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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,369 --> 00:00:02,370 Christian Troy: TELL ME WHAT YOU 2 00:00:02,370 --> 00:00:03,371 DON'T LIKE ABOUT YOURSELF. 3 00:00:03,371 --> 00:00:04,305 Joan Rivers: ARE YOU KIDDING? 4 00:00:04,305 --> 00:00:06,107 EVERYTHING. MY BODY'S DROPPING 5 00:00:06,107 --> 00:00:07,708 SO FAST MY GYNECOLOGIST NEEDS 6 00:00:07,708 --> 00:00:09,843 A HARD HAT. 7 00:00:09,843 --> 00:00:11,712 BUT SERIOUSLY, I WAS SENT TO YOU 8 00:00:11,712 --> 00:00:13,514 BY BARBARA BUZZBERGER. SHE TOLD 9 00:00:13,514 --> 00:00:14,648 ME YOU'RE THE BEST SURGEONS IN 10 00:00:14,648 --> 00:00:16,250 MIAMI. OF COURSE, BARBARA ALSO 11 00:00:16,250 --> 00:00:17,785 TOLD ME TO BUY A CONDO DOWN HERE 12 00:00:17,785 --> 00:00:18,786 WITHOUT SAYING IT'S GOD'S 13 00:00:18,786 --> 00:00:21,255 WAITING ROOM. 14 00:00:21,255 --> 00:00:23,557 Sean: SO, WHAT EXACTLY, UH... 15 00:00:23,557 --> 00:00:26,260 Joan: I WANNA LOOK LIKE HER. 16 00:00:26,260 --> 00:00:29,597 JOAN ALEXANDRA MOLINSKY. 17 00:00:29,597 --> 00:00:30,798 BORN IN BROOKLYN, RAISED IN 18 00:00:30,798 --> 00:00:32,133 LARCHMONT, GRADUATED FROM 19 00:00:32,133 --> 00:00:33,267 BARNARD, PHI BETA KAPPA. 20 00:00:33,267 --> 00:00:34,268 Sean: THIS IS YOU? 21 00:00:34,268 --> 00:00:36,837 Joan: THAT'S ME. UNRETOUCHED. 22 00:00:36,837 --> 00:00:38,872 THE FACE AND THE PHOTOGRAPH. 23 00:00:38,872 --> 00:00:39,807 I WANT YOU TO MAKE ME LOOK JUST 24 00:00:39,807 --> 00:00:40,674 LIKE THAT. 25 00:00:40,674 --> 00:00:41,675 Christian: LIKE A 4-YEAR-OLD 26 00:00:41,675 --> 00:00:42,876 GIRL. 27 00:00:42,876 --> 00:00:45,413 Joan: I THINK I WANT YOU TO DO 28 00:00:45,413 --> 00:00:48,182 THE SURGERY. 29 00:00:48,182 --> 00:00:49,150 Sean: YOU HAVEN'T SAID WHAT IT 30 00:00:49,150 --> 00:00:49,850 IS YET. 31 00:00:49,850 --> 00:00:50,818 Joan: SIGN THIS FIRST, IF YOU 32 00:00:50,818 --> 00:00:51,752 DON'T MIND. 33 00:00:57,825 --> 00:00:58,826 Christian: CONFIDENTIALLY 34 00:00:58,826 --> 00:01:01,329 AGREEMENT? MS. RIVERS, EVERYBODY 35 00:01:01,329 --> 00:01:02,296 KNOWS THAT YOU'VE HAD A FEW 36 00:01:02,296 --> 00:01:04,565 PROCEDURES DONE. 37 00:01:04,565 --> 00:01:06,434 Joan: A FEW? MY FACE HAS BEEN 38 00:01:06,434 --> 00:01:07,768 TUCKED IN MORE TIMES THAN A 39 00:01:07,768 --> 00:01:10,171 BEDSHEET AT A HOLIDAY INN. 40 00:01:10,171 --> 00:01:12,240 WHAT I WANT YOU PEOPLE TO DO, 41 00:01:12,240 --> 00:01:13,441 I DON'T WANT THE MEDIA TO KNOW 42 00:01:13,441 --> 00:01:14,442 ABOUT IT UNTIL IT'S FINISHED. 43 00:01:14,442 --> 00:01:16,310 THAT'S WHY I CAME TO MIAMI 44 00:01:16,310 --> 00:01:17,511 INSTEAD OF NEW YORK OR L.A. 45 00:01:17,511 --> 00:01:19,247 ONCE YOU UNVEIL ME, WE'LL HIT 46 00:01:19,247 --> 00:01:20,581 THE TALK SHOWS. I'LL DO OPRAH 47 00:01:20,581 --> 00:01:22,716 AND LARRY KING, REGIS AND KELLY, 48 00:01:22,716 --> 00:01:24,185 AND THE COVER OF PEOPLE 49 00:01:24,185 --> 00:01:27,855 MAGAZINE. I KNOW IT'LL HAPPEN. 50 00:01:27,855 --> 00:01:29,223 Sean: AS LONG AS WE'RE CLEAR 51 00:01:29,223 --> 00:01:30,458 THAT SIGNING THIS IN NO WAY 52 00:01:30,458 --> 00:01:32,326 OBLIGATES US TO DO THE SURGERY. 53 00:01:32,326 --> 00:01:33,494 Joan: THERE'S NO OBLIGATION, 54 00:01:33,494 --> 00:01:34,862 JUST THAT YOU'LL KEEP IT UNDER 55 00:01:34,862 --> 00:01:36,664 COVER. 56 00:01:41,502 --> 00:01:42,436 Christian: GREAT. 57 00:01:46,907 --> 00:01:49,543 Joan: OK. HERE IT IS. 58 00:01:49,543 --> 00:01:51,645 I'VE ALWAYS WANTED TO HAVE A 59 00:01:51,645 --> 00:01:52,613 TWIN. BECAUSE I WANTED TO SEE 60 00:01:52,613 --> 00:01:53,614 WHAT I WOULD LOOK LIKE IF I 61 00:01:53,614 --> 00:01:54,915 NEVER HAD PLASTIC SURGERY. BUT 62 00:01:54,915 --> 00:01:56,850 I DON'T HAVE A TWIN. I JUST HAVE 63 00:01:56,850 --> 00:01:59,353 ME. SO, I WANT YOU TO PUT ME 64 00:01:59,353 --> 00:02:00,921 BACK THE WAY I WOULD LOOK IF I 65 00:02:00,921 --> 00:02:03,624 HAD NEVER BEEN JOAN RIVERS. 66 00:02:03,624 --> 00:02:06,260 Christian: I'M CONFUSED. 67 00:02:06,260 --> 00:02:07,361 ARE YOU ASKING US TO DO A 68 00:02:07,361 --> 00:02:08,662 COMPLETE MAKEOVER THAT WOULD 69 00:02:08,662 --> 00:02:10,298 RESTORE YOUR NATURAL APPEARANCE? 70 00:02:10,298 --> 00:02:12,333 Joan: YES. YES. IT'LL BE CAREER 71 00:02:12,333 --> 00:02:14,235 VIAGRA. I MEAN, I COULD BRING 72 00:02:14,235 --> 00:02:15,769 BACK ALL THOSE JOKES I USED TO 73 00:02:15,769 --> 00:02:17,238 DO ABOUT MYSELF BEFORE PLASTIC 74 00:02:17,238 --> 00:02:18,906 SURGERY. I MEAN, I HAVE GREAT 75 00:02:18,906 --> 00:02:20,908 JOKES. I WAS SO UGLY THAT IF I 76 00:02:20,908 --> 00:02:21,909 WANTED TO MOON SOMEBODY, I'D 77 00:02:21,909 --> 00:02:23,844 JUST SHOW THEM MY FACE, OR MY 78 00:02:23,844 --> 00:02:25,513 BODY IS DROPPING SO FAST I COULD 79 00:02:25,513 --> 00:02:26,780 HAVE A MAMMOGRAM AND A PEDICURE 80 00:02:26,780 --> 00:02:27,881 AT THE SAME TIME. 81 00:02:27,881 --> 00:02:30,384 Sean: MS. RIVERS, WITH ALL THE 82 00:02:30,384 --> 00:02:31,919 WORK THAT YOU'VE HAD DONE, IT 83 00:02:31,919 --> 00:02:34,655 SEEMS LIKE A PRETTY EXTREME 84 00:02:34,655 --> 00:02:36,257 THING TO DO FOR THE SAKE OF YOUR 85 00:02:36,257 --> 00:02:37,458 CAREER. 86 00:02:41,462 --> 00:02:43,931 Joan: WELL, IT'S NOT JUST MY 87 00:02:43,931 --> 00:02:48,269 CAREER. IT'S ALSO MY GRANDSON 88 00:02:48,269 --> 00:02:50,971 COOPER. WE HAVE THE MOST AMAZING 89 00:02:50,971 --> 00:02:52,806 RELATIONSHIP. IT'S PROBABLY THE 90 00:02:52,806 --> 00:02:54,808 MOST HONEST RELATIONSHIP I'VE 91 00:02:54,808 --> 00:02:55,809 EVER HAD WITH ANYBODY IN MY 92 00:02:55,809 --> 00:02:58,279 WHOLE LIFE. HE LOVES ME EXACTLY 93 00:02:58,279 --> 00:03:01,415 THE WAY I AM. 94 00:03:01,415 --> 00:03:02,816 Sean: SO WHY CHANGE? 95 00:03:02,816 --> 00:03:04,485 Joan: I'M A GODDAMN LIE. 96 00:03:10,558 --> 00:03:14,295 LOOK, I KNOW I'M THE ONE THAT 97 00:03:14,295 --> 00:03:15,696 BROUGHT PLASTIC SURGERY INTO THE 98 00:03:15,696 --> 00:03:17,431 MAINSTREAM. I KNOW I'M THE ONE 99 00:03:17,431 --> 00:03:18,432 THAT CONVINCED ALL THOSE 100 00:03:18,432 --> 00:03:19,733 THOUSANDS OF HOUSEWIVES OUT 101 00:03:19,733 --> 00:03:20,834 THERE, "IF YOU DON'T LIKE YOUR 102 00:03:20,834 --> 00:03:22,270 FACE, THEN DO SOMETHING ABOUT 103 00:03:22,270 --> 00:03:23,971 IT. CHANGE IT." BUT NOW I WANT 104 00:03:23,971 --> 00:03:26,974 TO SEND OUT A DIFFERENT MESSAGE. 105 00:03:26,974 --> 00:03:29,977 MY GRANDSON IS... 106 00:03:29,977 --> 00:03:33,614 HE'S SO PURE. HE'S SO HAPPY 107 00:03:33,614 --> 00:03:34,982 WITH HIMSELF THE WAY HE IS. 108 00:03:34,982 --> 00:03:37,285 AND I WANT HIM TO STAY THAT WAY. 109 00:03:37,285 --> 00:03:38,752 I DON'T WANT HIM TO GROW UP 110 00:03:38,752 --> 00:03:39,753 HATING THE THOUGHT THAT HE'S 111 00:03:39,753 --> 00:03:41,589 GONNA GET OLDER. I DON'T WANT 112 00:03:41,589 --> 00:03:43,357 HIM TO CARE IF HE GETS ACNE AT 113 00:03:43,357 --> 00:03:45,659 20 OR HIS HAIR STARTS TO RECEDE 114 00:03:45,659 --> 00:03:47,328 AT 40. I JUST WANT HIM TO KNOW 115 00:03:47,328 --> 00:03:48,729 THERE'S NOTHING TO BE ASHAMED 116 00:03:48,729 --> 00:03:50,998 OF. IT'S THE NATURAL ORDER OF 117 00:03:50,998 --> 00:03:53,334 THINGS. 118 00:03:55,002 --> 00:03:59,340 AND, BOY, IT'LL GET ME SOME 119 00:03:59,340 --> 00:04:01,475 MAGAZINE COVER-- PEOPLE. 120 00:04:01,475 --> 00:04:04,445 OH, MY GOD, BEFORE...AFTER. 121 00:04:04,445 --> 00:04:05,479 NO ONE'S EVER DONE SOMETHING 122 00:04:05,479 --> 00:04:06,847 LIKE THAT. IT'S GOLD. 123 00:04:06,847 --> 00:04:08,349 AND I COULD USE A COVER. I 124 00:04:08,349 --> 00:04:10,017 HAVEN'T HAD ONE SINCE 1994, 125 00:04:10,017 --> 00:04:11,485 THOSE SONS OF BITCHES. 126 00:04:11,485 --> 00:04:15,088 COME ON, WHAT ABOUT IT? 127 00:04:15,088 --> 00:04:16,890 I AM OFFERING YOU THE MOTHER OF 128 00:04:16,890 --> 00:04:19,727 ALL PLASTIC SURGERIES. 129 00:04:19,727 --> 00:04:22,296 WILL YOU DO IT? 130 00:04:33,040 --> 00:04:36,377 * AHH * 131 00:04:39,380 --> 00:04:45,586 * MAKE ME BEAUTIFUL * 132 00:04:47,788 --> 00:04:52,526 * MAKE ME 133 00:04:52,526 --> 00:04:55,396 A PERFECT SOUL, 134 00:04:55,396 --> 00:04:58,399 A PERFECT MIND, 135 00:04:58,399 --> 00:05:02,536 A PERFECT FACE, 136 00:05:02,536 --> 00:05:07,675 A PERFECT 137 00:05:07,675 --> 00:05:09,943 LIE * 138 00:05:14,782 --> 00:05:18,452 Matt: YOU NEVER SMILE ANYMORE. 139 00:05:18,452 --> 00:05:22,723 TALK TO ME, AVA. TELL ME, 140 00:05:22,723 --> 00:05:26,059 HOW CAN I MAKE YOU HAPPY? 141 00:05:26,059 --> 00:05:29,129 Ava: I'LL NEVER BE HAPPY. 142 00:05:29,129 --> 00:05:31,131 Matt: AREN'T WE HAPPY RIGHT NOW? 143 00:05:31,131 --> 00:05:36,136 Ava: YOU'RE IN A WARM LITTLE 144 00:05:36,136 --> 00:05:38,138 COCOON. 145 00:05:38,138 --> 00:05:41,141 BUT ONCE WE LEAVE THE SAFETY OF 146 00:05:41,141 --> 00:05:43,977 THIS NEST, THEY'LL ALWAYS BE 147 00:05:43,977 --> 00:05:48,148 THERE, HARASSING US, JUDGING US. 148 00:05:48,148 --> 00:05:54,154 TORMENTING US. 149 00:05:54,154 --> 00:05:57,024 THEY'LL NEVER UNDERSTAND. 150 00:05:57,024 --> 00:05:58,759 TO THEM, OUR RELATIONSHIP IS 151 00:05:58,759 --> 00:06:00,394 UNNATURAL. 152 00:06:05,633 --> 00:06:07,768 Matt: LET'S GO AWAY THEN. 153 00:06:07,768 --> 00:06:11,705 LET'S GO AWAY AND START A NEW 154 00:06:11,705 --> 00:06:15,108 LIFE TOGETHER. 155 00:06:15,108 --> 00:06:17,945 LET'S GO TO PARIS. 156 00:06:17,945 --> 00:06:21,449 Ava: MY LIFE IS HERE, MATT. 157 00:06:24,017 --> 00:06:26,053 Matt: WE'LL EAT CROISSANTS ALL 158 00:06:26,053 --> 00:06:30,057 DAY. WE'LL DRINK WINE. 159 00:06:30,057 --> 00:06:32,025 WE'LL MAKE LOVE. 160 00:06:32,025 --> 00:06:33,927 Ava: I CAN'T. 161 00:06:33,927 --> 00:06:36,564 ADRIAN MIGHT COME BACK. 162 00:06:36,564 --> 00:06:41,068 Matt: DO YOU HAVE A CELL PHONE? 163 00:06:41,068 --> 00:06:43,671 Ava: I HAVE MEDICAL ISSUES. 164 00:06:43,671 --> 00:06:45,673 Matt: WE'LL FIND A DOCTOR IN 165 00:06:45,673 --> 00:06:49,543 PARIS. I'LL GET 3 MONTHS' OF 166 00:06:49,543 --> 00:06:50,811 YOUR MEDICATIONS FROM MY DAD'S 167 00:06:50,811 --> 00:06:54,081 OFFICE. 168 00:06:54,081 --> 00:06:56,684 Ava: YOUR WHOLE LIFE IS AHEAD OF 169 00:06:56,684 --> 00:07:00,621 YOU, MATT. 170 00:07:00,621 --> 00:07:02,590 Matt: THERE ISN'T ONE WITHOUT 171 00:07:02,590 --> 00:07:05,593 YOU. 172 00:07:05,593 --> 00:07:08,496 YOU SMILED. 173 00:07:12,099 --> 00:07:16,704 JUST SAY YES, AVA. 174 00:07:16,704 --> 00:07:19,039 SAY YES. 175 00:07:24,712 --> 00:07:26,714 Liz: MY GOD, WHEN IS THIS GONNA 176 00:07:26,714 --> 00:07:29,617 END? 4 NEW VICTIMS THIS MONTH 177 00:07:29,617 --> 00:07:30,618 ALONE. 178 00:07:30,618 --> 00:07:31,852 Sean: THE CUTS ON HER FACE LOOK 179 00:07:31,852 --> 00:07:33,120 WORSE THAN THE EYES. 180 00:07:33,120 --> 00:07:35,122 Liz: HE'S GETTING BOLDER. 181 00:07:35,122 --> 00:07:37,157 PROBABLY FEELS HE'S NOT GETTING 182 00:07:37,157 --> 00:07:39,159 ENOUGH ATTENTION. YOU'RE THE ONE 183 00:07:39,159 --> 00:07:40,594 STEALING HIS HEADLINES. 184 00:07:40,594 --> 00:07:41,862 Sean: NOT BY CHOICE. 185 00:07:41,862 --> 00:07:42,863 Rosa: THEN WHY ARE YOU FIXING 186 00:07:42,863 --> 00:07:43,864 HIS WORK AGAIN, SEAN? 187 00:07:43,864 --> 00:07:44,865 Sean: BECAUSE EVERY OTHER 188 00:07:44,865 --> 00:07:45,866 PLASTIC SURGEON IN TOWN IS 189 00:07:45,866 --> 00:07:48,869 AFRAID TO. IT'S MY MORAL 190 00:07:48,869 --> 00:07:51,138 OBLIGATION. I'D STOP IT IF I 191 00:07:51,138 --> 00:07:55,876 COULD, BUT I CAN'T. 15 BLADE. 192 00:07:55,876 --> 00:07:59,012 Escobar: SEAN. HOW'S IT HANGING, 193 00:07:59,012 --> 00:08:00,147 HOMES? 194 00:08:00,147 --> 00:08:02,282 Sean: WHAT AM I SUPPOSED TO DO 195 00:08:02,282 --> 00:08:03,283 WITH THIS? 196 00:08:03,283 --> 00:08:04,284 Escobar: YOU STARTED A WAR, 197 00:08:04,284 --> 00:08:05,152 SEAN. 198 00:08:05,152 --> 00:08:06,620 YOU'RE GONNA NEED MORE THAN A 199 00:08:06,620 --> 00:08:08,321 SCALPEL TO FINISH IT. 200 00:08:08,321 --> 00:08:12,159 HEY, SEXY. HOW'S THAT LEG? 201 00:08:14,962 --> 00:08:16,029 Sean: WHAT ARE YOU TALKING 202 00:08:16,029 --> 00:08:17,030 ABOUT? 203 00:08:17,030 --> 00:08:17,931 Escobar: YOU AND THE CARVER, 204 00:08:17,931 --> 00:08:19,833 BROTHER. REMEMBER WHAT HE SAID? 205 00:08:19,833 --> 00:08:21,268 FIX HIS WORK AGAIN, HE'S COMING 206 00:08:21,268 --> 00:08:22,803 BACK FOR YOU. 207 00:08:22,803 --> 00:08:25,072 YOU ASKED HOW TO STOP IT. 208 00:08:25,072 --> 00:08:27,140 I'M TELLING YOU. 209 00:08:27,140 --> 00:08:28,642 CAP HIS ASS. 210 00:08:28,642 --> 00:08:29,643 Sean: YOU, OF ALL PEOPLE, KNOW I 211 00:08:29,643 --> 00:08:33,781 CAN'T USE THIS THING. 15 BLADE. 212 00:08:33,781 --> 00:08:35,649 Escobar: PUSSY. 213 00:08:35,649 --> 00:08:37,585 [LATIN MUSIC PLAYING] 214 00:08:43,657 --> 00:08:44,658 YOU KNOW, MAYBE WHAT YOU REALLY 215 00:08:44,658 --> 00:08:45,926 NEED ARE SOME BALLS, BRO. 216 00:08:45,926 --> 00:08:46,927 Sean: I'VE GOT BALLS. YOU KNOW 217 00:08:46,927 --> 00:08:48,061 I DO. YOU'RE IN JAIL BECAUSE OF 218 00:08:48,061 --> 00:08:48,962 ME. 219 00:08:48,962 --> 00:08:49,930 Escobar: THAT WAS YOUR FINEST 220 00:08:49,930 --> 00:08:51,899 HOUR, HUH? TRUTH IS, SEAN, I 221 00:08:51,899 --> 00:08:52,933 MADE YOU A MAN. 222 00:08:52,933 --> 00:08:53,934 Sean: YOU DIDN'T DO SHIT. 223 00:08:53,934 --> 00:08:54,868 Escobar: I GAVE YOU THE GUTS TO 224 00:08:54,868 --> 00:08:55,969 PULL A GUN. I GAVE YOU THE 225 00:08:55,969 --> 00:08:57,104 STRENGTH TO RISK KILLING SOMEONE 226 00:08:57,104 --> 00:08:58,939 TO SAVE YOURSELF, AND YOUR 227 00:08:58,939 --> 00:09:00,608 FAMILY AND YOUR BUSINESS. 228 00:09:00,608 --> 00:09:02,943 I GAVE YOU CHARACTER. 229 00:09:02,943 --> 00:09:06,614 WHERE DID IT GO? 230 00:09:06,614 --> 00:09:07,347 NOW WHAT'S WITH THIS MUSIC? 231 00:09:07,347 --> 00:09:09,950 I HATE THIS SHIT. 232 00:09:09,950 --> 00:09:12,820 [ROCK MUSIC PLAYS] 233 00:09:12,820 --> 00:09:14,955 NOW THAT'S MORE LIKE IT. 234 00:09:14,955 --> 00:09:16,824 GOD, DO I LOVE THE EIGHTIES. 235 00:09:16,824 --> 00:09:17,825 Sean: TURN THAT DOWN. 236 00:09:17,825 --> 00:09:18,959 I CAN'T OPERATE UNDER THESE 237 00:09:18,959 --> 00:09:23,230 CONDITIONS. 238 00:09:23,230 --> 00:09:24,732 Escobar: HEY, YOU THINK FIXING 239 00:09:24,732 --> 00:09:25,699 HER FACE IS GONNA MAKE 240 00:09:25,699 --> 00:09:26,967 EVERYTHING BETTER? 241 00:09:26,967 --> 00:09:28,401 YOU WANNA RESTORE REAL ORDER 242 00:09:28,401 --> 00:09:30,003 TO THIS MESS, SEAN? 243 00:09:30,003 --> 00:09:32,973 YOU GOTTA BE READY TO GO ONE ON 244 00:09:32,973 --> 00:09:34,708 ONE WITH THE CARVER. 245 00:09:34,708 --> 00:09:37,044 LIKE YOU DID WITH ME. 246 00:09:37,044 --> 00:09:41,982 OH. I GUESS SHE NEEDS SOME MORE 247 00:09:41,982 --> 00:09:43,050 GAS. 248 00:09:46,053 --> 00:09:48,922 Sean: NO. I WON'T DO THAT AGAIN. 249 00:09:48,922 --> 00:09:50,724 Escobar: YES, YOU WILL. 250 00:09:50,724 --> 00:09:52,760 BECAUSE YOU'VE GOT A DEATH WISH. 251 00:09:54,394 --> 00:10:00,133 SO DEPRESSED...OUR LITTLE SEAN. 252 00:10:00,133 --> 00:10:01,702 YOU GOTTA TAKE THIS GUY OUT. 253 00:10:01,702 --> 00:10:03,737 RESTORE THE ORDER AND KILL 254 00:10:03,737 --> 00:10:04,738 THE CARVER. 255 00:10:04,738 --> 00:10:05,939 Liz: KILL THE CARVER. 256 00:10:05,939 --> 00:10:07,007 Escobar: DON'T TELL ME THIS GUY 257 00:10:07,007 --> 00:10:08,008 SCARES YOU MORE THAN ME. 258 00:10:08,008 --> 00:10:09,409 I'M GETTING JEALOUS. 259 00:10:09,409 --> 00:10:10,410 Sean: SHUT UP! 260 00:10:10,410 --> 00:10:11,745 Escobar: HA HA HA. MAKE ME. 261 00:10:11,745 --> 00:10:14,414 Sean: GUN. 262 00:10:14,414 --> 00:10:18,318 Escobar: GOOD. READY? AIM... 263 00:10:18,318 --> 00:10:19,720 SHOOT! 264 00:11:07,000 --> 00:11:07,935 Christian: WHAT THE HELL ARE YOU 265 00:11:07,935 --> 00:11:08,936 DOING? 266 00:11:08,936 --> 00:11:12,806 Matt: UM, NOTHING. 267 00:11:12,806 --> 00:11:15,075 I WAS JUST--OH... 268 00:11:18,345 --> 00:11:21,081 Christian: TEMESTA? 269 00:11:21,081 --> 00:11:23,483 YOU STEAL ANTI-ANXIETY PILLS? 270 00:11:23,483 --> 00:11:26,519 Matt: LOOK, I'VE BEEN UPSET, OK? 271 00:11:26,519 --> 00:11:27,487 AND I DIDN'T FEEL LIKE ASKING 272 00:11:27,487 --> 00:11:28,488 FOR 'EM AND GOING THROUGH THE 273 00:11:28,488 --> 00:11:29,489 THIRD DEGREE. 274 00:11:29,489 --> 00:11:33,360 Christian: HELIX? GREAT. 275 00:11:33,360 --> 00:11:34,828 DON'T YOU KNOW IT'S DANGEROUS 276 00:11:34,828 --> 00:11:35,863 TO SELF-PRESCRIBE? 277 00:11:35,863 --> 00:11:36,830 Matt: COME ON, MAN. THEY SELL 278 00:11:36,830 --> 00:11:38,098 THIS SHIT AT SCHOOL TO EVERY-- 279 00:11:38,098 --> 00:11:41,802 GET YOUR HANDS OFF ME. 280 00:11:47,240 --> 00:11:48,408 Christian: CLOMIPHENE CITRATE 281 00:11:48,408 --> 00:11:49,843 HAS NOTHING TO DO WITH STRESS, 282 00:11:49,843 --> 00:11:50,944 ASSHOLE. 283 00:11:50,944 --> 00:11:53,313 I'M SICK OF YOUR GODDAMN LIES, 284 00:11:53,313 --> 00:11:56,116 MATT. I DON'T KNOW WHAT'S GOING 285 00:11:56,116 --> 00:11:57,250 ON WITH YOU, BUT CLEARLY THESE 286 00:11:57,250 --> 00:11:58,318 PILLS ARE NOT FOR YOU. 287 00:11:58,318 --> 00:12:00,120 SO YOU TELL ME WHY YOU'RE 288 00:12:00,120 --> 00:12:01,989 STEALING THESE DRUGS, OR I WILL 289 00:12:01,989 --> 00:12:03,390 PERSONALLY BRING YOU TO THE COPS 290 00:12:03,390 --> 00:12:04,858 AND ENCOURAGE THEM TO LOCK YOU 291 00:12:04,858 --> 00:12:05,859 UP AND KEEP YOU THERE UNTIL 292 00:12:05,859 --> 00:12:07,027 YOU'RE TOO OLD TO ENJOY THEM. 293 00:12:07,027 --> 00:12:09,496 Matt: OK. FINE. 294 00:12:16,804 --> 00:12:20,273 THEY'RE FOR AVA. I'M STOCKING 295 00:12:20,273 --> 00:12:21,541 UP. 296 00:12:21,541 --> 00:12:23,543 Christian: WHY? 297 00:12:23,543 --> 00:12:26,346 Matt: 'CAUSE WE'RE GOING AWAY. 298 00:12:26,346 --> 00:12:28,748 FOREVER. 299 00:12:33,520 --> 00:12:34,855 Ava: GO AHEAD, TURN ME IN TO THE 300 00:12:34,855 --> 00:12:36,356 POLICE. I'LL DENY EVERYTHING. 301 00:12:36,356 --> 00:12:38,158 MATT WILL SUPPORT ME ENTIRELY, 302 00:12:38,158 --> 00:12:39,292 AND ALL YOU'LL ACCOMPLISH IS 303 00:12:39,292 --> 00:12:40,360 STARTING A CRIMINAL FILE FOR 304 00:12:40,360 --> 00:12:41,895 YOUR VERY OWN SON. 305 00:12:41,895 --> 00:12:42,896 Christian: MATT WON'T BE 306 00:12:42,896 --> 00:12:43,563 ARRESTED. YOU WILL. 307 00:12:43,563 --> 00:12:44,564 Ava: PHARMACEUTICAL DRUGS THEFT 308 00:12:44,564 --> 00:12:45,899 IS A FELONY. DO YOUR RESEARCH 309 00:12:45,899 --> 00:12:47,868 BEFORE YOU COME INTO MY HOUSE 310 00:12:47,868 --> 00:12:48,902 WITH YOUR PATHETIC CHICKEN 311 00:12:48,902 --> 00:12:50,971 LITTLE ACT. 312 00:12:50,971 --> 00:12:53,573 VODKA ROCKS. IF MEMORY SERVES, 313 00:12:53,573 --> 00:12:54,875 YOU DOWNED IT LAST TIME YOU WERE 314 00:12:54,875 --> 00:12:56,176 HERE BARKING SIMILAR HOLLOW 315 00:12:56,176 --> 00:12:58,178 THREATS. DRINK UP AND THEN GET 316 00:12:58,178 --> 00:12:59,046 OUT. 317 00:13:03,183 --> 00:13:05,585 HOW BARBARIC. DESPITE YOUR 318 00:13:05,585 --> 00:13:07,254 DOCTOR'S DEGREE AND YOUR SLICK 319 00:13:07,254 --> 00:13:09,923 VENEER OF SOPHISTICATION, WHEN 320 00:13:09,923 --> 00:13:10,924 IT COMES TO WOMEN AND HOW TO 321 00:13:10,924 --> 00:13:13,060 TREAT THEM, YOU'VE CRAWLED RIGHT 322 00:13:13,060 --> 00:13:14,194 OUT OF A CAVE. 323 00:13:14,194 --> 00:13:15,929 Christian: I'D WATCH MY MOUTH 324 00:13:15,929 --> 00:13:17,597 IF I WERE YOU. 325 00:13:17,597 --> 00:13:20,033 Ava: OR WHAT? YOU'LL HIT ME? 326 00:13:20,033 --> 00:13:20,934 Christian: IF YOU WERE A MAN, 327 00:13:20,934 --> 00:13:21,935 AFTER THE HELL YOU'VE CAUSED MY 328 00:13:21,935 --> 00:13:26,206 FAMILY, YOU'D BE ON THE FLOOR. 329 00:13:26,206 --> 00:13:27,640 Ava: AND YOU'D BE RIGHT ON TOP 330 00:13:27,640 --> 00:13:29,943 OF ME, WOULDN'T YOU, CHRISTIAN? 331 00:13:29,943 --> 00:13:32,012 'CAUSE YOU WANT ME, DON'T YOU? 332 00:13:32,012 --> 00:13:34,514 Christian: YOU LUBRICATE ACID. 333 00:13:34,514 --> 00:13:36,416 IF I STUCK MY DICK IN YOU, 334 00:13:36,416 --> 00:13:38,051 IT WOULD SIZZLE OFF. 335 00:13:38,051 --> 00:13:39,953 Ava: OH, IT WOULD SIZZLE, ALL 336 00:13:39,953 --> 00:13:43,390 RIGHT. MATT'S NOT HERE. 337 00:13:43,390 --> 00:13:44,391 BUT YOU KNEW THAT BEFORE 338 00:13:44,391 --> 00:13:46,059 YOU WALKED IN HERE CARRYING YOUR 339 00:13:46,059 --> 00:13:47,360 BIG STICK YOU'RE AFRAID TO 340 00:13:47,360 --> 00:13:49,930 SWING. YOU'RE NOT UPSET MATT'S 341 00:13:49,930 --> 00:13:51,631 SEEING ME. YOU'RE UPSET THAT 342 00:13:51,631 --> 00:13:52,632 YOU'RE NOT. 343 00:13:52,632 --> 00:13:53,600 Christian: YOU'RE CRAZY. 344 00:13:53,600 --> 00:13:54,634 AND LET ME MAKE MYSELF CLEAR. 345 00:13:54,634 --> 00:13:56,369 I'M NOT LEAVING THIS HELL HOUSE 346 00:13:56,369 --> 00:13:57,370 UNTIL YOU AGREE TO STOP SEEING 347 00:13:57,370 --> 00:14:01,374 MATT. I WILL KILL YOU BEFORE I 348 00:14:01,374 --> 00:14:02,375 LET YOU TAKE HIM OUT OF THIS 349 00:14:02,375 --> 00:14:03,243 COUNTRY. 350 00:14:03,243 --> 00:14:04,411 Ava: SCREW THE PETTY THREATS. 351 00:14:04,411 --> 00:14:09,116 YOU WANT ME TO STOP SEEING MATT? 352 00:14:09,116 --> 00:14:10,417 THEN MAKE ME. 353 00:14:13,086 --> 00:14:14,221 YOU WANT ME TO STOP? 354 00:14:14,221 --> 00:14:16,256 THEN THERE'S ONLY ONE THING FOR 355 00:14:16,256 --> 00:14:18,525 YOU TO DO, CHRISTIAN. 356 00:14:18,525 --> 00:14:19,993 MAKE ME WANT YOU MORE. 357 00:14:19,993 --> 00:14:21,261 CONQUER ME. 358 00:14:21,261 --> 00:14:25,165 HMPH. YOU DON'T HAVE THE GUTS. 359 00:14:25,165 --> 00:14:27,067 NEITHER DOES SEAN OR JULIA. 360 00:14:27,067 --> 00:14:28,301 I HAVE THE POWER AND I'M 361 00:14:28,301 --> 00:14:29,937 KEEPING IT. 362 00:14:29,937 --> 00:14:31,371 OH, I SEE NOW. YOU'RE JUST LIKE 363 00:14:31,371 --> 00:14:32,405 THE REST OF THEM. 364 00:14:32,405 --> 00:14:34,041 THREATENING, KOWTOWED, 365 00:14:34,041 --> 00:14:35,675 SPINELESS. TERRIFIED OF THE 366 00:14:35,675 --> 00:14:37,144 UNCONDITIONAL. 367 00:14:37,144 --> 00:14:39,679 A WOMAN WITH MENTAL AND SEXUAL 368 00:14:39,679 --> 00:14:42,983 INTELLIGENCE. 369 00:14:42,983 --> 00:14:44,584 YOU DISAPPOINT ME, CHRISTIAN. 370 00:14:44,584 --> 00:14:46,987 IN THE END, YOU'RE ALL BARK AND 371 00:14:46,987 --> 00:14:48,021 NO BITE. 372 00:14:51,391 --> 00:14:53,026 Christian: BITE ME. 373 00:14:53,026 --> 00:14:56,029 Ava: HOW HARD? 374 00:15:11,444 --> 00:15:13,146 Christian: YOU STARTED IT. 375 00:15:13,146 --> 00:15:15,682 YOU CAN FINISH IT. 376 00:15:15,682 --> 00:15:18,518 Ava: NO. NO, NO. NO. NO! NOT 377 00:15:18,518 --> 00:15:19,452 THAT. 378 00:15:19,452 --> 00:15:20,320 Christian: YOU WANNA BE 379 00:15:20,320 --> 00:15:22,222 CONQUERED? CONSIDER IT DONE. 380 00:15:22,222 --> 00:15:25,725 Ava: OH! 381 00:15:25,725 --> 00:15:27,995 AH... 382 00:15:41,474 --> 00:15:42,609 WHAT'S WRONG? 383 00:15:42,609 --> 00:15:44,477 AM I TOO MUCH OF A WOMAN FOR 384 00:15:44,477 --> 00:15:45,678 YOU? 385 00:15:51,251 --> 00:15:52,685 Detective: NO, SEAN. I CAN'T 386 00:15:52,685 --> 00:15:53,553 ALLOW THIS. 387 00:15:53,553 --> 00:15:54,554 Sean: IT'S THE ONLY WAY TO MAKE 388 00:15:54,554 --> 00:15:55,588 HIM STOP. 389 00:15:55,588 --> 00:15:56,689 Detective: WHEN? 390 00:15:56,689 --> 00:15:58,158 Sean: I DON'T KNOW. END OF THE 391 00:15:58,158 --> 00:15:59,292 WEEK? YOU PULL THE SECURITY 392 00:15:59,292 --> 00:16:00,660 DETAIL OFF THE HOUSE, LET HIM 393 00:16:00,660 --> 00:16:01,561 SEE THAT I'M VULNERABLE. 394 00:16:01,561 --> 00:16:02,562 Detective: WE'RE WAITING INSIDE 395 00:16:02,562 --> 00:16:03,296 THE HOUSE. 396 00:16:03,296 --> 00:16:04,297 Sean: NO. HE'S SMART. 397 00:16:04,297 --> 00:16:05,365 HE'LL SENSE THAT. WE DON'T TELL 398 00:16:05,365 --> 00:16:07,300 ANYBODY--MY FAMILY, MY PARTNER, 399 00:16:07,300 --> 00:16:08,301 NO ONE. I'LL BE ALONE WITH HIM. 400 00:16:08,301 --> 00:16:11,071 JUST ME. AND ONCE HE THINKS HE'S 401 00:16:11,071 --> 00:16:12,439 GOT WHAT HE WANTS, THEN YOU COME 402 00:16:12,439 --> 00:16:13,440 IN. 403 00:16:13,440 --> 00:16:15,042 [KNOCK ON DOOR] 404 00:16:15,042 --> 00:16:16,043 Sean: UH, WE'RE SORT OF IN THE 405 00:16:16,043 --> 00:16:17,744 MIDDLE OF SOMETHING HERE. 406 00:16:17,744 --> 00:16:19,112 Christian: IT CAN WAIT. 407 00:16:26,353 --> 00:16:28,588 Sean: THIS HAD BETTER BE 408 00:16:28,588 --> 00:16:29,656 IMPORTANT, CHRISTIAN. 409 00:16:29,656 --> 00:16:33,326 Christian: IT IS. 410 00:16:33,326 --> 00:16:34,727 AVA'S A MAN. 411 00:16:46,206 --> 00:16:47,507 Christian: ANYTHING? 412 00:16:47,507 --> 00:16:48,475 Sean: STILL CHECKING. 413 00:16:48,475 --> 00:16:49,642 Julia: ARE YOU CERTAIN SHE 414 00:16:49,642 --> 00:16:50,843 DIDN'T JUST HAVE A NATURALLY 415 00:16:50,843 --> 00:16:52,612 SHALLOW VAGINAL CANAL? 416 00:16:52,612 --> 00:16:55,148 Christian: BELIEVE ME, THERE WAS 417 00:16:55,148 --> 00:16:57,084 NOTHING NATURAL ABOUT IT. 418 00:16:57,084 --> 00:16:59,786 Julia: YOU'RE PLASTIC SURGEONS. 419 00:16:59,786 --> 00:17:00,753 IF THIS IS TRUE, I DON'T 420 00:17:00,753 --> 00:17:01,754 UNDERSTAND WHY YOU COULDN'T TELL 421 00:17:01,754 --> 00:17:02,755 RIGHT AWAY. 422 00:17:02,755 --> 00:17:03,756 Christian: SHE'S A GODDAMN HOPE 423 00:17:03,756 --> 00:17:05,492 DIAMOND OF TRANSSEXUALS, JULIA. 424 00:17:05,492 --> 00:17:06,393 FLAWLESS IN EVERY WAY. 425 00:17:06,393 --> 00:17:07,494 Sean: I CALLED ABE RUCKMAN AT 426 00:17:07,494 --> 00:17:09,162 THE AVON SEXUAL REASSIGNMENT 427 00:17:09,162 --> 00:17:10,597 CLINICS, STEPHANIE DUNCAN AT THE 428 00:17:10,597 --> 00:17:11,631 GENE IDENTITY CENTER IN 429 00:17:11,631 --> 00:17:12,765 COLORADO. NOBODY'S EVER HEARD OF 430 00:17:12,765 --> 00:17:14,234 HER. AVA MOORE HAS NEVER 431 00:17:14,234 --> 00:17:15,368 EXISTED. 432 00:17:15,368 --> 00:17:17,370 Julia: AS A WOMAN YOU MEAN. 433 00:17:17,370 --> 00:17:19,506 Sean: LOOK, JULIA, I THOUGHT IT 434 00:17:19,506 --> 00:17:20,840 WAS A PREPOSTEROUS CONJECTURE, 435 00:17:20,840 --> 00:17:22,375 TOO. THEN HE GAVE ME THE LIST OF 436 00:17:22,375 --> 00:17:24,177 DRUGS MATT WAS STEALING FOR HER. 437 00:17:26,646 --> 00:17:27,647 Julia: THIS IS GREEK TO ME. 438 00:17:27,647 --> 00:17:28,515 Christian: THE COMPOUNDS 439 00:17:28,515 --> 00:17:29,782 ARE VERY SPECIFIC. 440 00:17:29,782 --> 00:17:31,384 SPIROLACTINE FOR BREAST, 441 00:17:31,384 --> 00:17:32,519 NIPPLE DEVELOPMENT. 442 00:17:32,519 --> 00:17:34,521 PREMARIN FOR VAGINAL DRYNESS, 443 00:17:34,521 --> 00:17:35,788 ALL IN AMOUNTS AND CALIBRATIONS 444 00:17:35,788 --> 00:17:39,326 WE'VE NEVER EVEN SEEN BEFORE. 445 00:17:39,326 --> 00:17:40,660 IT'S QUITE BRILLIANT, REALLY. 446 00:17:40,660 --> 00:17:42,662 Julia: NO PRESCRIPTION TO CHASE? 447 00:17:42,662 --> 00:17:44,831 Sean: NOTHING. 448 00:17:44,831 --> 00:17:45,665 Christian: WE'RE GONNA 449 00:17:45,665 --> 00:17:46,433 HAVE TO TELL MATT. 450 00:17:46,433 --> 00:17:48,568 Julia: NO. IF THIS IS TRUE 451 00:17:48,568 --> 00:17:50,203 AND HE FINDS OUT, HE WILL NEVER 452 00:17:50,203 --> 00:17:51,571 RECOVER FROM IT. HE'LL BE 453 00:17:51,571 --> 00:17:52,772 SEXUALLY RUINED FOR THE REST 454 00:17:52,772 --> 00:17:56,409 OF HIS LIFE. 455 00:17:56,409 --> 00:17:58,278 AND IF HE FINDS OUT YOU SCREWED 456 00:17:58,278 --> 00:17:59,612 HIS GIRLFRIEND, HE WILL NEVER 457 00:17:59,612 --> 00:18:01,448 FORGIVE YOU FOR IT OR TRUST YOU 458 00:18:01,448 --> 00:18:02,515 AGAIN, CHRISTIAN. 459 00:18:06,253 --> 00:18:08,855 Christian: WHAT?! SHE JUMPED ME. 460 00:18:08,855 --> 00:18:10,290 Technician: BEDROOM CAM'S 461 00:18:10,290 --> 00:18:11,291 WORKIN' GREAT, SEAN. SO'S 462 00:18:11,291 --> 00:18:13,226 THAT ONE IN THE DINING ROOM. 463 00:18:15,895 --> 00:18:17,330 Christian: WHAT'S THAT FOR? 464 00:18:21,168 --> 00:18:22,769 Sean: UH, IT'S JUST PART OF THE, 465 00:18:22,769 --> 00:18:23,936 UM, NEW SECURITY SYSTEM I'M 466 00:18:23,936 --> 00:18:25,738 PUTTING IN. THANKS. 467 00:18:25,738 --> 00:18:26,773 WE'LL TALK LATER. 468 00:18:26,773 --> 00:18:27,740 Technician: ALL RIGHT. 469 00:18:35,715 --> 00:18:38,218 [SEAN SIGHS] 470 00:18:38,218 --> 00:18:39,786 Sean: NOT ONE MATCH. 471 00:18:42,289 --> 00:18:43,623 Julia: LET ME SEE. 472 00:18:46,226 --> 00:18:47,527 Sean: WHAT'S CLEAR IS WE CAN'T 473 00:18:47,527 --> 00:18:48,795 JUST KEEP BARGING INTO HER HOUSE 474 00:18:48,795 --> 00:18:49,829 AND CONFRONTING HER WITHOUT 475 00:18:49,829 --> 00:18:51,864 INDISPUTABLE PROOF. WE GET ONE 476 00:18:51,864 --> 00:18:53,200 MORE CHANCE AT THIS BEFORE SHE 477 00:18:53,200 --> 00:18:53,966 LEAVES TOWN AND TAKES HIM 478 00:18:53,966 --> 00:18:56,536 WITH HER. 479 00:18:56,536 --> 00:18:57,737 Julia: WELL, AT LEAST SHE THINKS 480 00:18:57,737 --> 00:18:58,805 LIKE A WOMAN. 481 00:19:02,609 --> 00:19:03,543 Sean: "HERMES"? 482 00:19:03,543 --> 00:19:04,644 Julia: REMEMBER WHEN SUZANNE 483 00:19:04,644 --> 00:19:06,346 HIRED A PRIVATE INVESTIGATOR 484 00:19:06,346 --> 00:19:08,215 TO FOLLOW HER HUSBAND? HE TOLD 485 00:19:08,215 --> 00:19:09,349 HER ABOUT A WEBSITE WHERE YOU 486 00:19:09,349 --> 00:19:10,450 COULD LOOK UP OTHER PEOPLE'S 487 00:19:10,450 --> 00:19:12,385 CREDIT ACCOUNTS. AND AVA MOORE 488 00:19:12,385 --> 00:19:13,753 HAS AN OUTSTANDING BALANCE AT 489 00:19:13,753 --> 00:19:15,522 THE HERMES STORE IN VIENNA, 490 00:19:15,522 --> 00:19:17,757 VIRGINIA. 491 00:19:17,757 --> 00:19:19,592 Sean: HOW CLOSE IS BALTIMORE 492 00:19:19,592 --> 00:19:21,361 TO VIENNA, VIRGINIA? 493 00:19:26,766 --> 00:19:27,900 Christian: HOW OLD'S ADRIAN? 494 00:19:27,900 --> 00:19:30,770 Julia: 17. MATT'S AGE. 495 00:19:30,770 --> 00:19:32,239 Christian: WELL, 17 YEARS AGO, 496 00:19:32,239 --> 00:19:33,240 IF YOU WANTED A STATE-OF-THE- 497 00:19:33,240 --> 00:19:34,574 ART SEX CHANGE, THERE REALLY WAS 498 00:19:34,574 --> 00:19:35,608 ONLY ONE PLACE IN THE WORLD 499 00:19:35,608 --> 00:19:36,609 TO GO. 500 00:19:36,609 --> 00:19:37,510 [JET PLANE ENGINE] 501 00:19:37,510 --> 00:19:38,378 Liz: THE PERSON YOU NEED TO 502 00:19:38,378 --> 00:19:39,879 SEE AT JOHNS HOPKINS IS CAROL, 503 00:19:39,879 --> 00:19:40,813 FORMERLY CARLOS. SHE'S BEEN 504 00:19:40,813 --> 00:19:41,748 WORKIN' THERE FOR 10 YEARS. 505 00:19:41,748 --> 00:19:42,515 Sean: WHY DO YOU THINK 506 00:19:42,515 --> 00:19:43,283 SHOWING UP IN PERSON 507 00:19:43,283 --> 00:19:44,384 IS GONNA DO THE TRICK WHEN 508 00:19:44,384 --> 00:19:45,618 LEAVING HER 5 MESSAGES DIDN'T? 509 00:19:45,618 --> 00:19:46,519 Liz: SOPHIA SAYS THE 510 00:19:46,519 --> 00:19:47,820 TRANSGENDERED COMMUNITY IS 511 00:19:47,820 --> 00:19:48,788 INCREDIBLY PROTECTIVE. THEY'RE 512 00:19:48,788 --> 00:19:49,989 NOT GONNA OPEN UP TO SOMEONE 513 00:19:49,989 --> 00:19:51,258 THEY DON'T KNOW. THEY NEED TO 514 00:19:51,258 --> 00:19:52,024 SEE YOU TO TRUST YOU. 515 00:19:52,024 --> 00:19:52,925 Christian: WILL YOU EXPLAIN TO 516 00:19:52,925 --> 00:19:53,926 ME HOW 2 COMPLETE STRANGERS CAN 517 00:19:53,926 --> 00:19:55,295 BUILD A TRUSTING RELATIONSHIP 518 00:19:55,295 --> 00:19:56,396 IN LESS THAN 5 MINUTES? 519 00:19:56,396 --> 00:19:57,530 Liz: OH, FOR GOD SAKES. 520 00:19:57,530 --> 00:19:58,531 YOU'VE CHARMED HALF OF THE 521 00:19:58,531 --> 00:20:00,400 FEMALE POPULATION OF MIAMI, NOT 522 00:20:00,400 --> 00:20:01,868 TO MENTION A FEW TRANSSEXUALS. 523 00:20:01,868 --> 00:20:03,803 Christian: ONE TRANSSEXUAL. AND 524 00:20:03,803 --> 00:20:04,804 AVA FOOLED EVERYBODY. 525 00:20:04,804 --> 00:20:06,273 Liz: NOT EVERYBODY. I KNEW THERE 526 00:20:06,273 --> 00:20:07,274 WAS A REASON I WASN'T 527 00:20:07,274 --> 00:20:07,940 ATTRACTED TO HER. 528 00:20:07,940 --> 00:20:08,875 Sean: WHAT IF CHARM DOESN'T 529 00:20:08,875 --> 00:20:09,942 WORK? ANY OTHER IDEAS? 530 00:20:09,942 --> 00:20:11,444 Liz: BE EMPATHETIC. CONVINCE 531 00:20:11,444 --> 00:20:12,312 HER THAT YOU'RE THERE 532 00:20:12,312 --> 00:20:13,713 AS PROFESSIONALS TO HELP AVA, 533 00:20:13,713 --> 00:20:14,581 THAT YOU'RE CONCERNED 534 00:20:14,581 --> 00:20:15,315 ABOUT HER WELFARE. 535 00:20:15,315 --> 00:20:15,882 Sean: I'M NOT SURE 536 00:20:15,882 --> 00:20:16,716 I'M THAT GOOD A LIAR. 537 00:20:16,716 --> 00:20:17,717 Christian: I AM. COME ON. 538 00:20:17,717 --> 00:20:18,885 WE'RE LATE. 539 00:20:24,624 --> 00:20:25,958 Salesman: THIS ONE HERE IS A 540 00:20:25,958 --> 00:20:27,694 FILET TOUGH AND BAY WITH A 541 00:20:27,694 --> 00:20:28,895 RUBBER HANDLE. REAL GOOD FOR 542 00:20:28,895 --> 00:20:31,398 SECURIN' THE GRIP. A REAL NICE 543 00:20:31,398 --> 00:20:32,699 CHOICE FOR BARBECUING OR 544 00:20:32,699 --> 00:20:35,968 DRESSING MEATS. 545 00:20:35,968 --> 00:20:38,838 THIS ONE'S MY FAVORITE. A BUCK 546 00:20:38,838 --> 00:20:40,973 NIGHTHAWK. VERY STEALTHY. COMES 547 00:20:40,973 --> 00:20:43,710 WITH A NYLON SHEATH. 548 00:20:43,710 --> 00:20:46,446 IT HAS A 652 STEEL DROP-POINT 549 00:20:46,446 --> 00:20:48,381 BLADE FOR A REAL LONG LIFE... 550 00:20:48,381 --> 00:20:50,249 NO MATTER WHAT THE ELEMENTS. 551 00:20:52,852 --> 00:20:53,853 ANY OTHER QUESTIONS 552 00:20:53,853 --> 00:20:55,855 FOR YOU TODAY? 553 00:20:55,855 --> 00:20:58,458 Adrian: YES. WHICH ONE WOULD 554 00:20:58,458 --> 00:20:59,659 YOU RECOMMEND IF I WANTED 555 00:20:59,659 --> 00:21:01,260 TO GUT SOMETHING? 556 00:21:03,563 --> 00:21:05,064 P.A.: DR. DAVIS, TELEPHONE, 557 00:21:05,064 --> 00:21:07,667 PLEASE. DR. DAVIS, TELEPHONE, 558 00:21:07,667 --> 00:21:08,668 PLEASE. 559 00:21:14,674 --> 00:21:16,075 J.T.: I WENT INTO A MEN'S 560 00:21:16,075 --> 00:21:19,479 REST ROOM YESTERDAY. I'VE NEVER 561 00:21:19,479 --> 00:21:21,648 BEEN SO SCARED. 562 00:21:21,648 --> 00:21:22,649 Carol: YOU'VE BEEN LIVING 563 00:21:22,649 --> 00:21:24,917 AS A MAN NOW FOR 5 YEARS, J.T. 564 00:21:24,917 --> 00:21:26,719 YOU'VE CERTAINLY USED THE MALE 565 00:21:26,719 --> 00:21:28,388 REST ROOM SINCE YOUR SURGERY. 566 00:21:28,388 --> 00:21:31,891 RIGHT? SO WHY THE FEAR? 567 00:21:31,891 --> 00:21:34,827 J.T.: IT WAS A TROUGH URINAL. 568 00:21:34,827 --> 00:21:35,962 Carol: MMM. 569 00:21:35,962 --> 00:21:37,597 J.T.: WHERE ALL THE GUYS PEE 570 00:21:37,597 --> 00:21:40,066 IN THE OPEN. AND WHAT IF THE GUY 571 00:21:40,066 --> 00:21:42,735 NEXT TO ME SEES IT'S A BRAND-NEW 572 00:21:42,735 --> 00:21:44,671 PENIS AND...HE WANTS 573 00:21:44,671 --> 00:21:47,374 TO BEAT ME DOWN? 574 00:21:47,374 --> 00:21:48,641 YOU KNOW? 575 00:21:48,641 --> 00:21:49,776 Carol: SO YOU KNOW WHAT? 576 00:21:49,776 --> 00:21:50,777 YOU JUST NEED TO LEARN HOW 577 00:21:50,777 --> 00:21:52,044 TO PROTECT YOURSELF, J.T. 578 00:21:52,044 --> 00:21:53,045 J.T.: DOES NOTHING MAKE YOU 579 00:21:53,045 --> 00:21:53,913 AFRAID, CAROL? 580 00:21:53,913 --> 00:21:56,949 IS THERE NOTHING YOU FEAR? 581 00:22:01,388 --> 00:22:05,458 Carol: [SIGHS] YEAH. 582 00:22:09,929 --> 00:22:13,933 AIRPORTS. 583 00:22:13,933 --> 00:22:16,636 MAKING IT THROUGH SECURITY 584 00:22:16,636 --> 00:22:20,773 AS A WOMAN. 585 00:22:20,773 --> 00:22:23,009 OH, MAN. SINCE 9/11, IT'S 586 00:22:23,009 --> 00:22:26,045 LIKE...IT'S LIKE THEY SCRUTINIZE 587 00:22:26,045 --> 00:22:29,549 SO CAREFULLY NOW. 588 00:22:29,549 --> 00:22:31,418 I DON'T KNOW. IF YOU CAN MAKE IT 589 00:22:31,418 --> 00:22:33,420 THROUGH THOSE SECURITY LINES 590 00:22:33,420 --> 00:22:36,689 UNDETECTED AND ACCEPTED...IT'S 591 00:22:36,689 --> 00:22:37,990 LIKE YOU'RE REAL. 592 00:22:37,990 --> 00:22:39,426 YOU KNOW? 593 00:22:41,828 --> 00:22:43,162 THIS IS A CLOSED MEETING. 594 00:22:43,162 --> 00:22:44,697 CAN I HELP YOU? 595 00:22:44,697 --> 00:22:45,832 Christian: WE'RE LOOKING FOR 596 00:22:45,832 --> 00:22:47,867 CAROL NELSON IN ROOM 305. 597 00:22:47,867 --> 00:22:48,801 Carol: AND YOU ARE? 598 00:22:48,801 --> 00:22:50,437 Christian: I'M DR. CHRISTIAN 599 00:22:50,437 --> 00:22:51,504 TROY. THIS IS MY PARTNER 600 00:22:51,504 --> 00:22:53,573 SEAN McNAMARA. 601 00:22:53,573 --> 00:22:54,707 WE'VE BEEN TRYING 602 00:22:54,707 --> 00:22:55,808 TO REACH YOU. SOPHIA LOPEZ 603 00:22:55,808 --> 00:22:57,977 GAVE US YOUR NAME. 604 00:22:57,977 --> 00:23:01,180 Carol: [SNICKERS, SIGHS] 605 00:23:01,180 --> 00:23:02,849 OK, LISTEN, UH, WHY DON'T WE 606 00:23:02,849 --> 00:23:03,850 JUST TAKE A QUICK, 607 00:23:03,850 --> 00:23:04,984 LITTLE BREAK. OK? 608 00:23:04,984 --> 00:23:06,118 GO OUTSIDE, HAVE A LITTLE SNACK. 609 00:23:06,118 --> 00:23:07,654 AND I'LL SEE YOU GUYS BACK 610 00:23:07,654 --> 00:23:08,655 IN 10. 611 00:23:12,725 --> 00:23:13,860 J.T.: THANK YOU, CAROL. 612 00:23:17,997 --> 00:23:19,466 Carol: SO, HOW CAN I HELP YOU? 613 00:23:19,466 --> 00:23:20,633 Sean: WE'RE PLASTIC SURGEONS. 614 00:23:20,633 --> 00:23:21,734 WE'VE FLOWN OUT FROM MIAMI 615 00:23:21,734 --> 00:23:22,602 BECAUSE WE NEED MEDICAL 616 00:23:22,602 --> 00:23:23,703 INFORMATION ON A PATIENT. 617 00:23:23,703 --> 00:23:25,738 Carol: MMM. REALLY. WELL, I 618 00:23:25,738 --> 00:23:27,173 GUESS AS SURGEONS AND FRIENDS OF 619 00:23:27,173 --> 00:23:28,741 SOPHIA'S, YOU HAVE TO KNOW THAT 620 00:23:28,741 --> 00:23:30,477 A GENDER REASSIGNMENT FILE IS 621 00:23:30,477 --> 00:23:32,812 AS CLASSIFIED AS A NUCLEAR 622 00:23:32,812 --> 00:23:33,913 WEAPONS PROGRAM. 623 00:23:33,913 --> 00:23:35,247 Sean: WE ARE AWARE OF THAT, MS. 624 00:23:35,247 --> 00:23:36,883 NELSON, AND WE'RE COMPLETELY 625 00:23:36,883 --> 00:23:38,751 SYMPATHETIC. 626 00:23:38,751 --> 00:23:39,752 Carol: OK, SO, WHO'S 627 00:23:39,752 --> 00:23:40,787 THE PATIENT? 628 00:23:40,787 --> 00:23:41,688 Sean: THE NAME SHE GOES BY NOW 629 00:23:41,688 --> 00:23:43,556 IS AVA MOORE. 630 00:23:53,633 --> 00:23:55,034 Christian: MY PARTNER SEAN WAS 631 00:23:55,034 --> 00:23:56,636 THE SURGEON WHO PERFORMED 632 00:23:56,636 --> 00:23:58,771 SOPHIA'S BOTTOM SURGERY. HE ALSO 633 00:23:58,771 --> 00:23:59,906 SAVED HER FROM A BOTCHED 634 00:23:59,906 --> 00:24:01,107 TRACHEAL SHAVE. 635 00:24:01,107 --> 00:24:02,241 Carol: [SIGHS] WELL, THAT'S 636 00:24:02,241 --> 00:24:04,777 TOUCHING. BUT IT DOESN'T CHANGE 637 00:24:04,777 --> 00:24:06,513 A THING, GENTLEMEN. YOU SEE, 638 00:24:06,513 --> 00:24:07,647 THESE PEOPLE HERE, THEY'RE 639 00:24:07,647 --> 00:24:10,883 FRAGILE. SO WHY IS IT THAT I 640 00:24:10,883 --> 00:24:14,854 SHOULD BETRAY THEIR CONFIDENCE? 641 00:24:14,854 --> 00:24:16,789 IF AVA MOORE WANTS HER RECORDS, 642 00:24:16,789 --> 00:24:19,659 WHY HASN'T SHE CONTACTED US? 643 00:24:19,659 --> 00:24:21,293 Sean: BECAUSE AVA IS AFRAID. 644 00:24:21,293 --> 00:24:23,195 17 YEARS AGO, WHEN SHE HAD HER 645 00:24:23,195 --> 00:24:25,097 SURGERY, THERE WAS NO COMMUNITY. 646 00:24:31,804 --> 00:24:33,740 Christian: SHE NEEDS HELP. SHE'S 647 00:24:33,740 --> 00:24:34,574 HAD A WEAKENING OF THE 648 00:24:34,574 --> 00:24:36,075 RECONSTRUCTED VAGINAL WALL, AND 649 00:24:36,075 --> 00:24:39,111 THE BLADDER IS COMING THROUGH. 650 00:24:39,111 --> 00:24:41,681 FOR US TO REPAIR IT, WE NEED TO 651 00:24:41,681 --> 00:24:42,949 SEE HER RECORDS BECAUSE SHE 652 00:24:42,949 --> 00:24:44,183 CLAIMS THAT SHE HAD AN ADVERSE 653 00:24:44,183 --> 00:24:45,918 REACTION TO THE ANESTHESIA 654 00:24:45,918 --> 00:24:47,654 IN HER ORIGINAL SURGERY. 655 00:24:47,654 --> 00:24:49,088 WE'RE HERE TO HELP AVA, 656 00:24:49,088 --> 00:24:51,658 MS. NELSON. WE'RE NOT INTO 657 00:24:51,658 --> 00:24:53,192 TAKING RISKS WITH HER LIFE. 658 00:24:56,963 --> 00:24:58,330 Carol: [SIGHS] WELL, YOU DON'T 659 00:24:58,330 --> 00:25:00,833 WANT TO TALK TO ME. YOU WANT TO 660 00:25:00,833 --> 00:25:02,935 TALK TO HER SURGEON. HE'S 661 00:25:02,935 --> 00:25:04,003 RETIRED, AND HE'S TAKEN 662 00:25:04,003 --> 00:25:05,838 HER RECORDS WITH HIM. 663 00:25:05,838 --> 00:25:07,740 Christian: WHERE IS HE? 664 00:25:30,597 --> 00:25:31,931 Sean: DR. BARETT MOORE? 665 00:25:33,332 --> 00:25:34,266 Barett: I'VE BEEN EXPECTING 666 00:25:34,266 --> 00:25:36,068 YOU, DOCTORS. 667 00:25:40,873 --> 00:25:42,942 I UNDERSTAND YOU'VE MET MY WIFE. 668 00:25:52,752 --> 00:25:53,953 Barett: POLLINATOR? 669 00:26:01,894 --> 00:26:05,264 HYBRIDS. THE FIRST ORCHID 670 00:26:05,264 --> 00:26:07,667 HYBRIDS WERE PRODUCED IN 1858, 671 00:26:07,667 --> 00:26:09,035 AND SINCE THEN, THE PROCESS HAS 672 00:26:09,035 --> 00:26:10,169 ACCELERATED. BUT BECAUSE OF 673 00:26:10,169 --> 00:26:13,239 THEIR...ARTIFICIAL AND UNNATURAL 674 00:26:13,239 --> 00:26:15,207 EVOLUTION, THEY'RE UNABLE TO 675 00:26:15,207 --> 00:26:16,976 ATTRACT A SUITABLE POLLINATOR, 676 00:26:16,976 --> 00:26:20,046 AND HAND POLLINIZATION IS SO 677 00:26:20,046 --> 00:26:25,051 UNRELIABLE AND TIME-CONSUMING. 678 00:26:25,051 --> 00:26:26,653 THERE ARE MYSTERIES TO BE 679 00:26:26,653 --> 00:26:28,320 SOLVED. 680 00:26:28,320 --> 00:26:30,122 Sean: YOU RETIRED FROM MEDICINE 681 00:26:30,122 --> 00:26:31,758 TO BECOME A BOTANIST? 682 00:26:31,758 --> 00:26:32,659 Barett: I'VE RETIRED FROM 683 00:26:32,659 --> 00:26:33,960 MEDICINE BECAUSE MY WORK WAS 684 00:26:33,960 --> 00:26:37,363 DONE. EVERY ORCHID HERE HAS BEEN 685 00:26:37,363 --> 00:26:39,899 ALTERED, EACH ONE EVOLVING RIGHT 686 00:26:39,899 --> 00:26:41,433 BEFORE OUR EYES INTO NEW 687 00:26:41,433 --> 00:26:44,070 SPECIES, CHANGING THEIR VERY 688 00:26:44,070 --> 00:26:46,806 IDENTITIES. 689 00:26:46,806 --> 00:26:47,907 Christian: YOU MASTERED THE 690 00:26:47,907 --> 00:26:50,342 TECHNIQUE ON HUMANS. WHY HAVE 691 00:26:50,342 --> 00:26:53,212 YOU TURNED TO FLOWERS? 692 00:26:53,212 --> 00:26:54,046 Barett: BECAUSE THEY NEVER 693 00:26:54,046 --> 00:26:56,382 LEAVE. AND THEY RARELY 694 00:26:56,382 --> 00:27:00,152 DISAPPOINT. HUMANS AND MEDICINE 695 00:27:00,152 --> 00:27:03,923 ARE SO...FALLIBLE. 696 00:27:03,923 --> 00:27:05,958 Sean: THERE WAS NOTHING FALLIBLE 697 00:27:05,958 --> 00:27:07,326 IN THE TRANSFORMATION 698 00:27:07,326 --> 00:27:09,328 OF AVA MOORE. SHE'S THE WORK OF 699 00:27:09,328 --> 00:27:10,697 A MEDICAL GENIUS AT THE PEAK 700 00:27:10,697 --> 00:27:12,231 OF HIS CAREER. 701 00:27:12,231 --> 00:27:13,265 Christian: WHY STOP AT THE 702 00:27:13,265 --> 00:27:15,634 HEIGHT OF YOUR SUCCESS? 703 00:27:21,841 --> 00:27:23,743 Barett: AVERY TANNER IS 704 00:27:23,743 --> 00:27:25,845 RESPONSIBLE FOR THE SUCCESS 705 00:27:25,845 --> 00:27:26,913 THAT I HAD. 706 00:27:30,249 --> 00:27:32,719 HE WAS A WALKER, WHICH IS TO SAY 707 00:27:32,719 --> 00:27:34,120 THAT HE WAS AN ESCORT TO SOME OF 708 00:27:34,120 --> 00:27:36,488 THE WEALTHIEST SOCIETY WOMEN 709 00:27:36,488 --> 00:27:37,990 LOOKING FOR PHILANTHROPIC 710 00:27:37,990 --> 00:27:40,459 CAUSES. HE WAS A VERY GOOD 711 00:27:40,459 --> 00:27:43,062 LOOKING YOUNG MAN, AND UNUSUALLY 712 00:27:43,062 --> 00:27:44,864 INTERESTED IN THE UNORTHODOX 713 00:27:44,864 --> 00:27:46,733 WORK OF AN INEXPERIENCED NEW 714 00:27:46,733 --> 00:27:49,435 DOCTOR. HE WOULD BRING THEM TO 715 00:27:49,435 --> 00:27:52,939 MY FUND-RAISERS AND CHARM THEM 716 00:27:52,939 --> 00:27:55,341 INTO GIVING LARGE DONATIONS FOR 717 00:27:55,341 --> 00:27:57,009 A FIELD OF MEDICINE THAT THEY 718 00:27:57,009 --> 00:27:59,779 BARELY UNDERSTOOD. AT FIRST, 719 00:27:59,779 --> 00:28:01,347 I THOUGHT AS A GAY MAN HE WAS 720 00:28:01,347 --> 00:28:03,482 DRAWN TO THE TRANSGENDER WORLD 721 00:28:03,482 --> 00:28:05,517 BECAUSE OF THE POSSIBILITIES, 722 00:28:05,517 --> 00:28:08,788 UH, FOR HIMSELF. BUT, UM... 723 00:28:08,788 --> 00:28:16,428 HE WASN'T. HE WAS DRAWN TO ME. 724 00:28:16,428 --> 00:28:18,831 WE BECAME CLOSE, BUT I COULDN'T 725 00:28:18,831 --> 00:28:21,300 BE WITH HIM THE WAY THAT HE 726 00:28:21,300 --> 00:28:23,169 WANTED ME TO. 727 00:28:23,169 --> 00:28:25,137 THAT'S NOT MY NATURE. 728 00:28:27,840 --> 00:28:30,542 ONE NIGHT AVERY CAME TO ME 729 00:28:30,542 --> 00:28:35,815 IN DESPAIR...SUICIDAL... 730 00:28:35,815 --> 00:28:37,183 AND HE ASKED IF I WERE TO 731 00:28:37,183 --> 00:28:38,851 CHANGE HIM INTO A WOMAN, 732 00:28:38,851 --> 00:28:42,188 COULD I LOVE HIM THEN, AND 733 00:28:42,188 --> 00:28:45,457 I BELIEVED THAT I COULD. 734 00:28:45,457 --> 00:28:50,462 THE RESULTING OPERATION WAS 735 00:28:50,462 --> 00:28:53,933 PERFECT. THANK YOU, HARRY, 736 00:28:53,933 --> 00:28:56,869 YOU MAY GO. TO AN OUTSIDER, 737 00:28:56,869 --> 00:28:58,470 WE WERE LIKE ANY OTHER HAPPILY 738 00:28:58,470 --> 00:29:00,072 MARRIED COUPLE, BUT ON THE 739 00:29:00,072 --> 00:29:04,310 INSIDE, SEXUALLY, I... 740 00:29:04,310 --> 00:29:07,413 I COULD NOT FORGET. 741 00:29:15,822 --> 00:29:17,990 SHE THOUGHT THAT A CHILD MIGHT 742 00:29:17,990 --> 00:29:19,892 NORMALIZE WHAT WASN'T, SO WE 743 00:29:19,892 --> 00:29:21,527 AGREED THAT MY ASSISTANT WOULD 744 00:29:21,527 --> 00:29:23,262 BE IMPREGNATED WITH MY SPERM AND 745 00:29:23,262 --> 00:29:25,597 CARRY THE BABY TO TERM FOR US. 746 00:29:25,597 --> 00:29:27,499 AFTER ADRIAN WAS BORN, THINGS 747 00:29:27,499 --> 00:29:30,002 SEEMED TO BE MORE COMFORTABLE, 748 00:29:30,002 --> 00:29:31,170 BUT SOON AFTER THEY 749 00:29:31,170 --> 00:29:34,974 DETERIORATED. I COULDN'T GIVE 750 00:29:34,974 --> 00:29:37,043 HER WHAT SHE WANTED. IT WASN'T 751 00:29:37,043 --> 00:29:41,513 HER FAULT. I WAS THE FAILURE. 752 00:29:41,513 --> 00:29:47,253 I COULDN'T SEE...HER. 753 00:29:47,253 --> 00:29:52,058 I COULD ONLY SEE MY OWN WORK. 754 00:29:52,058 --> 00:29:54,994 Sean: AND SO SHE LEFT? 755 00:29:54,994 --> 00:29:56,896 Barett: I CAME HOME ONE DAY FROM 756 00:29:56,896 --> 00:29:59,331 A CONFERENCE AND THEY WERE GONE. 757 00:30:02,268 --> 00:30:04,003 AND I'VE NEVER HEARD 758 00:30:04,003 --> 00:30:06,072 FROM HER SINCE. 759 00:30:12,244 --> 00:30:14,546 HOW IS SHE? 760 00:30:14,546 --> 00:30:16,382 Sean: SHE'S GIVEN UP 761 00:30:16,382 --> 00:30:17,483 PHILANTHROPY FOR A CAREER 762 00:30:17,483 --> 00:30:19,351 AS A LIFE COACH. 763 00:30:22,154 --> 00:30:24,256 Barett: THE ULTIMATE CREATURE 764 00:30:24,256 --> 00:30:25,324 OF TRANSFORMATION 765 00:30:25,324 --> 00:30:27,659 TRANSFORMING OTHERS. WELL, 766 00:30:27,659 --> 00:30:29,428 THERE IS SOME POETRY IN THAT, 767 00:30:29,428 --> 00:30:31,430 DOCTORS, YOU HAVE TO ADMIT. 768 00:30:31,430 --> 00:30:33,465 Christian: HER BEHAVIOR ISN'T 769 00:30:33,465 --> 00:30:37,036 POETIC, IT'S PREDATORY. 770 00:30:37,036 --> 00:30:38,137 Sean: AVA MOORE IS SLEEPING WITH 771 00:30:38,137 --> 00:30:42,574 MY 17-YEAR-OLD SON...AND YOURS. 772 00:30:47,179 --> 00:30:49,048 Barett: SLEEPING WITH JUVENILE 773 00:30:49,048 --> 00:30:50,582 MALES MAKES SENSE. THEY'RE NOT 774 00:30:50,582 --> 00:30:51,951 EXPERIENCED ENOUGH TO SPOT A 775 00:30:51,951 --> 00:30:55,955 FRAUD. I HAD PLANNED ON ONE LAST 776 00:30:55,955 --> 00:30:59,225 PROCEDURE TO GO IN, RECONSTRUCT 777 00:30:59,225 --> 00:31:01,160 THE VAGINAL FLOOR, MAKE IT 778 00:31:01,160 --> 00:31:03,395 LESS CONSTRICTED. I THOUGHT 779 00:31:03,395 --> 00:31:04,530 MAYBE IT WOULD BRING HER SOME 780 00:31:04,530 --> 00:31:08,167 SENSE OF PEACE, SOME CLOSURE, 781 00:31:08,167 --> 00:31:13,705 BUT...I COULDN'T FIND HER. 782 00:31:13,705 --> 00:31:14,974 Sean: IT WOULD HELP US IF WE 783 00:31:14,974 --> 00:31:17,076 COULD SEE HER FILES. 784 00:31:17,076 --> 00:31:17,944 Barett: YOU KNOW BETTER THAN 785 00:31:17,944 --> 00:31:19,946 TO ASK THAT. 786 00:31:19,946 --> 00:31:21,080 Christian: WE NEED TO CONFRONT 787 00:31:21,080 --> 00:31:24,150 HER WITH MORE THAN JUST A STORY. 788 00:31:24,150 --> 00:31:25,017 Sean: YOU COULDN'T SAVE 789 00:31:25,017 --> 00:31:27,319 YOUR SON FROM HER, DR. MOORE. 790 00:31:27,319 --> 00:31:30,656 AT LEAST HELP ME SAVE MINE. 791 00:31:39,331 --> 00:31:42,001 Sean: HEY, CAN I COME IN? 792 00:31:42,001 --> 00:31:44,003 Julia: PLEASE. 793 00:31:44,003 --> 00:31:45,537 Sean: I, UH, PROBABLY 794 00:31:45,537 --> 00:31:47,439 SHOULD HAVE CALLED FIRST. 795 00:31:47,439 --> 00:31:49,408 IS YOUR FRIEND HERE? 796 00:31:49,408 --> 00:31:51,243 Julia: KEVIN? OH, NO, HE'S 797 00:31:51,243 --> 00:31:55,481 TEACHING. UM, DID YOU GET IT? 798 00:31:55,481 --> 00:31:57,183 Sean: YEAH. AND, UH, I BROUGHT 799 00:31:57,183 --> 00:31:59,218 YOU SOMETHING ELSE JUST IN CASE. 800 00:31:59,218 --> 00:32:01,687 YOU SHOULDN'T NEED IT, BUT FOR 801 00:32:01,687 --> 00:32:03,589 WHEN KEVIN ISN'T HERE. 802 00:32:11,230 --> 00:32:12,264 Julia: YOU'VE GOT TO STOP 803 00:32:12,264 --> 00:32:13,465 DOING THIS. 804 00:32:13,465 --> 00:32:15,201 Sean: DOING WHAT? 805 00:32:15,201 --> 00:32:17,669 Julia: STOPPING BY TO GIVE ME 806 00:32:17,669 --> 00:32:20,539 MACE, ASKING ME TO STAY OVER. 807 00:32:20,539 --> 00:32:22,274 YOU DON'T NEED TO PROTECT ME. 808 00:32:22,274 --> 00:32:23,109 YOU'RE THE ONE THAT 809 00:32:23,109 --> 00:32:24,276 WAS ATTACKED. 810 00:32:24,276 --> 00:32:25,277 Sean: WE MAY BE SEPARATED, 811 00:32:25,277 --> 00:32:26,345 BUT I'M STILL ALLOWED TO WORRY 812 00:32:26,345 --> 00:32:27,613 ABOUT YOU, AREN'T I? 813 00:32:27,613 --> 00:32:28,514 Julia: I'M THE ONE WHO IS 814 00:32:28,514 --> 00:32:30,182 WORRIED ABOUT YOU. 815 00:32:30,182 --> 00:32:34,786 Sean: WHY? I'M FINE. 816 00:32:34,786 --> 00:32:36,522 Julia: DON'T DO ANYTHING SILLY 817 00:32:36,522 --> 00:32:38,624 TO PROVE THAT YOU'RE BRAVE. 818 00:32:38,624 --> 00:32:40,092 YOUR COURAGE HAS ALREADY 819 00:32:40,092 --> 00:32:41,593 BEEN DOCUMENTED. 820 00:32:54,073 --> 00:32:55,974 DID MATT AGREE TO SEE YOU? 821 00:32:58,044 --> 00:32:58,777 Sean: WE'RE MEETING HIM 822 00:32:58,777 --> 00:33:00,079 FOR LUNCH. 823 00:33:00,079 --> 00:33:01,747 Julia: GOOD. NOW, UH, BE DIRECT 824 00:33:01,747 --> 00:33:03,449 BUT GENTLE. 825 00:33:03,449 --> 00:33:04,350 Sean: ARE YOU SURE YOU WANT TO 826 00:33:04,350 --> 00:33:05,584 HANDLE AVA ON YOUR OWN? 827 00:33:05,584 --> 00:33:07,786 Julia: YEAH. I'M THE ONE WHO GOT 828 00:33:07,786 --> 00:33:10,389 HER INTO HIS LIFE, I SHOULD BE 829 00:33:10,389 --> 00:33:12,558 THE ONE TO GET HER OUT. 830 00:33:15,827 --> 00:33:17,296 Sean: IT'S BEEN A LONG TIME 831 00:33:17,296 --> 00:33:18,564 SINCE I'VE SEEN YOU AS JULIA 832 00:33:18,564 --> 00:33:21,433 INSTEAD OF MY WIFE. 833 00:33:21,433 --> 00:33:22,534 I LIKE IT. 834 00:33:47,426 --> 00:33:49,295 Ava: WHO ELSE KNOWS ABOUT THIS? 835 00:33:49,295 --> 00:33:50,796 Julia: THE THREE OF US--SEAN, 836 00:33:50,796 --> 00:33:52,798 CHRISTIAN, AND MYSELF. 837 00:33:52,798 --> 00:33:54,700 Ava: ANGRY VILLAGERS WITH 838 00:33:54,700 --> 00:33:56,602 TORCHES HERE TO DRIVE OUT 839 00:33:56,602 --> 00:33:58,604 THE MONSTER THE DOCTOR MADE. 840 00:33:58,604 --> 00:33:59,605 Julia: I DON'T THINK YOU'RE 841 00:33:59,605 --> 00:34:00,739 A MONSTER, AVA. I THINK YOU'RE 842 00:34:00,739 --> 00:34:02,608 A SAD, LONELY INDIVIDUAL WHO 843 00:34:02,608 --> 00:34:03,809 DOES MONSTROUS SELFISH ACTS 844 00:34:03,809 --> 00:34:05,544 TO COPE WITH CONFLICT. 845 00:34:05,544 --> 00:34:06,678 Ava: BE CAREFUL WITH YOUR CHOICE 846 00:34:06,678 --> 00:34:08,247 OF PRONOUNS, JULIA. HAVE SOME 847 00:34:08,247 --> 00:34:10,716 GODDAMN RESPECT! I AM A WOMAN. I 848 00:34:10,716 --> 00:34:12,451 DON'T CARE WHAT THIS FILE SAYS. 849 00:34:12,451 --> 00:34:13,685 Julia: BREAK UP WITH MY SON AND 850 00:34:13,685 --> 00:34:15,154 GET OUT OF OUR LIVES. 851 00:34:15,154 --> 00:34:16,122 Ava: OR WHAT? 852 00:34:16,122 --> 00:34:16,855 Julia: OR I'LL TELL HIM THE 853 00:34:16,855 --> 00:34:18,157 TRUTH ABOUT YOU, AND THEN YOUR 854 00:34:18,157 --> 00:34:20,392 WELL-KEPT SECRET WILL BE OUT. 855 00:34:20,392 --> 00:34:21,627 AS YOU KNOW, SECRETS HAVE A WAY 856 00:34:21,627 --> 00:34:22,761 OF SPREADING. 857 00:34:25,797 --> 00:34:28,500 DID YOU EVER LOVE HIM? 858 00:34:33,305 --> 00:34:35,607 Ava: I LOVED THAT HE LOVED ME. 859 00:34:38,544 --> 00:34:39,711 Matt: LOOK, I LOVE HER, ALL 860 00:34:39,711 --> 00:34:40,746 RIGHT? AND I WILL ALWAYS LOVE 861 00:34:40,746 --> 00:34:41,847 HER, SO IF THIS IS YET ANOTHER 862 00:34:41,847 --> 00:34:42,914 INTERVENTION WHERE YOU BOTH TRY 863 00:34:42,914 --> 00:34:44,183 TO MAKE ME SEE HER FOR WHAT SHE 864 00:34:44,183 --> 00:34:45,717 IS, YOU'RE WASTING YOUR TIME. 865 00:34:45,717 --> 00:34:47,353 I DO SEE HER, COMPLETELY, 866 00:34:47,353 --> 00:34:48,854 WHICH CLEARLY YOU DON'T. 867 00:34:48,854 --> 00:34:49,755 Sean: WE'RE DONE WITH THE 868 00:34:49,755 --> 00:34:50,722 THREATS, MATT. IT'S NOT WHY 869 00:34:50,722 --> 00:34:51,723 WE'RE HERE. 870 00:34:51,723 --> 00:34:52,591 Christian: WE'RE HERE TO 871 00:34:52,591 --> 00:34:54,193 SUPPORT YOU UNCONDITIONALLY. 872 00:34:54,193 --> 00:34:55,194 Sean: WE'LL RESPECT YOUR CHOICE 873 00:34:55,194 --> 00:34:56,162 WHATEVER THAT MAY BE. 874 00:34:56,162 --> 00:34:57,363 Matt: MY CHOICE IS HER. 875 00:34:57,363 --> 00:34:59,198 WE'RE LEAVING NEXT WEEK. 876 00:34:59,198 --> 00:35:00,299 Julia: YOU HAVE UNTIL THE 877 00:35:00,299 --> 00:35:01,433 BEGINNING OF NEXT WEEK 878 00:35:01,433 --> 00:35:02,868 TO BREAK IT OFF AND LEAVE. 879 00:35:02,868 --> 00:35:04,270 Christian: AND IF YOU NEED 880 00:35:04,270 --> 00:35:05,437 ANYTHING--MONEY, HELP FINDING A 881 00:35:05,437 --> 00:35:07,206 PLACE FOR YOU AND AVA TO LIVE-- 882 00:35:07,206 --> 00:35:08,207 WE WANT YOU TO KNOW THAT WE'RE 883 00:35:08,207 --> 00:35:09,175 HERE FOR YOU. 884 00:35:09,175 --> 00:35:10,376 Matt: YOU'RE SERIOUS? I DON'T 885 00:35:10,376 --> 00:35:11,710 BELIEVE YOU. WHY ARE YOU DOING 886 00:35:11,710 --> 00:35:13,279 THIS NOW? WHAT HAPPENED? 887 00:35:13,279 --> 00:35:14,213 Sean: WHAT HAPPENED IS YOU GREW 888 00:35:14,213 --> 00:35:16,282 UP. YOU'RE NOT A BOY NOW, MATT, 889 00:35:16,282 --> 00:35:17,883 YOU'RE A MAN, AND WE'RE 890 00:35:17,883 --> 00:35:19,785 TREATING YOU LIKE ONE. 891 00:35:19,785 --> 00:35:20,619 Christian: IF IT WORKS OUT 892 00:35:20,619 --> 00:35:21,620 WITH AVA AND YOU FIND A COOL 893 00:35:21,620 --> 00:35:22,721 JOB THAT YOU LOVE OVER THERE IN 894 00:35:22,721 --> 00:35:25,524 GAY PAREE, WELL, THAT'S GREAT. 895 00:35:25,524 --> 00:35:27,259 Matt: AND IF IT DOESN'T? 896 00:35:27,259 --> 00:35:28,227 Sean: THEN YOU'LL HURT LIKE 897 00:35:28,227 --> 00:35:29,795 HELL, BUT YOU HAVE SOMEPLACE YOU 898 00:35:29,795 --> 00:35:32,164 CAN COME HOME TO IF YOU WANT. 899 00:35:35,934 --> 00:35:37,736 Ava: I DON'T HAVE ANYWHERE ELSE 900 00:35:37,736 --> 00:35:41,473 TO GO. I DON'T HAVE ADRIAN, 901 00:35:41,473 --> 00:35:42,374 I HAVE NO ONE. 902 00:35:42,374 --> 00:35:44,243 Julia: YOU HAVE YOURSELF. 903 00:35:44,243 --> 00:35:45,677 AND FROM WHAT I'VE WITNESSED, 904 00:35:45,677 --> 00:35:47,746 YOU'RE A SURVIVOR, AVA. AND 905 00:35:47,746 --> 00:35:49,981 SURVIVORS REINVENT THEMSELVES. 906 00:35:49,981 --> 00:35:51,583 THEY RISE FROM THE ASHES OF 907 00:35:51,583 --> 00:35:53,252 THEIR FAILURES LIKE PHOENIXES 908 00:35:53,252 --> 00:35:54,986 AND FLY OFF TO THEIR NEXT 909 00:35:54,986 --> 00:35:56,322 DESTINATION. 910 00:36:03,429 --> 00:36:05,331 Ava: WELL, JULIA, WE'VE COME 911 00:36:05,331 --> 00:36:06,932 FULL CIRCLE, HAVEN'T WE? 912 00:36:06,932 --> 00:36:09,568 YOU'RE COACHING ME NOW. 913 00:36:09,568 --> 00:36:10,669 Julia: THE TRUTH OF THE MATTER 914 00:36:10,669 --> 00:36:12,671 IS, AVA, YOU REALLY WERE A GOOD 915 00:36:12,671 --> 00:36:15,006 LIFE COACH. HONEY, IF IT WASN'T 916 00:36:15,006 --> 00:36:16,508 FOR YOU AND THE TRUTHS THAT YOU 917 00:36:16,508 --> 00:36:19,411 FORCED...I WOULDN'T BE ABLE TO 918 00:36:19,411 --> 00:36:21,680 STAND UP TO YOU NOW. 919 00:36:28,387 --> 00:36:29,521 Ava: I'M NOT LEAVING THAT 920 00:36:29,521 --> 00:36:32,324 EASILY, JULIA. IF YOU WANT ME 921 00:36:32,324 --> 00:36:33,325 GONE, THEN YOU TALK TO YOUR 922 00:36:33,325 --> 00:36:34,826 DOCTORS. 923 00:36:34,826 --> 00:36:35,861 Julia: WHAT DO YOU WANT THEM 924 00:36:35,861 --> 00:36:37,996 TO DO? 925 00:36:37,996 --> 00:36:40,866 Ava: FINISH ME. CORRECT THE ONE 926 00:36:40,866 --> 00:36:43,001 FLAW THAT GAVE ME AWAY SO I'M 927 00:36:43,001 --> 00:36:44,803 NEVER FOUND OUT AGAIN. 928 00:36:47,473 --> 00:36:49,408 [MACHINE BEEPING] 929 00:36:51,443 --> 00:36:52,578 Sean: THIS OPERATION WILL TAKE 930 00:36:52,578 --> 00:36:54,280 UNDER AN HOUR. YOU'LL BE UP AND 931 00:36:54,280 --> 00:36:56,582 ON YOUR FEET TOMORROW. 932 00:36:56,582 --> 00:36:58,384 Ava: THE LAST VAGINOPLASTY HURT 933 00:36:58,384 --> 00:37:01,320 LIKE HELL. WILL THIS ONE? 934 00:37:01,320 --> 00:37:02,321 Christian: THE FINAL EXPANDER 935 00:37:02,321 --> 00:37:04,456 CAUSES MINIMAL DISCOMFORT. 936 00:37:04,456 --> 00:37:05,591 THE DITCH WAS ALREADY DUG 937 00:37:05,591 --> 00:37:07,326 PRETTY DEEP, JUST NOT DEEP 938 00:37:07,326 --> 00:37:11,530 ENOUGH FOR ME. 939 00:37:11,530 --> 00:37:12,598 Ava: YOU THINK THIS IS PRETTY 940 00:37:12,598 --> 00:37:15,867 FUNNY, DON'T YOU? 941 00:37:15,867 --> 00:37:18,604 I'M A DESPICABLE JOKE TO YOU. 942 00:37:18,604 --> 00:37:21,006 Christian: ACTUALLY, AVA, 943 00:37:21,006 --> 00:37:22,007 I THINK YOU'RE ONE OF THE 944 00:37:22,007 --> 00:37:23,475 MOST FASCINATING PEOPLE 945 00:37:23,475 --> 00:37:25,277 I'VE EVER MET. 946 00:37:31,483 --> 00:37:33,051 Ava: HAVE YOU DONE MANY OF THESE 947 00:37:33,051 --> 00:37:35,421 TYPES OF SURGERIES BEFORE? 948 00:37:35,421 --> 00:37:37,523 Sean: NO. IT'S WHY WE BROUGHT IN 949 00:37:37,523 --> 00:37:39,558 AN EXPERT. 950 00:37:58,644 --> 00:38:02,414 Barett: HELLO, AVA. 951 00:38:02,414 --> 00:38:05,016 YOU ARE MORE BEAUTIFUL 952 00:38:05,016 --> 00:38:06,284 THAN EVER. 953 00:38:10,656 --> 00:38:14,393 HOW IS ADRIAN? 954 00:38:14,393 --> 00:38:17,095 Ava: LIKE YOU. 955 00:38:17,095 --> 00:38:23,935 SMART, BEAUTIFUL, CONFLICTED. 956 00:38:23,935 --> 00:38:26,438 Barett: I WOULD LIKE TO SEE HIM? 957 00:38:30,442 --> 00:38:33,745 Ava: I DON'T KNOW WHERE HE IS... 958 00:38:33,745 --> 00:38:35,013 [ROLLING STONES' WILD HORSES 959 00:38:35,013 --> 00:38:36,782 PLAYING] 960 00:38:36,782 --> 00:38:38,650 OR IF HE'LL EVER COME HOME. 961 00:38:44,923 --> 00:38:49,828 >> * CHILDHOOD LIVING 962 00:38:49,828 --> 00:38:52,097 Ava: I NEED TO BE DONE WITH 963 00:38:52,097 --> 00:38:55,000 THIS, BARETT. I CAN'T KEEP 964 00:38:55,000 --> 00:38:58,904 RUNNING ANYMORE. 965 00:38:58,904 --> 00:39:00,706 Barett: DON'T WORRY. 966 00:39:00,706 --> 00:39:05,811 THAT'S WHY I'M HERE. TO... 967 00:39:05,811 --> 00:39:08,013 FINISH WHAT I STARTED. 968 00:39:08,013 --> 00:39:15,921 >> * I BOUGHT THEM FOR YOU, 969 00:39:15,921 --> 00:39:21,727 GRACELESS LADY, 970 00:39:21,727 --> 00:39:27,799 YOU KNOW WHO I AM * 971 00:39:27,799 --> 00:39:30,068 Liz: COUNT BACK FROM 10 FOR ME. 972 00:39:30,068 --> 00:39:32,804 >> * YOU KNOW I CAN'T LET YOU * 973 00:39:32,804 --> 00:39:43,582 Ava: 10, 9, 8, 7... 974 00:39:43,582 --> 00:39:49,988 >> * WILD HORSES 975 00:39:49,988 --> 00:39:57,763 COULDN'T DRAG ME AWAY, 976 00:39:57,763 --> 00:40:02,568 WILD, WILD HORSES * 977 00:40:02,568 --> 00:40:03,902 Matt: AVA, I GOT 'EM. 978 00:40:03,902 --> 00:40:07,038 >> * COULDN'T DRAG ME AWAY * 979 00:40:07,038 --> 00:40:09,775 Matt: HEY, I'VE GOT THEM! 980 00:40:09,775 --> 00:40:11,643 [VACUUM STOPS] 981 00:40:11,643 --> 00:40:13,579 Ava: WHAT? 982 00:40:13,579 --> 00:40:14,179 Matt: I WAS JUST SAYING 983 00:40:14,179 --> 00:40:15,581 I GOT 'EM--2 FIRST-CLASS 984 00:40:15,581 --> 00:40:17,783 TICKETS TO PARIS. 985 00:40:17,783 --> 00:40:20,251 Ava: GREAT. WELL, I'M GUESSING 986 00:40:20,251 --> 00:40:22,053 YOU PUT THE $10,000 CHARGE 987 00:40:22,053 --> 00:40:23,522 ON MY CREDIT CARD. 988 00:40:23,522 --> 00:40:25,591 Matt: THAT'S WHAT YOU SAID TO 989 00:40:25,591 --> 00:40:26,658 DO. 990 00:40:26,658 --> 00:40:27,626 Ava: YEAH, WELL, I THOUGHT, 991 00:40:27,626 --> 00:40:28,927 I DON'T KNOW, YOU MIGHT SURPRISE 992 00:40:28,927 --> 00:40:30,662 ME AND FIND A WAY TO PAY FOR 993 00:40:30,662 --> 00:40:36,034 THEM YOURSELF. 994 00:40:36,034 --> 00:40:37,068 Matt: WHAT THE HELL IS WRONG 995 00:40:37,068 --> 00:40:38,069 WITH YOU? 996 00:40:38,069 --> 00:40:39,905 Ava: YOU! YOU EAT CRAP LIKE A 997 00:40:39,905 --> 00:40:41,072 GRUBBY LITTLE SLOB ON A 998 00:40:41,072 --> 00:40:43,108 $25-A-YARD COUCH AND THEN EXPECT 999 00:40:43,108 --> 00:40:44,610 MOMMY TO CLEAN UP YOUR MESS AND 1000 00:40:44,610 --> 00:40:45,711 I'M SICK OF IT! 1001 00:40:45,711 --> 00:40:46,812 Matt: I'M SORRY. I DIDN'T MEAN 1002 00:40:46,812 --> 00:40:48,547 TO MAKE A MESS. 1003 00:40:48,547 --> 00:40:49,648 Ava: BUT YOU DID, MATT, AND I 1004 00:40:49,648 --> 00:40:51,850 GET IT. BOYS MAKE MESSES. THEY 1005 00:40:51,850 --> 00:40:53,018 LEAVE WATERMARKS ON THE FRENCH 1006 00:40:53,018 --> 00:40:54,285 LACQUER DINING TABLE. THEY DON'T 1007 00:40:54,285 --> 00:40:57,088 DO THEIR OWN LAUNDRY. THEY'RE 1008 00:40:57,088 --> 00:40:58,023 HELPLESS UNTIL THEY GO OFF TO 1009 00:40:58,023 --> 00:40:58,957 COLLEGE AND LEARN HOW TO BE 1010 00:40:58,957 --> 00:41:00,025 SELF-SUFFICIENT. 1011 00:41:00,025 --> 00:41:00,992 Matt: BUT I'M NOT GOING OFF TO 1012 00:41:00,992 --> 00:41:02,861 COLLEGE, I'M GOING OFF WITH YOU. 1013 00:41:02,861 --> 00:41:04,162 Ava: OH, CHRIST! 1014 00:41:04,162 --> 00:41:04,963 Matt: WHAT?! 1015 00:41:04,963 --> 00:41:05,897 Ava: ANOTHER WATERMARK! 1016 00:41:05,897 --> 00:41:06,832 DID YOU DO THIS, MATT? 1017 00:41:06,832 --> 00:41:07,766 Matt: I DON'T KNOW, AVA, 1018 00:41:07,766 --> 00:41:09,768 ARE YOU ON YOUR PERIOD?! 1019 00:41:09,768 --> 00:41:13,872 LOOK, YOU'RE STRESSED AND YOU'RE 1020 00:41:13,872 --> 00:41:17,576 UPSET, OK? I GET IT. YOU JUST 1021 00:41:17,576 --> 00:41:20,679 NEED A VACATION. LOOK, I, UH... 1022 00:41:20,679 --> 00:41:26,017 I GOT US A TRAVEL BACKGAMMON SET 1023 00:41:26,017 --> 00:41:29,120 AND A--A CROSSWORD PUZZLE BOOK. 1024 00:41:29,120 --> 00:41:31,723 HMM? 1025 00:41:31,723 --> 00:41:34,192 Ava: I DON'T LIKE BACKGAMMON, 1026 00:41:34,192 --> 00:41:35,260 AND I'M NOT GOING TO PARIS WITH 1027 00:41:35,260 --> 00:41:37,128 YOU. IT'S SUCH A CLICHE ANYWAY. 1028 00:41:41,900 --> 00:41:44,002 Matt: WHAT HAPPENED BETWEEN THE 1029 00:41:44,002 --> 00:41:45,971 TIME I LEFT AND NOW? 1030 00:41:45,971 --> 00:41:46,972 Ava: THIS JUST DOESN'T WORK FOR 1031 00:41:46,972 --> 00:41:49,274 ME, MATT. I WAS A MOTHER ONCE, 1032 00:41:49,274 --> 00:41:50,275 I DON'T WANT TO HAVE TO DO IT 1033 00:41:50,275 --> 00:41:52,143 ALL OVER AGAIN WITH YOU. 1034 00:41:52,143 --> 00:41:54,613 THE PRETENSE THAT YOU'RE A MAN 1035 00:41:54,613 --> 00:41:56,882 WHEN YOU'RE NOT HAS BECOME 1036 00:41:56,882 --> 00:41:59,751 WEARISOME FOR ME. 1037 00:41:59,751 --> 00:42:03,589 I NEED A GENUINE COMPANION. 1038 00:42:03,589 --> 00:42:05,824 THERE ARE THINGS I'VE BEEN 1039 00:42:05,824 --> 00:42:08,093 DENYING MYSELF, THINGS THAT COME 1040 00:42:08,093 --> 00:42:10,195 WITH AGE, THINGS YOU CAN'T 1041 00:42:10,195 --> 00:42:12,063 POSSIBLY UNDERSTAND. 1042 00:42:14,165 --> 00:42:15,901 Matt: YOU'RE AFRAID OF THE 1043 00:42:15,901 --> 00:42:18,169 UNKNOWN, OK? I GET IT. BUT WE 1044 00:42:18,169 --> 00:42:20,171 HAVE GOT TO BE UNITED, JUST LIKE 1045 00:42:20,171 --> 00:42:21,907 WE ALWAYS HAVE BEEN. WE HAVE GOT 1046 00:42:21,907 --> 00:42:23,775 TO BE STRONG. OK? 1047 00:42:23,775 --> 00:42:27,646 Ava: NO. NO, YOU NEED TO BE 1048 00:42:27,646 --> 00:42:30,181 STRONG, MATT. WE HAD A FLING, 1049 00:42:30,181 --> 00:42:33,118 AND IT WAS CHARMING. WE DON'T 1050 00:42:33,118 --> 00:42:34,786 HAVE THE COMPONENTS TO BUILD 1051 00:42:34,786 --> 00:42:36,788 FROM THAT, TO CREATE 1052 00:42:36,788 --> 00:42:38,056 A RELATIONSHIP OUT OF MERE 1053 00:42:38,056 --> 00:42:43,328 PHYSICAL HEAT. IT WAS 1054 00:42:43,328 --> 00:42:47,933 INEVITABLE. THE NATURAL ORDER. 1055 00:42:47,933 --> 00:42:50,168 ONE DAY YOU'LL SEE THAT. 1056 00:42:54,205 --> 00:42:55,206 DO YOU HAVE ANY CLOTHES LEFT IN 1057 00:42:55,206 --> 00:42:57,142 THE HOUSE? 1058 00:43:02,814 --> 00:43:07,686 Matt: NO. EVERYTHING'S IN HERE. 1059 00:43:07,686 --> 00:43:12,090 Ava: GOOD. BE A GOOD BOY, TURN 1060 00:43:12,090 --> 00:43:15,661 AROUND, AND WALK OUT THE DOOR. 1061 00:43:15,661 --> 00:43:17,095 DID YOU HEAR ME?! LEAVE, MATT, 1062 00:43:17,095 --> 00:43:19,030 IT'S OVER! 1063 00:43:47,793 --> 00:43:49,294 Joan: THIS IS COMPLETELY 1064 00:43:49,294 --> 00:43:50,996 UNNECESSARY. YOU DON'T HAVE TO 1065 00:43:50,996 --> 00:43:52,063 SHOW ME THIS. 1066 00:43:52,063 --> 00:43:52,998 Christian: WE'D FEEL MORE 1067 00:43:52,998 --> 00:43:53,865 COMFORTABLE KNOWING THAT YOU 1068 00:43:53,865 --> 00:43:54,733 WERE ENTERING THIS PROCEDURE 1069 00:43:54,733 --> 00:43:55,834 FULLY INFORMED, THAT'S ALL. 1070 00:43:55,834 --> 00:43:56,868 Joan: YES, BUT I DON'T HAVE TIME 1071 00:43:56,868 --> 00:43:58,003 TO KEEP SCHLEPPING DOWN HERE FOR 1072 00:43:58,003 --> 00:43:59,004 VISUAL AIDS. 1073 00:43:59,004 --> 00:43:59,871 Sean: THERE ARE SEVERAL 1074 00:43:59,871 --> 00:44:00,872 RECONSTRUCTIVE PROCEDURES 1075 00:44:00,872 --> 00:44:02,140 INVOLVED WE JUST WANTED YOU TO 1076 00:44:02,140 --> 00:44:03,742 BE AWARE OF. TAKE A LOOK. 1077 00:44:03,742 --> 00:44:05,877 WE'D START BY INSERTING A 1078 00:44:05,877 --> 00:44:07,746 BALLOON-LIKE DEVICE, A TISSUE 1079 00:44:07,746 --> 00:44:09,280 EXPANDER, IN VARIOUS AREAS WHERE 1080 00:44:09,280 --> 00:44:10,882 THE SKIN HAS BEEN TIGHTENED, 1081 00:44:10,882 --> 00:44:11,783 ALLOWING IT TO STRETCH AND 1082 00:44:11,783 --> 00:44:14,720 ASSUME A MORE NATURAL HANG. 1083 00:44:14,720 --> 00:44:16,321 WE'D ALSO DO A FLAP SURGERY, 1084 00:44:16,321 --> 00:44:18,790 WHERE WE TAKE TISSUE AND FAT 1085 00:44:18,790 --> 00:44:20,291 MUSCLE FROM YOUR BACK AND TUNNEL 1086 00:44:20,291 --> 00:44:21,426 IT TO THE FRONT SO YOUR BREASTS 1087 00:44:21,426 --> 00:44:22,293 COULD REGAIN THEIR 1088 00:44:22,293 --> 00:44:24,395 AGE-APPROPRIATE FULLNESS 1089 00:44:24,395 --> 00:44:25,330 AND SLOPE. 1090 00:44:25,330 --> 00:44:26,331 Joan: IN OTHER WORDS, I'LL HAVE 1091 00:44:26,331 --> 00:44:27,899 SAGGY BAD GIRLS. I GET IT, OK, 1092 00:44:27,899 --> 00:44:29,167 I GET IT. 1093 00:44:29,167 --> 00:44:31,903 Christian: WE'D DO SEVERAL SKIN 1094 00:44:31,903 --> 00:44:33,104 GRAFTS WHICH WOULD ALSO-- 1095 00:44:33,104 --> 00:44:34,172 Joan: OH, BLAH, BLAH, BLAH, 1096 00:44:34,172 --> 00:44:35,774 BLAH, BLAH. PLEASE, I'M GONNA BE 1097 00:44:35,774 --> 00:44:37,776 LATE FOR Q.V.C. JUST CUT TO 1098 00:44:37,776 --> 00:44:38,810 THE CHASE. 1099 00:44:38,810 --> 00:44:40,746 Sean: OF COURSE. 1100 00:44:49,420 --> 00:44:52,858 Joan: OOH, WHO'S THAT? 1101 00:44:52,858 --> 00:44:53,792 Christian: THAT'S YOU, 1102 00:44:53,792 --> 00:44:55,060 MISS RIVERS. WHAT YOU WOULD LOOK 1103 00:44:55,060 --> 00:44:56,261 LIKE NOW IF YOU HAD NOTHING 1104 00:44:56,261 --> 00:44:57,062 DONE. 1105 00:44:57,062 --> 00:44:57,929 Joan: YEAH, VERY FUNNY. 1106 00:44:57,929 --> 00:44:59,030 HA, HA, HA. WHO IS THAT? 1107 00:44:59,030 --> 00:45:01,199 Sean: THESE COMPUTER GENERATED 1108 00:45:01,199 --> 00:45:03,301 IMAGES ARE ONLY AN APPROXIMATION 1109 00:45:03,301 --> 00:45:06,004 OF THE NATURAL AGING PROCESS. 1110 00:45:11,442 --> 00:45:16,547 Joan: THAT HAG LOOKS LIKE E.T. 1111 00:45:16,547 --> 00:45:18,817 Christian: IT IS WHAT YOU 1112 00:45:18,817 --> 00:45:19,951 ASKED FOR. 1113 00:45:19,951 --> 00:45:21,486 Joan: NO, NO, IT IS NOT WHAT I 1114 00:45:21,486 --> 00:45:22,788 ASKED FOR. I ASKED FOR SOMEONE 1115 00:45:22,788 --> 00:45:23,554 WHO'D LOOK LIKE A GRANDMOTHER 1116 00:45:23,554 --> 00:45:26,091 FOR COOPER, NOT SOME PIECE OF 1117 00:45:26,091 --> 00:45:28,827 SHIT. WHAT IS YOUR PROBLEM HERE? 1118 00:45:28,827 --> 00:45:29,961 THE KID LOVES ME. I MAKE HIM 1119 00:45:29,961 --> 00:45:31,229 LAUGH. HE RUNS TO ME. IF I LOOK 1120 00:45:31,229 --> 00:45:32,363 LIKE THAT, HE'D RUN THE OTHER 1121 00:45:32,363 --> 00:45:33,231 WAY. 1122 00:45:33,231 --> 00:45:34,232 Sean: WE THOUGHT YOU WANTED TO 1123 00:45:34,232 --> 00:45:35,901 BE NATURAL. 1124 00:45:40,839 --> 00:45:43,875 Joan: YOU KNOW WHAT'S NATURAL? 1125 00:45:43,875 --> 00:45:47,846 EVOLUTION. COOPER DOESN'T LIVE 1126 00:45:47,846 --> 00:45:51,116 IN THE STONE AGE. HE LIVES IN 1127 00:45:51,116 --> 00:45:54,385 THE YEAR 2004. AND WE HAVE 1128 00:45:54,385 --> 00:45:56,855 TWEEZERS, AND WE HAVE 1129 00:45:56,855 --> 00:45:59,858 ALPHA HYDROXY ACIDS, AND WE HAVE 1130 00:45:59,858 --> 00:46:04,529 PLASTIC SURGERY. AND THANK GOD, 1131 00:46:04,529 --> 00:46:06,397 BECAUSE, MY GOD, IF I LOOKED 1132 00:46:06,397 --> 00:46:07,999 LIKE THAT NOW, CAN YOU IMAGINE 1133 00:46:07,999 --> 00:46:10,135 WHAT I'D LOOK LIKE AT 90? HO! 1134 00:46:10,135 --> 00:46:11,269 Christian: I'M GLAD WE CAUGHT 1135 00:46:11,269 --> 00:46:12,303 THIS EARLY. 1136 00:46:12,303 --> 00:46:13,972 Joan: OH, ME, TOO. THANK YOU 1137 00:46:13,972 --> 00:46:15,540 BOTH SO VERY MUCH FOR GIVING ME 1138 00:46:15,540 --> 00:46:17,175 THE HEADS UP. WHOA! 1139 00:46:21,146 --> 00:46:22,547 OH, AND PUT ME DOWN TOMORROW FOR 1140 00:46:22,547 --> 00:46:26,284 ANOTHER LIFT. WHAT THE HELL, 1141 00:46:26,284 --> 00:46:29,287 I'M IN TOWN ANYHOW. IT'LL KILL 1142 00:46:29,287 --> 00:46:30,956 A COUPLE HOURS. 1143 00:46:38,563 --> 00:46:40,298 Sean: SO, WHAT ARE YOU DOING 1144 00:46:40,298 --> 00:46:41,266 TONIGHT? 1145 00:46:41,266 --> 00:46:42,567 Christian: APPARENTLY, PLANNING 1146 00:46:42,567 --> 00:46:43,468 MISS RIVERS' TUCK. 1147 00:46:43,468 --> 00:46:46,037 Sean: JULIA'S COMING BY WITH 1148 00:46:46,037 --> 00:46:48,173 THE KIDS. MATT'S STAYING WITH 1149 00:46:48,173 --> 00:46:50,175 HER. HE'S NOT DOING TOO WELL 1150 00:46:50,175 --> 00:46:52,911 SINCE THE AVA BREAK UP. CAN YOU 1151 00:46:52,911 --> 00:46:54,045 COME BY AND BREAK BREAD WITH THE 1152 00:46:54,045 --> 00:46:55,580 FAMILY? 1153 00:46:55,580 --> 00:46:57,448 Christian: I DIDN'T KNOW JULIA 1154 00:46:57,448 --> 00:46:58,583 WANTED ME BACK IN THE FAMILY 1155 00:46:58,583 --> 00:46:59,450 AFTER EVERYTHING THAT'S 1156 00:46:59,450 --> 00:47:00,318 HAPPENED. 1157 00:47:00,318 --> 00:47:01,452 Sean: LOOK, WE TOLD MATT HE'D 1158 00:47:01,452 --> 00:47:03,454 HAVE A SAFE PLACE TO LAND. NO 1159 00:47:03,454 --> 00:47:05,056 MATTER WHAT ELSE IS GOING ON, 1160 00:47:05,056 --> 00:47:06,191 ALL OF US NEED TO FOLLOW 1161 00:47:06,191 --> 00:47:08,126 THROUGH. 1162 00:47:21,606 --> 00:47:26,477 Adrian: HI, MOM. 1163 00:47:26,477 --> 00:47:29,214 Ava: OH, MY GOD. ADRIAN. 1164 00:47:29,214 --> 00:47:33,218 I WAS SO WORRIED. WHERE HAVE YOU 1165 00:47:33,218 --> 00:47:34,219 BEEN? 1166 00:47:34,219 --> 00:47:35,620 Adrian: SPYING ON EMPTY HOUSE 1167 00:47:35,620 --> 00:47:37,622 BOATS. YOU KNOW, THE WHOLE 1168 00:47:37,622 --> 00:47:40,625 CUNANAN THING. WHAT DO YOU CARE? 1169 00:47:40,625 --> 00:47:45,030 Ava: OH, I DO CARE, DEEPLY. 1170 00:47:45,030 --> 00:47:46,965 Adrian: YOU GOING SOMEWHERE? 1171 00:47:46,965 --> 00:47:50,235 Ava: PARIS. AND YOU'RE COMING 1172 00:47:50,235 --> 00:47:51,302 WITH ME. 1173 00:47:51,302 --> 00:47:52,270 Adrian: YOU, ME AND MATT, HUH? 1174 00:47:52,270 --> 00:47:54,239 WE'D MAKE QUITE A SIGHT, 1175 00:47:54,239 --> 00:47:55,240 WOULDN'T WE? 1176 00:47:55,240 --> 00:47:57,108 Ava: NO, NO. I ENDED IT WITH 1177 00:47:57,108 --> 00:48:01,646 MATT. IT'S OVER. 1178 00:48:01,646 --> 00:48:03,648 Adrian: YOU KNOW WHAT I THINK, 1179 00:48:03,648 --> 00:48:06,317 MOM? I THINK HE DUMPED YOU. 1180 00:48:06,317 --> 00:48:07,986 I THINK HE DUMPED YOU, AND YOU 1181 00:48:07,986 --> 00:48:08,987 COULDN'T TAKE IT BECAUSE YOU 1182 00:48:08,987 --> 00:48:09,988 DON'T KNOW HOW TO HANDLE LOSING 1183 00:48:09,988 --> 00:48:12,657 ANYTHING. SO, NOW YOU KNOW WHAT 1184 00:48:12,657 --> 00:48:13,992 YOU'RE DOING, MOM? YOU'RE 1185 00:48:13,992 --> 00:48:15,126 RUNNING AWAY FROM US ALL, 'CAUSE 1186 00:48:15,126 --> 00:48:16,127 THAT'S THE ONLY THING YOU KNOW 1187 00:48:16,127 --> 00:48:17,128 HOW TO DO. 1188 00:48:17,128 --> 00:48:17,996 Ava: I THOUGHT YOU WERE GONE 1189 00:48:17,996 --> 00:48:20,665 FOREVER, BUT NOW WE CAN MAKE 1190 00:48:20,665 --> 00:48:21,699 A FRESH START TOGETHER. 1191 00:48:21,699 --> 00:48:23,268 Adrian: THERE ARE NO MORE FRESH 1192 00:48:23,268 --> 00:48:28,006 STARTS! EVERYTHING IS ROTTEN TO 1193 00:48:28,006 --> 00:48:29,274 THE CORE. 1194 00:48:29,274 --> 00:48:34,079 Ava: OK. JUST COME WITH ME, OK? 1195 00:48:34,079 --> 00:48:35,413 WE'LL TALK ABOUT IT ALL ON 1196 00:48:35,413 --> 00:48:38,016 THE PLANE. LOOK, I'VE GOT 2 1197 00:48:38,016 --> 00:48:41,152 TICKETS. IT'LL BE--IT'LL BE JUST 1198 00:48:41,152 --> 00:48:42,720 THE TWO OF US, LIKE YOU'VE 1199 00:48:42,720 --> 00:48:45,223 ALWAYS WANTED. 1200 00:48:51,296 --> 00:48:53,564 JUST YOU AND ME, ADRIAN. 1201 00:48:53,564 --> 00:48:56,234 EVERYTHING ELSE GOES AWAY. 1202 00:49:06,644 --> 00:49:08,513 Adrian: I DON'T BELIEVE YOU. 1203 00:49:14,185 --> 00:49:16,587 AND THAT'S WHAT KILLS ME. 1204 00:49:16,587 --> 00:49:19,057 [STABBING] 1205 00:49:37,442 --> 00:49:39,010 Ava: NO. 1206 00:49:43,081 --> 00:49:44,115 Adrian: I LOVE YOU. 1207 00:49:44,115 --> 00:49:46,084 Ava: NO. 1208 00:49:46,084 --> 00:49:47,085 Adrian: I NEEDED TO BE SURE 1209 00:49:47,085 --> 00:49:48,486 YOU'D NEVER LEAVE ME AGAIN. 1210 00:49:48,486 --> 00:49:54,025 Ava: NO. NO. NO. NO. 1211 00:49:57,362 --> 00:50:00,765 NO. 1212 00:50:00,765 --> 00:50:03,634 NO! NO!! 1213 00:50:03,634 --> 00:50:06,371 [SOBBING] 1214 00:50:06,371 --> 00:50:09,374 >> * YOU BRUISE ME, 1215 00:50:09,374 --> 00:50:11,509 WE BOTH BRUISE 1216 00:50:11,509 --> 00:50:14,379 TOO EASILY, 1217 00:50:14,379 --> 00:50:17,248 TOO EASILY 1218 00:50:17,248 --> 00:50:20,785 TO LET IT SHOW, 1219 00:50:20,785 --> 00:50:23,121 I LOVE YOU, 1220 00:50:23,121 --> 00:50:28,593 AND THAT'S ALL I KNOW, 1221 00:50:28,593 --> 00:50:31,562 ALL MY PLANS 1222 00:50:31,562 --> 00:50:33,864 ARE UNSURE, 1223 00:50:33,864 --> 00:50:36,634 ALL MY PLANS 1224 00:50:36,634 --> 00:50:39,537 DEPEND ON YOU, 1225 00:50:39,537 --> 00:50:42,407 DEPEND ON YOU 1226 00:50:42,407 --> 00:50:43,641 TO HELP THEM GROW * 1227 00:50:43,641 --> 00:50:45,443 Sean: I LOVE YOU, YOU KNOW. 1228 00:50:45,443 --> 00:50:50,148 Julia: I LOVE YOU, TOO. ALWAYS. 1229 00:50:50,148 --> 00:50:53,284 >> * AND THAT'S ALL I KNOW, 1230 00:50:53,284 --> 00:50:56,421 WHEN THE SINGER'S GONE, 1231 00:50:56,421 --> 00:51:04,295 LET THE SONG GO ON * 1232 00:51:04,295 --> 00:51:05,296 Christian: I'LL HELP YOU 1233 00:51:05,296 --> 00:51:06,631 CLEAN UP. 1234 00:51:11,436 --> 00:51:12,570 >> * BUT THE ENDING 1235 00:51:12,570 --> 00:51:17,708 ALWAYS COMES AT LAST, 1236 00:51:17,708 --> 00:51:20,311 ENDINGS ALWAYS 1237 00:51:20,311 --> 00:51:22,847 COME TOO FAST * 1238 00:51:22,847 --> 00:51:23,848 Christian: SO, I'LL SEE YOU 1239 00:51:23,848 --> 00:51:24,715 TOMORROW? 1240 00:51:24,715 --> 00:51:25,850 >> * THEY COME TOO FAST, 1241 00:51:25,850 --> 00:51:29,454 BUT THEY PASS TOO SLOW, 1242 00:51:29,454 --> 00:51:31,722 I LOVE YOU, 1243 00:51:31,722 --> 00:51:36,594 AND THAT'S ALL I KNOW * 1244 00:51:36,594 --> 00:51:37,728 Christian: MAKE SURE YOU LOCK 1245 00:51:37,728 --> 00:51:38,663 THIS DOOR. 1246 00:51:38,663 --> 00:51:39,864 >> * WHEN THE SINGER'S GONE, 1247 00:51:39,864 --> 00:51:43,601 LET THE SONG GO ON, 1248 00:51:43,601 --> 00:51:46,337 IT'S A FINE LINE BETWEEN 1249 00:51:46,337 --> 00:51:48,873 THE DARKNESS AND THE DAWN, 1250 00:51:48,873 --> 00:51:52,310 THEY SAY IN THE DARKEST NIGHT, 1251 00:51:52,310 --> 00:51:55,480 THERE'S A LIGHT BEYOND, 1252 00:51:55,480 --> 00:51:58,483 BUT THE ENDING ALWAYS 1253 00:51:58,483 --> 00:52:01,619 COMES AT LAST, 1254 00:52:01,619 --> 00:52:04,489 ENDINGS ALWAYS 1255 00:52:04,489 --> 00:52:06,924 COME TOO FAST, 1256 00:52:06,924 --> 00:52:09,760 THEY COME TOO FAST, 1257 00:52:09,760 --> 00:52:13,498 BUT THEY PASS TOO SLOW, 1258 00:52:13,498 --> 00:52:15,766 I LOVE YOU, 1259 00:52:15,766 --> 00:52:19,237 AND THAT'S ALL 1260 00:52:19,237 --> 00:52:22,907 I KNOW, 1261 00:52:22,907 --> 00:52:29,247 THAT'S ALL I KNOW, 1262 00:52:29,247 --> 00:52:35,420 THAT'S ALL I KNOW, 1263 00:52:35,420 --> 00:52:41,659 OH, OH, 1264 00:52:41,659 --> 00:52:47,498 OH, OH, 1265 00:52:47,498 --> 00:52:49,400 OH * 1266 00:52:49,400 --> 00:52:54,839 Guard: EXCUSE ME, MA'AM? 1267 00:52:54,839 --> 00:52:55,940 COULD YOU TAKE OFF YOUR 1268 00:52:55,940 --> 00:52:58,476 SUNGLASSES, PLEASE? 1269 00:53:02,947 --> 00:53:06,217 CAN I SEE YOUR PASSPORT, PLEASE? 1270 00:53:22,833 --> 00:53:24,969 THANK YOU, MISS MOORE. 1271 00:53:24,969 --> 00:53:26,504 HAVE A NICE FLIGHT. 1272 00:53:26,504 --> 00:53:30,575 Ava: THANK YOU. 1273 00:53:30,575 --> 00:53:33,444 >> * WHEN THE SINGER'S GONE, 1274 00:53:33,444 --> 00:53:37,448 LET THE SONG GO ON, 1275 00:53:37,448 --> 00:53:39,717 IT'S A FINE LINE 1276 00:53:39,717 --> 00:53:41,319 BETWEEN THE DARKNESS 1277 00:53:41,319 --> 00:53:42,720 AND THE DAWN, 1278 00:53:42,720 --> 00:53:46,324 THEY SAY IN THE DARKEST NIGHT, 1279 00:53:46,324 --> 00:53:49,327 THERE'S A LIGHT BEYOND, 1280 00:53:49,327 --> 00:53:52,330 BUT THE ENDING ALWAYS 1281 00:53:52,330 --> 00:53:55,866 COMES AT LAST, 1282 00:53:55,866 --> 00:54:00,871 ENDINGS ALWAYS COME TOO FAST, 1283 00:54:00,871 --> 00:54:03,741 THEY COME TOO FAST, 1284 00:54:03,741 --> 00:54:07,478 BUT THEY PASS TOO SLOW, 1285 00:54:07,478 --> 00:54:09,680 I LOVE YOU, 1286 00:54:09,680 --> 00:54:12,883 AND THAT'S ALL 1287 00:54:12,883 --> 00:54:16,487 I KNOW, 1288 00:54:16,487 --> 00:54:23,027 THAT'S ALL I KNOW, 1289 00:54:23,027 --> 00:54:29,467 THAT'S ALL I KNOW, 1290 00:54:29,467 --> 00:54:35,706 OH, OH, OH, 1291 00:54:35,706 --> 00:54:40,845 OH, OH, 1292 00:54:40,845 --> 00:54:43,581 OH * 1293 00:54:49,654 --> 00:54:50,655 [CAPTIONED BY THE NATIONAL 1294 00:54:50,655 --> 00:54:51,656 CAPTIONING INSTITUTE 1295 00:54:51,656 --> 00:54:53,591 --www.ncicap.org] 83241

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