All language subtitles for Beloved.Beast.2018.1080p.WEB-DL.DD2.0.H264-FGT-HI

(DEEP BASS SOUND)

(THUNDER CLAPPING)

(SOMBER MUSIC)

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NARRATOR: Far,
far away in an earlier time

and another world, there
was a king of kings.

He was
the ruler of all kingdoms.

He was the Rabbit King.

(THUNDER CLAPPING)

Dawn had broken, waking the
Rabbit King from his slumber,

but 'twas not a normal morning.

Something
was stirring in the air,

and this made
the Rabbit King very uneasy,

as something wicked was coming.

The Rabbit King was
ready for what may come,

for whatever may come,
it would meet his wrath.

(TENSE MUSIC)

(BASE HEAVY THUMP)

(TENSE MUSIC)

(POLICE RADIO CHATTERING)

EUGENE: Oh, oh god.

Oh, fuck, oh.

(PANTS)

(TENSE MUSIC)

OFFICER PAUL DELAWARE: Sir,
sir, let's sit you down.

- I didn't see him, man.
- (COUGHS)

I think you're injured.

I didn't see him, man.

I was at (MUMBLES),
but I didn't see him.

Let's just sit you down.

The ambulance is on the way.

They're gonna
wanna check you out.

And do you think they're dead?

I don't know, I need
to go check on them,

but first I need you
to sit down for me.

I didn't see him.

Just drink your beer, sit down.

Oh shit, I'm bleeding,

oh I'm bleeding.

Am I gonna go to jail.

I can't go to jail. (CRYING)

(OMINOUS MUSIC)

EUGENE: I can't go to jail.

Please!

(EUGENE CRIES IN BACKGROUND)

(MENACING MUSIC)

I can't go to jail.

It's okay, it's okay,
sweetheart, look at me.

Everything is gonna be okay.

We're gonna get you outta here.

I just really
need you to hold still

until the paramedics can get
here, okay?

(SIREN BLARING)

Do you understand what
I'm saying, sweetheart?

Good, just keep your eyes on me.

We're gonna take very
good care of you, okay?

(MAN CRYING)

Look at me, stay awake,

everything is gonna be okay,
sweetheart.

Just look at me.

We've got one right here.

Stay with me, look at me,
look at me in the eyes.

Everything's gonna be okay,
sweetheart.

OFFICER ON RADIO: (MUMBLES)
en route to 496 Broadway.

We have another
response unit ready?

OFFICER ON RADIO: Uh what's...

HOSPITAL ANNOUNCER: Dr. Brantley,
2744, Dr. Brantley.

(DRONING SOUND)

(DOOR SOUND)

NURSE#1: Said you wanted
to tell me about that.

NURSE #2: So, I had a question

because you know Dr. Phillip?

Oh yeah.

She kind of
comes off with that way,

saying (WHISPERS) was over
there, and I was like worried,

like what's going on,
gynecological?

(LAUGHS)

- No, don't.
- No it's not.

Oh, okay.

No, it is not gynecologic.

And it's not because you
(WHISPERS) at the parents

and you could do...

NURSE: Oh, my gosh, what?

Oh like this, okay,
okay, yeah, good.

Thank you
Vera so much for trouble...

Okay, okay.

SYDNEY: Miss Ritz?

Thank you for coming in
on such short notice.

Have you been waiting long?

No.

First of all my
condolences for your loss.

We weren't close.

However you are the
sister of the deceased.

Yeah.

Do you have
a relationship with Nina?

Not really, met her
when she was a baby

in a Christmas years ago.

Here mother
and I were never close.

The reason
why I asked you to come in

is that Nina has no place
now that her family's gone.

She needs a place to stay.

Somewhere where there's family.

You're her aunt.

So, live with me?

SYDNEY: Of course.

I don't, I don't know
anything about kids.

(CLEARS THROAT) Okay.

The reason why
I asked you to come in,

I asked...
I don't even know her.

Just, just, we want
to avoid foster care.

I'm sure she
doesn't even know who I am.

And have her with family.

I've talked with the attorneys
who have been working

on the estate

and there will be funds
to help with raising her.

We have advocates that
can help you with a plan.

Just move.

HOSPITAL PA:
(BEEPING) Paging Dr. Statement,

Dr. Statement please.

Follow my finger.

HOSPITAL PA: Dr. Hubisec, 2945,

Dr. Hubisec, 2945.

Hey Syd, good to see you here.

Morning Anthony.

Well kiddo, it seems you'll
be well to go in a day or two.

You took quite
a bump on your head

which gave you a concussion.

Are your headaches gone?

Yes.

Any dizziness?

No.

That's a good sign.

She's a lucky kid.

She had a hematoma
due to the head injury.

We had to drain a
collection of excess fluid

from around the wound.

I wanted to keep
her just a few more days

just to be safe.

I'll be back in a few days.

Okay.

(LAUGHS) Too slow.

(CLICKS TONGUE)

Goodbye, Sydney.

HOSPITAL PA: Dr. Metta, 2945,

Dr. Metta, 2945.

(SYDNEY CLEARS THROAT)

So you okay, kiddo?

You've had a tough break.

There's someone here to see you.

This is Erma, your aunt.

Hi.

Hey.

Some people from my office
went by your old house

and got some of your things.

My Rabbits?

All of them all in a box.

My mask.

It's all waiting for you.

(DARK COMICAL MUSIC)

(CAR SOUNDS)

(DARK COMICAL MUSIC)

(EERIE DRONE)

(WIND SOUND)

(SIGHS)

Home sweet home.

Maybe Aunt Erma would like
to show you to your room.

It's upstairs.

It's the guest room where
people crash

when I have a party.

Guess it's yours now.

It's a new bed.

Wasn't that nice of Erma?

(SCOFFS) Yeah, nicer than mine.

Those are your things.

Could I talk to you a minute?

(SIGHS)

ERMA: What?

SYDNEY: You're trying
to raise a child (MUMBLES).

ERMA: What do you want from me?

SYDNEY: Effort.

Kids room, looks like a
cell, looks like a jail cell.

(EERIE MUSIC)

ERMA: It's my house.

NARRATOR:
Things had taken a dark turn

(GENTLE MUSIC)

for the Rabbit King and
his princess daughter

had become
separated during their travels

in the dark woods.

The princess
sat frightened and alone

as she waited for her
father, the Rabbit King.

However she remembered
something the Rabbit King

had told her.

Never fear
as I am always in your heart

for love is stronger than evil.

I will find you (SOMBER MUSIC)

wherever you may be.

Always hold me in your heart

as I do with you
and I will always

find my way to you.

(SAD MUSIC)

(STRANGE AMBIENCE)

You're going
to need to be strong.

(WIND CHIME TINKLING)

How long
do you think that'll take?

She's odd.

She's family and she's
just as nervous as you are.

(SIGHS) Listen,
there's an old saying

those who are hardest to
love need it the most.

We spent a lot of time together

so it's safe to
say that we're friends

and you can call me anytime

if you need anything. All right?

You need anything.

I'll see you soon.

(WIND CHIMES TINKLING)

(FAINT EERIE MUSIC)

(OMINOUS MUSIC)

(DARK TINKLING MUSIC)

(CICADAS)

(DARK TINKLING MUSIC CONTINUES)

Hey.

Hey.

What's that?

Takin' care of shit.

You got any weed?

Yeah, I got weed.

Wanna come in?

In a bit.

Okay.

You know Ash is coming by later.

Ooo, I'll pull
out the good chips.

(EERIE MUSIC)

(SINISTER RHYTHMIC MUSIC)

(DRAMATIC MUSIC)

(LIGHTS CRACKLING)

(SOFT UPBEAT MUSIC)

(SIGHS)

Oh my God.

(PANTING)

Oh no.

Oh my.

Oh my God.

Laura.

(GRUNTS)

Oh Gracie, thank God.

Get, get some, get some help.

(OMINOUS MUSIC)

(ALARM BLARING)

(SCREAMS) (MANIACAL MUSIC)

(SCARY MUSIC PLAYS)

(NIGHTTIME SOUNDS)

(DRONE IN BACKGROUND)

(STRANGE EATING SOUNDS)

HARV: Whoever invented
the doughnut is rich.

PAUL: Did you know the doughnut

was invented in the
in the 19th century?

Dutch settlers invented it
when they came to America.

They actually called it by
a different name, though.

Olykoek.

It means oil cake.

What?

Son of a bitch.

Didn't see that coming.

Do you know
why they taste so good?

No, why do
doughnuts taste so good?

It's the hole.

What?

It's the hole.

A 16-year-old kid
invented the hole in 1847.

I take your knight.

Son of a gun.

Anyway.

Anyways, his
name was Hanson Gregory.

He was a seaman on a lime
trading ship.

Evidently, he didn't
like the way the cook

was making these cakes.

When you would bite into one,

the inside was
too greasy and doughy.

So, cook it longer.

He did that.

Although he cooked it longer,

the outside would
be burnt or overcooked

and so Gregory had this idea,
punch a hole

through the center
of the cake making sure

that the outside was as
evenly cooked as the inside.

And voila, doughnuts.

How do you know this shit?

I know
all sorts of trivial shit.

You actually arrest people.

ELEANOR (ON RADIO):
Paul, you there?

- Yeah, I'm here.
- What's up, Eleanor?

(RADIO STATIC CRACKLING)

ELEANOR: There's a problem
up at the state hospital.

They need you
up there right away.

(RADIO STATIC CRACKLING)

Is it serious?

(RADIO STATIC CRACKLING)

ELEANOR: I think so.

Chief Marchesi is
headed up there now.

(RADIO STATIC CRACKLING)

I'm on my way, over and out.

(RADIO STATIC CRACKLING)

ELEANOR: Over and out.

(RADIO STATIC CRACKLING)

One for the road?

(CRICKETS CHIRPING)

(FOOTSTEPS ARE HEARD)

(OMINOUS MUSIC)

(OMINOUS SOUNDS CONTINUE)

(LOUD THUDDING AND CREAKING)

(LIGHTS HUMMING)

(EERIE DRONING)

(BUZZING FROM LIGHTS)

(LIGHT TAPPING)

(CAN CLATTERING)

Jesus Christ.

(GASPS) (DARK DRAMATIC MUSIC)

(MAN GRUNTS) (HAMMER THUDDING)

(OMINOUS MUSIC)

(POLICE RADIO CHATTERING)

(CAMERA CLICKING)

(SPUTTERING)

Getting everything
you need there, Wyatt?

Yeah, boss.

Just let me get one more
picture of these teeth on her

and I think I'm done.

Can I take Paul off your hands?

Please, before he throws up.

(SOUND OF PLASTIC CRINKLING)

How's it going, Paul?

(SIGHS) Considering the
circumstances, okay I guess.

You need to memorize this file.

Escapee's name
is Milton Treadwell,

a retarded 30-year-old.

Obviously dangerous.

PAUL:
What the hell happened here?

Well, we know the
incident started here.

They were prepping Milton
for his weekly shower

and well, we
only have one survivor

and he can't
really tell us what happened.

He's pretty fucked up.

How many orderlies does
it take to shower this guy?

Evidently he didn't like
taking them.

He either found some opportunity

or something pissed him off.

Some of these asylum
employees have been known

not to be real angels.

That guy over there,
total asshole.

I arrested him for smacking
around his girlfriends,

urinating in public,
drug possession.

He probably had it coming
when it came to Milton.

Anyway, after the ruckus,
it's out that door.

Takes care of
business over there.

Ends up two
floors down at the cafeteria.

The boys found
two more bodies down there.

Then he's out the kitchen
door and into the night.

(CAMERA CLICKING)

(POLICE RADIO CHATTERING)

(TSKING)

Let's talk about
this over a slice. I'm hungry.

TIM: There you go, Paul.

Skeedaddle.

Fuck you.

Hey.

What?

What's that?

What?

What's that right there?

It's a corpse.

Yeah, and do they walk?

What?

Do they walk?

They're dead.

Right, so put down
your goddamn coffee cup

and put him in a bag.

Jesus.

(CHUCKLES)

(CRICKETS CHIRPING)
(WIND WHISTLING)

(WIND CHIME TINKLING)

Shh, listen.

Do you hear that?

(WIND WHISTLING)

(SIGHS)

Ah.

It's pretty.

(CAR RUMBLING)

(WIND CHIME TINKLING)

(DOORS THUDDING)

(ERMA BURPS)

(SIGHS)

ASH: June, June, June.

Hi, Ash.

How you been, baby?

Got something for me?

(WHISTLES)

Who's been naughty or nice?

Santa Claus has come to town.

(EERIE MUSIC)

(LAUGHS)

(CREEPY DRONING)

(FAINT EERIE RUMBLING MUSIC)

(WOMAN LAUGHS)

(CAMERA CLICKING AND WHIRRING)

(WEIRD BUZZING)

So, Erma.

How's it going?

My condolences.

(GRUNTS) We weren't close.

Say, I had a job come up.

I need a person with a car.

I could use a job.

I have a kid now.

What?

My sister's kid.

She lives with me now.

She's...

Upstairs.

Sleeping.

(SIGHS) Uh.

(SIGHS) Ah.

(GRUNTS) Oh my goodness.

(SIGHS)

Dear.

Do you have any music?

(HAND CLATTERS)

(HANDS CLAPPING)

(SULTRY MUSIC)

(DRUGGY MUSIC CONTINUES)

♪ You begged
yourself to swallow ♪

♪ Your own tongue ♪

♪ Before a mirror ♪

♪ Choir housed where ♪

♪ Barbed wire threads the sun ♪

♪ I nailed myself to a loss ♪

♪ Night childhood games ♪

(CAMERA CLICKING)

♪ A soft-spoken start ♪

♪ Smiles sharp ♪

♪ Bright anonymous neon pain ♪

♪ Have I ♪

♪ Been misplaced ♪

♪ A life ♪

♪ My shadow ♪

(MUSIC CONTINUES GROWING DARKER)

(OMINOUS MUSIC)

(CAMERA CLICKING WITH
A WARPED SOUND EFFECT ON IT)

(FINGERS CLANKING)

♪ Other (VOICE ECHOES) ♪

(OMINOUS MUSIC)

(FAINT BLUES MUSIC)

Jesus Christ, seven feet tall,

350 pounds, hysterical strength.

It says here he's been
institutionalized

since he was 10 years old.

I'm the one who brought him in.

No kidding?

No kidding.

That was a bad night.

I had friends in the
department at the hospital

who turned in their
resignation after that night.

No one had ever
seen anything so awful.

What did he do?

It was the mother.

(SOUND OF HIM CRUNCHING)

That's her.

Iva Treadwell.

That woman was goofier
than a wooden watch.

She was mad.

What happened?

It's a pretty sad story.

When Milton
was born he almost died.

He was breach.

The doctors got him out but
they had to use the forceps

so there was brain damage.

Treadwells loved
that boy just the same.

But with Milton's damage,
things got difficult

as he got older.

There were
reports of pets going missing

in a certain part of town.

Milton lived
in that part of town.

He was 10.

Dogs?

And cats.

He was luring
pets and killing them.

PAUL: How'd he get caught?

Mr. Treadwell found the
carcasses in the basement.

That was the final straw.

He walked out and was
never heard from again.

He didn't report it?

I think he just wanted out.

Iva had some issues herself.

She was psychotic.

(EERIE RINGING MUSIC)

Things really spiraled
down when she had to fend

for the boy and herself.

Then she started
neglecting her medication.

Something made
Iva click that day.

I honestly
think it was heartbreak.

The resentment of
having the love of her life

walk out on
her and leave her to care for

a retarded
animal killer by herself

just got to be too much.

One day
she was making breakfast.

Bacon to be exact.

(FISTS POUNDING)

(DARK DRAMATIC MUSIC)

That woman took that
hot pan full of grease

and dumped it
all over her boy's head.

(MILTON GROANING)

She turn herself in?

No.

No?

It was another six
months before we learned

what happened to Milton.

Iva panicked.

She knew if anybody saw that
boy's wounds she'd be done.

So she tended the wounds herself

and hid him away from
society in her basement.

For six months that boy
was down in the basement?

Milton wasn't really
out in the public eye much

so no one
noticed he was missing.

He went to a special
school in the next county

so the school in town wouldn't
have noticed him absent.

Man oh man.

Six months went by, that boy
never saw the light of day.

Iva kept him chained to
a pipe in the basement

so he wouldn't leave the house.

How'd she get caught?

Couple of transients
came into the station

late one night and turned
themselves in.

(SINISTER MUSIC)

They'd broken
into the Treadwell basement

looking for valuables to pawn.

(SINISTER MUSIC)

That's when they found Milton.

(MILTON CRYING)

(DARK DRAMATIC MUSIC)

They told us there was a
deformed boy

chained in a
basement on Lincoln Street.

I almost feel sorry for Milton.

(BLUESY ROCK MUSIC)

Look, you
meet up with that psycho

you put a bullet in his head.

He doesn't know any different.

Milton stopped progressing
which means he still thinks

he's 10 years old.

Before this situation tonight,
there was another incident

several years
before you came on board.

We had to take that SOB
down with an elephant dart.

He literally ripped
another inmate's arm off

over a pudding pack.

A pudding pack?

After that he was in solitary.

How'd he get out of solitary?

Somebody fucked up.

As far as I'm concerned,
we're looking for an oversized

break neck
man child with retard strength.

What if we talk to his mother?

Maybe she knows where he went.

Maybe he went back home.

The Treadwell house
burned down years ago.

There's an
apartment complex there now.

She told us everything we know.

Well?

Iva killed herself two
weeks after we arrested her.

Hung herself in her cell.

I need to go to the men's room.

(DISTURBING MUSIC)

(CRICKETS CHIRPING)

(DARK SAD MUSIC)

(EERIE MUSIC)

(WIND CHIME TINKLING)

(NINA GRUNTS)

(GENTLE MUSIC)

(GENTLE MUSIC CONTINUES)

(MOVING TO SLOW UPBEAT MUSIC)

♪ Don't know
what you want me to say ♪

♪ I played, I faked ♪

♪ Won't sleep
sound for another day ♪

♪ I raked, mistakes ♪

♪ Into the corner
in stacks like waves ♪

♪ I shake, to date ♪

♪ When I think
of that bitter phase ♪

♪ You burn, you show ♪

♪ You don't care for me ♪
(JUNE SIGHS)

♪ You come ♪ - Hey.

♪ You go, but
you never say please ♪

What's your name?

Nina.

What are you doing here?

I live here.

You, you live here?

I got here yesterday.

My parents died.

(TOASTER CLACKING)

(GRUNTS)

(A LIGHT OMINOUS SOUND
IS ALWAYS IN BACKGROUND)

Your parents died?

We were in a car wreck.

And, and why are you here?

Erma's my aunt.

Oh.

You hurt much?

A little.

The doctor said
I had a bad concussion,

but I'm lucky.

He said I'd be a little off.

Well, if it's worth anything,
you seem pretty okay to me.

Nina's a pretty name.

Do you live here?

No.

Well, kind of.

Uh, depends, I guess.

It's a place to stay sometimes.

Yeah, Erma,
Erma and I are good friends.

Was Erma your
mom's sister or your dad's?

I think my mom.

I never knew Erma.

My parents didn't really
talk about her much.

Hmm.

(GENTLE MUSIC)

The Rabbit King.

I used to read
this to my little girl.

You have a daughter?

No, I, I used to.

She died several years ago.

How did she die?

Um (CLEARS THROAT)
a car hit her.

(SOMBER MUSIC)

She was across the street
at her friend's house.

And I called her
to come home for dinner.

Then I heard the horn.

I came outside
and there's this old man

kneeling in front of his car

over my baby.

(CRIES)

And all I could see were
her feet sticking out.

God, oh God.

That man felt so awful.

He was just, he just
couldn't stop in time.

Gosh, she's just, yeah.

She used to
cross that street every day.

(SIGHS)

(SNIFFLES)

I'm sorry.

Yeah, yeah.

I'm, oh, I am so sorry.

I still, oh,
still a little messed up

from last night I guess.

Mmm.

(SIGHS)

(SIGHS)

You like music?

Yeah.

Yeah?

What do you like?

Sisters of Mercy, the Cure.

Really?

(CHUCKLES)

My dad listened to them.

He liked the weird stuff.

No, no, I like 'em too.

I think we're
gonna be good friends.

Ya have one of these?

No.

It's yours.

Really?

Yeah.

I can get another one.

♪ Mistakes, into the corner
in stacks like waves ♪

♪ I shake, to date ♪

♪ When I think of
that bitter phase ♪

Fuck.

♪ You come, you go ♪

♪ But you never say please ♪

♪ You burn, you show ♪

Erma, you didn't tell me
Nina was living with you?

What?

Nina.

You didn't tell me you
had a kid staying here.

So, it just happened.

My sister's dead, now
she's living with me.

Yeah.

That's what she just said.

I didn't even
know you had a sister.

We weren't close.

Shit.

God, I wouldn't have had
Ash come over last night

if I knew she was here.

What's the big deal,
she was sleeping.

God, Erma.

(SIGHS) ♪ You come, you go ♪

♪ But you never ask ♪

I need coffee, oh.

What you need is some food.

She needs to eat.

Well, I'll take her
and get a burger later.

♪ Pin me up, pin me down ♪

♪ I can hold, what I see ♪

Look, I got to make a couple
runs for Ash

and then I'm at the club but
I'll be back

in a couple days with groceries.

I hope you're using condoms.

(SCOFFS)

(CHUCKLES)

Ash gave me a job.

(SIGHS) Just be careful with
him, Erma.

It's one job.

I got to do something
until the money comes in

to take care of the kid.

All right.

Bye sweetie.

Bye.

(ERMA GRUNTS)

Hey.

Just be careful with him, okay?

He's not right.

♪ Like a wave honey ♪

♪ There's clouds and
storms, but it gets sunny ♪

♪ I tried to tow you up for me ♪
(SIGHS)

♪ I slide so slow
that it makes money ♪

♪ That it makes money ♪

♪ You come, you go ♪

♪ But you never say please ♪
Hi!

♪ You burn, you show ♪

♪ You don't care for me ♪

(ERMA SIGHS)

♪ Your turn ♪

(SINISTER MUSIC)

(JAZZY MUSIC)

(REEL CLICKING)

(GRUNTS)

(BIRD CAWING)

Great um, hmm.

(MUMBLES)

90.

It's mother...

Fuck you, fish.

(BRANCHES CRACKING)

(BIRD CAWING)

(BRANCH SNAPPING)

Hello.

(BIRD CAWING)

(JAZZ KEEPS PLAYING)

Hello.

♪ Little bunny Foo Foo ♪

♪ Hopping through the forest ♪

♪ (GAGS)
Scooping up the field mice ♪

(BIRD CAWING)

♪ Bop 'em on the head ♪

(BIRD CAWING)

(LAUGHS)

(BRANCHES CRACKLING)

(BIRDS CAWING)

(JAZZ KEEPS PLAYING)

(SWOOSH SOUNDS)

Huh.

(BIRD CAWING)

(HUMMING)

(SIGHS) (SINISTER MUSIC)

(BIRD CAWING)

♪ Forest ♪

(MUMBLES)

Woo!

(DRAMATIC MUSIC)

(BIRD CAWING)

(MILTON GRUNTING)

(JAZZY MUSIC)

(GULPING)

(COUGHING)

(EERIE MUSIC)

(BIRD CAWING)

(CREEPY SOMBER MUSIC)

(METAL CLANKING)

(DRONING IN BACKGROUND)

(SOULFUL ROCK MUSIC)

CLERK: Good morning.

How can I help ya?

Mornin'.

I'm from distribution.

I'm here to see your buyer.

I have a special Mary Kaye 59
Stratocaster

he may be interested in.

I haven't seen
you in here before.

I'm from
the North County branch.

(GUN CLICKING)

(SIGHS)

Please step over here, please.

Okay, stop.

Turn around, face me, please.

Hands up.

(SOUNDS OF PATTING DOWN)

You'll get it back when
your appointment's over.

Sir, your appointment's here.

THE BELGIAN: Oh, Mr. Ash.

Hello, Mr. Ash.

Hello.

BELGIAN: Please come down.

Follow him.

(BLUES CONTINUES IN DISTANCE)

(ELEVATOR RUMBLING)

(ELEVATOR DING)

(QUIET EXCEPT FOOTSTEPS)

(UPBEAT JAZZY MUSIC)

(SPEAKING IN A FOREIGN LANGUAGE)

(METAL CLANKING)

Mr. Ash, we finally meet.

♪ Just one list
I think so large ♪

♪ And drink within the
fragrance of your hair ♪

My apologies for the late
face-to-face introduction.

We keep things cloak and dagger

until we work with
colleagues for a few months.

(CHUCKLES) You understand.

Absolutely.

May I offer you a drink,
Blood and Sand, perhaps,

a Dirty Martini?

No thank you.

♪ And linger with the new life ♪

♪ Then I'm sure ♪

Now, we can
go straight to business.

Uh, you mentioned on the
phone that have something

to show to me.

♪ Place inside your heart ♪

♪ We'll never be apart ♪

♪ 'Cause you're here with me ♪

Look at her.

Such an angel.

(ENERGETIC ELECTRONIC MUSIC)

(SPEAKING IN A FOREIGN LANGUAGE)

(CREEPY ELECTRONIC MUSIC
CONTINUES FROM OTHER ROOM)

This is from Ash.

He is one of our distributors.

He brought us a picture
of a perfect little angel.

What do you think?

MAN IN RED: She will do.

She will do.

(CART SQUEAKING)

(HE SPEAKS
BUT CAN'T BE UNDERSTOOD)

(WOMAN WHIMPERING)

(SCREAMING)

(SCREAMING CAN BE HEARD)

It's okay.

That is all now.

(SPEAKING IN A FOREIGN LANGUAGE)

(WOMAN SCREAMING)

♪ The place I just ♪

You can take this back.

I have no need for it.

♪ Where we
can be like yesterday ♪

When do you think you
can make the delivery?

It'll take a few days.

Hmm, well then, we'll
talk in a few days.

Bobby.

BOBBY: Yeah, boss.

Mr. Ash is making his way up.

BOBBY: Oh, I'll be waiting
with bated breath, sir.

Very good.

It was nice to put a face
behind the name, Mr. Ash.

You can see yourself out.

♪ Inside myself ♪

♪ And linger with a new life ♪

♪ And I'm sure ♪

Mr. Ash.

♪ All the laughter
and the tears ♪

I take pride in the
ability to read people.

Throughout our meeting, you
had the look of reluctance

on your face.

Now you must understand

that I'm running
a very lucrative business.

We have consequential clients

who pay
a considerable amount of money

to do unspeakable things.

And we fulfill them, Mr. Ash.

Now, some of those things
are hard to look past

in the beginning,

but, what do they say,

money talks, bullshit walks.

I like to think the people
who work for me as my partners

not just distributors.

Now, you can understand
how important it is

that I can trust these partners.

I need people I can rely on.

If I cannot
rely on you, Mr. Ash,

we have a problem.

I hope you can understand that.

Good day, Mr. Ash.

(ENERGETIC ELECTRONIC MUSIC)

(WOMAN CRYING)

(MOTOR CRANKING)

(CHAIN SAW REVVING)

(WOMAN SCREAMING)
(DARK DRAMATIC MUSIC)

(BUILDS TO A CRESCENDO)

(SOULFUL ROCK MUSIC)

We need to
lay some cards on the table.

I'm not
so hot on this situation.

I don't know why you're
sitting here in front of me.

I, I, I'd figure that I, aw,

I would be the
last person that my sister

would want her daughter
to come and live with.

She and I never got along.

I don't even really know
why we went to the hospital

after I got the call from CPS.

Maybe curiosity.

All the way to the hospital
I was wondering why

my sister thought of
me to be your guardian.

I think it was an olive branch,

strange
olive branch from the dead.

But what the hell, maybe
it'll be something special,

a nice change
in my shitty little life.

Knowing my sister's ego,
maybe that was her reason.

But that would be giving
her too much credit.

You mother was a bitch.

You wanna know
why you never met me?

I used to date your dad.

All the shitty
luck I had with men

and then I met your father.

He was so handsome and very kind

and (SIGHS)
I fell in love with him

on our third date.

And one day I introduced
him to my sister (CHUCKLES).

Wanted to show him off,
show her I had something

she'd never have.

And he took one look
at her and I was done.

She was always the prettier
one, the smarter one,

the sane one.

She was always steps ahead and
I was always in her shadow.

She was the golden bitch.

He was gonna take me to Japan.

I always wanted to go there.

LOWELL: Son of a bitch.

Erma.

Erma.

Oh, hi, Lowell.

I didn't see you standing there.

I haven't seen
the rent check yet, Erma!

This is Lowell.

His dick
got blown off in the war.

You're two months back
(STAMMERS).

You're two months back rent,
Erma.

I'll have the money in a
couple of days.

You're always saying that.

- I just got a job.
- I'll have the money.

I'm serious, Erma, I
better have that (STUTTERS)

rent check or I'm gonna
serve you a letter.

I'll be by
the house in two days.

This is bullshit.

(GRUNTS)

Two days, Erma, two days.

He doesn't have a penis?

(FAINT EERIE RUMBLING MUSIC)

(DOOR CLATTERING)

(PHONE RINGING)

Yeah.

Yeah, that's me.

Hang on.

Can you put away the groceries?

Okay.

Yeah.

Yeah, I know where it is.

Okay bye.

(SIGHS)

I got to see a person
about my new job tomorrow

so you're on your own.

You can have bologna and bread

but don't go crazy 'cause
it's got to last a couple days

until June
gets here with the food.

I'm going to bed.

(CRICKETS CHIRPING)

(GIRL SIGHS)

Uh.

(RADIO STATIC CRACKLES)
They're clean.

Just a couple of kids parkin'.

10-4. (RADIO STATIC CRACKLES)

(CAR DOOR, FOOTSTEPS)

(SIGHS)

Okay, I'm gonna let you
guys off with a warning.

No more parking.

Yes, sir, thank you.

A lotta bad
things happen out here.

Thank you, sir.

Also, the other day
we had a mental patient

escape from the asylum on
the other side of the hill.

We haven't found him yet.

He's extremely dangerous.

So if I were you, take
your girlfriend, go home,

lock the door.

Goin' home right now, sir.

Thank you, Officer.

All right, stay safe,
have a good night.

(CAR RUMBLING)

(CRICKETS CHIRPING)

(DISTANT MUMBLING)

(BRANCHES CRACKING)

(OMINOUS MUSIC)

(RADIO STATIC CRACKLES)

ELEANOR (ON RADIO):
Come in, Paul.

Go ahead, Eleanor.

(RADIO STATIC CRACKLES)
just got a phone call

from Harvey Stettler's mother.

She hasn't seen
him for a day and a half.

She said he went to work on
Monday but never came home.

(RADIO STATIC CRACKLES)

Maybe he went to the
casino or something.

(RADIO STATIC CRACKLES)

ELEANOR:
Can you check it out, Paul.

(RADIO STATIC CRACKLES)

Yeah, on my way.

(RADIO STATIC CRACKLES)

(SOUND OF CAR APPROACHING)

(CRICKETS CHIRPING)

(SINISTER MUSIC)

(DOORKNOB RATTLING)

(LIGHT KNOCKING)

(PAUL GRUNTS)

Harv, you here?

(TENSE DARK MUSIC)

(FAINT EERIE RUMBLING MUSIC)

(QUIET DRONE)

(MOVING TO DRAMATIC MUSIC)

(MACHINE CLATTERING)

(MUSIC BECOMES HELTER SKELTER)

(RADIO STATIC CRACKLES)

Eleanor, this is Paul.

(CREEPY DARK MUSIC)

I need you to call in, I need
you to call the coroner's

down to Harv's place right now.

And call the chief.

He's gonna
wanna be down here, too.

(RADIO STATIC CRACKLES)

ELEANOR:
Is everything okay, Paul?

(RADIO STATIC CRACKLES)

It's, it's Harv.

I found him.

There's, there's a lot of blood.

(RADIO STATIC CRACKLES)

(TENSE MUSIC)

(WIND AND WIND CHIMES)

(SOMBER MUSIC)
(LIVELY MUSIC ON TV)

(BOTTLES CLANKING)

(WIND SOUNDS)

(QUIET, SAD MUSIC)

(SAD SOULFUL MUSIC)

NARRATOR: Days have
passed and the princess

would practice her training
to keep her mind elsewhere.

But she missed her
father, the Rabbit King.

She was losing patience.

She was
starting to get that itch.

(SAD, SOULFUL MUSIC CONTINUES)

(HARD ROCK MUSIC)

(HEAVY DRUM BEAT)

(EERIE MUSIC)

(DARK DRAMATIC MUSIC)

(BIRD CAWING)

(HARD ROCK MUSIC)

(BIRD CAWING)

(GUN TAPPING)

DIRTY REDNECK:
What are you doing here?

What the hell you doing here?

NINA: Walking.

(BIRD CAWING)

You're
walking in the wrong place.

Where are you from?

You always
trespass on people's property?

And hand that over.

(GUN CLICKING)

Hand that over.

(BIRD CAWING)

Nice.

Headphones, too.

(HARD ROCK MUSIC)

I don't want this.

I like Floyd.

Backpack too.

(BIRDS CAWING)

(SNIFFS)

Bologna sucks.

Gimme the top, too.

Consider this a toll.

Now, take your little sword.

Take your little sandwich.

Take your terrible little tape

and get the fuck outta here.

Don't come back.

You say anything I'll find you

and I'll slit your throat.

(BIRD CAWING)

(GUN FIRING)

(LAUGHS)

(PUFFS AIR)

(EERIE MUSIC) (BIRD CAWING)

(CAR RUMBLING)

(CAR DOORS THUDDING)

(METAL CLANKING)

(BIRD CAWING)

(METAL CLANKING)

Where are they from?

Utah.

Hitchhikers.

They're very pretty.

(METAL CLANGING)

(MILTON GROANING)

(SOUNDS OF HIS EATING)

(GIRLS WHIMPERING)

(GIRLS SCREAMING)

(GIRLS SCREAMS MIXED
WITH METALLIC CLANKING)

Hey, Ben.

I think we
should give 'em the cocktail.

I can't handle all the
thumping and screaming.

I visited the Belgian for
the first time yesterday.

I got a taste of what
happens to the product

after the delivery.

It gave me the willies.

We have an issue.

Yeah, what's that?

The boys went out the other
night and painted the town.

Gavin had
a little too much to drink.

He mentioned
your name in a conversation.

No shit.

Hey, Gavin.

Come here a minute, will ya?

How you doing, son?

Good.

We got a little problem
we got to sort out.

Sure, Ash.

I hear tell you
and the boys went out

and painted
the town the other night.

Yeah, that was a crazy night.

Yeah.

It's always good
to let off a little steam

now and then.

You have a lot to drink, did ya?

We had a few.

Yeah, well, the others
being good employees

they had some
concerns and they brought it

to Will and I's attention.

You happened to mention
my name in a conversation?

Did you mention my name in a
conversation?

I might have.

You might have.

You better think, son.

Look, Ash, we met some girls
that were looking for work

and I knew
you were looking so I...

Did I ask for your help?

Ash.

Who were these girls?

I've seen 'em
in the tavern before.

Local gals.

GAVIN: Yeah.

Yeah.

The number one rule is
to never mention my name.

We never mention names.

I know, Ash, I fucked up.

It won't happen again.

Yeah, I know.

(GUN FIRING)

(TWIG SNAPPING)

(OMINOUS MUSIC)

(RIFLE CLACKING)

(MOVING TO TENSE MUSIC)

Time's a-wasting, gentlemen.

(DARK MELODIC MUSIC)

(BIRD CAWS)

(DARK MUSIC)

(BIRD CAWING)

(CUTTING SOUNDS)

Hey.

What are you doing here?

(NATURE SOUNDS)

BOBBY: You're not
supposed to be here.

She's not supposed to be...

Shh. (BIRD CAWING)

Looks like
we're victims of bad timing,

wouldn't you agree?

Hey, you wanna play with us?

(EERIE MUSIC)

(WEIRD HIGH PITCHED WHINE)

(BIRD CAWING)

What the hell was that?

Is she dead?

No.

Not yet.

What?

She's a virgin.

Hey, hey, you said animals only.

This is too perfect.

This'll bring us to the new
level, closer to Belial.

We can't do this.

Wh-what about the body?

I have a shovel
in the trunk of my car.

We'll dig a hole over there.

You wanted to be a part
of this little group.

After Whiskers, there's no
turning back.

Anyway, we'll just make
everything go away.

I always
have a shovel in my car.

(GAGS)

(BIRDS CAWING)

(NATURE SOUNDS)

Hurry up.

You're digging
the hole yourself.

Pussy.

Fucking bitch.

(DARK DRAMATIC MUSIC)

(GASPS)

(EVIL BELL TOLLS)

Just do it.

(SPEAKING IN A FOREIGN LANGUAGE)

(OMINOUS MUSIC)

This is better than cats.

(LAUGHS)

(HAMMER THUDDING)

(GIRL GRUNTING)

(DRAMATIC MUSIC)

(BOY PANTING)

(HAMMER THUDDING)

NARRATOR:
The princess was warned

how dangerous the dark woods
(GENTLE SOMBER MUSIC)

would be for
a young girl to travel.

However,
her father, the Rabbit King,

had found
her in the nick of time

to slaughter the evil creatures

who were, in essence,
attempting to devour her soul.

"Behold, my princess,"
declared the Rabbit King.

"Keep your
heart full and we will always"

"find our way
back to one another."

"Your Rabbit King has returned."

(DRAMATIC MUSIC)

(SOUND OF HER CAR RUMBLING)

(ELECTRONIC MUSIC BEGINS)

♪ I'll start with your feet ♪

♪ Then I'll get to your knees ♪

♪ I'll travel on
up doing as I please ♪

♪ Next is your hips ♪

♪ Can they swing can they sway ♪

♪ Can you tie 'em in a knot ♪

♪ Do they know
how to play yeah ♪

♪ Just so you know,
the winner takes all ♪

♪ That's how it goes when you ♪

Hey.

♪ Just so you
know the winner takes all ♪

♪ That's how it goes ♪

ERMA: Hey!

Shit.

Shit.

Hey.

Oh, yeah, you must be Erma, huh?

Yeah.

Hey, come on in.

Uh, have a seat.

(SIGHS)

This is your first time, huh?

Ash was saying you may
be a little, uh, green.

Yeah, pretty much.

Well, the job's pretty
much a cake walk, all right.

Few deliveries,
then you'll be back home

in the trailer
park before you know it.

You really
don't have to do that much.

You just have to (METAL
CLATTERING)...

Shit, goddamn it!

(METAL CLATTERING)

Anyway, it's pretty much
in and out job, all right.

You show up with the goods

and they give you the cash.

There's about
30 deliveries in that bag.

Each one's measured and labeled

for which customer it's for.

What is it?

That?

Quaaludes, Ecstasy, and poppers.

Is this gonna be dangerous?

No.

Those are club drugs.

You'll be
selling to college students,

clubbers, and fucking
rich kids, all right?

Oh another thing, don't mess
with the supply either, okay?

Ash does
not fuck around with that shit.

If the customers
don't get what they want

he'll find out about it.

And never,
mention his name, ever.

Want something to drink?

No.

All right, you're gonna
go to Everett and Ferndales

as part of your drops.

That's six hours away.

Yeah, but that's where
the business is, okay?

They like their drugs.

I really hope this
isn't gonna be a problem

'cause you start today.

I don't have any gas.

That's all right, we
take care of your gas

and your hotel expenses.

No shit.

You take care of Ash,
he takes care of you.

I'm sure you
notice these beauty marks

I have all over my face.

Well, a couple weeks ago,
I was in a car wreck.

Killed a whole family
except their little girl.

I was gonna go to prison,
but he got me out of it.

The girl lived, huh?

Yeah.

Anyway, you need anything,
I am your cicerone.

You like shrooms?

I guess.

Mmm, I got
the Scandinavian species.

Grown in the best cow shit in
the valley.

I don't know if you're
up on current events

but there's a
reason I need a job.

That's all right.

I'm sure we can figure out
other forms of payment.

I'm not gonna make things
uncomfortable, okay?

I'm gonna actually
make them very easy.

I'm gonna lay you all the
cards out on the table

and really
all you have to do is draw.

So I'm gonna go in the back,
shut the door behind me.

If you decide you wanna
spend a little time

with a fun guy for a little
bag of fungi (CHUCKLES),

all you have to do is knock.

You think that...

Hey, shh.

Let me finish.

If you decide to
leave, so be it.

No hard feelings.

But I'm gonna
go back here, shut the door.

It's up to you now, all right?

(TENSE MUSIC)

(EERIE MUSIC)

(MUSIC CONTINUES)

Come on, it's okay.

(THUMPS FOR FOOTSTEPS)

I live here.

My parents died.

I live with my aunt.

Is that your name?

Harvey.

(STOMACH GROWLS)

(SILENCE)

Here.

(DRAMATIC MUSIC)

(PHONE RINGING)

(TENSE MUSIC)

It's okay.

Hello?

It's Erma.

Hi, Erma.

I'm not coming
for a couple of days.

I have some stuff to do.

Gotta go out of town.

Okay.

You've got enough
bologna and bread

so you
should be good for awhile.

June will be there tomorrow.

That's fine.

Don't fuck with anything.

I got to go.

(SOUND OF THE DOOR)

(PHONE RINGING)

Hello?

Hey, kiddo, it's Sydney.

Hi, Sydney.

SYDNEY: How are things going?

Okay.

Are you getting along with Erma.

Yeah, she's fine.

She says crappy things
sometimes,

but I just ignore her.

Is she taking care of you?

Yeah.

Can I talk to her?

She's not here. She's working.

Are you alone?

Yeah, but it's okay,
she's coming home.

(FLY BUZZING)

SYDNEY: You're not
supposed to be alone, Nina.

How's your head?

It hurts sometimes, but,

but it's fine.

Is it just headaches?

(GLASS SHATTERING)

What was that?

I knocked a glass over.

I got to go.

(EERIE MUSIC)

(GENTLE MUSIC)

You can stay here.

(GENTLE MUSIC CONTINUES)

There.

Good night, Harvey.

(CRICKETS CHIRPING)

(WIND BLOWING)

(GENTLE MUSIC)

(OMINOUS DRONE)

(OMINOUS MUSIC)

(HIGH PITCHED BUZZ)

Look at her,
so innocent and sweet.

(CHUCKLES) Just like the
little kittens and puppies

you used to bop on the head
when you were a little tyke.

My dear boy,
what makes you think

she's any different.

She'll soon realize you're
just a giant retard,

an oversized imbecile.

Nobody knows you like your mama.

You'll always
be a bad little boy.

(SAD GENTLE MUSIC)

(SAD MUSIC CONTINUES,
OMINOUS DRONE UNDERNEATH)

(LIGHT GUITAR MUSIC)

♪ Take me into the woods ♪

♪ Tell me I'm no good ♪

♪ Love me anyway ♪

♪ Tell me you need me ♪

What's going, Ash?

Gentlemen.

♪ Tell me I'm okay ♪

We got a
special job, very good pay.

What?

It's not the usual.

Little girl?

Jesus, Ash.

BARTENDER:
Hey guys, what are you havin'?

Johnny Walker,
four fingers, neat.

Fuzzy Navel.

Fuzzy Navel?

I like Fuzzy Navels.

♪ Don't be gentle ♪

♪ Don't share the lies ♪

So we're doing kids now?

I promised the Belgian.

Belgian?

How'd you talk to the Belgian?

I met with him.

How do you do that?

We've been working for him.

I couldn't tell ya.

We're on probation.

Do you know what they
say about that guy.

It's like urban
legend shit, man.

I met with him for the
first time the other day.

And I can tell ya, it ain't
urban legend.

One Johnny Walker,

one Fuzzy Navel.

♪ Don't be gentle ♪

♪ Don't share the lies ♪

♪ Easy to see ♪

I was a little taken back
when I saw what happened

to the shipments.

LONG HAIRED THUG: Man.

Look, the less
you two know the better.

I made a decision,
make more bank.

You probably know by now,
that ain't no going back.

We need to go forward.

When's this got to be done?

Couple days.

We have the end of the
month shipment from Calgary

and I got to be the receiver.

Money talks,
bullshit walks, right?

Thank you, Ben.

So, we have plan?

Yeah.

So this little girl,
she's the niece of a gal

by the name of Erma Ritz,
one of June's friends.

Right, that house we
were at the other night.

Right.

She works for me now.

She's out on her first job.

When she gets back, I tell her

she needs to make another drop.

When she leaves, grab the kid.

How do we
know she's gonna be alone?

Maybe a babysitter, she might
be at a park or something.

Anybody at the house
is collateral damage.

We got to get in get the
job done quick and quiet.

We'll go in with a couple
of hush-ems as a precaution.

And if they're not
there, we'll wait.

When they come
back, grab and go.

(TENSE MUSIC)

(SPUTTERING)

The body at Slough Town
Auto bludgeoned to death.

May Harv rest in peace.

Damn fine mechanic.

State hospital, five bodies.

One in critical condition.

This morning,

three dead teenagers
found in Watson's Field.

Do you think they're related?

All within a three mile radius?

I don't think
that's a coincidence.

(RADIO CHATTERING)

(PEOPLE LAUGHING)

CORONER: Not doing it.

So the new guys gets in
there with some tweezers

and he's just,
he's just yanking at it.

Get that thing out.

And I swear it's
like three inches long.

The biggest dick plug...

Tell me something,

do you know
any other small towns

who have a
coroner's office this big?

There are eight coroners
out there and four cops.

Their office is as big as
Seattle's for crying out loud.

Been with the department
two months now, right?

Two and a half.

Two and a half.

Better get used to it, son.

The town's cursed.

It's been this
way since it was founded.

I don't know
what it is about Slough Town

but it's always attracted
the undesirables,

white trash,
drug addicts, dealers,

career criminals, prostitution,
smuggling, whack jobs.

Don't get me wrong, there
are good people here, too.

But if you wanted to
give the Earth an enema,

this is where
you'd put the hose.

I'd be lying if I said stress
didn't come with the job.

I can tell you
when I first started,

I was as pretty as you.

(CHUCKLES)

We got the scene photos
of the dead teenagers.

I know these teenagers.

Fucked up little rich
kids living on the hill

rebelling against their parents

who really don't give a shit.

(POLICE RADIO CHATTERING)

They were so
involved gutting that cat,

they didn't even see the
attacker coming.

Tell you what, one of my
kids ever got involved

in that Satan worship crap,
I'd beat the shit out of 'em.

(POLICE RADIO CHATTERING)

(DOOR SQUEAKS AND CLATTERS)

(PANTING)

Paul, we need to drive up the
hill and talk to the parents

of these teenagers.

I doubt there's any involvement.

Probably don't even know
their kids are missing.

But we shouldn't rule it out.

Hey, Paul, how you doing?

Considering
the circumstances, swell.

We can look at the bright side.

Huh?

At least Slough Town's cat
population is safe again.

(CHUCKLES)

(LAUGHS)

CORONER:
You are one crazy bastard.

(LAUGHS)

Oh, excuse me.

(LAUGHS)

Hello, Lowell,
what can we do for you?

I got a tenant in my rental,

I need you to get
(STUTTERS) rid of.

Erma Ritz.

That bitch is three
months late on her rent.

And she don't give a shit.

Have you talked to her?

When I can find her.

And when I can,

she's (STUTTERS)
rude and insulting.

Two days ago
she was in the cafe.

I stood up.

She said I ain't got a penis.

(RADIO CHATTER)

Hey, Eleanor.

Yeah, Chief.

Can you get Lowell here a form?

He needs to evict someone.

Absolutely.

Will you follow me, please.

(POLICE RADIO CHATTERING)

Jesus Christ (SCOFFS).

One year, I retire.

(EERIE MUSIC)

(WIND BLOWING)

(OMINOUS MUSIC)

(GENTLE MUSIC)

(WIND WHISTLING)

(FOOTSTEPS CLOMPING)

Hi, Harvey.

(WIND BLOWING)

I had a dream last night,
Harvey.

I saw my mom and dad.

They said they
sent you to protect me.

My dad always
said the mask was magic.

Thank you for saving me
yesterday.

What you did was okay.

That's what
the Rabbit King would do.

Bad people
get what they deserve.

They were bad, Harvey.

Dying is what enemies do best.

That's what
the Rabbit King says.

There, perfect.

(GENTLE MUSIC)

Fan your hands to help them dry.

(SWEET MUSIC
WITH SWOOSHING SOUNDS)

Far, far away in an earlier
time in another world

there was a king of kings.

He was the
ruler of all kingdoms.

He was the Rabbit King.

Dawn had broken waking the
Rabbit King from his slumber,

but was not
(EERIE MUSIC) in the morning.

(PIERCING AND PULSING MUSIC)

Harvey.

(NINA THUDS)

(GENTLE MUSIC)

(SOUND OF FOOTSTEPS)

(MAGICAL MUSIC)

(EMOTIONAL MUSIC)

(MOVING TO OMINOUS MUSIC)

(DOOR CREAKING)

(RUMBLING EERIE MUSIC)

(DOOR CLATTERING)

Hello?

(DOOR CREAKING)

(OMINOUS MUSIC)

(GENTLE MUSIC)

(HARD ROCK MUSIC)

(EERIE MUSIC)

(OMINOUS CHANGE TO MUSIC)

(JUNE GASPS)

(BOTTLE CRACKING) (JUNE SCREAMS)

(SLAP THUDDING)
(GLASS SHATTERING)

(HARD ROCK CONTINUES)

(GASPING)

(HAMMER THUDDING)

(TENSE MUSIC)

(BURN SOUND) Ow!

(METAL CLANK)

(GENTLE MUSIC)

(GLASS CRUNCHING)

(WIND CHIMES TINKLING)

(DOOR SQUEAKS)

(EERIE MUSIC)

Hi, Harvey.

(THUMPS AS HE WALKS)

(SAD MUSIC)

I miss Mom and Dad.

My head hurts.

(TENSE MUSIC)

(DOOR CLATTERING)

(SOMBER MUSIC)

(LIGHTER CLACKING)

(SOMBER MUSIC)

(CHILD SCREAMING)

(DARK EERIE MUSIC)

(DARK SCARY MUSIC)

(SCARY, ODD CHANTING IN MUSIC)

(UNEASY DRONE)

(LIGHTHEARTED OPERATIC MUSIC)

(SINGING IN ITALIAN - OPERA)

(OPERA CONTINUES)

(OPERA CAN BE HEARD
THROUGH ENTIRE HOUSE)

(OPERA IS GETTING
MORE THEATRICAL, DRAMATIC)

(TONE GETS DARKER)

(SLAP THUDDING)

Were you laughing at me?

(OPERA CONTINUES
GIVING A NICE CONTRAST)

(ERMA GROWLS)

(FUN NOTE IN OPERA)

(OMINOUS MUSIC)

(ERMA GRUNTING)

Harvey.

(EERIE MUSIC)

This is Harvey.

He's my friend.

He protects me.

If you hurt me, he'll hurt you.

If you are mean, he is mean.

You are mean, Aunt Erma.

(CHAOTIC EERIE MUSIC)

(MUSIC QUIETS DOWN,
FOOTSTEPS ARE HEARD)

Harvey?

What did you do?

June is nice.

She didn't do anything bad.

Why did you do that?

This isn't good, Harvey.

Bad.

(EERIE MUSIC)

(SOMBER MUSIC)

(SOMBER MUSIC CONTINUES)

She was probably bad, huh,
Harvey?

(OMINOUS MUSIC)

(ELEANOR SIGHS)

Good morning, Paul.

Mornin', lady.

(POLICE RADIO CHATTERING)

The eviction
notice for Erma Ritz.

Thanks, Eleanor.

DISPATCHER: On 60 First Avenue.

ELEANOR: Good morning, Chief.

DISPATCHER:
Apartment 18, C like in Charles.

Good morning, Eleanor.

OFFICER ON RADIO: 18C 10.

DISPATCHER: 740 in five,
facing units that have come

on the extra sirens.

CHIEF: We're leaving.

Couple of hikers found a body.

Swell.

Some guy fishing, took a
Bowie knife through the chest.

Man.

Possibly our guy.

Single stab
through the chest plate.

Hysterical strength.

DISPATCHER: 740 in five,
facing units that have come...

What's that?

The eviction
notice for Erma Ritz.

I was meeting Lowell at
the rental to serve her.

Hmm.

We can do it on the way.

Body ain't going anywhere.

DISPATCHER: Uh, what's the job?

(OMINOUS MUSIC)

(BIRDS CAWING)

(WIND CHIMES TINKLING)

(DOOR CREAKING)

(BIRD CAWING)

(OMINOUS MUSIC)

(CARTOON SOUNDS)

Harvey,
can you get me some milk?

(LIGHTHEARTED MUSIC ON TV)

(EERIE MUSIC)

(OMINOUS MUSIC)

(LOWELL PANTING)

(FLY BUZZING)

(EERIE MUSIC)

(BIRD CAWING)

(CRUTCHES CLATTERING)

(LOWELL PANTING)

(GRUNTS)
What are you doing here?

I live here with Erma.

You, what?, what.

What the fuck. Where's Erma?

(EERIE MUSIC)

There's a dead Jap lady

and a hooker in my shed.

(STAMMERS) You stay here,
the cops are coming.

(FLOOR CREAKING)

(TENSE MUSIC)

(HAMMER THUDS)

(LOWELL GASPS AND GAGS)

(HAMMER THUDS)

(COMICAL MUSIC ON TV)

No, go to your house.

(GENTLE MUSIC)

No.

(TENSE MUSIC)

(STORM SOUNDS)

Everybody dies.

(OMINOUS MUSIC)

(SOMBER MUSIC)

(FOOTSTEPS CLACKING)

(COMICAL MUSIC ON TV)

ASH: Holy shit.

You all right, sweetheart?

(GENTLE MUSIC)

(BIRD CAWING)

(OMINOUS MUSIC)

(CROWS CAWING)

(TENSE MUSIC)

(FOOTSTEPS SQUEAKING)

That's Ash Walker's car.

(BIRD CAWING)

Who's Ash Walker?

Mr. Walker's
a clever son of a bitch.

I've been
watching him for years.

Never been
able to get anything on him.

You ever see that car,
you know something bad

is going down.

I'll go up with you.

(TENSE MUSIC)

(OMINOUS MUSIC)

(COMICAL MUSIC ON TV)

Paul, go around the house,

come through the back door.

(BIRD CAWING)

(OMINOUS MUSIC)

(BIRD CAWING)

(WIND CHIMES TINKLING)

(BIRD CAWING)

(TENSE MUSIC CONTINUES)

(SOMBER MUSIC)

Are you okay?

There are bad men here.

How many are there?

Two.

You're the
girl from the car accident.

Do you remember me?

Stay right
where you are, Mr. Walker.

I will not hesitate to
put a bullet in your head.

Drop the gun and hold your
hands up where I can see them.

I didn't do that.

(GUN CLICKING)

Drop the gun
and put up your hands.

(OMINOUS MUSIC)

(GUNS FIRING)

(MEN SHOUTING)

Sweetheart, I need you to
run down to the patrol car

and lock yourself in.

Just down the...

(HAMMER THUDDING)

(MUMBLES)

(GENTLE SOMBER MUSIC)

(ASH GRUNTING)

(DRAMATIC MUSIC)

(HAMMER THUDDING)

(MILTON GRUNTING)

(TANK THUDDING)

(ASH PANTING)

(MOVING TO DRAMATIC MUSIC)

(MILTON AND ASH GRUNTING)

(GUN CLICKING)

(PANTING)

Fuck!

(MILTON GRUNTS)
(HAMMER THUDS)

(OMINOUS MUSIC)

(BIRD CAWING)

(MILTON GRUNTING)

(HAMMER THUDDING)

(BIRD CAWING)

(TENSE MUSIC)

(OMINOUS MUSIC)

(MILTON PANTING AND GROWLING)

(EERIE MUSIC)

(MILTON GRUNTING)

Nina?

Nina?

Are you all right?

Sydney?

You shouldn't be here.

What?

(OMINOUS MUSIC)

Well, well, well, if it
isn't Little Miss Muffin

and her Fairy Grandmother.

What is this,
Grand Central Station?

As chief engineer, I'd
like to invite you two in

for a tea party.

(OMINOUS MUSIC)

(MILTON GRUNTING)

You aren't very talkative, are
you, Red.

(DRAMATIC MUSIC)

Right over here, darlin'.

Whoa, whoa,
whoa, where's the fire?

Hold on there,
Red, don't go just yet.

Every Jane needs a Tarzan.

(HAMMER THUDS)

(MAN SCREAMS)

(HAMMER THUDS)

(EERIE MUSIC)

No, Harvey, leave her alone.

(MILTON GRUNTS)

(HAMMER THUDS) (MILTON SHOUTS)

(SYDNEY GRUNTS)

(HAMMER THUDS)
(SYDNEY GRUNTS AND SHOUTS)

(AX THUDS)

(MILTON GROANS)

(SYDNEY GRUNTS)

(GUN FIRING)

(EERIE TENSE MUSIC)

(SOMBER MUSIC)

(STORM SOUNDS MIX WITH MUSIC)

Mother fucker!

(QUIET MUSIC PLAYS)

(BIRDS CHIRPING)

(GENTLE MUSIC)

(BIRDS CHIRPING)

(SQUEAKING OF HER
LEG IS PRONOUNCED)

I'll get the trunk.

Home sweet home.

(SIGHS)

(GENTLE MUSIC)

You can put your
things down over there.

This was my husband's office.

He left a few years ago.

Those are his.

He always bought
them, never built them.

The futon folds out into a bed.

And I have some kids coming
from the center tomorrow

to help clean this place up

so you can start fresh.

Okay.

How do you like the room?

It's fine.

It'll take some getting used to.

I've always shared a
room with another girl.

It's different from the
hospital.

I can imagine.

It's gonna take time

and some adjustment.

We'll get you into some programs

that'll help fine-tune your
social skills

and help you find a job.

We'll see if we can get you

into some community college
classes, too.

That sounds good.

I'm gonna go make some lunch
(CHUCKLES).

Feel free to settle in.

It'll be nice having someone
else around.

(KNEE BRACE CREAKING)

(GENTLE MUSIC)

NARRATOR: The young queen
would never forget the day

her father,
the Rabbit King, died.

He laid to rest in her arms
knowing it was his time

to move on to the other world.

It was time to say
goodbye to his daughter.

And in comfort knowing she
would carry on his legacy

as the new queen.

Many years had passed since
the quietus of the Rabbit King

and the princess
had become queen

all those years past.

She had been alone to run
the kingdom on her own.

At times,
she would look out the window

from her tower
overlooking her kingdom.

It was a daunting task,
having so much burden.

She missed her father and at
times her heart would sink.

(SOMBER MUSIC)

How are things going?

Fine.

I hope you
like bologna sandwiches.

(OMINOUS MUSIC)

Bologna sandwiches sound great.

Great.

Five minutes.

NARRATOR: Before the
Rabbit King had passed,

the young queen would always
remember that one thing

he always said
to her with that twinkle

in his eye.

"Never fear as
I am always in your heart."

(EERIE MUSIC)

"For love is stronger than evil."

"Always hold me in your
heart as I do with you"

"and I will
always find my way to you"

"for we will
always be beloved beasts."

(DRAMATIC MUSIC)

(CHAOTIC MUSIC)

Subtitles by ViSHAL
www.OpenSubtitles.org

♪ Obsidian daylight
rush within ♪

♪ Like wire like aging ♪

♪ Seas adopted end ♪

♪ Wives abort shy devotion ♪

♪ Adhesive plaster sky ♪

♪ In fire write, hate me ♪

♪ Diseased, appointed friends ♪

♪ And I say yes ♪

♪ And I say yes ♪

♪ And no ♪

♪ One ♪

♪ Thrilled gray tonight ♪

♪ Hesitant machines
clear ache inside ♪

♪ Celibate,
bright needles say invite ♪

♪ Skeletons ♪

♪ They say silences ♪

♪ And crayon toxic twins ♪

♪ Admired white cagelings ♪

♪ Deceased,
translucent, skinned ♪

♪ Wives abort shy devotion ♪

♪ Adhesive, plaster skies ♪

♪ In fire write, blame me ♪

♪ In secret one is friend ♪

♪ No ♪

♪ We'll embrace tonight ♪

♪ Yes, it's her crushing me ♪

♪ In her ageless life ♪

♪ Sell you both
in bright heels ♪

♪ Say is bright ♪

♪ Caring strong ♪

(EERIE MUSIC)

(SOMBER MUSIC)

(SAD MUSIC)

(EERIE MUSIC)

(CHAOTIC MUSIC)