All language subtitles for Hawaii 5-O s11e12 Number One with a Bullet 1.eng

I know you didn't come here
just to flex your muscles.

No, I came here to suggest

that you forget about
going in the disco business.

BOTH [SINGING]:
I can't get you out of my mind

You already signed that girl singer?

A few more days she's gonna realize

that I can do the things
Munroe can only talk about.

You better wake up,
because right now, the Kumu's on top.

- So I'm with them.
- Sonny, how could you?

I'm worried about this case.

I've got a hunch that what we've
uncovered so far

is just the tip
of a very dirty iceberg.

SONNY: Will you all relax?
I'm gonna get you all in. I promise.

I got a fire law
to worry about here.

[DISCO MUSIC
PLAYING OVER SPEAKERS]

All right, get down and boogey.

- Hey, hey, Joey.
- Hey, Yvonne.

- How you doing?
- What's happening?

I'm dying.
That's what's happening.

I tell you, I was born to dance, heh.

Yeah, you and Fred and Gene.

Who's Fred and Gene?

[LAUGHS]

I'll take over for a while,
you want me to?

- Would you? Just this last number.
- Okay.

Thanks a lot.

If you have any trouble,
come to me.

I don't want any kids here
under a certain age,

because if they get into the place,
I look bad.

So be very...

- Hey, Sonny.
- Hey, Ray. Nice to see you.

- How's business?
- Okay.

Well, it could be better.

- I don't see how.
SONNY: Heh.

They don't do us any good out here,
Ray.

[LAUGHS]

Well, maybe you should expand.

Maybe you need a partner.

Well, you know, Ray,
I already have a partner, right?

Yeah, so you do.

Listen, why don't we go talk to him?

Come on,
we got some business to finish.

What do you say, huh?

See you.

[MUSIC CONTINUES]

[INAUDIBLE DIALOGUE]

I'd offer you all a drink,
but this isn't gonna take that long.

Bernie, listen to the man, huh?

Bernie, this is your last chance

to take Hawaiian
Restaurant Supplies' services

- before the price goes up.
- Go up?

Your laundry
and your vending machines

are already double
what they should be.

True, but the booze
and the cigarettes are a hell of a deal.

Because they're hotter
than West Texas in July.

Look, boy, you may be
some kind of gangster

to the folks on this island,

but I see you around here again,

I'm gonna get some boys over here
from down home

who'll chew you up and spit you out.

- Do you hear now?
- Yeah. I hear you.

Yeah, you're right about one thing.
The services are expensive.

But I got a feeling
that in the long run,

you're gonna find out
it would've been a bargain.

Ray, please...

BERNIE:
Don't say it, Sonny.

How many times do I have to tell you
that's the Kumu. it's the mob.

- Everybody has to deal with them.
- Not everybody.

You're crazy.

Sonny, you're a good old boy,
but you worry too much.

I do, huh?

[ENGINE STARTS]

[MUSIC CONTINUES]

Thanks, son.

[INAUDIBLE DIALOGUE]

[MUSIC CONTINUES]

[DISCO MUSIC
PLAYING ON STEREO]

[DISCO MUSIC
PLAYING OVER SPEAKERS]

McGARRETT:
Wow.

Not much left of that car,
eh, Danno?

Even less of the driver.

- Who was he?
- Uh, Bernard Adams.

Forty-one years old.
From Dallas, Texas.

- Vacationer?
- No.

He's a partner in one of those
new discos. Uh, Sonny K's.

It's in a hotel down in Waikiki

H.P.D. figures the bomb was
planted when the car was garaged.

There are no witnesses.

This has all the earmarks
of a professional hit, Danno.

Contact the mainland. See what
you can find out about Adams.

How do you read it, Ed?

This went to the timer on the bomb.

When the cassette player
was activated, the timer started.

Oh, very professional.

What do you think, Steve?

The Kumu and the syndicate
has traditionally been a factor

in the nightclub business.

The victim's partner, what did you say
his name was, Danno?

Sonny Kanekoa.

No, no. Really, really, I'm fine.

The news said the police didn't know
how many people were in the car.

Oh, Sonny, I was afraid that--

Look, Yvonne,
please, will you stop it?

I'm okay. Really!

Aw, you're the only brother I have.

Why would anybody wanna
do that to Bernie, anyway?

I don't know. You know, maybe some
old debts caught up with him, Yvonne.

He was a gambler

[CHUCKLES]

He'd have to be
to go into business with me. Right?

Don 't joke.

Look, Yvonne, whatever happened
to Bernie has nothing to do with me.

Okay. Am I gonna see you
at church on Sunday?

Oh. Oh, Yvonne, I mean, you know
what time I get out of this place?

I'm here all day.
It's my only day off.

I sing the solo.

Okay, I'll tell you what. I'll try.

- Okay?
- Okay. Bye.

[PLAYING SOFT MUSIC
ON PIANO]

- Everything all right with Sonny?
- So he says.

- You don't believe him?
- I'm not sure.

It's just that not every day
you find somebody you know

- getting blown up in a car.
- No, it's not.

You finished it!

[LAUGHS]

- Johnny, it's a fabulous song.
- It will be when you sing it.

You really think that, don't you?

I've been in this music business
a long time.

When you sing, it's something else.

- Johnny.
- Yeah?

Why don't you get the recorder
and we'll put this down. Okay?

[PLAYING UPBEAT MUSIC]

[SINGING]
it's an uphill climb

To get on top
Not to stop

And never fall

It takes so much time

Just to be secure
You're never sure

If if's Worth if all

Worth if all

But tonight
Whether it's wrong or right

I can't tell

Because I don't know you
All that well

You can't trust everybody
You meet

Out here on the street

You might want
To test your charms

In a stranger's arms

Stranger's arms

- One more time.
- One more time.

Stranger's arms

Yeah.

Yeah, that was great.

[DISCO MUSIC
PLAYING OVER SPEAKERS]

Is there someplace around here
we can talk?

What's that?

Is there someplace
we can talk around here privately?

McGarrett, Hawaii Five-0.

[MUSIC STOPS]

I already told you guys
all I know.

If you don't mind,
I'd like to hear it for myself.

[SONNY SIGHS]

Uh, there's not much to tell.

He left by himself a little after midnight.
I never saw him again.

I don't suppose you have any idea
who might have wanted to kill him?

Not a clue.
I haven't known him that long.

And you haven't had any problems

with people trying to muscle in
on your business here?

- I don't know what you're talking about.
- Ha-ha-ha.

Okay, Mr. Kanekoa. Okay.

What was your business relationship
with Adams?

Well, heh, you know
what we used to say?

We used to say that Bernie had
the dough and I had the know, heh.

What do you know
about Bernie's background?

Where did he come from?

Look, Mr. McGarrett, please, huh?

I've been trying to put a club like this
together for three years.

When Bernie came in with the money,
I didn't ask any questions.

What about his family?
Have you, uh, tried to contact them?

As far as I know, he was a loner.
He didn't have any family.

Look, uh, if you're through, huh?

You know, heh, I got a lot of things
to do around here.

Yeah, so have I.

Okay, I'm through. For now.

[DISCO MUSIC
RESUMES PLAYING]

[ENGINE STARTS]

Yeah, Danno.

Evidently, Joey Lee is working
for the guy who runs the disco.

Uh, what's his name?
Uh, Sonny Kanekoa.

Get in touch with him.

Tell him we're interested
in Sonny's operation.

See what he can find out for us.
He owes us one.

- I'm sure he'll cooperate.
- Right, Steve.

Uh, let's see what you can dig up
on Sonny Kanekoa.

It looks to me
like he's scared of something.

- Maybe he's got a rap sheet.
- Yeah. Or the wrong connections.

At least we have something
we didn't have before.

- What's that, Danno?
- A suspect.

No, I don't think so.

I have a gut feeling
that Sonny-boy isn't the type

to set up a professional hit.

Mr. Francis, I, uh,
don't know how to tell you this, uh...

Well, just open your mouth
and let it come out.

You're a lawyer, you'll figure it out.

I had a call from Honolulu.

Somebody blew up
Bernie Adams' car with him in it.

Yeah?

Well, uh, was it a pro job,
or something personal?

It looks like a pro job.

It must be that local outfit,
the Kumu, huh?

Well, we're not sure yet.

Bernie could have been
sleeping with somebody's wife.

Well, I asked if it was personal!

Now you give me the facts,
understand?

Come back and give me a name.
I want a name.

Go ahead.

[DOOR OPENS THEN CLOSES]

[DISCO MUSIC
PLAYING OVER SPEAKERS]

Sonny.

Hey, Ray.

I heard you had a talk
with McGarrett from Five-0. True?

Yeah. He wanted to know
about Bernie.

You knew he was gonna come.

[MUSIC STOPS
THEN RECORD SCRATCHES]

I don't think he liked that record.

Ray, why are you doing this, huh?
I didn't tell McGarrett anything.

Why do I have the feeling

that you're a lot smarter
than your partner was?

You know what I wanna do?
Can I tell you what I wanna do?

I wanna take on the laundry service,
the booze, the cigarettes.

Whatever you want.

All right. All right.

And you'll take on
something else too.

Just name it, Ray.

A new partner.

Me.

[SIGHS]

[SIGHS]

[LAUGHS]

- What have you got, Duke?
- The Dallas police.

Bernard Adams.
No felony or misdemeanor arrests.

Two drunk driving citations.
One reckless driving.

- That's it?
DUKE: Afraid so, Steve.

Where does he get his money?

He used to be
with a company in Dallas

called Lone Star Entertainment.

I called them.
He quit four months ago.

And then showed up here
with a bundle to invest in a disco?

- Well, maybe he saved his money.
- Sure. Sure. In a piggy bank.

What does this
Lone Star Entertainment do?

DUKE:
A lot of things.

Talent management, records,
food and liquor distribution.

And, uh, vending machines
by any chance?

That too. How'd you guess?

It's all a cash business, Duke.

Let's dig deeper, huh?

Right, Steve. I'll get back on the phone
to Dallas police.

McGARRETT:
And just in case,

the Justice Department
has an organized-crime task force

based in Dallas.

See if you can get them

to run this Lone Star Entertainment
through their computers,

and also Adams.

Now what about
this Sonny Kanekoa?

His file's right there.

Narcotic misdemeanor arrests,
petty theft, receiving stolen goods.

He's also been known to associate

with several members
of the local syndicate.

It would be hard for anyone growing up
in the Kulii district of Honolulu

not to know someone
in the Kumu, huh?

- I see he has a sister. A singer.
- Yvonne.

- Have you ever seen her perform?
- I sure have, Steve.

She's really got it.
I think she can make it big.

I'm worried about this case.

I've got a hunch
that what we've uncovered so far

is just the tip
of a very dirty iceberg.

YVONNE [SINGING ON TAPE]:
it's an uphill climb

To get on top
Not to stop

And never fall

It takes so much time

Just to be secure
You're never sure

If if's Worth if all

Worth if all

But tonight
Whether it's wrong or right

I can't tell

Because I don't know you
All that well

You can't trust everybody
You meet

Out here on the street

They might want
To test your charms

In a stranger's arms

Stranger's arms

- I love it. I love it!
- Ha, ha.

- Yvonne, it's incredible. it's great.
- Thank you.

- That's a great tune. it's terrific.
- Thank you.

Sonny, we wanna make a demo.

A classy one with a backup group,
and some special effects.

Almost like a real record.

But I don't know anything
about making records, Vonnie.

Yes, but Johnny does.

All we need is some help from you.

You want me to put up the money?

[SCOFFS]

Would you be interested
in an investor?

SONNY:
Uh, Ray, hi.

Uh, this is Ray Santoro.
He's taken over Bernie's interest.

This is Johnny Munroe
and my sister, Yvonne.

I heard you, you're great,
and I mean it.

- Where did you learn to sing like that?
- Church.

I used to sing in the choir.
Actually, I still do.

Really? I'd like to hear you again.
When could I come?

Well, um, Sunday.
At the Ala Moana Community Church.

- Ala...?
- Moana.

Moana. I'll be there.

That song would make
a great disco tune. Right, Sonny?

Oh, sure, Ray.

Well, thanks.
We, uh, appreciate your interest,

but we don't really think
it should be a disco song.

- We?
- Johnny wrote the song.

Oh, I see.

In New York, I used to turn out records
for nothing but discos,

and some made millions.

Right now, I'm looking
to start a local record label.

If you're interested,
I would love to start with your song.

- What do you say?
- I, uh...

Tsk.

I really don't think so.

[CHUCKLES]

Well, there are a lot of songwriters
in the business.

However, I love your sound
and I'm willing to invest cash.

Think it over.
And by the way, I mean it.

I will see you in church Sunday.

[SINGING] Where the
Humuhumunukunukuapua'a

Go swimming by

It won't be long

Till my ship will be sailing

Back to Kona

It's a grand old place

That's always fair to see

You're telling me

I'm just a little Hawaiian

A homesick island gal

I wanna go back
To my fish and poi

Wanna go back
To my little grass shack

In Kealakekua, Hawaii

Where the
Humuhumunukunukuapua'a

Go swimming by

Oh, yeah

Where the
Humuhumunukunukuapua'a

Go swimming by

One more time, yeah

Where the
Humuhumunukunukuapua'a

Go swimming by

[CROWD CHEERING
AND APPLAUDING]

[BAND PLAYING
SOFT HAWAIIAN MUSIC]

Well, look who's here.
Sally's favorite cop. Here.

- For me?
- Mm-hm-

Sally, you really should be singing
in the big time.

You know that, don't you?

Ah, I can see you don't know
much about music, heh.

No, I don't. Sit down.

I need some information, Sally.

Wait a minute.

All these times you come in here
asking all these questions,

then you never buy any drinks.

- Why, McGarrett?
- That's easy.

- That's because I don't drink.
- Heh. Well, I do. Heh.

You know, one of these days,

I'm gonna get you so smashed,

I'm gonna find out what's behind that
all-business front you put up.

What makes you think it's a front?

Hey, bruddah.

Two things Sally knows best:
One is music, the other is men.

Why don't you come see Sally
sometime after work?

Sally, you better watch out.

I might take you up on that invitation
one of these days or nights,

so you better be careful.

Right now,
I need some information.

About what?

[SIGHS]

About the music business in this town.
Tell me about it.

Well, it's very small, and we're isolated
over here, as you know.

And, uh, there's not much TV,
and a few small radio stations.

So the mainland trends, you know,
they kind of move slowly this way.

But the Hawaiian sound
is getting there.

What about
the disco business here?

Well, that's different.
It's big. it's hot. And plenty money.

And just like nightclubs,
discos need everything.

You know, like laundry services,
restaurant supplies,

vending machines,
and plenty booze.

Yeah, what you're saying

is that the syndicate's always been
very big in these areas, huh?

Right on.

What do you know
about Sonny Kanekoa?

Not much.

But I tell you what,
his sister, Yvonne,

now she could
be the first native Hawaiian

to really make it big
on the mainland, you know.

But I'm afraid
the only thing that will stop her

is that she's teamed up
with this guy named Johnny Munroe.

Why is that a problem?

Steve, a lot of people can sing,

and most of all, they gotta be able
to get along with people.

And what you're saying is that
Johnny doesn't get along with people?

Right on.

Well, she wouldn't be the first lady
who teamed up with the wrong guy,

would she?

SANTORO: Well, I found this
girl singer, Yvonne Kanekoa.

PAHOA:
Kanekoa? Is that, uh, Sonny's sister?

- The guy that runs the disco?
SANTORO: That's the one.

ALIKA:
Uh-huh.

Oh, what I'd like to do is use her
to get us into the music business.

You see, the way I figure it,

we could distribute our own records,
put them into our own jukeboxes.

That'll give us
a lock on the whole business.

What do you think?

Ray,

I wasn't too pleased with the way
you dealt with that Texan, you know,

Bernie Adams.

I just want your assurance
that this time,

you won't attract
any more unnecessary attention.

- You got it.
- All right.

But there's one problem.

A singer
by the name of Johnny Munroe.

He keeps telling the girl
that he can get her a record deal.

Well, do you think there's a way
to keep that from happening?

I think something can be arranged.

[CHUCKLES]

JOHNNY: I don't understand.
I had an appointment.

I'm sorry, but he's out.

- Look, what time will he back?
- He didn't say.

If you wanna leave your number...

[JOHNNY SIGHS]

But this booking
has been set for two months.

She packed the place.

You're the one
who asked us back, Mokey.

[DISCO MUSIC
PLAYING OVER SPEAKERS]

JOHNNY:
Come on. I'll kick back my salary.

Just give her a shot.

You know us, Johnny.
We can't do that.

What are you talking about?
You've done it before.

That was a long time ago.

Listen, I'm not asking you for me,
she's fantastic.

Look, I know she's great.

And for old time's sake,
let me put you straight.

I'd love to have her in a show,
but I can't.

- Not as long as you're with her.
- Me?

Johnny, you got a powerful enemy.

[ORGAN PLAYING SOFT MUSIC]

[SINGING HYMN IN HAWAIIAN]

[ORGAN PLAYING
PROCESSIONAL MUSIC]

SANTORO: Hi.
YVONNE: Hi-

- I didn't think you'd come.
SANTORO: Is that right?

When you get to know me better,
you'll find I always do what I say.

YVONNE: What makes you think
I'm gonna get to know you better?

Well, I made brunch reservations
for us at Michel's.

Oh!

- Is this a business lunch?
- Definitely not.

But there is one question
I would like to ask you.

What is Johnny Munroe to you?
Come on.

What, is he your manager
or something?

- No, but he's been guiding my career.
- Oh, I see.

Well, he's in
as far as I'm concerned.

As a matter of fact,
I said that from the beginning.

He's the one who's got a problem.

Please don't say
anything bad about him.

Oh, no, no, no, I'm sorry.
I wasn't trying to badmouth him.

But you wanna know the truth, huh?
I'm gonna tell you the truth.

I'm jealous of him.

- What?
- Yeah.

Well, he gets to spend
all that time with you,

and what do I get to do, huh?

Take you to brunch?

She still sings in the church choir.

So clean she probably squeaks.

[McGARRETT CHUCKLES]

What about this Johnny Munroe guy,
Danno?

He played Vegas some,
lounges, made some records.

One time, it looked like
he was gonna break through.

When I was in high school,

everyone thought
he was gonna be a star.

- And what happened?
- Nobody quite knows,

or nobody wants to say.

One day there was an article
in Variety

- saying Johnny fired his manager.
- For what?

The manager was using
Johnny's money on the tables.

- What was the outcome?
- There wasn't any, Steve.

- It all just, uh, faded away.
- Yeah, like Johnny did.

[PHONE RINGS]

Grab that, will you, Danno?

Williams. Five-O.

Thank you.

Telex from the mainland.

The organized crime task force

dropped a red flag
on our request for information

on Adams
and Lone Star Entertainment.

That's interesting.

Well, fire a telex back. Tell them
that we must have that information.

Make it a priority request, and copy
the attorney general in Washington.

They wanna play games, huh?

It's the Kumu, all right.

Sonny Kanekoa's
already got himself a new partner.

Alika brought in this guy from
New York, named, uh, Ray Santoro.

He used to handle
the Columbo family's music interests.

Yeah, Ray Santoro from the East.

We've got a bad problem.

Well, we could just let it go.

No, we just can't let it go!

How's it gonna look,
we let them get away with this?

Would you go to the wall for me if you
didn't know I would stand behind you?

I see your point.

Don't be stupid.
You lawyers are all alike.

You got no humanity,
no feel for people.

To you, everything is numbers.

Well, Mr. Francis,
what are we going to do?

I don't know yet.

But you can bet your tail on one thing.
We're gonna do something.

Johnny,
Santoro's offering us a record deal.

Money right now.

- Isn't that what we've wanted?
- Not from him.

- Why not?
- Because he's bad people. Kumu.

I don't believe you.

He's not even Hawaiian.

And besides,
he's Sonny's partner,

and Sonny would never do
anything like that.

Ask him.

[PLAYING PIANO]

Johnny, what are we doing?

I've never seen you like this before.

What's that?

What is that?

Something I was working on
this morning.

[SINGING]
Out of my mind

Hard as I try

You're there all the time

I like it.

I can't get you out of my mind

Hard as I try

You're there all the time

I look at you
And you look at me

Trying not to want
What can't be

[HUMS]

You're with my friend

BOTH [SINGING]:
And he holds your hand

Wasn't that supposed to be me?

Oh, baby

I can't get you out of my mind

I don't know why

You came into my life

I can't get you out of my mind

Hard as I try

You're there all the time

I like it.

Why don't you get some paper?
We'll put the music down.

- Mr. Alika, please.
- Mr. Alika isn't here.

Well, tell him McGarrett
would like to see him anyway.

I don't care who you are.

If you don't leave,
I'll have to remove you.

- You're in my way, pal.
- You're getting the picture.

ALIKA:
Eddie!

You should teach your people
some manners.

My apologies.

That's a nice move, McGarrett.

Welcome to my little grass shack.
Come in. Come in.

Well, what's on your mind,
McGarrett?

I know you didn't come here
just to flex your muscles.

No, I came here to suggest

that you forget about
going in the disco business.

Where did you get that idea?

You know better than I do,

all the legitimate businesses
I have an interest in.

- Legitimate, huh?
- Uh-huh.

I don't suppose
you know a Ray Santoro.

I know everybody.

He's new in town.

In the vending-machine business.

He services
some of the same customers I do.

Does he now?
What a coincidence. Ha, ha.

Oh, McGarrett, you know,
you've been a cop too long.

To you, everything's a conspiracy.

Sonny Kanekoa and Bernie Adams

are partners
in a thriving disco business. Okay?

Somebody eliminates Adams.

Now, a few days later,
Sonny and your friend Santoro

are best of friends.

Now I hear Santoro
is Sonny's partner.

That doesn't look like
conspiracy to you?

No. It looks like a very smart
business move on Santoro's part.

Come on, McGarrett.

It's a free country
with opportunity for all.

Opportunity, huh? We call it murder.

- Is there anything else?
- No. Not at the moment.

I suppose I can look forward
to seeing you again.

You can count on it.

Oh, oh.

Watch it. Watch it.

[ENGINE STARTS]

Billy Swan.

Yes, sir?

- Have somebody find Santoro.
- Yes, sir.

Hey, Sally, got time for little sister?

- Vonnie! Oh!
- Ha, ha.

How come you stay away so much?

So much is happening.
I forgot how much I missed you.

Missed me? Oh. When did you ever
have the time to miss me?

I heard
so many good things about you.

I'm so happy for you.

It's so complicated though.

Sally, how did you handle it
when you were getting started?

Badly, I'm afraid.
Too many decisions.

Yeah.

You wanna talk about it?

Oh, Ray. Come. Sit down. Sit down.

Thank you, Billy.

Ray, uh,

I've been thinking over that
music business proposition of yours,

and I'm not sure
that now is really the time. You know?

Oh, no, Tony, it's all in the works.
We'll be into profit in six months.

You already signed that girl singer?

[CHUCKLES]

A few more days she's gonna realize

I can do all the things
Munroe can only talk about.

Has anybody ever told you

that a man can be his most dangerous
when he's got nothing left to lose?

Munroe will be no problem.
I promise you that.

Ray, I don't even wanna hear
what you're saying.

The one thing we don't need right now
is another body.

And if there is one,
there's gonna be a third:

yours.

That's all.

- Have you told Johnny how you feel?
- I'm afraid to.

He may not think of me
that way at all.

Well, wouldn't you rather know
one way or the other?

I see what you mean.

What about this other guy
who's making all these big promises?

His name is Ray Santoro.
He's Sonny's partner in the disco.

Honey, do you know
who Ray Santoro is?

I know who Johnny says he is,
but I'm not sure I believe him.

If he's telling you
that Santoro is Kumu, believe him.

Vonnie, I've got this friend.
He's a policeman.

- No.
- He's a special man.

- Sally, no policemen.
- Vonnie, he's--

- No, no.
- Vonnie!

- No, if it's right, no!
- Vonnie, wait!

[DOOR CLOSES]

[DISCO MUSIC
PLAYING OVER SPEAKERS]

[CROWD CHATTERING]

[DISCO MUSIC
PLAYING OVER SPEAKERS]

- Sonny, I have to talk to you.
- Sure, baby. What?

Is Santoro with the Kumu?

What's the Kumu?

- Sonny, you've lived here all your life.
- So have you, Vonnie.

And if you really knew the Kumu,

you'd know better than to come
into my office asking about them.

Sonny, how could you?

What choice did I have? Hmm?

You wanna see me like Adams?

I mean, you like funerals or something,
Yvonne?

You better wake up, little sister,
because right now, the Kumu's on top.

So I'm with them.

I'm telling you, Vonnie,
you cannot fight these guys.

Johnny can!

Sure. He's doing a great job for you.

You're doing great.
He's got you TV shows,

records, bookings, am I right?

Not yet, but he will.

Vonnie, please, baby.

I'm telling you, if we don't do
what they want us to do,

we're gonna wind up like him.

[DISCO MUSIC
PLAYING OVER SPEAKERS]

Think we should risk it?

Sure she was coming here?

Sally said she was coming here
to see her brother.

Tell you what, Danno,
I'll try, you go that way.

Excuse me.

Sorry. Excuse me.

Pardon me, please.

Excuse me.

[SONNY CLEARS THROAT]

What's the matter?

My sister found out
that you're Kumu,

and I think she's gonna do
whatever Munroe wants.

No problem.

We'll just see to it that Munroe wants
the same things we do.

Everything you said was true.

I'm really sorry you had to find out
about Sonny that way.

I just wanted you to know
that I'm with you all the way.

And I've got something to tell you,

but I don't really wanna say it
on the phone.

Why don't you get off the phone
and come over here?

I'll be there in a minute. Bye.

- Miss Kanekoa?
- Yes.

I'm Steve McGarrett. Sally's friend.

- Hi.
- Hi. I'm with Five-O.

- Did you wanna talk to me?
- Why would I wanna do that?

Oh. Sally thought you might be
in some kind of trouble-

Not any more. Excuse me.

[PLAYING JAZZY MUSIC]

[KNOCKING ON DOOR]

[JOHNNY GRUNTS]

MAN:
Got a message for you, Munroe.

Friend of ours thinks you're standing in
the way of Yvonne Kanekoa's career.

He thinks she'd be better off
with you out of the picture.

Don't try to muscle me.

I got some friends
who are just as tough as you are.

But where are they,
now that you need them?

[ALL GRUNTING]

[JOHNNY GROANING]

Johnny! Johnny!

Johnny, are you hurt?
Johnny you're hurt!

Oh, my God!
What can I do? What can I do?

- Give me the phone.
- All right.

JOHNNY:
No, don't call, don't call anybody.

Don't call anybody.
Give me the phone.

I know a policeman
named McGarrett.

We can call the police.
And Sally said--

- Forget Sally. Forget the police.
- What are you gonna do?

I'm gonna call some friends
on the mainland.

What for? Johnny, what for?

Would you believe World War III?

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