 --> 00:42:54,488
CAPTIONED BY THE NATIONAL
CAPTIONING INSTITUTE
970
00:42:54,571 --> 00:42:56,115
--WWW.NCICAP.ORG--
70235
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.