Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:01,000 --> 00:00:04,000
WHOA! WHOA!
2
00:00:05,700 --> 00:00:07,579
SO WHAT ARE THE CHANCES
THAT THEY'RE NOT AFTER US?
3
00:00:07,580 --> 00:00:09,499
THEY'RE BLACK HELICOPTERS, RON?
4
00:00:09,500 --> 00:00:12,580
THEY'RE ALWAYS AFTER US.
5
00:00:15,910 --> 00:00:18,120
[GASP]
6
00:00:22,540 --> 00:00:23,579
HEAD FOR THE FORT.
7
00:00:23,580 --> 00:00:25,540
I'M ON IT!
8
00:00:28,410 --> 00:00:30,249
RUFUS, WINGMAN ME.
9
00:00:30,250 --> 00:00:32,040
OK!
10
00:00:34,790 --> 00:00:38,460
NICE COLOR. WRONG TOOL.
11
00:00:38,910 --> 00:00:40,750
MMM.
12
00:00:49,290 --> 00:00:50,499
TAKE IT AWAY, WADE.
13
00:00:50,500 --> 00:00:52,370
I GOT YOU.
14
00:01:01,870 --> 00:01:03,500
[GASP]
15
00:01:04,040 --> 00:01:05,409
[YELLING]
16
00:01:05,410 --> 00:01:09,410
HO, HO! NICE CATCH, K.P.!
17
00:01:11,700 --> 00:01:13,159
FRAULEIN POSSIBLE.
18
00:01:13,160 --> 00:01:14,459
UND SIDEKICK.
19
00:01:14,460 --> 00:01:15,330
AND WINGMAN.
20
00:01:15,331 --> 00:01:16,659
FREE THE DUKE, DEMENTOR.
21
00:01:16,660 --> 00:01:19,539
SO YOU WANT THE DUKE, DO YOU?
22
00:01:19,540 --> 00:01:21,159
HEH HEH! HA HA HA!
23
00:01:21,160 --> 00:01:23,790
[CONTINUES LAUGHING]
24
00:01:24,700 --> 00:01:25,500
OK.
25
00:01:25,500 --> 00:01:26,370
REALLY? NO FIGHTING?
26
00:01:26,371 --> 00:01:27,789
UNFORTUNATELY, MY CAPER INCLUDES
27
00:01:27,790 --> 00:01:29,369
A GRIEVOUS ACCOUNTING ERROR.
28
00:01:29,370 --> 00:01:31,459
A DUKE'S RANSOM ISN'T
WORTH HALF A KING'S.
29
00:01:31,460 --> 00:01:34,459
AND THE HELICOPTER DRONES
AND NANO-JETPACKS...
30
00:01:34,460 --> 00:01:36,369
I'M LOSING MILLIONS!
31
00:01:36,370 --> 00:01:39,330
NANO-JETPACKS?
32
00:01:39,960 --> 00:01:40,870
YOU HAD TO ASK?
33
00:01:40,871 --> 00:01:43,459
I SAY, THANK YOU FOR
DASHING TO MY RESCUE
34
00:01:43,460 --> 00:01:44,619
WITH SUCH HASTE.
35
00:01:44,620 --> 00:01:45,659
NO BIG.
36
00:01:45,660 --> 00:01:46,290
[BEEP]
37
00:01:46,291 --> 00:01:47,369
UH-OH. NEW WORLD CRISIS?
38
00:01:47,370 --> 00:01:49,790
NO, WORSE. WE'RE LATE FOR WORK.
39
00:01:53,790 --> 00:01:54,790
? OH, YEAH, YEAH ?
40
00:01:54,791 --> 00:01:57,119
? I'M YOUR BASIC AVERAGE GIRL ?
41
00:01:57,120 --> 00:01:58,789
? AND I'M HERE TO
SAVE THE WORLD ?
42
00:01:58,790 --> 00:02:03,499
? YOU CAN'T STOP ME
'CAUSE I'M KIM POSSIBLE ?
43
00:02:03,500 --> 00:02:05,329
? THERE IS NOTHING I CAN'T DO ?
44
00:02:05,330 --> 00:02:06,579
? WHEN DANGER CALLS, JUST ?
45
00:02:06,580 --> 00:02:09,119
? KNOW THAT I AM ON MY WAY ?
46
00:02:09,120 --> 00:02:10,289
? KNOW THAT I AM ON MY WAY ?
47
00:02:10,290 --> 00:02:14,499
? IT DOESN'T MATTER WHERE
OR WHEN THERE'S TROUBLE ?
48
00:02:14,500 --> 00:02:17,329
? IF YOU JUST CALL MY NAME ?
49
00:02:17,330 --> 00:02:18,459
? KIM POSSIBLE ?
50
00:02:18,460 --> 00:02:20,199
? CALL ME,
BEEP ME IF YOU WANNA REACH ME ?
51
00:02:20,200 --> 00:02:22,159
? WHEN YOU WANNA PAGE
ME, IT'S OK ?
52
00:02:22,160 --> 00:02:24,039
? WHENEVER YOU NEED ME, BABY ?
53
00:02:24,040 --> 00:02:26,369
? CALL ME, BEEP ME,
IF YOU WANNA REACH ME ?
54
00:02:26,370 --> 00:02:28,289
? CALL ME, BEEP ME ?
55
00:02:28,290 --> 00:02:30,249
? IF YOU WANNA REACH ME ?
56
00:02:30,250 --> 00:02:33,289
? DOESN'T MATTER WHERE,
DOESN'T MATTER WHEN ?
57
00:02:33,290 --> 00:02:34,409
? DOESN'T MATTER WHEN ?
58
00:02:34,410 --> 00:02:37,749
? I WILL BE THERE FOR
YOU TILL THE VERY END ?
59
00:02:37,750 --> 00:02:41,289
? DANGER OR TROUBLE,
I'M THERE ON THE DOUBLE ?
60
00:02:41,290 --> 00:02:44,539
? YOU KNOW THAT YOU
ALWAYS CAN CALL ?
61
00:02:44,540 --> 00:02:46,619
? KIM POSSIBLE ?
62
00:02:46,620 --> 00:02:47,659
SO WHAT'S THE SITCH?
63
00:02:47,660 --> 00:02:51,080
? CALL ME, BEEP ME,
IF YOU WANNA REACH ME ?
64
00:02:53,580 --> 00:02:54,909
HEY, KIM, HOW WAS THE MISH?
65
00:02:54,910 --> 00:02:56,369
HOW'D YOU KNOW?
66
00:02:56,370 --> 00:02:57,160
MISSION HAIR.
67
00:02:57,161 --> 00:02:58,409
THANKS. IS THE MANAGER HERE?
68
00:02:58,410 --> 00:02:59,909
I NEED HER TO SIGN MY TIME CARD.
69
00:02:59,910 --> 00:03:00,620
I CAN DO THAT FOR YOU,
70
00:03:00,621 --> 00:03:03,659
NOW THAT I'VE BEEN PROMOTED
TO ASSISTANT MANAGER!
71
00:03:03,660 --> 00:03:05,249
NO WAY!
72
00:03:05,250 --> 00:03:06,329
AAH! AAH!
73
00:03:06,330 --> 00:03:07,080
MONIQUE,
74
00:03:07,081 --> 00:03:08,329
CLUB BANANA'S CHIEF DESIGNER
75
00:03:08,330 --> 00:03:09,909
IS COMING TO OUR STORE.
76
00:03:09,910 --> 00:03:11,199
COCO BANANA HERE?
77
00:03:11,200 --> 00:03:11,620
YES!
78
00:03:11,621 --> 00:03:14,119
SO ASSEMBLE AND DRESS THE
MANNEQUINS QUICKLY, OR...
79
00:03:14,120 --> 00:03:15,409
COCO BANANA IS HERE.
80
00:03:15,410 --> 00:03:18,829
OH, MR. BANANA, WHAT A PLEASURE.
81
00:03:18,830 --> 00:03:20,199
HANDSHAKE.
82
00:03:20,200 --> 00:03:22,039
COCO BANANA HAS
BROUGHT THE DESIGNS
83
00:03:22,040 --> 00:03:23,999
FOR THE NEW FALL COLLECTION.
84
00:03:24,000 --> 00:03:25,249
PLEASE, NO FAINTING.
85
00:03:25,250 --> 00:03:26,200
MAY WE GASP?
86
00:03:26,201 --> 00:03:27,409
YOU MAY.
87
00:03:27,410 --> 00:03:28,200
[ALL GASP]
88
00:03:28,201 --> 00:03:30,329
THE FALL COLLECTION!
89
00:03:30,330 --> 00:03:34,039
3/4 SLEEVE SEQUIN-TRIMMED
TUNIC FROM...
90
00:03:34,040 --> 00:03:36,369
LAST SEASON.
91
00:03:36,370 --> 00:03:37,409
MMM.
92
00:03:37,410 --> 00:03:38,370
[GULP]
93
00:03:38,370 --> 00:03:39,000
YES, MR. BANANA, SIR.
94
00:03:39,001 --> 00:03:41,909
VINTAGE CLUB "B." COCO
SAYS, PROPS.
95
00:03:41,910 --> 00:03:42,999
OH, THANK YOU.
96
00:03:43,000 --> 00:03:44,329
COME, LABOR FORCE.
97
00:03:44,330 --> 00:03:48,290
COCO BANANA WILL
UNVEIL THE DESIGNS.
98
00:03:49,330 --> 00:03:51,199
AH, MANAGEMENT ONLY.
99
00:03:51,200 --> 00:03:53,119
SORRY, GIRL.
I'LL 4-1-1 YOU LATER.
100
00:03:53,120 --> 00:03:55,039
UM, CONFIDENTIALITY AGREEMENT?
101
00:03:55,040 --> 00:03:58,250
YOU WILL SAY NOTHING TO NO ONE.
102
00:03:59,330 --> 00:04:01,329
HMM.
103
00:04:01,330 --> 00:04:03,499
HA! FALL COLLECTION.
104
00:04:03,500 --> 00:04:05,249
I AM NOT JEALOUS.
105
00:04:05,250 --> 00:04:07,249
NOPE, NO JEAL IN HERE.
106
00:04:07,250 --> 00:04:09,079
WELL, OK,
FROM THE BEGINNING, K.P.
107
00:04:09,080 --> 00:04:11,119
I'M AT WORK.
I GOT NOTHING BUT TIME.
108
00:04:11,120 --> 00:04:13,199
Kim: WELL,
IT ALL STARTED WHEN COCO BANANA...
109
00:04:13,200 --> 00:04:14,749
AH, SORRY, KIM, GOT TO GO.
110
00:04:14,750 --> 00:04:16,789
THE LEMURS ARE IN.
111
00:04:16,790 --> 00:04:18,409
[SIGH]
112
00:04:18,410 --> 00:04:21,460
[LAUGHING]
113
00:04:24,330 --> 00:04:25,619
[GASP] AAH!
114
00:04:25,620 --> 00:04:27,789
[CRASH]
115
00:04:27,790 --> 00:04:29,249
STOPPABLE!
116
00:04:29,250 --> 00:04:30,160
MR. BARKIN?
117
00:04:30,160 --> 00:04:30,910
Boy on P.A.: PRICE CHECK.
118
00:04:30,911 --> 00:04:35,660
ON POP POP PORTER'S FREEZE-DRIED
CHICKEN-FRIED STEAKLETTES.
119
00:04:36,330 --> 00:04:38,580
Both: TWO FOR $1.99.
120
00:04:38,960 --> 00:04:40,199
Both: YOU WORK HERE?
121
00:04:40,200 --> 00:04:42,869
HOUSEWARES. 14 YEARS THIS JUNE.
122
00:04:42,870 --> 00:04:45,159
PETS. 14 HOURS THIS WEEK.
123
00:04:45,160 --> 00:04:45,790
BUT... BUT WHY DO YOU...
124
00:04:45,791 --> 00:04:48,119
THE GIG AT MIDDLETON HIGH
IS JUST FOR THE BENEFITS.
125
00:04:48,120 --> 00:04:51,619
THIS... IS MY TRUE PASSION.
126
00:04:51,620 --> 00:04:52,410
HOUSEWARES? REALLY?
127
00:04:52,411 --> 00:04:55,199
HELPING A CUSTOMER CHOOSE
BETWEEN A MUFFIN PAN
128
00:04:55,200 --> 00:04:56,749
AND A MINI-MUFFIN PAN...
129
00:04:56,750 --> 00:04:59,119
TOO BEAUTIFUL FOR WORDS.
130
00:04:59,120 --> 00:05:00,120
UH-OH! STORE MANAGER!
131
00:05:00,121 --> 00:05:03,409
YEAH! GOOD HUSTLE ON THAT PRICE
CHECK, MY BOY.
132
00:05:03,410 --> 00:05:05,079
AH. HEH HEH HEH!
133
00:05:05,080 --> 00:05:06,159
THANKS, MR. STOCKWELL.
134
00:05:06,160 --> 00:05:08,289
NOT YOU, BARKIN,
OUR NEW EMPLOYEE...
135
00:05:08,290 --> 00:05:09,789
THE ONE WITH PROMISE
AND POTENTIAL?
136
00:05:09,790 --> 00:05:13,039
A CLEAR CANDIDATE FOR
EMPLOYEE OF THE MONTH.
137
00:05:13,040 --> 00:05:16,079
THAT WOULD BE THE BADIGGITIEST!
138
00:05:16,080 --> 00:05:17,289
BUT... BUT HOW WOULD THAT WORK,
139
00:05:17,290 --> 00:05:19,199
TODAY BEING THE 16th AND ALL?
140
00:05:19,200 --> 00:05:20,959
HA HA HA!
141
00:05:20,960 --> 00:05:22,579
AND A SENSE OF HUMOR, TO BOOT.
142
00:05:22,580 --> 00:05:24,249
YOU ARE GOING PLACES, SON.
143
00:05:24,250 --> 00:05:26,329
Boy on P.A.:
CLEANUP ON AISLE 12.
144
00:05:26,330 --> 00:05:27,409
CODE "T."
145
00:05:27,410 --> 00:05:29,369
"T." TOXIC.
146
00:05:29,370 --> 00:05:30,539
HE'S RIGHT, STOPPABLE.
147
00:05:30,540 --> 00:05:32,869
YOU ARE GOING PLACES...
AISLE 12.
148
00:05:32,870 --> 00:05:33,909
DON'T GET ANY ON YOU.
149
00:05:33,910 --> 00:05:35,579
YES, MR. BARKIN. I... WAIT.
150
00:05:35,580 --> 00:05:37,869
JUST A MINIMUM-WAGE MINUTE.
151
00:05:37,870 --> 00:05:40,499
NO ORANGE TIE, NO AUTHORITY.
152
00:05:40,500 --> 00:05:41,789
WHAT ARE YOU BABBLING ABOUT?
153
00:05:41,790 --> 00:05:44,249
MANAGEMENT WEARS ORANGE
TIES, MR. B.,
154
00:05:44,250 --> 00:05:46,199
AND YOU... NO ORANGE TIE.
155
00:05:46,200 --> 00:05:51,499
TRANSLATION: YOU ARE
NOT THE BOSS OF ME!
156
00:05:51,500 --> 00:05:53,870
YOO-HOO.
157
00:05:54,540 --> 00:05:56,619
OHH, SCHOOL. YEAH. HEH!
158
00:05:56,620 --> 00:05:57,460
YOU ARE THE BOSS OF ME. HEH.
159
00:05:57,461 --> 00:06:01,789
AND YOU'LL WRITE THAT 500
TIMES ON THE CHALKBOARD TODAY
160
00:06:01,790 --> 00:06:02,500
IN DETENTION!
161
00:06:02,501 --> 00:06:04,909
Kim: COME ON, MONIQUE.
FALL COLLECTION?
162
00:06:04,910 --> 00:06:07,249
CAN'T YOU SITCH ME ON
THE HOT AND THE NOT?
163
00:06:07,250 --> 00:06:07,830
I TOLD YOU, KIM,
164
00:06:07,831 --> 00:06:09,869
I SIGNED A CONFIDENTIALITY
AGREEMENT.
165
00:06:09,870 --> 00:06:11,869
I CAN'T SPILL, GIRL.
166
00:06:11,870 --> 00:06:14,289
WELL, WE'LL SEE ABOUT THAT.
167
00:06:14,290 --> 00:06:15,749
UPDATE ON MY CONTRACT, WADE.
168
00:06:15,750 --> 00:06:17,159
IT'S AIRTIGHT, KIM.
169
00:06:17,160 --> 00:06:18,040
NO LOOPHOLES?
170
00:06:18,041 --> 00:06:20,249
EVEN IF I FOUND ONE,
ACCORDING TO ARTICLE 35,
171
00:06:20,250 --> 00:06:21,000
I COULDN'T TELL YOU.
172
00:06:21,001 --> 00:06:23,039
EVEN THE LOOPHOLES
ARE CONFIDENTIAL?
173
00:06:23,040 --> 00:06:24,619
I CAN'T COMMENT ON THAT.
174
00:06:24,620 --> 00:06:26,120
OHH!
175
00:06:28,160 --> 00:06:30,909
FULL HOUSE! BOOYA!
176
00:06:30,910 --> 00:06:31,200
[GRUNT]
177
00:06:31,201 --> 00:06:35,539
NOW, DIXIE, SORE LOSER DOESN'T
EXACTLY SAY "TAKE ME HOME."
178
00:06:35,540 --> 00:06:38,579
[ROARING]
179
00:06:38,580 --> 00:06:39,250
OK, OK!
180
00:06:39,251 --> 00:06:40,409
NOW, SOMEONE NEEDS A T.O.
181
00:06:40,410 --> 00:06:41,999
WHAT IS GOING ON OVER HERE?
182
00:06:42,000 --> 00:06:45,289
CLEARLY THE NEW KID IS
AGITATING THE STOCK...
183
00:06:45,290 --> 00:06:46,120
THE LIVESTOCK.
184
00:06:46,121 --> 00:06:48,459
MOMMY, MOMMY!
I WANT AN ANGRY GORILLA!
185
00:06:48,460 --> 00:06:52,459
OK, DARLING.
LET'S GET A SHOPPING CART.
186
00:06:52,460 --> 00:06:55,119
NICE SALE STRATEGY, SON.
187
00:06:55,120 --> 00:06:56,120
WELL, YOU KNOW... HEH HEH!
188
00:06:56,121 --> 00:06:57,459
SOMETIMES IT JUST COMES TO ME.
189
00:06:57,460 --> 00:06:59,079
BUT DID YOU CHECK THE ROSTER?
190
00:06:59,080 --> 00:07:00,459
YOU'VE GOT STOCKROOM DUTY TODAY.
191
00:07:00,460 --> 00:07:03,199
OH. THOUGHT I WAS SUPPOSED
TO MOVE THESE LEMURS.
192
00:07:03,200 --> 00:07:05,289
NO NEED, MY BOY.
WE ARE RUNNING A SPECIAL...
193
00:07:05,290 --> 00:07:07,659
A FREE LEMUR WITH
EVERY COFFEEMAKER.
194
00:07:07,660 --> 00:07:10,079
WE CAN'T KEEP THE LITTLE
FURBALLS IN STOCK.
195
00:07:10,080 --> 00:07:11,499
BARKIN, SHOW OUR STAR SALESMAN
196
00:07:11,500 --> 00:07:13,699
WHERE THE STOCKROOM IS.
197
00:07:13,700 --> 00:07:15,459
HA HA! MY PLEASURE.
198
00:07:15,460 --> 00:07:17,829
RIGHT THIS WAY, STAR.
199
00:07:17,830 --> 00:07:19,039
AW, GEE, MR. B.,
200
00:07:19,040 --> 00:07:19,660
THAT'S NICE OF YOU,
201
00:07:19,661 --> 00:07:22,119
CONSIDERING YOU HAVE NOT
AN OUNCE OF CONTROLLAGE
202
00:07:22,120 --> 00:07:23,459
OVER ME AND ALL.
203
00:07:23,460 --> 00:07:24,869
WELCOME TO THE JUNGLE.
204
00:07:24,870 --> 00:07:25,290
[GASP]
205
00:07:25,291 --> 00:07:28,079
AH, I HAVE TO ORGANIZE
ALL THIS STUFF?
206
00:07:28,080 --> 00:07:31,199
WELL, FOR SOMEONE ON THE FAST
TRACK TO EMPLOYEE OF THE MONTH,
207
00:07:31,200 --> 00:07:34,659
I'M SURE THAT YOU'LL HAVE
IT WHIPPED INTO SHAPE
208
00:07:34,660 --> 00:07:35,160
IN NO TIME.
209
00:07:35,161 --> 00:07:38,659
Boy on P.A.: PRICE CHECK ON
COTTON SATEEN DUST RUFFLES.
210
00:07:38,660 --> 00:07:41,499
14-OR-18-INCH DROP?
211
00:07:41,500 --> 00:07:44,040
I'D BETTER TAKE THIS.
212
00:07:48,250 --> 00:07:52,329
CAN YOU BELIEVE THE YUMMY
COLORS OF THOSE FALL COATS?
213
00:07:52,330 --> 00:07:54,829
IT'S LIKE A RAINBOW
OF RETAIL PERFECTION!
214
00:07:54,830 --> 00:07:58,159
YOU KNOW, I'M PRETTY GOOD
WITH KEEPING SECRETS.
215
00:07:58,160 --> 00:07:58,960
IN FACT... HEH...
216
00:07:58,961 --> 00:08:00,959
THE SAFETY OF THE
WORLD DEPENDS ON IT,
217
00:08:00,960 --> 00:08:03,119
SO, UM, FALL COLLECTION?
218
00:08:03,120 --> 00:08:04,040
UH, NOT GONNA HAPPEN.
219
00:08:04,041 --> 00:08:06,289
AH. THEN I GUESS I'LL
CLOCK OUT AND PICK UP RON.
220
00:08:06,290 --> 00:08:09,039
I'M SURE HE'S GOT
ALL-NEW LEMUR STORIES.
221
00:08:09,040 --> 00:08:11,910
WISH THOSE WERE CONFIDENTIAL.
222
00:08:31,040 --> 00:08:34,369
KIM? YOU KNOW YOU'RE NOT
SUPPOSED TO BE IN THERE.
223
00:08:34,370 --> 00:08:36,040
KIM!
224
00:08:44,540 --> 00:08:47,699
Ron: INVENTORY, KIM...
TWO STORIES HIGH!
225
00:08:47,700 --> 00:08:49,539
SO YOU SORT, YOU
PILE, YOU TRASH...
226
00:08:49,540 --> 00:08:50,749
LIKE WHEN YOU CLEANED YOUR ROOM.
227
00:08:50,750 --> 00:08:53,959
WE PROMISED NEVER TO
SPEAK OF THAT DARK DAY.
228
00:08:53,960 --> 00:08:54,910
HEY, MONIQUE.
229
00:08:54,910 --> 00:08:55,910
"HEY, MONIQUE"?
230
00:08:55,910 --> 00:08:56,870
"HEY, MONIQUE"?
231
00:08:56,871 --> 00:08:58,119
UM, REASON FOR THE 'TUDE?
232
00:08:58,120 --> 00:08:59,159
I GET YOU A JOB IN MY STORE,
233
00:08:59,160 --> 00:09:00,869
AND THIS IS HOW YOU REPAY ME?
234
00:09:00,870 --> 00:09:01,700
UH, GUYS?
235
00:09:01,700 --> 00:09:02,620
WHAT ARE YOU TALKING ABOUT?
236
00:09:02,621 --> 00:09:03,699
DON'T FRONT WITH ME, GIRL.
237
00:09:03,700 --> 00:09:05,079
I SAW YOU WITH MY OWN EYES.
238
00:09:05,080 --> 00:09:05,540
SAW ME WHAT?
239
00:09:05,541 --> 00:09:06,909
LEAVING THE MANAGER'S OFFICE.
240
00:09:06,910 --> 00:09:09,079
I CAUGHT YOU EYEING
THOSE DESIGNS.
241
00:09:09,080 --> 00:09:10,000
I DID NOT!
242
00:09:10,000 --> 00:09:10,410
OH, OH, I GUESS
243
00:09:10,411 --> 00:09:11,959
IT WAS JUST YOUR IDENTICAL
TWIN, THEN, RIGHT?
244
00:09:11,960 --> 00:09:13,869
OR CAMILLE LEON.
245
00:09:13,870 --> 00:09:15,249
Both: CAMILLE LEON?
246
00:09:15,250 --> 00:09:16,120
ISN'T SHE IN JAIL?
247
00:09:16,121 --> 00:09:17,829
THAT'S WHAT I'VE BEEN
TRYING TO TELL YOU.
248
00:09:17,830 --> 00:09:20,959
APPARENTLY, SHE SHAPE-SHIFTED
INTO A GUARD AND ESCAPED.
249
00:09:20,960 --> 00:09:22,869
OK, WHO DID NOT SEE THIS COMING?
250
00:09:22,870 --> 00:09:24,869
I MEAN, BESIDES THE GUARDS...
AND US?
251
00:09:24,870 --> 00:09:26,409
I'LL SEE IF I CAN... HEY!
252
00:09:26,410 --> 00:09:27,459
KIM POSSIBLE?
253
00:09:27,460 --> 00:09:28,460
UH... MAYBE.
254
00:09:28,460 --> 00:09:29,330
OFFICERS TWILL AND TWEED.
255
00:09:29,331 --> 00:09:30,699
WE'D LIKE TO ASK
YOU SOME QUESTIONS.
256
00:09:30,700 --> 00:09:33,539
HEH! WHAT ARE YOU,
THE FASHION POLICE?
257
00:09:33,540 --> 00:09:33,960
AFFIRMATIVE.
258
00:09:33,961 --> 00:09:36,039
AND THAT SPORTS JERSEY
IS A SERIOUS VIOLATION.
259
00:09:36,040 --> 00:09:38,539
YOU'RE WRITING ME A TICKET?
260
00:09:38,540 --> 00:09:39,000
[CHUCKLES]
261
00:09:39,001 --> 00:09:40,829
BUT, UH,
HALF CRED ON THE POCKET PET.
262
00:09:40,830 --> 00:09:42,199
THEY ARE HOT THIS SEASON.
263
00:09:42,200 --> 00:09:43,999
SO WHAT'S THE DRAMA, OFFICERS?
264
00:09:44,000 --> 00:09:47,119
MY NEW FALL DESIGNS... STOLEN!
265
00:09:47,120 --> 00:09:49,999
BUT THAT WOULD MAKE
COCO BANANA A...
266
00:09:50,000 --> 00:09:51,999
FASHION VICTIM.
267
00:09:52,000 --> 00:09:53,039
TEARS.
268
00:09:53,040 --> 00:09:53,700
[CRYING]
269
00:09:53,701 --> 00:09:54,959
CAMILLE'S TRYING TO FRAME ME
270
00:09:54,960 --> 00:09:56,289
FOR STEALING THE DESIGNS.
271
00:09:56,290 --> 00:09:57,659
NOTHING SPRUCES UP A CAPER
272
00:09:57,660 --> 00:09:58,999
LIKE A LITTLE REVENGE
ALONG THE WAY.
273
00:09:59,000 --> 00:10:01,539
SO YOU DENY ANY
INVOLVEMENT IN THIS CRIME?
274
00:10:01,540 --> 00:10:03,789
NATCH. THE WOMAN YOU
WANT IS CAMILLE LEON.
275
00:10:03,790 --> 00:10:05,369
THE DISINHERITED CELEBUTANTE?
276
00:10:05,370 --> 00:10:06,869
BEST DRESSED CELEB
3 YEARS IN A ROW,
277
00:10:06,870 --> 00:10:07,870
ACCORDING TO HER STYLE FILE.
278
00:10:07,871 --> 00:10:10,329
CHECK THE CRINOLINE PENCIL SKIRT.
SHE'S ARRESTING.
279
00:10:10,330 --> 00:10:11,959
YOU MEAN SHE SHOULD BE ARRESTED.
280
00:10:11,960 --> 00:10:13,249
IF CAMILLE HAS THOSE DESIGNS,
281
00:10:13,250 --> 00:10:15,199
THEN SHE'LL BE
LOOKING TO SELL THEM.
282
00:10:15,200 --> 00:10:15,790
COPY THAT.
283
00:10:15,791 --> 00:10:16,829
WE'LLWE;LL FOLLOW UP ON THE TIP,
284
00:10:16,830 --> 00:10:19,199
BUT WE'RE KEEPING AN EYE ON YOU.
285
00:10:19,200 --> 00:10:20,040
[BEEPING]
286
00:10:20,040 --> 00:10:20,910
6-8-2 IN PROGRESS.
287
00:10:20,911 --> 00:10:22,959
UGH. KNEE HIGHS WITH FLIP-FLOPS.
288
00:10:22,960 --> 00:10:26,459
OK! EVEN I KNOW THAT'S WRONG!
289
00:10:26,460 --> 00:10:27,160
WADE?
290
00:10:27,160 --> 00:10:27,830
ALREADY ON IT, KIM.
291
00:10:27,831 --> 00:10:29,159
YOUR RIDE'S HOVERING OUTSIDE.
292
00:10:29,160 --> 00:10:29,910
WHERE TO THIS TIME?
293
00:10:29,911 --> 00:10:32,289
THE ONE PLACE CAMILLE
CAN GET TOP DOLLAR
294
00:10:32,290 --> 00:10:34,079
FOR STOLEN DESIGNS:
295
00:10:34,080 --> 00:10:34,790
MILAN,
296
00:10:34,791 --> 00:10:36,159
HOME OF THE FASHION UNDERGROUND.
297
00:10:36,160 --> 00:10:38,579
WE'RE GOING TO ITALY! BOOYA!
298
00:10:38,580 --> 00:10:41,789
I THOUGHT SMARTY MART HAD
YOU ON STOCKROOM DUTY.
299
00:10:41,790 --> 00:10:42,700
OH, MAN!
300
00:10:42,701 --> 00:10:43,959
YEAH, WAY TO UNDO THE BOOYA.
301
00:10:43,960 --> 00:10:45,579
THAT'S OK, RON. I'LL SUB.
302
00:10:45,580 --> 00:10:48,039
OH. UM, THANKS, BUT, UH,
303
00:10:48,040 --> 00:10:48,750
I CAN HANDLE.
304
00:10:48,751 --> 00:10:50,289
HEY, CAMILLE PLAYED ME, TOO.
305
00:10:50,290 --> 00:10:51,290
WOULD LOVE TO STAY AND LECTURE
306
00:10:51,291 --> 00:10:52,659
ON THE DANGERS OF MISSION WORK,
307
00:10:52,660 --> 00:10:55,160
BUT MILAN CALLS.
308
00:10:55,910 --> 00:10:58,790
I THINK THAT GIRL
JUST DITCHED ME.
309
00:10:59,830 --> 00:11:02,539
[ANIMALS CHATTERING]
310
00:11:02,540 --> 00:11:03,500
[SLURP]
311
00:11:03,500 --> 00:11:04,160
STOPPABLE?
312
00:11:04,161 --> 00:11:06,959
HEY, MR. B. JUST TAKING 5.
313
00:11:06,960 --> 00:11:07,580
QUESTION:
314
00:11:07,581 --> 00:11:11,459
JUST WHEN DO YOU PLAN ON
BEGINNING THE ACTUAL WORK?
315
00:11:11,460 --> 00:11:11,750
EXCUSE ME?
316
00:11:11,751 --> 00:11:16,159
I SPENT THE LAST TWO 60s
ORGANIZING THIS STUFF INTO 3 PILES:
317
00:11:16,160 --> 00:11:17,409
MISCELLANEOUS STUFF,
318
00:11:17,410 --> 00:11:18,330
OTHER MISCELLANEOUS STUFF,
319
00:11:18,331 --> 00:11:21,079
AND STUFF I MIGHT WANT
TO BUY WITH MY DISCOUNT.
320
00:11:21,080 --> 00:11:21,830
2% OFF? RIGHT?
321
00:11:21,831 --> 00:11:25,329
STOPPABLE, GET THIS INTO
YOUR NACHO CHEESE HEAD.
322
00:11:25,330 --> 00:11:26,619
EVERY ITEM MUST BE
LOGGED AND SHELVED
323
00:11:26,620 --> 00:11:30,199
ACCORDING TO DEPARTMENT,
NOT PERSONAL, PREFERENCE.
324
00:11:30,200 --> 00:11:32,329
AW, MAN, NOW YOU TELL ME!
325
00:11:32,330 --> 00:11:32,870
[GRUNT]
326
00:11:32,871 --> 00:11:35,830
SHOULD NOT HAVE DONE THAT.
327
00:11:36,580 --> 00:11:38,620
[YELLING]
328
00:11:39,290 --> 00:11:41,500
[YELLING]
329
00:11:43,250 --> 00:11:43,700
OOH. CLOSE ONE.
330
00:11:43,701 --> 00:11:46,959
I THOUGHT WE WERE GONNA BE
TRAPPED IN THE STOCKROOM.
331
00:11:46,960 --> 00:11:48,159
YEAH, LUCKY US.
332
00:11:48,160 --> 00:11:50,459
THAT WOULD BE MUCH
WORSE THAN BEING...
333
00:11:50,460 --> 00:11:53,080
TRAPPED IN A CRATE!
334
00:12:03,410 --> 00:12:05,659
I CAN'T LET YOU
WATCH, DR. FUSION.
335
00:12:05,660 --> 00:12:07,079
WORLD SECURITY IS AT HAND.
336
00:12:07,080 --> 00:12:10,869
JUST TRY AND STOP ME, DINOMAN.
HEH HEH HEH!
337
00:12:10,870 --> 00:12:11,700
[CHUCKLING]
338
00:12:11,700 --> 00:12:12,620
MONIQUE!
339
00:12:12,620 --> 00:12:13,460
SO MANY LEVELS OF WRONG.
340
00:12:13,461 --> 00:12:14,699
AND AREN'T ACTION FIGURES
341
00:12:14,700 --> 00:12:15,540
A LITTLE LOW-TECH FOR YOU?
342
00:12:15,541 --> 00:12:17,199
THEIR HOLOGRAMS
AREN'T COMPLETE YET.
343
00:12:17,200 --> 00:12:18,789
YOU WON'T TELL ANYONE, RIGHT?
344
00:12:18,790 --> 00:12:19,290
YOU GET ME TO MILAN,
345
00:12:19,291 --> 00:12:21,829
AND I'LL KEEP DINOMAN
AND PURPLE PANTS
346
00:12:21,830 --> 00:12:22,660
ON THE D.L.
347
00:12:22,661 --> 00:12:26,160
YOUR RIDE, STUDENT PARKING LOT.
348
00:12:26,750 --> 00:12:27,660
HEH. EH. EH.
349
00:12:27,661 --> 00:12:29,659
THERE'S NO WAY OUT, MR., BARKIN!
350
00:12:29,660 --> 00:12:30,959
STOP YOUR SQUIRMING, STOPPABLE,
351
00:12:30,960 --> 00:12:32,159
AND LOOK FOR A LIGHT SOURCE.
352
00:12:32,160 --> 00:12:33,749
WELL, IT'S SORT OF HARD TO FOCUS
353
00:12:33,750 --> 00:12:36,869
WHEN THERE'S A FLASHLIGHT
WEDGED IN YOUR BACK.
354
00:12:36,870 --> 00:12:37,790
EH... OW!
355
00:12:37,791 --> 00:12:40,749
GIVE ME THAT.
356
00:12:40,750 --> 00:12:41,999
OHH. THANKS, MR. B. MUCH BETTER.
357
00:12:42,000 --> 00:12:44,999
MR. BARKIN, YOUR STUBBLAGE...
358
00:12:45,000 --> 00:12:45,620
OHH!
359
00:12:45,621 --> 00:12:46,909
HOW LONG HAVE WE BEEN IN HERE?
360
00:12:46,910 --> 00:12:48,579
OH, ABOUT 19 MINUTES.
361
00:12:48,580 --> 00:12:51,579
I, UH... HAVE TO SHAVE OFTEN.
362
00:12:51,580 --> 00:12:51,960
HOW OFTEN?
363
00:12:51,961 --> 00:12:53,909
15 TIMES A DAY.
NOW, WOULD YOU CUT THE CHATTER?
364
00:12:53,910 --> 00:12:55,409
I HAVE TO FORMULATE A PLAN!
365
00:12:55,410 --> 00:12:56,619
ALREADY GOT ONE.
366
00:12:56,620 --> 00:12:58,829
HELP! SOMEBODY HELP!
367
00:12:58,830 --> 00:13:00,749
THAT'S NOT A PLAN.
368
00:13:00,750 --> 00:13:01,660
NOT THE BOSS OF ME.
369
00:13:01,661 --> 00:13:03,249
HE-HE-HELP!
370
00:13:03,250 --> 00:13:06,999
NO ONE CAN HEAR US, MAN.
IT'S JUST YOU AND ME.
371
00:13:07,000 --> 00:13:08,499
[MOO]
372
00:13:08,500 --> 00:13:09,250
AND THAT COW.
373
00:13:09,251 --> 00:13:11,159
WHAT IS ALL THIS STUFF, ANYWAY?
374
00:13:11,160 --> 00:13:12,659
APPEARS TO BE RETURNS...
375
00:13:12,660 --> 00:13:14,659
MERCHANDISE THAT
HAS BEEN RETURNED.
376
00:13:14,660 --> 00:13:16,749
WHERE DOES IT GET RETURNED TO?
377
00:13:16,750 --> 00:13:20,409
TO THE RETURNS
WAREHOUSE OVERSEAS!
378
00:13:20,410 --> 00:13:23,159
[YELLING]
379
00:13:23,160 --> 00:13:26,659
GLOBAL POSITIONING PLACES THE
ENTRANCE TO THE FASHION UNDERGROUND
380
00:13:26,660 --> 00:13:28,289
SOMEWHERE IN THAT BUILDING.
381
00:13:28,290 --> 00:13:30,829
Kim: AS LAIRS GO, IT'S, UH...
382
00:13:30,830 --> 00:13:32,460
PRETTY.
383
00:13:33,750 --> 00:13:34,869
Twill: INTERESTING.
384
00:13:34,870 --> 00:13:35,870
EVERY TIME WE FOLLOW A CLUE
385
00:13:35,871 --> 00:13:37,249
ON THE STOLEN FASHION DESIGNS,
386
00:13:37,250 --> 00:13:38,829
IT LEADS TO YOU.
387
00:13:38,830 --> 00:13:39,500
WHY IS THAT?
388
00:13:39,501 --> 00:13:40,749
BECAUSE WE'RE ON THE SAME CASE.
389
00:13:40,750 --> 00:13:42,659
WE'RE THE FASHION
POLICE, MISS POSSIBLE.
390
00:13:42,660 --> 00:13:45,079
YOU CAN'T PULL THE MARINO
WOOL OVER OUR EYES.
391
00:13:45,080 --> 00:13:45,580
GOOD THING,
392
00:13:45,581 --> 00:13:47,289
OR YOU WOULDN'T SEE THOSE WOMEN
393
00:13:47,290 --> 00:13:48,160
THEIR OUTFITS?
394
00:13:48,161 --> 00:13:49,369
[GASP] CRIMINAL.
395
00:13:49,370 --> 00:13:51,000
WHERE? WHERE?
396
00:13:51,750 --> 00:13:54,660
I'M GOING IN. COVER ME.
397
00:14:05,700 --> 00:14:06,660
OOH!
398
00:14:06,661 --> 00:14:07,909
AAH!
399
00:14:07,910 --> 00:14:09,579
UNH!
400
00:14:09,580 --> 00:14:11,369
GOSH, THANKS A MIL.
401
00:14:11,370 --> 00:14:12,330
[GASP]
402
00:14:12,330 --> 00:14:13,120
MONIQUE?
403
00:14:13,120 --> 00:14:13,750
I THOUGHT WE AGREED
404
00:14:13,751 --> 00:14:14,999
IT'S TOO DANGEROUS
FOR YOU TO BE HERE.
405
00:14:15,000 --> 00:14:19,080
DON'T EVEN TRY TO FLOAT THE
DANGER BOAT WITH ME, GIRL.
406
00:14:23,580 --> 00:14:25,039
YOU DON'T WANT ME HERE
BECAUSE YOU'RE JEALOUS
407
00:14:25,040 --> 00:14:29,160
THAT I GOT TO SEE THE
DESIGNS AND YOU DIDN'T.
408
00:14:30,160 --> 00:14:31,749
UNH!
409
00:14:31,750 --> 00:14:35,540
TELL ME WE ARE NOT IN THE SEWER.
410
00:14:36,500 --> 00:14:38,619
[BEEPING]
411
00:14:38,620 --> 00:14:39,160
[GASP]
412
00:14:39,161 --> 00:14:41,749
THAT'S IT! I AM OFFICIALLY NAH!
413
00:14:41,750 --> 00:14:42,620
EYE TO EYE, KIM.
414
00:14:42,621 --> 00:14:43,749
ARE YOU EVEN LISTENING TO ME?
415
00:14:43,750 --> 00:14:45,329
WADE,
BESIDES YOUR LITTLE SURPRISE,
416
00:14:45,330 --> 00:14:45,910
WHAT'S THE SITCH?
417
00:14:45,911 --> 00:14:47,289
WHAT KIND OF SECURITY
ARE WE LOOKING AT HERE?
418
00:14:47,290 --> 00:14:50,659
THE FASHIONISTAS USE THE
LATEST IN AUTOSENSORY DEFENSES.
419
00:14:50,660 --> 00:14:52,039
THE FASHIONISTAS?
420
00:14:52,040 --> 00:14:52,700
[GASP]
421
00:14:52,701 --> 00:14:54,499
YOU DON'T KNOW THE FASHIONISTAS?
422
00:14:54,500 --> 00:14:55,579
SHOULD I?
423
00:14:55,580 --> 00:14:56,699
SENDING PROFILES.
424
00:14:56,700 --> 00:14:57,869
ESPADRILLE, HOODIE, AND CHINO.
425
00:14:57,870 --> 00:14:59,459
THEY COPY THE BRAND-NAME
DESIGNER FASHIONS
426
00:14:59,460 --> 00:15:01,039
AND SELL KNOCKOFFS
AROUND THE WORLD.
427
00:15:01,040 --> 00:15:03,579
THEY RUN THE
FASHION UNDERGROUND!
428
00:15:03,580 --> 00:15:04,540
OH. HEH!
429
00:15:04,540 --> 00:15:05,460
SEE... HMM.
430
00:15:05,460 --> 00:15:06,460
MISSIONS MAY BE YOUR BAG,
431
00:15:06,461 --> 00:15:08,459
BUT FASHION... YOUR SISTER.
432
00:15:08,460 --> 00:15:10,119
THE FASHIONISTAS
WILL MAKE MILLIONS
433
00:15:10,700 --> 00:15:12,699
FLOODING THE MARKET WITH
THEIR COUNTERFEIT FASHIONS.
434
00:15:12,700 --> 00:15:16,159
ALL THANKS TO CAMILLE
AND HER STOLEN DESIGNS.
435
00:15:16,160 --> 00:15:17,489
WELL, UM, MONIQUE,
436
00:15:17,490 --> 00:15:18,539
NOT THAT I DON'T
HAVE A PLAN "B,"
437
00:15:18,540 --> 00:15:22,990
BUT... HOW WOULD YOU GET
US INTO THE UNDERGROUND?
438
00:15:25,740 --> 00:15:27,159
CAMILLE IMITATED YOU.
439
00:15:27,160 --> 00:15:29,489
A HIT-BACK IS FAIR GAME.
440
00:15:33,200 --> 00:15:35,239
I CAN'T BELIEVE WE'RE
HEADED OVERSEAS.
441
00:15:35,240 --> 00:15:37,029
WE COULD END UP IN A
WHOLE OTHER COUNTRY.
442
00:15:37,030 --> 00:15:38,779
STOPPABLE, QUIT YOUR WHINING.
443
00:15:38,780 --> 00:15:40,119
GIVE ME A HAND
WITH OUR BASE CAMP.
444
00:15:40,120 --> 00:15:44,159
HERE. USE THIS TRENCHING SHOVEL
TO START OUR HERB GARDEN,
445
00:15:44,160 --> 00:15:44,780
HERB GARDEN?
446
00:15:44,781 --> 00:15:47,279
UH, DON'T WE NEED,
LIKE, HERBS FOR THAT?
447
00:15:47,280 --> 00:15:48,160
YOU KNOW, AND GARDEN?
448
00:15:48,161 --> 00:15:51,779
WE'LL HARVEST THE
SOIL FROM OUR SOCKS.
449
00:15:51,780 --> 00:15:54,989
UH... MR. BARKIN? YOU FEEL OK?
450
00:15:54,990 --> 00:15:56,739
THIS CRATE'S NOT GETTING TO
YOU, IS IT?
451
00:15:56,740 --> 00:15:57,819
OF COURSE NOT!
452
00:15:57,820 --> 00:15:59,449
BUT WHY DO YOU KEEP
CALLING ME THAT?
453
00:15:59,450 --> 00:16:00,819
MR. BARKIN?
454
00:16:00,820 --> 00:16:01,490
[MOO]
455
00:16:01,491 --> 00:16:04,239
HE'S MR. BARKIN!
456
00:16:04,240 --> 00:16:06,160
MOO?
457
00:16:07,700 --> 00:16:10,819
THERE. MY BLOG ON
UPDATING THE YOGA PANT...
458
00:16:10,820 --> 00:16:11,660
DONE AND DONE.
459
00:16:11,661 --> 00:16:13,369
WHOA! LOOK WHO'S BACK.
460
00:16:13,370 --> 00:16:16,820
AND SPORTING A NEW ACCESSORY.
461
00:16:20,660 --> 00:16:22,869
IS THAT, LIKE,
OUR FALL COLLECTION?
462
00:16:22,870 --> 00:16:25,119
FIRST SHIPMENT HITS TOMORROW.
463
00:16:25,120 --> 00:16:27,239
SO MANY PIRATES, SO LITTLE TIME.
464
00:16:27,240 --> 00:16:29,779
Camille: YOO-HOO!
FASHION FRIENDS!
465
00:16:29,780 --> 00:16:30,240
CAMILLE.
466
00:16:30,241 --> 00:16:32,699
GREETS.
JUST CAME FOR MORE GREEN.
467
00:16:32,700 --> 00:16:34,079
I'VE ALREADY SPENT
YESTERDAY'S SCORE.
468
00:16:34,080 --> 00:16:37,199
OH, THAT WHOLE FOREIGN
EXCHANGE THINGY?
469
00:16:37,200 --> 00:16:38,120
SO CONFUSING.
470
00:16:38,121 --> 00:16:39,619
AS IF I'M A MATHEMAGICIAN.
471
00:16:39,620 --> 00:16:41,409
BUT IF YOU'RE CAMILLE...
472
00:16:41,410 --> 00:16:43,910
THEN WHO'S SHE?
473
00:16:44,320 --> 00:16:46,199
CLEARLY A POSER.
474
00:16:46,200 --> 00:16:47,120
THEY'RE A DIME A DOZ.
475
00:16:47,121 --> 00:16:50,240
I MEAN,
WHO WOULDN'T WANT TO BE ME?
476
00:16:52,530 --> 00:16:57,700
PROPS ON THE LOOK, YEAH,
BUT I'M THE REAL CAMILLE.
477
00:17:00,950 --> 00:17:01,530
PLEASE.
478
00:17:01,531 --> 00:17:02,819
IT TOOK, LIKE, A LIFETIME
479
00:17:02,820 --> 00:17:04,119
TO PERFECT THIS.
480
00:17:04,120 --> 00:17:05,659
NICE TRY, WANNABE-ME,
481
00:17:05,660 --> 00:17:07,029
BUT IF ANYONE KNOWS A KNOCKOFF,
482
00:17:07,030 --> 00:17:10,080
IT'S THE FASHIONISTAS.
483
00:17:11,160 --> 00:17:12,199
TUESDAY, 1400.
484
00:17:12,200 --> 00:17:13,779
I'M SURROUNDED
BEHIND ENEMY LINES.
485
00:17:13,780 --> 00:17:16,699
OPERATION DESERT
TRIAL IS IN DANGER.
486
00:17:16,700 --> 00:17:18,659
CODENAME RON STOPPABLE
487
00:17:18,660 --> 00:17:19,989
HAS CROSSED OVER
TO THE OTHER SIDE.
488
00:17:19,990 --> 00:17:21,489
HEY, AT LEAST I'M NOT THE ONE
489
00:17:21,490 --> 00:17:24,449
TALKING INTO A RUBBER CHICKEN!
490
00:17:24,450 --> 00:17:25,320
THIS TIME.
491
00:17:25,320 --> 00:17:26,240
RUBBER CHICKEN?
492
00:17:26,241 --> 00:17:28,159
RUBBER CHICKEN? NO!
493
00:17:28,160 --> 00:17:29,989
NOT AGAIN! MAYDAY! MAYDAY!
494
00:17:29,990 --> 00:17:30,870
[MOO]
495
00:17:30,871 --> 00:17:33,699
I KNOW. NOT LOOKING GOOD.
496
00:17:33,700 --> 00:17:36,120
UH, WHAT NOW, KIM?
497
00:17:38,080 --> 00:17:39,080
UNH!
498
00:17:39,080 --> 00:17:40,080
UNH!
499
00:17:40,081 --> 00:17:44,530
KIM? AS IN POSSIBLE?
500
00:17:45,990 --> 00:17:49,200
OH! VERY GOOD, CAMILLE.
501
00:17:52,200 --> 00:17:54,580
[KIM GRUNTS]
502
00:17:55,870 --> 00:17:57,200
[GASP]
503
00:18:00,910 --> 00:18:01,240
SAY, GIRL,
504
00:18:01,241 --> 00:18:03,199
YEAH, MY BATTLE SKILLS
AREN'T QUITE IN VOGUE.
505
00:18:03,200 --> 00:18:04,779
PLAY YOUR STRENGTHS, MONIQUE.
506
00:18:04,780 --> 00:18:07,320
UH, ACCESSORIZE.
507
00:18:09,080 --> 00:18:10,530
ON IT.
508
00:18:11,320 --> 00:18:12,320
UNH!
509
00:18:12,321 --> 00:18:14,239
AAH!
510
00:18:14,240 --> 00:18:16,700
AAH!
511
00:18:19,240 --> 00:18:21,119
NICE MOVES, POSSIBLE.
512
00:18:21,120 --> 00:18:23,619
I MAY DESIGN A
TRACKSUIT AFTER YOU.
513
00:18:23,620 --> 00:18:25,120
UNH!
514
00:18:25,370 --> 00:18:29,029
DESIGN? DON'T YOU MEAN STEAL?
515
00:18:29,030 --> 00:18:31,490
WHATEVS.
516
00:18:42,410 --> 00:18:43,579
UNH!
517
00:18:43,580 --> 00:18:45,200
[GASP]
518
00:18:45,870 --> 00:18:48,119
[GASP]
519
00:18:48,120 --> 00:18:49,620
AAH!
520
00:18:50,990 --> 00:18:54,319
OH, PLEASE.
THESE WILL NEVER SELL.
521
00:18:54,320 --> 00:18:55,989
[GROANS]
522
00:18:55,990 --> 00:18:57,950
[GASP]
523
00:19:03,240 --> 00:19:04,990
[GRUNT]
524
00:19:07,870 --> 00:19:10,369
NEW KNOT. YOU LIKE?
525
00:19:10,370 --> 00:19:13,370
OHH. YES.
526
00:19:16,990 --> 00:19:18,619
[GRUNTING]
527
00:19:18,620 --> 00:19:22,780
CUTE LOOK, BUT IT NEEDS A BELT.
528
00:19:24,450 --> 00:19:27,620
I DISAGREE. THE BELT? TOO MUCH.
529
00:19:31,200 --> 00:19:32,910
[GASP]
530
00:19:33,820 --> 00:19:34,780
SO, UH, KIM, YEAH,
531
00:19:34,781 --> 00:19:35,989
THAT WHOLE DANGER EXCUSE?
532
00:19:35,990 --> 00:19:37,819
TURNS OUT YOU KNEW YOUR STUFF.
533
00:19:37,820 --> 00:19:38,240
SO DO YOU.
534
00:19:38,241 --> 00:19:40,739
I WAS JEALOUS THAT YOU
GOT TO SEE THE DESIGNS.
535
00:19:40,740 --> 00:19:41,490
FORGIVE?
536
00:19:41,491 --> 00:19:44,029
FORGIVE. BUT, UM...
537
00:19:44,030 --> 00:19:46,620
CAN WE PICK THIS UP LATER?
538
00:19:49,870 --> 00:19:50,620
Hoodie: AHEM.
539
00:19:50,621 --> 00:19:52,989
SORRY TO CRASH THE
BIG KISS AND CRY,
540
00:19:52,990 --> 00:19:53,530
BUT THIS IS BIZ.
541
00:19:53,531 --> 00:19:56,700
AND WE'RE PUTTING YOU OUT OF IT.
542
00:19:59,080 --> 00:20:01,660
MONIQUE, THE DESIGNS!
543
00:20:05,450 --> 00:20:07,530
KIM, LOOK OUT!
544
00:20:09,030 --> 00:20:11,489
WHOA!
545
00:20:11,490 --> 00:20:13,160
[GASP]
546
00:20:25,660 --> 00:20:27,320
[GASP]
547
00:20:29,580 --> 00:20:31,820
[MOO]
548
00:20:34,950 --> 00:20:35,950
RON?
549
00:20:35,951 --> 00:20:37,739
MONIQUE!
550
00:20:37,740 --> 00:20:40,029
IS THAT... MR. BARKIN?
551
00:20:40,030 --> 00:20:42,950
[BREATHING DEEPLY]
552
00:20:43,820 --> 00:20:44,909
SWEET LADY OXYGEN!
553
00:20:44,910 --> 00:20:46,909
BREATHE WITH ME, STOPPABLE!
554
00:20:46,910 --> 00:20:47,949
BREATHE!
555
00:20:47,950 --> 00:20:49,489
Twill: FASHION POLICE.
556
00:20:49,490 --> 00:20:50,820
HALT!
557
00:20:51,530 --> 00:20:53,079
CODE RED. I REPEAT, CODE RED.
558
00:20:53,080 --> 00:20:54,579
SEND IMMEDIATE REINFORCEMENTS.
559
00:20:54,580 --> 00:20:56,739
OH. OH, SURE. NOW YOU ARRIVE.
560
00:20:56,740 --> 00:20:59,949
WE'RE TRAINED FOR
COUTURE, NOT COMBAT.
561
00:20:59,950 --> 00:21:01,579
WHAT'S HAPPENING, MONIQUE?
562
00:21:01,580 --> 00:21:01,950
K.P.!
563
00:21:01,951 --> 00:21:03,819
I'LL TELL YOU WHAT'S HAPPENING.
564
00:21:03,820 --> 00:21:05,319
CAMILLE ATTACKED ME.
565
00:21:05,320 --> 00:21:05,870
RON?
566
00:21:05,871 --> 00:21:08,029
THEY BOTH SHOWED UP
IN THE SAME OUTFIT.
567
00:21:08,030 --> 00:21:09,529
HOW HUMILIATING.
568
00:21:09,530 --> 00:21:10,370
TWO KIMS.
569
00:21:10,371 --> 00:21:12,279
WHICH ONE IS REAL?
570
00:21:12,280 --> 00:21:13,280
HMM.
571
00:21:13,280 --> 00:21:13,910
THAT ONE!
572
00:21:13,911 --> 00:21:15,909
YOU KNOW,
I MAY NOT KNOW WHERE WE ARE
573
00:21:15,910 --> 00:21:16,820
OR WHAT'S GOING ON,
574
00:21:16,821 --> 00:21:18,659
BUT I KNOW MY OWN GIRLFRIEND.
575
00:21:18,660 --> 00:21:20,529
NO, RON, YOU DON'T.
576
00:21:20,530 --> 00:21:21,120
JUST A MINUTE.
577
00:21:21,121 --> 00:21:23,869
PATENT SHOES, 100% SILK BLOUSE
578
00:21:23,870 --> 00:21:24,820
ARREST HER!
579
00:21:24,821 --> 00:21:25,949
WHY? I THINK IT WORKS.
580
00:21:25,950 --> 00:21:29,989
THIS IS CAMILLE
LEON, YOUR THIEF.
581
00:21:29,990 --> 00:21:32,119
THERE'S YOUR COLLAR.
582
00:21:32,120 --> 00:21:34,319
[GRUNTING]
583
00:21:34,320 --> 00:21:34,780
[SIGH]
584
00:21:34,781 --> 00:21:38,739
LOOK, PRISON IS SO, LIKE, LAME.
585
00:21:38,740 --> 00:21:40,369
OH, CAN'T I DO HOUSE ARREST
586
00:21:40,370 --> 00:21:43,159
AT ONE OF THOSE YUMMY
VILLAS IN TUSCANY?
587
00:21:43,160 --> 00:21:45,489
GOOD EYE... MONIQUE.
588
00:21:45,490 --> 00:21:45,990
OK, LOOK.
589
00:21:45,991 --> 00:21:48,779
THE CRATE TRAPPAGE MAY
HAVE AFFECTED MY JUDGMENT.
590
00:21:48,780 --> 00:21:50,199
I WAS SITTING WITH A COW!
591
00:21:50,200 --> 00:21:52,449
HE WAS TALKING TO A
CHICKEN, AND THE...
592
00:21:52,450 --> 00:21:54,870
MM-HMM.
593
00:21:55,700 --> 00:21:58,369
THE DESIGNS, MR. BANANA, SIR.
594
00:21:58,370 --> 00:22:01,279
WE RECOVERED THEM IN MILAN.
595
00:22:01,280 --> 00:22:03,239
FEH.
I SCRAPPED THESE TWO DAYS AGO.
596
00:22:03,240 --> 00:22:06,739
I'M TAKING THE FALL
LINE IN A NEW DIRECTION.
597
00:22:06,740 --> 00:22:08,869
CAN YOU BELIEVE WE
WENT ALL THAT WAY...
598
00:22:08,870 --> 00:22:10,819
AND TOOK ON THE
WHOLE UNDERGROUND,
599
00:22:10,820 --> 00:22:12,279
JUST FOR HIM TO...
600
00:22:12,280 --> 00:22:13,659
TEARS. TEARS.
601
00:22:13,660 --> 00:22:15,700
[CRYING]
602
00:22:17,870 --> 00:22:18,870
Twill: SIR,
STEP TO THE WALL, PLEASE.
603
00:22:18,871 --> 00:22:20,279
Tweed: YOU'RE CHARGED
WITH MULTIPLE COUNTS.
604
00:22:20,280 --> 00:22:21,240
OF ATROCIOUS FASHION SENSE.
605
00:22:21,241 --> 00:22:23,449
UH... NOT SURE THIS IS ACCURATE.
606
00:22:23,450 --> 00:22:24,410
I'M IN FRENCH HEELS.
607
00:22:24,411 --> 00:22:26,659
WHICH IS COUNT ONE. THOSE PUMPS?
608
00:22:26,660 --> 00:22:27,580
CLOSED TOES!
609
00:22:27,581 --> 00:22:29,409
SPRING CALLS FOR STRAPPY.
610
00:22:29,410 --> 00:22:30,370
TURN TO THE LEFT.
611
00:22:30,371 --> 00:22:31,819
COUNT TWO: THE BOA ROBE.
612
00:22:31,820 --> 00:22:33,779
CLEARLY, YOU DIDN'T PULL IT OFF.
613
00:22:33,780 --> 00:22:34,740
TURN TO THE RIGHT.
614
00:22:34,740 --> 00:22:35,740
COUNT 3: THE STOLE.
615
00:22:35,741 --> 00:22:37,579
CHICKEN WAS SO TWO SEASONS AGO.
616
00:22:37,580 --> 00:22:39,239
COUNT 4: THE LAMPSHADE FEDORA.
617
00:22:39,240 --> 00:22:41,699
YOUR PARENTS MUST BE
REAL PROUD OF YOU.
618
00:22:41,700 --> 00:22:44,819
YOU REALIZE THAT I DON'T
NORMALLY DRESS IN THIS MANNER.
619
00:22:44,820 --> 00:22:46,450
TELL IT TO THE JUDGE, PAL.
620
00:22:46,500 --> 00:22:51,050
Repair and Synchronization by
Easy Subtitles Synchronizer 1.0.0.0
40177
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bengali
Bosnian
Bulgarian
Catalan
Cebuano
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
English
Esperanto
Estonian
Finnish
French
Frisian
Galician
Georgian
German
Greek
Gujarati
Haitian Creole
Hawaiian
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Khmer
Korean
Kurdish (Kurmanji)
Kyrgyz
Lao
Latvian
Lithuanian
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mongolian
Myanmar (Burmese)
Nepali
Norwegian
Pashto
Polish
Portuguese
Romanian
Russian
Samoan
Serbian
Sesotho
Shona
Sinhala
Slovak
Slovenian
Somali
Spanish
Swahili
Swedish
Tajik
Thai
Turkish
Ukrainian
Urdu
Uzbek
Vietnamese
