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These are the user uploaded subtitles that are being translated: 1 00:00:23,220 --> 00:00:25,760 [WIND WHISTLING] 2 00:00:39,610 --> 00:00:42,210 [SOMBER MUSIC PLAYING] 3 00:00:55,690 --> 00:00:57,220 [ECHOING] 4 00:01:27,990 --> 00:01:30,420 [INDISTINCT WAILING] 5 00:01:32,930 --> 00:01:35,230 [WATER DRIPPING] 6 00:01:42,000 --> 00:01:44,140 [SQUEAKING] 7 00:01:47,610 --> 00:01:49,540 [SCRAPING] 8 00:02:01,890 --> 00:02:04,120 [MAN GRUNTING] 9 00:02:06,590 --> 00:02:08,260 [KEYS JINGLING] 10 00:02:11,970 --> 00:02:14,330 [BREATHING DEEPLY] 11 00:02:22,080 --> 00:02:24,510 [INMATES WAILING] 12 00:02:29,450 --> 00:02:31,250 [WATER DRIPPING] 13 00:02:53,170 --> 00:02:54,540 [RADIO CLICKS ON] 14 00:02:54,540 --> 00:02:56,340 [RADIO TUNING] 15 00:02:59,250 --> 00:03:02,810 MAN: [OVER RADIO] This is WSNB Radio New Orleans 16 00:03:02,820 --> 00:03:06,520 live broadcasting from the beautiful Suburban Gardens here, 17 00:03:06,520 --> 00:03:09,660 where our special guest this evening, Mr. Louis Armstrong, 18 00:03:09,660 --> 00:03:13,030 is back in New Orleans after ten long years. 19 00:03:13,030 --> 00:03:16,200 He's come back here a big, big star. 20 00:03:16,200 --> 00:03:18,330 [INDISTINCT CHATTER OVER RADIO] 21 00:03:18,330 --> 00:03:20,230 ...on WSNB Radio New Orleans. 22 00:03:20,230 --> 00:03:23,200 And our next broadcast is brought to you by, 23 00:03:23,200 --> 00:03:25,600 uh, Royal Crown Hair Cream. 24 00:03:25,610 --> 00:03:27,470 That's right. Your hair'll be curling... 25 00:03:27,470 --> 00:03:28,840 [INDISTINCT CHATTER AND LAUGHTER] 26 00:03:30,080 --> 00:03:32,310 What a crowd here... 27 00:03:33,210 --> 00:03:34,550 Yes, sir. 28 00:03:34,550 --> 00:03:37,250 Our station manager handed me a paper here 29 00:03:37,250 --> 00:03:39,870 that says to his recollection, 30 00:03:39,870 --> 00:03:42,490 this will be the first time a colored boy will be on the radio in New Orleans. 31 00:03:43,860 --> 00:03:46,260 All right, so we see they're dimming the lights here, 32 00:03:46,260 --> 00:03:50,160 and, uh, our MC is approaching the microphone 33 00:03:50,160 --> 00:03:52,860 to begin this evening's broadcast. 34 00:03:52,870 --> 00:03:56,170 I ain't announcing no nigger man on the radio. 35 00:03:56,170 --> 00:03:58,300 [FEEDBACK OVER SPEAKERS] 36 00:04:06,110 --> 00:04:07,250 [FEEDBACK STOPS] 37 00:04:09,320 --> 00:04:11,380 [CLEARS THROAT] 38 00:04:11,390 --> 00:04:13,150 Good evening, ladies and gentlemen. 39 00:04:13,150 --> 00:04:14,990 I'm Mr. Armstrong. 40 00:04:14,990 --> 00:04:17,520 [AUDIENCE CHEERING] 41 00:04:22,930 --> 00:04:24,300 [WHISTLING] 42 00:04:28,800 --> 00:04:30,500 [LAUGHING] 43 00:04:31,110 --> 00:04:32,700 Hello. You like that? 44 00:04:32,710 --> 00:04:34,640 I said we back home, we back home. 45 00:04:34,640 --> 00:04:35,870 [INDISTINCT CHATTER OVER RADIO] 46 00:04:39,110 --> 00:04:40,510 Thank you, folks. Thank you, folks. 47 00:04:40,510 --> 00:04:42,650 Thank you, folks. Look out here, folks. 48 00:04:42,650 --> 00:04:45,880 Now, this goes out to all you lovely people in here 49 00:04:45,890 --> 00:04:49,290 and all my beautiful brothers and sisters outside on the levee. 50 00:04:49,890 --> 00:04:51,460 [CHEERING OVER RADIO] 51 00:04:53,090 --> 00:04:54,530 The first I'm going to play for you 52 00:04:54,530 --> 00:04:56,660 is You Rascal You. You Rascal You. 53 00:04:56,660 --> 00:04:58,030 Look out here, fellas, look out. 54 00:04:58,030 --> 00:04:59,670 You ready? Here we go. One... 55 00:05:01,540 --> 00:05:03,600 [JAZZ MUSIC PLAYING OVER RADIO] 56 00:05:05,270 --> 00:05:07,510 [PLAYING JAZZ MUSIC] 57 00:05:10,280 --> 00:05:12,310 [MUSIC PLAYING OVER RADIO] 58 00:05:18,190 --> 00:05:19,480 ¶ Boy, you know one thing? 59 00:05:19,490 --> 00:05:21,650 ¶ I'll sure be glad when you're dead 60 00:05:23,420 --> 00:05:26,120 [ARMSTRONG CONTINUES CHATTERING OVER RADIO] 61 00:05:26,130 --> 00:05:27,760 ¶ Laughin' and grinnin' in my face 62 00:05:27,760 --> 00:05:30,630 ¶ You're trying to be in the back with my wife, you old dog 63 00:05:30,630 --> 00:05:31,230 [LAUGHS] 64 00:05:31,230 --> 00:05:33,730 [SCRAPING] 65 00:05:33,730 --> 00:05:36,030 [ARMSTRONG CONTINUES SINGING OVER RADIO] 66 00:05:45,880 --> 00:05:48,950 ¶ I'll be glad when you're dead you rascal, you 67 00:05:49,920 --> 00:05:52,450 [CORNET PLAYING] 68 00:05:57,020 --> 00:05:58,490 [PLAYING CORNET] 69 00:06:13,070 --> 00:06:14,710 [INMATES SHOUTING] 70 00:06:23,050 --> 00:06:25,920 ¶ I'll be glad when you're dead you rascal you 71 00:06:25,920 --> 00:06:30,260 [OVER RADIO] ¶ I'll be glad when you're dead you rascal you 72 00:06:30,260 --> 00:06:32,320 ¶ When you're layin' six feet deep 73 00:06:32,330 --> 00:06:34,930 ¶ No more fried chicken will you eat 74 00:06:34,930 --> 00:06:37,900 ¶ You ain't no good, you rascal you ¶ 75 00:06:38,630 --> 00:06:40,600 [MUSIC CONTINUES OVER RADIO] 76 00:06:42,770 --> 00:06:44,600 [MUSIC CONTINUES] 77 00:06:54,880 --> 00:06:58,550 [CHEERING] 78 00:06:59,920 --> 00:07:02,450 [ARMSTRONG LAUGHING OVER RADIO] Thank you, thank you. 79 00:07:02,460 --> 00:07:06,390 Thank you. Thank you, folks. Thank you, folks. Thank you, thank you. 80 00:07:06,390 --> 00:07:09,160 [ARMSTRONG SPEAKS INDISTINCTLY OVER RADIO] 81 00:07:09,160 --> 00:07:11,860 [SOMBER MUSIC PLAYING] 82 00:07:23,310 --> 00:07:25,180 [CORNET PLAYING] 83 00:07:38,260 --> 00:07:40,130 MAN: [OVER RADIO] Ladies and gentlemen, listen to the crowd 84 00:07:40,130 --> 00:07:45,000 welcoming home the wonderful Louis Armstrong in New Orleans. 85 00:07:45,000 --> 00:07:49,700 [INDISTINCT CHATTER CONTINUES OVER RADIO] 86 00:07:52,470 --> 00:07:54,640 MAN: This here is my sister, Miss Nora Bass. 87 00:07:54,640 --> 00:07:56,710 Nora, this is Mr. Charles Bolden. 88 00:07:56,710 --> 00:07:59,340 He live on First Street. 89 00:07:59,350 --> 00:08:03,010 Maybe you should invite Mr. Bolden to Sunday service with us. 90 00:08:06,150 --> 00:08:07,590 Nora. 91 00:08:10,360 --> 00:08:13,730 You don't seem like much a church-going man, Mr. Bolden. 92 00:08:15,200 --> 00:08:17,060 Mama and me, we go to... 93 00:08:17,060 --> 00:08:19,560 Mama and me, we go to First Street Baptist. 94 00:08:21,870 --> 00:08:23,300 Mama. 95 00:08:23,300 --> 00:08:25,240 This is Mr. Charles Bolden. 96 00:08:25,240 --> 00:08:27,640 This is my mama, Mrs. Ida Bass. 97 00:08:28,380 --> 00:08:29,470 How do you do, Mrs. Ida... 98 00:08:29,480 --> 00:08:31,710 How do you make your livin', Mr. Bolden? 99 00:08:36,550 --> 00:08:38,250 I make the church music better. 100 00:08:38,250 --> 00:08:39,850 [GIGGLING] 101 00:08:48,160 --> 00:08:49,930 I make the church music better. 102 00:08:51,370 --> 00:08:53,300 [JAZZ MUSIC PLAYING] 103 00:08:53,300 --> 00:08:54,900 [PEOPLE CHATTERING] 104 00:09:46,120 --> 00:09:47,620 [MAN SHOUTS] 105 00:09:47,620 --> 00:09:49,750 [SCREAMING] 106 00:09:50,320 --> 00:09:51,420 [GRUNTS] 107 00:09:51,430 --> 00:09:52,660 [PEOPLE SCREAMING] 108 00:09:55,300 --> 00:09:58,960 [MEN SHOUTING] 109 00:10:04,670 --> 00:10:06,300 BOLDEN: So what do a manager do? 110 00:10:06,310 --> 00:10:07,770 BARTLEY: What do a manager do? 111 00:10:08,010 --> 00:10:08,840 Oh. 112 00:10:08,840 --> 00:10:10,440 I take care of the business 113 00:10:10,440 --> 00:10:12,210 while you take care of your music. 114 00:10:13,010 --> 00:10:15,710 Your music got power. I hear it. 115 00:10:16,280 --> 00:10:18,520 I seen what it do to folks. 116 00:10:18,520 --> 00:10:20,690 -Take power like you got... -[SNAPS] 117 00:10:20,690 --> 00:10:22,720 ...combine it with a business purpose, 118 00:10:23,460 --> 00:10:25,260 that's what a manager do. 119 00:10:25,890 --> 00:10:27,290 [SLURPING] 120 00:10:27,860 --> 00:10:29,830 You a sensation, Bolden. 121 00:10:33,200 --> 00:10:35,530 You play horn louder than the day's long, 122 00:10:35,540 --> 00:10:37,170 even in the hot sun. 123 00:10:37,170 --> 00:10:41,270 You got women dropping to your feet, hoping to carry your horn. 124 00:10:41,270 --> 00:10:43,880 The day you was born, you was kissed on the lips 125 00:10:43,880 --> 00:10:47,380 with something only you got, ain't nobody else got it. 126 00:10:47,850 --> 00:10:49,810 Folks hear your music, 127 00:10:49,820 --> 00:10:51,280 they understand something 128 00:10:51,280 --> 00:10:53,420 can't hardly put to words. 129 00:10:53,420 --> 00:10:54,820 [HORSE CARRIAGE APPROACHING] 130 00:10:55,590 --> 00:10:58,220 And I know how to sell what you got. 131 00:11:00,590 --> 00:11:02,930 And you... [LAUGHS] 132 00:11:02,930 --> 00:11:05,700 ...you better listen to me. 133 00:11:06,370 --> 00:11:07,930 Mmm-hmm. 134 00:11:10,900 --> 00:11:13,340 How the band supposed to make more money if we gotta pay you? 135 00:11:14,210 --> 00:11:16,940 I put you in front of a white audience. 136 00:11:19,410 --> 00:11:21,150 [RUFFLING] 137 00:11:23,180 --> 00:11:24,720 Jesus Christ, Bartley. 138 00:11:24,720 --> 00:11:27,190 Yeah. [LAUGHS] 139 00:11:27,190 --> 00:11:28,450 You ever done this? 140 00:11:28,460 --> 00:11:30,160 I got to fly the balloon. 141 00:11:33,190 --> 00:11:35,260 [RAGTIME MUSIC PLAYING] 142 00:11:54,410 --> 00:11:56,650 [LAUGHTER] 143 00:11:56,650 --> 00:11:59,680 [INDISTINCT CHATTER] 144 00:11:59,690 --> 00:12:01,720 MAN: Boy, they don't like this one bit, huh? 145 00:12:01,720 --> 00:12:03,690 [INDISTINCT CHATTER] 146 00:12:03,690 --> 00:12:05,490 How long before we gotta start this... 147 00:12:06,590 --> 00:12:08,560 -Oh, no, I'll be damned. -Oh, yeah. 148 00:12:08,560 --> 00:12:10,800 Oh, no. Buddy. 149 00:12:11,770 --> 00:12:13,130 Bartley, I don't think this is a good idea. 150 00:12:13,130 --> 00:12:15,470 Oh, you'll be all right. You'll be great. 151 00:12:15,470 --> 00:12:16,570 I won't fall? 152 00:12:16,570 --> 00:12:17,540 Come on, you got to go now. 153 00:12:17,540 --> 00:12:18,570 Yeah? 154 00:12:18,570 --> 00:12:20,240 Why the fuck am I doing this? 155 00:12:20,240 --> 00:12:21,740 All right. 156 00:12:21,740 --> 00:12:23,240 I... Tell me... Tell me when to jump. 157 00:12:23,240 --> 00:12:24,840 [SCREAMING] 158 00:12:26,350 --> 00:12:29,280 Play it loud! [LAUGHS] 159 00:12:33,090 --> 00:12:36,590 -Stop the cart. Stop the cart. -Whoa, whoa. 160 00:12:36,590 --> 00:12:38,860 [RAGTIME MUSIC CONTINUES PLAYING] 161 00:12:47,300 --> 00:12:48,970 [SCREAMING] 162 00:12:52,210 --> 00:12:54,540 [GRUNTS] 163 00:12:59,910 --> 00:13:01,250 Oh. 164 00:13:07,390 --> 00:13:10,320 [PLAYING CORNET] 165 00:13:33,580 --> 00:13:34,850 [BAND STOPS PLAYING] 166 00:13:37,450 --> 00:13:38,650 [BRANCHES SNAPPING] 167 00:13:38,650 --> 00:13:39,880 [BOLDEN EXCLAIMS] 168 00:13:40,690 --> 00:13:42,390 [RAGTIME MUSIC RESUMES] 169 00:13:43,290 --> 00:13:44,890 [CORNET PLAYING] 170 00:13:47,790 --> 00:13:49,990 [CROWD SHOUTING] 171 00:14:00,110 --> 00:14:02,310 Thanks for the crowd. [LAUGHS] 172 00:14:02,910 --> 00:14:04,840 [DRUMS PLAYING] 173 00:14:09,050 --> 00:14:10,650 Whoo! 174 00:14:10,650 --> 00:14:13,120 BAND: Hey, Buddy Bolden! 175 00:14:14,720 --> 00:14:16,490 [RAGTIME MUSIC CONTINUES] 176 00:14:20,860 --> 00:14:22,290 MAN: Whoo! 177 00:14:35,410 --> 00:14:37,180 [BANDS CLASHING] 178 00:14:41,110 --> 00:14:42,080 Stop. 179 00:15:27,430 --> 00:15:29,830 [CHEERING] 180 00:15:29,830 --> 00:15:34,270 [ARMSTRONG CHATTERING OVER RADIO] 181 00:15:34,270 --> 00:15:35,700 ARMSTRONG: Thank you, ladies and gentlemen, thank you. 182 00:15:35,700 --> 00:15:38,700 I see that we have someone who can't not be here today. 183 00:15:38,710 --> 00:15:40,860 Right over there. 184 00:15:40,860 --> 00:15:43,010 You know, folks, they helped me get my very first cornet. 185 00:15:43,010 --> 00:15:44,310 Yes, they did. 186 00:15:44,310 --> 00:15:46,410 I was just a little boy back then. 187 00:15:47,680 --> 00:15:49,780 [JAZZ MUSIC PLAYING] 188 00:15:49,780 --> 00:15:51,380 [ARMSTRONG CHATTERING] 189 00:15:54,750 --> 00:15:57,290 ¶ Oh, that's it right there 190 00:15:58,460 --> 00:16:00,830 ¶ Every night 191 00:16:00,830 --> 00:16:03,800 ¶ You'll hear her croon 192 00:16:03,800 --> 00:16:08,330 ¶ A Russian lullaby 193 00:16:09,300 --> 00:16:10,600 ¶ Oh, just 194 00:16:11,740 --> 00:16:14,940 ¶ Just a little plaintive tune 195 00:16:14,940 --> 00:16:19,080 ¶ When baby starts to cry 196 00:16:19,080 --> 00:16:20,980 [ARMSTRONG SCATTING] 197 00:16:20,980 --> 00:16:26,280 ¶ Rock-a-bye, my baby... ¶ 198 00:16:27,850 --> 00:16:29,690 [LOOM SQUEAKING] 199 00:16:31,120 --> 00:16:32,760 [WHEELS SQUEAKING] 200 00:16:35,130 --> 00:16:37,160 [ARMSTRONG CHATTERING OVER RADIO] 201 00:16:44,040 --> 00:16:46,040 You all right down here, Buddy? 202 00:16:47,510 --> 00:16:49,310 [LOOMS WHIRRING] 203 00:17:12,900 --> 00:17:14,670 [SEWING MACHINE CLICKING] 204 00:17:20,770 --> 00:17:22,210 [HISSING] 205 00:17:26,980 --> 00:17:28,580 [THUMP] 206 00:17:31,720 --> 00:17:33,280 [HISSING] 207 00:17:42,230 --> 00:17:44,630 -[CLACKS] -[HISSING] 208 00:18:05,350 --> 00:18:09,090 [SOUNDS COMBINING IN RHYTHM] 209 00:18:22,040 --> 00:18:24,300 [JAZZ MUSIC PLAYING] 210 00:19:10,620 --> 00:19:12,050 [MUSIC FADES] 211 00:19:12,050 --> 00:19:13,620 [MACHINE WHIRRING] 212 00:19:20,830 --> 00:19:24,860 MAN: [OVER RADIO] ...Radio broadcasting live from Suburban Gardens 213 00:19:24,860 --> 00:19:27,060 in New Orleans. 214 00:19:27,070 --> 00:19:30,300 [CONTINUES CHATTERING] 215 00:19:36,610 --> 00:19:38,410 [JAZZ MUSIC PLAYING] 216 00:19:57,300 --> 00:19:59,230 MAN: Evening, Bolden. 217 00:20:00,470 --> 00:20:02,400 As an officer of the court, 218 00:20:02,400 --> 00:20:06,770 I am duty-bound to make a periodic assessment 219 00:20:06,770 --> 00:20:10,940 of the conditions in our state prisons and asylums. 220 00:20:10,940 --> 00:20:15,110 As presiding judge of the Criminal Court or Orleans parish, 221 00:20:15,110 --> 00:20:17,780 I am the final arbiter 222 00:20:17,780 --> 00:20:20,990 of your life and liberty. 223 00:20:20,990 --> 00:20:23,820 I'm here because you're here. 224 00:20:29,060 --> 00:20:30,760 "Servants... 225 00:20:30,760 --> 00:20:33,000 "be obedient to them that are your masters. 226 00:20:33,000 --> 00:20:36,500 "according to the flesh, with fear and trembling..." 227 00:20:38,540 --> 00:20:42,510 That's the way the world moves on, Bolden. 228 00:20:43,340 --> 00:20:45,480 Hate your oppressors 229 00:20:45,480 --> 00:20:48,850 and you'll be enslaved forever by your memories. 230 00:20:49,480 --> 00:20:50,850 [GRUNTING] 231 00:20:57,260 --> 00:20:58,820 -[BOYS SHOUTING] -BARTLEY: Hey! 232 00:20:59,560 --> 00:21:01,640 Hey! 233 00:21:01,640 --> 00:21:03,730 Kid, you gotta put 'em up or you gonna get hit. 234 00:21:04,660 --> 00:21:06,000 All right, you two. 235 00:21:06,000 --> 00:21:07,130 Go on. Come on. 236 00:21:07,130 --> 00:21:08,630 [BOYS CHEERING] 237 00:21:28,350 --> 00:21:30,020 [INTENSE MUSIC PLAYING] 238 00:21:35,800 --> 00:21:38,300 -[GRUNTING] -What'd I tell you? What'd I tell you? 239 00:21:58,220 --> 00:21:59,720 Come on now, come on! 240 00:21:59,720 --> 00:22:00,920 [GRUNTING] 241 00:22:24,640 --> 00:22:26,240 [METAL CLANGING] 242 00:22:26,250 --> 00:22:28,110 [CORNET ECHOING] 243 00:22:37,460 --> 00:22:39,220 [MATCHSTICK FLARING] 244 00:22:39,230 --> 00:22:40,830 [SLOW JAZZ MUSIC PLAYING] 245 00:23:29,440 --> 00:23:31,010 [MUSIC FADES] 246 00:23:31,010 --> 00:23:32,740 BOLDEN: Come on down and see me play tonight. 247 00:23:32,750 --> 00:23:34,510 NORA: And leave Mama all alone? 248 00:23:34,510 --> 00:23:35,910 No. Bring her with. 249 00:23:35,920 --> 00:23:37,950 She can dance like we do in church. 250 00:23:37,950 --> 00:23:40,580 -What? -I know she can. 251 00:23:43,890 --> 00:23:45,720 [MUSIC RESUMES] 252 00:24:17,420 --> 00:24:19,160 [CORNET PLAYING] 253 00:24:32,410 --> 00:24:33,670 [GASPS] 254 00:24:41,150 --> 00:24:42,180 Hold this. 255 00:24:42,180 --> 00:24:43,710 [GASPING] 256 00:24:53,190 --> 00:24:55,130 Come on, you go it. 257 00:24:57,460 --> 00:24:59,530 [MUTTERING] 258 00:25:03,040 --> 00:25:04,200 God damn. 259 00:25:09,210 --> 00:25:10,610 [THUDS] 260 00:25:11,440 --> 00:25:13,510 [PLAYING CORNET] 261 00:25:16,180 --> 00:25:17,650 Why we out here? 262 00:25:17,650 --> 00:25:19,120 Women are dancing over here. 263 00:25:19,720 --> 00:25:21,750 Buddy, dancing's inside. 264 00:25:21,750 --> 00:25:23,320 [CHUCKLES] 265 00:25:23,320 --> 00:25:25,290 Ain't never enough dancers for that. 266 00:25:25,290 --> 00:25:26,690 You gotta call 'em all. 267 00:25:26,690 --> 00:25:28,930 Can't you call, call 'em from inside? 268 00:25:31,060 --> 00:25:33,100 So you're just gonna keep playing, huh? 269 00:25:36,370 --> 00:25:38,200 You know what's between them stars? 270 00:25:38,200 --> 00:25:39,870 Don't start with that shit, Buddy. 271 00:25:39,870 --> 00:25:40,910 Space. 272 00:25:40,910 --> 00:25:42,210 Please, man. Shit. 273 00:25:42,210 --> 00:25:43,840 Ain't nothin' but time. 274 00:25:46,950 --> 00:25:48,210 Yeah. 275 00:26:13,440 --> 00:26:14,770 [KNOCKING ON WINDOW] 276 00:26:21,010 --> 00:26:22,210 Nora. 277 00:26:24,980 --> 00:26:26,250 Shh. 278 00:26:28,650 --> 00:26:31,390 -Nora. -Shh. 279 00:26:31,390 --> 00:26:34,260 [WHISPERING] What are you doing here? 280 00:26:34,260 --> 00:26:37,060 -[GASPS] -Nora, why you don't come see me play? 281 00:26:38,630 --> 00:26:41,300 A lady don't go where the Bolden band play. 282 00:26:43,370 --> 00:26:45,640 Oh. 283 00:26:45,640 --> 00:26:48,910 Mama said you grow up too wild for a good girl. 284 00:26:48,910 --> 00:26:51,110 All that rockin' in church, 285 00:26:51,110 --> 00:26:52,810 she don't like that, no. 286 00:27:00,690 --> 00:27:02,920 Mama don't like your music neither. 287 00:27:06,390 --> 00:27:08,430 [JAZZ MUSIC PLAYING] 288 00:27:08,430 --> 00:27:10,130 BOLDEN: Hey, whoa, whoa! 289 00:27:10,960 --> 00:27:12,860 Y'all ain't playin' it right. 290 00:27:15,770 --> 00:27:17,500 Put your horns down. Put 'em down, put 'em down. 291 00:27:17,500 --> 00:27:19,840 We, we, we, we're gonna clap it out. 292 00:27:19,840 --> 00:27:22,170 Tillman, give me that, uh, give me that beat you were working with. Hit it on four. 293 00:27:22,170 --> 00:27:23,870 -This one? -[PLAYS DRUMS] 294 00:27:24,680 --> 00:27:26,380 Yeah, yeah, that's it. Four. 295 00:27:26,380 --> 00:27:27,680 Now, Johnson. 296 00:27:27,680 --> 00:27:30,410 Ba, ba, ba-ra, ba-ra. 297 00:27:30,420 --> 00:27:32,720 Ba, ba, ba-ra, ba-ra. 298 00:27:34,550 --> 00:27:36,850 See how that feels? Yeah, yeah, that's it. 299 00:27:36,860 --> 00:27:38,560 Now, Mumford, give me time. 300 00:27:38,560 --> 00:27:40,620 [SCATTING TO BEAT] 301 00:27:40,630 --> 00:27:42,430 [PLAYING GUITAR] 302 00:27:43,600 --> 00:27:45,930 Oh, yeah. Cornish, come on down. 303 00:27:45,930 --> 00:27:48,000 -Hit two and four. -[CLAPPING TO BEAT] 304 00:27:49,640 --> 00:27:51,170 Come on, Cornish. 305 00:27:51,170 --> 00:27:52,470 -[CLAPPING] -Da. Da. 306 00:27:52,470 --> 00:27:53,400 Let's go. 307 00:27:54,540 --> 00:27:56,310 Yeah. Yeah, that's right. 308 00:27:58,080 --> 00:27:59,010 Yeah. 309 00:27:59,010 --> 00:28:00,080 Now, Warner. 310 00:28:01,150 --> 00:28:03,450 Pay attention. Look. You're gonna hit the four. 311 00:28:03,450 --> 00:28:05,950 [CLAPPING TO BEAT] 312 00:28:07,420 --> 00:28:08,750 Come on, Warner. 313 00:28:11,460 --> 00:28:13,020 [JAZZ MUSIC PLAYING] 314 00:28:13,360 --> 00:28:16,060 Oh, yeah. 315 00:28:19,230 --> 00:28:20,730 [CLAPPING TO BEAT] 316 00:28:26,810 --> 00:28:28,240 Listen, listen. 317 00:28:32,480 --> 00:28:33,880 That's it. 318 00:28:35,580 --> 00:28:37,280 Oh! 319 00:28:37,280 --> 00:28:38,850 [CLAPPING TO BEAT] 320 00:28:45,620 --> 00:28:47,320 Yeah, ha. 321 00:28:52,500 --> 00:28:54,030 [ARMSTRONG SCATTING] 322 00:28:55,870 --> 00:28:58,070 This music about talking to each other. 323 00:28:58,440 --> 00:28:59,900 Yeah. Come on. 324 00:29:00,570 --> 00:29:02,540 Now y'all havin' a conversation. 325 00:29:02,540 --> 00:29:03,840 [CORNET BLOWS] 326 00:29:03,840 --> 00:29:05,780 -Who said that? -[CORNET BLOWS] 327 00:29:05,780 --> 00:29:06,940 Why would you now... 328 00:29:06,950 --> 00:29:07,910 Yeah! 329 00:29:13,420 --> 00:29:14,350 Come on. 330 00:29:28,700 --> 00:29:30,230 [MUSIC FADES] 331 00:29:31,840 --> 00:29:33,240 [MUSIC RESUMES] 332 00:29:33,640 --> 00:29:35,240 [CHEERING] 333 00:29:38,540 --> 00:29:39,480 I love you! 334 00:29:54,530 --> 00:29:56,160 [LAUGHING] 335 00:29:58,730 --> 00:30:00,060 Mama. 336 00:30:02,840 --> 00:30:04,300 Nora gonna move in with us. 337 00:30:15,250 --> 00:30:16,350 NORA: Mmm. 338 00:30:16,350 --> 00:30:17,450 -Yeah. That's it. -[GIGGLING] 339 00:30:17,450 --> 00:30:19,280 Ease into it like that. 340 00:30:19,720 --> 00:30:21,120 And you gotta, um... 341 00:30:21,120 --> 00:30:23,390 Get your... Get your wrists loose. 342 00:30:23,390 --> 00:30:24,870 See that. 343 00:30:24,870 --> 00:30:26,360 [BLOWS RASPBERRY] Blow your lips. Like that. 344 00:30:26,360 --> 00:30:27,860 -You blow... -[GIGGLES] 345 00:30:27,860 --> 00:30:30,260 -[BLOWS RASPBERRY] -Yeah, like... 346 00:30:30,260 --> 00:30:31,900 [LAUGHING] 347 00:30:34,630 --> 00:30:37,470 IDA: I ain't raise my daughter for the likes of you. 348 00:30:37,470 --> 00:30:40,540 How you fixin' to make a livin' playing your horn? 349 00:30:41,540 --> 00:30:43,370 Why can't you get a real job? 350 00:30:46,580 --> 00:30:48,650 [WALTZ MUSIC PLAYING] 351 00:30:48,650 --> 00:30:50,910 [INDISTINCT CHATTER AND LAUGHTER] 352 00:31:30,160 --> 00:31:31,790 [MUSIC ENDS] 353 00:31:31,790 --> 00:31:33,390 [CHATTER CONTINUES] 354 00:31:41,470 --> 00:31:42,900 [PLAYING JAZZ MUSIC] 355 00:31:42,900 --> 00:31:44,500 [CROWD SHOUTING] 356 00:31:52,580 --> 00:31:54,080 You dressing for church? 357 00:31:54,080 --> 00:31:58,620 I don't wanna hear nothing about that First Street Baptist Church. 358 00:32:03,390 --> 00:32:04,690 We're Episcopal. 359 00:32:06,160 --> 00:32:07,930 [MUSIC PLAYING FAINTLY] 360 00:32:11,130 --> 00:32:12,760 Yeah. 361 00:32:12,760 --> 00:32:14,400 ALICE: I got a new collar for your shirt. 362 00:32:14,400 --> 00:32:17,430 BOLDEN: Mama, I ain't wearing a collar. It's too tight around my neck. 363 00:32:18,800 --> 00:32:20,400 Where you performing at? 364 00:32:20,770 --> 00:32:22,210 Union Sons Hall. 365 00:32:23,440 --> 00:32:25,810 They call it the Funky Butt when you're out playing. 366 00:32:25,810 --> 00:32:27,410 Yeah, Mama. But how you know that? 367 00:32:27,410 --> 00:32:28,450 I hear things. 368 00:32:28,450 --> 00:32:29,980 [PLAYING JAZZ MUSIC] 369 00:32:29,980 --> 00:32:32,020 No, Mama, no. No, Mama. 370 00:32:33,620 --> 00:32:35,050 No, Mama, please. 371 00:32:36,320 --> 00:32:37,920 Mama, please, I can't breathe with that on. 372 00:32:37,920 --> 00:32:38,990 But you look good. 373 00:32:38,990 --> 00:32:40,660 Can't breathe in it. 374 00:32:44,830 --> 00:32:46,600 [MUSIC SLOWS] 375 00:32:54,710 --> 00:32:56,140 CROWD: Hey! 376 00:32:57,640 --> 00:32:59,110 Hey! 377 00:33:00,450 --> 00:33:01,480 Hey! 378 00:33:03,450 --> 00:33:04,650 Hey! 379 00:33:06,390 --> 00:33:07,650 Hey! 380 00:33:09,250 --> 00:33:10,350 Hey! 381 00:33:15,590 --> 00:33:17,460 [CROWD CHEERING] 382 00:33:50,560 --> 00:33:52,330 [CROWD CHEERING] 383 00:33:54,900 --> 00:33:56,370 WOMAN: Bolden! 384 00:33:56,370 --> 00:33:57,300 WARNER: Buddy. 385 00:33:57,870 --> 00:34:00,000 Buddy! Where you at, man? 386 00:34:00,010 --> 00:34:01,810 [DOOR BANGS] 387 00:34:01,810 --> 00:34:04,110 There you are. I been lookin' all over. 388 00:34:04,110 --> 00:34:06,680 Evenin', Warner. This here is Mavis. 389 00:34:07,380 --> 00:34:09,280 Hey, Mavis. 390 00:34:09,280 --> 00:34:11,180 Bolden, we got a big crowd waitin' on you, man. 391 00:34:11,180 --> 00:34:12,720 We're busy now, honey. 392 00:34:12,720 --> 00:34:15,550 And George Baquet, waitin' out there with his horn. 393 00:34:16,460 --> 00:34:19,090 Blue-eyed tan man comin' to our neighborhood? 394 00:34:19,090 --> 00:34:20,490 [DOOR SHUTS] 395 00:34:20,490 --> 00:34:22,430 BOLDEN: Warner, you worried about George Baquet? 396 00:34:22,430 --> 00:34:24,060 That motherfucker comin' for my job. 397 00:34:24,060 --> 00:34:25,630 WARNER: Ain't nobody comin' for your job. 398 00:34:25,630 --> 00:34:27,960 BOLDEN: Why you think the best paid clarinet man in New Orleans 399 00:34:27,970 --> 00:34:29,370 come to the pit to play with us? 400 00:34:29,370 --> 00:34:31,300 Jimmy Palao got the light-skin niggers, too. 401 00:34:31,300 --> 00:34:32,840 Nobody come for your job. 402 00:34:32,840 --> 00:34:35,210 He ain't so white like they talk. 403 00:34:35,210 --> 00:34:40,240 -[CELLO PLAYING] -WOMAN: ¶ Make me a pallet on your floor 404 00:34:43,320 --> 00:34:47,850 ¶ Make me a pallet on your floor 405 00:34:47,850 --> 00:34:49,450 What she doin' here? 406 00:34:50,760 --> 00:34:54,320 ¶ If you make me a pallet 407 00:34:54,330 --> 00:34:58,330 ¶ I swear your woman will never know 408 00:34:59,600 --> 00:35:04,630 ¶ Make me a pallet on your floor 409 00:35:28,390 --> 00:35:30,190 Play your heart out, Buddy Bolden. 410 00:35:31,060 --> 00:35:32,430 [INAUDIBLE] 411 00:35:37,170 --> 00:35:39,170 WOMAN: ¶ Make it soft 412 00:35:39,170 --> 00:35:42,810 ¶ Make it easy make it flow 413 00:35:45,580 --> 00:35:47,410 ¶ Make it soft 414 00:35:47,410 --> 00:35:51,650 ¶ Make it easy make it slow 415 00:35:54,050 --> 00:35:57,220 ¶ When she comes in 416 00:35:57,220 --> 00:36:01,060 ¶ I swear she would never know 417 00:36:01,060 --> 00:36:06,860 ¶ That you make me a pallet down upon your floor ¶ 418 00:36:18,310 --> 00:36:20,210 NORA: I'm pregnant. 419 00:36:20,850 --> 00:36:22,850 [BABIES CRYING] 420 00:36:23,780 --> 00:36:25,220 A baby? 421 00:36:25,950 --> 00:36:27,650 You can't take care of yourself. 422 00:36:29,250 --> 00:36:31,690 Ain't you got one already? A little boy? 423 00:36:34,030 --> 00:36:36,090 [CORNET PLAYS ON RADIO] 424 00:36:36,090 --> 00:36:38,090 [CHEERING] 425 00:36:38,100 --> 00:36:40,760 ARMSTRONG: Yeah! 426 00:36:41,600 --> 00:36:43,770 JUDGE PERRY: Right and wrong. 427 00:36:45,070 --> 00:36:48,240 Oh, it can be so confusing. 428 00:36:48,240 --> 00:36:50,110 Lord wrote a book about it. 429 00:36:50,110 --> 00:36:53,280 Civil societies are defined by it. 430 00:36:55,310 --> 00:36:58,180 You just don't know the difference. 431 00:36:58,180 --> 00:37:00,420 Niggers don't know right from wrong. 432 00:37:02,490 --> 00:37:04,720 You are not in God's image. 433 00:37:12,460 --> 00:37:14,500 NORA: We're gonna have a baby, Buddy. 434 00:37:18,640 --> 00:37:19,700 Come on. 435 00:37:20,710 --> 00:37:22,770 [SOMBER MUSIC PLAYING] 436 00:38:02,450 --> 00:38:04,280 BARTLEY: King Bolden. 437 00:38:04,280 --> 00:38:06,750 I want you to meet George Baquet. 438 00:38:14,690 --> 00:38:15,760 Hey, George. 439 00:38:21,200 --> 00:38:23,030 You come to copy me? 440 00:38:23,040 --> 00:38:24,370 BARTLEY: Don't worry, Warner. 441 00:38:24,370 --> 00:38:26,740 He just want to do a couple of rounds with Bolden. 442 00:38:34,010 --> 00:38:36,050 [CHEERING] 443 00:38:36,850 --> 00:38:38,780 [PLAYING UPBEAT MUSIC] 444 00:38:38,780 --> 00:38:40,650 [CROWD CHEERING] 445 00:38:46,160 --> 00:38:47,920 [PLAYING CORNET SOLO] 446 00:39:22,930 --> 00:39:24,860 [CHEERING] 447 00:39:39,880 --> 00:39:41,580 [TEMPO INCREASES] 448 00:39:50,760 --> 00:39:51,720 Yeah! 449 00:40:14,180 --> 00:40:15,780 [ALL CHEERING] 450 00:40:19,020 --> 00:40:21,750 Ladies and gentlemen, this here George Baquet. 451 00:40:36,200 --> 00:40:37,830 [SOUNDS FADING] 452 00:40:44,310 --> 00:40:45,780 [CLATTERING] 453 00:40:48,180 --> 00:40:50,180 YOUNG BOLDEN: Here, here, let me show you how to. 454 00:40:50,820 --> 00:40:52,450 [CLARINET PLAYING] 455 00:40:55,090 --> 00:40:56,450 Warner, come and get me! 456 00:40:57,490 --> 00:40:59,590 Come on, Warner, come and get me. 457 00:41:00,660 --> 00:41:01,660 Come on. 458 00:41:07,300 --> 00:41:09,130 [CLARINET CONTINUES PLAYING] 459 00:41:26,150 --> 00:41:28,120 [WATER DRIPPING] 460 00:41:30,520 --> 00:41:33,120 It's all right. It's all right. 461 00:41:34,090 --> 00:41:35,560 You'll get this. 462 00:41:37,560 --> 00:41:39,600 GEORGE: Bolden, do you write your music down? 463 00:41:40,330 --> 00:41:42,770 Can you write it down? 464 00:41:42,770 --> 00:41:44,300 We're composing on the bandstand, you know? 465 00:41:44,300 --> 00:41:47,640 So, it's... It's like we're talking to each other. 466 00:41:47,640 --> 00:41:48,970 We're havin' a conversation. 467 00:41:48,970 --> 00:41:51,670 I let the notes play on through, that's what I do. 468 00:41:52,440 --> 00:41:54,010 Just got to listen. 469 00:41:54,010 --> 00:41:56,650 I never play without the music right in front of me. 470 00:41:57,180 --> 00:41:58,620 [EXHALES] 471 00:41:58,620 --> 00:42:00,720 You play it the same, same, same, same, same. 472 00:42:00,720 --> 00:42:02,850 I don't do none of that. I play it my way. 473 00:42:02,850 --> 00:42:04,740 Every time. 474 00:42:04,740 --> 00:42:06,620 And that string may, it may never come out the same 475 00:42:06,630 --> 00:42:07,890 so how you gonna write it down? 476 00:42:07,890 --> 00:42:09,360 How you gonna write it down, huh? 477 00:42:09,360 --> 00:42:10,960 Bolden if you don't write your music down, 478 00:42:10,960 --> 00:42:12,900 how's anyone gonna play it when you're gone? 479 00:42:12,900 --> 00:42:15,830 You don't understand. It's a... It's a livin' thing. 480 00:42:15,830 --> 00:42:17,900 It's, it's, it's... It's me and the whole band. 481 00:42:17,900 --> 00:42:20,140 We, we, we just breathing together. 482 00:42:21,770 --> 00:42:23,810 So you don't even know what you're gonna play. 483 00:42:24,380 --> 00:42:26,140 You know, sometimes I... 484 00:42:26,140 --> 00:42:28,580 [WATER DRIPPING] 485 00:42:28,580 --> 00:42:31,080 I think it's better not to play anything at all. 486 00:42:36,560 --> 00:42:39,760 Bolden, try playing around this. 487 00:42:49,270 --> 00:42:51,170 [CLARINET PLAYING] 488 00:43:25,900 --> 00:43:27,900 [DUET CONTINUES] 489 00:43:48,960 --> 00:43:50,760 [WATER DRIPPING] 490 00:43:53,470 --> 00:43:55,730 [CHILDREN LAUGHING] 491 00:43:56,130 --> 00:43:58,700 [CORNET PLAYING] 492 00:44:24,130 --> 00:44:26,330 You think Warner holding back the band? 493 00:44:27,300 --> 00:44:28,930 He been working hard. 494 00:44:29,970 --> 00:44:31,970 But I'm with you whatever you decide. 495 00:44:34,570 --> 00:44:36,410 [MELANCHOLY MUSIC PLAYING] 496 00:44:55,590 --> 00:44:58,290 [MEN SINGING RIDE ON KING JESUS] 497 00:44:59,360 --> 00:45:00,500 ¶ Ride on 498 00:45:00,500 --> 00:45:03,030 ¶ No man can hinder thee 499 00:45:03,030 --> 00:45:06,700 -¶ Ride on -¶ Ride on King Jesus 500 00:45:06,710 --> 00:45:08,270 ¶ Ride on 501 00:45:08,270 --> 00:45:11,210 ¶ No man can hinder thee 502 00:45:11,210 --> 00:45:12,640 ¶ Ride on 503 00:45:12,640 --> 00:45:15,610 -¶ Ride on - ¶ Ride on King Jesus 504 00:45:15,610 --> 00:45:17,350 ¶ Ride on 505 00:45:17,350 --> 00:45:18,820 ¶ No man can... ¶ 506 00:45:18,820 --> 00:45:20,920 [BOAT HORN BLOWS] 507 00:45:20,920 --> 00:45:22,990 You know what this country needs? 508 00:45:23,520 --> 00:45:24,850 What's that? 509 00:45:24,860 --> 00:45:27,090 A negro heavyweight champ. 510 00:45:27,830 --> 00:45:29,490 Jack Johnson the champ, man. 511 00:45:29,490 --> 00:45:31,130 He the color champ. 512 00:45:31,130 --> 00:45:33,060 White champ won't even fight him. 513 00:45:33,060 --> 00:45:34,730 No. 514 00:45:34,730 --> 00:45:37,600 White champ ain't gonna fight your ministry boys 515 00:45:37,600 --> 00:45:39,000 and you wanna know why? 516 00:45:39,000 --> 00:45:40,040 Why? 517 00:45:40,040 --> 00:45:42,040 'Cause they don't find us serious. 518 00:45:42,410 --> 00:45:44,440 [CHUCKLES] 519 00:45:44,440 --> 00:45:48,010 Gettin' in a ring with Jack Johnson's pretty goddamn serious. 520 00:45:52,250 --> 00:45:53,450 White folks... 521 00:45:54,850 --> 00:45:56,920 they're gonna have to reckon with talent. 522 00:45:59,390 --> 00:46:01,490 Bolden, you know about 523 00:46:02,190 --> 00:46:03,960 cylinder recording? 524 00:46:05,830 --> 00:46:08,700 -Cylinder recording? -Mmm-hmm. 525 00:46:08,700 --> 00:46:10,600 Put your music in a machine. 526 00:46:10,600 --> 00:46:12,370 [BOAT HORN BLOWS] 527 00:46:22,210 --> 00:46:24,650 BOLDEN: Bartley know a man put music in a tin can. 528 00:46:24,650 --> 00:46:26,350 NORA: Music in a tin can? 529 00:46:26,350 --> 00:46:27,620 Yeah. 530 00:46:27,620 --> 00:46:28,820 Well, how do it work? 531 00:46:28,820 --> 00:46:30,490 You sound music into a machine 532 00:46:30,490 --> 00:46:32,360 and the machine put out a tin can. 533 00:46:32,360 --> 00:46:35,420 They'll put tin can back into the machine, and that music come out. 534 00:46:37,360 --> 00:46:38,930 B... 535 00:46:38,930 --> 00:46:40,760 Music in a tin can? 536 00:46:40,770 --> 00:46:42,770 What it sound like? 537 00:46:42,770 --> 00:46:44,700 I don't know. I never heard it. 538 00:46:44,700 --> 00:46:46,470 But Bartley say it sound like money. 539 00:46:47,570 --> 00:46:49,440 Sounds like magic. 540 00:46:49,440 --> 00:46:51,170 [LAUGHS] Yeah. 541 00:46:51,180 --> 00:46:54,910 Folks will hear my music, but I'm invisible. 542 00:46:54,910 --> 00:46:56,310 I don't know, Nora. 543 00:46:56,310 --> 00:46:58,850 People hearing you play and you ain't there? 544 00:46:58,850 --> 00:47:00,380 [WATER DRIPPING] 545 00:47:01,090 --> 00:47:02,290 Yeah. 546 00:47:10,560 --> 00:47:12,060 [SOMBER MUSIC PLAYING] 547 00:47:13,360 --> 00:47:15,200 [INMATES WAILING] 548 00:47:25,180 --> 00:47:27,240 [SHOUTING] 549 00:47:46,930 --> 00:47:48,870 [ALL SHOUTING] 550 00:47:57,580 --> 00:47:59,010 MAN: This is a shit hole! 551 00:47:59,940 --> 00:48:02,680 Gotta get a better place! 552 00:48:02,680 --> 00:48:05,010 And I want bigger niggers next time. 553 00:48:07,950 --> 00:48:10,190 [FOOTSTEPS ECHOING] 554 00:48:35,810 --> 00:48:37,480 [INTENSE MUSIC CONTINUES] 555 00:48:48,390 --> 00:48:49,690 This cost a dime. 556 00:48:50,930 --> 00:48:53,630 Sell 50 vials, you make a dollar. 557 00:48:55,870 --> 00:49:00,140 Sell 100 vials, you get $2.10. 558 00:49:01,610 --> 00:49:03,240 As business gets better, 559 00:49:04,680 --> 00:49:06,040 y'all do better. 560 00:49:07,810 --> 00:49:09,580 There's money in recording music. 561 00:49:11,580 --> 00:49:13,980 You gonna put your music in Bartley's machine? 562 00:49:16,450 --> 00:49:18,690 If there's a machine play your music, 563 00:49:18,690 --> 00:49:20,160 more folks gonna hear. 564 00:49:20,760 --> 00:49:22,790 White folks, too. 565 00:49:22,790 --> 00:49:24,630 They the ones can afford the machine. 566 00:49:25,400 --> 00:49:26,560 [INAUDIBLE] 567 00:49:39,640 --> 00:49:41,010 [INTENSE MUSIC PLAYING] 568 00:49:50,360 --> 00:49:52,150 [WATER DRIPPING] 569 00:50:00,500 --> 00:50:01,560 [INAUDIBLE] 570 00:50:06,400 --> 00:50:09,110 JUDGE PERRY: Desire and desperation 571 00:50:09,110 --> 00:50:12,210 are dangerous motivations, Bolden. 572 00:50:13,010 --> 00:50:14,240 [WOMAN WAILS] 573 00:50:16,580 --> 00:50:18,180 Humility recedes 574 00:50:18,180 --> 00:50:21,220 and loyalty vanishes. 575 00:50:22,050 --> 00:50:24,450 One thing stays the same. 576 00:50:24,460 --> 00:50:26,520 There's always someone who can do it better. 577 00:50:26,520 --> 00:50:28,190 [CROWD CHEERING] 578 00:50:35,970 --> 00:50:38,600 [PLAYING UPBEAT MUSIC] 579 00:50:38,600 --> 00:50:39,670 [CROWD CLAPPING IN RHYTHM] 580 00:50:57,720 --> 00:50:59,360 [ALL CHEERING] 581 00:51:01,890 --> 00:51:03,490 MAN: Teach him a lesson, Buddy. 582 00:51:04,060 --> 00:51:05,490 [CHEERING] 583 00:51:08,270 --> 00:51:09,530 BOLDEN: Yeah, all right. Thank you. 584 00:51:11,970 --> 00:51:13,370 [PLAYS HOLLOW NOTE] 585 00:51:15,670 --> 00:51:17,810 [WATER DRIPPING] 586 00:51:17,810 --> 00:51:19,840 [INTENSE MUSIC PLAYING] 587 00:51:26,720 --> 00:51:29,950 [SOFTLY] Warner, I can't find the valves to my horn. 588 00:51:29,950 --> 00:51:31,590 You have the valves right here. Look. 589 00:51:31,590 --> 00:51:32,660 You're fine. 590 00:51:32,660 --> 00:51:33,760 I'm not fine, Warner. 591 00:51:57,980 --> 00:51:59,550 [CROWD SHOUTING] 592 00:52:09,490 --> 00:52:10,230 Buddy. 593 00:52:10,230 --> 00:52:11,790 [CROWD CHATTERING] 594 00:52:12,230 --> 00:52:13,530 Play somethin'. 595 00:52:15,230 --> 00:52:18,130 He's gonna let some other motherfucker right in 596 00:52:18,140 --> 00:52:19,300 and steal our shit off? 597 00:52:19,300 --> 00:52:21,300 Who gonna catch us, Buddy? 598 00:52:21,300 --> 00:52:23,300 BOLDEN: Cornish , Cornish, Cornish. You're supposed to be on my side. 599 00:52:23,310 --> 00:52:26,310 Can't nobody do what we do, baby. 600 00:52:26,310 --> 00:52:29,780 You gotta put your music in that man's machine, motherfucker. 601 00:52:31,520 --> 00:52:32,450 [KNOCK ON DOOR] 602 00:52:32,450 --> 00:52:33,450 [BELL CHIMING] 603 00:52:34,020 --> 00:52:36,390 King Bolden. You ready? 604 00:52:37,120 --> 00:52:39,260 Are you ready, Warner? 605 00:52:39,260 --> 00:52:41,220 Ain't I lookin' ready? 606 00:52:41,230 --> 00:52:42,860 We gonna play at Butcher Hollow tonight. 607 00:52:42,860 --> 00:52:43,790 No. 608 00:52:45,030 --> 00:52:46,530 It hurts my ears, man. 609 00:52:46,530 --> 00:52:48,800 The sound comin' off of that wall, it's, uh, 610 00:52:48,800 --> 00:52:50,300 messin' with my time, so... 611 00:52:50,300 --> 00:52:52,070 We go now, we'll be right on time. 612 00:52:52,070 --> 00:52:53,870 Right on the down beat. 613 00:52:53,870 --> 00:52:56,870 Warner, listen to me. My lip ain't balmed, so... 614 00:52:58,140 --> 00:53:01,140 So get on down there. I'll meet y'all over there. 615 00:53:01,150 --> 00:53:02,710 Come on, man, we gotta go to work. 616 00:53:02,710 --> 00:53:04,680 "Go to work"? Warner, you goin' to work. 617 00:53:07,750 --> 00:53:08,980 You all right, Buddy? 618 00:53:08,990 --> 00:53:10,190 Goddamn! Warner, get out! 619 00:53:10,190 --> 00:53:11,120 Warner get out! 620 00:53:11,120 --> 00:53:12,890 Get on out. 621 00:53:12,890 --> 00:53:14,420 And I'll be right over. 622 00:53:15,060 --> 00:53:16,390 Okay? 623 00:53:21,570 --> 00:53:23,700 Well, I guess I'll see you over there, Buddy. 624 00:53:30,840 --> 00:53:31,970 [DOOR SHUTS] 625 00:53:36,350 --> 00:53:39,820 You were supposed to be playing my place last night. 626 00:53:40,520 --> 00:53:42,320 [GRUNTS] 627 00:53:42,320 --> 00:53:46,290 I heard you was playing down the street. Hmm? 628 00:53:46,290 --> 00:53:48,790 You fuck up my Thursday night business. 629 00:53:48,790 --> 00:53:50,460 Somebody be playing like me. 630 00:53:50,460 --> 00:53:53,160 Somebody be playing like me. 631 00:53:53,160 --> 00:53:56,470 You gonna give us the next three Thursdays 632 00:53:56,830 --> 00:53:58,630 for nothin'. Hmm? 633 00:53:59,970 --> 00:54:00,970 Gotta pay the band. 634 00:54:01,410 --> 00:54:02,340 [GRUNTS] 635 00:54:03,670 --> 00:54:06,140 BARTLEY: You out your motherfuckin' mind. 636 00:54:06,140 --> 00:54:08,280 You mess with that man's business, 637 00:54:08,280 --> 00:54:11,280 that means you messing with my business. 638 00:54:12,880 --> 00:54:14,280 [INTENSE MUSIC PLAYING] 639 00:54:14,290 --> 00:54:15,820 [INAUDIBLE] 640 00:54:19,660 --> 00:54:20,860 [WATER DRIPPING] 641 00:54:20,860 --> 00:54:22,860 WOMAN: Hey, Bartley, 642 00:54:22,860 --> 00:54:24,860 what you gonna do when you get Buddy's music in a tin can? 643 00:54:24,860 --> 00:54:26,330 BARTLEY: I'm gonna sell it. 644 00:54:26,330 --> 00:54:28,600 Who's gonna want to hear his music? 645 00:54:28,600 --> 00:54:32,330 And I got exclusive arrangements with a white man by then. 646 00:54:34,470 --> 00:54:37,270 [INHALES AND EXHALES] 647 00:54:37,280 --> 00:54:39,640 Baby, you're gonna be a family man now. 648 00:54:39,640 --> 00:54:42,540 You gonna have a child to provide for. 649 00:54:42,550 --> 00:54:46,020 You wanna play your horn instead of plastering walls, all right. 650 00:54:46,020 --> 00:54:48,350 But you gotta make it pay. 651 00:55:05,040 --> 00:55:06,540 Bartley... 652 00:55:06,540 --> 00:55:10,510 he need to put his music in that machine. 653 00:55:10,510 --> 00:55:12,270 BARTLEY: Don't worry, baby. 654 00:55:12,280 --> 00:55:13,680 We gonna get him. 655 00:55:14,610 --> 00:55:18,050 Sooner or later, we gonna get his music. 656 00:55:18,050 --> 00:55:19,820 [SUSPENSEFUL MUSIC PLAYING] 657 00:55:20,990 --> 00:55:22,320 [CORNET PLAYS] 658 00:55:22,850 --> 00:55:24,520 [JAZZ MUSIC PLAYING] 659 00:55:30,190 --> 00:55:32,260 MAN: [OVER RADIO] You're listening to Louis Armstrong... 660 00:55:32,260 --> 00:55:33,630 BOLDEN: [SHOUTS] Nora! 661 00:55:35,270 --> 00:55:37,870 NORA: I need to get married to you, Buddy. 662 00:55:40,300 --> 00:55:41,970 When you coming home? 663 00:55:45,440 --> 00:55:47,610 [THUNDER RUMBLES] 664 00:55:56,990 --> 00:55:58,620 [MELANCHOLY MUSIC PLAYING] 665 00:56:04,300 --> 00:56:06,360 [PLAYING BLACK AND BLUE] 666 00:56:13,540 --> 00:56:15,070 [PLAYING CORNET SOLO] 667 00:56:23,150 --> 00:56:24,450 Hey, baby. 668 00:56:51,210 --> 00:56:53,240 ¶ Cold empty bed 669 00:56:53,240 --> 00:56:55,540 ¶ Springs hard as lead 670 00:56:55,550 --> 00:56:57,880 ¶ Feel like Old Ned 671 00:56:57,880 --> 00:56:59,520 ¶ Wished I was dead 672 00:56:59,520 --> 00:57:02,150 ¶ All my life through 673 00:57:02,150 --> 00:57:06,590 ¶ I've been so black and blue 674 00:57:07,120 --> 00:57:08,460 ¶ Hmm, hmm 675 00:57:08,460 --> 00:57:09,990 -¶ Even the mouse -[THUNDER RUMBLING] 676 00:57:10,900 --> 00:57:13,700 ¶ Ran from my house 677 00:57:13,700 --> 00:57:17,070 ¶ They laughed at you and scorned you too 678 00:57:17,070 --> 00:57:19,330 ¶ What did I do, babe 679 00:57:19,340 --> 00:57:23,170 ¶ To be so black and blue? 680 00:57:25,180 --> 00:57:28,280 ¶ Mmm, I'm white 681 00:57:28,280 --> 00:57:30,410 ¶ Inside 682 00:57:30,410 --> 00:57:34,050 ¶ But that don't help my case 683 00:57:34,820 --> 00:57:36,820 ¶ 'Cause it 684 00:57:36,820 --> 00:57:39,350 ¶ Can't hide 685 00:57:39,360 --> 00:57:42,490 ¶ What is in my face 686 00:57:42,490 --> 00:57:45,990 [ARMSTRONG SCATTING] 687 00:57:47,600 --> 00:57:49,670 ¶ How would it end? 688 00:57:49,670 --> 00:57:52,070 ¶ Ain't got a friend 689 00:57:52,070 --> 00:57:55,670 ¶ My only sin is in my skin 690 00:57:55,670 --> 00:57:57,270 ¶ What did I do, babe 691 00:57:57,270 --> 00:57:58,210 Bartley! 692 00:57:58,210 --> 00:58:01,910 ¶ To be so black and blue? 693 00:58:02,850 --> 00:58:04,210 Bartley! 694 00:58:04,220 --> 00:58:05,980 [PLAYING CORNET SOLO] 695 00:58:12,290 --> 00:58:13,690 [MUSIC ENDS] 696 00:58:15,690 --> 00:58:16,860 Buddy! 697 00:58:16,860 --> 00:58:18,560 Buddy! Buddy! 698 00:58:19,000 --> 00:58:20,630 [BUDDY GAGS] 699 00:58:32,780 --> 00:58:34,040 Come on. 700 00:58:40,920 --> 00:58:43,220 That's what a motherfuckin' manager do. 701 00:58:46,890 --> 00:58:48,020 [THUNDER RUMBLES] 702 00:58:48,030 --> 00:58:49,290 [BUDDY BREATHING HOARSELY] 703 00:59:01,570 --> 00:59:03,070 [THUNDER RUMBLES] 704 00:59:05,710 --> 00:59:06,780 Aah! 705 00:59:06,780 --> 00:59:09,410 Stupid motherfuckin' whore. 706 00:59:09,410 --> 00:59:11,080 [BUDDY GROANING] 707 00:59:14,020 --> 00:59:15,280 Clean him up. 708 00:59:16,090 --> 00:59:18,250 [THUNDER RUMBLES] 709 00:59:19,160 --> 00:59:20,560 [RAIN PATTERING] 710 00:59:21,290 --> 00:59:25,160 [THUNDER RUMBLING] 711 00:59:58,100 --> 00:59:59,830 Ain't you somethin', 712 01:00:01,200 --> 01:00:02,830 King Bolden. 713 01:00:06,270 --> 01:00:08,070 You ain't come home to me. 714 01:00:12,380 --> 01:00:13,940 Don't do that to me. 715 01:00:20,280 --> 01:00:22,020 [SOMBER MUSIC PLAYING] 716 01:00:24,390 --> 01:00:26,020 [WATER DRIPPING] 717 01:00:27,960 --> 01:00:29,390 [CORNET PLAYING] 718 01:00:36,130 --> 01:00:39,070 [MAN SHOUTING] 719 01:00:46,540 --> 01:00:48,740 JOHNSON: Ain't nobody playin' what we playin'. 720 01:00:48,750 --> 01:00:50,880 Ain't nobody playin' what Buddy playin'. 721 01:00:51,620 --> 01:00:54,020 Nobody's splitting up. 722 01:00:54,020 --> 01:00:56,990 -And it just have a certain life. -[ALL CHATTERING] 723 01:01:03,790 --> 01:01:05,430 Buddy showed up like black Jesus. 724 01:01:05,430 --> 01:01:07,060 [LAUGHTER] 725 01:01:08,070 --> 01:01:10,170 So I guess that make us his disciples. 726 01:01:10,170 --> 01:01:11,170 [KNOCK ON DOOR] 727 01:01:12,800 --> 01:01:15,070 I'm looking for a Buddy Bolden. 728 01:01:15,540 --> 01:01:17,270 Well, shit, get in line. 729 01:01:17,270 --> 01:01:18,110 You the police? 730 01:01:18,110 --> 01:01:22,340 Uh, no, no. Uh, Bartley sent me. 731 01:01:22,350 --> 01:01:24,180 You don't play clarinet, do you? 732 01:01:24,180 --> 01:01:26,080 [CHUCKLES] No. 733 01:01:26,080 --> 01:01:27,650 No, he said that 734 01:01:27,650 --> 01:01:30,750 Bolden wanted to record his music. I can do this. 735 01:01:30,750 --> 01:01:32,590 It come out on a little tin can, huh? 736 01:01:32,590 --> 01:01:36,960 No. No, it comes out on a wax cylinder. 737 01:01:36,960 --> 01:01:38,890 Ah. I got... 738 01:01:41,670 --> 01:01:45,100 -"Oscar Zahn" -Mmm-mmm. Uh, Zahn. 739 01:01:45,600 --> 01:01:47,300 "Cylinder recorders." 740 01:01:48,540 --> 01:01:50,310 Buddy want to record our music. 741 01:01:52,610 --> 01:01:54,140 Let me see that. 742 01:01:57,780 --> 01:01:59,610 Buddy's scared people are gonna steal our music. 743 01:01:59,620 --> 01:02:01,880 Now he wanna put it on a machine? 744 01:02:03,520 --> 01:02:05,020 Make no sense to me. 745 01:02:05,960 --> 01:02:09,120 [PLAYING CORNET AND CLARINET] 746 01:02:16,400 --> 01:02:18,100 [PLAYING OFF-KEY] 747 01:02:25,140 --> 01:02:28,110 WARNER: Why you think the best paid clarinet man in New Orleans 748 01:02:28,110 --> 01:02:30,110 come to the pit to play with us? 749 01:02:31,680 --> 01:02:33,450 [INTENSE MUSIC PLAYING] 750 01:02:33,450 --> 01:02:35,180 So, uh... [CLEARS THROAT] 751 01:02:38,890 --> 01:02:40,460 It's pretty good. [CLEARS THROAT] 752 01:02:41,460 --> 01:02:42,960 Mmm-hmm. 753 01:02:45,430 --> 01:02:46,930 [SIGHS] 754 01:02:49,970 --> 01:02:53,340 We need to talk about exclusive arrangements, you and me. 755 01:02:57,640 --> 01:02:59,470 [PLAYING SLOW MUSIC] 756 01:03:13,960 --> 01:03:16,190 I'll put you in front of a white audience. 757 01:03:17,160 --> 01:03:18,330 [MEN CHEERING] 758 01:03:25,800 --> 01:03:27,870 You a sensation, Bolden. 759 01:03:28,510 --> 01:03:30,470 When people hear your music, 760 01:03:30,470 --> 01:03:34,140 they understand somethin' can hardly be put in words. 761 01:03:35,480 --> 01:03:37,110 [MUSIC CONTINUES] 762 01:03:38,180 --> 01:03:39,410 [INAUDIBLE] 763 01:03:44,520 --> 01:03:46,190 [PEOPLE CHEERING] 764 01:04:08,780 --> 01:04:11,350 [MUSIC CONTINUES] 765 01:04:11,350 --> 01:04:16,180 We need to talk about exclusive arrangements, you and me. 766 01:04:25,630 --> 01:04:27,460 [INDISTINCT CHATTER IN BACKGROUND] 767 01:04:37,040 --> 01:04:38,640 [VALVES CLATTERING] 768 01:04:50,520 --> 01:04:52,220 [SOMBER MUSIC PLAYING] 769 01:04:56,360 --> 01:04:58,090 [INMATES WAILING] 770 01:05:00,960 --> 01:05:04,200 Playing with George Baquet, good business. 771 01:05:08,870 --> 01:05:10,570 [WATER DRIPPING] 772 01:05:12,040 --> 01:05:14,910 Now how you gonna make a livin' without these, huh? 773 01:05:17,150 --> 01:05:20,120 You got a wife and child to provide for. 774 01:05:21,320 --> 01:05:22,380 If it is your child. 775 01:05:34,630 --> 01:05:36,500 NORA: You gonna get out of bed? 776 01:05:36,500 --> 01:05:40,400 Willie Cornish come by, gave me the buttons for your horn. 777 01:05:41,610 --> 01:05:43,340 Why you takin' them out? 778 01:05:48,550 --> 01:05:50,150 ALICE: I hear your daddy every time you play. 779 01:05:50,150 --> 01:05:52,550 I hear your daddy every time you play. 780 01:05:58,290 --> 01:06:00,660 Your daddy die young to give you strength. 781 01:06:11,000 --> 01:06:13,370 [WATER DRIPPING] 782 01:06:18,340 --> 01:06:19,840 [DOOR OPENS] 783 01:06:19,840 --> 01:06:22,240 [CREAKS SHUT] 784 01:06:26,980 --> 01:06:29,080 [HEAVY BREATHING] 785 01:06:41,430 --> 01:06:43,500 [NORA GRUNTING] 786 01:06:43,970 --> 01:06:46,500 [SCREAMING] 787 01:06:49,010 --> 01:06:50,640 [GROANING] 788 01:06:52,680 --> 01:06:54,440 [GRUNTING] 789 01:06:54,440 --> 01:06:56,510 [JAZZ MUSIC PLAYING] 790 01:07:04,020 --> 01:07:05,290 [SCREAMING] 791 01:07:16,630 --> 01:07:19,330 [CROWD CHEERING] 792 01:07:19,340 --> 01:07:22,100 BOLDEN: My daddy gave me the power of my lungs. 793 01:07:22,110 --> 01:07:24,440 That's how I play like I do. 794 01:07:25,680 --> 01:07:26,610 [SCREAMING] 795 01:07:27,610 --> 01:07:29,210 [CROWD SHOUTING] 796 01:07:38,960 --> 01:07:41,320 [CROWD SHOUTING] 797 01:07:42,490 --> 01:07:43,430 [MAN COUGHING] 798 01:07:43,430 --> 01:07:44,490 [SCREAMING] 799 01:07:54,000 --> 01:07:56,270 [BABY WAILING] 800 01:07:58,210 --> 01:08:01,210 ALICE: Your daddy was sacrificed for your gift. 801 01:08:01,210 --> 01:08:03,240 What gonna happen to your baby? 802 01:08:03,250 --> 01:08:05,380 You gonna lose your gift. 803 01:08:07,580 --> 01:08:09,650 Where are you now? Huh? 804 01:08:12,860 --> 01:08:14,520 [UPBEAT MUSIC PLAYING] 805 01:08:24,700 --> 01:08:26,130 [MUSIC CONTINUES] 806 01:08:28,570 --> 01:08:29,800 Brothers and sisters... 807 01:08:29,810 --> 01:08:31,410 [MUSIC CONTINUES] 808 01:08:37,210 --> 01:08:40,450 ...I come to you today to talk about returning home. 809 01:08:40,450 --> 01:08:41,550 Back to Africa. 810 01:08:41,550 --> 01:08:42,820 [MUSIC CONTINUES] 811 01:08:46,160 --> 01:08:48,920 We will never be Americans. 812 01:08:48,930 --> 01:08:50,630 It's time to return home. 813 01:08:50,630 --> 01:08:51,890 [MUSIC CONTINUES] 814 01:08:51,900 --> 01:08:53,360 [CHEERING] 815 01:08:54,700 --> 01:08:57,500 -OFFICER: Now, let's go. -We have the right to a peaceful protest. 816 01:08:57,500 --> 01:08:59,330 [MUSIC CONTINUES] 817 01:09:10,510 --> 01:09:11,580 [GRUNTING] 818 01:09:30,870 --> 01:09:32,800 Get out! Get out! Go! 819 01:09:33,600 --> 01:09:34,900 [PLAYING BROKEN NOTES] 820 01:09:42,610 --> 01:09:43,850 [PLAYING HALTINGLY] 821 01:10:04,100 --> 01:10:06,400 You, come here! You don't move! 822 01:10:09,440 --> 01:10:11,240 -MAN: Hey. Hey. -Keep your hands off of me! 823 01:10:11,240 --> 01:10:12,240 [WOMEN SHRIEK] 824 01:10:12,240 --> 01:10:14,240 [INDISTINCT SHOUTING] 825 01:10:16,210 --> 01:10:18,180 [SHOUTING] 826 01:10:18,180 --> 01:10:20,350 MCMURPHY: This is all on Bartley. 827 01:10:20,350 --> 01:10:24,620 This here's your enterprising nigger's boy, Bolden. 828 01:10:24,620 --> 01:10:28,120 Caused a riot outside that dance hall he was playin' at. 829 01:10:28,120 --> 01:10:29,860 He's serious trouble. 830 01:10:31,260 --> 01:10:32,930 This is all on Bartley. 831 01:10:34,260 --> 01:10:36,100 [FOOTSTEPS ECHOING] 832 01:10:36,100 --> 01:10:37,700 JUDGE PERRY: Shut Bolden down? 833 01:10:37,700 --> 01:10:41,300 MCMURPHY: Shut him down. Just stop that boy playing. 834 01:10:41,300 --> 01:10:44,270 A bold nigger is dangerous. 835 01:10:44,270 --> 01:10:46,470 [BRASS BAND PLAYING] 836 01:10:59,320 --> 01:11:00,720 What you lookin' at? 837 01:11:14,640 --> 01:11:16,670 [CROWD WHISTLING] 838 01:11:20,810 --> 01:11:22,440 [BRASS BAND PLAYING] 839 01:11:33,860 --> 01:11:35,360 [CHEERING] 840 01:11:36,660 --> 01:11:38,590 [MUSIC FADING] 841 01:11:44,200 --> 01:11:45,470 [GROWLS] 842 01:11:48,140 --> 01:11:49,670 [PLAYING OFF TUNE] 843 01:11:59,050 --> 01:12:00,480 Come on. 844 01:12:00,480 --> 01:12:01,950 Get on out of here. 845 01:12:03,550 --> 01:12:05,720 Motherfucker! Get off of me! 846 01:12:05,720 --> 01:12:07,460 [BOLDEN SHOUTING] 847 01:12:09,360 --> 01:12:11,330 Cornish, where's Warner? 848 01:12:15,930 --> 01:12:18,130 BOLDEN: You made all your crowd crazy, caused a riot. 849 01:12:18,130 --> 01:12:20,100 You will stop playing your goddamn horn. 850 01:12:20,100 --> 01:12:22,940 That's what the motherfuckers want. That's what you'll do. 851 01:12:28,180 --> 01:12:29,880 [HISSING] 852 01:12:30,710 --> 01:12:32,510 [SCREAMING] 853 01:12:34,120 --> 01:12:35,850 What we gonna do here? 854 01:12:43,760 --> 01:12:45,260 MAN: What's wrong with the man? 855 01:12:45,260 --> 01:12:46,890 CORNISH: He gone lost his mind. 856 01:12:47,460 --> 01:12:49,000 Look, he ain't no Bolden, 857 01:12:49,000 --> 01:12:52,000 but we can always get Bunk Johnson to play with us all. 858 01:12:52,000 --> 01:12:53,370 [BIRDS TWITTERING] 859 01:12:55,040 --> 01:12:56,540 NORA: Ain't you got work? 860 01:12:58,240 --> 01:12:59,810 You gonna get out of bed? 861 01:13:17,890 --> 01:13:19,560 [CORNET PLAYING FAINTLY] 862 01:13:42,050 --> 01:13:44,120 [WALTZ MUSIC PLAYING] 863 01:14:31,970 --> 01:14:33,840 [INTENSE MUSIC PLAYING] 864 01:14:37,310 --> 01:14:40,240 No. No, no. Leave me! 865 01:14:41,780 --> 01:14:43,040 [BOTH GRUNT] 866 01:14:52,090 --> 01:14:53,720 [INTENSE MUSIC PLAYING] 867 01:14:58,230 --> 01:14:59,690 [MUSIC PLAYING FAINTLY] 868 01:15:26,960 --> 01:15:28,690 [JAZZ MUSIC PLAYING] 869 01:15:54,880 --> 01:15:56,650 [SHOUTING] 870 01:16:01,190 --> 01:16:02,760 [MUSIC FADES] 871 01:16:26,220 --> 01:16:27,980 [MUSIC CONTINUES PLAYING] 872 01:16:28,280 --> 01:16:29,950 [CHEERING] 873 01:16:32,660 --> 01:16:33,960 [CROWD EXCLAIMS] 874 01:16:51,640 --> 01:16:53,270 Horns up, motherfuckers. 875 01:17:11,130 --> 01:17:12,360 [WATER DRIPPING] 876 01:17:26,810 --> 01:17:28,280 [SOMBER MUSIC PLAYING] 877 01:17:32,380 --> 01:17:33,810 JUDGE PERRY: Ambition... 878 01:17:35,520 --> 01:17:37,280 born of vanity. 879 01:17:40,620 --> 01:17:43,160 This is America, Bolden. 880 01:17:43,160 --> 01:17:45,760 How far you think you're gonna get? 881 01:17:47,760 --> 01:17:49,860 Destroy the nigger's soul, 882 01:17:49,870 --> 01:17:53,230 and they will destroy each other. 883 01:17:55,410 --> 01:17:58,070 [CROWD CLAMORING] 884 01:18:16,630 --> 01:18:17,890 Turn around. 885 01:18:27,100 --> 01:18:28,940 Number 9 to win. 886 01:18:41,050 --> 01:18:42,720 Your valves are right here. 887 01:18:42,950 --> 01:18:44,220 You fine. 888 01:18:46,120 --> 01:18:48,960 [TRAIN HORN BLOWS] 889 01:18:52,230 --> 01:18:53,460 I'm leaving you, Buddy. 890 01:18:54,930 --> 01:18:57,470 Mr. Warner gonna take us up to Chicago. 891 01:18:59,540 --> 01:19:01,300 I'mma help them settle up there. 892 01:19:02,670 --> 01:19:04,810 Can see if I can get some work. 893 01:19:05,710 --> 01:19:07,610 Maybe in one of the stockyards. 894 01:19:07,610 --> 01:19:08,880 [CROWD CHEERING] 895 01:19:17,590 --> 01:19:19,520 [SLOW JAZZ MUSIC PLAYING] 896 01:19:23,230 --> 01:19:30,460 ¶ Well, I though I heard Buddy Bolden call 897 01:19:31,900 --> 01:19:38,070 ¶ We started in the summer we didn't end till fall 898 01:19:38,740 --> 01:19:41,280 ¶ You walk in my room 899 01:19:41,280 --> 01:19:45,950 ¶ But when you leave, you will crawl 900 01:19:45,950 --> 01:19:51,820 ¶ Oh, that's what Mr. Bolden called... 901 01:20:11,510 --> 01:20:13,340 [MUSIC FADING] 902 01:20:40,800 --> 01:20:43,870 [MUSIC PLAYING FAINTLY] 903 01:20:45,540 --> 01:20:47,310 [CHEERING] 904 01:20:48,410 --> 01:20:50,910 [MAN CONTINUES SINGING] 905 01:20:53,650 --> 01:20:55,380 BARTLEY: Are you ready? 906 01:20:55,850 --> 01:20:57,720 Are you ready? 907 01:20:57,720 --> 01:20:59,690 [CROWD CHEERING] 908 01:20:59,690 --> 01:21:02,660 JUDGE PERRY: Destroy men's souls 909 01:21:02,660 --> 01:21:05,730 and they will destroy each other. 910 01:21:05,730 --> 01:21:08,300 BARTLEY: The best boxers in the world 911 01:21:08,300 --> 01:21:09,830 in the ring of fire! 912 01:21:09,830 --> 01:21:11,330 [CHEERING] 913 01:21:13,240 --> 01:21:14,900 ¶ Yeah 914 01:21:15,500 --> 01:21:18,070 ¶ And then take it away 915 01:21:20,080 --> 01:21:23,610 ¶ I thought I heard him say 916 01:21:26,180 --> 01:21:29,480 No, Bolden. Step back, man. 917 01:21:29,490 --> 01:21:32,290 ¶ ...Buddy Bolden repeat 918 01:21:33,820 --> 01:21:39,930 ¶ I can play it hot or I can play it sweet 919 01:21:41,760 --> 01:21:43,900 -BOLDEN: I'm going... -You ain't going in! 920 01:21:43,900 --> 01:21:45,330 -Get out of here. -That's my song! 921 01:21:45,330 --> 01:21:47,400 [CONTINUES SHOUTING] 922 01:21:49,510 --> 01:21:53,970 ¶ That's what I heard Buddy Bolden repeat ¶ 923 01:21:56,950 --> 01:21:58,680 [CONTINUE SHOUTING] 924 01:22:25,210 --> 01:22:26,310 [GRUNTS] 925 01:22:30,780 --> 01:22:32,980 [INTENSE MUSIC PLAYING] 926 01:22:32,980 --> 01:22:34,680 [LOOMS WHIRRING] 927 01:22:44,590 --> 01:22:45,730 [WHEEZES] 928 01:22:45,730 --> 01:22:47,330 [LOOMS WHIRRING] 929 01:23:07,420 --> 01:23:08,620 That one there. 930 01:23:09,490 --> 01:23:11,190 [SOMBER MUSIC PLAYING] 931 01:23:18,630 --> 01:23:20,590 [CROWD SHOUTING] 932 01:23:36,250 --> 01:23:37,210 [GRUNTS] 933 01:23:49,690 --> 01:23:51,030 [GASPING] 934 01:23:57,030 --> 01:23:58,500 [FAINT SHOUTING] 935 01:24:07,580 --> 01:24:09,580 [WHEEZING] 936 01:24:10,280 --> 01:24:11,480 [CHEERING] 937 01:24:11,480 --> 01:24:13,150 Get up! Get up! 938 01:24:13,150 --> 01:24:15,080 Get your black ass up! 939 01:24:15,080 --> 01:24:16,820 -Get up! -Bartley! 940 01:24:17,550 --> 01:24:18,950 You look at me, Bartley! 941 01:24:18,950 --> 01:24:21,360 You lost! You lost on our deal! 942 01:24:23,390 --> 01:24:24,730 Bartley! 943 01:25:04,370 --> 01:25:05,730 [CHUCKLES] 944 01:25:07,300 --> 01:25:09,700 You're gonna stop killing us. 945 01:25:11,440 --> 01:25:13,110 BARTLEY: It ain't me, baby. 946 01:25:14,110 --> 01:25:15,840 It ain't me. 947 01:25:22,520 --> 01:25:23,720 [PEN SCRATCHING] 948 01:25:41,240 --> 01:25:43,300 [BARTLEY GAGGING] 949 01:25:43,970 --> 01:25:44,910 [GASPS] 950 01:26:05,860 --> 01:26:07,690 You have no past. 951 01:26:08,930 --> 01:26:10,630 No history. 952 01:26:12,130 --> 01:26:13,600 No culture. 953 01:26:15,700 --> 01:26:18,040 You come from nothing. 954 01:26:18,040 --> 01:26:19,870 I come from the same place as you. 955 01:26:21,610 --> 01:26:23,640 There is nothing 956 01:26:23,650 --> 01:26:25,450 the same for you and me. 957 01:26:25,450 --> 01:26:27,780 And that ain't never gonna change. 958 01:26:30,190 --> 01:26:32,290 You come from nothing, raise your head, 959 01:26:32,290 --> 01:26:34,620 get people to gather like you're some kind of... 960 01:26:37,030 --> 01:26:39,730 You think we're gonna let that happen? 961 01:26:39,730 --> 01:26:40,990 Hmm? 962 01:26:41,000 --> 01:26:44,330 Let you incite a godless crowd? 963 01:26:44,330 --> 01:26:46,600 You don't like what I played on this? 964 01:26:49,870 --> 01:26:51,910 No one ever will. 965 01:26:51,910 --> 01:26:53,410 [INTENSE MUSIC PLAYING] 966 01:27:02,250 --> 01:27:04,650 Power that is not righteous 967 01:27:05,220 --> 01:27:07,320 must be destroyed. 968 01:27:37,790 --> 01:27:39,750 [BOLDEN SCREAMING] 969 01:27:44,130 --> 01:27:45,630 [KEYS JINGLE] 970 01:27:46,060 --> 01:27:47,930 [FOOTSTEPS RECEDING] 971 01:27:50,570 --> 01:27:52,830 Oh, thank you, folks. Thank you, folks. 972 01:27:52,840 --> 01:27:54,430 Thank you, thank you. 973 01:27:55,140 --> 01:27:57,440 Thank you, folks. Thank you, folks. 974 01:27:57,440 --> 01:27:58,840 So good to be back home. 975 01:27:58,840 --> 01:28:00,840 You know, when I was a little boy wearing short pants, 976 01:28:00,840 --> 01:28:03,580 I lived with my sister and my mama in the back of town. 977 01:28:03,580 --> 01:28:06,280 Yeah. Yeah, that was my neighborhood. 978 01:28:06,280 --> 01:28:09,380 [BOLDEN SHOUTING] 979 01:28:09,390 --> 01:28:11,950 I was delivering coal to the district. 980 01:28:11,950 --> 01:28:13,550 [CROWD EXCLAIM] 981 01:28:13,560 --> 01:28:16,720 Boy, yeah, they don't talk about a district no more, now, do they? 982 01:28:16,730 --> 01:28:18,660 [LAUGHS] 983 01:28:18,660 --> 01:28:21,830 Yeah. Yeah, I think I remember seeing you there, Jackson, yeah. 984 01:28:21,830 --> 01:28:23,930 You had a big hat on though covering your face. 985 01:28:24,970 --> 01:28:26,770 [BOLDEN SHOUTING] 986 01:28:26,770 --> 01:28:30,370 Anyway, this one morning, I was rolling through that particular neighborhood, 987 01:28:30,370 --> 01:28:33,410 and I heard a sound that I never heard before. 988 01:28:33,410 --> 01:28:34,880 I thought, "Man..." 989 01:28:34,880 --> 01:28:36,510 [BOLDEN SHOUTING] 990 01:28:37,850 --> 01:28:39,680 And, folks, I wanna tell you something. 991 01:28:39,680 --> 01:28:42,350 He was playing the saddest tune anyone hear. 992 01:28:42,350 --> 01:28:44,220 Oh. Mmm-mmm. 993 01:28:44,220 --> 01:28:45,690 I looked at him, I said, "Mister." 994 01:28:45,690 --> 01:28:48,090 I said, "Mister." 995 01:28:48,090 --> 01:28:50,490 I said, "Why you playing so sad, why you playing so sad a tune?" 996 01:28:52,800 --> 01:28:54,030 And he looked at me and he said, 997 01:28:55,100 --> 01:28:56,830 he said, "Son, 998 01:28:56,830 --> 01:28:59,370 "today they took away the king. They took away the king." 999 01:29:01,970 --> 01:29:03,070 [DOOR OPENS] 1000 01:29:15,450 --> 01:29:17,180 I said, "The king?" 1001 01:29:17,190 --> 01:29:18,620 I was just a little boy, you know. 1002 01:29:18,620 --> 01:29:20,250 "The king?" I said, "Who's the king?" 1003 01:29:20,260 --> 01:29:21,590 He said, "'Who's the king?'" 1004 01:29:21,590 --> 01:29:25,230 "Buddy Bolden." He said, "King Buddy Bolden." 1005 01:29:25,230 --> 01:29:27,130 That's what he told me. 1006 01:29:27,130 --> 01:29:29,460 [AUDIENCE CHEERING] 1007 01:29:29,470 --> 01:29:32,230 So this one's gonna go out to King Buddy Bolden, 1008 01:29:32,230 --> 01:29:34,500 the first king of New Orleans music. 1009 01:29:36,170 --> 01:29:38,110 [JAZZ MUSIC PLAYING] 1010 01:30:35,360 --> 01:30:37,430 ¶ 1011 01:31:35,420 --> 01:31:37,490 ¶ 1012 01:32:18,930 --> 01:32:20,870 [MUSIC ENDS] 1013 01:32:47,260 --> 01:32:49,330 [JAZZ MUSIC PLAYING] 75151

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