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1
00:00:24,533 --> 00:00:26,467
( helicopter blades
whirring )
2
00:00:26,467 --> 00:00:29,633
( music playing )
3
00:01:17,133 --> 00:01:19,834
CLOSE THE CURTAINS,
WILL YOU?
4
00:01:22,767 --> 00:01:24,433
THANK YOU.
5
00:01:24,433 --> 00:01:27,533
( projector whirring )
6
00:01:29,400 --> 00:01:31,133
THE ISLAND OF IBIZA:
7
00:01:31,133 --> 00:01:32,967
A SPANISH PROVINCE
IN THE MEDITERRANEAN
8
00:01:32,967 --> 00:01:36,333
ABOUT 50 MILES
SOUTHWEST OF MAJORCA.
9
00:01:36,333 --> 00:01:39,800
IBIZA IS NOT ONLY
A MECCA FOR TOURISTS,
10
00:01:39,800 --> 00:01:43,233
IT'S ALSO THE CENTER
FOR HALLUCINATORY DRUGS.
11
00:01:43,233 --> 00:01:46,633
FOR SOME TIME NOW,
NARCOTICS HAVE BEEN
FINDING THEIR WAY
12
00:01:46,633 --> 00:01:51,066
INTO BRITISH ARMY BASES
BOTH HERE AND ABROAD.
13
00:01:51,066 --> 00:01:54,500
THESE DRUGS
ARE OF HIGH QUALITY
AND REMARKABLY CHEAP,
14
00:01:54,500 --> 00:01:57,934
WHICH SEEMS TO RULE OUT
AN UNDERWORLD OPERATION.
15
00:01:57,934 --> 00:02:00,166
ANY OTHER ALTERNATIVE
SUGGEST ITSELF?
16
00:02:00,166 --> 00:02:02,133
- MOSCOW.
- OF COURSE--
17
00:02:02,133 --> 00:02:06,400
THE RUSSIANS TRYING
TO UNDERMINE MORALE
AND EFFICIENCY.
18
00:02:08,100 --> 00:02:10,400
THAT, HOWEVER,
IS NOT OUR PROBLEM.
19
00:02:10,400 --> 00:02:13,066
OUR PROBLEM IS THAT
WE HAVE POSITIVE PROOF
20
00:02:13,066 --> 00:02:16,066
FROM AN AGENT IN IBIZA
THAT THE RUSSIANS,
21
00:02:16,066 --> 00:02:18,800
USING UNSUSPECTING HIPPIES
AS GUINEA PIGS,
22
00:02:18,800 --> 00:02:21,800
HAVE PERFECTED
A NEW TRUTH DRUG
23
00:02:21,800 --> 00:02:24,700
TO USE
ON ENEMY AGENTS,
24
00:02:24,700 --> 00:02:27,300
A DRUG WHICH,
WHEN USED,
25
00:02:27,300 --> 00:02:29,800
LEAVES THE VICTIM
TOTALLY UNAWARE
26
00:02:29,800 --> 00:02:31,300
THAT HE'S BEEN
GIVEN IT
27
00:02:31,300 --> 00:02:33,300
OR ANY INFORMATION
HE MAY HAVE DIVULGED
28
00:02:33,300 --> 00:02:35,867
WHILE UNDER
ITS INFLUENCE.
29
00:02:35,867 --> 00:02:39,233
WE ARE DESPERATE TO GET
OUR HANDS ON THIS DRUG--
30
00:02:39,233 --> 00:02:40,667
SO DESPERATE,
WE ARE PREPARED
31
00:02:40,667 --> 00:02:43,867
TO SACRIFICE A MEMBER
OF THE SERVICES.
32
00:02:43,867 --> 00:02:45,767
A MAN WILL BE
SENT TO IBIZA
33
00:02:45,767 --> 00:02:48,700
ON THE PRETEXT OF LOCATING
A MISSING AGENT,
34
00:02:48,700 --> 00:02:50,233
WHICH IS,
IN FACT, TRUE,
35
00:02:50,233 --> 00:02:52,667
AND THE RUSSIANS
WILL BE INFORMED.
36
00:02:52,667 --> 00:02:56,033
WHEN THEY'RE INFORMED,
THE RUSSIANS WILL DO
ONE OF TWO THINGS--
37
00:02:56,033 --> 00:02:58,600
EITHER DISPOSE OF HIM
IMMEDIATELY
38
00:02:58,600 --> 00:03:00,367
OR TAKE HIM PRISONER,
39
00:03:00,367 --> 00:03:04,100
IN WHICH CASE
WE SHALL MOVE IN
AND GET THE DRUG.
40
00:03:04,100 --> 00:03:07,133
- IF YOU'RE LOOKING
FOR A VOLUNTEER, SIR...
- THANK YOU, WELLINGTON.
41
00:03:07,133 --> 00:03:10,166
THE MAN I SEND TO IBIZA
MUST HAVE A ROMANTIC VIEW
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00:03:10,166 --> 00:03:11,734
OF THE WORLD
OF ESPIONAGE.
43
00:03:11,734 --> 00:03:14,100
MOREOVER,
HE MUST BE A MAN WHO,
44
00:03:14,100 --> 00:03:16,533
WHEN PLACED UNDER
THE INFLUENCE OF THE DRUG,
45
00:03:16,533 --> 00:03:19,967
WILL HAVE ABSOLUTELY
NO INFORMATION TO IMPART.
46
00:03:19,967 --> 00:03:22,333
IN OTHER WORDS,
A COMPLETE DUMMY.
47
00:03:22,333 --> 00:03:24,133
Men:
APPLETON PORTER, SIR.
48
00:03:24,133 --> 00:03:26,867
APPLETON PORTER?
49
00:03:32,400 --> 00:03:34,567
Man:
HOLD YOUR FIRE!
50
00:03:34,567 --> 00:03:36,767
HOLD YOUR FIRE!
51
00:03:38,166 --> 00:03:40,600
WHAT THE BLOODY HELL DO YOU
THINK YOU'RE DOING, PORTER?
52
00:03:40,600 --> 00:03:42,700
THE TARGETS
ARE DOWN THERE,
NOT UP HERE!
53
00:03:42,700 --> 00:03:44,734
MUD IN MY EYE, SIR.
54
00:03:44,734 --> 00:03:46,533
MUD IN HIS EYE!
55
00:03:46,533 --> 00:03:48,533
THAT'LL BE ALL
FOR TODAY, PORTER.
56
00:03:50,934 --> 00:03:53,467
THE OLD MAN WANTS
TO SEE YOU, PORTER.
57
00:03:55,767 --> 00:03:57,400
DUMMY.
58
00:03:58,934 --> 00:04:00,667
Man:
COME IN.
59
00:04:03,400 --> 00:04:05,133
YOU WANTED
TO SEE ME, SIR?
60
00:04:05,133 --> 00:04:08,100
YES.
COME IN, PORTER.
61
00:04:08,100 --> 00:04:09,533
YES, SIR?
62
00:04:09,533 --> 00:04:12,100
YOU'RE LOOKING A TRIFLE THINNER
THAN WHEN I SAW YOU LAST.
63
00:04:12,100 --> 00:04:13,934
IT'S THE CAMOUFLAGE, SIR.
64
00:04:13,934 --> 00:04:15,800
IT MAKES YOU BLEND
INTO THE SURROUNDINGS.
65
00:04:15,800 --> 00:04:17,633
I UNDERSTAND.
SIT DOWN.
66
00:04:17,633 --> 00:04:19,734
YES, SIR.
67
00:04:21,800 --> 00:04:23,934
I ASKED TO SEE YOU
BECAUSE I'VE GOT
68
00:04:23,934 --> 00:04:25,967
AN ASSIGNMENT FOR YOU
IN THE FIELD.
69
00:04:25,967 --> 00:04:27,700
THE FIELD, SIR?
70
00:04:27,700 --> 00:04:30,633
YOUR NAME,
UNTIL FURTHER NOTICE,
71
00:04:30,633 --> 00:04:32,567
IS ARNOLD BARKER.
72
00:04:32,567 --> 00:04:34,066
I HAVE HERE
YOUR PASSPORT
73
00:04:34,066 --> 00:04:36,433
AND DOCUMENTS RELATING
TO YOUR COVER.
74
00:04:36,433 --> 00:04:38,700
BUT FIRST, I'D LIKE
TO PAINT THE PICTURE.
75
00:04:38,700 --> 00:04:41,700
- ARE YOU READY TO ABSORB?
- YES, SIR.
76
00:04:41,700 --> 00:04:44,166
YOU'RE NO DOUBT AWARE
THAT, FOR SOME TIME,
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00:04:44,166 --> 00:04:46,567
THE RUSSIANS HAVE BEEN
TRAFFICKING DRUGS
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00:04:46,567 --> 00:04:49,333
TO OUR ARMED FORCES
BOTH HERE AND ABROAD.
79
00:04:49,333 --> 00:04:51,433
- NO, SIR.
- WELL, THEY HAVE BEEN.
80
00:04:51,433 --> 00:04:53,000
THE KREMLIN HAS BEEN AT IT
FOR SOME TIME.
81
00:04:53,000 --> 00:04:56,400
THE RUSSIANS HAVE
LITTLE OR NO TROUBLE
IN OBTAINING THE DRUG.
82
00:04:56,400 --> 00:04:58,500
THEIR PROBLEM
IS ONE OF CHANNELING IT.
83
00:04:58,500 --> 00:05:00,066
THE OBVIOUS SOLUTION,
THEREFORE,
84
00:05:00,066 --> 00:05:03,333
IS TO CHANNEL THE DRUG
THROUGH SOME RECOGNIZED CENTER.
85
00:05:03,333 --> 00:05:06,834
ONE OF THESE CENTERS
IS THE ISLAND OF IBIZA
IN THE MEDITERRANEAN.
86
00:05:06,834 --> 00:05:09,233
WE TRACED
ONE DRUG CONNECTION
87
00:05:09,233 --> 00:05:12,700
TO A BRITISH-OPERATED
BOARDINGHOUSE, THE ROYAL ROSE.
88
00:05:12,700 --> 00:05:14,467
HERE, THE TRAIL ENDED.
89
00:05:14,467 --> 00:05:17,667
WE SENT A MAN
TO STAY AS A GUEST
AT THE ROYAL ROSE.
90
00:05:17,667 --> 00:05:20,734
HIS COVER NAME
WAS GEORGE TRENT.
91
00:05:20,734 --> 00:05:23,233
TWO WEEKS AGO,
HE DISAPPEARED.
92
00:05:23,233 --> 00:05:25,467
YOUR JOB IS TO FIND OUT
WHAT HAPPENED.
93
00:05:25,467 --> 00:05:27,066
AND THE DRUG CONNECTION?
94
00:05:27,066 --> 00:05:28,934
IF YOU HAVE ANY ILLUSION
ABOUT SCORING
95
00:05:28,934 --> 00:05:31,367
A STARRY-EYED VICTORY
BY SMASHING
96
00:05:31,367 --> 00:05:33,333
A SOVIET DRUG RING,
FORGET IT.
97
00:05:33,333 --> 00:05:35,533
YOUR JOB IS TO FIND
GEORGE TRENT--
98
00:05:35,533 --> 00:05:37,600
NOTHING MORE,
NOTHING LESS.
99
00:05:37,600 --> 00:05:40,100
THE NAME OF THE OPERATION
IS CORNFIELD.
100
00:05:40,100 --> 00:05:42,800
BE READY TO LEAVE
FOR IBIZA IN THE MORNING.
101
00:05:42,800 --> 00:05:44,600
YES, SIR.
102
00:05:46,900 --> 00:05:50,000
MAY I TELL YOU, SIR,
HOW DEEPLY I APPRECIATE
103
00:05:50,000 --> 00:05:51,500
THE OPPORTUNITY
YOU ARE GIVING ME
104
00:05:51,500 --> 00:05:53,834
TO PROVE TO YOU
WHAT I CAN DO?
105
00:05:53,834 --> 00:05:56,000
THANK YOU.
106
00:05:56,000 --> 00:05:57,867
- PORTER?
- YES, SIR.
107
00:05:57,867 --> 00:06:00,500
YOU'VE FORGOTTEN YOUR GUN.
108
00:06:03,600 --> 00:06:07,066
DO YOU KNOW
WHAT I'M GONNA DO
WITH THIS GUN, SIR?
109
00:06:07,066 --> 00:06:09,433
I'M GONNA GO BACK
ONTO THAT FIRING RANGE
110
00:06:09,433 --> 00:06:11,266
AND I AM GOING
TO QUALIFY.
111
00:06:11,266 --> 00:06:12,800
BE CAREFUL
WITH THAT THING.
112
00:06:12,800 --> 00:06:14,433
OH, IT'S ALL RIGHT, SIR.
IT'S NOT LOADED.
113
00:06:22,800 --> 00:06:26,867
( boat horn blaring )
114
00:06:26,867 --> 00:06:29,033
( music playing )
115
00:08:38,333 --> 00:08:41,266
- YOU MUST BE MR. BARKER.
- YES, I AM.
116
00:08:41,266 --> 00:08:43,700
- HOW DO YOU DO?
- HOW DO YOU DO?
117
00:08:43,700 --> 00:08:46,533
- WELCOME TO IBIZA.
- THANK YOU.
118
00:09:02,166 --> 00:09:04,934
IN CASE YOU HAVEN'T
ALREADY GUESSED,
MR. BARKER,
119
00:09:04,934 --> 00:09:07,266
THE ROYAL ROSE IS WITHIN
WALKING DISTANCE--
120
00:09:07,266 --> 00:09:09,767
VERY CENTRAL,
AS THE GUIDEBOOKS SAY.
121
00:09:09,767 --> 00:09:12,000
MY NAME'S ARNOLD,
BY THE WAY.
122
00:09:12,000 --> 00:09:15,500
MONA-- MONA SMITH.
123
00:09:15,500 --> 00:09:19,100
- HOW DID YOU COME TO HEAR
ABOUT THE ROYAL ROSE?
- A FRIEND.
124
00:09:19,100 --> 00:09:22,100
HE STAYED HERE
LAST SPRING.
125
00:09:22,100 --> 00:09:23,567
I WASN'T HERE THEN.
126
00:09:23,567 --> 00:09:25,734
I'VE ONLY OWNED THE ROSE
FOR SIX MONTHS NOW.
127
00:09:25,734 --> 00:09:27,233
OH, YOU'RE THE OWNER.
128
00:09:27,233 --> 00:09:29,734
MANAGER, CHIEF COOK,
AND BOTTLE WASHER.
129
00:09:29,734 --> 00:09:31,767
WE HAVE SEVEN ROOMS
AND A STAFF OF ONE.
130
00:09:31,767 --> 00:09:33,233
IT'S HER DAY OFF.
131
00:09:33,233 --> 00:09:35,600
THAT MAKES ME
OFFICIAL GREETER AS WELL.
132
00:09:35,600 --> 00:09:37,333
MY HUSBAND AND I USED
TO OPERATE A TEA SHOP
133
00:09:37,333 --> 00:09:38,834
IN A WELSH
BORDER VILLAGE.
134
00:09:38,834 --> 00:09:40,300
YOUR HUSBAND?
135
00:09:40,300 --> 00:09:43,333
HE WAS KILLED
IN A TRAIN ACCIDENT
TWO YEARS AGO.
136
00:09:43,333 --> 00:09:44,834
WHEN THE INSURANCE
WAS FINALLY SETTLED,
137
00:09:44,834 --> 00:09:46,700
I CAME OUT HERE
ON HOLIDAY,
138
00:09:46,700 --> 00:09:48,300
ENDED UP BUYING
THE ROYAL ROSE.
139
00:09:48,300 --> 00:09:51,200
( distant boat horn
blaring )
140
00:09:51,200 --> 00:09:54,667
- ARE YOU MARRIED, ARNOLD?
- AM I MARRIED?
141
00:09:54,667 --> 00:09:56,500
- NO, I'M NOT MAR--
- GOOD-- LOOK OUT!
142
00:09:56,500 --> 00:09:59,000
WHOA!
143
00:10:00,100 --> 00:10:02,633
( crowd murmuring )
144
00:10:02,633 --> 00:10:05,033
- ARE YOU ALL RIGHT?
- YES, YES.
145
00:10:05,033 --> 00:10:07,800
- I THINK SO.
- IT WAS COMING
STRAIGHT AT YOU.
146
00:10:07,800 --> 00:10:10,400
- IT ALMOST LOOKED DELIBERATE.
- DELIBERATE?
147
00:10:10,400 --> 00:10:12,467
HA. WHO'D WANT
TO RUN ME DOWN?
148
00:10:12,467 --> 00:10:14,400
I MUST SAY,
YOU'RE PRETTY CALM
ABOUT IT.
149
00:10:14,400 --> 00:10:15,867
I'D BE SHATTERED.
150
00:10:15,867 --> 00:10:18,367
I'M NOT NEARLY AS CALM
AS I APPEAR TO BE.
151
00:10:18,367 --> 00:10:21,767
THAT'S VERY HONEST OF YOU.
I LIKE THAT IN A MAN.
152
00:10:26,633 --> 00:10:29,867
COME ON, THE ROYAL ROSE
IS JUST AROUND THE CORNER.
153
00:10:43,934 --> 00:10:45,767
I'LL TAKE YOU
STRAIGHT TO YOUR ROOM.
154
00:10:45,767 --> 00:10:48,467
YOU CAN CHECK IN LATER
AFTER YOU FRESHEN UP.
155
00:10:54,600 --> 00:10:57,800
( squawks )
DOPE.
156
00:10:57,800 --> 00:10:59,967
- I BEG YOUR PARDON?
- DON'T MIND PERKY.
157
00:10:59,967 --> 00:11:02,200
HE CALLS EVERYONE DOPE.
THINKS HE OWNS THE PLACE.
158
00:11:02,200 --> 00:11:05,000
( squawking )
159
00:11:21,767 --> 00:11:23,467
THERE WE ARE.
160
00:11:23,467 --> 00:11:25,000
NOW, JUST MAKE
YOURSELF AT HOME.
161
00:11:25,000 --> 00:11:26,667
TEA WILL BE SERVED
IN THE PATIO AT 4:00,
162
00:11:26,667 --> 00:11:29,033
GIVE YOU A CHANCE
TO MEET THE OTHER GUESTS.
163
00:11:30,367 --> 00:11:32,967
AND, ARNOLD, IF THERE'S
ANYTHING YOU NEED,
164
00:11:32,967 --> 00:11:35,800
ANYTHING AT ALL,
JUST LET ME KNOW.
165
00:11:35,800 --> 00:11:37,433
YOU'RE VERY KIND.
166
00:12:36,100 --> 00:12:38,834
( loud banging )
167
00:12:38,834 --> 00:12:41,700
- ( engine sputtering )
- ( banging continues )
168
00:12:41,700 --> 00:12:44,767
( backfiring )
169
00:12:54,667 --> 00:12:58,533
Appleton:
THIS REPORT IS IN
SCRAMBLE MODE 7.
170
00:12:58,533 --> 00:13:01,533
OPERATION CORNFIELD ARRIVED
AT IBIZA ON SCHEDULE.
171
00:13:01,533 --> 00:13:03,767
MET AT THE DOCK
BY THE OWNER/OPERATOR
172
00:13:03,767 --> 00:13:08,633
OF THE ROYAL ROSE HOTEL,
ONE MONA SMITH.
173
00:13:08,633 --> 00:13:12,133
NEARLY RUN DOWN
BY A BLACK FOUR-DOOR FIAT,
174
00:13:12,133 --> 00:13:15,300
WHICH IS THE SPANISH FIAT.
175
00:13:15,300 --> 00:13:17,266
DOUBT FOUL PLAY INTENDED.
176
00:13:17,266 --> 00:13:21,233
A PARROT NAMED PERKY
YELLED "DOPE"
177
00:13:21,233 --> 00:13:23,300
WHEN I WALKED INTO
THE ROYAL ROSE HOTEL.
178
00:13:23,300 --> 00:13:26,767
HOWEVER, I FEEL
IT WAS NOT DRUG RELATED
179
00:13:26,767 --> 00:13:30,433
INASMUCH AS HE APPARENTLY
CALLS EVERYBODY DOPE.
180
00:13:30,433 --> 00:13:34,800
ASSUMING FOR A MOMENT
THAT THE BLACK FIAT
181
00:13:34,800 --> 00:13:38,233
ACTUALLY WAS TRYING
TO RUN ME DOWN,
182
00:13:38,233 --> 00:13:42,300
IT IS POSSIBLE THAT TRENT
WAS DISPOSED OF
183
00:13:42,300 --> 00:13:45,133
BY THE OLD
HIT-AND-RUN SCENARIO.
184
00:13:45,133 --> 00:13:47,934
HOWEVER, I FIND IT
IMPOSSIBLE TO BELIEVE
185
00:13:47,934 --> 00:13:49,533
THAT THE SPEEDING FIAT
186
00:13:49,533 --> 00:13:52,133
WAS ACTUALLY AN ATTEMPT
ON MY LIFE.
187
00:13:52,133 --> 00:13:54,567
I HAVE BEEN IN IBIZA
LESS THAN AN HOUR
188
00:13:54,567 --> 00:13:56,834
AND HAVE NO REASON TO BELIEVE
THAT MY COVER IS BROKEN
189
00:13:56,834 --> 00:14:01,100
OR THAT MY LIFE
IS IN ANY DANGER
WHATSOEVER.
190
00:15:05,767 --> 00:15:07,800
- ( clanks )
- OW!
191
00:15:11,367 --> 00:15:15,400
( footsteps departing )
192
00:15:20,967 --> 00:15:22,633
- AH! SORRY.
- OH, SORRY.
193
00:15:22,633 --> 00:15:24,800
I'M MARTHA MARTA.
I WORK HERE.
194
00:15:24,800 --> 00:15:27,100
ARNOLD BARKER.
I-- I JUST MOVED IN.
195
00:15:27,100 --> 00:15:30,400
YOU HAVEN'T LOST YOUR WAY
IN THIS GREAT BIG MANSION
OF A PLACE, HAVE YOU?
196
00:15:30,400 --> 00:15:32,500
NO, NO.
197
00:15:32,500 --> 00:15:34,333
I WONDER IF YOU
COULD TELL ME
198
00:15:34,333 --> 00:15:36,767
WHAT DOES ONE DO
WITH A SCORPION
IN ONE'S ROOM?
199
00:15:36,767 --> 00:15:38,400
OH, ASK ME TOMORROW.
200
00:15:38,400 --> 00:15:41,166
IT'S ME DAY OFF TODAY.
TA-RA.
201
00:16:07,800 --> 00:16:10,066
( phone ringing )
202
00:16:10,066 --> 00:16:12,600
( ringing continues )
203
00:16:14,000 --> 00:16:15,800
NOVIKOV.
204
00:16:18,900 --> 00:16:22,533
WHAT DO YOU MEAN
"TWO WRONG HALVES"?
205
00:16:22,533 --> 00:16:25,433
THE GUN WAS PUT TOGETHER
BY AN EXPERT FROM THE WEST--
206
00:16:25,433 --> 00:16:27,934
POLISH FROM WARSAW.
207
00:16:27,934 --> 00:16:30,266
THE CASE IS REAL LEATHER.
208
00:16:33,000 --> 00:16:37,000
A SPEEDING CAR
THAT DOES NOT HIT,
209
00:16:37,000 --> 00:16:39,300
A GUN WITH HALVES
THAT DO NOT FIT,
210
00:16:39,300 --> 00:16:42,567
A SCORPION
THAT FORGETS TO BITE--
211
00:16:42,567 --> 00:16:45,734
IT IS YOUR BRAIN
THAT HAS TWO WRONG HALVES!
212
00:16:45,734 --> 00:16:50,533
I DO NOT HAVE PATIENCE
TO LISTEN TO THESE
IDIOTIC EXCUSES.
213
00:16:50,533 --> 00:16:53,834
YOUR ORDERS ARE CLEAR.
THAT MAN HAS TO GO.
214
00:16:55,333 --> 00:16:57,500
HIT HIM OVER THE HEAD.
THROW HIM OFF A MOUNTAIN.
215
00:16:57,500 --> 00:16:59,333
DO WHATEVER YOU WANT.
216
00:16:59,333 --> 00:17:02,800
YOUR JOB IS TO GET RID
OF HIM, RIGHT?
217
00:17:02,800 --> 00:17:07,300
SO, GET RID OF HIM.
CLEAR?
218
00:17:12,867 --> 00:17:15,033
HELLO.
219
00:17:28,934 --> 00:17:31,200
- HELLO.
- Perky: HELLO.
220
00:17:32,967 --> 00:17:35,400
Appleton:
WHO IS THAT WOMAN?
221
00:17:36,567 --> 00:17:40,066
THAT IS MRS. ARKWRIGHT--
A BIT OF A TYRANT,
222
00:17:40,066 --> 00:17:42,133
BUT SHE DOES HAVE
SOME GOOD POINTS.
223
00:17:42,133 --> 00:17:44,200
ONE: SHE'S GOT
POTS OF MONEY.
224
00:17:44,200 --> 00:17:46,834
BECAUSE SHE NEVER
SPENDS ANY, AWFUL OLD BAG.
225
00:17:46,834 --> 00:17:48,633
STAY OUT OF HER CLUTCHES.
226
00:17:48,633 --> 00:17:50,800
SHE'LL BORE YOU
INTO YOUR GRAVE.
227
00:17:50,800 --> 00:17:53,266
ARNOLD BARKER,
THIS IS MR. LEWIS.
228
00:17:53,266 --> 00:17:54,867
- HE'S AN AMERICAN.
- ARNOLD.
229
00:17:54,867 --> 00:17:56,767
- CALL ME HARRY.
- HOW DO YOU DO, HARRY?
230
00:17:56,767 --> 00:17:58,734
- MORE TEA, HARRY?
- YEAH, DON'T MIND IF I DO.
231
00:17:58,734 --> 00:18:00,500
DON'T MIND AT ALL.
232
00:18:05,734 --> 00:18:07,967
WHO'S THAT GENTLEMAN
BEHIND THE PAPER?
233
00:18:07,967 --> 00:18:09,767
Harry:
THAT'S JASON LOCKE.
234
00:18:09,767 --> 00:18:13,367
HE'S A DENTIST
FROM LONDON, RETIRED.
235
00:18:14,333 --> 00:18:16,367
DID YOU HEAR
ABOUT THE GUY
236
00:18:16,367 --> 00:18:19,667
THAT COULDN'T GET
INTO THE DENTAL COLLEGE?
237
00:18:19,667 --> 00:18:22,333
- NO.
- DIDN'T HAVE ANY PULL.
238
00:18:22,333 --> 00:18:25,066
( Appleton laughs
politely )
239
00:18:27,467 --> 00:18:29,767
WHERE DO YOU
COME FROM, HARRY?
240
00:18:29,767 --> 00:18:31,633
IN THE STATES, I MEAN.
241
00:18:31,633 --> 00:18:33,467
TRENTON.
242
00:18:34,567 --> 00:18:37,266
TRENTON, OHIO.
243
00:18:39,600 --> 00:18:42,233
HAVE YOU BEEN HERE LONG?
244
00:18:42,233 --> 00:18:43,867
SIX WEEKS.
245
00:18:43,867 --> 00:18:46,533
- YOU MUST BE
A LITTLE HOMESICK.
- NO, NO.
246
00:18:46,533 --> 00:18:49,200
I LIVED IN ENGLAND FOR
THREE YEARS DURING THE WAR.
247
00:18:49,200 --> 00:18:51,367
SERGEANT HARRY LEWIS,
TAIL GUNNER.
248
00:18:51,367 --> 00:18:54,433
35 MISSIONS
AND NOT A SCRATCH.
249
00:18:54,433 --> 00:18:58,333
I SAY, WOULD YOU STOP
THOSE HORRID WAR STORIES?
250
00:18:58,333 --> 00:19:00,066
PASS ME THE MILK!
251
00:19:00,066 --> 00:19:03,100
- OH.
- OLD BAG.
252
00:19:03,100 --> 00:19:06,367
OH, UM, I--
253
00:19:06,367 --> 00:19:08,400
I DON'T THINK
I CAUGHT YOUR NAME.
254
00:19:08,400 --> 00:19:12,100
BARKER--
ARNOLD BARKER.
255
00:19:12,100 --> 00:19:14,900
ALICIA ARKWRIGHT.
256
00:19:14,900 --> 00:19:17,500
YOU'RE A GOOD-LOOKING MAN,
MR. BARKER.
257
00:19:17,500 --> 00:19:20,100
AND YOU'RE
A GOOD-LOOKING WOMAN,
MRS. ARKWRIGHT.
258
00:19:20,100 --> 00:19:23,066
WELL, I USED TO BE
A GOOD-LOOKING WOMAN--
259
00:19:23,066 --> 00:19:25,800
A KNOCKOUT,
AS A MATTER OF FACT.
260
00:19:25,800 --> 00:19:29,834
- THAT WAS A LONG TIME AGO.
- NONSENSE.
261
00:19:29,834 --> 00:19:31,800
ALICIA,
DID I EVER TELL YOU
262
00:19:31,800 --> 00:19:34,767
I'M FROM TRENTON, OHIO?
263
00:19:36,667 --> 00:19:41,200
I HAVE BEEN LIVING
AT THE ROYAL ROSE
FOR 20 YEARS.
264
00:19:41,200 --> 00:19:45,500
I'VE SEEN NO LESS
THAN 14 OWNERS
COME AND GO.
265
00:19:45,500 --> 00:19:47,734
THEY ALWAYS FAIL.
266
00:19:47,734 --> 00:19:50,467
RETAILING--
IS THAT WHAT YOU DO?
267
00:19:50,467 --> 00:19:52,834
NO. ANIMAL HUSBANDRY.
268
00:19:52,834 --> 00:19:56,867
I'M AN OVERSEER
AT A GOVERNMENT-CONTROLLED
EXPERIMENTAL FARM.
269
00:19:56,867 --> 00:19:58,900
FROM WHERE, MR. BARKER?
270
00:19:58,900 --> 00:20:02,767
I HAVE A COTTAGE
IN, UM, NETHERWIELD.
271
00:20:02,767 --> 00:20:05,100
- MORE MILK?
- YES, YES--
272
00:20:05,100 --> 00:20:07,600
- AAH! AAH!
- WHAT THE HELL WAS THAT?
273
00:20:07,600 --> 00:20:10,066
A FLOWER POT
FELL OFF THE BALCONY.
274
00:20:10,066 --> 00:20:12,000
IT'S DONE THAT BEFORE,
YOU KNOW.
275
00:20:13,500 --> 00:20:16,567
MY GOD, ARNOLD,
THAT COULD'VE KNOCKED
YOUR BRAINS OUT.
276
00:20:16,567 --> 00:20:18,834
Alicia:
LIVED HERE 20 YEARS.
277
00:20:18,834 --> 00:20:20,433
SEEN THAT HAPPEN
FIVE TIMES.
278
00:20:20,433 --> 00:20:22,400
NOBODY'S BEEN
ACTUALLY HIT, THOUGH.
279
00:20:22,400 --> 00:20:25,100
THIS, I THINK,
IS THE CLOSEST CALL OF ALL.
280
00:20:25,100 --> 00:20:28,200
- I'M SO SORRY, ARNOLD.
- OH, NO, NONSENSE.
281
00:20:28,200 --> 00:20:30,433
NO. ACCIDENTS HAPPEN
ALL THE TIME.
282
00:20:30,433 --> 00:20:32,467
I THINK...
283
00:20:32,467 --> 00:20:35,367
I'LL GO OUT
FOR A LITTLE STROLL.
284
00:20:47,767 --> 00:20:49,400
AGAIN?
285
00:20:49,400 --> 00:20:53,533
HOW CAN YOU MISS
A LARGE HEAD LIKE THAT
286
00:20:53,533 --> 00:20:56,600
FROM A HEIGHT
OF TWO METERS?
287
00:20:56,600 --> 00:20:59,000
AND IN FULL DAYLIGHT.
288
00:20:59,934 --> 00:21:01,700
NO, YOU IDIOT.
289
00:21:01,700 --> 00:21:04,066
HE DID NOT GET UP
FROM THE CHAIR TOO EARLY.
290
00:21:04,066 --> 00:21:06,633
YOU DROPPED
THE FLOWERPOT TOO LATE.
291
00:21:08,600 --> 00:21:10,800
SUSPICIOUS OF WHOM?
292
00:21:11,834 --> 00:21:13,700
THE AMERICAN?
293
00:21:14,834 --> 00:21:18,967
OH, OR THIS OTHER ONE--
THE ENGLISHMAN?
294
00:21:18,967 --> 00:21:20,834
GOOD.
295
00:21:20,834 --> 00:21:23,533
VERY GOOD.
296
00:21:23,533 --> 00:21:26,200
LET HIM BE SUSPICIOUS.
297
00:21:26,200 --> 00:21:28,066
THROW HIM OFF.
298
00:21:28,066 --> 00:21:29,567
THROW THEM BOTH OFF.
299
00:21:29,567 --> 00:21:32,233
ARRANGE IT SO THEY MEET--
300
00:21:32,233 --> 00:21:34,400
SOMEWHERE IN
THE VILLAGE MAYBE, NO?
301
00:21:34,400 --> 00:21:36,900
LET THEM HAVE A TALK.
302
00:21:38,266 --> 00:21:40,433
WHAT DO I CARE
HOW YOU DO IT?
303
00:21:40,433 --> 00:21:43,834
JUST DO IT.
IT IS YOUR JOB, IS IT NOT?
304
00:21:43,834 --> 00:21:47,600
SLIP A NOTE UNDER A DOOR.
SLIP A NOTE UNDER TWO DOORS.
305
00:21:47,600 --> 00:21:50,633
USE THE GOOD HALF
OF YOUR BRAIN.
306
00:21:50,633 --> 00:21:52,800
( guitar playing )
307
00:21:59,200 --> 00:22:01,800
A ROMANTIC SCENE,
MR. BARKER.
308
00:22:01,800 --> 00:22:04,400
'TIS INDEED, MR. LOCKE.
309
00:22:04,400 --> 00:22:07,433
I'M NOT SURPRISED
YOU DECIDED TO SPEND
YOUR RETIREMENT YEARS HERE.
310
00:22:07,433 --> 00:22:09,066
I HAVEN'T, NOT FULLY.
311
00:22:09,066 --> 00:22:10,767
I SHALL HAVE TO SEE
IF THE WINTER
312
00:22:10,767 --> 00:22:13,900
IS AS DAMP AND CHILLING
AS THE LOCALS CLAIM.
313
00:22:15,233 --> 00:22:17,066
HOW DO YOU PASS
YOUR DAYS, MR. LOCKE?
314
00:22:17,066 --> 00:22:20,767
OH, I... WATCH
THE WORLD AROUND ME.
315
00:22:20,767 --> 00:22:24,200
I STUDY PEOPLE.
316
00:22:24,200 --> 00:22:27,600
I AM, IF I MAY SAY SO,
RATHER PERCEPTIVE.
317
00:22:27,600 --> 00:22:31,667
I TRY TO PROBE
BEYOND THE FACADE.
318
00:22:31,667 --> 00:22:33,600
FOR INSTANCE,
I HAVE THE FEELING
319
00:22:33,600 --> 00:22:35,100
THAT THERE'S MORE
TO YOUR PRESENCE
320
00:22:35,100 --> 00:22:37,533
IN THE ROYAL ROSE
THAN MEETS THE EYE.
321
00:22:39,934 --> 00:22:41,734
WHAT PERCEPTIONS
DO YOU HAVE
322
00:22:41,734 --> 00:22:44,500
OF THE OTHER GUESTS
AT THE ROYAL ROSE--
323
00:22:44,500 --> 00:22:47,533
MRS. ARKWRIGHT,
MR. LEWIS-- MR. LEWIS?
324
00:22:47,533 --> 00:22:50,867
AH, OUR AMERICAN
TAIL GUNNER, HMM?
325
00:22:50,867 --> 00:22:52,300
OR SO HE SAYS.
326
00:22:52,300 --> 00:22:56,900
- YOU THINK HE'S NOT
WHAT HE CLAIMS TO BE?
- NO.
327
00:22:56,900 --> 00:22:59,834
MORE BY PERCEPTION
THAN HARD PROOF.
328
00:22:59,834 --> 00:23:02,433
BUT LITTLE POINTERS
ALONG THE WAY
329
00:23:02,433 --> 00:23:04,834
HAVE CONVINCED ME
THAT OUR FRIEND HARRY
330
00:23:04,834 --> 00:23:08,667
IS, IN FACT, A MEMBER
OF THE C.I.A.
331
00:23:08,667 --> 00:23:10,133
WELL, HE HAS ALL
THE QUALIFICATIONS:
332
00:23:10,133 --> 00:23:12,700
HE DOESN'T UNDERSTAND
A SINGLE WORD OF
THE LANGUAGE,
333
00:23:12,700 --> 00:23:16,567
HE HAS ABSOLUTELY NO IDEA
OF THE POLITICAL SITUATION
IN THE AREA.
334
00:23:16,567 --> 00:23:20,967
I MEAN, EVEN IF HE HAD,
HE WOULDN'T KNOW WHAT SIDE
HE WAS SUPPOSED TO BE ON.
335
00:23:20,967 --> 00:23:24,266
I ALSO HAVE REASON
TO BELIEVE
336
00:23:24,266 --> 00:23:26,967
THAT HE'S INVOLVED IN SOME
CLANDESTINE OPERATION
337
00:23:26,967 --> 00:23:29,166
ON THE ISLANDS HERE.
338
00:23:29,166 --> 00:23:31,633
WELL, YOU HEARD HIM
YOURSELF.
339
00:23:31,633 --> 00:23:35,166
HE POINTEDLY REPEATED
THE NAME OF HIS HOMETOWN--
340
00:23:35,166 --> 00:23:37,367
TRENTON.
REMEMBER?
341
00:23:37,367 --> 00:23:39,467
TRENTON...
342
00:23:41,033 --> 00:23:42,767
VAGUELY.
343
00:23:42,767 --> 00:23:45,066
I'M NOT SURE I SEE
WHAT YOU'RE DRIVING AT.
344
00:23:45,066 --> 00:23:46,600
SEVERAL WEEKS AGO,
WE HAD A GUEST
345
00:23:46,600 --> 00:23:49,166
AT THE ROYAL ROSE--
BRITISH, IT SEEMED.
346
00:23:49,166 --> 00:23:53,066
A BOOKSELLER, HE SAID.
A TOURIST, HE CLAIMED.
347
00:23:53,066 --> 00:23:57,033
THAT MAN AND HARRY LEWIS
WERE VERY FRIENDLY.
348
00:23:57,033 --> 00:23:58,700
I'M STILL NOT WITH YOU.
349
00:23:58,700 --> 00:24:00,367
ABOUT THREE WEEKS AGO,
350
00:24:00,367 --> 00:24:02,567
THAT MAN DID
A MOONLIGHT FLIT.
351
00:24:02,567 --> 00:24:05,300
HE WAS HERE ONE MINUTE,
GONE THE NEXT.
352
00:24:06,500 --> 00:24:11,300
HIS NAME, MR. BARKER,
WAS GEORGE TRENT.
353
00:24:11,300 --> 00:24:13,467
NOW DO YOU SEE?
354
00:24:13,467 --> 00:24:17,300
I SEE THE CONNECTION
BETWEEN TRENT AND TRENTON,
355
00:24:17,300 --> 00:24:18,700
IF THAT'S WHAT YOU MEAN.
356
00:24:18,700 --> 00:24:21,233
I THINK HE WAS
TESTING YOU.
357
00:24:21,233 --> 00:24:23,734
YOU KNOW THE SORT OF THING--
LIKE SPIES EXCHANGING
358
00:24:23,734 --> 00:24:26,266
SECRET PASSWORDS
TO IDENTIFY THEMSELVES.
359
00:24:26,266 --> 00:24:29,900
HAVE YOU EVER BEEN INVOLVED
WITH ESPIONAGE, MR. LOCKE?
360
00:24:29,900 --> 00:24:32,333
OH, NO.
NOT AT ALL.
361
00:24:32,333 --> 00:24:35,233
IT MUST BE SO EXCITING.
362
00:24:35,233 --> 00:24:39,633
HARRY LEWIS
WITH THE C.I.A.
363
00:24:39,633 --> 00:24:41,533
WHAT COULD HE POSSIBLY
WANT WITH ME?
364
00:24:41,533 --> 00:24:43,300
WHAT COULD HE
POSSIBLY THINK I AM?
365
00:24:43,300 --> 00:24:45,100
WELL, I HAVE NO IDEAS.
366
00:24:45,100 --> 00:24:48,033
AS I SAID,
I'M MERELY AN OBSERVER.
367
00:24:51,967 --> 00:24:53,467
WE'LL TALK AGAIN,
I HOPE.
368
00:24:53,467 --> 00:24:57,333
I WANT TO HEAR MORE
ABOUT THIS MYSTERIOUS
GEORGE TRENTON.
369
00:24:57,333 --> 00:24:59,533
- TRENT.
- TRENT.
370
00:25:00,467 --> 00:25:02,967
WELL, THANK YOU.
371
00:25:04,400 --> 00:25:07,567
- GOOD NIGHT TO YOU, MR. LOCKE.
- GOOD NIGHT, MR. BARKER.
372
00:25:21,500 --> 00:25:23,300
Appleton:
WITH THE EXCEPTION
OF THE SCORPION,
373
00:25:23,300 --> 00:25:27,533
WHICH IN ALL PROBABILITY
WAS A DELIBERATE ATTEMPT
ON MY LIFE,
374
00:25:27,533 --> 00:25:29,033
THE OTHER INCIDENTS--
375
00:25:29,033 --> 00:25:32,834
THAT IS, THE POTTED PLANT
AND THE BLACK FIAT--
376
00:25:32,834 --> 00:25:36,367
COULD VERY WELL HAVE BEEN
PLANNED NEAR-MISSES
377
00:25:36,367 --> 00:25:40,100
DESIGNED TO WARN ME
OR FRIGHTEN ME AWAY.
378
00:25:41,500 --> 00:25:45,667
AS FOR JASON LOCKE,
AT FIRST I THOUGHT HIM
379
00:25:45,667 --> 00:25:48,734
TO BE JUST A HARMLESS
OLD BACHELOR.
380
00:25:48,734 --> 00:25:51,667
BUT THEN
WHY DID HE MENTION
381
00:25:51,667 --> 00:25:54,133
GEORGE TRENT'S
DISAPPEARANCE?
382
00:25:55,200 --> 00:25:59,033
AND WHY
WAS HE FOLLOWING ME?
383
00:25:59,033 --> 00:26:01,800
IT WOULD APPEAR
OUR MR. LOCKE
384
00:26:01,800 --> 00:26:04,066
WOULD BEAR SOME WATCHING.
385
00:26:15,467 --> 00:26:18,633
( distant bells pealing )
386
00:27:33,600 --> 00:27:35,834
- ( speaks Spanish )
- FOLLOW THAT BUS.
387
00:27:35,834 --> 00:27:37,934
( engine starts )
388
00:27:40,467 --> 00:27:43,200
( engine sputtering )
389
00:28:10,500 --> 00:28:14,967
( engine sputtering )
390
00:28:44,300 --> 00:28:47,467
( distant music playing )
391
00:29:05,000 --> 00:29:08,166
( birds screeching )
392
00:29:43,033 --> 00:29:46,066
ARE YOU SURE
HE FOLLOWED YOU?
393
00:29:46,066 --> 00:29:47,834
Jason:
POSITIVE.
394
00:29:47,834 --> 00:29:51,533
HE MADE A REALLY PROFESSIONAL
JOB OF IT, I MAY ADD.
395
00:29:51,533 --> 00:29:55,667
- I JUST CAN'T BELIEVE
HE'S A BRITISH AGENT.
- WHY NOT?
396
00:29:55,667 --> 00:29:58,200
WELL, FOR ONE,
HE'S SUCH A BLOODY FOOL.
397
00:29:58,200 --> 00:29:59,600
OH, I DON'T KNOW
ABOUT THAT.
398
00:29:59,600 --> 00:30:02,266
I HAD QUITE A NICE CHAT
WITH HIM LAST EVENING.
399
00:30:02,266 --> 00:30:04,400
HE'S A VERY CHARMING FELLOW.
400
00:30:04,400 --> 00:30:06,734
WELL, I'M NOT TALKING
ABOUT CHARMING;
401
00:30:06,734 --> 00:30:08,767
I'M TALKING ABOUT MURDER.
402
00:30:08,767 --> 00:30:12,100
THEY'VE ALREADY TRIED
THREE TIMES TO KILL HIM.
403
00:30:12,100 --> 00:30:13,567
THREE?
404
00:30:13,567 --> 00:30:17,734
YOU DON'T THINK
THAT FLOWERPOT
WAS AN ACCIDENT, DO YOU?
405
00:30:17,734 --> 00:30:19,734
Jason:
BUT YOU SAID
IT HAD HAPPENED BEFORE.
406
00:30:19,734 --> 00:30:23,967
I DIDN'T WANT HIM
TO GET SUSPICIOUS.
407
00:30:23,967 --> 00:30:28,300
DO YOU THINK ANYONE'S TOLD HIM
ABOUT THE SANDSTONE QUARRY?
408
00:30:28,300 --> 00:30:32,200
WELL, I CERTAINLY
HOPE NOT.
409
00:30:32,200 --> 00:30:34,200
( engine starts )
410
00:30:59,233 --> 00:31:02,200
( boat horn blaring )
411
00:31:02,200 --> 00:31:05,367
( music playing )
412
00:31:40,400 --> 00:31:43,600
( music blaring )
413
00:31:51,433 --> 00:31:53,567
WHAT ARE YOU--?
414
00:32:01,767 --> 00:32:03,767
( both yelling )
415
00:32:03,767 --> 00:32:05,900
WHAT ARE YOU--?
416
00:32:08,967 --> 00:32:11,066
CUT IT OUT!
417
00:32:59,633 --> 00:33:04,567
WHOOOA!
418
00:33:22,633 --> 00:33:24,800
( both scream )
419
00:33:49,266 --> 00:33:51,967
IT'S LIPTON'S.
I TRUST IT'S ALL RIGHT.
420
00:33:54,300 --> 00:33:57,033
SPLENDID.
WHERE'S MONA?
421
00:33:57,033 --> 00:33:59,300
OH, SHE'LL BE ALONG.
MILK OR LEMON?
422
00:33:59,300 --> 00:34:01,367
( castanets clacking )
423
00:34:17,300 --> 00:34:21,200
HER NAME'S MARIA SOLA.
SHE CHECKED IN LAST NIGHT.
424
00:34:21,200 --> 00:34:23,000
SHE'S AN ENTERTAINER.
425
00:34:29,800 --> 00:34:32,934
- OLE!
- OLE! BRAVO!
426
00:34:32,934 --> 00:34:35,633
- OLE!
- THANK YOU.
427
00:34:35,633 --> 00:34:38,300
I AM MARIA SOLA.
428
00:34:38,300 --> 00:34:41,533
- ARNOLD BARKER.
- YOU MUST BE NORTH AMERICAN.
429
00:34:41,533 --> 00:34:44,834
YOU ARE SO VERY TALL.
430
00:34:44,834 --> 00:34:46,066
TALLISH.
431
00:34:46,066 --> 00:34:48,266
MARIA, I'VE BEEN LOOKING
FOR YOU ALL MORNING.
432
00:34:48,266 --> 00:34:50,433
WHY DON'T YOU JOIN ME
IN THE BAR FOR A SPOT
OF BRANDY?
433
00:34:50,433 --> 00:34:51,834
AT THIS HOUR?
434
00:34:51,834 --> 00:34:54,133
HOW DISGUSTING!
ALL RIGHT.
435
00:34:56,467 --> 00:34:59,633
- SEE YOU AROUND, ARNOLD.
- ( castanets clacking )
436
00:34:59,633 --> 00:35:02,367
DOPE!
( squawks )
437
00:35:02,367 --> 00:35:05,433
LOOKS LIKE SOMEBODY
STOLE YOUR THUNDER,
ARNOLD.
438
00:35:05,433 --> 00:35:07,433
SHE'S VERY PRETTY,
ISN'T SHE?
439
00:35:07,433 --> 00:35:09,000
I HADN'T
REALLY NOTICED.
440
00:35:09,000 --> 00:35:12,233
MARTHA SAID
YOU WANTED TO SEE ME
ABOUT SOMETHING.
441
00:35:12,233 --> 00:35:14,934
- I DID?
- TRY TO REMEMBER.
442
00:35:14,934 --> 00:35:17,066
I'LL BE RIGHT BACK.
443
00:35:18,734 --> 00:35:21,066
AH, MR. LOCKE.
444
00:35:21,066 --> 00:35:23,834
AH, GOOD MORNING,
MR. BARKER.
445
00:35:23,834 --> 00:35:25,934
I WANTED TO THANK YOU
FOR SHOWING ME THE WAY
446
00:35:25,934 --> 00:35:28,633
TO THAT WONDERFUL BEACH
YESTERDAY.
447
00:35:28,633 --> 00:35:32,333
- I HAVE NO IDEA
WHAT YOU'RE TALKING ABOUT.
- IT DOESN'T MATTER.
448
00:35:32,333 --> 00:35:33,934
WHAT DOES MATTER
IS THAT I'VE BEEN GIVING
449
00:35:33,934 --> 00:35:36,567
YOUR MR. GEORGE TRENT
A LOT OF THOUGHT.
450
00:35:36,567 --> 00:35:39,700
I CHECKED THE REGISTER
TO FIND HIS WHEREABOUTS
IN BRITAIN,
451
00:35:39,700 --> 00:35:41,300
AND GUESS WHAT.
452
00:35:41,300 --> 00:35:42,900
I CAN'T POSSIBLY.
453
00:35:42,900 --> 00:35:47,633
THE PAGE THAT WOULD HAVE HAD
HIS NAME HAS BEEN TORN OUT.
454
00:35:47,633 --> 00:35:50,333
OH, THAT'S MOST CURIOUS.
455
00:35:50,333 --> 00:35:52,967
POSSIBLY A MISTAKE
ON SOMEBODY'S PART.
456
00:35:52,967 --> 00:35:56,567
THE PLOT THICKENS.
WOULDN'T YOU AGREE, MR. LOCKE?
457
00:35:56,567 --> 00:35:57,900
PERHAPS.
458
00:35:57,900 --> 00:36:02,166
PERHAPS I'M BEING
MELODRAMATIC.
459
00:36:02,166 --> 00:36:04,533
WOULD YOU CARE
FOR SOME TEA,
MR. LOCKE?
460
00:36:04,533 --> 00:36:06,900
NO, THANK YOU. NO.
( clearing throat )
461
00:36:06,900 --> 00:36:09,233
I HAVE TO BE ON MY WAY.
462
00:36:14,300 --> 00:36:15,867
WHAT'S THE MATTER
WITH MR. LOCKE?
463
00:36:15,867 --> 00:36:17,834
I HAVE NO IDEA.
464
00:36:17,834 --> 00:36:19,900
DID YOU REMEMBER
WHAT YOU WANTED
TO SEE ME ABOUT?
465
00:36:19,900 --> 00:36:22,567
YES-- THE SANDSTONE QUARRY.
466
00:36:22,567 --> 00:36:24,333
IS IT WORTH SEEING?
467
00:36:25,433 --> 00:36:27,333
IT'S HARDLY
A TOURIST ATTRACTION.
468
00:36:27,333 --> 00:36:29,600
QUITE AN EERIE PLACE,
ACTUALLY.
469
00:36:29,600 --> 00:36:31,400
I NEVER DID
SEE WHAT HE FOUND
SO INTERESTING IN IT.
470
00:36:31,400 --> 00:36:33,633
- HE?
- GEORGE TRENT.
471
00:36:33,633 --> 00:36:36,333
HE WAS A GUEST WHO
STAYED HERE AND RAN OFF
WITHOUT PAYING HIS BILL.
472
00:36:36,333 --> 00:36:40,033
- HE SAID HE WENT THERE A LOT.
- WELL, THEN, IT MUST BE
WORTH LOOKING AT.
473
00:36:40,033 --> 00:36:41,400
WHERE IS IT?
474
00:36:41,400 --> 00:36:43,000
IT'S ON THE OUTSKIRTS
OF TOWN.
475
00:36:43,000 --> 00:36:45,300
ONE DAY I'LL PLAY GUIDE
AND TAKE YOU THERE.
476
00:36:45,300 --> 00:36:46,934
WHY NOT TODAY?
477
00:36:49,033 --> 00:36:51,166
ALL RIGHT.
478
00:37:21,767 --> 00:37:25,967
( bird screeching )
479
00:37:43,467 --> 00:37:46,233
THEY USED TO
USE THE SANDSTONE
FOR BUILDING BLOCKS.
480
00:37:46,233 --> 00:37:48,033
THE QUARRY GAVE OUT
20 YEARS AGO.
481
00:37:48,033 --> 00:37:50,333
Appleton:
IT'S NOT A VERY
CHEERFUL PLACE.
482
00:37:50,333 --> 00:37:52,300
DEPENDS ON
WHO YOU'RE WITH.
483
00:37:52,300 --> 00:37:54,633
I FORGOT MY CAMERA.
I'LL BE RIGHT BACK.
484
00:38:04,233 --> 00:38:05,867
( thuds )
485
00:38:21,600 --> 00:38:24,834
REALLY, I'M NOT
VERY GOOD AT THIS.
486
00:38:24,834 --> 00:38:26,700
- SAY CHEESE.
- CHEESE.
487
00:38:26,700 --> 00:38:28,700
( camera clicks )
488
00:38:28,700 --> 00:38:30,867
BACK UP A BIT.
489
00:38:30,867 --> 00:38:32,467
A BIT MORE.
490
00:38:34,767 --> 00:38:36,834
MORE.
491
00:38:38,500 --> 00:38:40,567
WHOA! WHOA!
492
00:38:40,567 --> 00:38:43,500
OH, MY GOD, ARNOLD!
YOU ALMOST FELL.
493
00:38:43,500 --> 00:38:45,600
HOLD ME.
494
00:38:48,400 --> 00:38:50,900
IT'S ALL RIGHT, MONA.
495
00:38:50,900 --> 00:38:53,033
IT'S ALL RIGHT.
496
00:39:05,166 --> 00:39:07,266
( gasps )
497
00:39:11,066 --> 00:39:13,467
DON'T MOVE.
498
00:39:13,467 --> 00:39:15,233
THE CORNER OF THE CAR
IN FRONT OF YOU
499
00:39:15,233 --> 00:39:17,100
HAS GONE OVER THE EDGE.
500
00:39:18,900 --> 00:39:23,000
THE FRONT WHEEL ON THIS SIDE
IS ALMOST THERE,
501
00:39:23,000 --> 00:39:25,734
- RIGHT ON THE RIM.
- ( gasps )
502
00:39:27,867 --> 00:39:30,900
ONE FALSE MOVE,
AND OVER WE GO.
503
00:39:38,734 --> 00:39:41,667
( handbrake clicking )
504
00:39:41,667 --> 00:39:44,133
IT'S A HUNDRED-FOOT DROP.
I'M TERRIFIED.
505
00:39:44,133 --> 00:39:46,100
JUST DON'T MOVE.
506
00:39:48,333 --> 00:39:51,166
( handbrake clicking )
507
00:39:57,400 --> 00:39:59,133
THERE.
508
00:40:00,433 --> 00:40:02,567
THE PARKING BRAKE
ON THE CITROEN DEUX CHEVAUX
509
00:40:02,567 --> 00:40:04,233
IS ONE OF THE STRONGEST
IN THE MOTORING WORLD.
510
00:40:04,233 --> 00:40:07,667
IT HAS TO BE, SEE,
TO COMPENSATE FOR THE FACT
THAT THE GEARS ARE SO LIGHT.
511
00:40:07,667 --> 00:40:10,233
AS A MATTER OF FACT, THE GEARS
ON THE DEUX CHEVAUX ARE SO WEAK
512
00:40:10,233 --> 00:40:12,633
THAT THE CAR CANNOT
BE STARTED WITH MOTION--
513
00:40:12,633 --> 00:40:14,700
THAT IS, A TOW OR A PUSH.
514
00:40:14,700 --> 00:40:16,500
INTERESTING.
515
00:40:17,567 --> 00:40:19,400
OKAY.
516
00:40:20,600 --> 00:40:24,333
NOW, YOU LEAN FORWARD
TOWARDS ME SLOWLY.
517
00:40:24,333 --> 00:40:27,000
I'M GOING
TO OPEN THE DOOR
518
00:40:27,000 --> 00:40:28,834
AND WE'RE GOING
TO JUMP.
519
00:40:28,834 --> 00:40:32,700
- I'M GOING TO SNEEZE.
- PINCH YOUR NOSE.
520
00:40:32,700 --> 00:40:34,800
- ALL RIGHT?
- MM-HMM.
521
00:40:36,166 --> 00:40:38,200
OKAY.
522
00:40:38,200 --> 00:40:40,967
MOVE THIS WAY
523
00:40:40,967 --> 00:40:43,333
AND DON'T LET GO
OF YOUR NOSE.
524
00:40:44,633 --> 00:40:47,367
EASY.
525
00:40:47,367 --> 00:40:49,400
EASY DOES IT.
526
00:40:53,734 --> 00:40:56,100
OKAY. NOW!
527
00:41:18,400 --> 00:41:20,066
( sneezes )
528
00:41:21,233 --> 00:41:23,033
GESUNDHEIT.
529
00:41:30,333 --> 00:41:33,567
I DON'T BELIEVE MY EARS.
530
00:41:33,567 --> 00:41:37,033
THE CAR WENT
OVER A CLIFF, EXPLODED,
531
00:41:37,033 --> 00:41:40,266
AND HE GOT BACK TO THE HOTEL
WITH HIS OWN TWO FEET?
532
00:41:40,266 --> 00:41:42,700
WE ARE WITNESSING
A RESURRECTION HERE.
533
00:41:42,700 --> 00:41:45,467
ANOTHER LAZARUS!
534
00:41:45,467 --> 00:41:48,767
ALL RIGHT, ALL RIGHT,
I BELIEVE YOU.
535
00:41:48,767 --> 00:41:51,266
NOW, LISTEN TO ME
CAREFULLY.
536
00:41:51,266 --> 00:41:53,166
BECAUSE OF
MY VERY GOOD NATURE,
537
00:41:53,166 --> 00:41:57,367
I'M GIVING YOU
ANOTHER 24 HOURS
TO DISPOSE OF HIM.
538
00:41:57,367 --> 00:42:00,734
NOW, THIS IS YOUR LAST CHANCE,
YOU UNDERSTAND?
539
00:42:00,734 --> 00:42:04,400
AND IF WE'RE ABOUT TO WITNESS
ANOTHER RESURRECTION,
540
00:42:04,400 --> 00:42:08,266
IT WILL BE ONE
THAT YOU WILL HAVE TO
PERFORM ON YOURSELF!
541
00:42:42,200 --> 00:42:45,000
Maria:
A ROMANTIC SPOT, ISN'T IT?
542
00:42:46,066 --> 00:42:48,834
YES, IT IS.
543
00:42:50,467 --> 00:42:53,700
YOU, UM, WANTED
TO SEE ME?
544
00:42:55,166 --> 00:42:58,967
I HEARD MRS. ARKWRIGHT
AND JASON LOCKE TALKING.
545
00:42:58,967 --> 00:43:02,266
- THEY SAID YOU WERE
A BRITISH AGENT.
- THEY DID?
546
00:43:02,266 --> 00:43:04,567
- I NEED AN AGENT.
- YOU DO?
547
00:43:04,567 --> 00:43:06,200
- FOR MY ACT.
- OH.
548
00:43:06,200 --> 00:43:09,000
FLAMENCO, FLAMENCO!
I'M SICK OF FLAMENCO.
549
00:43:09,000 --> 00:43:10,767
I'M READY
FOR BIGGER THINGS.
550
00:43:10,767 --> 00:43:14,000
I'M-- I'M SURE
YOU ARE.
551
00:43:14,000 --> 00:43:17,600
I WISH I WAS AN AGENT,
BUT I'M NOT.
552
00:43:18,700 --> 00:43:21,200
OH.
553
00:43:21,200 --> 00:43:24,000
OH, WELL.
554
00:43:24,000 --> 00:43:25,700
IT'S STILL
A ROMANTIC SPOT.
555
00:43:25,700 --> 00:43:28,300
Appleton:
YES. YES, IT IS.
556
00:43:28,300 --> 00:43:31,400
IS IT LIKE THE SPOT
MONA TOOK YOU TO?
557
00:43:32,400 --> 00:43:34,333
OH, NO, NO.
558
00:43:34,333 --> 00:43:39,433
NO. IT WAS MORE LIKE
A... GRAVEL PIT.
559
00:43:41,300 --> 00:43:43,734
BUT YOU MUST HAVE
KISSED HER...
560
00:43:46,133 --> 00:43:48,100
LIKE THIS.
561
00:43:57,867 --> 00:44:01,467
- WHAT'S WRONG?
- SOMEONE'S COMING.
562
00:44:01,467 --> 00:44:03,000
A COUPLE
563
00:44:03,000 --> 00:44:05,100
IN SEARCH OF SOLITUDE.
564
00:44:06,834 --> 00:44:09,100
YOU SEE?
A COUPLE.
565
00:44:11,400 --> 00:44:13,100
A COUPLE OF HAMMERS.
566
00:44:13,100 --> 00:44:15,233
( engine starts )
567
00:44:54,467 --> 00:44:56,633
( clunks )
568
00:45:10,100 --> 00:45:12,800
( tires screeching )
569
00:45:20,333 --> 00:45:22,400
Maria:
STOP HERE.
570
00:45:36,000 --> 00:45:37,834
LIGHT ME.
571
00:45:48,166 --> 00:45:50,400
I'LL GET OUT HERE.
572
00:45:50,400 --> 00:45:54,767
I WOULD RATHER WALK
THAN RIDE WITH A MAD MAN.
573
00:45:54,767 --> 00:45:56,967
BUT--
574
00:45:56,967 --> 00:45:59,066
GOOD NIGHT.
575
00:46:08,367 --> 00:46:12,166
OPERATION CORNFIELD,
DRIVE.
576
00:46:46,567 --> 00:46:49,266
( distant dog barking )
577
00:46:59,066 --> 00:47:00,667
KILL THE LIGHTS.
578
00:47:01,834 --> 00:47:04,100
BOARD THE CHOPPER.
579
00:47:21,667 --> 00:47:24,700
- GOOD EVENING, PORTER.
- GOOD EVENING, SIR.
580
00:47:24,700 --> 00:47:27,433
- WELL, GET IN.
- YES, SIR.
581
00:47:31,500 --> 00:47:35,633
I HOPE YOU HAVEN'T
FORGOTTEN HOW TO FLY
ONE OF THESE THINGS,
582
00:47:35,633 --> 00:47:39,433
LIGHT AIRCRAFT OPERATION
BEING PART OF YOUR
BASIC TRAINING.
583
00:47:39,433 --> 00:47:42,667
- YES, SIR.
I CAN FLY IT.
- GOOD.
584
00:47:42,667 --> 00:47:44,767
UP.
585
00:47:47,500 --> 00:47:50,633
( engine starts )
586
00:48:14,567 --> 00:48:17,967
PORTER, WE'RE GOING
BACKWARDS.
587
00:48:17,967 --> 00:48:19,867
YES, SIR, I KNOW.
588
00:48:26,567 --> 00:48:29,166
THERE WE ARE.
589
00:48:29,166 --> 00:48:31,233
JUST TAKES A WHILE
TO GET THE FEEL OF IT.
590
00:48:31,233 --> 00:48:34,066
WELL, NOW,
JUST CIRCLE THE FIELD
591
00:48:34,066 --> 00:48:37,767
AND GIVE ME A REPORT
ON THE PROGRESS OF
YOUR MISSION.
592
00:48:37,767 --> 00:48:41,800
( stammering )
UM, WELL, THERE HASN'T
BEEN ANY PROGRESS,
593
00:48:41,800 --> 00:48:43,033
NOT YET.
594
00:48:43,033 --> 00:48:44,700
I'VE ONLY BEEN HERE
TWO DAYS.
595
00:48:44,700 --> 00:48:47,667
I'M PERFECTLY AWARE
HOW LONG YOU'VE BEEN HERE.
596
00:48:47,667 --> 00:48:50,133
WHAT I WANT TO KNOW
IS IF ANYTHING'S HAPPENED.
597
00:48:50,133 --> 00:48:52,266
YES, SIR, BUT NOTHING
LEADING ANYWHERE,
598
00:48:52,266 --> 00:48:54,100
AT LEAST NOT AS FAR
AS I CAN SEE.
599
00:48:54,100 --> 00:48:55,367
( sighs )
WELL, TELL ME.
600
00:48:55,367 --> 00:48:57,166
GIVE ME ALL
THE BITS AND PIECES.
601
00:48:57,166 --> 00:48:58,600
WELL, THERE'S JASON LOCKE.
602
00:48:58,600 --> 00:49:01,900
HE'S A RETIRED DENTIST
FROM LONDON.
603
00:49:01,900 --> 00:49:03,967
HE SEEMS
PRETTY SUSPICIOUS.
604
00:49:03,967 --> 00:49:05,400
BUT THEN AGAIN,
THEY ALL DO.
605
00:49:05,400 --> 00:49:08,200
HAS THERE BEEN ANY MENTION
OF GEORGE TRENT?
606
00:49:08,200 --> 00:49:10,233
YES. THEY TALK ABOUT HIM
ALL THE TIME.
607
00:49:10,233 --> 00:49:12,300
THERE ARE SOME WHO THINK THAT
HE SKIPPED OFF IN THE NIGHT
608
00:49:12,300 --> 00:49:13,767
WITHOUT PAYING HIS BILL,
609
00:49:13,767 --> 00:49:15,967
AND THE OTHERS THINK
THAT FOUL PLAY WAS INVOLVED.
610
00:49:15,967 --> 00:49:17,867
- FOUL PLAY?
- YES.
611
00:49:17,867 --> 00:49:19,934
SOMETHING ABOUT
THE SANDSTONE QUARRY.
612
00:49:19,934 --> 00:49:22,000
- I NEARLY FELL IN MYSELF.
- FELL IN?
613
00:49:22,000 --> 00:49:24,867
YEAH, JUST BEFORE MY CAR
WENT OVER THE CLIFF.
614
00:49:24,867 --> 00:49:27,734
AM I TO UNDERSTAND
THERE HAVE BEEN ATTEMPTS
ON YOUR LIFE?
615
00:49:27,734 --> 00:49:30,100
FIVE, INCLUDING
THE FLOWERPOT.
616
00:49:30,100 --> 00:49:33,800
BUT, IN ALL HONESTY,
I THINK ONLY THE SCORPION
IN MY BED
617
00:49:33,800 --> 00:49:36,033
AND THE TWO RUSSIANS
TRYING TO RUN ME DOWN
TONIGHT
618
00:49:36,033 --> 00:49:39,233
WERE THE ONLY
DEFINITE THRUSTS
IN MY DIRECTION.
619
00:49:39,233 --> 00:49:41,033
YOU'D BETTER TAKE THIS.
620
00:49:41,033 --> 00:49:44,433
NOT EXACTLY A CANNON,
BUT IT HAS SLIGHT RECOIL.
621
00:49:44,433 --> 00:49:47,967
AN 800-POUND IMPACT
AT 20 FEET.
622
00:49:47,967 --> 00:49:51,934
THANK YOU, SIR.
DO I HAVE TO SIGN FOR IT?
623
00:49:51,934 --> 00:49:53,834
NO.
624
00:49:53,834 --> 00:49:56,333
ARE THERE ANY FURTHER
INSTRUCTIONS?
625
00:49:56,333 --> 00:49:58,700
YES: STAY ALIVE.
626
00:49:58,700 --> 00:50:00,700
- GOOD MORNING!
- Perky: HELLO!
627
00:50:00,700 --> 00:50:04,233
- NOT SO FAR IT HASN'T BEEN.
- Perky: DOPE!
628
00:50:04,233 --> 00:50:06,300
MONA WAS OUT LATE
LAST NIGHT,
629
00:50:06,300 --> 00:50:10,000
DECIDED TO SLEEP IN,
LEAVES ALL THE WORK TO ME.
630
00:50:10,000 --> 00:50:12,233
SLAVE DRIVER,
THAT'S WHAT SHE IS.
631
00:50:12,233 --> 00:50:14,100
ONE CAN ALWAYS QUIT.
632
00:50:14,100 --> 00:50:17,400
- YOU CAN'T.
- BEG YOUR PARDON?
633
00:50:17,400 --> 00:50:21,033
LOOK, ARNOLD, I KNOW
IT'S NONE OF MY BUSINESS
WHAT YOU'RE UP TO.
634
00:50:21,033 --> 00:50:22,834
MAYBE YOU'RE NOT
UP TO ANYTHING,
635
00:50:22,834 --> 00:50:24,300
BUT I THINK I OUGHT
TO TELL YOU.
636
00:50:24,300 --> 00:50:27,700
- TELL ME WHAT?
- I KNOW WHAT YOU
REALLY ARE-- YOUR JOB.
637
00:50:27,700 --> 00:50:30,567
- ( cup clatters )
- MY JOB?
638
00:50:30,567 --> 00:50:33,567
MM. WHEN I WAS
TAKING CLEAN TOWELS
TO YOUR ROOM YESTERDAY,
639
00:50:33,567 --> 00:50:36,066
I FOUND THIS
ON THE FLOOR.
640
00:50:36,066 --> 00:50:38,100
WELL, YOU MUST
HAVE DROPPED IT.
641
00:50:38,100 --> 00:50:41,000
DON'T WORRY, I WON'T SAY
ANYTHING TO THE OTHERS.
642
00:50:41,000 --> 00:50:44,533
I'LL GET YOUR BREAKFAST,
INSPECTOR.
643
00:50:47,467 --> 00:50:50,600
GOOD GRIEF.
SCOTLAND YARD.
644
00:50:52,133 --> 00:50:54,700
Harry:
OH, THERE YOU ARE!
645
00:50:54,700 --> 00:50:57,000
GUESS WHAT HAPPENED.
646
00:50:57,000 --> 00:50:59,734
OLD JASON LOCKE
TOOK OFF LAST NIGHT.
647
00:50:59,734 --> 00:51:02,367
DIDN'T SAY "GOODBYE"
OR "GO TO HELL."
648
00:51:02,367 --> 00:51:03,867
PROBABLY LEFT A BILL.
649
00:51:03,867 --> 00:51:05,300
THEY USUALLY DO
WHEN THEY SNEAK OFF.
650
00:51:05,300 --> 00:51:07,700
MR. LOCKE DID NOT
SNEAK OFF.
651
00:51:07,700 --> 00:51:09,767
HIS BILL WAS PAID
AND HE LEFT HIS KEY.
652
00:51:09,767 --> 00:51:12,867
- HE CHECKED OUT?
- NOT EXACTLY.
BUT HE'S A GROWN MAN.
653
00:51:12,867 --> 00:51:15,567
- HE CAN COME
AND GO AS HE LIKES.
- Appleton: HE LIKES IBIZA.
654
00:51:15,567 --> 00:51:18,567
HE WAS PLANNING TO SPEND
HIS RETIREMENT HERE THIS YEAR.
655
00:51:18,567 --> 00:51:20,800
APPARENTLY HE CHANGED
HIS MIND.
656
00:51:20,800 --> 00:51:23,734
Alicia:
OR SOMEBODY
CHANGED IT FOR HIM!
657
00:51:23,734 --> 00:51:28,033
MR. LOCKE DID NOT CHECK OUT
OF THIS ESTABLISHMENT.
658
00:51:28,033 --> 00:51:32,367
HIS SUITCASES
ARE UP IN THE ATTIC.
659
00:53:08,533 --> 00:53:11,700
( car approaching )
660
00:56:55,100 --> 00:56:57,700
( barking )
661
00:57:25,367 --> 00:57:27,500
SIC.
662
00:57:27,500 --> 00:57:30,100
SIC. SIC.
663
00:57:33,166 --> 00:57:35,100
BITE.
664
00:57:35,100 --> 00:57:36,834
BITE, BITE, BITE.
665
00:57:38,333 --> 00:57:41,433
IT SEEMS THERE IS
A DISAGREEMENT
666
00:57:41,433 --> 00:57:45,266
AS TO WHO WAS THE LAST
TO SEE MR. LOCKE.
667
00:57:45,266 --> 00:57:47,100
I BELIEVE I WAS.
668
00:57:47,100 --> 00:57:49,567
THAT WOULD'VE BEEN
ABOUT 4:00.
669
00:57:49,567 --> 00:57:51,200
4:00.
670
00:57:52,300 --> 00:57:54,500
AND WAS HE ACTING
STRANGE IN ANY WAY?
671
00:57:54,500 --> 00:57:57,133
AS A MATTER OF FACT,
HE WAS.
672
00:57:57,133 --> 00:57:59,834
THAT'S WHY I FEEL SURE
SOMETHING IS WRONG.
673
00:57:59,834 --> 00:58:03,467
MR. LOCKE WAS UPSET,
WHICH IS COMPLETELY
OUT OF CHARACTER.
674
00:58:03,467 --> 00:58:07,400
HMM. DID YOU AND HE TALK,
MRS. ARKWRIGHT?
675
00:58:07,400 --> 00:58:08,867
BRIEFLY.
676
00:58:08,867 --> 00:58:11,266
HE SAID HE HAD
SOMEWHERE TO GO.
677
00:58:11,266 --> 00:58:13,500
I TOLD HIM NOT TO FORGET
OUR CHESS GAME.
678
00:58:13,500 --> 00:58:16,233
AND HE SAID HE WOULD NOT
679
00:58:16,233 --> 00:58:18,800
BE PLAYING THAT EVENING.
680
00:58:19,734 --> 00:58:22,166
A STATEMENT
THAT COULD FIT
681
00:58:22,166 --> 00:58:25,500
WITH A PERSON WHO WAS ABOUT
TO SLIP AWAY COVERTLY.
682
00:58:25,500 --> 00:58:27,600
Harry:
HE DIDN'T SLIP AWAY.
683
00:58:27,600 --> 00:58:31,133
NO, I SAW HIM AFTER 4:00.
MUST'VE BEEN AROUND 6:00.
684
00:58:31,133 --> 00:58:33,467
6:00.
685
00:58:33,467 --> 00:58:37,266
AND WAS HE UPSET,
MR. LEWIS?
686
00:58:37,266 --> 00:58:39,233
NOT A BIT.
I WAS IN THE BAR.
687
00:58:39,233 --> 00:58:42,000
I SAW HIM CROSS THE LOBBY.
HE SEEMED FINE TO ME.
688
00:58:42,000 --> 00:58:45,533
A MAN WHO SPENDS
HALF HIS LIFE BEHIND BARS
689
00:58:45,533 --> 00:58:48,367
RARELY KNOWS
WHAT TIME IT IS.
690
00:58:48,367 --> 00:58:50,333
( laughing )
691
00:58:50,333 --> 00:58:52,467
BEHIND BARS?
692
00:58:54,133 --> 00:58:57,767
- YOU HAVE BEEN
IN PRISON, MR. LEWIS?
- NO, NO, NO, NO.
693
00:58:57,767 --> 00:58:59,900
SHE MEANS
THAT I DRINK A LOT.
694
00:59:01,066 --> 00:59:03,700
- I SEE.
- ( footsteps approaching )
695
00:59:05,100 --> 00:59:07,033
WHO HAVE WE HERE?
696
00:59:07,033 --> 00:59:09,033
MR. BARKER--
ARNOLD BARKER.
697
00:59:09,033 --> 00:59:10,400
Perky: DOPE.
698
00:59:10,400 --> 00:59:14,500
PERHAPS YOU WOULD CARE
TO OFFER AN OPINION,
MR. BARKER?
699
00:59:14,500 --> 00:59:16,066
AN OPINION?
700
00:59:16,066 --> 00:59:18,333
AS TO WHAT HAPPENED
TO MR. LOCKE.
701
00:59:18,333 --> 00:59:21,734
OH, I-- I HAVE
REALLY NO IDEA.
702
00:59:21,734 --> 00:59:23,100
I HAVE ONLY
BEEN HERE A FEW DAYS
703
00:59:23,100 --> 00:59:25,200
AND I-- I HARDLY
KNEW THE MAN.
704
00:59:25,200 --> 00:59:28,000
SORRY, I--
I CAN'T HELP YOU.
705
00:59:28,000 --> 00:59:29,533
Martha:
OH, YES, YOU CAN.
706
00:59:29,533 --> 00:59:31,967
GO ON, TELL HIM, ARNOLD.
TELL HIM WHO YOU REALLY ARE.
707
00:59:31,967 --> 00:59:34,734
- WHAT?
- MR. BARKER'S A DETECTIVE.
708
00:59:34,734 --> 00:59:37,100
HE'S FROM SCOTLAND YARD.
HE'S GOT A CARD TO PROVE IT.
709
00:59:37,100 --> 00:59:39,000
- I'VE SEEN--
- NO, NO, NO, NO, NO.
710
00:59:39,000 --> 00:59:40,767
IT'S-- IT'S A MISTAKE,
A JOKE.
711
00:59:40,767 --> 00:59:42,500
I HAVE NOTHING TO DO
WITH SCOTLAND YARD.
712
00:59:42,500 --> 00:59:44,500
BUT YOU HAVE
AN IDENTIFICATION CARD.
713
00:59:44,500 --> 00:59:47,867
- I'VE SEEN IT.
- NO, NO, NO. IT DOESN'T
MEAN ANYTHING, THAT CARD.
714
00:59:47,867 --> 00:59:49,900
I MEAN, YOU CAN BUY THEM
IN ANY LONDON JOKE SHOP.
715
00:59:49,900 --> 00:59:51,767
THEY SELL THEM
TO THE TOURISTS
BY THE THOUSANDS.
716
00:59:51,767 --> 00:59:54,033
THEY TAKE YOUR PICTURE,
AND THEN THEY PUT IT ON
RIGHT WHILE YOU'RE WAITING.
717
00:59:54,033 --> 00:59:56,700
WHERE IS THIS CARD,
MR. BARKER?
718
00:59:56,700 --> 00:59:59,600
I-- I DON'T--
I DON'T THINK I...
719
00:59:59,600 --> 01:00:01,166
OH, YES, I--
YES, I DO.
720
01:00:01,166 --> 01:00:02,200
I'M QUITE PROUD
OF IT, ACTUALLY.
721
01:00:02,200 --> 01:00:03,533
IT LOOKS SO OFFICIAL.
722
01:00:03,533 --> 01:00:04,734
I'VE HAD A LOT
OF FUN WITH IT.
723
01:00:04,734 --> 01:00:06,567
WHAT I DO
IS I LEAVE IT
LYING ABOUT
724
01:00:06,567 --> 01:00:08,367
AND SEE
THE FINDER'S REACTION.
725
01:00:08,367 --> 01:00:11,934
THAT'S HOW SHE SAW IT.
ISN'T IT, MARTHA?
726
01:00:11,934 --> 01:00:15,033
IMPERSONATING
AN OFFICER OF THE LAW.
727
01:00:15,033 --> 01:00:17,633
NO, NO, NO, NO.
NOTHING LIKE THAT.
728
01:00:17,633 --> 01:00:20,233
NO, FUN--
PLAIN FUN.
729
01:00:21,400 --> 01:00:22,867
I THINK YOU HAD
BETTER COME ALONG
730
01:00:22,867 --> 01:00:24,967
TO THE POLICE STATION,
MR. BARKER.
731
01:00:28,667 --> 01:00:30,700
PLEASE.
732
01:00:35,567 --> 01:00:37,767
( distant bells pealing )
733
01:00:43,467 --> 01:00:45,467
EXCUSE ME FOR TAKING
SO LONG.
734
01:00:45,467 --> 01:00:47,033
OH, IT'S PERFECTLY
ALL RIGHT.
735
01:00:47,033 --> 01:00:50,300
YOU DO NOT, OF COURSE,
HAVE A CRIMINAL RECORD.
736
01:00:50,300 --> 01:00:53,533
NO, NO, OF COURSE NOT,
BUT YOU HAD TO CHECK.
737
01:00:53,533 --> 01:00:56,300
WE ALSO CHECKED ON
JASON LOCKE,
738
01:00:56,300 --> 01:00:59,700
AND I AM HAPPY
TO REPORT WE HAVE FOUND
THE MISSING GENTLEMAN.
739
01:00:59,700 --> 01:01:01,400
OH, GOOD.
I'M DELIGHTED.
740
01:01:01,400 --> 01:01:04,333
HE IS AT THE SACRED HEART
CLINIC WITH A HEAD WOUND.
741
01:01:04,333 --> 01:01:06,734
IT WOULD APPEAR HE FELL
742
01:01:06,734 --> 01:01:09,567
INTO A SANDSTONE PIT.
743
01:01:09,567 --> 01:01:11,500
IT IS A COMMON ACCIDENT
HERE FOR THE TOURISTS.
744
01:01:11,500 --> 01:01:13,266
OH, IS IT?
HOW CURIOUS.
745
01:01:13,266 --> 01:01:15,800
IF INDEED
IT WAS AN ACCIDENT.
746
01:01:15,800 --> 01:01:20,066
IS MR. LOCKE SUGGESTING
THAT HE WAS ATTACKED?
747
01:01:20,066 --> 01:01:22,400
MR. LOCKE IS UNABLE
TO CLAIM ANYTHING
AT THE MOMENT.
748
01:01:22,400 --> 01:01:23,834
HE'S STILL UNCONSCIOUS.
749
01:01:23,834 --> 01:01:28,233
WHEN HE COMES TO,
POSSIBLY HE CAN TELL US
HOW HE LANDED IN THE PIT
750
01:01:28,233 --> 01:01:33,066
AND WHAT KIND OF MAGIC
HE USED TO GET HIMSELF
751
01:01:33,066 --> 01:01:36,900
FROM THE SANDSTONE QUARRY
TO THE CLINIC.
752
01:01:38,467 --> 01:01:41,500
BUT PERHAPS
YOU HAVE THE ANSWER
TO THAT QUESTION ALREADY.
753
01:01:41,500 --> 01:01:43,100
NO.
754
01:01:45,066 --> 01:01:46,900
THIS IS YOURS.
755
01:01:46,900 --> 01:01:49,133
AREN'T THEY FUN?
756
01:01:49,133 --> 01:01:52,033
THE CARD, AS YOU
VERY WELL KNOW,
IS GENUINE.
757
01:01:52,033 --> 01:01:54,467
YOU HAVE BEEN CLEARED
BY SCOTLAND YARD.
758
01:01:54,467 --> 01:01:58,133
GOOD DAY,
DETECTIVE INSPECTOR BARKER.
759
01:02:00,467 --> 01:02:04,800
GOOD DAY, CAPTAIN.
THANK YOU.
760
01:02:08,800 --> 01:02:11,834
( squawking )
761
01:02:16,367 --> 01:02:18,533
Harry:
HEY, ARNOLD, GUESS WHAT!
THEY FOUND HIM!
762
01:02:18,533 --> 01:02:21,066
HE'S IN THE CLINIC
WITH A BATTERED HEAD.
763
01:02:21,066 --> 01:02:23,100
I WAS RIGHT!
FOUL PLAY!
764
01:02:23,100 --> 01:02:24,633
ARNOLD, WHAT HAPPENED
BETWEEN YOU AND THE COPS?
765
01:02:24,633 --> 01:02:26,333
WELL, THEY CHECKED
WITH LONDON AND FOUND OUT
766
01:02:26,333 --> 01:02:28,200
I WAS TELLING THE TRUTH
ABOUT THE SCOTLAND YARD CARD.
767
01:02:28,200 --> 01:02:31,233
- OH, I FEEL SUCH A FOOL.
- IT'S MY FAULT.
768
01:02:31,233 --> 01:02:33,266
I SHOULD HAVE TOLD YOU
STRAIGHT OFF IT WAS A JOKE.
769
01:02:33,266 --> 01:02:36,533
POOR MR. LOCKE-- GETTING HIT
OVER THE HEAD IS NO JOKE.
770
01:02:36,533 --> 01:02:39,834
AND WHEN HE WAKES UP,
SOMEBODY IS GONNA BE
IN A LOT OF TROUBLE.
771
01:02:39,834 --> 01:02:42,433
ATTEMPTED MURDER--
THAT'S WHAT I CALL IT.
772
01:02:42,433 --> 01:02:44,100
THAT IS NOT
OUR PROBLEM, OKAY?
773
01:02:44,100 --> 01:02:46,333
- I COULD USE A DRINK.
- I THINK WE ALL COULD.
774
01:02:46,333 --> 01:02:49,200
( all shouting )
775
01:02:49,200 --> 01:02:50,600
COME ON, EVERYBODY.
776
01:02:50,600 --> 01:02:53,400
- EACH AND EVERY BODY
GET A BOTTLE AND--
- RIGHT.
777
01:02:53,400 --> 01:02:54,734
OLE!
778
01:02:54,734 --> 01:02:58,533
- ( pops )
- MY GLASS IS EMPTY!
779
01:02:58,533 --> 01:03:00,066
GOOD GRIEF.
780
01:03:00,066 --> 01:03:02,934
COME HERE, MY DEAR,
AND I'LL BUY YOU
ANOTHER ONE.
781
01:03:02,934 --> 01:03:07,066
A TOAST TO EVERY
INJURED PERSON
IN THE WORLD.
782
01:03:07,066 --> 01:03:08,667
- INJURED PEOPLE.
- INJURED!
783
01:03:08,667 --> 01:03:12,333
- AND THE QUEEN!
- Others: THE QUEEN!
784
01:03:12,333 --> 01:03:15,433
HEY, DID YOU HEAR
THE ONE ABOUT THE GUY
WHO WAS AT DEATH'S DOOR
785
01:03:15,433 --> 01:03:18,300
AND THE DOCTOR WAS TRYING
TO PULL HIM THROUGH?
786
01:03:18,300 --> 01:03:20,066
YOU HEARD IT.
787
01:03:20,066 --> 01:03:22,467
LET ME TELL YOU
WHAT HAPPENED TO ME
788
01:03:22,467 --> 01:03:24,066
AT THE POLICE STATION,
MONA.
789
01:03:24,066 --> 01:03:27,633
- YOU ALREADY DID... TWICE.
- I DID?
790
01:03:27,633 --> 01:03:31,166
THEN I'M DRUNK,
AND I MUST BE ON MY WAY.
791
01:03:32,734 --> 01:03:36,100
Harry:
HEY, ARNOLD,
DO THE POLICE HAVE ANY IDEA
792
01:03:36,100 --> 01:03:38,467
WHO MAY HAVE SMASHED
OLD JASON ON THE HEAD?
793
01:03:38,467 --> 01:03:41,533
THEY DID NOT,
AND THEY DID NOT
HAVE ANY IDEA
794
01:03:41,533 --> 01:03:44,633
WHO TOOK HIM
FROM THE SANDSTONE PIT
TO THE CLINIC.
795
01:03:44,633 --> 01:03:46,266
ISN'T THAT RIGHT, MARIA?
796
01:03:48,300 --> 01:03:51,767
- I WOULDN'T KNOW.
- NO, OF COURSE YOU WOULDN'T.
797
01:03:51,767 --> 01:03:55,066
- HOW DID YOU?
- HOW DID I WHAT?
798
01:03:55,066 --> 01:03:57,900
- KNOW WHAT HAPPENED.
- OH, THE CAPTAIN TOLD ME.
799
01:03:57,900 --> 01:04:00,967
BUT IF MR. LOCKE
WAS UNCONSCIOUS
800
01:04:00,967 --> 01:04:03,000
WHEN HE ARRIVED
AT THE CLINIC
801
01:04:03,000 --> 01:04:05,200
AND IS STILL UNCONSCIOUS,
802
01:04:05,200 --> 01:04:08,433
HOW DID THEY KNOW HE WAS
BROUGHT FROM THE QUARRY?
803
01:04:09,633 --> 01:04:13,700
ELEMENTARY,
MY DEAREST WATSON.
804
01:04:13,700 --> 01:04:17,000
HIS SHOES WERE COVERED
WITH SANDSTONE.
805
01:04:17,000 --> 01:04:18,567
Harry:
THAT SOUNDED A LITTLE
COMPLICATED TO ME.
806
01:04:18,567 --> 01:04:20,967
WHY DON'T WE ALL JUST WAIT
UNTIL JASON WAKES UP
807
01:04:20,967 --> 01:04:22,700
AND ASK HIM
WHAT THE HELL HAPPENED?
808
01:04:23,834 --> 01:04:26,033
THAT'S THE FIRST
INTELLIGENT THING
809
01:04:26,033 --> 01:04:28,467
I EVER HEARD YOU SAY,
HARRY LEWIS.
810
01:04:28,467 --> 01:04:29,800
THANK YOU, MA'AM.
811
01:04:29,800 --> 01:04:31,967
WELL, NOW,
IF YOU'LL EXCUSE ME,
812
01:04:31,967 --> 01:04:34,667
I'LL GO AND WATER
MY GERANIUMS.
813
01:04:34,667 --> 01:04:36,834
- GOOD NIGHT, ALL.
- Others: GOOD NIGHT!
814
01:04:36,834 --> 01:04:38,834
- GOOD NIGHT.
- 'NIGHT.
815
01:04:41,900 --> 01:04:45,000
( indistinct chatter )
816
01:04:53,000 --> 01:04:55,467
Appleton:
HIS HAND WAS SHAKING
817
01:04:55,467 --> 01:04:57,667
AND THE DOCTOR
SAID TO HIM...
818
01:05:00,266 --> 01:05:01,700
"DO YOU DRINK A LOT?"
819
01:05:01,700 --> 01:05:04,767
AND HE SAID, "NO,
I SPILL MOST OF IT."
820
01:05:07,533 --> 01:05:10,400
( door closes,
lock clicks )
821
01:05:10,400 --> 01:05:13,100
I'LL WAIT FOR YOU
RIGHT HERE.
822
01:05:16,033 --> 01:05:18,500
( bell tolling )
823
01:05:22,300 --> 01:05:24,800
( sirens approaching )
824
01:05:24,800 --> 01:05:28,867
( squawking )
825
01:05:28,867 --> 01:05:31,700
( mimicking siren )
826
01:05:31,700 --> 01:05:33,867
( sirens continue )
827
01:05:46,000 --> 01:05:47,767
( alarm bell ringing )
828
01:06:05,000 --> 01:06:06,500
GOOD GRIEF.
829
01:06:06,500 --> 01:06:08,033
( squawking )
830
01:06:09,100 --> 01:06:10,700
PERKY.
831
01:06:31,834 --> 01:06:34,567
( coughing )
832
01:06:38,400 --> 01:06:40,333
( screeching )
833
01:06:49,000 --> 01:06:51,133
( squawking )
834
01:06:58,900 --> 01:07:02,066
Man:
GET THE NET!
GET THE NET!
835
01:07:02,066 --> 01:07:04,266
HERE.
836
01:07:06,200 --> 01:07:08,400
- Alicia: JUST JUMP!
- Harry: JUMP, ARNOLD!
837
01:07:08,400 --> 01:07:12,033
JUMP!
JUMP, ARNOLD!
838
01:07:12,033 --> 01:07:14,133
- JUMP!
- ALL RIGHT, JUMP!
COME ON, GET OUT OF THERE!
839
01:07:14,133 --> 01:07:16,333
- Martha: JUMP!
- JUMP!
840
01:07:16,333 --> 01:07:20,166
- ( applause )
- ( squawking )
841
01:07:23,500 --> 01:07:25,700
- ARNOLD, YOU ALL RIGHT?
- YEAH.
842
01:07:25,700 --> 01:07:27,934
BE A GOOD FELLOW
AND TAKE CARE OF PERKY,
WOULD YOU?
843
01:07:27,934 --> 01:07:29,300
TAKE CARE OF PERKY.
844
01:07:29,300 --> 01:07:32,433
ARNOLD, ARNOLD!
HEY, ARNOLD!
845
01:07:32,433 --> 01:07:34,567
PERKY!
846
01:08:35,900 --> 01:08:37,700
BITE.
847
01:08:39,834 --> 01:08:41,734
SIC.
848
01:08:44,734 --> 01:08:46,533
( barks )
849
01:08:47,967 --> 01:08:49,600
( barks )
850
01:08:50,467 --> 01:08:52,233
( soft bark )
851
01:08:53,233 --> 01:08:54,867
SIC.
852
01:08:59,133 --> 01:09:00,767
BITE.
853
01:09:05,200 --> 01:09:08,533
- BITE.
- ( whimpers )
854
01:09:08,533 --> 01:09:10,767
( sighs )
855
01:09:10,767 --> 01:09:14,767
LOOK, ALL I WANNA DO
IS GET INTO THAT HOUSE.
856
01:09:14,767 --> 01:09:16,166
DON'T ASK ME WHY.
857
01:09:16,166 --> 01:09:19,600
I JUST THINK
THAT THE ANSWER TO ALL
MY PROBLEMS IS IN THERE.
858
01:09:19,600 --> 01:09:21,900
- DO YOU UNDERSTAND?
- ( whines )
859
01:09:21,900 --> 01:09:23,834
GOOD.
860
01:09:23,834 --> 01:09:25,600
MY NAME IS ARNOLD.
861
01:09:25,600 --> 01:09:29,433
WELL, IT ISN'T REALLY,
BUT THAT'S NOT IMPORTANT.
862
01:09:29,433 --> 01:09:33,266
WHAT'S IMPORTANT IS THAT
I GET INTO THAT HOUSE.
863
01:09:33,266 --> 01:09:37,200
THIS IS MY FIRST MISSION,
AND I'M NOT DOING VERY WELL.
864
01:09:37,200 --> 01:09:39,233
AND I MAY NEVER
GET ANOTHER CHANCE
865
01:09:39,233 --> 01:09:41,567
IF I FOUL THIS UP,
NOT EVER.
866
01:09:41,567 --> 01:09:43,567
( whimpers )
867
01:09:43,567 --> 01:09:45,700
WE'RE GONNA BE FRIENDS,
ARE WE, HMM?
868
01:09:45,700 --> 01:09:47,934
WE'RE GONNA
BE FRIENDS, HUH?
869
01:09:47,934 --> 01:09:49,900
OH, WE'RE GONNA BE
GOOD FRIENDS, AREN'T WE?
870
01:09:49,900 --> 01:09:51,734
YES.
871
01:09:51,734 --> 01:09:55,667
NOW, I DON'T KNOW YOUR NAME,
SO I SHOULD GIVE YOU A NAME.
872
01:09:55,667 --> 01:09:58,300
BRUCE.
873
01:09:58,300 --> 01:09:59,900
OKAY, BRUCE,
874
01:09:59,900 --> 01:10:01,567
YOU WANNA COME FOR A STROLL
WITH ME, BRUCE?
875
01:10:01,567 --> 01:10:04,066
OKAY, COME ON.
LET'S GO.
876
01:10:04,066 --> 01:10:07,066
COME ON WITH ME.
COME ON, COME ON.
GOOD BOY.
877
01:10:49,333 --> 01:10:52,467
( soft chatter )
878
01:11:11,033 --> 01:11:13,133
THEY'VE GOT ANGUS.
879
01:11:15,867 --> 01:11:17,734
STAY.
880
01:11:22,700 --> 01:11:24,367
PORTER?
881
01:11:24,367 --> 01:11:26,934
WHAT ON EARTH
ARE YOU DOING HERE?
882
01:11:26,934 --> 01:11:28,767
ARE YOU ALL RIGHT?
883
01:11:28,767 --> 01:11:30,734
YES, SIR.
884
01:11:30,734 --> 01:11:34,133
ALLOW ME TO PRESENT
AGENT 11.
885
01:11:34,133 --> 01:11:36,367
OH.
886
01:11:36,367 --> 01:11:38,934
UH, I THOUGHT YOU WERE
BEING HELD PRISONER.
887
01:11:38,934 --> 01:11:40,567
AND YOU WANTED
TO SAVE ME?
888
01:11:40,567 --> 01:11:42,133
OH, THAT WAS MOST
CONSIDERATE OF YOU,
889
01:11:42,133 --> 01:11:43,700
BUT I'M SURE
YOU COULD HAVE FOUND
890
01:11:43,700 --> 01:11:46,266
SOME OTHER WAY OF ACHIEVING
YOUR OBJECTIVE.
891
01:11:46,266 --> 01:11:47,700
BUT NOW THAT YOU'RE HERE,
892
01:11:47,700 --> 01:11:50,066
I MAY AS WELL FILL YOU IN
ON WHAT'S BEEN HAPPENING.
893
01:11:50,066 --> 01:11:52,567
- WON'T YOU SIT DOWN?
- YES, SIR.
894
01:11:55,767 --> 01:11:58,900
- THANK YOU.
- NOW TO THE NUB.
895
01:11:58,900 --> 01:12:02,166
GEORGE TRENT--
WE DIDN'T KNOW
WHO HAD HANDLED HIM,
896
01:12:02,166 --> 01:12:04,166
SO WE SENT YOU
TO FIND OUT.
897
01:12:04,166 --> 01:12:06,066
- THAT MUCH YOU'RE AWARE OF.
- YES, SIR.
898
01:12:06,066 --> 01:12:08,266
WHAT YOU'RE NOT
AWARE OF, OF COURSE,
899
01:12:08,266 --> 01:12:11,000
IS THE REAL REASON
YOU WERE SENT HERE.
900
01:12:11,000 --> 01:12:15,333
IT'S SOMETIMES
REFERRED TO IN THE TRADE
AS AN INVITATION WALTZ.
901
01:12:15,333 --> 01:12:16,934
IN OTHER WORDS,
THE BEST WAY TO GET
902
01:12:16,934 --> 01:12:20,467
A MAN TO REMOVE HIS MASK
IS TO TAKE OFF ONE'S OWN.
903
01:12:20,467 --> 01:12:23,333
SO IT WAS DECIDED
TO LET THE VILLAIN
904
01:12:23,333 --> 01:12:25,900
KNOW YOU WERE COMING
AND WHY.
905
01:12:25,900 --> 01:12:28,166
- CLEAR?
- YES, SIR.
906
01:12:28,166 --> 01:12:30,533
IN ORDER TO HELP
THE WALTZ ON A LITTLE BIT,
907
01:12:30,533 --> 01:12:33,233
WE LEFT A FEW GAPS
IN YOUR BRIEFING--
908
01:12:33,233 --> 01:12:36,133
WHY YOU WERE STAYING
AT THE ROYAL ROSE,
FOR INSTANCE.
909
01:12:36,133 --> 01:12:38,567
YOU WOULD HAVE TO
RELY ON INVENTION.
910
01:12:38,567 --> 01:12:41,266
HOPEFULLY, YOUR LIES
WOULD BE SEEN THROUGH.
911
01:12:41,266 --> 01:12:43,633
- HOPEFULLY?
- YES.
912
01:12:43,633 --> 01:12:46,166
YOU WILL BE TAKEN AS A FRIEND
OF GEORGE TRENT'S,
913
01:12:46,166 --> 01:12:48,467
INVESTIGATING
HIS DISAPPEARANCE
914
01:12:48,467 --> 01:12:51,433
OR, ALTERNATIVELY,
A POLICEMAN DOING THE SAME.
915
01:12:51,433 --> 01:12:54,367
SO, AN IMITATION
IDENTITY CARD
916
01:12:54,367 --> 01:12:56,066
WAS PLACED IN YOUR ROOM,
917
01:12:56,066 --> 01:12:58,033
SAYING THAT YOU WERE
FROM SCOTLAND YARD.
918
01:12:58,033 --> 01:13:01,033
IMITATION? SCOTLAND YARD
CLEARED IT AS GENUINE.
919
01:13:01,033 --> 01:13:02,934
WELL, THEY WERE
DOING US A FAVOR.
920
01:13:02,934 --> 01:13:04,367
WE'VE DONE THEM SO MANY.
921
01:13:04,367 --> 01:13:08,600
SO, WHAT YOU WERE USING WAS
THE WHITE HUNTER SCENARIO--
922
01:13:08,600 --> 01:13:10,033
THE GOAT TO CATCH
THE TIGER.
923
01:13:10,033 --> 01:13:12,200
THE GOAT IS TIED
IN A CLEARING
924
01:13:12,200 --> 01:13:14,467
SURROUNDED BY PITS,
AND THE TIGER FALLS
925
01:13:14,467 --> 01:13:16,367
INTO ONE OF THOSE PITS
WHEN HE IS ATTRACTED
926
01:13:16,367 --> 01:13:17,667
BY THE BLEATING
OF THE GOAT.
927
01:13:17,667 --> 01:13:20,767
EXACTLY.
YOU WERE THE BAIT.
928
01:13:20,767 --> 01:13:24,667
IT'S JUST THAT SO OFTEN
THE TIGER AVOIDS THE PITS
AND KILLS THE GOAT.
929
01:13:24,667 --> 01:13:27,600
THAT WAS A CHANCE
WE HAD TO TAKE.
930
01:13:27,600 --> 01:13:29,667
WHY?
931
01:13:29,667 --> 01:13:33,700
VERY GOOD QUESTION.
THE ANSWER IN DUE COURSE.
932
01:13:33,700 --> 01:13:35,800
AH, TEA!
933
01:13:35,800 --> 01:13:39,367
YOU'RE PROBABLY
CURIOUS ABOUT JASON LOCKE'S
INVOLVEMENT IN ALL THIS.
934
01:13:39,367 --> 01:13:41,533
HE'S AS HARMLESS
AS OLD MRS. ARKWRIGHT
935
01:13:41,533 --> 01:13:42,967
OR THAT COLONIAL FELLOW.
936
01:13:42,967 --> 01:13:45,567
- WHAT WAS HIS NAME?
- HARRY LEWIS.
937
01:13:45,567 --> 01:13:47,066
QUITE SO, YES.
938
01:13:47,066 --> 01:13:49,133
TWO SUGARS, ISN'T IT?
939
01:13:49,133 --> 01:13:51,266
YES, PLEASE, MARIA.
940
01:13:51,266 --> 01:13:53,734
I'LL CALL YOU THAT,
IF YOU DON'T MIND.
941
01:13:53,734 --> 01:13:55,300
MARIA SOLA--
942
01:13:55,300 --> 01:13:56,867
I RATHER LIKE
THE NAME, ACTUALLY.
943
01:13:56,867 --> 01:13:59,400
Angus:
AS I WAS SAYING,
944
01:13:59,400 --> 01:14:01,600
JASON LOCKE CAME
INTO IT BY CHANCE.
945
01:14:01,600 --> 01:14:06,166
A NOTE TELLING YOU
TO GO TO THE STONE QUARRY
THE NIGHT BEFORE LAST
946
01:14:06,166 --> 01:14:09,066
WAS PLACED UNDER HIS DOOR
INSTEAD OF YOURS.
947
01:14:09,066 --> 01:14:11,333
SO HE TOOK A TAXI.
948
01:14:11,333 --> 01:14:14,467
AND WHEN HE GOT THERE,
HE WAS MISTAKEN FOR ONE
OF YOUR FRIENDS,
949
01:14:14,467 --> 01:14:16,600
BASHED OVER THE HEAD,
AND LEFT FOR DEAD.
950
01:14:16,600 --> 01:14:18,033
THE REST YOU KNOW.
951
01:14:18,033 --> 01:14:20,033
WELL, OF COURSE,
WHAT YOU DON'T KNOW
952
01:14:20,033 --> 01:14:21,600
IS THAT WE MADE
A TELEPHONE CALL
953
01:14:21,600 --> 01:14:23,266
LATE LAST NIGHT
TO THE ROYAL ROSE
954
01:14:23,266 --> 01:14:26,967
SAYING THAT MR. LOCKE
HAD RECOVERED CONSCIOUSNESS
955
01:14:26,967 --> 01:14:29,033
AND WANTED TO TELL YOU
WHO HAD ATTACKED HIM.
956
01:14:29,033 --> 01:14:32,800
- SO THE WOMAN
GOT YOU DRUNK...
- WOMAN?
957
01:14:32,800 --> 01:14:35,800
...LOCKED YOU IN THE ATTIC,
AND SET FIRE TO THE BUILDING.
958
01:14:35,800 --> 01:14:38,567
SHE WAS ON HER WAY
TO THE CLINIC TO DEAL
WITH MR. LOCKE
959
01:14:38,567 --> 01:14:42,533
WHEN WE APPREHENDED HER
AND TOOK HER INTO CUSTODY.
960
01:14:42,533 --> 01:14:45,734
YES, THE VILLAIN
IS A LADY.
961
01:14:45,734 --> 01:14:47,633
BRING HER IN, WILL YOU?
962
01:14:47,633 --> 01:14:49,600
YES, SIR.
963
01:14:49,600 --> 01:14:52,467
Angus:
BY THE WAY,
WE IN THE SERVICE
964
01:14:52,467 --> 01:14:55,667
DON'T WANT THE RUSSIANS
TO KNOW THAT YOU ARE
INVOLVED IN THIS.
965
01:14:55,667 --> 01:14:58,934
SO IF YOU OPEN YOUR MOUTH
DURING THE NEXT INTERVIEW,
966
01:14:58,934 --> 01:15:02,734
YOU'LL REGRET IT
FOR THE REST OF YOUR LIFE.
967
01:15:05,000 --> 01:15:07,767
COME ALONG, COME ALONG.
GET YOURSELF IN HERE.
968
01:15:07,767 --> 01:15:10,400
- WE HAVEN'T GOT ALL NIGHT.
- WHAT IS ALL THIS?
969
01:15:10,400 --> 01:15:12,367
GONNA PLAY IT
THAT WAY, ARE WE?
970
01:15:12,367 --> 01:15:14,600
SIT DOWN.
971
01:15:20,633 --> 01:15:23,800
YOU KNOW WHO WE ARE.
972
01:15:23,800 --> 01:15:26,266
MAYBE YOU THINK
WE DON'T KNOW WHO YOU ARE.
973
01:15:26,266 --> 01:15:29,734
- I DON'T UNDERSTAND YOU,
NOT IN THE LEAST.
- RIGHT.
974
01:15:29,734 --> 01:15:33,100
TO SHOW YOU
WHAT A SWEET GUY I AM,
I'LL PLAY IT YOUR WAY.
975
01:15:33,100 --> 01:15:35,066
I'LL SPELL IT OUT
FOR YOU.
976
01:15:35,066 --> 01:15:37,200
WE'RE BUSINESSMEN.
977
01:15:37,200 --> 01:15:40,133
WE OPERATE
ALL OVER EUROPE.
978
01:15:40,133 --> 01:15:42,467
MULTINATIONAL CORPORATION
YOU MIGHT CALL US,
979
01:15:42,467 --> 01:15:45,333
BUT WE DON'T HAVE NO OFFICES,
WE DON'T KEEP NO BOOKS.
980
01:15:45,333 --> 01:15:48,300
YOU WON'T FIND US LISTED
ON THE STOCK EXCHANGE.
981
01:15:48,300 --> 01:15:51,467
NOW I'LL DO A BIT MORE
SPELLING FOR YOU.
982
01:15:51,467 --> 01:15:54,800
JUST IN CASE YOU'VE
FORGOTTEN WHO YOU ARE,
983
01:15:54,800 --> 01:15:57,166
YOU'RE A RUSSKI.
984
01:15:57,166 --> 01:16:00,600
YOU WORK FOR MOSCOW,
K.G.B.
985
01:16:00,600 --> 01:16:02,333
I DON'T KNOW WHAT
YOU'RE TALKING ABOUT.
986
01:16:02,333 --> 01:16:05,900
I'M TALKING ABOUT
ACID, COKE, HORSE.
987
01:16:05,900 --> 01:16:09,367
THAT'S A LOVELY BIT OF STUFF
YOU PEOPLE ARE RUNNING.
988
01:16:09,367 --> 01:16:11,066
THAT'S WHY WE'RE GOING
TO TAKE OVER THE OPERATION.
989
01:16:11,066 --> 01:16:14,300
FIRST, WE HAVE TO KNOW THE NAME
OF THE INCOMING CONNECTION.
990
01:16:14,300 --> 01:16:17,700
ONCE WE KNOW THE SUPPLIER,
HE'LL SWITCH TO US.
991
01:16:17,700 --> 01:16:20,667
MONEY TALKS.
IF IT DOESN'T,
WE USE MUSCLE.
992
01:16:20,667 --> 01:16:24,033
- I THINK YOU'RE WITH ME NOW.
- NOT AT ALL.
993
01:16:24,033 --> 01:16:25,667
OH HO, COME ON, LADY.
994
01:16:25,667 --> 01:16:27,433
WE KNOW ALL ABOUT YOU.
995
01:16:27,433 --> 01:16:29,600
YOU GAVE YOURSELF AWAY
FROM THE START,
996
01:16:29,600 --> 01:16:31,233
DIDN'T YOU,
WITH THE CAR--
997
01:16:31,233 --> 01:16:34,400
PUSHING ARNOLD
A LITTLE BIT TOO HARD
SO IT MISSED HIM.
998
01:16:34,400 --> 01:16:38,567
THE SCORPION,
THE FLOWERPOT,
AND ALL THE REST--
999
01:16:38,567 --> 01:16:40,533
THAT LAST BIT--
GETTING HIM DRUNK,
1000
01:16:40,533 --> 01:16:43,433
LOCKING HIM INTO THE ATTIC,
SETTING FIRE TO THE BUILDING.
1001
01:16:43,433 --> 01:16:45,800
HOO HOO HOO.
NAUGHTY.
1002
01:16:45,800 --> 01:16:47,767
( sniffing )
1003
01:16:47,767 --> 01:16:49,667
I CAN STILL SMELL
THE PETROL ON YOU.
1004
01:16:49,667 --> 01:16:52,266
I... WAS FILLING UP
MY LIGHTER,
1005
01:16:52,266 --> 01:16:53,533
AND I SPILLED FLUID
ON MYSELF.
1006
01:16:53,533 --> 01:16:54,567
OF COURSE YOU DID.
1007
01:16:54,567 --> 01:16:56,767
ME, I'LL BELIEVE
ANYTHING,
1008
01:16:56,767 --> 01:16:59,867
BUT THERE'S A MAN STANDING
IN THE DOORWAY WHO WON'T:
1009
01:16:59,867 --> 01:17:02,500
GEORGE TRENT.
1010
01:17:02,500 --> 01:17:05,667
YOU HIT HIM OVER THE HEAD
IN THE SANDSTONE QUARRY,
1011
01:17:05,667 --> 01:17:08,533
THE SAME AS YOU DID
JASON LOCKE.
1012
01:17:08,533 --> 01:17:12,734
- HELLO, MONA.
- Angus: THAT'LL BE ALL,
GEORGE.
1013
01:17:14,533 --> 01:17:16,767
( door closes )
1014
01:17:16,767 --> 01:17:18,767
WELL, NOW WE'VE GOT
THAT SETTLED,
1015
01:17:18,767 --> 01:17:22,400
I DON'T THINK WE NEED
WASTE ANY MORE TIME.
1016
01:17:23,700 --> 01:17:26,033
WE CAN MAKE YOU TALK,
YOU KNOW.
1017
01:17:30,633 --> 01:17:33,033
I'LL TELL YOU
WHAT I'M GOING TO DO.
1018
01:17:33,033 --> 01:17:36,900
JUST TO SHOW YOU
WHAT A SWEET GUY I AM,
1019
01:17:36,900 --> 01:17:39,533
I'M GOING TO LET ARNOLD
TALK TO YOU ALONE.
1020
01:17:39,533 --> 01:17:42,033
MAYBE HE CAN MAKE YOU
SEE THE LIGHT.
1021
01:17:42,033 --> 01:17:45,500
IF THAT DOESN'T WORK,
TOO BAD.
1022
01:17:45,500 --> 01:17:47,200
NO ONE CAN SAY
I HAVEN'T TRIED.
1023
01:17:47,200 --> 01:17:51,934
LIKE I SAID,
I'M A VERY SWEET GUY.
1024
01:18:02,367 --> 01:18:05,700
WHY DON'T
YOU JUST TELL HIM?
1025
01:18:05,700 --> 01:18:07,800
I CAN'T.
IT WOULDN'T BE RIGHT.
1026
01:18:07,800 --> 01:18:10,500
I MADE SUCH A MESS
OF THINGS.
1027
01:18:10,500 --> 01:18:11,934
WELL, WE ALL
MAKE MISTAKES.
1028
01:18:11,934 --> 01:18:15,233
- I'M SORRY, YOU KNOW?
- YES, I KNOW.
1029
01:18:15,233 --> 01:18:18,266
- AND I'M GLAD I FAILED.
- SO AM I.
1030
01:18:19,934 --> 01:18:22,567
I DO ADMIT SOMETIMES
IT WAS STUPIDITY,
1031
01:18:22,567 --> 01:18:24,500
LIKE THE CAR.
1032
01:18:26,100 --> 01:18:29,066
I WAS THE ONE
WHO MOVED THE LOG FROM
THE EDGE OF THE CLIFF.
1033
01:18:29,066 --> 01:18:32,166
THEN I FORGOT
AND GOT IN WITH YOU.
1034
01:18:32,166 --> 01:18:36,066
- THAT WASN'T VERY SMART,
I'M AFRAID.
- NO.
1035
01:18:36,066 --> 01:18:39,867
BUT, LIKE I SAID,
MOSTLY IT WAS BECAUSE
MY HEART WASN'T IN IT.
1036
01:18:41,033 --> 01:18:43,266
THIS WAS MY FIRST
FIELD ASSIGNMENT.
1037
01:18:43,266 --> 01:18:45,367
BEFORE THEY JUST USED ME
AS A COURIER.
1038
01:18:45,367 --> 01:18:46,800
THE ONLY REASON
THEY GAVE ME THIS JOB
1039
01:18:46,800 --> 01:18:49,633
IS BECAUSE ALL
THE GOOD AGENTS
WERE BUSY.
1040
01:18:49,633 --> 01:18:52,300
YOU SEE, I'VE NEVER TOUCHED
THE TOP IN ANYTHING.
1041
01:18:52,300 --> 01:18:53,900
NEITHER HAVE I.
1042
01:18:53,900 --> 01:18:58,467
- COMPLETE DUMMY,
YOU MIGHT SAY.
- COMPLETE.
1043
01:19:00,767 --> 01:19:03,200
I ACTUALLY HATE
THIS WORK.
1044
01:19:03,200 --> 01:19:04,967
I WOULDN'T DO ANYTHING
TO HARM MY COUNTRY
1045
01:19:04,967 --> 01:19:06,633
OR THE SERVICE;
I JUST HATE IT.
1046
01:19:06,633 --> 01:19:09,400
BUT THEY WON'T
ALLOW YOU TO QUIT.
1047
01:19:09,400 --> 01:19:13,333
AND ONCE I'M BACK
BEHIND THE IRON CURTAIN,
I'LL NEVER GET OUT AGAIN.
1048
01:19:13,333 --> 01:19:17,133
I'LL BE DOOMED
TO MOSCOW AND COLD FEET
FOR THE REST OF MY LIFE.
1049
01:19:20,200 --> 01:19:22,000
HE'LL BE COMING BACK SOON.
1050
01:19:23,433 --> 01:19:26,467
I DON'T THINK
I COULD STAND TORTURE.
1051
01:19:26,467 --> 01:19:28,233
I'M NOT TERRIBLY BRAVE.
1052
01:19:29,700 --> 01:19:32,066
I SUPPOSE I'LL TELL HIM
EVERYTHING HE WANTS TO KNOW,
1053
01:19:32,066 --> 01:19:34,500
- EVEN ABOUT THE DRUG.
- THE DRUG?
1054
01:19:34,500 --> 01:19:38,867
THE ONE WHEN GIVEN
TO A SECRET AGENT MAKES THEM
TELL EVERYTHING THEY KNOW,
1055
01:19:38,867 --> 01:19:40,734
THE ONE YOU WERE
SENT HERE TO FIND.
1056
01:19:40,734 --> 01:19:42,767
I WAS SENT TO FIND?
1057
01:19:44,266 --> 01:19:46,300
WE WERE TIPPED
BY BRITISH INTELLIGENCE
THAT YOU WERE COMING.
1058
01:19:46,300 --> 01:19:49,734
THAT'S WHY IT WAS DECIDED
TO DO AWAY WITH YOU.
1059
01:19:50,700 --> 01:19:52,467
SON OF A BITCH.
1060
01:19:52,467 --> 01:19:55,033
THAT'S THE CODE NAME
OF THE AGENT WHO LEAKED
THE INFORMATION.
1061
01:19:57,100 --> 01:19:59,400
ANGUS WATKINS.
1062
01:20:01,000 --> 01:20:02,467
CAN YOU FLY A HELICOPTER?
1063
01:20:02,467 --> 01:20:04,934
OF COURSE.
PART OF MY BASIC TRAINING.
1064
01:20:04,934 --> 01:20:06,500
THOUGHT SO.
1065
01:20:06,500 --> 01:20:10,500
SPIES CAN DO ANYTHING,
INCLUDING GETTING YOU
OUT OF HERE.
1066
01:20:10,500 --> 01:20:12,333
COME ON.
1067
01:20:12,333 --> 01:20:13,834
NO, I CAN'T
LET YOU DO IT!
1068
01:20:13,834 --> 01:20:15,333
IF YOU HELP ME,
YOU'LL BE RUINED.
1069
01:20:15,333 --> 01:20:17,367
LET ME WORRY ABOUT THAT,
ALL RIGHT? LET'S GO.
1070
01:20:17,367 --> 01:20:20,400
- NO!
- LOOK, REMEMBER ME?
1071
01:20:20,400 --> 01:20:22,500
I'M THE GUY YOU TRIED
TO KILL FIVE TIMES.
1072
01:20:22,500 --> 01:20:26,700
- THEN WHY?
- BECAUSE...
1073
01:20:26,700 --> 01:20:30,133
YOU'D DO THE SAME FOR ME
IF IT WAS THE OTHER WAY
AROUND, OKAY?
1074
01:20:33,166 --> 01:20:35,433
IT'S OKAY.
HE'S A FRIEND OF MINE.
1075
01:20:55,667 --> 01:20:57,533
BRUCE.
1076
01:20:59,533 --> 01:21:02,033
- ( barks )
- BRUCE, COME ON, BOY.
1077
01:21:02,033 --> 01:21:05,266
( barking )
1078
01:21:09,934 --> 01:21:12,834
BRUCE, COME ON.
1079
01:21:18,066 --> 01:21:20,300
( engine starts )
1080
01:21:36,066 --> 01:21:38,233
- READY TO ABSORB?
- READY.
1081
01:21:38,233 --> 01:21:39,934
IT'S A 20-MINUTE FLIGHT
TO MAJORCA.
1082
01:21:39,934 --> 01:21:42,667
ONCE YOU'RE THERE,
TAKE A BOAT AND DOUBLE
BACK TO THE MAINLAND.
1083
01:21:42,667 --> 01:21:45,367
GO TO A TOWN CALLED BENIDORM
ON THE COSTA DEL SOL.
1084
01:21:45,367 --> 01:21:47,133
IT'S NOT ONLY PARADISE;
IT'S THE MELTING POT
1085
01:21:47,133 --> 01:21:48,900
OF EVERY NATIONALITY
IN EUROPE.
1086
01:21:48,900 --> 01:21:51,266
YOU CAN GET LOST THERE.
TAKE A NEW IDENTITY,
START OVER AGAIN.
1087
01:21:51,266 --> 01:21:54,000
THEY'LL NEVER FIND YOU.
I'VE OFTEN THOUGHT ABOUT
DOING IT MYSELF.
1088
01:21:54,000 --> 01:21:56,934
HELPING ME LIKE THIS--
HOW WILL YOU GET AWAY
WITH IT?
1089
01:21:56,934 --> 01:22:00,967
I'LL TELL THEM
YOU GOT ME IN A JUDO HOLD
AND TOOK MY GUN AWAY.
1090
01:22:00,967 --> 01:22:02,934
- DO YOU HAVE A GUN?
- YEAH.
1091
01:22:02,934 --> 01:22:05,700
YEAH, IT'S HERE
SOMEWHERE.
1092
01:22:05,700 --> 01:22:07,567
HERE IT IS.
CAREFUL, IT'S LOADED.
1093
01:22:07,567 --> 01:22:10,400
- I DON'T LIKE GUNS.
- WELL, NEITHER DO I.
1094
01:22:12,133 --> 01:22:16,400
DID ANYONE EVER TELL YOU
YOU ARE A WONDERFUL MAN,
APPLETON PORTER?
1095
01:22:16,400 --> 01:22:19,900
- NO.
- WELL, YOU ARE.
1096
01:22:23,533 --> 01:22:25,533
DO YOU THINK
THEY'LL FOLLOW US?
1097
01:22:26,967 --> 01:22:29,166
I KNOW THEY WILL.
HOLD ON.
1098
01:22:47,533 --> 01:22:49,867
( dog barking )
1099
01:22:56,900 --> 01:22:59,700
- GOOD LUCK.
- I LOVE YOU.
1100
01:23:03,767 --> 01:23:05,934
( engine starts )
1101
01:23:24,367 --> 01:23:28,433
LIKE I SAID,
A COMPLETE DUMMY!
1102
01:23:41,133 --> 01:23:43,266
( whines )
1103
01:23:51,066 --> 01:23:53,500
Angus:
AND IN CONCLUSION,
I CAN ONLY SAY
1104
01:23:53,500 --> 01:23:57,100
OPERATION CORNFIELD
WAS A COMPLETE FAILURE.
1105
01:23:57,100 --> 01:23:58,900
THE ONLY GOOD THING IS
IT WILL GO DOWN
1106
01:23:58,900 --> 01:24:03,000
AGAINST APPLETON PORTER'S
RECORD, NOT MINE.
1107
01:24:03,000 --> 01:24:05,567
AS FOR APPLETON,
HE WAS, AS I HOPED,
1108
01:24:05,567 --> 01:24:07,967
THE RIGHT MAN
FOR THE JOB.
1109
01:24:07,967 --> 01:24:10,967
ONLY A DUMMY LIKE PORTER
COULD HAVE GOT THAT WOMAN
1110
01:24:10,967 --> 01:24:12,834
OUT OF OUR HANDS
AND BACK TO MOSCOW
1111
01:24:12,834 --> 01:24:15,967
WITHOUT HER EVER KNOWING
WHAT WE WERE REALLY AFTER.
1112
01:24:15,967 --> 01:24:18,967
FOR OUR PART,
WE HIRED A GUARD DOG
1113
01:24:18,967 --> 01:24:23,166
SUITABLY USELESS SO AS NOT
TO SCARE OFF PORTER.
1114
01:24:23,166 --> 01:24:26,633
WE TOOK THE RUTHLESS LINE
AND THREATENED TORTURE
1115
01:24:26,633 --> 01:24:28,567
AND ALSO MADE SURE
THAT PORTER KNEW
1116
01:24:28,567 --> 01:24:31,333
WHERE THE HELICOPTER WAS
FOR THE ESCAPE.
1117
01:24:31,333 --> 01:24:32,734
POOR PORTER.
1118
01:24:32,734 --> 01:24:35,533
I'M AFRAID
HE TOOK HIS FAILURE
RATHER BADLY.
1119
01:24:35,533 --> 01:24:38,734
HE ASKED FOR LEAVE,
WHICH WAS GRANTED.
1120
01:24:38,734 --> 01:24:41,000
THOUGH, WHY ON EARTH
HE WOULD WANT TO GO
1121
01:24:41,000 --> 01:24:45,700
TO A PLACE CALLED BENIDORM,
GOD ALONE KNOWS.
1122
01:24:47,133 --> 01:24:50,233
Novikov:
AND IN CONCLUSION,
I AM PLEASED TO REPORT
1123
01:24:50,233 --> 01:24:53,633
THAT OPERATION CORNFIELD
WAS A COMPLETE FAILURE.
1124
01:24:54,834 --> 01:24:57,400
WE WERE CORRECT IN GIVING
THIS ASSIGNMENT
1125
01:24:57,400 --> 01:25:01,433
TO THE YOUNG FEMALE AGENT
MONA KUZNETSOVA.
1126
01:25:01,433 --> 01:25:03,767
IT WAS ESTABLISHED
BEFOREHAND THAT SHE WAS
1127
01:25:03,767 --> 01:25:07,567
PROPERLY VULNERABLE,
PROPERLY INEXPERIENCED,
1128
01:25:07,567 --> 01:25:11,567
AND WAS BASICALLY INCAPABLE
OF KILLING A MAN,
1129
01:25:11,567 --> 01:25:14,667
AND AN ATTRACTIVE
WESTERN MAN AT THAT.
1130
01:25:14,667 --> 01:25:18,300
OUR AGENTS ON IBIZA
WERE CERTAIN
1131
01:25:18,300 --> 01:25:21,166
SHE WOULD HAVE SOON
DEFECTED ANYWAY.
1132
01:25:23,633 --> 01:25:25,800
AS FOR HER SO-CALLED
BACKUP TEAM,
1133
01:25:25,800 --> 01:25:28,800
IT CONSISTED
OF TWO RATHER SLUGGISH MEN
1134
01:25:28,800 --> 01:25:31,433
ESPECIALLY CHOSEN
FOR THE PURPOSE.
1135
01:25:31,433 --> 01:25:34,200
THEY WERE GIVEN
UNMATCHING RIFLE PARTS
1136
01:25:34,200 --> 01:25:36,867
AND A FAULTY SPANISH CAR,
1137
01:25:36,867 --> 01:25:41,300
TYPICAL EXAMPLE
OF WESTERN TECHNOLOGY.
1138
01:25:41,300 --> 01:25:43,967
AS A RESULT,
THE ENGLISHMAN PORTER
1139
01:25:43,967 --> 01:25:46,900
MANAGED TO ESCAPE
EVERY TIME,
1140
01:25:46,900 --> 01:25:48,767
THEREBY DENYING
THE BRITISH
1141
01:25:48,767 --> 01:25:52,100
THE ONE THING
THEY WANTED MOST:
1142
01:25:52,100 --> 01:25:53,967
A CONFRONTATION
1143
01:25:53,967 --> 01:25:57,000
AND A CHANCE TO LEARN
THE NATURE OF THE DRUG.
1144
01:25:57,000 --> 01:26:01,633
IN A WAY, I'M SORRY
FOR THE ENGLISHMAN PORTER.
1145
01:26:01,633 --> 01:26:04,433
HE FACES
SEVERE PUNISHMENT
1146
01:26:04,433 --> 01:26:08,867
FOR NOT ALLOWING HIMSELF
TO BE KILLED.
1147
01:26:08,867 --> 01:26:11,934
MONA KUZNETSOVA
IS NOW SOMEWHERE IN THE WEST,
1148
01:26:11,934 --> 01:26:14,333
NO DOUBT FEARING
FOR HER LIFE.
1149
01:26:14,333 --> 01:26:15,867
SHE'S NOT AWARE
OF THE FACT
1150
01:26:15,867 --> 01:26:19,500
THAT WE DO NOT INTEND
TO BOTHER HER IN ANY WAY.
1151
01:26:19,500 --> 01:26:23,200
OUR ORGANIZATION
IS BETTER OFF WITHOUT HER.
1152
01:26:23,200 --> 01:26:26,533
THIS IS COLONEL NOVIKOV.
END OF REPORT.
1153
01:26:31,867 --> 01:26:33,767
( music playing )
1154
01:26:33,767 --> 01:26:37,166
♪ IT WAS A HOTBED ♪
1155
01:26:37,166 --> 01:26:40,533
♪ OF SUSPICION
AND INTRIGUE ♪
1156
01:26:40,533 --> 01:26:45,333
♪ WE FOUND OURSELVES
WAY BEYOND OUR LEAGUE ♪
1157
01:26:46,533 --> 01:26:49,467
♪ THE WORLD
OF SECRET CODES ♪
1158
01:26:49,467 --> 01:26:52,433
♪ OF WHISPERED WORDS
AND SPIES ♪
1159
01:26:52,433 --> 01:26:55,734
♪ IT'S FUN
TILL IT EXPLODES ♪
1160
01:26:55,734 --> 01:26:58,934
♪ I THINK IT'S TIME
TO STEAL AWAY NOW ♪
1161
01:26:58,934 --> 01:27:01,734
♪ LET'S DO IT UNDERCOVER ♪
1162
01:27:01,734 --> 01:27:04,867
♪ LET'S TAKE OUR LOVE
ON THE LAM ♪
1163
01:27:04,867 --> 01:27:08,066
♪ LET'S DO IT UNDERCOVER ♪
1164
01:27:08,066 --> 01:27:10,900
♪ LOVE ON THE LAM ♪
1165
01:27:10,900 --> 01:27:13,600
♪ LET'S DO IT UNDERCOVER ♪
1166
01:27:13,600 --> 01:27:16,767
♪ LET'S TAKE OUR LOVE
ON THE LAM ♪
1167
01:27:16,767 --> 01:27:20,000
♪ LET'S DO IT UNDERCOVER ♪
1168
01:27:20,000 --> 01:27:22,633
♪ LOVE ON THE LAM ♪
1169
01:27:22,633 --> 01:27:25,734
♪ THEY TRIED TO FOOL US ♪
1170
01:27:25,734 --> 01:27:27,567
♪ CONFUSED US ♪
1171
01:27:27,567 --> 01:27:31,533
♪ WHILE WE LOST
OUR BEARINGS ♪
1172
01:27:31,533 --> 01:27:35,367
♪ BUT WE NEVER LOST
OUR STUFF ♪
1173
01:27:35,367 --> 01:27:38,300
♪ THE WORLD
OF SECRET CODES ♪
1174
01:27:38,300 --> 01:27:41,200
♪ OF WHISPERED WORDS
AND SPIES ♪
1175
01:27:41,200 --> 01:27:44,600
♪ IT'S FUN
TILL IT EXPLODES ♪
1176
01:27:44,600 --> 01:27:47,800
♪ I THINK IT'S TIME
TO STEAL AWAY NOW ♪
1177
01:27:47,800 --> 01:27:50,567
♪ LET'S DO IT UNDERCOVER ♪
1178
01:27:50,567 --> 01:27:53,734
♪ LET'S TAKE OUR LOVE
ON THE LAM ♪
1179
01:27:53,734 --> 01:27:56,967
♪ LET'S DO IT UNDERCOVER ♪
1180
01:27:56,967 --> 01:27:59,700
♪ LOVE ON THE LAM ♪
1181
01:27:59,700 --> 01:28:02,367
♪ LET'S DO IT UNDERCOVER ♪
1182
01:28:02,367 --> 01:28:05,600
♪ LET'S TAKE OUR LOVE
ON THE LAM ♪
1183
01:28:05,600 --> 01:28:08,900
♪ LET'S DO IT UNDERCOVER ♪
1184
01:28:08,900 --> 01:28:11,166
♪ LOVE ON THE LAM ♪
1185
01:28:12,700 --> 01:28:15,500
♪ IF THEY TREAT LOVE ♪
1186
01:28:15,500 --> 01:28:18,533
♪ LIKE A GAMBIT ♪
1187
01:28:18,533 --> 01:28:20,734
♪ JUST ANOTHER ♪
1188
01:28:20,734 --> 01:28:24,567
♪ HEARTLESS SCAM ♪
1189
01:28:24,567 --> 01:28:27,467
♪ THEN YOU HAVE TO ♪
1190
01:28:27,467 --> 01:28:30,500
♪ RESCUE LOVE AND ♪
1191
01:28:30,500 --> 01:28:35,166
♪ TAKE IT ON THE LAM ♪
1192
01:28:35,166 --> 01:28:38,000
♪ LET'S DO IT UNDERCOVER ♪
1193
01:28:38,000 --> 01:28:41,066
♪ LET'S TAKE OUR LOVE
ON THE LAM ♪
1194
01:28:41,066 --> 01:28:44,400
♪ LET'S DO IT UNDERCOVER ♪
1195
01:28:44,400 --> 01:28:47,033
♪ LOVE ON THE LAM ♪
1196
01:28:47,033 --> 01:28:49,734
♪ LET'S DO IT UNDERCOVER ♪
1197
01:28:49,734 --> 01:28:52,867
♪ LET'S TAKE OUR LOVE
ON THE LAM ♪
1198
01:28:52,867 --> 01:28:56,266
♪ LET'S DO IT UNDERCOVER ♪
1199
01:28:56,266 --> 01:28:59,033
♪ LOVE ON THE LAM ♪
1200
01:28:59,033 --> 01:29:01,533
♪ LET'S DO IT UNDERCOVER ♪
1201
01:29:01,533 --> 01:29:04,834
♪ LET'S TAKE OUR LOVE
ON THE LAM ♪
1202
01:29:04,834 --> 01:29:08,166
♪ LET'S DO IT UNDERCOVER ♪
1203
01:29:08,166 --> 01:29:10,400
♪ LOVE ON THE LAM. ♪
83539
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